WEBVTT

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This transcript was created on 2026-05-04 at 12:39:03

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Hello, dear listener, and welcome back to Flight through Entirety

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the only Doctor Who podcast that has decided to quit Doctor Who

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completely.

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Do a series of commentary podcasts on Thor 2 and then spend a long

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period in complete obscurity.

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I'm Nathan.

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I'm Todd.

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I'm James.

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I'm Richard for today.

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That's a revelation.

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We've reached the end of the 1st series of New Who, so it's time

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to sit down, take stock and work out what valuable life lessons we

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learned from the Christopher Eccleston era.

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Take it away, Chancellor Flavia.

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Hello, listeners, and welcome to our Christopher Eggleston

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Retrospective for his one season in the role.

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Well, let's begin with some of the hard hitting questions.

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So Nathan, knowing that Bad Wolf is your favourite episode of the

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season, Snog, marry a void, stars in their eyes, call my bluff

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bear with me.

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Okay, I'm totally snocking bear with me for some definition of the

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word bear, I think, probably.

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Is that when they revive at Lizabethan Theatre and just throw you

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into a bear pit with live crushing bears?

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No, that's the one where they don't they have a bath with a bear?

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Yeah, the bear gets in the bath.

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It's the best bit.

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And then stars in your eyes.

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We've all been there.

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Yeah.

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I'm keen to avoid stars in their eyes.

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I think that sounds terrible.

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And call my bluff.

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Was that the other one?

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With real guns?

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Yep.

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I'm going to I'm marrying that.

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Oh excellent.

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It means you married Dennis Norden and the lovely, what was the

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other lovely fella with the gruffly moustache and all the rest of

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it?

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Anyway, it's a very long time ago.

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Frank Muir, Frank Muir, and Dennis Norden, who were doing call my

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bluff back in the 50s.

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But that was just a nod for us fan folk.

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Who are a 1000000 years old?

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Yeah.

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Coming back to this 14 years later, What's the thing that stood

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out for you for this entire series?

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This is a terribly nerdy story, but I'm going to tell it anyway.

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Someone at work in 2005 said to me, you look really happy.

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And I said, it's because Doctor Who's back on.

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And this series made me incredibly happy because not only did it

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come back, but it was really good.

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And you look at it now and it does look sort of cheap in places

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but it is so tremendously great.

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And I guess that's what I've been thinking over the past 13

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episodes.

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Richard?

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My only take, and I've said it before, is it really shows with a

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drama, this complex that you need 18 months of script

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development.

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I didn't even, not even talking about design or casting or

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whatever the directors, you know, then do with the scripts, but

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each time we've had a hiatus.

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And you look at other big shows that are done.

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This rapid turnover, as they've seen with modern television.

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We saw how much they got away with and what was acceptable in the

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70s and the early 80s with rapid turnover, but I now stop and

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think of this as seeing just how well-developed the scripts are

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and that the time for everyone to know what they're doing and know

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their parts and work with it really well.

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And I look at the 70s and the 80s and think, It wasn't actually

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maybe just a matter of budget.

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Imagine what they would have been able to do if they had another 6

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months between seasons back in the day.

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At a 13 episode season.

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Wouldn't it have been interesting?

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I think we would have had a much better quality for all these

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years.

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Counterpoint season 22.

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Oh, nice.

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And season 23, you know, but...

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But they were also, you had to see one.

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Yeah, yeah.

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Yeah.

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Right. going there.

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James, coming back to this.

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I am not this huge a fan of Eccleston as Nathan, but why not?

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That's interesting.

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I think it's more a case if I just preferred tenant.

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I know that doesn't sit well with Richard, look at his face. dear

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listener.

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But I think it's, yeah, look, I mean, I was surprised how much I

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enjoyed it rewatching it for the podcast because I didn't have as

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fond a memory.

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I kind of, I think I got caught up in the, you know, him quitting

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after a year or after an episode.

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And all of that and kind of maybe was a little bitter, you know

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because...

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That was exactly the temperature at the time.

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I enjoyed his portrayal, but I was kind of, you know, why couldn't

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we have more?

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If we'd had another season, we had, like he, he was having

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teething problems and it's not until, say, the doctor dances that

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you kind of go, well, I think we've said this, well, at least you

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and Brendan and Richard have said this in those episodes that

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that's where he really feels like he's getting the role.

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But it's like any doctor coming in.

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There's always a shakedown period where they're trying things out

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and then they sort of, there's a moment where they completely

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click and from that moment on, there's there's no dull beats, you

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know?

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Yeah.

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And I certainly think around that time, that two-parter onwards.

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It certainly very clear.

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And I think that's, that's, it's all coloured by that.

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But having rewatched and knowing what's coming, um, and looking at

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it through eyes that probably hadn't seen those episodes for maybe

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5 or 6 years, I really appreciated him in a way that I hadn't

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before.

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That's something that I've taken out of this is how much I've

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appreciated his portrayal as the doctor and what he's actually

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doing.

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I think for me, the biggest revelations is how consistent this

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season is in terms of script, which goes back to what you were

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saying.

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Tone and variants as well.

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It's a very modulated symphonic piece.

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There's not an episode that I wouldn't go back and rewatch, whereas

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I can't say that for every other season, necessarily, of the new

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series.

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And of course, the other big revelation for me was the dialogue in

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Bad Wolf, which I'd forgotten like over a 3rd of it.

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I thought I was coming back to a brand new re-edit of the

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episode.

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So that was, I was just there going, what's happened to my brain?

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And also the other thing is the special effects.

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I think they do look more dated now and a bit more ropey.

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There's still some spectacular ones.

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Not saying that there isn't, but I was surprised at certain times

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where I kind of thought, oh, I thought it would hold up better or

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I thought it was better at the time.

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Well, it was great at the time, but I just suddenly went, it's

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aged a bit compared to what's happening now, bit more than I

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thought.

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It's that thing when you teach kids and they talk about Doctor Who

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back in the old days when the effects were crappy and you realised

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they're talking about series one. you know, rather than the

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1960s.

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I just want to vomit.

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But what are the ropey effects if we're already there?

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I think that there are some really poorly directed moments with

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the Savine in World War III.

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I think that they're really quite bad.

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Who was the director on that one?

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Keith Boke.

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We've mentioned him a bunch of young.

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Chi fans in the end of the world.

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I think, yeah, those aren't convincing, but I think that I think

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the idea that the special effects are trying to present a

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convincing version of reality is wrongheaded.

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They're trying to be impressive special effects.

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We're talking about direction, though, here, because I know how

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hard it is and I did it for a very small time, but getting the CG

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right is just time and bankruptcy.

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I'm impressed just watching Father's Day again yesterday.

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How good the vortosaurs are, which I insist on calling them that

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because they're an obvious nod, to storm warning.

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The chronos 1st story.

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Aren't they coronavores?

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what I want. 1st of all, maybe.

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So it's the same thing.

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They exist in the vortex and when Charlie Pollard has them one as

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a pet because she couldn't get an Australian surfer of

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heterosexual domain.

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I mean, I do agree with you.

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I mean, it is budget is time, and I think over time, as the years

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have gone on, with special effects, you can get better effects

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more quickly and people have worked out how to do things.

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I think at certain times here it's the shading, all the shadows

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and stuff like that.

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I'm not saying like it's a breaking point or anything like that

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and they're appalling, but there's a little less reality to it.

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Like I kind of look at it and go, I just wince a little bit at

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times.

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It's the matching and the green screening.

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But that is a visual thing.

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I care about being able to see the actors' faces, their reaction

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and how they interplay together and how they play against the FX.

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Look at Snow White, or, you know, original animation was not, well

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you know, it doesn't stand up to what you're talking about now, but

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pace, tambler, and pause, that the time that you need for actors

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to do their work is given it.

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I think Father's Day is the most successful story that does that

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but so is Bad Wolf.

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And so I can't really think of actually any stories other than the

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directors that you just talked about, Mr. Bogue stories, where

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that doesn't really happen in this season.

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I think now the special effects are trying to be realer.

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And, you know, there is a type of special effect where you don't

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realise it's a special effect where they'll match something out or

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you know, do something like that when you think about, you know

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Mad Max Fury Road.

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There weren't many special effects, but most of them were things

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like wiping out cables and stuff like that, not creating CG worlds

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like Phantom Menace or something.

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Whereas something like the end of the world is very much saying

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look at our new toys and what we can do, and those special effects

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I think, would be spoiled by being so subtle that we didn't

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realise they were effects.

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They needed to be sort of big brash computer effects just to say

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that's what we can do.

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Well, let's just talk about Christopher Eckleston, because this is

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his retrospective.

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What do you think his legacy is?

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Acting.

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He gets it right, and I don't believe it's not finding the part.

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He said that he wasn't comfortable doing children's.

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He saw it as children's television. as did Tom, as did everyone.

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We actually, everyone, even if we don't necessarily love them, the

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ones that the majority of the viewers, and that's the reason the

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show is back on the air.

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It wasn't made for us.

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Let's remember.

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All we get is ice hop galaxy on a monitor.

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That's for us.

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The rest of it is for the not we.

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So, the point of their customs performance, I believe, or the

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punctiliousness of it and the repetition.

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Again, it's very it's very symphonic.

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He really does modulate what he's doing and he'll start off, that

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timorousness or that sense of uncertainty is actually the actor's

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trope, that he is playing a man who was recently, as he saw it

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came into a body.

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He read, he was very careful with Russell for all that time to

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consider the time war, and we know that they had complete fan spas

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where they all got together into a bubbling round pool of fan

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chattiness and talked about the character in the development

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because that's what a theatre actor does dining.

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And then he's how they treated it.

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You can really feel it.

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I don't think he's I don't feel that he was coming from a place of

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uncertainty.

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I feel that he was very carefully.

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Like you mentioned Todd.

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It's the Colin Baker principle of starting off cool and warming

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him up as he comes into it as he gets used to being here as we get

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used to him.

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It's a really sterling performance watching them again.

251
00:12:43.200 --> 00:12:46.980
And I think that's the reason the series went so well afterwards

252
00:12:46.980 --> 00:12:47.639
for so long.

253
00:12:47.879 --> 00:12:49.440
Nathan?

254
00:12:49.500 --> 00:12:51.720
I think that Richard's right.

255
00:12:51.779 --> 00:12:55.740
And I want to take another kind of look at it.

256
00:12:55.799 --> 00:12:58.740
Every time the story comes out that the doctor's leaving and we're

257
00:12:58.740 --> 00:13:01.860
going to cast a new doctor, we get, it'll be Ken Dodd.

258
00:13:01.919 --> 00:13:04.559
It'll be Jeanette Cranky, you know, like it'll be someone

259
00:13:04.559 --> 00:13:06.179
hilarious from TV.

