WEBVTT

NOTE
This transcript was created on 2026-05-04 at 12:29:04

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Hello, dear listener, and welcome back to Flight Through Entirety

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the only Doctor Who podcast, which has a wingspan of 50 feet and

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blows fire from its nostrils.

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I'm Nathan.

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I'm Todd.

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I'm James.

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We're 5000000000 years in the future.

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We've got canapes, cocktails, and several 1000000 gallons of

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sunscreen, which means that we're ready to face the end of the

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world.

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So, James, apparently you're allowed on the podcast now.

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Apparently.

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Welcome James.

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Yeah, welcome.

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This is great.

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This is the 1st and last time.

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Yes, that's right. very, very well behaved.

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You won't be back.

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So let's talk about this because this is a crucial episode in the

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history of Doctor Who because, oh my god, we've actually had some

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news since the last episode aired.

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And that being that the doctor's leaving?

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Yeah. already.

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I know.

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It was heartbreaking at the time, don't you think?

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I was really crushed by it because this is something we talked

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about this last week about how incredibly excited we all were.

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It's sort of makes you feel like, 0 my goodness, like change

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already, or is it going to jeopardise the future of the show

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really, you know, and we're only just getting an audience now.

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Well, they stick with it if somebody's already leaving.

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Yeah, I mean, I was questioning whether it would actually be back

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off the 2nd series, if it couldn't keep, I mean, it just, it just

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threw the entire sort of future of the show into kind of

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question.

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I mean, obviously that's not what happened.

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And whatever people personally think of David Tennant, he made the

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role his own and Yeah, became incredibly popular.

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Had he been announced at this point?

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No, I don't think so.

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I think were there rumours?

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Well, I think the smart money was on David Tennant because he'd

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been in RTD's Casanova and he actually had been with Mark Gatas in

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a live action version of the Quatermass experiment.

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And I think that he knew about that then.

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So I think he was kind of big and I don't think anyone was

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particularly surprised when it was announced that it was going to

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be him.

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There's an in joke in the Quage Mass experiment remake, where I

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think it's actually Geisha's character says, the doctor, I presume

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or something along those lines.

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Yeah.

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So he'd found out, I think the day before it was made, because

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it's filmed live. and and they slipped that line in there.

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Right, right. interesting.

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It's very good, actually.

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It is well worth a look.

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It's kind of amazing that they managed to do it.

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And there was only one kind of line fluff in the entire sort of 90

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minutes or however long it runs for.

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Wow.

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But of course, we've got Christopher here, and of course, this

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starts off, you know, segueing straight away from the previous

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episode, straight into this, and they're in the TARDIS. so

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organic.

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I just find it as a classic series fan, you know, all the pumping

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of the Fiston thing and the turning of the stuff, like straight at

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the beginning of this episode, it's so different from the classic

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series who, like the way in which he's dealing with the TARD.

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Yeah, well, the last 3 doctors apart from mum, that one fateful

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night, one night in the 1990s, had a TARDIS console that was just

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buttons essentially and had one lever.

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And so running around.

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I mean, they did do a little bit of running around and business

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with the console.

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But here you've got an incredibly physical console and a really

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physical kind of working class doctor who's pumping things and

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using all sorts of physical effort.

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He's got that bong on the console that he turns around.

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I never thought of it like that.

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Oh, dear.

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It's actually a really funny scene.

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And we will come back to it later because they do think that it

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does talk a little bit about Russell T. Davies' conception of the

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future and the way that he uses the future in Doctor Who.

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But let's talk about the role of this episode, because this

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episode has an amazingly important job to do, which is to kind of

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convince us that this show is a going concern and to kind of show

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us what the show is capable of.

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Yeah, it's so crucial.

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I mean, I consider it to be Rose Part 2.

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Because it just segues into it.

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And in the 1st 15 minutes, it's very much Rose dealing with a lot

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of new things and the audience dealing with it as well.

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But as we'll see in our discussions, I think it then changes

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throughout the episode and suddenly to the doctor's story and and

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the audience getting little bits of information before a final

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sort of scene where there is a payoff to that.

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But yes, you're very right.

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This, I mean, this sets the scene of what the tone of the show's

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going to be like.

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And straight away, I mean, we're out of the TARDIS onto this

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platform.

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And I'm absolutely amazed at the visual effects, like straight up

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with the earth and the sun and the platform that could never have

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been done in original who.

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You know, they spent most of the budget of series one on that one

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episode.

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This episode.

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Yes.

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I'm not surprised.

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Well, it has a massive number of effect shots, like a huge, huge

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number.

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Slightly over 200 special effect shots in that episode.

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It was, we need to throw everything and the kitchen sink at this

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to sell how Doctor Who is going to look now.

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Uh, you know, this is Doctor Who.

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This is not the creaky old cardboard set show that you saw when

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you were a kid back in the 1970s.

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This is big.

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There's a very definite attempt to ground this season on Earth.

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And a lot of fanboys, you know, complained that we never left

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Earth this season and there weren't any alien planets.

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We were all around Earth.

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And I think Russell T. Davies was afraid of Doctor Who's

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reputation as being a bunch of stuff that happens in space

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corridors.

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And so the 1st time that he goes to the future, he takes us to a

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beautiful kind of, what's the location called?

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Platform one.

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No, but I mean, it's like a hotel in Cardiff or something.

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It's temple.

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Yeah, it's a temple and it's used over and over again.

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You see it all the time in Doctor Who, even in the Moffatt era.

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This location comes back.

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But it is incredibly beautiful and, you know, impressive looking.

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And because we've got to sell rose's kind of dislocation about

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being in the future, it throws just heaps and heaps of ridiculous

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aliens at us.

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And they're not just men in suits, although there's plenty of men

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in suits, but there's, you know, the face of Bo, who's in a giant

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big tank, and then you've got Jimmy V as the mocks of Balhoon, and

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they're all sort of strange, odd looking aliens.

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And when they're introduced, none of them are like Sontarans or

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Cybermen.

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Like they're not from a particular alien race.

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They're from financial family 7 or, you know, from a company or a

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family or a forest.

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You know, they're they're not just sort of generic alien races

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from the planet Zog.

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They're strange and sort of incomprehensible, even, I think, to

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people who've watched Doctor Who before.

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It does your head in.

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It really does.

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I sit there going, what does that actually mean?

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But at the same time, I'm sort of laughing at the names that have

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been thrown at me, like they bring a smile to my face.

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Yeah.

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I think it is really quite significant that the steward is the 1st

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alien that we actually see as classic series fans since 1989.

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Last week we had the nesting consciousness with the plastic autons

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but the classic series fans, that's something that we know.

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And they're not characters.

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They't speak or anything.

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No, that's right.

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Whereas here, he is the 1st real alien.

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And then Rose is suddenly confronted with this litany of different

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looking aliens.

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Yeah, and the audience is having to deal with this as well.

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I think it's a wonderful scene.

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It's comedic, but at the same time, you also have Christopher or

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the doctor being introduced to these, these aliens and how he

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interacts and Rose is watching that and you're what.

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I mean, when I was rewatching this, I'm watching her reactions to

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him and his reactions to her, it's quite, it's very cleverly

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written, and also to intimacy that the doctor has with Jade or the

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intimacy that she shows back, and seeing Rose's reaction to that.

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So Jabe says she's from, um, she's descended from the planet below

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and she's a direct descendant of the tropical rainforest.

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She's a village in South London.

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Yeah, it's a real place.

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It's not a sort of crazy planet.

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Yeah, until I lived in London, I had no idea.

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It was just like, oh, that's a funny sounding name.

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But no, it's literally she's from South London.

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It's trerendous.

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And, you know, she's one of many races that have evolved on the

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surface of the planet.

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And you've got to think that that's a reference to the Silurians

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which are, you know, yet another race that evolved on earth.

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So humans, Silurians, trees, all of them reached sentience and

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then sort of developed spaceships and, you know, headed off

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world.

