Transported to a nightmarish world of the Valeyard’s creation, the Doctor finds himself unable to escape, because Eric Saward has stormed off, taking his script for Episode 14 with him.
This week, we bring you that script, performed by a troupe of talented and attractive young actors. What was the original ending for The Trial of a Time Lord? Tune in to Flight Through Entirety’s production of Time Inc. to find out.
|The Doctor||Todd Beilby|
|The Valeyard||Nathan Bottomley|
|The Inquisitor||Richard Stone|
|The Master||James Sellwood|
|Keeper of the Matrix||Todd Beilby|
Special thanks to Dominic Glynn, who graciously permitted the use of his original soundtrack for The Ultimate Foe.
What are you, a comedian?
Normal service will be resumed next week with our Colin Baker Big Finish special, our second-last episode on the Colin Baker Era.
If you want to prepare for this episode, you should listen to these stories.
- Jubilee, by Rob Shearman.
- The One Doctor, by Gareth Roberts and Clayton Hickman.
- Doctor Who and the Pirates, by Jacqueline Rayner.
- The Brink of Death, by Nicholas Briggs, the final story in The Last Adventure box set.
Don’t forget to vote for the story you want us to cover in our upcoming Tom Baker commentary podcast. Click over to last week’s shownotes and make your choice.
Fans of true facts about Doctor Who will enjoy our new Doctor Who Facts account on Twitter, which you can find at @FTEwhofacts.
Brendan is on Twitter as @critiqaltheory, Nathan is @nathanbottomley, Todd is @toddbeilby, and Richard is @RichardLStone. The Flight Through Entirety theme was arranged by Cameron Lam. You can follow the podcast on Twitter at @FTEpodcast.
We’re also on Facebook, and you can check out our website at flightthroughentirety.com. Please consider rating or reviewing us on iTunes, or we’ll end every episode from now on with a series-destroying cliffhanger.
At the end of the week, we’ll be releasing our first Bondfinger commentary of the Pierce Brosnan era, on the videogame-inspiring GoldenEye (1995). You can still catch up on our recent commentaries on both films of the Timothy Dalton era.