WEBVTT

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This transcript was created on 2026-05-04 at 12:47:42

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Hello, dear listener, and welcome back to Flight through Entirety

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the only Modern and People Focus Doctor Who podcast that thinks

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it's very important to know everyone by name.

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I'm Nathan.

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James.

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I'm Todd.

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And this is the story of how I left.

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This is the story of how I left FTE podcast to go to the toilet.

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So what's new with you, Richard?

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Well, I'm just temping for this episode.

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I'm hoping someone will give me a full-time job.

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You know, it's worth a crack.

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Well, we've arrived back on Earth for another two-part finale, only

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to find that all our dead racist relatives are back. voting for

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you, Kip, and sticking the place up with cheap cigarettes.

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It's a pungent and terrifying army of ghosts.

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Listeners, I had you all going there for a moment.

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I wasn't giving you quite enough information, and I was sort of

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misdirecting you a bit, you know, you thought I was actually going

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to leave.

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And the beginning of this episode, we've got that new who classic

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trick of giving us certain information without giving us maybe the

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correct information or all of the story and I certainly was very

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worried.

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Were you worried?

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Did we think that Billy Piper's character was going to die at the

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end of this?

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We'll be suspended in the narrative because that's what naughty

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Russell does.

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He knows he's writing a soap.

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And there's no doctor who never does that.

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Sorry, Matthew Waterhouse.

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Doctor Who never does that.

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Sorry, Katerina, Doc, you never does that.

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Sorry, Gene Marsh.

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Never, ever, ever, ever, ever, unless we do.

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So I remember a story and it's probably recounted on Elle

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Sandifer's blog, and it's Russell talking about Bad Wolf.

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And in Bad Wolf.

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There's a scene where it looks like Rose has been shot and she

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turns into a little sort of pile of dust on the floor.

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And Russell says that the audience, the child audience would know

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that she wasn't dead.

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And I think that that's because she's too important a character

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for us to kill off.

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There's no way that we could have found that final episode next

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week's episode satisfying or even tolerable, I think, if the focus

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character for the last 2 years had ended up dying.

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Well, you'd end up with something like, I don't know, torchwood.

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Where everyone ends up dying sooner or later.

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But I mean, that is geared towards adults, in theory at least, or

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sort of horny 15 years. that's right. who also pine for Joss

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Whedon.

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So, yeah.

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I mean, we've been leaning into her dying.

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We got a mention from the beast a few weeks ago who said that she

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would soon die in battle, and we know now, of course, that that

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was shot after this was.

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And so they sort of stuck it in as some foreshadowing.

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And then last week, of course, at the end of fear her, there's

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some kind of big battle coming and something terrible is going to

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happen.

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So we have been leaning into it.

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Yeah, and like she's never, ever, ever, ever going to leave you.

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Yeah, yeah.

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Well, that's a bad situation when somebody says that.

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Well, I think we knew that she was going to leave.

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It had certainly been announced that Billy Piper was leaving the

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program by then.

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So the big question is, how does she leave?

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and the other big question is, how on earth are we going to cope

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with a modern Doctor Who that doesn't have Camille Kaduri in it?

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And I seem to remember that I was much, much more upset about the

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prospect of Camille leaving the show than I ever was about Billy

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Piper.

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It's so wonderful to see Camille front and centre in this episode

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really taking the role of the Doctor Who companion.

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She hasn't been in a lot of this season.

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Like, it's just been little scenes, save for 2 weeks ago when she

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was in Love and Monsters.

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Yeah, where it was a great affecting role.

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But besides that, it's been alternate Jackie and just little bits

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and pieces.

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So to have her right smack bang in the middle of the plot saying

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grandad, Prentice, Hancock has come back.

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You know, it's just fantastic.

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I always think that. a wide role.

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Because he's not, he's got not a lot to do, but he is wearing

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flares.

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Not much has changed.

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Every time she says that.

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I always think grandad, Prentice, Hancock. and I think Doctor Who

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Classic says the rebus operation and the planet of evil.

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I really hope that's what Russell meant now.

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He's probably tractably evil.

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Wouldn't be exactly meaning that.

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Yeah, she is the, again, she's the lovely warm, sparkly heart in

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everything she's in, isn't she?

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I love her. when she's talking about being on set.

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She's exactly the same as Jackie when Camille says, oh, I was

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standing right next to a cyber person and I turned and I thought

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he was, I was on his mark and he gave me such a blank look.

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It was horrifying.

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There's a beautiful moment where she really annoys the doctor by

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repeatedly kissing him and like grabbing him and calling him, you

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know, big fella and giving him a big kiss and stuff, which I just

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think is absolutely terrific.

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Like she now has the upper hand.

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She gets to make the doctor feel uncomfortable and I think that's

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really kind of sweet.

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And all the way through, she does it.

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There's a wonderful moment next week where the doctor leaps in for

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some much needed exposition and she just tells him he can shut up

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now.

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But he does treat her like, you know, he puts it down so much in

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this episode, yet she still just, you know, sucks it up and

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bounces back.

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When the doctor actually like explains who she is, like not the

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best I've ever had, age 57 years because she looked into the time

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vortex.

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Like, she says, I'm 40 and he goes, delusional.

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They make such a wonderful team.

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And it's such a lovely sort of foreshadowing to perhaps a

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companion who would be more his own age.

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Yeah, yeah.

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Who's willing to sort of, you know, have that sort of banter and

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have little digs at each other.

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But she's there for him.

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When he pulls that chair up when Yvonne is going to do the ghost

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shift, she stands there right behind him, like backing him up.

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And it's beautiful.

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Their bonding is beautiful despite all that little niggling

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throughout the episode.

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She's just a delight.

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It's so great having her be the companion.

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And the one thing.

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I mean, it was just the one thing they had to do with her given

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that it was going to be her last sort of semi-regular appearance

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on the show.

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And the only thing that I kind of miss is that she never got to

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travel to an alien planet with them, which would have just been

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tremendous.

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It would have been very funny.

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I mean, I guess I get a bit disappointed when she says, we better

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not end up on Mars or wherever, you know, when she's inside the

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Tartars.

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It's sort of like, oh, Jackie, I kind of would like you to end up

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on an alien planet.

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But I'm with you.

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It's such a, at the time, knowing that Billy was leaving, knowing

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that Camille would be going as well was quite devastating.

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And I don't think there's quite been a mother like her since

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they've they've had some good attempts at it, but for me, she is

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the best mum in the show.

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It's not like she's Amy's mum or Clara's mum or Bill. right?

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A case of perhaps diminishing returns there, but she's just a

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joy.

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Yeah.

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I think Jackie King probably gives her a bit of a run for her

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money in series four, but as Brendan would say, we're getting

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ahead of ourselves.

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So we come back to Earth, we're in the middle of something, and

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invasion has already started to happen.

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Always the best way, as Russell said, bring him in in the middle

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of the drama.

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We don't appear on a white void set and unless we're doing episode

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one of the mind robber.

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Everyone disses the mind robber as well.

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Yeah, no, we're not doing that kind of thing anymore.

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And it's much more exciting because of that.

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It also, unfortunately, means that we don't get to see David being

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quiet as much as I would like.

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Yeah, yeah.

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I quite like it when he doesn't do anything.

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That's right.

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When he's on screen, but not saying anything.

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But it's a little bit like invasion of the dinosaurs.

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Something huge and worldwide has happened and our, you know, the

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doctor and rose appear and they don't know what's going on yet.

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And so Jackie is the one who gets to explain it to them.

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But it gives rise to something that sort of happened last season

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but becomes an episode 12 tradition, which is the celebrity

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cameos.

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Oh, on the TV, like with the weather and then the Tricia Show and

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that ad they do, Ecto Shine, and then Barbara Windsor in

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EastEnders.

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Dirty Dens Ghost comes back.

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You know, you know that's that's an in-joke in joke.

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Really?

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Because...

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Does he come back?

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Well, he left the year before, did he?

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Dirty 10 Watts.

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Who is Kisten in Resurrection of the Dialects?

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That his wife.

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Chrissy Watts was played by Tracy Ann openly.

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Ah.

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How about that?

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You know, it's not just, oh, isn't that funny?

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Okay, let's bring back Den Watts and it was Kiston.

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It's a reference to the fact that you've got his ex-wife in the

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show.

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Yeah.

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I just adore that Barbara Wins is now canon.

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I think it's amazing that she had never been in the show before.

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I mean, it's if Tom Baker got talked to in the scratchment off the

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ground.

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Surely she would have been, you know, the companion in that or

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something like that.

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She would have played Camille Kuduri.

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Ah, yeah.

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I mean, they've had Joan Sims back in the 80s from the carry on

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movies, but I'm just really surprised that Barbara never made it

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until this point in time.

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We also have Derek Akora, which I think is a really funny little

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cameo because he's the sort of famous ghost hunter and he's on TV

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lamenting that no one needs him anymore because there's ghosts all

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over the place, which I think is pretty good.

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And so this will go on.

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We'll get that again next year and it'll be a thing that happens

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from time to time in the future, I think.

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It's another way that Russell is able to say we own all of

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television.

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Yes.

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This is a show about a television box with a box flying around

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inside the box.

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Yeah, yeah.

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That's how Billy Hartnell explains it.

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It is.

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Billy Piper Hartnell.

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Billy Piper Hartle.

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You've discovered television.

