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This transcript was created on 2026-06-07 at 14:11:25

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Hello, dear listener, and welcome back to Flight through Entirety, the only Doctor Who podcast that has decided to quit Doctor Who completely.

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Do a series of commentary podcasts on Thor 2 and then spend a long period in complete obscurity.

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I'm Nathan.

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I'm Todd.

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I'm James.

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I'm Richard for today.

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That's a revelation.

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We've reached the end of the 1st series of New Who, so it's time to sit down, take stock and work out what valuable life lessons we learned from the Christopher Eccleston era.

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Take it away, Chancellor Flavia.

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Hello, listeners, and welcome to our Christopher Eggleston Retrospective for his one season in the role.

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Well, let's begin with some of the hard hitting questions.

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So Nathan, knowing that Bad Wolf is your favourite episode of the season, Snog, marry a void, stars in their eyes, call my bluff, bear with me.

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Okay, I'm totally snocking bear with me for some definition of the word bear, I think, probably.

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Is that when they revive at Lizabethan Theatre and just throw you into a bear pit with live crushing bears?

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No, that's the one where they don't they have a bath with a bear?

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Yeah, the bear gets in the bath.

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It's the best bit.

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And then stars in your eyes.

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We've all been there.

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Yeah.

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I'm keen to avoid stars in their eyes.

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I think that sounds terrible.

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And call my bluff.

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Was that the other one?

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With real guns?

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Yep.

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I'm going to I'm marrying that.

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Oh excellent.

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It means you married Dennis Norden and the lovely, what was the other lovely fella with the gruffly moustache and all the rest of it?

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Anyway, it's a very long time ago.

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Frank Muir, Frank Muir, and Dennis Norden, who were doing call my bluff back in the 50s.

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But that was just a nod for us fan folk.

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Who are a 1000000 years old?

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Yeah.

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Coming back to this 14 years later, What's the thing that stood out for you for this entire series?

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This is a terribly nerdy story, but I'm going to tell it anyway.

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Someone at work in 2005 said to me, you look really happy.

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And I said, it's because Doctor Who's back on.

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And this series made me incredibly happy because not only did it come back, but it was really good.

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And you look at it now and it does look sort of cheap in places, but it is so tremendously great.

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And I guess that's what I've been thinking over the past 13 episodes.

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Richard?

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My only take, and I've said it before, is it really shows with a drama, this complex that you need 18 months of script development.

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I didn't even, not even talking about design or casting or whatever the directors, you know, then do with the scripts, but each time we've had a hiatus.

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And you look at other big shows that are done.

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This rapid turnover, as they've seen with modern television.

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We saw how much they got away with and what was acceptable in the 70s and the early 80s with rapid turnover, but I now stop and think of this as seeing just how well-developed the scripts are and that the time for everyone to know what they're doing and know their parts and work with it really well.

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And I look at the 70s and the 80s and think, It wasn't actually maybe just a matter of budget.

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Imagine what they would have been able to do if they had another 6 months between seasons back in the day.

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At a 13 episode season.

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Wouldn't it have been interesting?

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I think we would have had a much better quality for all these years.

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Counterpoint season 22.

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Oh, nice.

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And season 23, you know, but...

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But they were also, you had to see one.

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Yeah, yeah.

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Yeah.

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Right. going there.

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James, coming back to this.

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I am not this huge a fan of Eccleston as Nathan, but why not?

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That's interesting.

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I think it's more a case if I just preferred tenant.

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I know that doesn't sit well with Richard, look at his face. dear listener.

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But I think it's, yeah, look, I mean, I was surprised how much I enjoyed it rewatching it for the podcast because I didn't have as fond a memory.

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I kind of, I think I got caught up in the, you know, him quitting after a year or after an episode.

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And all of that and kind of maybe was a little bitter, you know, because...

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That was exactly the temperature at the time.

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I enjoyed his portrayal, but I was kind of, you know, why couldn't we have more?

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If we'd had another season, we had, like he, he was having teething problems and it's not until, say, the doctor dances that you kind of go, well, I think we've said this, well, at least you and Brendan and Richard have said this in those episodes that that's where he really feels like he's getting the role.

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But it's like any doctor coming in.

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There's always a shakedown period where they're trying things out and then they sort of, there's a moment where they completely click and from that moment on, there's there's no dull beats, you know?

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Yeah.

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And I certainly think around that time, that two-parter onwards.

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It certainly very clear.

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And I think that's, that's, it's all coloured by that.

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But having rewatched and knowing what's coming, um, and looking at it through eyes that probably hadn't seen those episodes for maybe 5 or 6 years, I really appreciated him in a way that I hadn't before.

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That's something that I've taken out of this is how much I've appreciated his portrayal as the doctor and what he's actually doing.

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I think for me, the biggest revelations is how consistent this season is in terms of script, which goes back to what you were saying.

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Tone and variants as well.

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It's a very modulated symphonic piece.

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There's not an episode that I wouldn't go back and rewatch, whereas I can't say that for every other season, necessarily, of the new series.

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And of course, the other big revelation for me was the dialogue in Bad Wolf, which I'd forgotten like over a 3rd of it.

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I thought I was coming back to a brand new re-edit of the episode.

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So that was, I was just there going, what's happened to my brain?

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And also the other thing is the special effects.

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I think they do look more dated now and a bit more ropey.

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There's still some spectacular ones.

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Not saying that there isn't, but I was surprised at certain times where I kind of thought, oh, I thought it would hold up better or I thought it was better at the time.

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Well, it was great at the time, but I just suddenly went, it's aged a bit compared to what's happening now, bit more than I thought.

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It's that thing when you teach kids and they talk about Doctor Who back in the old days when the effects were crappy and you realised they're talking about series one. you know, rather than the 1960s.

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I just want to vomit.

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But what are the ropey effects if we're already there?

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I think that there are some really poorly directed moments with the Savine in World War III.

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I think that they're really quite bad.

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Who was the director on that one?

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Keith Boke.

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We've mentioned him a bunch of young.

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Chi fans in the end of the world.

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I think, yeah, those aren't convincing, but I think that I think the idea that the special effects are trying to present a convincing version of reality is wrongheaded.

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They're trying to be impressive special effects.

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We're talking about direction, though, here, because I know how hard it is and I did it for a very small time, but getting the CG right is just time and bankruptcy.

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I'm impressed just watching Father's Day again yesterday.

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How good the vortosaurs are, which I insist on calling them that, because they're an obvious nod, to storm warning.

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The chronos 1st story.

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Aren't they coronavores?

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what I want. 1st of all, maybe.

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So it's the same thing.

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They exist in the vortex and when Charlie Pollard has them one as a pet because she couldn't get an Australian surfer of heterosexual domain.

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I mean, I do agree with you.

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I mean, it is budget is time, and I think over time, as the years have gone on, with special effects, you can get better effects more quickly and people have worked out how to do things.

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I think at certain times here it's the shading, all the shadows and stuff like that.

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I'm not saying like it's a breaking point or anything like that and they're appalling, but there's a little less reality to it.

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Like I kind of look at it and go, I just wince a little bit at times.

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It's the matching and the green screening.

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But that is a visual thing.

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I care about being able to see the actors' faces, their reaction and how they interplay together and how they play against the FX.

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Look at Snow White, or, you know, original animation was not, well, you know, it doesn't stand up to what you're talking about now, but pace, tambler, and pause, that the time that you need for actors to do their work is given it.

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I think Father's Day is the most successful story that does that, but so is Bad Wolf.

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And so I can't really think of actually any stories other than the directors that you just talked about, Mr. Bogue stories, where that doesn't really happen in this season.

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I think now the special effects are trying to be realer.

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And, you know, there is a type of special effect where you don't realise it's a special effect where they'll match something out or, you know, do something like that when you think about, you know, Mad Max Fury Road.

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There weren't many special effects, but most of them were things like wiping out cables and stuff like that, not creating CG worlds, like Phantom Menace or something.

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Whereas something like the end of the world is very much saying, look at our new toys and what we can do, and those special effects, I think, would be spoiled by being so subtle that we didn't realise they were effects.

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They needed to be sort of big brash computer effects just to say that's what we can do.