260
00:13:06.179 --> 00:13:12.480
And partly, I think, too, that it was a result of the idea in the

261
00:13:12.480 --> 00:13:16.440
80s that it was a job for a light entertainment star.

262
00:13:16.500 --> 00:13:21.299
And it was really important, I think, to Russell that it was a

263
00:13:21.299 --> 00:13:22.620
proper actor.

264
00:13:22.679 --> 00:13:27.419
And Eccleston was such a proper actor that it seemed unlikely that

265
00:13:27.419 --> 00:13:31.259
he would even agree to do it, despite having worked with Russell

266
00:13:31.259 --> 00:13:36.419
before, on a project, which is the 2nd coming, that is not that

267
00:13:36.419 --> 00:13:39.059
dissimilar from his role as Doctor Who.

268
00:13:39.299 --> 00:13:42.899
And it turned out, he was an actor who wasn't going to stick

269
00:13:42.899 --> 00:13:43.919
ground for the part.

270
00:13:43.980 --> 00:13:47.100
And so I think we were super lucky to have him for the short time

271
00:13:47.100 --> 00:13:53.700
that we did the sort of crankiness that we get from the sort of

272
00:13:53.700 --> 00:13:55.259
behind the scenes stories.

273
00:13:55.320 --> 00:14:00.059
Maybe that's the flip side of the kind of actor he was.

274
00:14:00.120 --> 00:14:05.220
And that kind of discomfort with the role, which I think is

275
00:14:05.220 --> 00:14:12.720
visible, is a good thing because I think that this season, and I

276
00:14:12.720 --> 00:14:15.779
have said it before, doesn't know whether it's going to be

277
00:14:15.779 --> 00:14:16.559
successful.

278
00:14:16.620 --> 00:14:18.360
It doesn't know what it's going to be.

279
00:14:18.419 --> 00:14:22.620
They're making this without realising that in a few months time.

280
00:14:22.679 --> 00:14:25.379
It's going to be the biggest show on British television.

281
00:14:25.500 --> 00:14:29.519
And so there's no complacency here.

282
00:14:29.580 --> 00:14:34.139
They're all really bringing their A game and trying as hard as

283
00:14:34.139 --> 00:14:35.580
possible.

284
00:14:35.580 --> 00:14:37.679
And I think that's why this season's good.

285
00:14:37.679 --> 00:14:40.799
And I think that that's why Eccleston is so good.

286
00:14:42.120 --> 00:14:43.559
James.

287
00:14:44.100 --> 00:14:51.840
I would tend to agree with Nathan that it's having such a serious

288
00:14:51.840 --> 00:14:59.159
actor in the role really did make the entire production team work

289
00:14:59.159 --> 00:15:02.159
that much harder to try and make a success.

290
00:15:02.159 --> 00:15:08.879
And it also proved to the viewing audience that Doctor Who is a

291
00:15:08.879 --> 00:15:12.360
serious, or at least back then it was a serious program that had

292
00:15:12.360 --> 00:15:14.759
to, you know, had good actors.

293
00:15:14.820 --> 00:15:18.960
It wasn't, you know, that sort of fondly remembered creaky TV show

294
00:15:18.960 --> 00:15:21.899
that had those sort of be great actors.

295
00:15:21.960 --> 00:15:27.539
You know, which is how the viewing public remembered it, rightly

296
00:15:27.539 --> 00:15:29.100
or wrongly, wrongly.

297
00:15:29.100 --> 00:15:35.519
And so casting such a well-regarded actor in the role, I think, is

298
00:15:35.519 --> 00:15:38.639
it probably actually made it survive.

299
00:15:38.700 --> 00:15:43.799
I don't think you could have cast. someone not of his higher

300
00:15:43.799 --> 00:15:49.139
calibre without, um, without it possibly not having been renewed

301
00:15:49.139 --> 00:15:49.740
the next season.

302
00:15:49.860 --> 00:15:52.740
So it's changing the perception of the public of what the show

303
00:15:52.740 --> 00:15:53.399
actually is.

304
00:15:53.759 --> 00:15:57.779
His job is so much harder than anybody's come after him apart from

305
00:15:57.779 --> 00:15:58.320
Jody.

306
00:15:58.379 --> 00:15:59.399
Yeah.

307
00:15:59.399 --> 00:16:04.019
It's like Pat, you know, like Pat is there to prove that the

308
00:16:04.019 --> 00:16:05.100
doctor can be a new actor.

309
00:16:05.159 --> 00:16:08.879
Chris proves that the show works in the 21st century.

310
00:16:09.360 --> 00:16:12.480
Again, yes, I agree with all that you're saying.

311
00:16:12.539 --> 00:16:17.340
He sets a benchmark for everybody who comes after him to realise

312
00:16:17.340 --> 00:16:19.860
that you have to take this seriously.

313
00:16:19.919 --> 00:16:21.299
You have to bring your A game.

314
00:16:21.360 --> 00:16:25.799
You can be funny, you can be heartbreaking, you can be angry.

315
00:16:26.940 --> 00:16:30.240
And I think without that, you know, the performances of his

316
00:16:30.240 --> 00:16:32.580
successes may not be what we actually ended up getting.

317
00:16:36.240 --> 00:16:41.399
Well, Christopher's one part of the of the duo, that is the stars

318
00:16:41.399 --> 00:16:41.940
of the show.

319
00:16:42.000 --> 00:16:43.139
The other one is Billy Piper.

320
00:16:43.200 --> 00:16:46.320
Let's talk about belief for a moment in the role of Rose.

321
00:16:46.379 --> 00:16:47.879
What did Billy bring to the table?

322
00:16:47.940 --> 00:16:49.740
Oh, the fact that we've still got a show.

323
00:16:50.279 --> 00:16:53.039
I only look at her when she's on.

324
00:16:53.100 --> 00:16:55.559
Is that Charlie Brooker game?

325
00:16:55.620 --> 00:16:56.879
Have we mentioned it before?

326
00:16:56.940 --> 00:16:59.639
Where you're looking at her and trying to decide which of her

327
00:16:59.639 --> 00:17:01.080
facial features is the biggest?

328
00:17:01.139 --> 00:17:02.460
Since she's done the work.

329
00:17:02.879 --> 00:17:05.400
When she comes back, spoiler alert, and it really is.

330
00:17:05.460 --> 00:17:09.420
Oh, my God, why are they using an anamorphic lens on her shots?

331
00:17:09.480 --> 00:17:10.980
Oh my god, no, it's her new tea.

332
00:17:11.039 --> 00:17:11.940
That's weird.

333
00:17:12.000 --> 00:17:13.980
But I'm not even a fan.

334
00:17:14.039 --> 00:17:14.640
I'm really not.

335
00:17:14.700 --> 00:17:18.539
I couldn't care less, but of anything she does outside. blithely

336
00:17:18.539 --> 00:17:19.079
disinterested.

337
00:17:19.140 --> 00:17:21.119
Didn't even know who she was or that she'd had a recording

338
00:17:21.119 --> 00:17:21.539
career.

339
00:17:21.599 --> 00:17:24.420
Of course, you know, hey, BBC listener.

340
00:17:24.480 --> 00:17:29.579
But sticking her on there, the subtleties, she gives Eccles heart

341
00:17:29.579 --> 00:17:33.240
and warmth and she's the reason the doctorates were propelled.

342
00:17:33.299 --> 00:17:36.059
And the reason we're actually interested in the doctor is the

343
00:17:36.059 --> 00:17:38.039
character of Rose and it is Billy's performance.

344
00:17:38.160 --> 00:17:40.980
Because when she says to him, I know you, and she throws the line

345
00:17:40.980 --> 00:17:43.920
really nicely, not dwelling on it, because she's not cruel, you're

346
00:17:43.920 --> 00:17:44.099
sad.

347
00:17:44.160 --> 00:17:46.259
You will disappear and you'll be waiting for me at that box and

348
00:17:46.259 --> 00:17:47.819
I'm going to make you wait a long time.

349
00:17:47.880 --> 00:17:49.980
That didn't mean to sound as naughty as it just did.

350
00:17:50.819 --> 00:17:55.319
She brings some real kind of TV style realism to the part.

351
00:17:55.380 --> 00:17:57.839
She's just a bloody good naturalist actor.

352
00:17:57.900 --> 00:17:58.740
Yeah, yeah.

353
00:17:58.799 --> 00:18:00.480
I just can't get over.

354
00:18:00.480 --> 00:18:04.079
I'm sure I said this just a couple of weeks ago. that on the

355
00:18:04.079 --> 00:18:08.339
weakest link, The success of that entire sequence just hinges on

356
00:18:08.339 --> 00:18:11.940
her performance, you know, she's amused and then terrified.

357
00:18:12.000 --> 00:18:14.460
She's so good.

358
00:18:14.519 --> 00:18:15.599
She's so terrific.

359
00:18:15.599 --> 00:18:18.420
And she'll be great again next year.

360
00:18:18.480 --> 00:18:21.599
I just think she's extraordinary and we were really lucky to have

361
00:18:21.599 --> 00:18:21.900
her.

362
00:18:21.960 --> 00:18:24.480
I actually don't remember the bit where all the fans said, oh

363
00:18:24.480 --> 00:18:26.759
she's a pop star, Shelby Crap, you know, what's going on.

364
00:18:26.880 --> 00:18:27.420
Oh yes.

365
00:18:27.420 --> 00:18:28.319
I don't remember that.

366
00:18:28.380 --> 00:18:32.160
All the forums were lit up again. was Christmas every day.

367
00:18:32.220 --> 00:18:34.799
I had a moment where I thought you were going to say, oh, she's

368
00:18:34.799 --> 00:18:35.759
back with Jody next year.

369
00:18:35.819 --> 00:18:40.019
Ooh, better get a bit late seasons, Buffy, wouldn't it?

370
00:18:40.500 --> 00:18:42.480
Which one's the witch?

371
00:18:42.660 --> 00:18:48.119
I think one of the things in rewatching this is that Rose is a lot

372
00:18:48.119 --> 00:18:51.660
more selfish and quite unlikeable at times.

373
00:18:51.720 --> 00:18:55.559
Like, how she's treating Mickey and various...

374
00:18:55.619 --> 00:18:59.700
And I didn't realise that it was quite like that, but that's one

375
00:18:59.700 --> 00:19:03.180
of the biggest revelations I got, but her performance throughout

376
00:19:03.180 --> 00:19:04.619
the entire season.

377
00:19:04.680 --> 00:19:07.500
There's just a realism and a grounding that she brings to the role

378
00:19:07.500 --> 00:19:12.480
that even despite those things in rose, you can't help but love

379
00:19:12.480 --> 00:19:15.480
the character and that's because of what she brings to the part as

380
00:19:15.480 --> 00:19:16.019
an actress.

381
00:19:16.079 --> 00:19:16.980
Yeah.