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With similar tombstone teeth.

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You knew she was going to die.

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She's been carrying the graveyard around in her mouth 10 years

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now.

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It's such silliness, but I love it.

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I just love all those little cameos Oh, no, we do.

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It will also, as little fan children of the of the never wear of

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the previous generation, it posits us in reality.

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And we used to get so excited when Doctor Who was mentioned on

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Dave Allen, or there was a little clip of anything.

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This is a little nod for the children now to know that, you know

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you're big, but this is the difference though.

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Back then, it was a discreet, quiet, little nerdy thing that was

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just lost amongst the rest of television.

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And not saying it was any less popular, but it also wasn't that

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much more special except to us.

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Yeah.

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And now, of course, with media, the whole world can share being

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nerdasmic little children again, like weekend.

252
00:11:56.820 --> 00:11:57.299
We're not.

253
00:11:57.360 --> 00:11:59.159
I don't know that we're as special as we used to.

254
00:11:59.220 --> 00:12:02.159
No, but I think that's a great thing.

255
00:12:02.220 --> 00:12:04.500
I actually remember, and I've probably said this on the podcast

256
00:12:04.500 --> 00:12:09.299
before, when series one was on air, someone at work said, you look

257
00:12:09.299 --> 00:12:12.480
happy, and I said, I have to confess that it's because Doctor

258
00:12:12.480 --> 00:12:15.720
Who's back on, you know, and not only that, but it's the biggest

259
00:12:15.720 --> 00:12:16.500
thing on TV.

260
00:12:16.559 --> 00:12:21.539
And I think this is the era when Doctor Who is at its most

261
00:12:21.539 --> 00:12:22.080
important.

262
00:12:22.139 --> 00:12:27.299
It's at its biggest, maybe in the mid 70s as well, but definitely

263
00:12:27.299 --> 00:12:32.039
here where it is absolutely massive and will continue to be for

264
00:12:32.039 --> 00:12:32.879
the next couple of years.

265
00:12:44.940 --> 00:12:48.960
The ghosts, did you suspect that they were the side limit?

266
00:12:49.019 --> 00:12:49.320
No.

267
00:12:49.379 --> 00:12:51.659
It's a very strange way of bringing them back, isn't it?

268
00:12:51.720 --> 00:12:53.820
Because the cyberman, James.

269
00:12:53.879 --> 00:12:59.820
Well, they deliberately spread a rumour back in 2006 that it was

270
00:12:59.820 --> 00:13:02.759
the Gelf returning to throw people off.

271
00:13:03.360 --> 00:13:06.539
And she actually says, asks if it's the gals, doesn't she?

272
00:13:06.600 --> 00:13:08.460
And he says, don't be dumb.

273
00:13:08.519 --> 00:13:10.980
We're never bringing them back.

274
00:13:13.320 --> 00:13:14.940
Saws.

275
00:13:15.000 --> 00:13:16.799
I love his dialogue.

276
00:13:16.860 --> 00:13:18.779
Like the footprint doesn't look like a boot.

277
00:13:18.840 --> 00:13:20.820
Yeah, it's that's a lovely line, isn't it?

278
00:13:20.940 --> 00:13:21.360
Hang on.

279
00:13:21.419 --> 00:13:22.200
Is that...

280
00:13:22.200 --> 00:13:24.360
Are we lampshading something else?

281
00:13:24.419 --> 00:13:26.759
Is that actually...

282
00:13:26.879 --> 00:13:29.039
Now, but isn't it Conan Doyle reference?

283
00:13:29.100 --> 00:13:32.340
Doesn't it come back, gentle listener, out there might remember?

284
00:13:32.399 --> 00:13:33.720
I know that line.

285
00:13:33.779 --> 00:13:39.000
It is a clever way of introducing. off Watson. the eider down

286
00:13:39.000 --> 00:13:39.480
muddy.

287
00:13:39.600 --> 00:13:39.960
Yes.

288
00:13:40.080 --> 00:13:42.240
I do remember that one.

289
00:13:43.919 --> 00:13:49.200
All other, whole other fanfic world just opened up beyond the

290
00:13:49.200 --> 00:13:50.340
bridge. called Sherlock.

291
00:13:51.240 --> 00:13:55.139
It's a very strange way of bringing them back because they have

292
00:13:55.139 --> 00:13:58.320
been science fiction villains very much.

293
00:13:58.379 --> 00:14:01.320
And so bringing them back in this weird, supernatural way.

294
00:14:01.379 --> 00:14:04.019
You know, it's a way that none of us would have predicted.

295
00:14:04.080 --> 00:14:06.240
In fact, from the edge, back from memory.

296
00:14:06.299 --> 00:14:07.740
It's a very nice way of doing.

297
00:14:07.799 --> 00:14:09.720
I think it is it is tremendous.

298
00:14:09.779 --> 00:14:13.019
It could be a bit of phasic if you can't remember a couple of

299
00:14:13.019 --> 00:14:13.379
months ago.

300
00:14:13.379 --> 00:14:15.059
Yeah, yeah, yeah, yeah.

301
00:14:16.019 --> 00:14:19.379
It's always interesting how Russell sets these things up because

302
00:14:19.379 --> 00:14:22.500
back in the age of steel, Rise of the Cyberman, it was quite clear

303
00:14:22.500 --> 00:14:28.440
that the worlds had closed and thus it kind of could possibly be

304
00:14:28.440 --> 00:14:31.740
the Cyberman, the fanboy in you wants that, but it's been stated

305
00:14:31.740 --> 00:14:35.580
that it's highly unlikely, you know, if worlds are colliding.

306
00:14:35.639 --> 00:14:39.600
So you're sort of discounting it at the same time as wanting it to

307
00:14:39.600 --> 00:14:42.360
happen, which I think is a really clever writing.

308
00:14:42.419 --> 00:14:44.519
I mean, it had to be them, didn't it?

309
00:14:44.580 --> 00:14:47.580
Last year, it was a monster that had been brought back for the 1st

310
00:14:47.580 --> 00:14:51.419
time in the two-part finale, and so this year, it's the same

311
00:14:51.419 --> 00:14:51.960
pattern.

312
00:14:52.019 --> 00:14:55.919
And I've observed before that series one brings back the Dalek

313
00:14:55.919 --> 00:14:59.340
series 2 brings back the Seidman series 3 brings back the master

314
00:14:59.340 --> 00:15:02.879
you know, corresponding to the main antagonists of the 1st 3

315
00:15:02.879 --> 00:15:03.419
doctors.

316
00:15:03.480 --> 00:15:08.100
Russell is bringing the mythology of the program to a whole new

317
00:15:08.100 --> 00:15:10.259
generation of viewers in the same order.

318
00:15:10.320 --> 00:15:14.220
And series 4 brings back Davros, just like Davros is introduced

319
00:15:14.220 --> 00:15:15.240
with the 4th.

320
00:15:15.299 --> 00:15:15.899
Yeah, yeah.

321
00:15:15.960 --> 00:15:18.899
So, and the sultanans, obviously.

322
00:15:19.019 --> 00:15:20.940
The sudden and themselves.

323
00:15:21.000 --> 00:15:23.940
For me, I've never been the greatest villains of all time.

324
00:15:24.000 --> 00:15:24.720
No, they're terrible.

325
00:15:26.399 --> 00:15:32.159
But it was really great listening to your Age of Steel Rise of the

326
00:15:32.159 --> 00:15:35.460
Cyberman podcast. because we're obviously still recording this as

327
00:15:35.460 --> 00:15:37.200
the season has been released.

328
00:15:37.200 --> 00:15:38.759
And I've just listened to those.

329
00:15:38.820 --> 00:15:43.259
But your whole discussion about the way in which Russell has

330
00:15:43.259 --> 00:15:45.659
reinvented the cyberman and the new origins.

331
00:15:45.720 --> 00:15:50.519
I found really quite interesting because I had just sort of

332
00:15:50.519 --> 00:15:51.779
dismissed the whole thing.

333
00:15:51.840 --> 00:15:55.080
I hated that when I watched it originally because it wasn't the

334
00:15:55.080 --> 00:15:55.620
original.

335
00:15:55.740 --> 00:15:56.879
Well, it wasn't not like you.

336
00:15:56.940 --> 00:15:58.559
Not at all.

337
00:15:58.620 --> 00:16:03.419
Because it wasn't the original cyberman who had a history with the

338
00:16:03.419 --> 00:16:08.159
doctor was just these robotic monsters that are all the same that

339
00:16:08.159 --> 00:16:10.559
are just, you know, have no history with the doctor.

340
00:16:10.620 --> 00:16:13.919
So I just kind of went, that's a whole load of rubbish.

341
00:16:13.980 --> 00:16:16.320
Thus, I'm going to dismiss those 2 episodes.

342
00:16:16.379 --> 00:16:20.220
And so having these cyberman cybers things coming back here.

343
00:16:20.279 --> 00:16:22.320
It's sort of like, well, they're not really the cybermen.

344
00:16:22.379 --> 00:16:23.519
They're just fakes.

345
00:16:23.580 --> 00:16:28.320
But I really did enjoy your discussion about why he did that and

346
00:16:28.320 --> 00:16:31.320
how he reinvented them and coming not from like, you know, some

347
00:16:31.320 --> 00:16:33.960
10th planet thing, you know, upside down earth.