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Well, let's just talk about Christopher Eckleston, because this is his retrospective.

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What do you think his legacy is?

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Acting.

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He gets it right, and I don't believe it's not finding the part.

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He said that he wasn't comfortable doing children's.

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He saw it as children's television. as did Tom, as did everyone.

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We actually, everyone, even if we don't necessarily love them, the ones that the majority of the viewers, and that's the reason the show is back on the air.

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It wasn't made for us.

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Let's remember.

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All we get is ice hop galaxy on a monitor.

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That's for us.

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The rest of it is for the not we.

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So, the point of their customs performance, I believe, or the punctiliousness of it and the repetition.

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Again, it's very it's very symphonic.

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He really does modulate what he's doing and he'll start off, that timorousness or that sense of uncertainty is actually the actor's trope, that he is playing a man who was recently, as he saw it, came into a body.

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He read, he was very careful with Russell for all that time to consider the time war, and we know that they had complete fan spas, where they all got together into a bubbling round pool of fan chattiness and talked about the character in the development, because that's what a theatre actor does dining.

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And then he's how they treated it.

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You can really feel it.

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I don't think he's I don't feel that he was coming from a place of uncertainty.

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I feel that he was very carefully.

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Like you mentioned Todd.

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It's the Colin Baker principle of starting off cool and warming him up as he comes into it as he gets used to being here as we get used to him.

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It's a really sterling performance watching them again.

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And I think that's the reason the series went so well afterwards for so long.

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Nathan?

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I think that Richard's right.

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And I want to take another kind of look at it.

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Every time the story comes out that the doctor's leaving and we're going to cast a new doctor, we get, it'll be Ken Dodd.

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It'll be Jeanette Cranky, you know, like it'll be someone hilarious from TV.

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And partly, I think, too, that it was a result of the idea in the 80s that it was a job for a light entertainment star.

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And it was really important, I think, to Russell that it was a proper actor.

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And Eccleston was such a proper actor that it seemed unlikely that he would even agree to do it, despite having worked with Russell before, on a project, which is the 2nd coming, that is not that dissimilar from his role as Doctor Who.

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And it turned out, he was an actor who wasn't going to stick ground for the part.

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And so I think we were super lucky to have him for the short time that we did the sort of crankiness that we get from the sort of behind the scenes stories.

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Maybe that's the flip side of the kind of actor he was.

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And that kind of discomfort with the role, which I think is visible, is a good thing because I think that this season, and I have said it before, doesn't know whether it's going to be successful.

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It doesn't know what it's going to be.

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They're making this without realising that in a few months time.

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It's going to be the biggest show on British television.

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And so there's no complacency here.

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They're all really bringing their A game and trying as hard as possible.

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And I think that's why this season's good.

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And I think that that's why Eccleston is so good.

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James.

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I would tend to agree with Nathan that it's having such a serious actor in the role really did make the entire production team work that much harder to try and make a success.

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And it also proved to the viewing audience that Doctor Who is a serious, or at least back then it was a serious program that had to, you know, had good actors.

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It wasn't, you know, that sort of fondly remembered creaky TV show that had those sort of be great actors.

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You know, which is how the viewing public remembered it, rightly or wrongly, wrongly.

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And so casting such a well-regarded actor in the role, I think, is it probably actually made it survive.

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I don't think you could have cast. someone not of his higher calibre without, um, without it possibly not having been renewed the next season.

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So it's changing the perception of the public of what the show actually is.

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His job is so much harder than anybody's come after him apart from Jody.

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Yeah.

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It's like Pat, you know, like Pat is there to prove that the doctor can be a new actor.

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Chris proves that the show works in the 21st century.

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Again, yes, I agree with all that you're saying.

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He sets a benchmark for everybody who comes after him to realise that you have to take this seriously.

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You have to bring your A game.

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You can be funny, you can be heartbreaking, you can be angry.

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And I think without that, you know, the performances of his successes may not be what we actually ended up getting.

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Well, Christopher's one part of the of the duo, that is the stars of the show.

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The other one is Billy Piper.

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Let's talk about belief for a moment in the role of Rose.

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What did Billy bring to the table?

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Oh, the fact that we've still got a show.

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I only look at her when she's on.

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Is that Charlie Brooker game?

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Have we mentioned it before?

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Where you're looking at her and trying to decide which of her facial features is the biggest?

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Since she's done the work.

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When she comes back, spoiler alert, and it really is.

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Oh, my God, why are they using an anamorphic lens on her shots?

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Oh my god, no, it's her new tea.

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That's weird.

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But I'm not even a fan.

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I'm really not.

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I couldn't care less, but of anything she does outside. blithely disinterested.

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Didn't even know who she was or that she'd had a recording career.

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Of course, you know, hey, BBC listener.

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But sticking her on there, the subtleties, she gives Eccles heart and warmth and she's the reason the doctorates were propelled.

206
00:17:33.299 --> 00:17:38.039
And the reason we're actually interested in the doctor is the character of Rose and it is Billy's performance.

207
00:17:38.160 --> 00:17:44.099
Because when she says to him, I know you, and she throws the line really nicely, not dwelling on it, because she's not cruel, you're sad.

208
00:17:44.160 --> 00:17:47.819
You will disappear and you'll be waiting for me at that box and I'm going to make you wait a long time.

209
00:17:47.880 --> 00:17:49.980
That didn't mean to sound as naughty as it just did.

210
00:17:50.819 --> 00:17:55.319
She brings some real kind of TV style realism to the part.

211
00:17:55.380 --> 00:17:57.839
She's just a bloody good naturalist actor.

212
00:17:57.900 --> 00:17:58.740
Yeah, yeah.

213
00:17:58.799 --> 00:18:00.480
I just can't get over.

214
00:18:00.480 --> 00:18:11.940
I'm sure I said this just a couple of weeks ago. that on the weakest link, The success of that entire sequence just hinges on her performance, you know, she's amused and then terrified.

215
00:18:12.000 --> 00:18:14.460
She's so good.

216
00:18:14.519 --> 00:18:15.599
She's so terrific.

217
00:18:15.599 --> 00:18:18.420
And she'll be great again next year.

218
00:18:18.480 --> 00:18:21.900
I just think she's extraordinary and we were really lucky to have her.

219
00:18:21.960 --> 00:18:26.759
I actually don't remember the bit where all the fans said, oh, she's a pop star, Shelby Crap, you know, what's going on.

220
00:18:26.880 --> 00:18:27.420
Oh yes.

221
00:18:27.420 --> 00:18:28.319
I don't remember that.

222
00:18:28.380 --> 00:18:32.160
All the forums were lit up again. was Christmas every day.

223
00:18:32.220 --> 00:18:35.759
I had a moment where I thought you were going to say, oh, she's back with Jody next year.

224
00:18:35.819 --> 00:18:40.019
Ooh, better get a bit late seasons, Buffy, wouldn't it?

225
00:18:40.500 --> 00:18:42.480
Which one's the witch?

226
00:18:42.660 --> 00:18:51.660
I think one of the things in rewatching this is that Rose is a lot more selfish and quite unlikeable at times.

227
00:18:51.720 --> 00:18:55.559
Like, how she's treating Mickey and various...

228
00:18:55.619 --> 00:19:04.619
And I didn't realise that it was quite like that, but that's one of the biggest revelations I got, but her performance throughout the entire season.

229
00:19:04.680 --> 00:19:16.019
There's just a realism and a grounding that she brings to the role that even despite those things in rose, you can't help but love the character and that's because of what she brings to the part as an actress.

230
00:19:16.079 --> 00:19:16.980
Yeah.

231
00:19:17.039 --> 00:19:23.160
I remember being disappointed in the end of the world when she gets knocked on the head and then just sort of recovers.

232
00:19:23.220 --> 00:19:32.160
You know, like you get smacked on the head by one of the adherents of the repeated meme and everyone knows that you go straight to A and E and, you know, have concussion and things.

233
00:19:32.220 --> 00:19:36.000
And she had been so sort of TV realistic up to that point.

234
00:19:36.059 --> 00:19:43.500
I thought, oh, really, is she going to be menaced and thrown downstairs and knocked unconscious and stuff, like used to happen back in the classic series?