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Even those bird head creatures that appear, what's her name?

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Mrs. what is it?

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Mr. Mrs. Pacoo, is that there?

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I really think it's very clever, the way the way that whole scene

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is set up and then, you know, then Rose does have a moment and she

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has to leave the situation.

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And that's really well told using something that we've never

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actually seen in Doctor Who before, which is the use of tainted

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love, which whose lyrics actually tell us what Rose is feeling, and

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she has to get away.

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You know, she is overwhelmed by sort of culture shock.

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In a way that we probably are as well, the way you were talking

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about your reaction to all these aliens, Todd.

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I mean, they're sort of funny, but they're incomprehensible and

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they're nothing that we've ever seen before.

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And that means that we're experiencing a kind of disorientation

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the same way that rose is.

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You are very overwhelmed by lots of things and things have been

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thrown at you.

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Like, we've already had at this point, the introduction of psychic

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paper.

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And it's a very subtle introduction.

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It's something that as a classic series fan, you kind of go, well

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how are they going to do these 45 minute episodes, because in the

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original series, the doctor turns up, gets accused of something

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it's put in jail, a cell, a dungeon, and then has to spend time

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breaking out and proving himself.

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The middle part of the 4 parter.

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Or even the 1st episode, James.

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Whereas here it's like, okay, we've got our in.

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We can get into the story and we can be whoever we need to be

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which I think is just brilliant and it's just done quickly.

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It's over with, but I'm processing that going, oh, oh, oh.

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And then when Rose leaves that scene, Jade scans the doctor.

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And she's looking at her little device going, this is impossible.

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As a classic series of stands, I'm going, well, I know why it's

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impossible because you're a timelord, but do new series fans

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really, do you pick up on what's on that little scanner and what's

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going on?

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It's just this, it just seems, it seems, well, there's something

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about the doctor, you know?

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And then we have a little break.

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Where we're trying to process all this stuff, but it sort of just

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it goes from being really rushed to rose talking to Raffello.

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Is that...

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And wasn't that scene added later or am I...

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The Rafallo scene was was a late edition to the script because it

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was underrunning, yes.

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But it's so crucial because it just gives us time to process.

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Rose is talking to a real person in this environment, finding out

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that this real person does real things.

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Yeah, she's a plumber.

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We still have plumbers in the future.

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That's right.

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And I just really love that connection.

249
00:12:44.759 --> 00:12:49.019
Of course, it's the kiss of death because in the last episode

250
00:12:49.019 --> 00:12:52.740
Clive only interacted with Rose, not the doctor, and he got killed

251
00:12:52.740 --> 00:12:53.159
off.

252
00:12:53.220 --> 00:12:56.879
And here again, this character only interacts with Rose and, well

253
00:12:56.879 --> 00:13:00.000
she's gone, you know, moments later.

254
00:13:00.059 --> 00:13:02.639
Gee, I'm really worried about Gwyneth next week.

255
00:13:04.320 --> 00:13:08.100
But she does get to interact with the doctor, but it's sort of

256
00:13:08.100 --> 00:13:09.059
it's setting a precedence.

257
00:13:09.120 --> 00:13:12.659
But those characters die so pointlessly as well.

258
00:13:12.720 --> 00:13:15.000
You know, they just die off screen.

259
00:13:15.059 --> 00:13:18.179
But of like, from the point of view of the lead characters.

260
00:13:18.240 --> 00:13:21.419
They die without any lodge of that.

261
00:13:21.480 --> 00:13:25.799
I think that that is a really great economical scene that sells

262
00:13:25.799 --> 00:13:27.059
the threat really early.

263
00:13:27.120 --> 00:13:30.179
Like, we don't really know what happens to Rafallo.

264
00:13:30.240 --> 00:13:34.799
But she's very funny and very sweet and very human and super

265
00:13:34.799 --> 00:13:35.639
likeable.

266
00:13:35.639 --> 00:13:39.779
And it's interesting that they cast a woman to play that part.

267
00:13:39.840 --> 00:13:40.860
I think that's really good.

268
00:13:41.460 --> 00:13:45.059
But it does what Doctor Who does.

269
00:13:45.120 --> 00:13:47.820
You know, it's what Clive said in the 1st episode, like death and

270
00:13:47.820 --> 00:13:51.179
destruction follows him and that is a feature of Doctor Who.

271
00:13:51.240 --> 00:13:55.740
And it's reinforcing that to the new audience, you know, that, as

272
00:13:55.740 --> 00:13:58.259
you said, death and destruction do follow the doctor even when

273
00:13:58.259 --> 00:13:58.919
he's not around.

274
00:13:58.980 --> 00:14:01.740
It influences what events are taking place.

275
00:14:01.860 --> 00:14:07.200
And that builds and builds over the next 9 seasons.

276
00:14:07.320 --> 00:14:12.539
And and sort of reaches its apotheosis that last year's Christmas

277
00:14:12.539 --> 00:14:13.080
special.

278
00:14:13.139 --> 00:14:18.840
The doctor being in someone's life is, is, is kind of a death

279
00:14:18.840 --> 00:14:23.700
sentence. is the way Moffatt tends to have sort of aimed

280
00:14:23.700 --> 00:14:24.419
towards...

281
00:14:24.899 --> 00:14:26.639
Yeah, I think Moffatt...

282
00:14:26.700 --> 00:14:28.980
You know, Russell does interrogate that a little bit later on in

283
00:14:28.980 --> 00:14:32.220
his in his run, but I do think that that is something that Moffatt

284
00:14:32.220 --> 00:14:33.600
really kind of plays with.

285
00:14:33.659 --> 00:14:38.340
And, you know, I think we also do need the alternative story which

286
00:14:38.340 --> 00:14:43.679
does happen, which is that the doctor is called the doctor because

287
00:14:43.679 --> 00:14:45.000
he makes people's lives better.

288
00:14:45.059 --> 00:14:47.220
Which is what they're reaching for.

289
00:14:47.279 --> 00:14:51.960
But but they're doing it by going, oh, well, look at all this

290
00:14:51.960 --> 00:14:54.779
death and destruction, but he, you know, he's trying.

291
00:14:54.840 --> 00:14:55.200
Yeah.

292
00:14:55.259 --> 00:14:59.039
But we then get another scene, which I just think is so crucial.

293
00:14:59.100 --> 00:15:01.500
And that is the doctor and rose.

294
00:15:01.740 --> 00:15:06.539
Having an art, well, she is, you know, questioning why, who are

295
00:15:06.539 --> 00:15:06.779
you?

296
00:15:06.840 --> 00:15:07.679
Why am I here?

297
00:15:07.740 --> 00:15:08.700
What's going on?

298
00:15:08.759 --> 00:15:12.600
They have one of their arguments, and I think they have

299
00:15:12.600 --> 00:15:13.559
disagreement, I should say.

300
00:15:13.620 --> 00:15:15.480
And they have it in this episode and they have it in the next

301
00:15:15.480 --> 00:15:17.879
episode as well, where they they argue about something.

302
00:15:17.940 --> 00:15:20.940
It's really interesting to see their dynamic working through that

303
00:15:20.940 --> 00:15:21.899
process.

304
00:15:21.960 --> 00:15:25.740
But it's so, it's so interesting to me here again.

305
00:15:25.799 --> 00:15:27.960
Rose is making it all about her.

306
00:15:28.019 --> 00:15:29.340
She wants to know about the doctor.

307
00:15:29.399 --> 00:15:31.980
She wants to know what's going on her feelings.

308
00:15:32.039 --> 00:15:35.639
The doctor is not ready to give her certain information at this

309
00:15:35.639 --> 00:15:35.940
point.

310
00:15:36.000 --> 00:15:40.320
He can only go so far, but, you know, he has to connect her with

311
00:15:40.320 --> 00:15:41.039
Jackie.

312
00:15:41.100 --> 00:15:43.860
You know, he's we're getting fed a bit of information.