382
00:19:17.039 --> 00:19:20.519
I remember being disappointed in the end of the world when she

383
00:19:20.519 --> 00:19:23.160
gets knocked on the head and then just sort of recovers.

384
00:19:23.220 --> 00:19:26.519
You know, like you get smacked on the head by one of the adherents

385
00:19:26.519 --> 00:19:29.579
of the repeated meme and everyone knows that you go straight to A

386
00:19:29.579 --> 00:19:32.160
and E and, you know, have concussion and things.

387
00:19:32.220 --> 00:19:36.000
And she had been so sort of TV realistic up to that point.

388
00:19:36.059 --> 00:19:38.759
I thought, oh, really, is she going to be menaced and thrown

389
00:19:38.759 --> 00:19:42.000
downstairs and knocked unconscious and stuff, like used to happen

390
00:19:42.000 --> 00:19:43.500
back in the classic series?

391
00:19:43.559 --> 00:19:47.940
And in fact, she more or less avoided that and did get to be like

392
00:19:47.940 --> 00:19:50.460
a person reacting to this stuff.

393
00:19:50.519 --> 00:19:54.299
And the other characteristic she has is that she's really smart.

394
00:19:54.359 --> 00:19:58.440
Like, she is quick to work out what's going on.

395
00:19:58.680 --> 00:20:03.660
So she does seem to be a more well-rounded character than we've

396
00:20:03.660 --> 00:20:05.819
had before, I think.

397
00:20:05.880 --> 00:20:08.339
She's a clever person, even though she doesn't necessarily have

398
00:20:08.339 --> 00:20:09.900
like an education.

399
00:20:09.960 --> 00:20:10.680
Yeah, that's exactly it.

400
00:20:10.740 --> 00:20:11.400
She's not an idiot.

401
00:20:11.460 --> 00:20:11.880
Yeah.

402
00:20:11.940 --> 00:20:12.960
I think that's that's right.

403
00:20:13.019 --> 00:20:16.980
And, you know, when they bring in Pete, they make Pete smart. like

404
00:20:16.980 --> 00:20:21.660
clever at working out what's going on and that's where Rose sort

405
00:20:21.660 --> 00:20:22.619
of seems to get it from.

406
00:20:22.680 --> 00:20:26.519
And so already we've got a character who has some personality

407
00:20:26.519 --> 00:20:27.359
traits.

408
00:20:27.420 --> 00:20:32.759
She isn't just from the Sever team or a time lady or a journalist

409
00:20:32.759 --> 00:20:36.900
whose character is more or less completely defined by the actor's

410
00:20:36.900 --> 00:20:37.319
performance.

411
00:20:37.380 --> 00:20:43.019
She is actually a person with more personal characteristics.

412
00:20:43.079 --> 00:20:44.220
And I think that's a step up.

413
00:20:44.279 --> 00:20:46.259
James, do you have anything to add?

414
00:20:46.319 --> 00:20:48.359
Look, I have seen.

415
00:20:48.420 --> 00:20:53.460
I mean, I'm one of those fans who, when they see someone in Doctor

416
00:20:53.460 --> 00:20:55.799
Who will go, where have I seen them before?

417
00:20:55.799 --> 00:20:57.599
I would like it, where can I see them?

418
00:20:57.660 --> 00:21:03.420
And so I did seek out a lot of her television following this.

419
00:21:03.480 --> 00:21:05.099
Well, I assume she didn't really have a TV.

420
00:21:05.160 --> 00:21:05.819
Really in the smoke?

421
00:21:06.119 --> 00:21:12.900
Yeah, so I did track down Ruby and the Smoke and Secret Diver, Call

422
00:21:12.900 --> 00:21:15.960
Girl, and various other things that she'd done.

423
00:21:16.019 --> 00:21:19.980
And it's not just Doctor Who.

424
00:21:20.039 --> 00:21:21.720
She is a bloody good actress.

425
00:21:21.779 --> 00:21:26.880
I've seen her in Penny Dreadful, and she is a consumptive

426
00:21:26.880 --> 00:21:27.359
prostitute.

427
00:21:27.420 --> 00:21:31.559
She's struggling with her new teeth and an Irish accent, which is

428
00:21:31.559 --> 00:21:33.539
really quite terrible, but she still manages.

429
00:21:33.599 --> 00:21:34.980
So often go together, don't they?

430
00:21:35.099 --> 00:21:37.259
She still manages to do an amazing job.

431
00:21:37.319 --> 00:21:38.279
She is very good.

432
00:21:42.599 --> 00:21:44.579
Strawberry avoid.

433
00:21:44.640 --> 00:21:45.539
The Lady Cassandra.

434
00:21:45.599 --> 00:21:48.480
Trisha Delaney, Margaret Slavine.

435
00:21:48.539 --> 00:21:53.160
I'd snug Trisha Delaney because I was having trouble getting over

436
00:21:53.160 --> 00:21:53.700
Rose.

437
00:21:56.700 --> 00:22:03.000
I think I would avoid the Lady Cassandra, because she'd outlive me

438
00:22:03.000 --> 00:22:07.440
and probably make me into a kaftan or something.

439
00:22:08.220 --> 00:22:12.240
A high waisted evening jacket with Chanel buttons.

440
00:22:12.299 --> 00:22:14.640
Or a blue Kagool.

441
00:22:15.180 --> 00:22:18.119
That leaves you with Margaret Slovine.

442
00:22:18.180 --> 00:22:24.539
Oh, I marry Margaret Slippin because I just loving it Badland and

443
00:22:24.539 --> 00:22:25.740
everything I've ever seen her in.

444
00:22:25.799 --> 00:22:29.400
And he'd end up being the lady mayoress of Cardiff as well if he

445
00:22:29.400 --> 00:22:29.759
did that.

446
00:22:29.880 --> 00:22:32.160
Or her handbag.

447
00:22:32.759 --> 00:22:36.180
There's another aspect I'd like to talk about, which is the

448
00:22:36.180 --> 00:22:40.619
console room, which we just see, the room itself for budgetary

449
00:22:40.619 --> 00:22:41.039
reasons.

450
00:22:41.099 --> 00:22:45.059
What was our initial impressions of that when we saw it and what

451
00:22:45.059 --> 00:22:45.720
do we think of it now?

452
00:22:46.259 --> 00:22:48.960
Look, it was so refreshing at the time.

453
00:22:49.019 --> 00:22:55.079
I, as a classic series fan, as we all are in this room, you expect

454
00:22:55.079 --> 00:23:03.059
it to be this modern, white, Spartan technological space and the

455
00:23:03.059 --> 00:23:08.519
boldness of reinventing that in an sort of organic, coral, sort of

456
00:23:08.519 --> 00:23:14.759
crystalline kind of way was so different from everything that's

457
00:23:14.759 --> 00:23:15.240
gone before.

458
00:23:15.299 --> 00:23:22.440
I think the problem with that is that that established for every

459
00:23:22.440 --> 00:23:23.819
console room since.

460
00:23:24.000 --> 00:23:30.059
You know, we have to go with dark and moody instead of modern and

461
00:23:30.059 --> 00:23:37.079
and the closest you get is the late Matt Smith and the Capoldi

462
00:23:37.079 --> 00:23:41.160
console room, which is the closest you get to the classic series

463
00:23:41.160 --> 00:23:45.960
in that it's obviously technological, but it's still dark and

464
00:23:45.960 --> 00:23:46.500
brooding.

465
00:23:46.559 --> 00:23:51.839
And I think that makes the whole show dark and brooding after a

466
00:23:51.839 --> 00:23:52.079
while.

467
00:23:52.140 --> 00:23:54.599
I wasn't taken with it at 1st.

468
00:23:54.660 --> 00:23:56.039
I was actually quite anti-it.

469
00:23:56.099 --> 00:23:59.339
I guess in my head, I thought they'd either go very classic, like

470
00:23:59.339 --> 00:24:02.759
the white one, or they'd go like a telly movie, much more like

471
00:24:02.759 --> 00:24:04.680
Jules Verne type sort of thing.

472
00:24:04.740 --> 00:24:08.579
So it was it was a shocking surprise to me to see what they went

473
00:24:08.579 --> 00:24:10.920
with and it took me quite a while to sort of warm to it.

474
00:24:11.339 --> 00:24:17.940
I think that the attempts in later designs to be quirky are

475
00:24:17.940 --> 00:24:19.859
terribly tiresome.

476
00:24:19.920 --> 00:24:22.440
And Matt Smith's 1st console room.

477
00:24:22.500 --> 00:24:24.599
I think is horrific.

478
00:24:24.660 --> 00:24:30.000
And I think Capaldi's console room is a little bit too TV moving a

479
00:24:30.000 --> 00:24:32.579
little bit too self-consciously Jules Verne.

480
00:24:32.640 --> 00:24:37.140
And so this is technological without being sort of 60s kind of

481
00:24:37.140 --> 00:24:39.000
modernist technological.

482
00:24:39.240 --> 00:24:45.420
It doesn't have the skill or ambition of the original design, but

483
00:24:45.420 --> 00:24:50.700
I think it's very good, and I think it does the job of telling us

484
00:24:50.700 --> 00:24:56.160
what the doctor is like because this is where the doctor lives, and

485
00:24:56.160 --> 00:25:01.200
in this enormous space, he is a very small figure.

486
00:25:01.259 --> 00:25:05.700
So the console tells us that the doctor is lonely.

487
00:25:05.759 --> 00:25:07.259
Just to look at it.

488
00:25:07.319 --> 00:25:09.720
It's not a homely place.

489
00:25:09.779 --> 00:25:13.440
It's not stuffed full of sofas and lovely books to read.

490
00:25:13.500 --> 00:25:20.099
It's a dark place that should have more people in it and should be

491
00:25:20.099 --> 00:25:23.279
more brightly lit, but it doesn't because the doctor's on his

492
00:25:23.279 --> 00:25:23.519
own.

493
00:25:23.579 --> 00:25:27.299
And I think it also serves to reinforce at the doctor's working

494
00:25:27.299 --> 00:25:30.779
class with the sort of metal grating. you know, the kind of

495
00:25:30.779 --> 00:25:33.599
roughness to it, that it's...

496
00:25:33.660 --> 00:25:35.579
Well, it's the job of a mechanic to run it, not a computer

497
00:25:35.579 --> 00:25:36.539
programmer.

498
00:25:36.599 --> 00:25:40.319
And I think that that's another good thing as well. to the north.

499
00:25:40.380 --> 00:25:42.299
Yeah, I get a lot of that.

500
00:25:42.359 --> 00:25:45.660
Look, my main disappointment when I saw it was, oh, you're just

501
00:25:45.660 --> 00:25:50.579
taking Jeffrey Sax's principles. of the overarching um flying

502
00:25:50.579 --> 00:25:54.059
buttresses meeting the console and you just you just taking out

503
00:25:54.059 --> 00:25:54.779
the steampunk.