235
00:19:43.559 --> 00:19:50.460
And in fact, she more or less avoided that and did get to be like a person reacting to this stuff.

236
00:19:50.519 --> 00:19:54.299
And the other characteristic she has is that she's really smart.

237
00:19:54.359 --> 00:19:58.440
Like, she is quick to work out what's going on.

238
00:19:58.680 --> 00:20:05.819
So she does seem to be a more well-rounded character than we've had before, I think.

239
00:20:05.880 --> 00:20:09.900
She's a clever person, even though she doesn't necessarily have like an education.

240
00:20:09.960 --> 00:20:10.680
Yeah, that's exactly it.

241
00:20:10.740 --> 00:20:11.400
She's not an idiot.

242
00:20:11.460 --> 00:20:11.880
Yeah.

243
00:20:11.940 --> 00:20:12.960
I think that's that's right.

244
00:20:13.019 --> 00:20:22.619
And, you know, when they bring in Pete, they make Pete smart. like clever at working out what's going on and that's where Rose sort of seems to get it from.

245
00:20:22.680 --> 00:20:27.359
And so already we've got a character who has some personality traits.

246
00:20:27.420 --> 00:20:37.319
She isn't just from the Sever team or a time lady or a journalist whose character is more or less completely defined by the actor's performance.

247
00:20:37.380 --> 00:20:43.019
She is actually a person with more personal characteristics.

248
00:20:43.079 --> 00:20:44.220
And I think that's a step up.

249
00:20:44.279 --> 00:20:46.259
James, do you have anything to add?

250
00:20:46.319 --> 00:20:48.359
Look, I have seen.

251
00:20:48.420 --> 00:20:55.799
I mean, I'm one of those fans who, when they see someone in Doctor Who will go, where have I seen them before?

252
00:20:55.799 --> 00:20:57.599
I would like it, where can I see them?

253
00:20:57.660 --> 00:21:03.420
And so I did seek out a lot of her television following this.

254
00:21:03.480 --> 00:21:05.099
Well, I assume she didn't really have a TV.

255
00:21:05.160 --> 00:21:05.819
Really in the smoke?

256
00:21:06.119 --> 00:21:15.960
Yeah, so I did track down Ruby and the Smoke and Secret Diver, Call Girl, and various other things that she'd done.

257
00:21:16.019 --> 00:21:19.980
And it's not just Doctor Who.

258
00:21:20.039 --> 00:21:21.720
She is a bloody good actress.

259
00:21:21.779 --> 00:21:27.359
I've seen her in Penny Dreadful, and she is a consumptive prostitute.

260
00:21:27.420 --> 00:21:33.539
She's struggling with her new teeth and an Irish accent, which is really quite terrible, but she still manages.

261
00:21:33.599 --> 00:21:34.980
So often go together, don't they?

262
00:21:35.099 --> 00:21:37.259
She still manages to do an amazing job.

263
00:21:37.319 --> 00:21:38.279
She is very good.

264
00:21:42.599 --> 00:21:44.579
Strawberry avoid.

265
00:21:44.640 --> 00:21:45.539
The Lady Cassandra.

266
00:21:45.599 --> 00:21:48.480
Trisha Delaney, Margaret Slavine.

267
00:21:48.539 --> 00:21:53.700
I'd snug Trisha Delaney because I was having trouble getting over Rose.

268
00:21:56.700 --> 00:22:07.440
I think I would avoid the Lady Cassandra, because she'd outlive me and probably make me into a kaftan or something.

269
00:22:08.220 --> 00:22:12.240
A high waisted evening jacket with Chanel buttons.

270
00:22:12.299 --> 00:22:14.640
Or a blue Kagool.

271
00:22:15.180 --> 00:22:18.119
That leaves you with Margaret Slovine.

272
00:22:18.180 --> 00:22:25.740
Oh, I marry Margaret Slippin because I just loving it Badland and everything I've ever seen her in.

273
00:22:25.799 --> 00:22:29.759
And he'd end up being the lady mayoress of Cardiff as well if he did that.

274
00:22:29.880 --> 00:22:32.160
Or her handbag.

275
00:22:32.759 --> 00:22:41.039
There's another aspect I'd like to talk about, which is the console room, which we just see, the room itself for budgetary reasons.

276
00:22:41.099 --> 00:22:45.720
What was our initial impressions of that when we saw it and what do we think of it now?

277
00:22:46.259 --> 00:22:48.960
Look, it was so refreshing at the time.

278
00:22:49.019 --> 00:23:15.240
I, as a classic series fan, as we all are in this room, you expect it to be this modern, white, Spartan technological space and the boldness of reinventing that in an sort of organic, coral, sort of crystalline kind of way was so different from everything that's gone before.

279
00:23:15.299 --> 00:23:23.819
I think the problem with that is that that established for every console room since.

280
00:23:24.000 --> 00:23:46.500
You know, we have to go with dark and moody instead of modern and and the closest you get is the late Matt Smith and the Capoldi console room, which is the closest you get to the classic series, in that it's obviously technological, but it's still dark and brooding.

281
00:23:46.559 --> 00:23:52.079
And I think that makes the whole show dark and brooding after a while.

282
00:23:52.140 --> 00:23:54.599
I wasn't taken with it at 1st.

283
00:23:54.660 --> 00:23:56.039
I was actually quite anti-it.

284
00:23:56.099 --> 00:24:04.680
I guess in my head, I thought they'd either go very classic, like the white one, or they'd go like a telly movie, much more like Jules Verne type sort of thing.

285
00:24:04.740 --> 00:24:10.920
So it was it was a shocking surprise to me to see what they went with and it took me quite a while to sort of warm to it.

286
00:24:11.339 --> 00:24:19.859
I think that the attempts in later designs to be quirky are terribly tiresome.

287
00:24:19.920 --> 00:24:22.440
And Matt Smith's 1st console room.

288
00:24:22.500 --> 00:24:24.599
I think is horrific.

289
00:24:24.660 --> 00:24:32.579
And I think Capaldi's console room is a little bit too TV moving a little bit too self-consciously Jules Verne.

290
00:24:32.640 --> 00:24:39.000
And so this is technological without being sort of 60s kind of modernist technological.

291
00:24:39.240 --> 00:25:01.200
It doesn't have the skill or ambition of the original design, but I think it's very good, and I think it does the job of telling us what the doctor is like because this is where the doctor lives, and in this enormous space, he is a very small figure.

292
00:25:01.259 --> 00:25:05.700
So the console tells us that the doctor is lonely.

293
00:25:05.759 --> 00:25:07.259
Just to look at it.

294
00:25:07.319 --> 00:25:09.720
It's not a homely place.

295
00:25:09.779 --> 00:25:13.440
It's not stuffed full of sofas and lovely books to read.

296
00:25:13.500 --> 00:25:23.519
It's a dark place that should have more people in it and should be more brightly lit, but it doesn't because the doctor's on his own.

297
00:25:23.579 --> 00:25:33.599
And I think it also serves to reinforce at the doctor's working class with the sort of metal grating. you know, the kind of roughness to it, that it's...

298
00:25:33.660 --> 00:25:36.539
Well, it's the job of a mechanic to run it, not a computer programmer.

299
00:25:36.599 --> 00:25:40.319
And I think that that's another good thing as well. to the north.

300
00:25:40.380 --> 00:25:42.299
Yeah, I get a lot of that.

301
00:25:42.359 --> 00:25:54.779
Look, my main disappointment when I saw it was, oh, you're just taking Jeffrey Sax's principles. of the overarching um flying buttresses meeting the console and you just you just taking out the steampunk.

302
00:25:54.779 --> 00:26:08.339
And I thought the oversimplicity of the mushroom set, the big dome wasn't going to lead to interesting shots, and the murkiness of it is just like every fanboys dig when they're a student. a lot of it was nice.

303
00:26:08.400 --> 00:26:10.859
It works as a film set.

304
00:26:10.920 --> 00:26:29.880
I actually prefer the Philip Siegel one, even though I know all of the rest of it and was doing all the Victoriana steampunk stick that we really don't like, but it just had a more interesting dynamics around the certain ways to shoot it and would have been more engaging as a long term.