313
00:15:43.919 --> 00:15:45.120
Again very cleverly.

314
00:15:45.179 --> 00:15:49.200
It's explained how everybody speaks English.

315
00:15:49.259 --> 00:15:52.440
Another thing that's not really dealt in the classic series except

316
00:15:52.440 --> 00:15:53.580
for once with Sarah.

317
00:15:53.759 --> 00:15:58.080
But I never thought of it like it invades your head and is not

318
00:15:58.080 --> 00:15:58.740
given permission.

319
00:15:58.799 --> 00:16:03.000
Like, it's, again, a very clever thing from Russell, it really

320
00:16:03.000 --> 00:16:07.379
questions for those of us who are original series fans, how

321
00:16:07.379 --> 00:16:11.580
preconceptions or what we believe to be the show.

322
00:16:11.639 --> 00:16:14.100
So it's like a really, it makes a really interesting point about

323
00:16:14.100 --> 00:16:14.580
consent.

324
00:16:14.639 --> 00:16:15.419
Yeah.

325
00:16:15.419 --> 00:16:22.919
And and whether Rose is a character really consented to what like

326
00:16:22.919 --> 00:16:24.240
is happening to her life.

327
00:16:24.299 --> 00:16:28.019
She's jumped into it without all of the, all of the information

328
00:16:28.019 --> 00:16:30.840
that she necessarily needs.

329
00:16:30.899 --> 00:16:33.840
Yeah, well, I mean, that's what that whole thing is about, isn't

330
00:16:33.840 --> 00:16:34.019
it?

331
00:16:34.080 --> 00:16:37.919
Like it's, she even says to Raffallo that she didn't know what

332
00:16:37.919 --> 00:16:38.580
she's doing.

333
00:16:38.639 --> 00:16:41.399
She's jumped into this thing with a stranger, she doesn't know who

334
00:16:41.399 --> 00:16:41.820
he is.

335
00:16:41.879 --> 00:16:45.360
And there's a sense in which she goes on the attack.

336
00:16:45.419 --> 00:16:49.019
Like when she tells the doctor, like demands to know where he's

337
00:16:49.019 --> 00:16:55.200
from, and he sort of accuses her in some ways of being racist, you

338
00:16:55.200 --> 00:16:56.759
know, the deep south line.

339
00:16:56.820 --> 00:17:00.779
But that aggressively asking someone what their background is, is

340
00:17:00.779 --> 00:17:04.259
kind of impolite in a sort of normal human context.

341
00:17:04.380 --> 00:17:05.880
Especially if you're British.

342
00:17:05.940 --> 00:17:06.900
Yeah, yeah.

343
00:17:06.960 --> 00:17:12.660
And so, and so, um, she backs off and they do repair it, but they

344
00:17:12.660 --> 00:17:16.200
repair it in a nice subtle way, and it is what you said, Todd

345
00:17:16.200 --> 00:17:19.380
where he fixes her phone so that she can speak to Jackie.

346
00:17:19.440 --> 00:17:23.220
Did you notice that that that's actually a flashback that she's

347
00:17:23.220 --> 00:17:26.279
ringing Jackie before Hendrix explodes?

348
00:17:26.460 --> 00:17:30.960
Yes, I will say that because I was watching it going, like, is

349
00:17:30.960 --> 00:17:33.960
this even Jackie's flat with those trees outside and I'm going

350
00:17:33.960 --> 00:17:39.000
like, is this set before the events of Rose because, you know, in

351
00:17:39.000 --> 00:17:41.759
a couple of episodes time, like she's never gone back after the

352
00:17:41.759 --> 00:17:42.480
events of Rose.

353
00:17:42.539 --> 00:17:45.779
Like, so it must be before that.

354
00:17:45.839 --> 00:17:48.180
So I was trying to place that. like I...

355
00:17:48.240 --> 00:17:51.480
Well, I think that Jackie actually says that she wants Rose to put

356
00:17:51.480 --> 00:17:55.500
some money into the lottery syndicate, which is run by Wilson

357
00:17:55.500 --> 00:17:59.759
which is, you know, the very, very 1st time that we see Rose last

358
00:17:59.759 --> 00:18:00.119
episode.

359
00:18:00.180 --> 00:18:04.079
So I think it is explicitly like the Wednesday before or something

360
00:18:04.079 --> 00:18:04.500
like that.

361
00:18:04.559 --> 00:18:06.599
I've got a big spot on my face.

362
00:18:06.660 --> 00:18:07.440
That's fantastic.

363
00:18:07.500 --> 00:18:09.059
I hadn't really picked that up.

364
00:18:09.119 --> 00:18:12.779
And it's just a clever sort of subtle little throwaway that you

365
00:18:12.779 --> 00:18:16.920
just, unless you're really listening to the lies, you don't get.

366
00:18:16.980 --> 00:18:18.779
But it doesn't matter if you don't get it.

367
00:18:18.839 --> 00:18:23.519
But it's also to the fact that we're speaking to one of the semi

368
00:18:22.799 --> 00:18:23.819
regulars as well.

369
00:18:23.880 --> 00:18:27.599
We haven't quit completely detached from the earth that we know.

370
00:18:27.660 --> 00:18:31.559
So it's also sending out this signal that those characters can

371
00:18:31.559 --> 00:18:36.779
still be at least Jackie or whatever can be involved in a small

372
00:18:36.779 --> 00:18:41.759
way, but not just in space away from the earth that we know.

373
00:18:46.140 --> 00:18:51.960
I do find it intriguing that this is one episode where there's not

374
00:18:51.960 --> 00:18:56.700
a significant other than the doctor male in the cast.

375
00:18:56.759 --> 00:18:59.880
If you look at this season, next week we're going to have Simon

376
00:18:59.880 --> 00:19:02.819
Callow as Charles Dickens.

377
00:19:02.880 --> 00:19:03.359
Thank you.

378
00:19:03.420 --> 00:19:07.019
Then we've got a two-parter where Mickey is back.

379
00:19:07.079 --> 00:19:10.559
Then we've got the companion that ever was in 2 episodes.

380
00:19:10.619 --> 00:19:14.220
Then we've got Rose's dad, and then we've got Captain Jack or

381
00:19:14.220 --> 00:19:15.240
Mickey for the rest of the season.

382
00:19:15.299 --> 00:19:16.019
Right.

383
00:19:16.019 --> 00:19:19.559
So this is the one episode where we don't have another supporting

384
00:19:19.559 --> 00:19:20.220
male character.

385
00:19:20.279 --> 00:19:23.880
Yeah, we've got the steward, but they kill him quite quickly and

386
00:19:23.880 --> 00:19:26.700
he's more of a comedy performance than an actual character.

387
00:19:26.759 --> 00:19:30.359
And I think that's important because we've got to start focussing

388
00:19:30.359 --> 00:19:30.960
on the doctor.

389
00:19:31.019 --> 00:19:34.200
And that scene, going back to that scene with Rose and the

390
00:19:34.200 --> 00:19:34.500
doctor.

391
00:19:34.740 --> 00:19:38.039
There are questions there, and you want those questions answered

392
00:19:38.039 --> 00:19:41.400
but we, like Rose, have not earned the right to those answers as

393
00:19:41.400 --> 00:19:42.779
yet.

394
00:19:42.839 --> 00:19:46.799
And that will suddenly, you know, play out throughout the

395
00:19:46.799 --> 00:19:47.099
episode.

396
00:19:47.160 --> 00:19:52.559
The doctor's relationship with Jade. is beautiful.

397
00:19:52.619 --> 00:19:53.460
Yeah.

398
00:19:53.519 --> 00:19:54.660
She's terrific.

399
00:19:54.720 --> 00:19:55.680
Has she been back?

400
00:19:55.740 --> 00:19:59.400
Yasmin Bannerman, who plays Dana in the big finish audios.