504
00:25:54.779 --> 00:25:59.339
And I thought the oversimplicity of the mushroom set, the big dome

505
00:25:59.339 --> 00:26:04.259
wasn't going to lead to interesting shots, and the murkiness of it

506
00:26:04.259 --> 00:26:08.039
is just like every fanboys dig when they're a student. a lot of it

507
00:26:08.039 --> 00:26:08.339
was nice.

508
00:26:08.400 --> 00:26:10.859
It works as a film set.

509
00:26:10.920 --> 00:26:15.900
I actually prefer the Philip Siegel one, even though I know all of

510
00:26:15.900 --> 00:26:19.920
the rest of it and was doing all the Victoriana steampunk stick

511
00:26:19.920 --> 00:26:23.460
that we really don't like, but it just had a more interesting

512
00:26:23.460 --> 00:26:26.940
dynamics around the certain ways to shoot it and would have been

513
00:26:26.940 --> 00:26:29.880
more engaging as a long term.

514
00:26:29.880 --> 00:26:31.920
Because we've got that same principle.

515
00:26:31.980 --> 00:26:34.319
And that's what's really disappointed me with the Jody set, but we

516
00:26:34.319 --> 00:26:34.920
won't go there now.

517
00:26:34.980 --> 00:26:39.240
Um, look, I really like what you're saying about isolating the

518
00:26:39.240 --> 00:26:42.660
doctor or the sense that this is an alien thing that the Titus

519
00:26:42.660 --> 00:26:43.319
never was before.

520
00:26:43.380 --> 00:26:45.420
It certainly works for what the show's trying to do.

521
00:26:54.480 --> 00:26:58.680
I think this is a really hard question. to answer, because there's

522
00:26:58.680 --> 00:27:00.779
so many strengths to this season.

523
00:27:00.839 --> 00:27:02.880
I was thinking about asking you all.

524
00:27:02.940 --> 00:27:09.180
If you eliminate Christopher and Billy, who is the MVP on screen?

525
00:27:09.240 --> 00:27:12.000
But there's just so many people you could choose.

526
00:27:12.480 --> 00:27:13.859
Yeah.

527
00:27:13.920 --> 00:27:15.240
Yep, that's my answer.

528
00:27:15.299 --> 00:27:16.140
The correct answer?

529
00:27:16.259 --> 00:27:17.759
What does MVP mean?

530
00:27:17.819 --> 00:27:18.960
Most valued player.

531
00:27:19.019 --> 00:27:20.160
It's a sports thing, James.

532
00:27:20.220 --> 00:27:21.359
I don't do sports ball.

533
00:27:21.480 --> 00:27:22.440
Sports ball, yes.

534
00:27:23.039 --> 00:27:25.380
I don't do sports.

535
00:27:25.440 --> 00:27:27.960
Okay, and your favourite guest star of the year.

536
00:27:28.019 --> 00:27:31.619
I actually really love Sean Dignant, I really love.

537
00:27:32.819 --> 00:27:36.119
The way Rose is rounded out by seeing both parents.

538
00:27:36.119 --> 00:27:41.339
And Camille's performance in Father's Day is fabulous.

539
00:27:41.400 --> 00:27:46.619
She really does drama very nicely and angry, not very bright

540
00:27:46.619 --> 00:27:47.519
vituperous person.

541
00:27:47.579 --> 00:27:50.940
And then we can see how she developed to the person she is now.

542
00:27:51.000 --> 00:27:54.480
I think she's one of the, she's really a great performer.

543
00:27:54.539 --> 00:27:56.880
Yeah, there's some real good proper acting.

544
00:27:56.940 --> 00:27:59.460
She's playing 2 different characters in Paris Day.

545
00:27:59.519 --> 00:28:02.099
And she's different in each role.

546
00:28:02.160 --> 00:28:06.599
And, you know, she's someone who, I said this before, I think

547
00:28:06.599 --> 00:28:06.839
too.

548
00:28:06.900 --> 00:28:11.880
She would never have been in a Doctor Who story before, she would

549
00:28:11.880 --> 00:28:13.920
never have watched Doctor Who if it was on.

550
00:28:13.920 --> 00:28:17.640
She's someone from a completely different world and she just works

551
00:28:17.640 --> 00:28:18.480
so well.

552
00:28:18.539 --> 00:28:21.599
And she's there's a real warmth.

553
00:28:21.660 --> 00:28:25.500
One of the things that made me sad when I heard that Billy was

554
00:28:25.500 --> 00:28:28.559
leaving the show, was that I didn't think that they would find a

555
00:28:28.559 --> 00:28:30.180
way of bringing Camille back.

556
00:28:30.240 --> 00:28:33.180
And so I thought that that would be the last that we'd see of

557
00:28:33.180 --> 00:28:33.779
Jackie.

558
00:28:33.839 --> 00:28:36.660
And I'm glad I was wrong, spoiler alert.

559
00:28:36.720 --> 00:28:41.099
She is an absolute revelation and probably the best thing about

560
00:28:41.099 --> 00:28:41.579
the season.

561
00:28:41.819 --> 00:28:43.259
James?

562
00:28:43.259 --> 00:28:47.640
I agree that Sean Dingwall is great.

563
00:28:47.700 --> 00:28:49.980
And I think that's possibly because he comes back.

564
00:28:50.039 --> 00:28:51.960
And next season.

565
00:28:52.019 --> 00:28:53.640
Well, I'm not thinking towards the future.

566
00:28:53.759 --> 00:28:57.420
Yeah, but I mean, to me, to me, he has so much potential in this

567
00:28:57.420 --> 00:29:00.299
story, which is realised in series two.

568
00:29:00.359 --> 00:29:07.980
Um, my favourite guest star of the season is um, Florence Hoth.

569
00:29:08.039 --> 00:29:12.480
Oh, she's wonderful in Empty Child of Doctor Dances.

570
00:29:12.539 --> 00:29:17.460
Not just because she's a very good actress and plays that part

571
00:29:17.460 --> 00:29:24.900
with such, I don't know, like warmth and realism. and yet power as

572
00:29:24.900 --> 00:29:25.140
well.

573
00:29:25.200 --> 00:29:27.000
I want to keep calling her Florence Horter.

574
00:29:27.059 --> 00:29:28.200
That would be wrong.

575
00:29:28.799 --> 00:29:36.779
But also, the character, when you realise towards the end of the

576
00:29:36.779 --> 00:29:43.259
2nd episode that she had a child out of wedlock and she's been

577
00:29:43.259 --> 00:29:46.500
struggling without her entire life and that, you know, the

578
00:29:46.500 --> 00:29:52.140
societal judgement that she had to hide her son away as her

579
00:29:52.140 --> 00:29:52.500
brother.

580
00:29:52.559 --> 00:29:58.200
That character just really, having studied history for a long time

581
00:29:58.200 --> 00:30:03.779
especially 20th century history and knowing that period so well.

582
00:30:03.779 --> 00:30:06.720
That character just resonated with that, I think.

583
00:30:09.960 --> 00:30:12.180
I love Murray's music.

584
00:30:12.240 --> 00:30:16.440
I think it's impossible to imagine the 1st 10 seasons of the new

585
00:30:16.440 --> 00:30:17.339
series without him.

586
00:30:17.460 --> 00:30:22.500
I think there are lots of issues with it in the mix in series

587
00:30:22.500 --> 00:30:23.039
one.

588
00:30:23.099 --> 00:30:27.900
I find that quite often you can't hear any dialogue.

589
00:30:29.160 --> 00:30:33.779
Maybe, look, maybe that's on rewatching it or the way it's been

590
00:30:33.779 --> 00:30:35.579
remastered for Blu-ray.

591
00:30:35.640 --> 00:30:42.599
I don't know, but the music itself is joyous, it's exciting

592
00:30:42.599 --> 00:30:43.380
adventurous.

593
00:30:43.440 --> 00:30:48.720
It's pitched exactly where Russell, I think, intended it to be.

594
00:30:48.779 --> 00:30:50.160
That's why he chose Murray.

595
00:30:50.220 --> 00:30:52.559
He worked with Murray before on queer folk.

596
00:30:52.619 --> 00:30:56.759
It encapsulates the show that he's making.

597
00:30:56.819 --> 00:30:59.279
And I don't think you can imagine the new series without it.

598
00:30:59.700 --> 00:31:04.079
I love Murray's music, but there was a really extraordinary

599
00:31:04.079 --> 00:31:04.619
article.

600
00:31:04.680 --> 00:31:06.359
I don't know if any of you guys read it.

601
00:31:06.420 --> 00:31:07.859
I dropped it into the chat during the week.

602
00:31:07.920 --> 00:31:12.420
It was an article in the New Yorker about the music of Doctor Who

603
00:31:12.420 --> 00:31:17.519
which talked about Segun Archinola's music for the new series and

604
00:31:17.519 --> 00:31:20.160
his new version of the theme.

605
00:31:20.220 --> 00:31:24.539
And we've been saying in Jody into Terra over the past few weeks

606
00:31:24.539 --> 00:31:27.000
that we like the music.

607
00:31:27.059 --> 00:31:31.200
And I found, after 10 years of Murray Gold, that it has been a

608
00:31:31.200 --> 00:31:33.779
relief to not be told what to feel.

609
00:31:33.839 --> 00:31:38.579
Except that I, we said this before because I think that he has

610
00:31:38.579 --> 00:31:42.599
taken the approach and it's with Russell's direction, that his job

611
00:31:42.599 --> 00:31:45.000
is to tell us what to feel.

612
00:31:45.059 --> 00:31:49.200
And that's one of the roles of incidental music.

613
00:31:49.200 --> 00:31:54.119
And it's a particularly kind of Star Wars-y, you know, a big

614
00:31:54.119 --> 00:31:56.220
bombastic genre.

615
00:31:56.279 --> 00:31:57.059
Very John Williams.

616
00:31:57.180 --> 00:31:57.660
Yeah.

617
00:31:57.720 --> 00:32:00.960
And you can see that they do want to get away from sort of weird

618
00:32:00.960 --> 00:32:06.900
plinky kind of see devil's music because that's kind of

619
00:32:06.900 --> 00:32:08.160
alienating.

620
00:32:08.220 --> 00:32:12.480
And while they're introducing it to a new audience and a broad

621
00:32:12.480 --> 00:32:14.279
audience, they're trying to be conservative.

622
00:32:14.339 --> 00:32:16.859
And I think that they took the right approach.

623
00:32:16.980 --> 00:32:19.380
That's not what Verity did though.

624
00:32:19.440 --> 00:32:20.759
No, no, that's quite right.

625
00:32:20.819 --> 00:32:21.240
I agree.