305
00:26:29.880 --> 00:26:31.920
Because we've got that same principle.

306
00:26:31.980 --> 00:26:34.920
And that's what's really disappointed me with the Jody set, but we won't go there now.

307
00:26:34.980 --> 00:26:43.319
Um, look, I really like what you're saying about isolating the doctor or the sense that this is an alien thing that the Titus never was before.

308
00:26:43.380 --> 00:26:45.420
It certainly works for what the show's trying to do.

309
00:26:54.480 --> 00:27:00.779
I think this is a really hard question. to answer, because there's so many strengths to this season.

310
00:27:00.839 --> 00:27:02.880
I was thinking about asking you all.

311
00:27:02.940 --> 00:27:09.180
If you eliminate Christopher and Billy, who is the MVP on screen?

312
00:27:09.240 --> 00:27:12.000
But there's just so many people you could choose.

313
00:27:12.480 --> 00:27:13.859
Yeah.

314
00:27:13.920 --> 00:27:15.240
Yep, that's my answer.

315
00:27:15.299 --> 00:27:16.140
The correct answer?

316
00:27:16.259 --> 00:27:17.759
What does MVP mean?

317
00:27:17.819 --> 00:27:18.960
Most valued player.

318
00:27:19.019 --> 00:27:20.160
It's a sports thing, James.

319
00:27:20.220 --> 00:27:21.359
I don't do sports ball.

320
00:27:21.480 --> 00:27:22.440
Sports ball, yes.

321
00:27:23.039 --> 00:27:25.380
I don't do sports.

322
00:27:25.440 --> 00:27:27.960
Okay, and your favourite guest star of the year.

323
00:27:28.019 --> 00:27:31.619
I actually really love Sean Dignant, I really love.

324
00:27:32.819 --> 00:27:36.119
The way Rose is rounded out by seeing both parents.

325
00:27:36.119 --> 00:27:41.339
And Camille's performance in Father's Day is fabulous.

326
00:27:41.400 --> 00:27:47.519
She really does drama very nicely and angry, not very bright, vituperous person.

327
00:27:47.579 --> 00:27:50.940
And then we can see how she developed to the person she is now.

328
00:27:51.000 --> 00:27:54.480
I think she's one of the, she's really a great performer.

329
00:27:54.539 --> 00:27:56.880
Yeah, there's some real good proper acting.

330
00:27:56.940 --> 00:27:59.460
She's playing 2 different characters in Paris Day.

331
00:27:59.519 --> 00:28:02.099
And she's different in each role.

332
00:28:02.160 --> 00:28:06.839
And, you know, she's someone who, I said this before, I think, too.

333
00:28:06.900 --> 00:28:13.920
She would never have been in a Doctor Who story before, she would never have watched Doctor Who if it was on.

334
00:28:13.920 --> 00:28:18.480
She's someone from a completely different world and she just works so well.

335
00:28:18.539 --> 00:28:21.599
And she's there's a real warmth.

336
00:28:21.660 --> 00:28:30.180
One of the things that made me sad when I heard that Billy was leaving the show, was that I didn't think that they would find a way of bringing Camille back.

337
00:28:30.240 --> 00:28:33.779
And so I thought that that would be the last that we'd see of Jackie.

338
00:28:33.839 --> 00:28:36.660
And I'm glad I was wrong, spoiler alert.

339
00:28:36.720 --> 00:28:41.579
She is an absolute revelation and probably the best thing about the season.

340
00:28:41.819 --> 00:28:43.259
James?

341
00:28:43.259 --> 00:28:47.640
I agree that Sean Dingwall is great.

342
00:28:47.700 --> 00:28:49.980
And I think that's possibly because he comes back.

343
00:28:50.039 --> 00:28:51.960
And next season.

344
00:28:52.019 --> 00:28:53.640
Well, I'm not thinking towards the future.

345
00:28:53.759 --> 00:29:00.299
Yeah, but I mean, to me, to me, he has so much potential in this story, which is realised in series two.

346
00:29:00.359 --> 00:29:07.980
Um, my favourite guest star of the season is um, Florence Hoth.

347
00:29:08.039 --> 00:29:12.480
Oh, she's wonderful in Empty Child of Doctor Dances.

348
00:29:12.539 --> 00:29:25.140
Not just because she's a very good actress and plays that part with such, I don't know, like warmth and realism. and yet power as well.

349
00:29:25.200 --> 00:29:27.000
I want to keep calling her Florence Horter.

350
00:29:27.059 --> 00:29:28.200
That would be wrong.

351
00:29:28.799 --> 00:29:52.500
But also, the character, when you realise towards the end of the 2nd episode that she had a child out of wedlock and she's been struggling without her entire life and that, you know, the societal judgement that she had to hide her son away as her brother.

352
00:29:52.559 --> 00:30:03.779
That character just really, having studied history for a long time, especially 20th century history and knowing that period so well.

353
00:30:03.779 --> 00:30:06.720
That character just resonated with that, I think.

354
00:30:09.960 --> 00:30:12.180
I love Murray's music.

355
00:30:12.240 --> 00:30:17.339
I think it's impossible to imagine the 1st 10 seasons of the new series without him.

356
00:30:17.460 --> 00:30:23.039
I think there are lots of issues with it in the mix in series one.

357
00:30:23.099 --> 00:30:27.900
I find that quite often you can't hear any dialogue.

358
00:30:29.160 --> 00:30:35.579
Maybe, look, maybe that's on rewatching it or the way it's been remastered for Blu-ray.

359
00:30:35.640 --> 00:30:43.380
I don't know, but the music itself is joyous, it's exciting, adventurous.

360
00:30:43.440 --> 00:30:48.720
It's pitched exactly where Russell, I think, intended it to be.

361
00:30:48.779 --> 00:30:50.160
That's why he chose Murray.

362
00:30:50.220 --> 00:30:52.559
He worked with Murray before on queer folk.

363
00:30:52.619 --> 00:30:56.759
It encapsulates the show that he's making.

364
00:30:56.819 --> 00:30:59.279
And I don't think you can imagine the new series without it.

365
00:30:59.700 --> 00:31:04.619
I love Murray's music, but there was a really extraordinary article.

366
00:31:04.680 --> 00:31:06.359
I don't know if any of you guys read it.

367
00:31:06.420 --> 00:31:07.859
I dropped it into the chat during the week.

368
00:31:07.920 --> 00:31:20.160
It was an article in the New Yorker about the music of Doctor Who, which talked about Segun Archinola's music for the new series and his new version of the theme.

369
00:31:20.220 --> 00:31:27.000
And we've been saying in Jody into Terra over the past few weeks that we like the music.

370
00:31:27.059 --> 00:31:33.779
And I found, after 10 years of Murray Gold, that it has been a relief to not be told what to feel.

371
00:31:33.839 --> 00:31:45.000
Except that I, we said this before because I think that he has taken the approach and it's with Russell's direction, that his job is to tell us what to feel.

372
00:31:45.059 --> 00:31:49.200
And that's one of the roles of incidental music.

373
00:31:49.200 --> 00:31:56.220
And it's a particularly kind of Star Wars-y, you know, a big bombastic genre.

374
00:31:56.279 --> 00:31:57.059
Very John Williams.

375
00:31:57.180 --> 00:31:57.660
Yeah.

376
00:31:57.720 --> 00:32:08.160
And you can see that they do want to get away from sort of weird plinky kind of see devil's music because that's kind of alienating.

377
00:32:08.220 --> 00:32:14.279
And while they're introducing it to a new audience and a broad audience, they're trying to be conservative.

378
00:32:14.339 --> 00:32:16.859
And I think that they took the right approach.

379
00:32:16.980 --> 00:32:19.380
That's not what Verity did though.

380
00:32:19.440 --> 00:32:20.759
No, no, that's quite right.

381
00:32:20.819 --> 00:32:21.240
I agree.

382
00:32:21.299 --> 00:32:36.000
The New Yorker article cites Malcolm Cole, which I think is the worst piece of scoring to have ever been done for the history of the series for the sea devils, because all I'm aware of is the terrible score, and it overwrites the action to the point that I'm dissociated from what I'm seeing.