401
00:19:59.460 --> 00:20:05.220
Is that right Oh, and she is fantastic as Dana in Blake 7.

402
00:20:05.279 --> 00:20:08.519
I don't I don't know if she's been back to Doctor Who?

403
00:20:08.579 --> 00:20:11.640
No, not in the TV series.

404
00:20:11.700 --> 00:20:19.259
Big finish has just brought her back as James's...

405
00:20:19.259 --> 00:20:21.000
Clone...

406
00:20:21.000 --> 00:20:21.720
Sapling?

407
00:20:21.839 --> 00:20:24.720
I'm surprised there isn't a Jab box set, actually.

408
00:20:24.779 --> 00:20:28.740
In their new spinoff series, New Earth.

409
00:20:28.859 --> 00:20:30.779
Oh, Tales from New Earth.

410
00:20:30.839 --> 00:20:36.000
But I'm surprised that those trees have not been back to Doctor

411
00:20:36.000 --> 00:20:36.539
Who.

412
00:20:36.599 --> 00:20:40.019
We've had trees in that, what's that horrible Christmas special?

413
00:20:40.079 --> 00:20:41.039
The Andrazani one.

414
00:20:41.099 --> 00:20:42.599
The Doctor the Widow and the Wardrobe.

415
00:20:42.660 --> 00:20:44.279
Yeah, in the forest of the night.

416
00:20:44.339 --> 00:20:48.599
And then we've had tree character in that wood episode with

417
00:20:48.599 --> 00:20:52.799
Capaldi and Pearl Mackie, you know, yeah, that's terrible.

418
00:20:52.859 --> 00:20:53.460
Knock knock.

419
00:20:53.519 --> 00:20:55.980
But she's such a great character.

420
00:20:56.039 --> 00:20:59.220
They have some wonderful moments and she's so intimate with the

421
00:20:59.220 --> 00:20:59.640
doctor.

422
00:20:59.700 --> 00:21:04.319
Like, just her concern over him, like, and you know there's more

423
00:21:04.319 --> 00:21:07.319
there when she puts her hand on his arm.

424
00:21:07.380 --> 00:21:12.000
And the tears that Christopher Eccleston gives in his eyes, like

425
00:21:12.000 --> 00:21:16.319
at that moment when she talks about his race or being the last of

426
00:21:16.319 --> 00:21:16.920
his kind.

427
00:21:16.980 --> 00:21:20.039
I can't remember the exact words, but I'm just thinking, 0 my

428
00:21:20.039 --> 00:21:20.400
goodness.

429
00:21:20.460 --> 00:21:24.359
I still tear up in that scene, even watching it in preparation for

430
00:21:24.359 --> 00:21:24.599
this.

431
00:21:24.660 --> 00:21:28.740
And I remember at the time thinking that that's a difference

432
00:21:28.740 --> 00:21:32.339
between the new series and the classic series...

433
00:21:32.579 --> 00:21:34.859
Is that the 1st time we've ever actually seen the character cry?

434
00:21:34.920 --> 00:21:36.059
The doctor.

435
00:21:36.119 --> 00:21:37.980
Possibly, yeah.

436
00:21:38.039 --> 00:21:42.720
It's certainly the 1st time he has the same kind of interiority as

437
00:21:42.720 --> 00:21:44.880
another...

438
00:21:44.940 --> 00:21:48.180
Yeah, it's a real human and it is really, really good.

439
00:21:48.240 --> 00:21:54.660
And it also shows that the doctor is hiding this the whole time.

440
00:21:54.720 --> 00:21:58.319
And we saw that in the fight with Rose, where he just says, all

441
00:21:58.319 --> 00:22:01.259
that matters is the hero now, and that's me.

442
00:22:01.319 --> 00:22:05.819
And Jabe says, you know, maybe someone seeks excitement or danger

443
00:22:05.819 --> 00:22:08.759
or something when that's all he has left.

444
00:22:08.819 --> 00:22:13.200
Yeah, and the tears thing, he instantly pulls himself together and

445
00:22:13.200 --> 00:22:18.299
gets on with the adventure, which just we see the mask go back on

446
00:22:18.299 --> 00:22:19.799
almost immediately.

447
00:22:20.819 --> 00:22:26.819
That character, just the way she connects with the doctor, the

448
00:22:26.819 --> 00:22:27.900
intimacy of it.

449
00:22:27.960 --> 00:22:31.859
And he doesn't, in their initial meeting, he doesn't, he sort of

450
00:22:31.859 --> 00:22:33.539
flirts with it, but he doesn't realise he's doing it.

451
00:22:33.599 --> 00:22:37.500
But she trusts him and ultimately she makes the ultimate

452
00:22:37.500 --> 00:22:38.039
sacrifice.

453
00:22:38.160 --> 00:22:43.619
That sequence where she burns in the background as he's trying to

454
00:22:43.619 --> 00:22:48.539
save the platform is just for me anyway, heartbreaking that she

455
00:22:48.539 --> 00:22:50.940
you know, and it's the music.

456
00:23:10.079 --> 00:23:15.960
So, music is now playing such a huge part of this selling the

457
00:23:15.960 --> 00:23:17.940
emotion of what's going on.

458
00:23:18.000 --> 00:23:19.859
It's modern television.

459
00:23:19.920 --> 00:23:22.859
Yeah, there were a lot of people who complained about it, you know

460
00:23:22.859 --> 00:23:26.099
who said, oh, well, here's Murray telling us how to feel and how

461
00:23:26.099 --> 00:23:27.420
to be a motive.

462
00:23:27.480 --> 00:23:30.420
But that's what music is for.

463
00:23:30.480 --> 00:23:35.279
That's a common complaint of all grumpy old men who watch

464
00:23:35.279 --> 00:23:38.700
television these days is that you're telling me how to feel

465
00:23:38.700 --> 00:23:39.359
constantly.

466
00:23:39.420 --> 00:23:42.839
But I mean, that's what that's what drama is supposed to do.

467
00:23:42.900 --> 00:23:45.000
We could go back to Aristotle for that.

468
00:23:45.059 --> 00:23:49.500
You know, we meant to feel in a particular way, and we now have a

469
00:23:49.500 --> 00:23:54.599
massive orchestra and a talented composer, and that's a cinematic

470
00:23:54.599 --> 00:23:55.619
technique as well.

471
00:23:55.680 --> 00:24:00.839
I mean, that's one of the reasons why we continue to love Star

472
00:24:00.839 --> 00:24:04.920
Wars, even after it's had so many misses, is that the music is

473
00:24:04.920 --> 00:24:06.180
always so great.

474
00:24:06.779 --> 00:24:11.339
I actually found that the mix on the Blu-rays was kind of

475
00:24:11.339 --> 00:24:11.819
strange.

476
00:24:11.940 --> 00:24:17.220
The mix on the 1st few seasons of Doctor Who is strange, right?

477
00:24:17.279 --> 00:24:19.500
Like, you know, like there was like music.

478
00:24:19.559 --> 00:24:22.680
Yes, we've got a great composer, music, music, music, music, music

479
00:24:22.680 --> 00:24:24.539
and then they don't get it right in the mix.

480
00:24:25.319 --> 00:24:30.000
I thought that at the time when I was watching, I was just like, oh

481
00:24:30.000 --> 00:24:30.839
this is jarring.

482
00:24:30.900 --> 00:24:36.059
Like, I mean, I love Marigold's music. for Doctor Who, but it, in

483
00:24:36.059 --> 00:24:39.180
those 1st few seasons, it just drowns the production.

484
00:24:39.240 --> 00:24:45.359
There are whole swathes of rose where you're looking at the scene

485
00:24:45.359 --> 00:24:47.339
and you're going, what are they saying?

486
00:24:47.400 --> 00:24:48.059
I can't hear them.

487
00:24:48.119 --> 00:24:51.119
You don't think it's just that we were all quite old?

488
00:24:51.180 --> 00:24:52.740
By the time you watched it.