626
00:32:21.299 --> 00:32:24.359
The New Yorker article cites Malcolm Cole, which I think is the

627
00:32:24.359 --> 00:32:27.119
worst piece of scoring to have ever been done for the history of

628
00:32:27.119 --> 00:32:30.059
the series for the sea devils, because all I'm aware of is the

629
00:32:30.059 --> 00:32:34.380
terrible score, and it overwrites the action to the point that I'm

630
00:32:34.380 --> 00:32:36.000
dissociated from what I'm seeing.

631
00:32:36.059 --> 00:32:39.359
However, there's no mention of Tristram Carey, who we've mentioned

632
00:32:39.359 --> 00:32:42.359
before in the old days as being, I think, one of the greatest 20th

633
00:32:42.359 --> 00:32:46.380
century electronic composers, and his score for the Daleks, his

634
00:32:46.380 --> 00:32:48.599
score, even for the mutants later on.

635
00:32:48.660 --> 00:32:52.380
Just beautiful and censorious and odd and strange.

636
00:32:52.680 --> 00:32:54.599
But I'm getting this now.

637
00:32:54.660 --> 00:32:59.039
This feels like Carrie with the new series with Carrie and Dudley

638
00:32:59.039 --> 00:32:59.519
Simpson.

639
00:32:59.579 --> 00:33:01.859
Yeah, the underscoring in the subtleties.

640
00:33:01.920 --> 00:33:05.339
I like that, but I do love Murray's approach.

641
00:33:05.339 --> 00:33:07.259
And I do think it was the right approach.

642
00:33:07.319 --> 00:33:08.519
I agree, I agree for this season.

643
00:33:08.579 --> 00:33:09.539
It's the right approach.

644
00:33:09.599 --> 00:33:11.099
Maybe not for 10 seasons.

645
00:33:11.220 --> 00:33:11.940
No, no.

646
00:33:12.000 --> 00:33:16.380
The the reimagining of the the theme tune is fantastic.

647
00:33:16.440 --> 00:33:21.180
And all the little personal themes, especially Rose's theme, just

648
00:33:21.180 --> 00:33:22.980
underscore everything, and I just think it's beautiful.

649
00:33:36.539 --> 00:33:39.180
All right, it's not Mary Avoya.

650
00:33:39.180 --> 00:33:40.680
The Temple of Peace, St.

651
00:33:40.680 --> 00:33:43.559
Albion's Hospital, and the Powell Estate.

652
00:33:43.740 --> 00:33:47.279
I don't think you give me all the warm relationship alternatives

653
00:33:47.279 --> 00:33:49.500
here. architectural things.

654
00:33:49.619 --> 00:33:52.980
You know all things about architecture. pretend to.

655
00:33:53.039 --> 00:33:56.819
I really love the hospital, the Alban hospital and it was a

656
00:33:56.819 --> 00:33:57.539
hospital, wasn't it?

657
00:33:57.599 --> 00:33:58.319
It's the genuine thing.

658
00:33:58.440 --> 00:33:59.099
It's just gorgeous.

659
00:33:59.160 --> 00:34:00.720
And you get Richard Wilson as a surprise.

660
00:34:00.779 --> 00:34:03.240
And, you know, he's a great recontour.

661
00:34:03.299 --> 00:34:04.079
He's a great wit.

662
00:34:04.140 --> 00:34:06.900
Believe me, he's his autobiography and I thoroughly recommend

663
00:34:06.900 --> 00:34:08.159
everyone run out and listen to it.

664
00:34:08.219 --> 00:34:09.179
You can get it on audible.

665
00:34:09.239 --> 00:34:12.179
And he grew up with Sean Connery and plays tennis to this day, so

666
00:34:12.179 --> 00:34:13.380
a great pair of pins.

667
00:34:13.440 --> 00:34:17.219
So I'm definitely marrying that hospital with Dr. Constantine as

668
00:34:17.219 --> 00:34:18.960
it's cracker delight.

669
00:34:19.019 --> 00:34:23.340
The other one was the was that decon platform one, wasn't it?

670
00:34:23.400 --> 00:34:24.780
Which is an empty cold set.

671
00:34:24.840 --> 00:34:27.960
I don't think that's going to offer me much except, you know, the

672
00:34:27.960 --> 00:34:30.179
opportunity of leaving Bruno behind.

673
00:34:30.239 --> 00:34:33.840
So that in itself is a reason to leave it alone.

674
00:34:33.900 --> 00:34:35.039
And what was the 3rd one, Todd?

675
00:34:35.099 --> 00:34:36.900
The Palestate.

676
00:34:36.960 --> 00:34:38.639
The Palestate. the Palestate.

677
00:34:38.699 --> 00:34:41.280
Oh, that means I have to snog.

678
00:34:41.340 --> 00:34:43.199
Mind you, there's a lot of totty on the Palestate.

679
00:34:43.260 --> 00:34:46.559
There's all those, you know, there's all those lubatorium and

680
00:34:46.559 --> 00:34:48.659
mechanical offices just next door.

681
00:34:48.719 --> 00:34:49.619
I mean, where does Mickey work?

682
00:34:49.679 --> 00:34:51.059
He works at the Palace State.

683
00:34:51.119 --> 00:34:52.920
Yeah, no, I'm fine with the Palacedale. snog that.

684
00:34:52.980 --> 00:34:53.940
Why not?

685
00:34:54.000 --> 00:34:54.900
Excellent.

686
00:34:55.619 --> 00:35:02.219
So sitting here now, thinking about each of those episodes, as a

687
00:35:02.219 --> 00:35:04.739
snapshot, there's a moment in the episode that stands out in your

688
00:35:04.739 --> 00:35:05.579
head, right?

689
00:35:05.639 --> 00:35:10.260
A moment, maybe visual, align, something from each of those that

690
00:35:10.260 --> 00:35:10.860
sits with you.

691
00:35:10.920 --> 00:35:12.119
Do you know where I'm going with this?

692
00:35:12.179 --> 00:35:12.659
Yep.

693
00:35:12.659 --> 00:35:13.320
All right.

694
00:35:13.380 --> 00:35:14.820
Rose.

695
00:35:14.880 --> 00:35:17.400
It's the bride Autons.

696
00:35:17.460 --> 00:35:22.380
I said this on the actual podcast itself, the realisation that

697
00:35:22.380 --> 00:35:27.480
because autons were mannequins, they could be wearing dresses and

698
00:35:27.480 --> 00:35:29.820
that would be deeply hilarious.

699
00:35:29.820 --> 00:35:30.659
So it's that.

700
00:35:32.460 --> 00:35:35.519
Oh, for me, it was it's Camille.

701
00:35:35.579 --> 00:35:40.139
When she sexualises the doctor and his reaction to it.

702
00:35:40.199 --> 00:35:42.780
I'm thinking, what would pert we do?

703
00:35:42.840 --> 00:35:43.679
He'd probably jump right in.

704
00:35:46.079 --> 00:35:48.900
It was really shocking and surprising.

705
00:35:48.960 --> 00:35:51.119
I thought, my goodness, we are in the 21st century.

706
00:35:51.179 --> 00:35:52.619
It's an amazing scene.

707
00:35:52.679 --> 00:35:53.519
James?

708
00:35:53.519 --> 00:35:57.300
Mine would have to be the scene towards the end of the episode

709
00:35:57.300 --> 00:36:05.340
where Rose does the whole speech about winning the bronze in the

710
00:36:05.340 --> 00:36:10.500
gymnastics and saves the day by thinking, like thinking on her

711
00:36:10.500 --> 00:36:15.059
feet and going, well, you know, the doctors being held captive

712
00:36:15.059 --> 00:36:16.440
Mick is useless.

713
00:36:16.440 --> 00:36:18.480
I have to save the world.

714
00:36:18.480 --> 00:36:20.579
And I just love that scene.

715
00:36:20.579 --> 00:36:23.340
It's kind of like, look, this character is not just going to

716
00:36:23.400 --> 00:36:27.780
scream and fall down, like so many before her, she is a, like

717
00:36:27.780 --> 00:36:31.679
she's a driving force in the, in the narrative of, of this story.

718
00:36:32.099 --> 00:36:36.239
Okay, for me, it's Camille in the bedroom, blow drying a hair.

719
00:36:36.300 --> 00:36:39.179
Like, that's, you know, when the doctor walks in, that's, that's

720
00:36:39.179 --> 00:36:43.199
that's, that, that just, so it is that potent that, you know, I

721
00:36:43.199 --> 00:36:43.860
thought it was just me.

722
00:36:43.920 --> 00:36:45.539
Good, good. anything could happen.

723
00:36:45.599 --> 00:36:46.320
All right.

724
00:36:46.380 --> 00:36:47.159
End of the world.

725
00:36:48.059 --> 00:36:49.860
It's Britney.

726
00:36:50.039 --> 00:36:52.019
Yeah, toxic.

727
00:36:52.079 --> 00:36:52.679
Yeah, yeah.

728
00:36:52.739 --> 00:36:54.539
And the iPod and all of that sort of joke.

729
00:36:54.599 --> 00:36:57.780
The realisation that the future's not going to be sort of drab

730
00:36:57.780 --> 00:37:00.599
space corridors, it's going to be clever and funny.

731
00:37:00.659 --> 00:37:02.159
Richard.

732
00:37:02.280 --> 00:37:04.260
Oh, Mrs. Wood.

733
00:37:04.320 --> 00:37:07.619
Mrs. Tree when she gives him, you know, the exchange a bit of

734
00:37:07.619 --> 00:37:07.800
wood.

735
00:37:07.860 --> 00:37:09.539
I just love the actress.

736
00:37:09.599 --> 00:37:11.639
I'm sorry, I can't remember who it is. off the top of my head.

737
00:37:11.760 --> 00:37:12.239
The woman.

738
00:37:12.239 --> 00:37:12.900
Yasmin Bannum.

739
00:37:12.960 --> 00:37:13.500
Yes, madam.

740
00:37:13.559 --> 00:37:15.059
Of course, we own her now.

741
00:37:15.119 --> 00:37:19.199
She's doing Blake 7 Big Finish audios as the non-Dana.

742
00:37:19.260 --> 00:37:20.400
The non-data Dana.

743
00:37:20.460 --> 00:37:22.920
And she's superb, and she's marvellous in this, and again, we've

744
00:37:22.920 --> 00:37:26.099
got a flirty doctor, and it's really poultritudinous and cheeky

745
00:37:26.099 --> 00:37:29.039
and she does a lot of pouty mouth action, and he does a lot of

746
00:37:29.039 --> 00:37:33.659
cool introspective northern I could be up for this eye action back

747
00:37:33.659 --> 00:37:34.199
at it.

748
00:37:34.260 --> 00:37:34.980
It's just so exciting.