348
00:16:34.019 --> 00:16:37.620
Yeah, so I actually do really appreciate that discussion.

349
00:16:37.620 --> 00:16:41.100
And certainly coming into watching these episodes and even

350
00:16:41.100 --> 00:16:44.700
reevaluating age of steel and rise of sidemen, it certainly

351
00:16:44.700 --> 00:16:46.679
improved my appreciation.

352
00:16:46.740 --> 00:16:50.399
I do think here, though, they are kind of generic robot monsters

353
00:16:50.399 --> 00:16:51.360
in a way.

354
00:16:51.419 --> 00:16:55.019
They do upgrade people and that's clearly their aim.

355
00:16:55.080 --> 00:16:58.620
And so that's something that Russell has chosen to foreground that

356
00:16:58.620 --> 00:17:02.580
very often gets forgotten in the classic series.

357
00:17:02.639 --> 00:17:06.240
With a notable exception tide of attack of the side men, which

358
00:17:06.240 --> 00:17:07.319
does upgrade people.

359
00:17:08.039 --> 00:17:10.019
Yeah, yeah, yeah.

360
00:17:10.079 --> 00:17:12.359
I think it's very much back to Kit Peddler.

361
00:17:12.420 --> 00:17:12.900
Yeah.

362
00:17:12.900 --> 00:17:15.720
In that it was all about the fear of technology.

363
00:17:15.779 --> 00:17:18.599
And the fear of modern, you know, where they were talking

364
00:17:18.599 --> 00:17:21.539
Christian Barnard was talking about at the time on anyway, he was

365
00:17:21.539 --> 00:17:21.779
good.

366
00:17:21.839 --> 00:17:25.200
We've talked about this before, actually. heart replacement

367
00:17:25.200 --> 00:17:25.680
surgery.

368
00:17:25.740 --> 00:17:30.059
Goodness, I'm getting a flashback, dear listener, 1978 when we 1st

369
00:17:30.059 --> 00:17:30.720
did this podcast.

370
00:17:30.779 --> 00:17:31.079
Yeah.

371
00:17:31.140 --> 00:17:33.539
So the same fears are there.

372
00:17:33.539 --> 00:17:36.839
And the little AirPod thing is very clear, but Russell talks about

373
00:17:36.839 --> 00:17:39.900
why do we constantly need the new thing?

374
00:17:39.960 --> 00:17:42.779
What is it about the fear of being left behind?

375
00:17:42.960 --> 00:17:46.559
And that maybe is the clinch of this episode.

376
00:17:46.619 --> 00:17:51.000
The fear of rose being left behind, or in other words, dying is

377
00:17:51.000 --> 00:17:53.640
the saying that we fear, the little FOMO fear.

378
00:17:53.700 --> 00:17:56.099
Get out the BBC FOMO machine.

379
00:17:56.160 --> 00:17:58.740
That's what this episode is all about.

380
00:17:58.799 --> 00:18:00.960
Yeah, the fear of missing out.

381
00:18:01.019 --> 00:18:05.400
The fear of not being part of whatever this collective is.

382
00:18:05.460 --> 00:18:06.900
Have we mentioned Brexit yet?

383
00:18:06.960 --> 00:18:07.559
don't think.

384
00:18:07.619 --> 00:18:08.400
No, normally we have to.

385
00:18:08.579 --> 00:18:12.480
I do think, though, there's sort of so much going on that there

386
00:18:12.480 --> 00:18:16.500
isn't that much time for the sidemen to do very much apart from

387
00:18:16.500 --> 00:18:18.359
sort of stomping around the place.

388
00:18:18.420 --> 00:18:19.799
And that's why we have Graham Harper.

389
00:18:19.859 --> 00:18:21.119
Yes, we do.

390
00:18:21.180 --> 00:18:22.859
Can you imagine how doll this would be without him?

391
00:18:22.980 --> 00:18:27.660
Getting 9.7% appreciation from, not from the viewing figures.

392
00:18:27.720 --> 00:18:28.799
I think they got about James.

393
00:18:28.859 --> 00:18:30.240
You're our lexicographer here.

394
00:18:30.299 --> 00:18:31.859
The appreciation.

395
00:18:31.920 --> 00:18:32.880
Yeah, it was eight.

396
00:18:32.940 --> 00:18:33.779
That's not bad.

397
00:18:33.900 --> 00:18:38.039
I'm being seventh, I think, that was only after Corey and more

398
00:18:38.039 --> 00:18:38.579
football.

399
00:18:38.640 --> 00:18:40.259
England lost that week.

400
00:18:40.380 --> 00:18:42.359
I was hoping they'd throw a reference in, but I don't think they

401
00:18:42.359 --> 00:18:44.039
did, but there was a major thing, you know.

402
00:18:44.099 --> 00:18:47.759
But getting that sort of thing, it's just Graham Harper, it really

403
00:18:47.759 --> 00:18:49.859
would, there's not much in this. really thin.

404
00:18:49.920 --> 00:18:51.660
Yeah, I think that that's true.

405
00:18:51.720 --> 00:18:57.000
I mean, you get the ghosts introduced and then you get a guided

406
00:18:57.000 --> 00:19:01.259
tour of torchwood and we kind of set up the situation for next

407
00:19:01.259 --> 00:19:01.920
week.

408
00:19:02.039 --> 00:19:03.839
Which is the apprentice.

409
00:19:03.900 --> 00:19:05.220
You know, that's the location.

410
00:19:05.279 --> 00:19:08.400
That's the same opening establishing shot that the British

411
00:19:08.400 --> 00:19:09.299
apprentice used.

412
00:19:09.359 --> 00:19:11.039
Yeah, the aerial shot.

413
00:19:11.160 --> 00:19:13.019
Yeah, the Crown Tower, whatever it is.

414
00:19:13.079 --> 00:19:17.220
They had originally, I think, intended to create their own CG

415
00:19:17.220 --> 00:19:18.779
tower, but kind of ran out of money.

416
00:19:18.839 --> 00:19:21.240
It was going to be over the breach, wasn't it, James?

417
00:19:21.299 --> 00:19:24.779
It was originally written to be in the writer's tale.

418
00:19:24.839 --> 00:19:28.200
It was over the over the card. originally, originally, the episode

419
00:19:28.200 --> 00:19:29.400
was set in Cardiff.

420
00:19:29.460 --> 00:19:31.200
Oh, okay. over the time riff.

421
00:19:31.319 --> 00:19:31.920
Right.

422
00:19:31.980 --> 00:19:38.640
And when Torchwood was commissioned to series, Russell decided, oh

423
00:19:38.640 --> 00:19:42.420
I'll set it in London, make it bigger, make the whole torch would

424
00:19:42.420 --> 00:19:46.619
mythology, and then destroy that.

425
00:19:46.680 --> 00:19:51.240
And then we have this one over here, which is still relatively

426
00:19:51.240 --> 00:19:55.380
unaffected by the events of that story, apart from, say, Yanto.

427
00:19:55.440 --> 00:19:59.160
I think that we did talk in our previous episode about the way

428
00:19:59.160 --> 00:20:03.299
that Russell takes London and stuffs it full of secret alien bases

429
00:20:03.299 --> 00:20:03.900
and stuff.

430
00:20:03.960 --> 00:20:08.400
And so this is another example of that where you look at Canary

431
00:20:08.400 --> 00:20:09.000
Wharf.

432
00:20:09.059 --> 00:20:12.059
You see that very building and you think about how Torch would

433
00:20:12.059 --> 00:20:14.400
actually build that in order to get to the rift.

434
00:20:14.460 --> 00:20:16.319
And I just love that.

435
00:20:16.380 --> 00:20:19.740
That's one of my favourite things about this era of Doctor Who.

436
00:20:19.799 --> 00:20:23.039
But it's so ridiculous that the cybermen came through 1st and then

437
00:20:23.039 --> 00:20:26.460
they're just in the office space next door behind some plastic

438
00:20:26.460 --> 00:20:27.059
sheets.

439
00:20:27.119 --> 00:20:32.700
And then, and then, and then like Gareth goes in, and he gets

440
00:20:32.700 --> 00:20:36.539
cyber tied and you hear nothing, then Freemas, and whatever her

441
00:20:36.539 --> 00:20:39.960
name is, goes in and she screams and sees a cyberman, and then

442
00:20:39.960 --> 00:20:41.819
Matt, I want to see something?

443
00:20:41.940 --> 00:20:45.599
Yes, Matt, you go in, but you get to scream and have all the like

444
00:20:45.599 --> 00:20:47.460
it's like an angle grinder, isn't it?

445
00:20:47.519 --> 00:20:49.559
Thank you, mate. angle grinder and anything like that.

446
00:20:49.619 --> 00:20:51.059
Like, I just love the way it goes from.

447
00:20:51.119 --> 00:20:52.740
No noise to like full on.

448
00:20:53.460 --> 00:20:57.839
Our office is in the Governor Philip Tower down at the quay on the

449
00:20:57.839 --> 00:20:58.380
top floor.

450
00:20:58.440 --> 00:21:01.980
And for the last, honestly, 4 or 5 months, we've had the office

451
00:21:01.980 --> 00:21:04.619
suite being built around us, there's a lot of screaming.

452
00:21:04.619 --> 00:21:10.859
And honestly, the glint in the eye from the mirror balls, those

453
00:21:10.859 --> 00:21:11.940
builders put up constantly.