489
00:24:52.859 --> 00:24:53.819
Wow.

490
00:24:53.880 --> 00:24:55.079
Oh, you weren't.

491
00:24:55.140 --> 00:24:56.940
No, you weren't.

492
00:24:57.000 --> 00:24:58.259
Oh, no, what?

493
00:24:58.259 --> 00:24:59.940
Like dear Brendan, listeners.

494
00:25:00.359 --> 00:25:04.500
James is a decade younger than the rest of us, at least.

495
00:25:18.059 --> 00:25:22.980
Yeah, but having a talent composer, Russell is still willing to go

496
00:25:22.980 --> 00:25:27.599
with modern music, and I put that in quotes, like the iPod will

497
00:25:27.599 --> 00:25:30.839
play toxic by Britney Spears, that classic ballad.

498
00:25:30.900 --> 00:25:35.700
Like any, I love the fact that it's, it's a modern music track for

499
00:25:35.700 --> 00:25:38.519
the time, but he plays with the humour of it.

500
00:25:38.579 --> 00:25:40.140
Like, they get it wrong.

501
00:25:40.200 --> 00:25:44.460
Well, in fact, Cassandra quotes burn baby burn as well.

502
00:25:44.519 --> 00:25:47.640
So this is a future, 5000000000 years into the future.

503
00:25:47.700 --> 00:25:52.259
The only earth music that survives is disco and you've got to

504
00:25:52.259 --> 00:25:56.160
think that's that's a pretty impressive conception of the future.

505
00:25:56.220 --> 00:25:59.339
And in fact, I love the conception of the future here because like

506
00:25:59.339 --> 00:26:02.519
there's new numbers that have been invented, you know, Apple and

507
00:26:02.519 --> 00:26:03.900
Cup are now numbers.

508
00:26:03.960 --> 00:26:09.240
And I think that stuff is really funny and it draws from

509
00:26:09.240 --> 00:26:12.359
Hitchhiker's Guide to the Galaxy, I think.

510
00:26:12.420 --> 00:26:16.019
And it also plays with the idea.

511
00:26:16.079 --> 00:26:19.319
I think it kind of sells the idea that the future in Doctor Who

512
00:26:19.319 --> 00:26:23.819
has always been slightly ridiculous and it kind of leans into that

513
00:26:23.819 --> 00:26:25.980
and lampshades that.

514
00:26:26.039 --> 00:26:30.299
And Doctor Who was sort of always a cheesy program where people in

515
00:26:30.299 --> 00:26:33.539
rubber monster suits would stand around in corridors talking to

516
00:26:33.539 --> 00:26:34.079
one another.

517
00:26:34.140 --> 00:26:39.180
And Russell knows that that's how people or just, you know, the

518
00:26:39.180 --> 00:26:41.880
ordinary TV viewer has conceived it.

519
00:26:42.000 --> 00:26:43.079
And he leans into it.

520
00:26:43.140 --> 00:26:44.400
And I think it's really successful.

521
00:26:44.460 --> 00:26:49.259
This is a massively, massively successful season of television.

522
00:26:49.319 --> 00:26:55.619
And I think it knows how to talk to a general audience in a way

523
00:26:55.619 --> 00:26:59.160
that the show really hadn't for, you know, quite a considerable

524
00:26:59.160 --> 00:26:59.759
amount of time.

525
00:26:59.819 --> 00:27:04.740
It does it with humour. with throwaway lines that aren't crucial

526
00:27:04.740 --> 00:27:08.940
to the plot, so you can pick and choose what you get out of it.

527
00:27:09.000 --> 00:27:11.880
But for the casual view it, you can still follow what's going on

528
00:27:11.880 --> 00:27:14.279
after something's thrown at you.

529
00:27:14.339 --> 00:27:17.579
I love the fact that Raffello is from, not even from a planet.

530
00:27:17.640 --> 00:27:20.279
It's from some other thing and I'm going, what the hell does that

531
00:27:20.279 --> 00:27:20.460
mean?

532
00:27:20.519 --> 00:27:22.140
You've just blown my mind.

533
00:27:22.200 --> 00:27:23.759
You've blown my mind.

534
00:27:23.759 --> 00:27:25.440
Like everybody has to come from a planet.

535
00:27:25.500 --> 00:27:26.759
No, I just come from...

536
00:27:26.759 --> 00:27:27.839
The jacket brocade.

537
00:27:27.900 --> 00:27:29.759
Yeah, yeah, yeah. whatever that might happen to me.

538
00:27:29.819 --> 00:27:33.359
It's elusive affiliation around Scarlet Junction.

539
00:27:33.420 --> 00:27:37.079
Well, there's the silver devastation gets its 1st name call here

540
00:27:37.079 --> 00:27:37.440
too.

541
00:27:37.500 --> 00:27:39.900
No one seems to be from our planet.

542
00:27:39.960 --> 00:27:43.980
And I think that that's a really good thing because it puts the

543
00:27:43.980 --> 00:27:48.059
old fans and the new fans, you know, in the same footing with

544
00:27:48.059 --> 00:27:49.619
respect to what the universe is like.

545
00:27:49.680 --> 00:27:54.599
And I think too, there's a very deliberate attempt to move out of

546
00:27:54.599 --> 00:27:58.740
Doctor Who continuity by setting the future stories vastly, vastly

547
00:27:58.740 --> 00:28:02.279
further in the future than we've ever been before except maybe the

548
00:28:02.279 --> 00:28:02.819
Ark.

549
00:28:02.880 --> 00:28:07.980
And even the arc is clever enough to, you know, not have a year.

550
00:28:07.980 --> 00:28:12.779
It's set in the 57th segment of time and, you know.

551
00:28:12.839 --> 00:28:15.779
So it clears all of that stuff.

552
00:28:15.839 --> 00:28:20.819
We can still have our space war between the Earth Empire and the

553
00:28:20.819 --> 00:28:22.799
Draconians and that gets left untouched.

554
00:28:22.859 --> 00:28:27.180
Isn't the 57th segment of time when the Earth originally burnt

555
00:28:27.180 --> 00:28:27.420
up.

556
00:28:27.539 --> 00:28:29.519
No, we're never speaking of that again.

557
00:28:30.119 --> 00:28:32.400
You make a really good point there.

558
00:28:32.460 --> 00:28:34.799
It means that we're all on the same page.

559
00:28:34.920 --> 00:28:37.799
Old fans and new fans.

560
00:28:37.859 --> 00:28:42.059
And Russell's redrafting what it means to be Doctor Who rewriting

561
00:28:42.119 --> 00:28:42.839
not rewriting.

562
00:28:42.900 --> 00:28:46.380
He's telling us this is what the show is now, and we have to be on

563
00:28:46.380 --> 00:28:48.059
the same page, moving forward.

564
00:28:57.119 --> 00:28:59.400
We get lots of the Tanoi voice.

565
00:28:59.460 --> 00:29:00.059
I love that voice.

566
00:29:00.119 --> 00:29:03.480
Whoever does that voice, you know, earth filter descending and

567
00:29:03.480 --> 00:29:07.980
there's little throwaway things outside when we see the visuals as

568
00:29:07.980 --> 00:29:12.480
well, that we forbid the use of teleportation and weapons and

569
00:29:12.480 --> 00:29:14.579
religion on platform one.

570
00:29:14.700 --> 00:29:19.559
We get another throwaway line by the mocks of Belhoon, about the

571
00:29:19.559 --> 00:29:20.940
this is a bad wolf scenario.

572
00:29:21.359 --> 00:29:22.380
This is a bad scenario.

573
00:29:22.500 --> 00:29:24.359
I don't think that's going to be important in any ways.

574
00:29:24.420 --> 00:29:25.680
We don't watch all.

575
00:29:25.799 --> 00:29:28.980
Do you know what that tanoi voice reminds me of?

576
00:29:29.039 --> 00:29:30.059
What?