383
00:32:36.059 --> 00:32:48.599
However, there's no mention of Tristram Carey, who we've mentioned before in the old days as being, I think, one of the greatest 20th century electronic composers, and his score for the Daleks, his score, even for the mutants later on.

384
00:32:48.660 --> 00:32:52.380
Just beautiful and censorious and odd and strange.

385
00:32:52.680 --> 00:32:54.599
But I'm getting this now.

386
00:32:54.660 --> 00:32:59.519
This feels like Carrie with the new series with Carrie and Dudley Simpson.

387
00:32:59.579 --> 00:33:01.859
Yeah, the underscoring in the subtleties.

388
00:33:01.920 --> 00:33:05.339
I like that, but I do love Murray's approach.

389
00:33:05.339 --> 00:33:07.259
And I do think it was the right approach.

390
00:33:07.319 --> 00:33:08.519
I agree, I agree for this season.

391
00:33:08.579 --> 00:33:09.539
It's the right approach.

392
00:33:09.599 --> 00:33:11.099
Maybe not for 10 seasons.

393
00:33:11.220 --> 00:33:11.940
No, no.

394
00:33:12.000 --> 00:33:16.380
The the reimagining of the the theme tune is fantastic.

395
00:33:16.440 --> 00:33:22.980
And all the little personal themes, especially Rose's theme, just underscore everything, and I just think it's beautiful.

396
00:33:36.539 --> 00:33:39.180
All right, it's not Mary Avoya.

397
00:33:39.180 --> 00:33:40.680
The Temple of Peace, St.

398
00:33:40.680 --> 00:33:43.559
Albion's Hospital, and the Powell Estate.

399
00:33:43.740 --> 00:33:49.500
I don't think you give me all the warm relationship alternatives here. architectural things.

400
00:33:49.619 --> 00:33:52.980
You know all things about architecture. pretend to.

401
00:33:53.039 --> 00:33:57.539
I really love the hospital, the Alban hospital and it was a hospital, wasn't it?

402
00:33:57.599 --> 00:33:58.319
It's the genuine thing.

403
00:33:58.440 --> 00:33:59.099
It's just gorgeous.

404
00:33:59.160 --> 00:34:00.720
And you get Richard Wilson as a surprise.

405
00:34:00.779 --> 00:34:03.240
And, you know, he's a great recontour.

406
00:34:03.299 --> 00:34:04.079
He's a great wit.

407
00:34:04.140 --> 00:34:08.159
Believe me, he's his autobiography and I thoroughly recommend everyone run out and listen to it.

408
00:34:08.219 --> 00:34:09.179
You can get it on audible.

409
00:34:09.239 --> 00:34:13.380
And he grew up with Sean Connery and plays tennis to this day, so a great pair of pins.

410
00:34:13.440 --> 00:34:18.960
So I'm definitely marrying that hospital with Dr. Constantine as it's cracker delight.

411
00:34:19.019 --> 00:34:23.340
The other one was the was that decon platform one, wasn't it?

412
00:34:23.400 --> 00:34:24.780
Which is an empty cold set.

413
00:34:24.840 --> 00:34:30.179
I don't think that's going to offer me much except, you know, the opportunity of leaving Bruno behind.

414
00:34:30.239 --> 00:34:33.840
So that in itself is a reason to leave it alone.

415
00:34:33.900 --> 00:34:35.039
And what was the 3rd one, Todd?

416
00:34:35.099 --> 00:34:36.900
The Palestate.

417
00:34:36.960 --> 00:34:38.639
The Palestate. the Palestate.

418
00:34:38.699 --> 00:34:41.280
Oh, that means I have to snog.

419
00:34:41.340 --> 00:34:43.199
Mind you, there's a lot of totty on the Palestate.

420
00:34:43.260 --> 00:34:48.659
There's all those, you know, there's all those lubatorium and mechanical offices just next door.

421
00:34:48.719 --> 00:34:49.619
I mean, where does Mickey work?

422
00:34:49.679 --> 00:34:51.059
He works at the Palace State.

423
00:34:51.119 --> 00:34:52.920
Yeah, no, I'm fine with the Palacedale. snog that.

424
00:34:52.980 --> 00:34:53.940
Why not?

425
00:34:54.000 --> 00:34:54.900
Excellent.

426
00:34:55.619 --> 00:35:05.579
So sitting here now, thinking about each of those episodes, as a snapshot, there's a moment in the episode that stands out in your head, right?

427
00:35:05.639 --> 00:35:10.860
A moment, maybe visual, align, something from each of those that sits with you.

428
00:35:10.920 --> 00:35:12.119
Do you know where I'm going with this?

429
00:35:12.179 --> 00:35:12.659
Yep.

430
00:35:12.659 --> 00:35:13.320
All right.

431
00:35:13.380 --> 00:35:14.820
Rose.

432
00:35:14.880 --> 00:35:17.400
It's the bride Autons.

433
00:35:17.460 --> 00:35:29.820
I said this on the actual podcast itself, the realisation that because autons were mannequins, they could be wearing dresses and that would be deeply hilarious.

434
00:35:29.820 --> 00:35:30.659
So it's that.

435
00:35:32.460 --> 00:35:35.519
Oh, for me, it was it's Camille.

436
00:35:35.579 --> 00:35:40.139
When she sexualises the doctor and his reaction to it.

437
00:35:40.199 --> 00:35:42.780
I'm thinking, what would pert we do?

438
00:35:42.840 --> 00:35:43.679
He'd probably jump right in.

439
00:35:46.079 --> 00:35:48.900
It was really shocking and surprising.

440
00:35:48.960 --> 00:35:51.119
I thought, my goodness, we are in the 21st century.

441
00:35:51.179 --> 00:35:52.619
It's an amazing scene.

442
00:35:52.679 --> 00:35:53.519
James?

443
00:35:53.519 --> 00:36:16.440
Mine would have to be the scene towards the end of the episode where Rose does the whole speech about winning the bronze in the gymnastics and saves the day by thinking, like thinking on her feet and going, well, you know, the doctors being held captive, Mick is useless.

444
00:36:16.440 --> 00:36:18.480
I have to save the world.

445
00:36:18.480 --> 00:36:20.579
And I just love that scene.

446
00:36:20.579 --> 00:36:31.679
It's kind of like, look, this character is not just going to scream and fall down, like so many before her, she is a, like, she's a driving force in the, in the narrative of, of this story.

447
00:36:32.099 --> 00:36:36.239
Okay, for me, it's Camille in the bedroom, blow drying a hair.

448
00:36:36.300 --> 00:36:43.860
Like, that's, you know, when the doctor walks in, that's, that's, that's, that, that just, so it is that potent that, you know, I thought it was just me.

449
00:36:43.920 --> 00:36:45.539
Good, good. anything could happen.

450
00:36:45.599 --> 00:36:46.320
All right.

451
00:36:46.380 --> 00:36:47.159
End of the world.

452
00:36:48.059 --> 00:36:49.860
It's Britney.

453
00:36:50.039 --> 00:36:52.019
Yeah, toxic.

454
00:36:52.079 --> 00:36:52.679
Yeah, yeah.

455
00:36:52.739 --> 00:36:54.539
And the iPod and all of that sort of joke.

456
00:36:54.599 --> 00:37:00.599
The realisation that the future's not going to be sort of drab space corridors, it's going to be clever and funny.

457
00:37:00.659 --> 00:37:02.159
Richard.

458
00:37:02.280 --> 00:37:04.260
Oh, Mrs. Wood.

459
00:37:04.320 --> 00:37:07.800
Mrs. Tree when she gives him, you know, the exchange a bit of wood.

460
00:37:07.860 --> 00:37:09.539
I just love the actress.

461
00:37:09.599 --> 00:37:11.639
I'm sorry, I can't remember who it is. off the top of my head.

462
00:37:11.760 --> 00:37:12.239
The woman.

463
00:37:12.239 --> 00:37:12.900
Yasmin Bannum.

464
00:37:12.960 --> 00:37:13.500
Yes, madam.

465
00:37:13.559 --> 00:37:15.059
Of course, we own her now.

466
00:37:15.119 --> 00:37:19.199
She's doing Blake 7 Big Finish audios as the non-Dana.