454
00:21:12.000 --> 00:21:14.039
It's really not that far.

455
00:21:14.160 --> 00:21:15.900
It's not that far different really, isn't it?

456
00:21:15.960 --> 00:21:19.140
In fact, it's the only kind of interesting peril that sort of

457
00:21:19.140 --> 00:21:20.039
happens, isn't it?

458
00:21:20.099 --> 00:21:24.420
Because it is just very much an introduction and a guided tour.

459
00:21:24.480 --> 00:21:27.779
And so we have to have the cybermen do something.

460
00:21:27.839 --> 00:21:30.900
And so that's, I think, why they're there doing that in this

461
00:21:30.900 --> 00:21:31.200
episode.

462
00:21:31.259 --> 00:21:33.180
Yeah, it's all William Patterson.

463
00:21:33.240 --> 00:21:36.240
I see them all as being Bill Patterson's resurrected career from

464
00:21:36.240 --> 00:21:39.599
the rocketeer. because it's that same gorgeous 30s, Will Eisner

465
00:21:39.599 --> 00:21:40.500
helmet design.

466
00:21:40.559 --> 00:21:44.039
But hang on, didn't the sphere come through 1st and created the

467
00:21:44.039 --> 00:21:47.160
breach through which the cybermen were able to follow?

468
00:21:47.220 --> 00:21:51.000
So was this, there's huge bronze ball in the air?

469
00:21:51.059 --> 00:21:52.079
James?

470
00:21:52.140 --> 00:21:56.460
The sphere came through after the tower was built.

471
00:21:56.519 --> 00:22:01.019
So they noticed the breach and then built a tower and then the

472
00:22:01.019 --> 00:22:01.559
sphere came through.

473
00:22:01.619 --> 00:22:03.299
I like the sphere a lot.

474
00:22:03.359 --> 00:22:05.160
I think it's very cool.

475
00:22:05.220 --> 00:22:07.440
And it's a sort of great idea.

476
00:22:07.500 --> 00:22:11.519
And it's one of those things too, that Russell manages to explain

477
00:22:11.519 --> 00:22:16.259
in just sort of very normal terms, you know, there is a talk about

478
00:22:16.259 --> 00:22:19.980
no sort of electromagnetic radiation and no mass and no kind of

479
00:22:19.980 --> 00:22:22.500
anything, no readings from it, as if it isn't there.

480
00:22:22.559 --> 00:22:27.119
And just that detail where it said, that's why it makes you feel

481
00:22:27.119 --> 00:22:30.299
uncomfortable because it doesn't seem to be there.

482
00:22:30.359 --> 00:22:34.559
And he manages to achieve that and make it uncanny without leaning

483
00:22:34.559 --> 00:22:37.980
very heavily into sort of science fiction gobbledygook.

484
00:22:38.039 --> 00:22:41.460
Yes, it's a mystery. another mystery on top of things, and you

485
00:22:41.460 --> 00:22:43.740
have to wonder, how does that work with the cyberman?

486
00:22:43.799 --> 00:22:47.099
And part of the fanboy in me, when you look at your kind of thing

487
00:22:47.160 --> 00:22:49.559
Oh, could it be something to do with the Daleks being like a

488
00:22:49.559 --> 00:22:51.119
sphere, but you could sort of discount that?

489
00:22:51.180 --> 00:22:52.319
I can't remember.

490
00:22:52.380 --> 00:22:53.279
That's good that you guessed.

491
00:22:53.339 --> 00:22:54.240
I'd hadn't guessed at the time.

492
00:22:54.299 --> 00:22:56.279
It's a little...

493
00:22:56.339 --> 00:22:57.839
Paul, he said it.

494
00:22:57.900 --> 00:23:02.039
It's a nod to the hard SF of the 60s.

495
00:23:02.099 --> 00:23:04.799
So Fred and Jeffrey Hoyle and Standard Style Lamb, and, you know

496
00:23:04.799 --> 00:23:07.259
who would posit things like this, that, you know, especially in

497
00:23:07.259 --> 00:23:09.660
Standard Style Limbs writing, where you've got things that

498
00:23:09.660 --> 00:23:14.039
shouldn't exist, and it's about the disquiet of being in around

499
00:23:14.039 --> 00:23:15.059
unrealities.

500
00:23:15.119 --> 00:23:17.220
It's really nicely done.

501
00:23:17.279 --> 00:23:19.440
Because again, it ties in with the whole new tech thing.

502
00:23:19.500 --> 00:23:22.319
We're very comfortable with things that slightly frighten us.

503
00:23:22.440 --> 00:23:26.220
Or then maybe there's that sense of the brave new world of having

504
00:23:26.220 --> 00:23:30.240
to overcome our fears by believing that we're in control of it, but

505
00:23:30.240 --> 00:23:33.299
underneath there's the substantive fear that we don't actually

506
00:23:33.299 --> 00:23:37.980
know as, as, um, David said it at the time, it gets into our

507
00:23:37.980 --> 00:23:40.079
little plastic things and we don't know how it gets there.

508
00:23:40.140 --> 00:23:48.059
I assume he's talking about his phone. but I love the fact that

509
00:23:48.059 --> 00:23:52.920
that entire plot allows Rose to do a very classic Doctor Who thing

510
00:23:52.920 --> 00:23:55.740
of the companion investigating separately and she gets to put on

511
00:23:55.740 --> 00:23:58.140
the white lab coat and then follow somebody down somewhere else

512
00:23:58.140 --> 00:24:01.200
and she's got her own little story to solve.

513
00:24:01.259 --> 00:24:04.980
She's pert we for most of this episode, isn't she?

514
00:24:05.039 --> 00:24:06.119
He puts on a white cone.

515
00:24:06.180 --> 00:24:09.480
I mean, both parts of the episode separate the doctor and Rose for

516
00:24:09.480 --> 00:24:11.039
pretty much all of it.

517
00:24:11.160 --> 00:24:15.420
They're not together very much, except in the sort of last few

518
00:24:15.420 --> 00:24:17.700
scenes of the final episode.

519
00:24:17.759 --> 00:24:23.339
But what we do get, and what was an absolute surprise, is the

520
00:24:23.339 --> 00:24:25.259
reappearance of Mickey.

521
00:24:25.319 --> 00:24:27.000
Does she follow him down there?

522
00:24:27.059 --> 00:24:28.380
Is he the scientist you're following or not?

523
00:24:28.500 --> 00:24:30.059
At the last minute?

524
00:24:30.119 --> 00:24:34.680
Sure, but he is definitely visible in shot before he turns

525
00:24:34.680 --> 00:24:34.920
around.

526
00:24:34.980 --> 00:24:36.240
With his back to her.

527
00:24:36.240 --> 00:24:37.319
Yeah, yeah.

528
00:24:37.380 --> 00:24:40.859
And he's had a haircut or whatever and we don't recognise him.

529
00:24:40.920 --> 00:24:43.259
He's wearing that great hoodie anyway.

530
00:24:43.319 --> 00:24:44.700
Did you know it was him?

531
00:24:44.759 --> 00:24:45.660
Had you spotted him before?

532
00:24:45.960 --> 00:24:48.359
I haven't in the in the day.

533
00:24:48.420 --> 00:24:49.740
I didn't even do it again this time.

534
00:24:49.859 --> 00:24:51.359
Oh, that's right.

535
00:24:51.420 --> 00:24:52.019
It appears in it.

536
00:24:52.079 --> 00:24:53.460
It's been so long since I watched.

537
00:24:53.519 --> 00:24:57.299
No, I kind of remember my gaze sort of went to the person in the

538
00:24:57.299 --> 00:24:57.720
background.

539
00:24:57.779 --> 00:24:59.819
Why is that person sort of horring in the background, but I didn't

540
00:24:59.819 --> 00:25:01.019
really...

541
00:25:01.079 --> 00:25:03.599
And then when he turns around, it's like, oh, my goodness, you

542
00:25:03.599 --> 00:25:03.839
know?

543
00:25:04.140 --> 00:25:04.680
How fantastic.

544
00:25:04.740 --> 00:25:11.819
And I do think too, that it is a good idea to have Rose and Mickey

545
00:25:11.819 --> 00:25:12.119
together.

546
00:25:12.180 --> 00:25:16.079
We'll talk more about this next week, but the last time Mickey

547
00:25:16.079 --> 00:25:16.500
appeared.

548
00:25:16.559 --> 00:25:18.779
We thought that Rose had been rather mean to him.

549
00:25:18.839 --> 00:25:22.920
And so getting them together to kind of patch things up a little

550
00:25:22.920 --> 00:25:25.140
bit, I think, was kind of a good idea.

551
00:25:25.200 --> 00:25:28.380
And it is just amazing to see him back.

552
00:25:28.440 --> 00:25:32.640
What I like is the fact that Mickey is seen to be completely

553
00:25:32.640 --> 00:25:36.720
competent and has managed to infiltrate this organisation, whereas

554
00:25:36.720 --> 00:25:40.500
Rose can only infiltrate for 5 seconds before she's caught.

555
00:25:40.559 --> 00:25:42.599
And that massive gun.

556
00:25:42.660 --> 00:25:44.160
Where was he hiding that?

557
00:25:44.220 --> 00:25:46.319
You really don't want to know.

558
00:25:46.619 --> 00:25:49.440
It's not a compact laser to last.