577
00:29:30.119 --> 00:29:31.500
Earth shuffle arriving.

578
00:29:32.279 --> 00:29:34.380
Yes, from the leisure hive.

579
00:29:34.440 --> 00:29:36.119
Yes, yes, very true.

580
00:29:36.180 --> 00:29:40.200
I mean, it's obviously it's nowhere near as iconic.

581
00:29:40.859 --> 00:29:44.880
But it has the same sort of Tom, bro.

582
00:29:45.000 --> 00:29:46.380
Yeah, the same feel to it.

583
00:29:46.440 --> 00:29:49.200
Yeah, totally agree. totally agree.

584
00:29:49.259 --> 00:29:54.720
So there is one other thing that Russell does to put us old fans

585
00:29:54.720 --> 00:29:57.839
on the same footing as the new fans, and that is the mystery of

586
00:29:57.839 --> 00:30:02.640
the doctor, which is finally revealed.

587
00:30:02.700 --> 00:30:08.940
And I think that you talked earlier, Todd, about how both Rose and

588
00:30:08.940 --> 00:30:12.839
the audience needed to earn that revelation about who the doctor

589
00:30:12.839 --> 00:30:13.380
is.

590
00:30:13.500 --> 00:30:21.240
And I think that the way that Rose earns it is, because their 1st

591
00:30:21.240 --> 00:30:28.799
date, the doctor takes Rose to the future so that she can see her

592
00:30:28.799 --> 00:30:30.059
planet burning.

593
00:30:30.119 --> 00:30:34.619
And so when she reacts to that and she reacts to that with sadness

594
00:30:34.619 --> 00:30:37.799
because the world ended and they were caught up in this stupid

595
00:30:37.799 --> 00:30:42.000
capture and escape and pressing buttons plot, and no one was

596
00:30:42.000 --> 00:30:45.660
paying attention to the world, and she has a little moment of kind

597
00:30:45.660 --> 00:30:47.579
of mourning for something that's passed.

598
00:30:47.640 --> 00:30:51.720
And that's the moment where he says what happened to him, and

599
00:30:51.720 --> 00:30:56.819
neither the new fans nor the old fans knew that during the time

600
00:30:56.819 --> 00:31:00.599
when the show was off the air, that the doctor's home planet was

601
00:31:00.599 --> 00:31:03.480
destroyed, and that he's the last of his kind.

602
00:31:03.539 --> 00:31:09.359
And that revelation gives the doctor a kind of more epic

603
00:31:09.359 --> 00:31:10.920
backstory.

604
00:31:10.980 --> 00:31:15.539
And, uh, it obviously sweeps away all those sofas that were

605
00:31:15.539 --> 00:31:17.940
scattered around Galifre and gets rid of.

606
00:31:17.940 --> 00:31:18.960
Yeah, yeah.

607
00:31:19.019 --> 00:31:22.559
Like gets rid of Gallifrey, which is terrible and, you know, I

608
00:31:22.559 --> 00:31:23.819
hope never ever comes back.

609
00:31:24.359 --> 00:31:29.339
But it also gives the doctor this sort of, you know, tragic

610
00:31:29.339 --> 00:31:29.940
scale.

611
00:31:30.000 --> 00:31:31.799
And I think it's so well done.

612
00:31:31.859 --> 00:31:33.180
It's so cleverly seated.

613
00:31:33.240 --> 00:31:37.799
We had references to the last great time war in the last episode.

614
00:31:38.039 --> 00:31:41.880
And we'll learn more about the time war as things go on.

615
00:31:41.940 --> 00:31:46.440
But I remember watching the series for the 1st time and being

616
00:31:46.440 --> 00:31:49.200
intrigued, like wondering what the time war was.

617
00:31:49.259 --> 00:31:51.960
And, of course, being terribly grateful that Russell had got rid

618
00:31:51.960 --> 00:31:52.799
of Gallifrey.

619
00:31:52.859 --> 00:31:56.819
And it's, you know, Jade even calls, like even says, stop wasting

620
00:31:56.819 --> 00:31:57.660
time, time lord.

621
00:31:57.720 --> 00:31:59.640
So again, we had the word time lord last week.

622
00:31:59.700 --> 00:32:02.160
We've got it again, but Rose hasn't necessarily heard it properly

623
00:32:02.160 --> 00:32:04.079
until the end of this episode.

624
00:32:04.140 --> 00:32:05.759
But yes, it's great.

625
00:32:05.819 --> 00:32:08.220
Getting rid of Gallifrey and giving him a backstory that we're

626
00:32:08.220 --> 00:32:09.359
intrigued about what has happened.

627
00:32:09.420 --> 00:32:13.980
It just gives him emotional depth and there's a pain behind

628
00:32:13.980 --> 00:32:14.579
everything.

629
00:32:14.640 --> 00:32:18.059
And when Jada dies.

630
00:32:18.119 --> 00:32:21.000
He gets really angry, you know?

631
00:32:21.059 --> 00:32:25.380
Christopher just turns on a dime to deal with the character.

632
00:32:25.440 --> 00:32:29.819
We have not talked about yet, which is Cassandra, O'Brien.belta

633
00:32:29.819 --> 00:32:30.180
17.

634
00:32:30.359 --> 00:32:34.859
He was once a little boy, which is another amazing line that at

635
00:32:34.859 --> 00:32:36.240
the time I kind of, what?

636
00:32:36.299 --> 00:32:37.200
And he just gets thrown away.

637
00:32:37.259 --> 00:32:41.880
Do you know, this is my most favourite thing and it's slightly

638
00:32:41.880 --> 00:32:44.700
spoiled by new earth, but my favourite thing about the conception

639
00:32:44.700 --> 00:32:50.160
of Cassandra. is that when we 1st see her, the camera goes around

640
00:32:50.160 --> 00:32:56.579
so that we can see how flat she is, and then on her backside, just

641
00:32:56.579 --> 00:33:02.579
immediately behind her mouth, there's a hole, and I am absolutely

642
00:33:02.579 --> 00:33:04.920
certain that that's her asshole, yeah.

643
00:33:04.980 --> 00:33:09.240
Because, you know, basically human beings are a sort of giant tube

644
00:33:09.240 --> 00:33:13.140
with an elementary canal sort of starting at the mouth and ending

645
00:33:13.140 --> 00:33:13.680
at the other end.

646
00:33:13.740 --> 00:33:16.440
If you remove the middle, that's all you have left.

647
00:33:16.500 --> 00:33:20.880
So this is the 1st character whose bum hole has actually appeared

648
00:33:20.880 --> 00:33:21.359
on screen.

649
00:33:21.480 --> 00:33:24.000
She's literally mooning the audio.

650
00:33:24.599 --> 00:33:30.000
I'm just going to go past that for a moment. as we grapple with

651
00:33:30.000 --> 00:33:30.119
that.

652
00:33:30.180 --> 00:33:32.700
You're welcome to ignore that completely now, Todd.

653
00:33:32.759 --> 00:33:36.599
It's a wonderful performance by Zoe.

654
00:33:36.660 --> 00:33:41.819
And it's also an amazing piece of special effect.

655
00:33:41.880 --> 00:33:42.839
Yeah.

656
00:33:42.900 --> 00:33:45.960
But the doctor at the end lets her die.

657
00:33:46.019 --> 00:33:50.759
He brings her back and because of that, his actions actually kill

658
00:33:50.759 --> 00:33:52.500
her. and every's in action.

659
00:33:52.559 --> 00:33:53.460
Oh, he brings her back.

660
00:33:53.519 --> 00:33:55.380
Yeah, but he doesn't help her.

661
00:33:55.440 --> 00:33:56.099
He doesn't help her.

662
00:33:56.160 --> 00:33:57.299
Like, he doesn't help her.

663
00:33:57.359 --> 00:34:00.299
And then he says everything has its time and everything dies.

664
00:34:00.359 --> 00:34:03.119
He knows that he's sentenced her to death.