749
00:37:35.039 --> 00:37:38.579
And then they go and have a lovely testament to wood chipping

750
00:37:38.579 --> 00:37:41.820
industries and how and how cruel they are.

751
00:37:41.880 --> 00:37:47.639
I think it was, it's the just that establishing shot of the space

752
00:37:47.639 --> 00:37:48.360
station.

753
00:37:48.420 --> 00:37:54.179
Um, and and and the ships flying in and going, as somebody who

754
00:37:54.179 --> 00:37:58.260
like all of us grew up watching this show when it wasn't quite so

755
00:37:58.260 --> 00:38:01.619
uh, highly produced and and, you know, we look back at it now and

756
00:38:01.619 --> 00:38:05.880
go, oh, these special effects look a bit, don't you love, didn't

757
00:38:05.880 --> 00:38:08.099
you get that moment where the rings were a bit nerve a beacon?

758
00:38:08.159 --> 00:38:09.420
that little moment.

759
00:38:09.480 --> 00:38:10.739
Yes.

760
00:38:10.800 --> 00:38:16.019
But when I rewatched the episode for the podcast, hey, there were

761
00:38:16.019 --> 00:38:18.900
other shots that I thought, well, this doesn't quite stand the

762
00:38:18.900 --> 00:38:19.559
test of time.

763
00:38:19.619 --> 00:38:25.679
I think that one still does because it's so iconic and it's and

764
00:38:25.679 --> 00:38:29.219
it's the 1st time you get to go, well, this is what this show can

765
00:38:29.219 --> 00:38:29.639
do now.

766
00:38:29.699 --> 00:38:34.559
And it's still, it's still to this day, is one of the most

767
00:38:34.559 --> 00:38:36.179
impressive shots in the show.

768
00:38:36.239 --> 00:38:39.179
Okay, it's either the giant fans.

769
00:38:39.239 --> 00:38:42.059
The doctor having to go through them, which I think is just

770
00:38:42.059 --> 00:38:42.539
hilarious.

771
00:38:42.599 --> 00:38:45.420
It just cracked me up and it's the moment that spider hits the

772
00:38:45.420 --> 00:38:46.559
television camera.

773
00:38:46.619 --> 00:38:47.579
Oh, yeah.

774
00:38:47.639 --> 00:38:48.420
That's genius.

775
00:38:48.480 --> 00:38:49.800
It's a Doctor Who fan, you know?

776
00:38:49.860 --> 00:38:52.079
Okay, I'm Quiet Dead.

777
00:38:52.619 --> 00:38:54.960
I have no memory of that episode.

778
00:38:55.019 --> 00:38:56.760
Was it a bit tiresome?

779
00:38:56.820 --> 00:38:58.980
What Phantasmagore area is this?

780
00:38:59.039 --> 00:38:59.880
the only thing I can remember.

781
00:38:59.940 --> 00:39:03.780
My moment, sir, with Gwen and Rose.

782
00:39:03.900 --> 00:39:06.960
Again, it's when the actors are doing a beautiful piece and Gwen

783
00:39:06.960 --> 00:39:09.780
is talking, they're talking about boys, and it's really poignant

784
00:39:09.780 --> 00:39:13.980
and, you know, you're getting to see the, well, just the opening

785
00:39:13.980 --> 00:39:17.699
of a person who is so restricted in their lives, but you can say

786
00:39:17.699 --> 00:39:19.800
oh, yes, we look at, Well, I wouldn't know about that, madam, but

787
00:39:19.800 --> 00:39:24.480
then she talks about being able to read rows and the steel planes

788
00:39:24.480 --> 00:39:28.260
in the sky and that is to her more displacing and more shocking

789
00:39:28.260 --> 00:39:31.980
and more revelatory than actually talking about the sexualising of

790
00:39:31.980 --> 00:39:34.079
life, which was utterly forbidden.

791
00:39:34.139 --> 00:39:38.340
So there's just these layers of a girl then and the girl from now

792
00:39:38.340 --> 00:39:41.159
and that's really a beautiful, poignant scene.

793
00:39:41.219 --> 00:39:43.980
And yeah, that's the 1st thing that comes to mind for me.

794
00:39:44.039 --> 00:39:48.900
All right, and the two-parter, moments from that, from Aliens of

795
00:39:48.900 --> 00:39:49.739
London, World War II.

796
00:39:49.800 --> 00:39:54.300
It's the scene where a toddler is crawling on the doctor's lap and

797
00:39:54.300 --> 00:39:57.539
he's trying to get the toddler out of the way so that he can watch

798
00:39:57.539 --> 00:40:02.400
television, and it is because nothing ever remotely like that had

799
00:40:02.400 --> 00:40:06.900
ever been in Doctor Who before, and it's emblematic of that 2

800
00:40:06.900 --> 00:40:12.599
parter, which is absolutely extraordinary, the best alien invasion

801
00:40:12.599 --> 00:40:18.360
either since the invasion or to date, because you just never know

802
00:40:18.360 --> 00:40:19.739
what it's going to do next.

803
00:40:19.800 --> 00:40:22.920
It's amazing, incredibly great story.

804
00:40:22.980 --> 00:40:27.719
I like the way that he takes to Harriet and as he does through all

805
00:40:27.719 --> 00:40:31.559
of these stories where it's not necessarily the underdog, it's the

806
00:40:31.559 --> 00:40:35.340
person who is meek and who is hesitant to speak, but they actually

807
00:40:35.340 --> 00:40:39.300
are the person who is going to reform and rebuild.

808
00:40:39.360 --> 00:40:40.800
In fact, all of these stories.

809
00:40:40.860 --> 00:40:44.219
I'm quite astounded at how socialist the base of this is, if

810
00:40:44.219 --> 00:40:48.599
you'll indulge me, because the powers that be, I would say, are

811
00:40:48.599 --> 00:40:52.139
conservative, in that they are reductive, in that they are

812
00:40:52.139 --> 00:40:55.500
formalised, and that they do not listen to anything that is

813
00:40:55.500 --> 00:40:58.500
peripheral, they have a, they have a direction, and that's what

814
00:40:58.500 --> 00:40:59.159
they stick to.

815
00:40:59.219 --> 00:41:01.079
The doctor never does that.

816
00:41:01.139 --> 00:41:05.460
It used to, only even in Pertweese day, where we saw him.

817
00:41:05.519 --> 00:41:09.780
I suppose most is the antithesis of the Eccleston doctor, I don't

818
00:41:09.780 --> 00:41:11.340
remember him doing what Eccleston does.

819
00:41:11.400 --> 00:41:12.300
He does it slightly.

820
00:41:12.360 --> 00:41:15.360
He does it with Bilal, but he does, but there's this lovely moment

821
00:41:15.360 --> 00:41:18.599
of, no, the doctor recognises Penelope Wilton's character and

822
00:41:18.599 --> 00:41:20.699
listens and that's what changes the world.

823
00:41:20.760 --> 00:41:21.719
And though Rose does it first.

824
00:41:22.019 --> 00:41:28.380
I think my favourite scene is uh, it's Margaret Slithine

825
00:41:28.380 --> 00:41:32.880
confronting the doctor and him saying, you know, I'm going to stop

826
00:41:32.880 --> 00:41:34.619
you and her going, what, you in your box?

827
00:41:34.679 --> 00:41:38.940
That's a great confrontation is all just done with looks and

828
00:41:38.940 --> 00:41:39.719
dialogue.

829
00:41:39.780 --> 00:41:41.280
And good actors.

830
00:41:41.340 --> 00:41:46.800
Yes, it just sort of encapsulates his sort of fighting against

831
00:41:46.800 --> 00:41:49.320
oppression against sort of...

832
00:41:49.380 --> 00:41:50.519
I mean, look, that's the other thing.

833
00:41:50.579 --> 00:41:55.559
So, I mean, aren't really defined as evil per se just as like

834
00:41:55.559 --> 00:41:56.519
capitalists.

835
00:41:56.579 --> 00:41:57.360
Yeah, yeah.

836
00:41:57.420 --> 00:41:58.500
They're just hyper capitalist.

837
00:41:58.559 --> 00:42:00.599
Yeah, and capitalist.

838
00:42:00.659 --> 00:42:01.679
Invading capitalist.

839
00:42:01.739 --> 00:42:03.000
Mainland Chinese business.

840
00:42:03.059 --> 00:42:03.840
So evil.

841
00:42:03.900 --> 00:42:05.099
Like capitalism.

842
00:42:05.639 --> 00:42:11.099
But capitalism taking to a 10th degree without, you know, with no

843
00:42:11.099 --> 00:42:13.199
consideration for life or...

844
00:42:13.199 --> 00:42:14.159
Yeah, that'd be crazy.

845
00:42:14.159 --> 00:42:18.360
Imagine if we've had it up for fuel and didn't care that we were

846
00:42:18.360 --> 00:42:19.739
all going to die. crazy stuff.

847
00:42:19.800 --> 00:42:24.539
I guess for me the moments that stick in my mind are Harriet Jones

848
00:42:24.539 --> 00:42:26.039
MP for flying down north.

849
00:42:26.099 --> 00:42:27.659
Yep. know who you are.

850
00:42:27.719 --> 00:42:30.719
Um, and...

851
00:42:31.260 --> 00:42:37.920
In the 2nd episode, it's that shot of the missile. streaking

852
00:42:37.920 --> 00:42:39.239
through London.

853
00:42:39.300 --> 00:42:44.039
I just, I, that's just something that just, yeah, that just sticks

854
00:42:44.039 --> 00:42:46.380
in my mind and it's the little pig running away too.

855
00:42:46.440 --> 00:42:48.360
That's the other thing in episode, the 1st episode.

856
00:42:48.420 --> 00:42:49.260
That is awesome.

857
00:42:58.320 --> 00:43:00.119
Dalek, the long game and Father's Day.

858
00:43:00.239 --> 00:43:03.119
Is there something that sticks out in your mind from those 3

859
00:43:03.119 --> 00:43:03.780
episodes?

860
00:43:04.440 --> 00:43:11.159
I actually think for me, the best moment in that episode is the

861
00:43:11.159 --> 00:43:15.360
framing story in Father's Day, the one that's told into different

862
00:43:15.360 --> 00:43:20.519
versions by Jackie, and the way that that story fixes the history

863
00:43:20.519 --> 00:43:22.079
of Pete's death.

864
00:43:22.139 --> 00:43:26.460
And I said this in the episode in our Father's Day episode and I

865
00:43:26.460 --> 00:43:30.659
was tearing up as I was mentioning up not only because of the fact

866
00:43:30.659 --> 00:43:33.840
that Pete doesn't die alone, but that the person driving the car

867
00:43:33.840 --> 00:43:36.360
gets forgiven in that.

868
00:43:36.420 --> 00:43:39.119
And I think it's an extraordinarily beautiful thing.