559
00:25:49.740 --> 00:25:54.180
He's actually a little bit dismissive of her too.

560
00:25:54.240 --> 00:25:55.980
He's in no way excited to see her.

561
00:25:56.099 --> 00:25:58.259
He calls her babe in this sort of dismissive way.

562
00:25:58.319 --> 00:26:00.599
And it's kind of like the tables have turned.

563
00:26:00.660 --> 00:26:04.500
He's sort of over her, or at least wants to look like he is, but

564
00:26:04.500 --> 00:26:08.880
he doesn't sort of fall into that subservient tin dog role

565
00:26:08.880 --> 00:26:09.779
immediately.

566
00:26:09.839 --> 00:26:14.039
He's got a job to do and he's clearly, you know, since we left him

567
00:26:14.039 --> 00:26:17.579
behind in sort of episode 5 or whenever it was, episode 6.

568
00:26:17.640 --> 00:26:18.900
With the other blonde.

569
00:26:18.900 --> 00:26:21.119
With the other blonde, more of whom laser.

570
00:26:21.180 --> 00:26:23.039
But only last week in recording, too.

571
00:26:23.460 --> 00:26:26.160
But I think that's so fantastic, I think.

572
00:26:26.160 --> 00:26:29.819
His role in this episode, Rose's role in this episode.

573
00:26:29.880 --> 00:26:31.859
Jackie's role in this episode are all wonderful.

574
00:26:31.920 --> 00:26:35.880
And the other person who I absolutely adore is Tracy Ann Cyberman

575
00:26:35.880 --> 00:26:37.200
Yvonne Hartman.

576
00:26:37.259 --> 00:26:39.539
I mean, I think she's every Doctor Who Gay Boy's delight.

577
00:26:39.599 --> 00:26:43.380
I mean, she sashays handclaps and hair flicks away through this.

578
00:26:43.380 --> 00:26:44.039
Fabulous hair.

579
00:26:44.160 --> 00:26:44.579
You know?

580
00:26:44.640 --> 00:26:45.059
Really?

581
00:26:45.059 --> 00:26:46.740
Are we going to talk about the hair?

582
00:26:46.799 --> 00:26:50.579
My favourite moment is when is the confidential when David says to

583
00:26:50.579 --> 00:26:52.740
her she's been 15 hours in makeup?

584
00:26:53.700 --> 00:26:59.460
And, and, oh, one of the wake-up lady said 16, David, we didn't

585
00:26:59.460 --> 00:27:00.420
get a home over the weekend.

586
00:27:00.420 --> 00:27:02.940
And she still can't get a bloody hair.

587
00:27:03.000 --> 00:27:04.380
Oh, sorry, it's the driest thing.

588
00:27:04.440 --> 00:27:09.900
Billy's been out on a planet of the flying stingray vortisors and

589
00:27:09.900 --> 00:27:13.680
she still manages bounce and plasticity.

590
00:27:13.740 --> 00:27:17.099
And honestly, open, it's just a thicket.

591
00:27:17.160 --> 00:27:20.519
It's a single Lego. clipped onto a head.

592
00:27:20.579 --> 00:27:23.279
No, it's just really dry and rough.

593
00:27:23.279 --> 00:27:26.039
No, no, she obviously's just her own hair because she's 15 hours

594
00:27:26.039 --> 00:27:26.519
in makeup.

595
00:27:26.640 --> 00:27:30.720
She is incredible and I think we should talk about torchwood as

596
00:27:30.720 --> 00:27:30.960
well.

597
00:27:31.019 --> 00:27:36.299
So Torchwood has been occasionally name checked.

598
00:27:36.420 --> 00:27:38.460
Even since Bad Wolf.

599
00:27:38.519 --> 00:27:39.000
Yeah.

600
00:27:39.059 --> 00:27:40.019
You have a list?

601
00:27:40.079 --> 00:27:42.420
No, actually, I don't have I don't have a list.

602
00:27:42.480 --> 00:27:43.440
Sorry to disappoint you, listeners.

603
00:27:43.500 --> 00:27:47.099
So it has been, you know, name check from time to time, but not in

604
00:27:47.099 --> 00:27:47.940
a sort of massive way.

605
00:27:48.059 --> 00:27:51.059
It doesn't get... almost every story, but it's just subtly done.

606
00:27:51.119 --> 00:27:51.720
Yeah.

607
00:27:51.720 --> 00:27:55.500
It's even at the party in Rise of the Sidemen when Pete says how's

608
00:27:55.500 --> 00:27:57.240
Torchwood going, mate, something.

609
00:27:57.359 --> 00:27:58.140
Yeah, that's right.

610
00:27:58.259 --> 00:28:03.720
And there's a wonderful reference to Torchwood in Love and

611
00:28:03.720 --> 00:28:04.259
Monsters.

612
00:28:04.319 --> 00:28:07.259
I can't remember whether in that episode we mentioned that it has

613
00:28:07.259 --> 00:28:12.000
Bad Wolf Torchwood and Mr. Saxon all in the one episode.

614
00:28:12.059 --> 00:28:14.279
It's our 1st Mr Saxon reference as well.

615
00:28:14.339 --> 00:28:17.640
So Torch would sort of set up as an antagonist for the doctor, but

616
00:28:17.640 --> 00:28:19.380
it hasn't really been serving that purpose.

617
00:28:19.440 --> 00:28:23.940
But it's a very strange antagonist for the doctor, I think.

618
00:28:24.420 --> 00:28:26.400
Well, I quite like it.

619
00:28:26.460 --> 00:28:30.000
Like, I like the fact that they're trying to find the doctor, like

620
00:28:30.000 --> 00:28:31.319
using CCTV.

621
00:28:31.380 --> 00:28:35.099
The 1st time we have the ghost shift, the music that accompanies

622
00:28:35.099 --> 00:28:37.619
it is literally the torch would theme.

623
00:28:37.680 --> 00:28:38.460
Oh, yeah, it is too.

624
00:28:38.519 --> 00:28:43.440
And then, you know, they get taken and then we're walking around

625
00:28:43.440 --> 00:28:44.039
the base.

626
00:28:44.220 --> 00:28:48.900
I mean, I think it's a bit stupid having like the Egyptian mummy

627
00:28:48.900 --> 00:28:49.500
thing.

628
00:28:49.619 --> 00:28:50.819
I loved that.

629
00:28:50.819 --> 00:28:55.019
You could see that one of Sutek's little animated corpses is

630
00:28:55.019 --> 00:28:56.339
standing right next to the police box.

631
00:28:56.400 --> 00:28:58.500
A sarcophagus next to it.

632
00:28:59.099 --> 00:29:01.140
I mean, I liked it at the time.

633
00:29:01.140 --> 00:29:04.920
And I thought, well, didn't they burn the entire house down?

634
00:29:04.920 --> 00:29:07.380
So it wouldn't have been all charcoal?

635
00:29:07.440 --> 00:29:10.079
Maybe those things are not proof to, you know, maybe they're

636
00:29:10.079 --> 00:29:10.859
asbestos line?

637
00:29:10.920 --> 00:29:12.660
Yeah, it was a space sarcophagus.

638
00:29:12.720 --> 00:29:16.019
Okay, time vortex protected it.

639
00:29:16.079 --> 00:29:17.579
Okay, I stand corrected.

640
00:29:18.539 --> 00:29:22.680
I like the cat with a moustache and a big begging bowl and

641
00:29:22.680 --> 00:29:23.460
thinking what that's from.

642
00:29:23.519 --> 00:29:27.720
And what about the big giant CG thing?

643
00:29:27.779 --> 00:29:30.839
There's a giant CG spaceship.

644
00:29:30.960 --> 00:29:32.160
Enormous Webber barbeque.

645
00:29:32.640 --> 00:29:36.240
Is that a reference to the killer cats of Jiddensen?

646
00:29:36.299 --> 00:29:38.039
Oh, that's not real.

647
00:29:38.099 --> 00:29:42.180
But I do like to get the whole tour of Torchwood, and it's like, oh

648
00:29:42.180 --> 00:29:44.339
happy day, and I'm a people person, like all of that stuff.

649
00:29:44.400 --> 00:29:47.279
Oh, yes, and I love when she says that because she's a monster and

650
00:29:47.279 --> 00:29:48.720
that's how you know she's a monster.

651
00:29:48.839 --> 00:29:50.819
Yeah, because of her fluent management.

652
00:29:50.880 --> 00:29:52.920
It's neoliberal proto-fashion.

653
00:29:52.920 --> 00:29:54.240
Jab a walkie man.

654
00:29:54.299 --> 00:29:57.480
Yeah, she's great in the torchwood audios.

655
00:29:57.539 --> 00:29:58.559
Oh really?

656
00:29:58.619 --> 00:29:59.400
finish is done.

657
00:29:59.460 --> 00:30:04.200
They've done a number of them set before the fall of torture.

658
00:30:10.500 --> 00:30:14.640
We did talk a little bit about fascism in the last cyberman to

659
00:30:14.640 --> 00:30:19.740
Pada, and so I think it's interesting that what we have here in

660
00:30:19.740 --> 00:30:22.740
Torchwood is explicitly imperialist.

661
00:30:22.799 --> 00:30:25.920
And there's one point where Jackie says, we don't have a British

662
00:30:25.920 --> 00:30:30.480
Empire, and her response, Tracy Ann Seidman, responds, not yet.