467
00:37:19.260 --> 00:37:20.400
The non-data Dana.

468
00:37:20.460 --> 00:37:34.199
And she's superb, and she's marvellous in this, and again, we've got a flirty doctor, and it's really poultritudinous and cheeky, and she does a lot of pouty mouth action, and he does a lot of cool introspective northern I could be up for this eye action back at it.

469
00:37:34.260 --> 00:37:34.980
It's just so exciting.

470
00:37:35.039 --> 00:37:41.820
And then they go and have a lovely testament to wood chipping industries and how and how cruel they are.

471
00:37:41.880 --> 00:37:48.360
I think it was, it's the just that establishing shot of the space station.

472
00:37:48.420 --> 00:38:08.099
Um, and and and the ships flying in and going, as somebody who, like all of us grew up watching this show when it wasn't quite so uh, highly produced and and, you know, we look back at it now and go, oh, these special effects look a bit, don't you love, didn't you get that moment where the rings were a bit nerve a beacon?

473
00:38:08.159 --> 00:38:09.420
that little moment.

474
00:38:09.480 --> 00:38:10.739
Yes.

475
00:38:10.800 --> 00:38:19.559
But when I rewatched the episode for the podcast, hey, there were other shots that I thought, well, this doesn't quite stand the test of time.

476
00:38:19.619 --> 00:38:29.639
I think that one still does because it's so iconic and it's and it's the 1st time you get to go, well, this is what this show can do now.

477
00:38:29.699 --> 00:38:36.179
And it's still, it's still to this day, is one of the most impressive shots in the show.

478
00:38:36.239 --> 00:38:39.179
Okay, it's either the giant fans.

479
00:38:39.239 --> 00:38:42.539
The doctor having to go through them, which I think is just hilarious.

480
00:38:42.599 --> 00:38:46.559
It just cracked me up and it's the moment that spider hits the television camera.

481
00:38:46.619 --> 00:38:47.579
Oh, yeah.

482
00:38:47.639 --> 00:38:48.420
That's genius.

483
00:38:48.480 --> 00:38:49.800
It's a Doctor Who fan, you know?

484
00:38:49.860 --> 00:38:52.079
Okay, I'm Quiet Dead.

485
00:38:52.619 --> 00:38:54.960
I have no memory of that episode.

486
00:38:55.019 --> 00:38:56.760
Was it a bit tiresome?

487
00:38:56.820 --> 00:38:58.980
What Phantasmagore area is this?

488
00:38:59.039 --> 00:38:59.880
the only thing I can remember.

489
00:38:59.940 --> 00:39:03.780
My moment, sir, with Gwen and Rose.

490
00:39:03.900 --> 00:39:34.079
Again, it's when the actors are doing a beautiful piece and Gwen is talking, they're talking about boys, and it's really poignant and, you know, you're getting to see the, well, just the opening of a person who is so restricted in their lives, but you can say, oh, yes, we look at, Well, I wouldn't know about that, madam, but then she talks about being able to read rows and the steel planes in the sky and that is to her more displacing and more shocking and more revelatory than actually talking about the sexualising of life, which was utterly forbidden.

491
00:39:34.139 --> 00:39:41.159
So there's just these layers of a girl then and the girl from now, and that's really a beautiful, poignant scene.

492
00:39:41.219 --> 00:39:43.980
And yeah, that's the 1st thing that comes to mind for me.

493
00:39:44.039 --> 00:39:49.739
All right, and the two-parter, moments from that, from Aliens of London, World War II.

494
00:39:49.800 --> 00:40:19.739
It's the scene where a toddler is crawling on the doctor's lap and he's trying to get the toddler out of the way so that he can watch television, and it is because nothing ever remotely like that had ever been in Doctor Who before, and it's emblematic of that 2 parter, which is absolutely extraordinary, the best alien invasion, either since the invasion or to date, because you just never know what it's going to do next.

495
00:40:19.800 --> 00:40:22.920
It's amazing, incredibly great story.

496
00:40:22.980 --> 00:40:39.300
I like the way that he takes to Harriet and as he does through all of these stories where it's not necessarily the underdog, it's the person who is meek and who is hesitant to speak, but they actually are the person who is going to reform and rebuild.

497
00:40:39.360 --> 00:40:40.800
In fact, all of these stories.

498
00:40:40.860 --> 00:40:59.159
I'm quite astounded at how socialist the base of this is, if you'll indulge me, because the powers that be, I would say, are conservative, in that they are reductive, in that they are formalised, and that they do not listen to anything that is peripheral, they have a, they have a direction, and that's what they stick to.

499
00:40:59.219 --> 00:41:01.079
The doctor never does that.

500
00:41:01.139 --> 00:41:05.460
It used to, only even in Pertweese day, where we saw him.

501
00:41:05.519 --> 00:41:11.340
I suppose most is the antithesis of the Eccleston doctor, I don't remember him doing what Eccleston does.

502
00:41:11.400 --> 00:41:12.300
He does it slightly.

503
00:41:12.360 --> 00:41:20.699
He does it with Bilal, but he does, but there's this lovely moment of, no, the doctor recognises Penelope Wilton's character and listens and that's what changes the world.

504
00:41:20.760 --> 00:41:21.719
And though Rose does it first.

505
00:41:22.019 --> 00:41:34.619
I think my favourite scene is uh, it's Margaret Slithine, confronting the doctor and him saying, you know, I'm going to stop you and her going, what, you in your box?

506
00:41:34.679 --> 00:41:39.719
That's a great confrontation is all just done with looks and dialogue.

507
00:41:39.780 --> 00:41:41.280
And good actors.

508
00:41:41.340 --> 00:41:49.320
Yes, it just sort of encapsulates his sort of fighting against oppression against sort of...

509
00:41:49.380 --> 00:41:50.519
I mean, look, that's the other thing.

510
00:41:50.579 --> 00:41:56.519
So, I mean, aren't really defined as evil per se just as like capitalists.

511
00:41:56.579 --> 00:41:57.360
Yeah, yeah.

512
00:41:57.420 --> 00:41:58.500
They're just hyper capitalist.

513
00:41:58.559 --> 00:42:00.599
Yeah, and capitalist.

514
00:42:00.659 --> 00:42:01.679
Invading capitalist.

515
00:42:01.739 --> 00:42:03.000
Mainland Chinese business.

516
00:42:03.059 --> 00:42:03.840
So evil.

517
00:42:03.900 --> 00:42:05.099
Like capitalism.

518
00:42:05.639 --> 00:42:13.199
But capitalism taking to a 10th degree without, you know, with no consideration for life or...

519
00:42:13.199 --> 00:42:14.159
Yeah, that'd be crazy.

520
00:42:14.159 --> 00:42:19.739
Imagine if we've had it up for fuel and didn't care that we were all going to die. crazy stuff.

521
00:42:19.800 --> 00:42:26.039
I guess for me the moments that stick in my mind are Harriet Jones MP for flying down north.

522
00:42:26.099 --> 00:42:27.659
Yep. know who you are.

523
00:42:27.719 --> 00:42:30.719
Um, and...

524
00:42:31.260 --> 00:42:39.239
In the 2nd episode, it's that shot of the missile. streaking through London.

525
00:42:39.300 --> 00:42:46.380
I just, I, that's just something that just, yeah, that just sticks in my mind and it's the little pig running away too.

526
00:42:46.440 --> 00:42:48.360
That's the other thing in episode, the 1st episode.

527
00:42:48.420 --> 00:42:49.260
That is awesome.

528
00:42:58.320 --> 00:43:00.119
Dalek, the long game and Father's Day.

529
00:43:00.239 --> 00:43:03.780
Is there something that sticks out in your mind from those 3 episodes?

530
00:43:04.440 --> 00:43:22.079
I actually think for me, the best moment in that episode is the framing story in Father's Day, the one that's told into different versions by Jackie, and the way that that story fixes the history of Pete's death.

531
00:43:22.139 --> 00:43:36.360
And I said this in the episode in our Father's Day episode and I was tearing up as I was mentioning up not only because of the fact that Pete doesn't die alone, but that the person driving the car gets forgiven in that.