665
00:34:03.180 --> 00:34:06.180
So it sets up the sort of person that he actually is.

666
00:34:06.240 --> 00:34:07.680
He is dangerous, you know?

667
00:34:07.740 --> 00:34:12.780
You push him too far and he will get to a point where, you know, I

668
00:34:12.780 --> 00:34:13.440
take no prisoners.

669
00:34:13.500 --> 00:34:15.900
Like, you know, there are consequences for your actions.

670
00:34:15.900 --> 00:34:22.139
And he's just got this gravitas about him, which I don't think any

671
00:34:22.139 --> 00:34:22.920
doctors had.

672
00:34:24.059 --> 00:34:25.139
I think Capaldi's got it.

673
00:34:25.320 --> 00:34:28.380
I don't know whether his success has quite got there.

674
00:34:28.440 --> 00:34:29.460
Yeah, yeah.

675
00:34:29.519 --> 00:34:32.280
I think the idea that the doctor's performance is a mask is

676
00:34:32.280 --> 00:34:37.260
something that tenant does in silence of the library or the sequel

677
00:34:37.260 --> 00:34:43.559
to it, where River tells him his name, and he's really shaken by

678
00:34:43.559 --> 00:34:46.440
that, and then he's instantly back to being doctor-ish.

679
00:34:46.500 --> 00:34:49.139
And I think that's a great, great conception of the character

680
00:34:49.139 --> 00:34:52.860
because you've got doctors who are, you know, charismatic in the

681
00:34:52.860 --> 00:34:56.820
way that Tom Baker is charismatic or Colin is charismatic, but

682
00:34:56.820 --> 00:34:59.699
neither of them have much interiority.

683
00:34:59.760 --> 00:35:00.719
Do you know what I mean?

684
00:35:00.780 --> 00:35:05.699
There's not much idea that there's something behind that or under

685
00:35:05.699 --> 00:35:06.059
it.

686
00:35:06.119 --> 00:35:09.480
And it's not something that you get very much in the classic

687
00:35:09.480 --> 00:35:10.260
series at all.

688
00:35:11.039 --> 00:35:12.960
Yeah, yeah, yeah, yeah.

689
00:35:13.019 --> 00:35:15.239
No, I'm not I'm not dissing the classic series at all.

690
00:35:15.300 --> 00:35:19.260
But I do think that this was a much more interesting direction to

691
00:35:19.260 --> 00:35:23.699
take it rather than having a sort of happy wisecracking hero who's

692
00:35:23.699 --> 00:35:26.099
just travelling through the universe for fun.

693
00:35:26.159 --> 00:35:29.699
The idea that the doctor's travelling through the universe to

694
00:35:29.699 --> 00:35:34.320
escape something, which still allows him to have fun still allows

695
00:35:34.320 --> 00:35:39.059
him to be charismatic and funny, but allows him also to be just a

696
00:35:39.059 --> 00:35:40.440
bit more complicated and interesting.

697
00:35:40.500 --> 00:35:42.119
You push those triggers.

698
00:35:42.179 --> 00:35:47.639
And that hurt and that pain and that anger come bubbling to the

699
00:35:47.639 --> 00:35:48.000
surface.

700
00:35:48.059 --> 00:35:50.460
Something Christopher does really, really well.

701
00:35:50.519 --> 00:35:54.360
I often think that this episode is overlooked.

702
00:35:54.420 --> 00:35:58.980
I think people often talk about Dalek or Father's Day or the empty

703
00:35:58.980 --> 00:35:59.219
child.

704
00:35:59.340 --> 00:36:01.320
We remember Cassandra.

705
00:36:01.380 --> 00:36:03.000
We should remember this story.

706
00:36:03.059 --> 00:36:03.960
Yeah.

707
00:36:03.960 --> 00:36:08.940
And it's just so important, along with Rose, as this handle at the

708
00:36:08.940 --> 00:36:11.579
beginning of the season, sort of mirrors the end of the season

709
00:36:11.579 --> 00:36:14.400
we're on, we're now on platform one, platform's going to come

710
00:36:14.400 --> 00:36:14.579
back.

711
00:36:14.639 --> 00:36:16.199
Bad Wolf is introduced.

712
00:36:16.260 --> 00:36:20.699
We've got psychic paper, TARDIS, Last of the Time Lords, time all

713
00:36:20.699 --> 00:36:21.719
of this stuff you set up.

714
00:36:21.780 --> 00:36:25.019
And from here on, it's just little bits seeding us through the

715
00:36:25.019 --> 00:36:25.559
rest of the season.

716
00:36:25.619 --> 00:36:29.400
Well, I mean, you are someone who has said over and over again

717
00:36:29.400 --> 00:36:33.000
that the TV movie doesn't work because it introduces all of those

718
00:36:33.000 --> 00:36:34.619
things in the 1st 30 seconds.

719
00:36:34.679 --> 00:36:39.480
Whereas here, there's a lot of backstory that's introduced here

720
00:36:39.480 --> 00:36:42.480
but they keep the rest of the plot fairly light.

721
00:36:42.539 --> 00:36:45.900
You know, it's a sort of whodunit plot and doesn't really have all

722
00:36:45.900 --> 00:36:46.980
that much going for it.

723
00:36:47.039 --> 00:36:50.699
But it does allow us time to get to know both rows and the

724
00:36:50.699 --> 00:36:54.059
doctrine to learn more about what this new show is going to be.

725
00:36:54.119 --> 00:36:57.840
I have to say, there are 2 things that I really love in this.

726
00:36:57.900 --> 00:37:00.960
Those stupid fans that are just impossible, right?

727
00:37:01.019 --> 00:37:04.019
always reminds me of Sigourney Weaver in Galaxy Quest, when she's

728
00:37:04.019 --> 00:37:06.420
going, what are these chomping, chompy, chompy things that we have

729
00:37:06.420 --> 00:37:09.059
to go through, the writers just don't know, you know, they're just

730
00:37:09.059 --> 00:37:12.059
hackneyed writers, and the fact that all these fans are speeding

731
00:37:12.059 --> 00:37:13.260
up and the doctor has to go through them.

732
00:37:13.320 --> 00:37:15.719
It's an impossible thing to get to the switch that he has to

733
00:37:15.719 --> 00:37:16.019
pull.

734
00:37:16.079 --> 00:37:18.480
I just love that, like, Russell sort of sending up that whole

735
00:37:18.480 --> 00:37:20.639
genre. does lampshade it, doesn't it?

736
00:37:20.699 --> 00:37:23.340
The doctor kind of goes, oh, yes, you know, of course that's where

737
00:37:23.340 --> 00:37:28.139
they would be. 42 is, I think, the worst new series story for

738
00:37:28.139 --> 00:37:30.539
inconveniently placed controls.

739
00:37:30.780 --> 00:37:33.719
But this...

740
00:37:33.780 --> 00:37:35.099
But it does it with humour.

741
00:37:35.159 --> 00:37:37.800
And the other thing is I love the spiders.

742
00:37:37.860 --> 00:37:43.440
When they hit the camera in the ventilation duct, which I think is

743
00:37:43.440 --> 00:37:47.579
a nod back to the 1965 classic, the web planet, when one giant ant

744
00:37:47.579 --> 00:37:52.800
hits the camera and the camera moves out of place and then goes

745
00:37:52.800 --> 00:37:53.579
back to the shot.

746
00:37:53.639 --> 00:37:54.960
I think it's a nod to classic series.

747
00:37:55.079 --> 00:37:56.099
I don't know if it is or not.

748
00:37:56.219 --> 00:37:57.000
Yeah, it was.

749
00:37:57.059 --> 00:38:00.119
It was actively, it was like they said that at the time.

750
00:38:00.179 --> 00:38:06.000
Like, I think, does Russell say it in the righteous tale or in a

751
00:38:06.000 --> 00:38:09.539
commentary, he says, no, that was a reference to the web planet.