663
00:30:30.539 --> 00:30:36.960
And we observed in our tooth and claw episode that Torchwood still

664
00:30:36.960 --> 00:30:40.740
uses imperial tons, and she has to make that quite clear.

665
00:30:40.799 --> 00:30:44.039
We don't go metric in torchwood, like those terrible Europeans.

666
00:30:44.099 --> 00:30:47.160
And it just seems very strange.

667
00:30:47.220 --> 00:30:48.539
Let's talk Brexit, Richard.

668
00:30:48.599 --> 00:30:49.440
It does.

669
00:30:50.039 --> 00:30:53.819
It's exactly, the one knot I thought here was another commendators

670
00:30:53.819 --> 00:30:54.359
have said this.

671
00:30:54.420 --> 00:30:57.660
It's really precinent of Russell to get this. and others have, you

672
00:30:57.660 --> 00:31:00.240
know, the guardian and the independent, what's left of the

673
00:31:00.240 --> 00:31:00.720
independent.

674
00:31:00.779 --> 00:31:03.240
How will Britain manage without our own energy source?

675
00:31:03.359 --> 00:31:06.539
I think we actually need to go up and find some seaweed.

676
00:31:06.660 --> 00:31:10.200
And then, you know, if only Debbie Watling was still with us and

677
00:31:10.200 --> 00:31:14.039
could hurl a lungful at the North Sea and see what we get back.

678
00:31:14.099 --> 00:31:17.279
Well, I mean, if the doctor hadn't spent so much time in the 70s

679
00:31:17.279 --> 00:31:19.920
shutting down alternative energy projects.

680
00:31:20.819 --> 00:31:22.319
Thank you.

681
00:31:22.680 --> 00:31:28.019
A whole lot of eye patches distribute it to every fascist crypto

682
00:31:28.019 --> 00:31:31.019
dictator that might want to take over a power station.

683
00:31:31.079 --> 00:31:31.740
Then we might get that.

684
00:31:31.799 --> 00:31:34.859
But yeah, it's very, it's a very interesting nod to, well, Britain

685
00:31:34.859 --> 00:31:37.259
if you want your empire back, you'll need a power source.

686
00:31:37.319 --> 00:31:37.619
Yeah.

687
00:31:37.619 --> 00:31:40.559
Holland had its, all the Netherlands had their, the nether regions

688
00:31:40.559 --> 00:31:43.859
as Storm French has, has their, their own energy source for many

689
00:31:43.859 --> 00:31:46.440
years, just why they were able to, you know, pull an empire.

690
00:31:46.500 --> 00:31:48.059
Well, keep a welfare state going.

691
00:31:48.240 --> 00:31:51.119
The Scandwegians will do clever things.

692
00:31:51.180 --> 00:31:54.420
But we have, yeah, we're being still part of the British Empire.

693
00:31:54.480 --> 00:31:57.119
I think it's just us and August Bank holiday Island now, isn't

694
00:31:57.119 --> 00:31:57.299
it?

695
00:31:57.359 --> 00:32:01.200
Maybe he's just tapping into the late motif at the time.

696
00:32:01.259 --> 00:32:04.500
He's very good at knowing how people are feeling.

697
00:32:04.559 --> 00:32:07.079
That's why his productions, all his TV shows.

698
00:32:07.200 --> 00:32:08.220
He's got a new one coming up.

699
00:32:08.279 --> 00:32:08.819
Yeah, yeah.

700
00:32:08.819 --> 00:32:10.440
With that bloke with the ears.

701
00:32:10.500 --> 00:32:13.980
He can't stop sketching, clean to that up.

702
00:32:14.460 --> 00:32:17.880
I mean, there's always been U-Kip and things in Britain.

703
00:32:17.940 --> 00:32:18.599
There has always been.

704
00:32:18.839 --> 00:32:21.539
We always had Mosley and we always had, you know, the Mitford

705
00:32:21.539 --> 00:32:21.960
sisters.

706
00:32:22.019 --> 00:32:23.339
Yeah, exactly.

707
00:32:23.400 --> 00:32:27.240
So there has always been that sort of under current of sort of

708
00:32:27.240 --> 00:32:28.259
British fascism.

709
00:32:28.319 --> 00:32:31.680
And so here that's the doctor's enemy.

710
00:32:31.740 --> 00:32:36.420
You know, we've talked about years ago about how Bob Holmes makes

711
00:32:36.420 --> 00:32:43.980
bureaucrats and humourless, rule bound, hide bound people are the

712
00:32:43.980 --> 00:32:49.380
doctor's enemy, but Russell has made the doctor's enemy, that kind

713
00:32:49.380 --> 00:32:51.839
of, you know, strain of British imperialism.

714
00:32:51.900 --> 00:32:56.460
It's a lovely nod back to Mac Hulk and Bob Holmes, isn't it?

715
00:32:56.519 --> 00:32:59.099
Which we've kind of lost over the years.

716
00:32:59.160 --> 00:33:03.359
Well, I think Russell's Doctor Who is, you know, explicitly

717
00:33:03.359 --> 00:33:09.299
political in a way that Moffat's is not so much and in a way that

718
00:33:09.299 --> 00:33:12.599
Chibnol in his 1st year, he seems to have really very, definitely

719
00:33:12.599 --> 00:33:13.859
trying to avoid.

720
00:33:13.920 --> 00:33:16.859
But it is very strange.

721
00:33:16.920 --> 00:33:21.599
And I do love the contrast between Tracy Ann's incredibly genial

722
00:33:21.599 --> 00:33:26.220
manner and her response to the doctor's question, so am I your

723
00:33:26.220 --> 00:33:26.940
prisoner then?

724
00:33:27.059 --> 00:33:29.640
And she just says, well, yes, you are.

725
00:33:29.759 --> 00:33:34.019
So it's a great sort of Doctor Who villain in the sense that it's

726
00:33:34.019 --> 00:33:36.539
not a slavering moustache twirling villain.

727
00:33:36.599 --> 00:33:38.339
She's a super genial management type.

728
00:33:38.460 --> 00:33:42.599
Look, if this had been set back in the 1970s, she would have been

729
00:33:42.599 --> 00:33:46.440
a he and she would have been like Mr. Chin or something like that

730
00:33:46.440 --> 00:33:48.480
you know, um...

731
00:33:48.480 --> 00:33:51.119
Although unless we've got Susan Gemma sitting in her leather

732
00:33:51.119 --> 00:33:53.940
knickers out, you know, the BBC board, you know, Barry Letts have

733
00:33:53.940 --> 00:33:54.599
been allowed to do that.

734
00:33:54.599 --> 00:33:57.420
But this also predicates season 11.

735
00:33:57.660 --> 00:33:59.579
I believe that's what we've just been through, haven't we?

736
00:33:59.640 --> 00:34:00.660
I shouldn't say that.

737
00:34:00.660 --> 00:34:02.640
Series 11, we've just enjoyed.

738
00:34:02.700 --> 00:34:06.420
Chibnall's response, you might want to say, is Graham Williams

739
00:34:06.420 --> 00:34:06.960
response.

740
00:34:07.019 --> 00:34:09.960
I'll just say quickly, is that we respond by small acts of

741
00:34:09.960 --> 00:34:14.460
kindness, with the overweening and overbearing threat that it

742
00:34:14.460 --> 00:34:17.639
cannot be controlled, which is, you want, if you want to call it

743
00:34:17.639 --> 00:34:23.039
free wheeling, late stage capitalism or neoliberals, gone mad or

744
00:34:23.039 --> 00:34:24.719
whatever it is you want to call it.

745
00:34:24.780 --> 00:34:27.900
But it actually is nicely indicated in this story, is that, you

746
00:34:27.900 --> 00:34:32.639
know, as living in this stage of capitalism that you have to buy

747
00:34:32.639 --> 00:34:36.179
the new things, and if you don't keep up, you're left behind, and

748
00:34:36.179 --> 00:34:37.500
you're less of a citizen.

749
00:34:37.559 --> 00:34:39.900
Because we're not citizens anymore, are we?

750
00:34:39.960 --> 00:34:40.559
We're customers.

751
00:34:40.679 --> 00:34:43.440
And boarding any state rail.

752
00:34:43.500 --> 00:34:45.539
You'll know that straight off.

753
00:34:45.719 --> 00:34:52.739
It's really amazing how foreshadowing this is. 13 stop.

754
00:34:52.860 --> 00:34:53.099
Stop it.

755
00:34:53.159 --> 00:34:53.880
How many years later?

756
00:34:53.940 --> 00:34:55.139
I don't know how many years.

757
00:34:55.199 --> 00:34:58.800
This is like sitting, watching Sarah Jane leave to the point where

758
00:34:58.800 --> 00:35:02.760
an unearthly child started for us watching this now.

759
00:35:02.820 --> 00:35:06.599
Oh, Lordy, as to when it was on our television sets in 2006.

760
00:35:06.780 --> 00:35:08.400
That's horrendous dot.

761
00:35:08.460 --> 00:35:11.639
The 1st and 8th of July 2006.

762
00:35:11.880 --> 00:35:13.800
So nearly 13 years ago.

763
00:35:13.860 --> 00:35:14.579
Gosh.

764
00:35:14.639 --> 00:35:19.920
But to have these things discussed in an episode 13 years ago

765
00:35:19.920 --> 00:35:22.440
which is so relevant now, is amazing.