869
00:43:39.179 --> 00:43:40.440
I think it's Paul.

870
00:43:40.500 --> 00:43:42.539
You know, I think Paul Cornell's responsible for that.

871
00:43:42.599 --> 00:43:43.800
And it's great.

872
00:43:44.280 --> 00:43:48.840
I guess for me, it's having Rick Astley play never going to give

873
00:43:48.840 --> 00:43:51.239
you up in the music track of that episode.

874
00:43:51.360 --> 00:43:52.739
Oh, actually, that is better.

875
00:43:52.800 --> 00:43:53.219
You're right.

876
00:43:54.539 --> 00:43:56.039
James?

877
00:43:56.039 --> 00:44:02.579
I think I touched on this in our episode on Dalek is the way that

878
00:44:02.579 --> 00:44:05.820
they obviously went...

879
00:44:05.880 --> 00:44:08.760
Well, what did what did the general public think was crap about

880
00:44:08.760 --> 00:44:09.599
the Daleks?

881
00:44:09.659 --> 00:44:11.460
Let's turn everything on its head.

882
00:44:11.519 --> 00:44:19.440
Um, which ostensibly was, was, uh, Rob Sherman's wife having, like

883
00:44:19.440 --> 00:44:23.579
he robbed, apparently chatted to his wife and asked her, what did

884
00:44:23.579 --> 00:44:26.519
you think was crap about these things and, and she gave him a list

885
00:44:26.519 --> 00:44:29.699
and he debunked every, every one of them in the episode.

886
00:44:29.760 --> 00:44:32.340
That's why she gets a Dalek Wrangler credit.

887
00:44:32.400 --> 00:44:33.300
Does she?

888
00:44:33.539 --> 00:44:33.719
No.

889
00:44:33.780 --> 00:44:34.500
Oh.

890
00:44:34.500 --> 00:44:38.460
She's the one that sticks the ramp on the stairs.

891
00:44:38.760 --> 00:44:41.280
Yeah, she now's the plywood.

892
00:44:41.340 --> 00:44:43.019
The green the green screen ram.

893
00:44:43.079 --> 00:44:46.139
Okay, the empty child, the doctor dances Boomtown.

894
00:44:46.559 --> 00:44:48.480
I'll just start off.

895
00:44:48.539 --> 00:44:50.340
I guess where's my mummy?

896
00:44:50.400 --> 00:44:54.360
And for the mayor, one is just a hilarious chase of chasing

897
00:44:54.360 --> 00:44:57.960
Margaret Slovene up and down that corridor, she materialises in

898
00:44:57.960 --> 00:44:59.699
and out and in and out.

899
00:45:00.119 --> 00:45:04.380
All right, and the final two, two-parter, is there something that

900
00:45:04.380 --> 00:45:05.280
really stands out for you?

901
00:45:05.340 --> 00:45:09.000
I think it is those TV shows.

902
00:45:09.059 --> 00:45:13.739
I think, you know, when you don't know exactly what Doctor Who's

903
00:45:13.739 --> 00:45:18.900
going to be like in the 21st century, suddenly seeing that it just

904
00:45:18.900 --> 00:45:27.719
openly satirises 3 TV shows that are huge and popular in 2005 and

905
00:45:27.719 --> 00:45:33.239
doesn't explain it, there's no kind of space reason why this is

906
00:45:33.239 --> 00:45:33.659
happening.

907
00:45:33.719 --> 00:45:39.539
It's happening because the audience watching the show also in 2005

908
00:45:39.539 --> 00:45:42.780
and the show is created and directed at them.

909
00:45:42.840 --> 00:45:49.500
And I think that explicit kind of postmodern approach where the

910
00:45:49.500 --> 00:45:53.639
show is being written as a television event that will take place

911
00:45:53.639 --> 00:45:58.559
sometime in the middle of 2005, I think, is so daring and so

912
00:45:58.559 --> 00:46:04.079
interesting for Doctor Who, and it manages to be funny and clever

913
00:46:04.079 --> 00:46:09.840
and so confident, you know, so incredibly confident and

914
00:46:09.840 --> 00:46:10.619
ambitious.

915
00:46:11.219 --> 00:46:15.360
And for that reason, that 2 parter is just one of my favourite

916
00:46:15.360 --> 00:46:17.039
pieces of Doctor Who ever.

917
00:46:17.099 --> 00:46:22.800
And I think, unlike you, Todd, I have the entirety of bad wolf

918
00:46:22.800 --> 00:46:24.599
seared into my memory.

919
00:46:24.659 --> 00:46:30.840
I could do a performance of it for you. here on the sofa at a

920
00:46:30.840 --> 00:46:31.739
moment's notice.

921
00:46:31.800 --> 00:46:36.000
I think it's an incredible achievement. just extraordinary.

922
00:46:36.059 --> 00:46:40.679
So that's your favourite episode of the season?

923
00:46:40.739 --> 00:46:45.119
I think it might be my favourite episode ever, but it is my

924
00:46:45.119 --> 00:46:49.800
favourite episode of the season with an honourable mention for

925
00:46:49.800 --> 00:46:51.719
Aliens of London, World War III.

926
00:46:51.780 --> 00:46:53.159
Okay.

927
00:46:53.519 --> 00:46:55.500
You want to do favourite episodes?

928
00:46:55.559 --> 00:46:56.699
What's what we're going to do?

929
00:46:56.760 --> 00:46:57.480
Oh, okay.

930
00:46:57.480 --> 00:47:02.159
Well, it depends what we're looking for if you want my favourite

931
00:47:02.159 --> 00:47:03.239
Doctor Who episode.

932
00:47:03.300 --> 00:47:06.659
It's probably Dalek because it rebuilds the whole mythos, if

933
00:47:06.659 --> 00:47:10.139
you've been saying, of what Doctor Who is and surprises us all and

934
00:47:10.139 --> 00:47:14.639
waggles the finger of opprobrium and says, you see, we're a lot

935
00:47:14.639 --> 00:47:15.659
better than you thought we were.

936
00:47:15.719 --> 00:47:18.000
And we were always a bit better than you thought we were.

937
00:47:18.300 --> 00:47:21.960
But if you're talking about heart and feeling, Father's Day is

938
00:47:21.960 --> 00:47:22.559
extraordinary.

939
00:47:22.619 --> 00:47:26.760
And if you're talking about venturesome, open-eyed, wonder, um

940
00:47:26.760 --> 00:47:30.000
aliens of London, World War 3, and on the end of the world gives

941
00:47:30.000 --> 00:47:30.780
me all of those things.

942
00:47:30.840 --> 00:47:33.300
End of the World is Galaxy Quest on a budget.

943
00:47:33.360 --> 00:47:34.260
It's that much fun.

944
00:47:34.559 --> 00:47:38.159
Especially the fans that they have to get through.

945
00:47:38.340 --> 00:47:41.460
Why do we have these chumpy, chumpy things?

946
00:47:41.519 --> 00:47:42.599
That's great.

947
00:47:42.659 --> 00:47:45.659
I think that episode is often overlooked.

948
00:47:45.719 --> 00:47:48.119
Not underrated, just overlooked difference.

949
00:47:48.239 --> 00:47:53.460
I think Bad Wolf is my favourite episode. funny or surprising or

950
00:47:53.460 --> 00:47:54.900
because it's so contemporaneous?

951
00:47:54.960 --> 00:47:55.980
And it's so fresh.

952
00:47:56.340 --> 00:47:58.199
He's never seen it before.

953
00:47:58.800 --> 00:48:03.960
I find it very difficult with series one to actually fault

954
00:48:03.960 --> 00:48:04.320
anything.

955
00:48:04.440 --> 00:48:06.780
It works as a whole for me.

956
00:48:06.840 --> 00:48:13.440
Like, it builds over the course of the series, I think it works as

957
00:48:13.440 --> 00:48:18.780
a single story in that if you're following rose as your like point

958
00:48:18.780 --> 00:48:22.559
of reference for the show, that whole 1st season is rose's

959
00:48:22.559 --> 00:48:23.699
adventure.

960
00:48:23.820 --> 00:48:26.039
And so I find it very difficult to go.

961
00:48:26.099 --> 00:48:27.179
Well, this one's my favourite.

962
00:48:27.239 --> 00:48:27.900
That one's my favourite.

963
00:48:27.960 --> 00:48:32.340
I find something to enjoy in all of them, even the ones which are

964
00:48:32.340 --> 00:48:33.780
a bit clunky.

965
00:48:33.840 --> 00:48:36.000
I think it's what Richard said earlier.

966
00:48:36.059 --> 00:48:39.179
Richard used the word symphonic to describe this season, and I

967
00:48:39.179 --> 00:48:43.860
think that that is exactly right, that this is one coherent story

968
00:48:43.860 --> 00:48:48.300
that the basic unit of narrative in Doctor Who now is the season

969
00:48:48.300 --> 00:48:51.300
and so the unquiet dead.

970
00:48:51.360 --> 00:48:54.599
Well, it's not, you know, it has a lot going for it.

971
00:48:54.659 --> 00:48:59.820
I don't enjoy it as much as some other episodes, but the show

972
00:48:59.820 --> 00:49:01.619
would be poorer without it.

973
00:49:01.679 --> 00:49:04.500
It's just possible the season wouldn't quite work without it.

974
00:49:05.039 --> 00:49:08.880
And so it is one big giant thing.

975
00:49:16.619 --> 00:49:20.340
Russell T Davies has redefined the show.

976
00:49:20.400 --> 00:49:24.539
What has he done that new that has improved the series?

977
00:49:24.599 --> 00:49:28.079
I think this is all stuff that I've said before, but I think the

978
00:49:28.079 --> 00:49:31.139
45 minute episodes were an obvious thing.

979
00:49:31.199 --> 00:49:35.460
I think that having character-based storytelling was the right

980
00:49:35.460 --> 00:49:36.119
thing to do.

981
00:49:36.179 --> 00:49:41.039
Having more women in it than Doctor Who had often had.

982
00:49:41.099 --> 00:49:46.019
So broadening the audience, and mining more of Doctor Who than

983
00:49:46.019 --> 00:49:49.440
what people remembered from the 80s or going further afield than

984
00:49:49.440 --> 00:49:55.739
the Hinge Cliff era, and including things and approaches that we'd

985
00:49:55.739 --> 00:50:01.679
only seen in the 60s or that we'd seen in the Sylvester McCoy

986
00:50:01.679 --> 00:50:02.099
era.

987
00:50:02.159 --> 00:50:08.219
Just the idea that Doctor Who isn't those 3 years of Doctor Who in

988
00:50:08.219 --> 00:50:12.539
the 70s, the Doctor Who can be a lot of things that can be fun and

989
00:50:12.539 --> 00:50:17.699
funny and silly and character based, it doesn't have to be deadly

990
00:50:17.699 --> 00:50:22.440
serious science fiction designed simply to provide material for

991
00:50:22.440 --> 00:50:24.719
TARDIS with KEA entries.