532
00:43:36.420 --> 00:43:39.119
And I think it's an extraordinarily beautiful thing.

533
00:43:39.179 --> 00:43:40.440
I think it's Paul.

534
00:43:40.500 --> 00:43:42.539
You know, I think Paul Cornell's responsible for that.

535
00:43:42.599 --> 00:43:43.800
And it's great.

536
00:43:44.280 --> 00:43:51.239
I guess for me, it's having Rick Astley play never going to give you up in the music track of that episode.

537
00:43:51.360 --> 00:43:52.739
Oh, actually, that is better.

538
00:43:52.800 --> 00:43:53.219
You're right.

539
00:43:54.539 --> 00:43:56.039
James?

540
00:43:56.039 --> 00:44:05.820
I think I touched on this in our episode on Dalek is the way that they obviously went...

541
00:44:05.880 --> 00:44:09.599
Well, what did what did the general public think was crap about the Daleks?

542
00:44:09.659 --> 00:44:11.460
Let's turn everything on its head.

543
00:44:11.519 --> 00:44:29.699
Um, which ostensibly was, was, uh, Rob Sherman's wife having, like he robbed, apparently chatted to his wife and asked her, what did you think was crap about these things and, and she gave him a list and he debunked every, every one of them in the episode.

544
00:44:29.760 --> 00:44:32.340
That's why she gets a Dalek Wrangler credit.

545
00:44:32.400 --> 00:44:33.300
Does she?

546
00:44:33.539 --> 00:44:33.719
No.

547
00:44:33.780 --> 00:44:34.500
Oh.

548
00:44:34.500 --> 00:44:38.460
She's the one that sticks the ramp on the stairs.

549
00:44:38.760 --> 00:44:41.280
Yeah, she now's the plywood.

550
00:44:41.340 --> 00:44:43.019
The green the green screen ram.

551
00:44:43.079 --> 00:44:46.139
Okay, the empty child, the doctor dances Boomtown.

552
00:44:46.559 --> 00:44:48.480
I'll just start off.

553
00:44:48.539 --> 00:44:50.340
I guess where's my mummy?

554
00:44:50.400 --> 00:44:59.699
And for the mayor, one is just a hilarious chase of chasing Margaret Slovene up and down that corridor, she materialises in and out and in and out.

555
00:45:00.119 --> 00:45:05.280
All right, and the final two, two-parter, is there something that really stands out for you?

556
00:45:05.340 --> 00:45:09.000
I think it is those TV shows.

557
00:45:09.059 --> 00:45:33.659
I think, you know, when you don't know exactly what Doctor Who's going to be like in the 21st century, suddenly seeing that it just openly satirises 3 TV shows that are huge and popular in 2005 and doesn't explain it, there's no kind of space reason why this is happening.

558
00:45:33.719 --> 00:45:42.780
It's happening because the audience watching the show also in 2005 and the show is created and directed at them.

559
00:45:42.840 --> 00:46:10.619
And I think that explicit kind of postmodern approach where the show is being written as a television event that will take place sometime in the middle of 2005, I think, is so daring and so interesting for Doctor Who, and it manages to be funny and clever and so confident, you know, so incredibly confident and ambitious.

560
00:46:11.219 --> 00:46:17.039
And for that reason, that 2 parter is just one of my favourite pieces of Doctor Who ever.

561
00:46:17.099 --> 00:46:24.599
And I think, unlike you, Todd, I have the entirety of bad wolf seared into my memory.

562
00:46:24.659 --> 00:46:31.739
I could do a performance of it for you. here on the sofa at a moment's notice.

563
00:46:31.800 --> 00:46:36.000
I think it's an incredible achievement. just extraordinary.

564
00:46:36.059 --> 00:46:40.679
So that's your favourite episode of the season?

565
00:46:40.739 --> 00:46:51.719
I think it might be my favourite episode ever, but it is my favourite episode of the season with an honourable mention for Aliens of London, World War III.

566
00:46:51.780 --> 00:46:53.159
Okay.

567
00:46:53.519 --> 00:46:55.500
You want to do favourite episodes?

568
00:46:55.559 --> 00:46:56.699
What's what we're going to do?

569
00:46:56.760 --> 00:46:57.480
Oh, okay.

570
00:46:57.480 --> 00:47:03.239
Well, it depends what we're looking for if you want my favourite Doctor Who episode.

571
00:47:03.300 --> 00:47:15.659
It's probably Dalek because it rebuilds the whole mythos, if you've been saying, of what Doctor Who is and surprises us all and waggles the finger of opprobrium and says, you see, we're a lot better than you thought we were.

572
00:47:15.719 --> 00:47:18.000
And we were always a bit better than you thought we were.

573
00:47:18.300 --> 00:47:22.559
But if you're talking about heart and feeling, Father's Day is extraordinary.

574
00:47:22.619 --> 00:47:30.780
And if you're talking about venturesome, open-eyed, wonder, um, aliens of London, World War 3, and on the end of the world gives me all of those things.

575
00:47:30.840 --> 00:47:33.300
End of the World is Galaxy Quest on a budget.

576
00:47:33.360 --> 00:47:34.260
It's that much fun.

577
00:47:34.559 --> 00:47:38.159
Especially the fans that they have to get through.

578
00:47:38.340 --> 00:47:41.460
Why do we have these chumpy, chumpy things?

579
00:47:41.519 --> 00:47:42.599
That's great.

580
00:47:42.659 --> 00:47:45.659
I think that episode is often overlooked.

581
00:47:45.719 --> 00:47:48.119
Not underrated, just overlooked difference.

582
00:47:48.239 --> 00:47:54.900
I think Bad Wolf is my favourite episode. funny or surprising or because it's so contemporaneous?

583
00:47:54.960 --> 00:47:55.980
And it's so fresh.

584
00:47:56.340 --> 00:47:58.199
He's never seen it before.

585
00:47:58.800 --> 00:48:04.320
I find it very difficult with series one to actually fault anything.

586
00:48:04.440 --> 00:48:06.780
It works as a whole for me.

587
00:48:06.840 --> 00:48:23.699
Like, it builds over the course of the series, I think it works as a single story in that if you're following rose as your like point of reference for the show, that whole 1st season is rose's adventure.

588
00:48:23.820 --> 00:48:26.039
And so I find it very difficult to go.

589
00:48:26.099 --> 00:48:27.179
Well, this one's my favourite.

590
00:48:27.239 --> 00:48:27.900
That one's my favourite.

591
00:48:27.960 --> 00:48:33.780
I find something to enjoy in all of them, even the ones which are a bit clunky.

592
00:48:33.840 --> 00:48:36.000
I think it's what Richard said earlier.

593
00:48:36.059 --> 00:48:51.300
Richard used the word symphonic to describe this season, and I think that that is exactly right, that this is one coherent story, that the basic unit of narrative in Doctor Who now is the season and so the unquiet dead.

594
00:48:51.360 --> 00:48:54.599
Well, it's not, you know, it has a lot going for it.

595
00:48:54.659 --> 00:49:01.619
I don't enjoy it as much as some other episodes, but the show would be poorer without it.

596
00:49:01.679 --> 00:49:04.500
It's just possible the season wouldn't quite work without it.

597
00:49:05.039 --> 00:49:08.880
And so it is one big giant thing.

598
00:49:16.619 --> 00:49:20.340
Russell T Davies has redefined the show.

599
00:49:20.400 --> 00:49:24.539
What has he done that new that has improved the series?

600
00:49:24.599 --> 00:49:31.139
I think this is all stuff that I've said before, but I think the 45 minute episodes were an obvious thing.

601
00:49:31.199 --> 00:49:36.119
I think that having character-based storytelling was the right thing to do.

602
00:49:36.179 --> 00:49:41.039
Having more women in it than Doctor Who had often had.

603
00:49:41.099 --> 00:50:02.099
So broadening the audience, and mining more of Doctor Who than what people remembered from the 80s or going further afield than the Hinge Cliff era, and including things and approaches that we'd only seen in the 60s or that we'd seen in the Sylvester McCoy era.