766
00:35:22.500 --> 00:35:27.119
It harks back to things like the Green Death in the Pertury era

767
00:35:27.119 --> 00:35:30.119
where those things weren't really to the forefront at that time.

768
00:35:30.179 --> 00:35:32.340
Well, they were strongly discussed at the time.

769
00:35:32.400 --> 00:35:35.579
We just all got over it quickly when Neoliberalism took on.

770
00:35:35.699 --> 00:35:36.119
Yeah.

771
00:35:40.679 --> 00:35:46.079
Dave Tennant in this episode wears some 3D glasses throughout.

772
00:35:46.139 --> 00:35:49.619
And when I 1st watched this, I could have just gone up to him and

773
00:35:49.619 --> 00:35:52.380
ripped those things off his face and just thrown them in the bin

774
00:35:52.380 --> 00:35:53.699
and go, what are you doing?

775
00:35:53.820 --> 00:35:55.380
It is super slappable, isn't it?

776
00:35:55.440 --> 00:35:58.679
No, that what little children can be a part of the show because

777
00:35:58.679 --> 00:35:59.760
everyone's got a pair.

778
00:35:59.820 --> 00:36:01.320
But this time through.

779
00:36:01.380 --> 00:36:04.860
I actually was quite amused by the whole thing and he keeps coming

780
00:36:04.860 --> 00:36:06.539
back to it and keeps having them.

781
00:36:06.599 --> 00:36:07.380
I actually quite liked it.

782
00:36:07.440 --> 00:36:14.159
It's the same reason why Moffatt puts Capoldi and the Ray-Bans. you

783
00:36:14.159 --> 00:36:19.739
can make something normal or every day or gettable by the

784
00:36:19.739 --> 00:36:20.099
audience.

785
00:36:20.159 --> 00:36:21.719
And it's actually a consumer.

786
00:36:21.780 --> 00:36:23.519
He's the point of difference.

787
00:36:23.579 --> 00:36:24.059
Thank you.

788
00:36:24.119 --> 00:36:25.619
He's the point of difference in the plot.

789
00:36:25.679 --> 00:36:27.179
Everyone else has got high tech.

790
00:36:27.239 --> 00:36:30.420
The doctor gets something out of a comic book and still manages to

791
00:36:30.420 --> 00:36:31.260
defeat the threat.

792
00:36:31.320 --> 00:36:36.059
It also kind of works with his sort of slightly 50-ish hipster

793
00:36:36.059 --> 00:36:36.900
kind of look.

794
00:36:36.960 --> 00:36:42.119
You know, those 3D glasses, the green and red ones.

795
00:36:42.239 --> 00:36:43.860
Big deal in the 50s.

796
00:36:43.920 --> 00:36:45.300
Yeah, for 3D movies.

797
00:36:45.360 --> 00:36:47.340
And so it fits his look.

798
00:36:47.400 --> 00:36:49.320
I think really well.

799
00:36:49.380 --> 00:36:53.820
I think Tennant has, I'm going to do a my favourite tenant moment

800
00:36:53.820 --> 00:36:56.760
and my least favourite tenant moment of the episode.

801
00:36:57.360 --> 00:37:04.860
My favourite tenant moment is where he makes Yvonne call off the

802
00:37:04.860 --> 00:37:09.179
ghost shift by just sitting in a chair staring at her and kind of

803
00:37:09.179 --> 00:37:13.079
half smiling and just his confidence.

804
00:37:13.139 --> 00:37:15.059
Like, that is a great doctor moment.

805
00:37:15.119 --> 00:37:16.199
Wonderful, wonderful.

806
00:37:16.260 --> 00:37:17.039
Had they written down, yes.

807
00:37:17.099 --> 00:37:18.360
Yeah, least favourite moment.

808
00:37:18.420 --> 00:37:21.179
It's who you're going to call Ghostbusters.

809
00:37:21.239 --> 00:37:24.059
I just think that is bum clenchingly embarrassing.

810
00:37:24.119 --> 00:37:28.260
It's really...

811
00:37:28.260 --> 00:37:30.059
I'm just sort of, yes, okay.

812
00:37:30.119 --> 00:37:31.380
It's very self-conscious, yes.

813
00:37:31.440 --> 00:37:32.880
It's so bad.

814
00:37:32.940 --> 00:37:34.199
It's really bad.

815
00:37:34.260 --> 00:37:35.940
But again, little fans would love that.

816
00:37:36.000 --> 00:37:39.239
But I mean, is Ghostbusters a living reference in 20 years?

817
00:37:39.300 --> 00:37:40.679
No, it's 1980, what?

818
00:37:42.000 --> 00:37:44.639
I guess the thing is here, when I was looking at David's

819
00:37:44.639 --> 00:37:45.239
performance in this.

820
00:37:45.300 --> 00:37:47.039
I knew that this had been recorded earlier in the season.

821
00:37:47.099 --> 00:37:49.739
So I was quite interested to see whether or not there's still

822
00:37:49.739 --> 00:37:53.159
traits of him finding his way in the role and not being perhaps

823
00:37:53.159 --> 00:37:56.519
the stereotype that we think that he is.

824
00:37:56.579 --> 00:38:00.360
And I think there are moments in this episode where he actually is

825
00:38:00.360 --> 00:38:04.860
more subtle than what comes ahead and there's times where I think

826
00:38:04.860 --> 00:38:08.099
oh, it's not quite the David Tennant that I remember.

827
00:38:08.159 --> 00:38:12.059
And it's interesting coming at this point when you view it in the

828
00:38:12.059 --> 00:38:13.619
season having been through the last few episodes.

829
00:38:14.159 --> 00:38:18.780
Again, for the most part, his performance in this is surprisingly

830
00:38:18.780 --> 00:38:19.380
enjoyable.

831
00:38:19.440 --> 00:38:23.460
I know that we've talked a bit about how annoying we think he is.

832
00:38:23.519 --> 00:38:26.159
But then when you come back to actually watch him, I actually find

833
00:38:26.159 --> 00:38:28.019
him quite hypnotic.

834
00:38:28.079 --> 00:38:32.280
It's a bit like perch we in that, you know, a lot of fans of a

835
00:38:32.280 --> 00:38:33.480
certain age will be quite critical.

836
00:38:33.539 --> 00:38:36.119
But then you actually go back and watch him, you actually sit

837
00:38:36.119 --> 00:38:37.260
there enjoying the performance.

838
00:38:37.320 --> 00:38:39.960
And I really enjoyed this episode.

839
00:38:40.019 --> 00:38:43.920
I mean, I don't know where we're at with it, but I came out of

840
00:38:43.920 --> 00:38:47.760
this liking it more than I had previously liked it.

841
00:38:47.820 --> 00:38:51.900
And that's been the case for most of this season is that virtually

842
00:38:51.900 --> 00:38:54.539
every episode that I've watched, I've either liked the same or

843
00:38:54.539 --> 00:38:54.960
more.

844
00:38:55.019 --> 00:38:59.760
And I'm at 9 out of 10 for this episode, which I'm...

845
00:38:59.760 --> 00:39:01.199
Which is reeling.

846
00:39:01.920 --> 00:39:04.559
I'm sure that you're running a shop because you're saying like, so

847
00:39:04.559 --> 00:39:06.840
the plot is so thin on the ground, but I just...

848
00:39:06.840 --> 00:39:08.760
It doesn't matter because you've got direction and performance.

849
00:39:08.880 --> 00:39:13.380
And I just enjoyed just watching it. really enjoyed the lines, the

850
00:39:13.380 --> 00:39:14.099
performances.

851
00:39:14.159 --> 00:39:16.980
Isn't it a lovely to talk about presaging.

852
00:39:17.039 --> 00:39:21.659
It's a lovely thing to say, you don't need to over egg the plot

853
00:39:21.659 --> 00:39:21.960
Stephen.

854
00:39:22.019 --> 00:39:26.699
You can just do a very simple, elegant story and let the director

855
00:39:26.699 --> 00:39:29.760
and then as Graham Harper says, in his interviews.

856
00:39:29.820 --> 00:39:33.840
Then I just stop, leave the cameras static and let the artists do

857
00:39:33.840 --> 00:39:35.639
what they've been working on for 3 weeks.

858
00:39:35.699 --> 00:39:38.340
And that's when we all start tearing up.

859
00:39:38.400 --> 00:39:42.179
And it's that gorgeous juxtaposition of really beautifully edited

860
00:39:42.179 --> 00:39:43.559
crisp direction.

861
00:39:43.619 --> 00:39:48.179
And I am going to, I was going to mention some of the, some of the

862
00:39:48.179 --> 00:39:50.460
Socarol Reed and David Lean thumbs, because there's a lot of

863
00:39:50.460 --> 00:39:52.019
British army stuff in this.

864
00:39:52.019 --> 00:39:53.639
Then I thought, of course, it's Graham Harper.

865
00:39:53.699 --> 00:39:54.539
He grew up with those films.

866
00:39:54.599 --> 00:39:57.960
He knows how to array soldiers for the camera.

867
00:39:58.019 --> 00:40:01.559
It's just like all the life and death of Colonel Blimp is a great

868
00:40:01.559 --> 00:40:04.380
film that does use almost the same camera angles for their

869
00:40:04.380 --> 00:40:04.800
soldiers.

870
00:40:04.860 --> 00:40:08.280
So, yeah, you've got all of that lovely stuff there.