752
00:38:09.599 --> 00:38:11.280
That was specifically that...

753
00:38:11.340 --> 00:38:15.420
In fact, the web planet gets repeatedly referenced in this season

754
00:38:15.420 --> 00:38:19.260
and it's worth mentioning that the face of Bo is the oldest

755
00:38:19.260 --> 00:38:23.760
inhabitant of the ISOP galaxy, and we'll have venom grubs coming

756
00:38:23.760 --> 00:38:25.199
back in Boomtown.

757
00:38:25.260 --> 00:38:26.579
Like, I think.

758
00:38:26.639 --> 00:38:30.420
And I think, uh, let's take a drink, dear listener, Elizabeth

759
00:38:30.420 --> 00:38:36.780
Sandefer, um, mentions that this story actually has something in

760
00:38:36.780 --> 00:38:41.159
common with the web planet in that it is an incredible weird

761
00:38:41.159 --> 00:38:45.960
spectacle that's designed to be like nothing else on television

762
00:38:45.960 --> 00:38:48.539
and it does that right up front.

763
00:38:48.659 --> 00:38:52.019
It goes all out to say, this is what we can do.

764
00:38:52.079 --> 00:38:56.340
You know, we've done the housing estate and the local shopping

765
00:38:56.340 --> 00:39:00.840
centre and running down Westminster Bridge, but we can be much

766
00:39:00.840 --> 00:39:02.760
much weirder than that if we want to.

767
00:39:02.820 --> 00:39:07.500
And I think it's a really ballsy, really brave 2nd episode and

768
00:39:07.500 --> 00:39:08.940
absolutely the right thing to do.

769
00:39:09.179 --> 00:39:13.860
What I love about this story is that, I mean, we've talked about

770
00:39:13.860 --> 00:39:18.960
the way that it shows what Doctor Who can be now.

771
00:39:19.019 --> 00:39:21.780
It also tells what Doctor Who can be now.

772
00:39:21.840 --> 00:39:26.820
Like the the concepts and the just the the seemingly throwaway

773
00:39:26.820 --> 00:39:30.599
lines, the the great line about continental drift, sorry.

774
00:39:30.659 --> 00:39:34.619
Um, and, you know, but the continents move.

775
00:39:34.679 --> 00:39:36.300
I saw it on news round extra.

776
00:39:36.360 --> 00:39:39.480
And then the doctor says, well, that's classic earth, the national

777
00:39:39.480 --> 00:39:42.119
trust, put it, put it back together.

778
00:39:42.179 --> 00:39:47.039
And, and, and, there's so much imagination there is showing the

779
00:39:47.039 --> 00:39:51.059
imagination that this show can have in a way that it probably

780
00:39:51.059 --> 00:39:52.679
hasn't ever done before.

781
00:39:52.739 --> 00:39:53.579
Yeah.

782
00:39:53.579 --> 00:39:55.139
Even in the classic series.

783
00:39:55.199 --> 00:39:57.960
And I think it's really important because I think a lot of people

784
00:39:57.960 --> 00:40:00.059
would have come into Doctor Who thinking that it's a science

785
00:40:00.059 --> 00:40:02.820
fiction program, and especially the American audience, I think

786
00:40:02.820 --> 00:40:06.179
would have a preconception of what science fiction shows should be

787
00:40:06.179 --> 00:40:06.420
like.

788
00:40:06.480 --> 00:40:09.179
And this is really just saying, well, this is Doctor Who.

789
00:40:09.239 --> 00:40:11.880
And like, let's blow your mind.

790
00:40:11.940 --> 00:40:15.000
And if we've blown your mind and you're going, oh my goodness, it's

791
00:40:15.000 --> 00:40:17.039
so different, then join us for this journey.

792
00:40:41.099 --> 00:40:44.699
Well, then, this nomads, all we've got time for this week.

793
00:40:44.760 --> 00:40:47.940
We're off to eat our own body weighting chips before our first

794
00:40:47.940 --> 00:40:51.179
excursion into the world of BBC period drama.

795
00:40:51.239 --> 00:40:53.940
Do come back next week for the unquiet dead.

796
00:40:54.000 --> 00:40:57.719
In the meantime, you can find us at FlightthroughEntirety.com

797
00:40:57.719 --> 00:41:01.619
flights through entirety on Facebook and Apple Podcasts and at FTE

798
00:41:01.619 --> 00:41:02.460
podcast on Twitter.

799
00:41:02.579 --> 00:41:06.719
Over on Bondfinger, you can find commentary podcasts on every era

800
00:41:06.719 --> 00:41:08.280
of the James Bond series.

801
00:41:08.340 --> 00:41:11.639
That's bondfinger.com, bondfinger on Facebook and iTunes and at

802
00:41:11.639 --> 00:41:13.260
bondfingercast on Twitter.

803
00:41:13.320 --> 00:41:16.860
Until next time, listeners are reminded that Flight through

804
00:41:16.860 --> 00:41:19.260
Entirety is a maximum hospitality zone.

805
00:41:19.320 --> 00:41:22.679
Please keep any lianas or heartbreaking personal backstories

806
00:41:22.679 --> 00:41:24.599
concealed at all times.

807
00:41:24.719 --> 00:41:26.760
Thank you very much for listening and good night.

808
00:41:26.820 --> 00:41:28.019
See you soon.

809
00:41:28.079 --> 00:41:28.679
Good night.

810
00:41:31.739 --> 00:41:34.739
That was Flight through Entirety, starring Todd Bilby, Nathan

811
00:41:34.739 --> 00:41:38.159
Bottomley, and James Selwood, theme arrangement by Cameron Lamb

812
00:41:38.159 --> 00:41:40.199
strings performance by Jane Alberg.

813
00:41:40.260 --> 00:41:43.860
This episode, literally mooning the audience, was recorded on the

814
00:41:43.860 --> 00:41:47.639
11th of June 2018 and released on the 2nd of September.

815
00:41:51.059 --> 00:41:55.320
Fans of James's appearance on this podcast will also enjoy his

816
00:41:55.320 --> 00:41:59.639
turn as the mastering episode 112 and his upcoming sitcom in which

817
00:41:59.639 --> 00:42:03.239
he plays a former Doctor Who club president with a dark secret and

818
00:42:03.239 --> 00:42:03.960
a heart of gold.

819
00:42:04.559 --> 00:42:06.840
I'm not picking that up.

820
00:42:06.900 --> 00:42:07.380
Good, fine.

821
00:42:07.619 --> 00:42:10.079
Or you should maybe stop.

822
00:42:10.139 --> 00:42:13.860
So, I don't know.

823
00:42:13.980 --> 00:42:17.159
Just go around the house smashing all the clock.

824
00:42:17.820 --> 00:42:19.980
Yeah, we should.

825
00:42:21.480 --> 00:42:25.500
Yeah, I think if we delay pressing the fast return switch for long

826
00:42:25.500 --> 00:42:26.940
enough, they'll all just meld.

827
00:42:30.059 --> 00:42:31.079
It's 10 o'clock.

828
00:42:31.139 --> 00:42:32.639
It's gonna be 10 chimes.

829
00:42:32.760 --> 00:42:34.619
It's 9.55.

830
00:42:34.619 --> 00:42:38.099
They're all set to go off a different time. hilariously.

831
00:42:38.280 --> 00:42:40.260
That must be joyous.

832
00:42:40.980 --> 00:42:45.300
So it's sort of like, is that a, is that a sort of analogue

833
00:42:45.300 --> 00:42:49.559
version of searching the, searching your, um, your liability?

834
00:42:49.619 --> 00:42:50.519
Yeah, yeah, yeah.

835
00:42:50.579 --> 00:42:52.079
Oh, God.

836
00:42:53.639 --> 00:42:55.199
Bong.

837
00:42:55.679 --> 00:42:57.599
Okay, okay.

838
00:43:00.659 --> 00:43:02.880
But let's talk about the role of this.