604
00:50:02.159 --> 00:50:24.719
Just the idea that Doctor Who isn't those 3 years of Doctor Who in the 70s, the Doctor Who can be a lot of things that can be fun and funny and silly and character based, it doesn't have to be deadly, serious science fiction designed simply to provide material for TARDIS with KEA entries.

605
00:50:25.199 --> 00:50:30.179
And so it becomes something that everyone can watch.

606
00:50:30.239 --> 00:50:32.159
And that everyone does watch.

607
00:50:32.280 --> 00:50:42.420
It becomes the biggest show on TV because Russell knows television. and knows how to be entertaining and knows how to speak to a general audience.

608
00:50:42.480 --> 00:50:46.679
And it's something that Doctor Who had lacked for, you know, a very, very long time.

609
00:50:47.340 --> 00:50:51.539
Is it part of also building this family on the show?

610
00:50:51.599 --> 00:51:00.719
I think that's it too, that the premise of Doctor Who, and I think I've said this 4 or 5 times in different episodes over the last 13 weeks.

611
00:51:00.780 --> 00:51:19.739
The premise of the show is 2 people who travel from place to place, and there's a different guest cast on a different location every week, and yet somehow he creates this semi-regular cast, which is a secret that lets cracked in the early 70s with unit.

612
00:51:19.800 --> 00:51:24.360
And that makes the show more grounded and more relatable.

613
00:51:24.599 --> 00:51:30.059
It gives the characters more things to do because they have more different people to interact with.

614
00:51:30.480 --> 00:51:33.179
It's how rep theatre works.

615
00:51:33.239 --> 00:51:42.480
Soap, you mentioned it in one of the podcasts this year, soap and SF for sci-fi, have a lot more in common than the SF audience would like to admit.

616
00:51:42.539 --> 00:51:47.280
This works because it's not really Doctor Who. it's a new show It's the Russell show.

617
00:51:47.340 --> 00:51:50.460
Doctor Who doesn't work when it tries to go dark, Stephen.

618
00:51:50.519 --> 00:51:52.500
No, not for too long.

619
00:51:52.559 --> 00:51:58.440
Even just, you know, the idea that he wouldn't show blood or he wouldn't show human beings shooting one another.

620
00:51:58.500 --> 00:52:01.980
You know, he would never have produced earth shock.

621
00:52:02.039 --> 00:52:02.639
No.

622
00:52:02.699 --> 00:52:07.559
No, an earth shock wouldn't look how look how much that would stick out in this season.

623
00:52:07.619 --> 00:52:08.760
It just wouldn't work.

624
00:52:08.820 --> 00:52:11.519
Yes, it's something you just mentioned, Nathan.

625
00:52:11.579 --> 00:52:12.539
Like, he wouldn't show blood.

626
00:52:12.659 --> 00:52:14.820
Like there's times where I've gone, oh, they've been shot.

627
00:52:14.880 --> 00:52:15.539
I should be seeing blood.

628
00:52:15.599 --> 00:52:19.920
But I mean, people are very rarely shot with just proper guns in Doctor Who.

629
00:52:19.980 --> 00:52:34.739
The one that I can think of is Mr. Saxon at the end of series 3, where he does break his rule and show a bit of blood, but certainly, you know, you don't get Lytton's hands at the end of Attack of the Sidemen too, that's inconceivable in Modern Doctor Who.

630
00:52:34.800 --> 00:52:38.400
And I think that's good because it wants a broad family audience.

631
00:52:38.460 --> 00:52:44.219
It can't just be for teenage train spotters that we all.

632
00:53:06.119 --> 00:53:09.539
Well, dear listener, that's all we have time for this week.

633
00:53:09.659 --> 00:53:17.579
We'll actually be taking a break for a bit before coming back at you in the new year with new teeth and our shiny new coverage of Series 2.

634
00:53:17.760 --> 00:53:19.559
That's Billy and the doctor.

635
00:53:19.619 --> 00:53:20.099
That's right.

636
00:53:20.159 --> 00:53:20.639
That's weird.

637
00:53:20.699 --> 00:53:28.139
You can keep up with our news at Flight3entirety.com, flights through entirety on Facebook and Apple Podcasts on Twitter.

638
00:53:28.199 --> 00:53:46.500
But between now and then, we'll also be releasing a couple of commentary podcasts, including a very special Christmas episode, and we'll still be on air each week to talk about the new episodes of series 11 in Jody interterra, a Doctor Who flashcast where we dispense hot takes about each week's episode.

639
00:53:46.559 --> 00:53:53.519
You'll find that at Jodyintterterra.com, Jody interterra on Apple Podcasts and at Jody interterra on Twitter.

640
00:53:53.579 --> 00:54:01.079
Over on Bondfinger, you can find commentaries on every film in the James Bond franchise, even a view to a kill.

641
00:54:01.139 --> 00:54:02.460
That's bondfinger.com.

642
00:54:02.519 --> 00:54:06.599
Bondfinger on Facebook and Apple podcast and at Bondfingercast on Twitter.

643
00:54:06.659 --> 00:54:13.980
Until next time, may you enjoy a refreshing break between seasons, followed by a triumphant return in the new year.

644
00:54:14.039 --> 00:54:16.380
Thank you very much for listening and good night.

645
00:54:16.440 --> 00:54:17.159
Good night.

646
00:54:17.219 --> 00:54:18.360
See you soon.

647
00:54:18.420 --> 00:54:18.900
Good then.

648
00:54:22.019 --> 00:54:31.739
That was Fly through Entirety, starring Todd Bilby, Nathan Bottomley, James Selwood and Richard Stone, theme arrangement by Cameron Lamb, Strings performance by Jane Orberg.

649
00:54:31.800 --> 00:54:38.639
This episode, you have to bring your A game, was recorded on the 4th of November 2018 and released on the 25th of November.

650
00:54:40.079 --> 00:54:54.960
Just in time for Christmas, FDE Enterprises has released Snog Marrier Void in the form of a customisable card game, featuring all of your favourites, including Eric Seyward, the Planet Bravelox, and every extant episode of the John Wilds era.

651
00:54:55.019 --> 00:54:57.179
Could this have been done without her?

652
00:54:57.239 --> 00:54:58.980
Could you ever see anybody else in the role?

653
00:54:59.039 --> 00:55:04.500
What do you think of her performance in this particular season in chemistry with Christopher?

654
00:55:04.559 --> 00:55:08.820
I think it was a major industry disappointment that Jeanette Cranky was not cast.

655
00:55:08.880 --> 00:55:11.340
It's a core role with Ken Dodd as the lead.

656
00:55:11.400 --> 00:55:13.440
Who's Jeanette Cranky?

657
00:55:13.500 --> 00:55:15.480
She's a yuppy duppy.

658
00:55:15.539 --> 00:55:20.880
She's the one when French and Saunders do Silence of the Lambs and she's in the cage next door.

659
00:55:20.940 --> 00:55:22.679
Oh great.

660
00:55:22.739 --> 00:55:24.480
I mean, that's just a go to.

661
00:55:24.599 --> 00:55:31.079
She plays Safie's midwife in series 5 of Absolutely Fabulous.

662
00:55:31.139 --> 00:55:37.320
And is a husband and wife, comedy Scottish duo that play a man and a little boy.

663
00:55:37.380 --> 00:55:39.239
Oh, yes, I know who she is now.

664
00:55:39.300 --> 00:55:41.639
Little sort of cap.

665
00:55:41.699 --> 00:56:00.059
In the great tradition of British comedy in the way of Jimmy Clitheroe, who was actually a midget, gentleman playing a boy child for 14 years, I think, on BBC radio, or entertaining Archie, where you had a mannequin for almost 20 years on BBC radio and no one blinked.

666
00:56:00.119 --> 00:56:00.960
Okay, thank you.

667
00:56:01.019 --> 00:56:03.059
So was dismal over them.

668
00:56:03.420 --> 00:56:11.699
And that's the grand tradition of British comedic styles that takes us to the comedic elements in this one.

669
00:56:11.760 --> 00:56:13.679
Yeah, I mean, obviously it should have been someone like that.

670
00:56:16.800 --> 00:56:20.219
So what does Billy what did Billy bring to the table?

671
00:56:20.340 --> 00:56:21.960
Oh, the fact that we've still got to show?