992
00:50:25.199 --> 00:50:30.179
And so it becomes something that everyone can watch.

993
00:50:30.239 --> 00:50:32.159
And that everyone does watch.

994
00:50:32.280 --> 00:50:37.320
It becomes the biggest show on TV because Russell knows television

995
00:50:37.440 --> 00:50:41.579
and knows how to be entertaining and knows how to speak to a

996
00:50:41.579 --> 00:50:42.420
general audience.

997
00:50:42.480 --> 00:50:45.840
And it's something that Doctor Who had lacked for, you know, a

998
00:50:45.840 --> 00:50:46.679
very, very long time.

999
00:50:47.340 --> 00:50:51.539
Is it part of also building this family on the show?

1000
00:50:51.599 --> 00:50:55.860
I think that's it too, that the premise of Doctor Who, and I think

1001
00:50:55.860 --> 00:51:00.119
I've said this 4 or 5 times in different episodes over the last 13

1002
00:51:00.119 --> 00:51:00.719
weeks.

1003
00:51:00.780 --> 00:51:03.900
The premise of the show is 2 people who travel from place to place

1004
00:51:03.900 --> 00:51:06.900
and there's a different guest cast on a different location every

1005
00:51:06.900 --> 00:51:14.820
week, and yet somehow he creates this semi-regular cast, which is

1006
00:51:14.820 --> 00:51:19.739
a secret that lets cracked in the early 70s with unit.

1007
00:51:19.800 --> 00:51:24.360
And that makes the show more grounded and more relatable.

1008
00:51:24.599 --> 00:51:28.920
It gives the characters more things to do because they have more

1009
00:51:28.920 --> 00:51:30.059
different people to interact with.

1010
00:51:30.480 --> 00:51:33.179
It's how rep theatre works.

1011
00:51:33.239 --> 00:51:37.019
Soap, you mentioned it in one of the podcasts this year, soap and

1012
00:51:37.019 --> 00:51:41.519
SF for sci-fi, have a lot more in common than the SF audience

1013
00:51:41.519 --> 00:51:42.480
would like to admit.

1014
00:51:42.539 --> 00:51:45.420
This works because it's not really Doctor Who. it's a new show

1015
00:51:45.599 --> 00:51:47.280
It's the Russell show.

1016
00:51:47.340 --> 00:51:50.460
Doctor Who doesn't work when it tries to go dark, Stephen.

1017
00:51:50.519 --> 00:51:52.500
No, not for too long.

1018
00:51:52.559 --> 00:51:56.519
Even just, you know, the idea that he wouldn't show blood or he

1019
00:51:56.519 --> 00:51:58.440
wouldn't show human beings shooting one another.

1020
00:51:58.500 --> 00:52:01.980
You know, he would never have produced earth shock.

1021
00:52:02.039 --> 00:52:02.639
No.

1022
00:52:02.699 --> 00:52:06.420
No, an earth shock wouldn't look how look how much that would

1023
00:52:06.420 --> 00:52:07.559
stick out in this season.

1024
00:52:07.619 --> 00:52:08.760
It just wouldn't work.

1025
00:52:08.820 --> 00:52:11.519
Yes, it's something you just mentioned, Nathan.

1026
00:52:11.579 --> 00:52:12.539
Like, he wouldn't show blood.

1027
00:52:12.659 --> 00:52:14.820
Like there's times where I've gone, oh, they've been shot.

1028
00:52:14.880 --> 00:52:15.539
I should be seeing blood.

1029
00:52:15.599 --> 00:52:19.260
But I mean, people are very rarely shot with just proper guns in

1030
00:52:19.260 --> 00:52:19.920
Doctor Who.

1031
00:52:19.980 --> 00:52:24.000
The one that I can think of is Mr. Saxon at the end of series 3

1032
00:52:24.000 --> 00:52:26.579
where he does break his rule and show a bit of blood, but

1033
00:52:26.579 --> 00:52:30.780
certainly, you know, you don't get Lytton's hands at the end of

1034
00:52:30.780 --> 00:52:34.380
Attack of the Sidemen too, that's inconceivable in Modern Doctor

1035
00:52:34.380 --> 00:52:34.739
Who.

1036
00:52:34.800 --> 00:52:38.400
And I think that's good because it wants a broad family audience.

1037
00:52:38.460 --> 00:52:44.219
It can't just be for teenage train spotters that we all.

1038
00:53:06.119 --> 00:53:09.539
Well, dear listener, that's all we have time for this week.

1039
00:53:09.659 --> 00:53:12.900
We'll actually be taking a break for a bit before coming back at

1040
00:53:12.900 --> 00:53:17.099
you in the new year with new teeth and our shiny new coverage of

1041
00:53:17.099 --> 00:53:17.579
Series 2.

1042
00:53:17.760 --> 00:53:19.559
That's Billy and the doctor.

1043
00:53:19.619 --> 00:53:20.099
That's right.

1044
00:53:20.159 --> 00:53:20.639
That's weird.

1045
00:53:20.699 --> 00:53:24.179
You can keep up with our news at Flight3entirety.com, flights

1046
00:53:24.179 --> 00:53:28.139
through entirety on Facebook and Apple Podcasts on Twitter.

1047
00:53:28.199 --> 00:53:31.559
But between now and then, we'll also be releasing a couple of

1048
00:53:31.559 --> 00:53:35.219
commentary podcasts, including a very special Christmas episode

1049
00:53:35.219 --> 00:53:38.940
and we'll still be on air each week to talk about the new episodes

1050
00:53:38.940 --> 00:53:44.039
of series 11 in Jody interterra, a Doctor Who flashcast where we

1051
00:53:44.039 --> 00:53:46.500
dispense hot takes about each week's episode.

1052
00:53:46.559 --> 00:53:50.760
You'll find that at Jodyintterterra.com, Jody interterra on Apple

1053
00:53:50.760 --> 00:53:53.519
Podcasts and at Jody interterra on Twitter.

1054
00:53:53.579 --> 00:53:57.960
Over on Bondfinger, you can find commentaries on every film in the

1055
00:53:57.960 --> 00:54:01.079
James Bond franchise, even a view to a kill.

1056
00:54:01.139 --> 00:54:02.460
That's bondfinger.com.

1057
00:54:02.519 --> 00:54:06.119
Bondfinger on Facebook and Apple podcast and at Bondfingercast on

1058
00:54:06.119 --> 00:54:06.599
Twitter.

1059
00:54:06.659 --> 00:54:11.219
Until next time, may you enjoy a refreshing break between seasons

1060
00:54:11.219 --> 00:54:13.980
followed by a triumphant return in the new year.

1061
00:54:14.039 --> 00:54:16.380
Thank you very much for listening and good night.

1062
00:54:16.440 --> 00:54:17.159
Good night.

1063
00:54:17.219 --> 00:54:18.360
See you soon.

1064
00:54:18.420 --> 00:54:18.900
Good then.

1065
00:54:22.019 --> 00:54:25.619
That was Fly through Entirety, starring Todd Bilby, Nathan

1066
00:54:25.619 --> 00:54:28.860
Bottomley, James Selwood and Richard Stone, theme arrangement by

1067
00:54:28.860 --> 00:54:31.739
Cameron Lamb, Strings performance by Jane Orberg.

1068
00:54:31.800 --> 00:54:35.039
This episode, you have to bring your A game, was recorded on the

1069
00:54:35.039 --> 00:54:38.639
4th of November 2018 and released on the 25th of November.

1070
00:54:40.079 --> 00:54:44.400
Just in time for Christmas, FDE Enterprises has released Snog

1071
00:54:44.400 --> 00:54:48.059
Marrier Void in the form of a customisable card game, featuring

1072
00:54:48.059 --> 00:54:51.059
all of your favourites, including Eric Seyward, the Planet

1073
00:54:51.059 --> 00:54:54.960
Bravelox, and every extant episode of the John Wilds era.

1074
00:54:55.019 --> 00:54:57.179
Could this have been done without her?

1075
00:54:57.239 --> 00:54:58.980
Could you ever see anybody else in the role?

1076
00:54:59.039 --> 00:55:02.519
What do you think of her performance in this particular season in

1077
00:55:02.519 --> 00:55:04.500
chemistry with Christopher?

1078
00:55:04.559 --> 00:55:07.559
I think it was a major industry disappointment that Jeanette

1079
00:55:07.559 --> 00:55:08.820
Cranky was not cast.

1080
00:55:08.880 --> 00:55:11.340
It's a core role with Ken Dodd as the lead.

1081
00:55:11.400 --> 00:55:13.440
Who's Jeanette Cranky?

1082
00:55:13.500 --> 00:55:15.480
She's a yuppy duppy.

1083
00:55:15.539 --> 00:55:19.559
She's the one when French and Saunders do Silence of the Lambs and

1084
00:55:19.559 --> 00:55:20.880
she's in the cage next door.

1085
00:55:20.940 --> 00:55:22.679
Oh great.

1086
00:55:22.739 --> 00:55:24.480
I mean, that's just a go to.

1087
00:55:24.599 --> 00:55:31.079
She plays Safie's midwife in series 5 of Absolutely Fabulous.

1088
00:55:31.139 --> 00:55:36.719
And is a husband and wife, comedy Scottish duo that play a man and

1089
00:55:36.719 --> 00:55:37.320
a little boy.

1090
00:55:37.380 --> 00:55:39.239
Oh, yes, I know who she is now.

1091
00:55:39.300 --> 00:55:41.639
Little sort of cap.

1092
00:55:41.699 --> 00:55:46.079
In the great tradition of British comedy in the way of Jimmy

1093
00:55:46.079 --> 00:55:49.679
Clitheroe, who was actually a midget, gentleman playing a boy

1094
00:55:49.679 --> 00:55:54.659
child for 14 years, I think, on BBC radio, or entertaining Archie

1095
00:55:54.659 --> 00:55:59.219
where you had a mannequin for almost 20 years on BBC radio and no

1096
00:55:59.219 --> 00:56:00.059
one blinked.

1097
00:56:00.119 --> 00:56:00.960
Okay, thank you.

1098
00:56:01.019 --> 00:56:03.059
So was dismal over them.

1099
00:56:03.420 --> 00:56:07.920
And that's the grand tradition of British comedic styles that

1100
00:56:07.920 --> 00:56:11.699
takes us to the comedic elements in this one.

1101
00:56:11.760 --> 00:56:13.679
Yeah, I mean, obviously it should have been someone like that.

1102
00:56:16.800 --> 00:56:20.219
So what does Billy what did Billy bring to the table?

1103
00:56:20.340 --> 00:56:21.960
Oh, the fact that we've still got to show?