871
00:40:08.340 --> 00:40:10.619
And then you've got these little moments where, no, I'll just stop

872
00:40:10.619 --> 00:40:10.980
now.

873
00:40:11.039 --> 00:40:12.119
Billy's doing her thing now.

874
00:40:12.179 --> 00:40:13.380
David's doing his thing now.

875
00:40:13.440 --> 00:40:17.039
I just love the way in which when the ghosts finally do come

876
00:40:17.039 --> 00:40:17.280
through.

877
00:40:17.340 --> 00:40:20.400
They suddenly take that formation as soldiers.

878
00:40:20.460 --> 00:40:21.119
Yeah.

879
00:40:21.119 --> 00:40:22.920
And it's just lovely little touches.

880
00:40:23.099 --> 00:40:25.920
And then as we head into the cliffhanger or the intercutting

881
00:40:25.920 --> 00:40:28.139
between what's happening with the doctor, what's happening with

882
00:40:28.139 --> 00:40:32.159
Rose down in the sphere room and the tension is building and, you

883
00:40:32.159 --> 00:40:35.159
know, you're getting that parallel story between them, like the

884
00:40:35.159 --> 00:40:36.239
severe is not ours.

885
00:40:36.300 --> 00:40:38.639
They came through 1st and that sort of stuff as they're

886
00:40:38.639 --> 00:40:39.539
discovering that down there.

887
00:40:39.599 --> 00:40:43.679
I just love that device where you intercut between people having

888
00:40:43.679 --> 00:40:46.139
conversations and finding that out at the same time.

889
00:40:46.199 --> 00:40:50.280
And the 2 plots kind of reach their climax at exactly the same

890
00:40:50.280 --> 00:40:50.579
moment.

891
00:40:50.639 --> 00:40:55.619
In fact, it's 3 plots because we get all those shots of the ghosts

892
00:40:55.619 --> 00:41:00.480
turning into cybermen, you know, at the power estate and uh, in

893
00:41:00.480 --> 00:41:05.940
Paris, I think, and uh, outside the Taj Mahal and sort of news

894
00:41:05.940 --> 00:41:06.659
reports.

895
00:41:06.719 --> 00:41:10.739
We get the guy from the pirate planet warning us to stay in our

896
00:41:10.739 --> 00:41:11.039
home.

897
00:41:11.099 --> 00:41:12.599
Louise Jameson's husband.

898
00:41:12.659 --> 00:41:13.199
Yes.

899
00:41:13.260 --> 00:41:13.619
Yes.

900
00:41:15.840 --> 00:41:20.519
But at the time, it may have been an ex at that time.

901
00:41:21.480 --> 00:41:23.039
He's such a great actor in that, isn't he?

902
00:41:23.159 --> 00:41:24.360
Well, he gets killed.

903
00:41:24.960 --> 00:41:29.400
But like that stuff is tremendous.

904
00:41:29.460 --> 00:41:32.880
And I think the best thing about it, we're being told to stay in

905
00:41:32.880 --> 00:41:36.719
our homes and the cybermen are in our homes.

906
00:41:36.780 --> 00:41:40.619
So, you know, they escape up the stairs from the Cyberman only to

907
00:41:40.619 --> 00:41:42.360
find there's a Cyberman there.

908
00:41:42.420 --> 00:41:47.880
And one of the things that I miss a lot, these massive scale

909
00:41:47.880 --> 00:41:48.659
scenes.

910
00:41:48.719 --> 00:41:53.039
So you get a family, you know, who have nothing to do with the

911
00:41:53.039 --> 00:41:56.880
plot, but are just there to illustrate...

912
00:41:56.940 --> 00:41:58.320
Yeah, it's the inversion of the camera.

913
00:41:58.380 --> 00:41:58.679
Yeah.

914
00:41:58.739 --> 00:41:59.340
Yeah, yeah.

915
00:41:59.400 --> 00:42:00.239
They're us watching it.

916
00:42:00.300 --> 00:42:02.579
They're Eric and Esa for sort of 2006.

917
00:42:03.059 --> 00:42:07.019
So we see the scale of what the cybermen have done.

918
00:42:07.139 --> 00:42:12.179
And we haven't really had that before.

919
00:42:12.239 --> 00:42:16.440
The only classic series, things that I can think of are The

920
00:42:16.440 --> 00:42:20.940
Invasion, where, you know, everyone's out and Cybern are marching

921
00:42:20.940 --> 00:42:23.280
through the streets and clearly this owes a lot to that.

922
00:42:23.340 --> 00:42:28.079
And invasion of the dinosaurs, I guess, when we evacuate London.

923
00:42:28.139 --> 00:42:29.880
But we don't really see that.

924
00:42:29.940 --> 00:42:33.840
Whereas here we see, you know, it's another big public invasion

925
00:42:33.840 --> 00:42:36.360
like the Slovene last year.

926
00:42:36.420 --> 00:42:38.579
And I just adore it.

927
00:42:38.639 --> 00:42:41.820
It's something new that Russell's brought to the program and I'm

928
00:42:41.820 --> 00:42:43.079
absolutely on board with it.

929
00:42:43.139 --> 00:42:44.639
Yeah, no, it's great.

930
00:42:44.699 --> 00:42:46.440
I mean, I love the fact that they actually state we are the

931
00:42:46.440 --> 00:42:47.039
cyberman.

932
00:42:47.159 --> 00:42:48.239
I mean, the fanboy in me.

933
00:42:48.300 --> 00:42:50.039
They have to say it because I didn't really say that.

934
00:42:50.099 --> 00:42:51.960
I don't think in the previous 2 episodes.

935
00:42:52.019 --> 00:42:55.800
Then you've got Mickey Smith, defender, defending the earth, the

936
00:42:55.800 --> 00:42:58.139
earth, like sort of the spinoff that never happened for Rose.

937
00:42:58.199 --> 00:43:01.440
And, you know, the sphere is not our own and then you've got that

938
00:43:01.440 --> 00:43:02.219
music rising.

939
00:43:02.280 --> 00:43:05.400
As the Daleks come out of that.

940
00:43:05.460 --> 00:43:09.239
I think the Dalek music kicks in just before the Daleks appear.

941
00:43:09.300 --> 00:43:15.000
So, um, if you know your music cues, uh, you'll know what it is

942
00:43:15.000 --> 00:43:18.360
and presumably some of the audience would have got a sort of

943
00:43:18.360 --> 00:43:22.440
unidentifiable Dalek related sensation at that moment without

944
00:43:22.440 --> 00:43:24.960
really realising why Dalek tingle.

945
00:43:26.699 --> 00:43:28.199
Tag.

946
00:43:28.380 --> 00:43:32.699
But I like the Wayne Witch, like you've got the cyberman threat

947
00:43:32.699 --> 00:43:35.699
and the threat of the world's collapsing, but then you up the ante

948
00:43:35.699 --> 00:43:36.599
with the Daleks.

949
00:43:36.659 --> 00:43:40.199
You know, had it been the cyber controller coming out in his chair

950
00:43:40.860 --> 00:43:43.380
the same sort of impact at all.

951
00:43:43.500 --> 00:43:47.400
It's like he references the cyber king in this, doesn't he?

952
00:43:47.460 --> 00:43:49.079
Yeah, there is a little nice.

953
00:43:49.139 --> 00:43:50.579
Yeah, nice that these time things through as well.

954
00:43:50.639 --> 00:43:53.940
Oh, what about the cyber thing from Tobias Vaughan's office?

955
00:43:54.000 --> 00:43:55.860
Or the one from Wheeling Space.

956
00:43:55.860 --> 00:43:59.159
The decorative wall feature. in the cupboard.

957
00:43:59.219 --> 00:44:02.219
From Fear Hurst slash the invasion.

958
00:44:02.280 --> 00:44:02.460
Yes.

959
00:44:02.519 --> 00:44:04.260
See, I've never found the cybermen.

960
00:44:04.320 --> 00:44:07.139
That threatening compared to the Daleks.

961
00:44:07.199 --> 00:44:09.960
The only time I've ever been more sort of afraid of them was in

962
00:44:09.960 --> 00:44:11.099
Revenge of the Sidemen.

963
00:44:11.159 --> 00:44:11.519
I agree.

964
00:44:11.519 --> 00:44:15.119
When you've got the cyber mats that were poisoning everybody, and

965
00:44:15.119 --> 00:44:16.199
that sort of freaked me out.

966
00:44:16.260 --> 00:44:21.000
So to have something here that is even more of a threat, going

967
00:44:21.000 --> 00:44:23.159
into the cliffhanger is just tremendous.

968
00:44:23.159 --> 00:44:26.340
And you'd sort of, your senses are overloaded between all of these

969
00:44:26.340 --> 00:44:28.860
things and also knowing that Rose could potentially die.

970
00:44:28.920 --> 00:44:32.880
And then you've got the 2nd cliffhanger, which is the next time on

971
00:44:32.880 --> 00:44:36.239
Doctor Who, straight following it, where, again, he's already

972
00:44:36.239 --> 00:44:39.900
misdirecting us with, oh, this is a story of how I died, but then

973
00:44:39.900 --> 00:44:42.900
in the way that next time it's cut together, you actually believe

974
00:44:42.900 --> 00:44:46.679
that the Cyberman and the Daleks are going to be working together

975
00:44:46.679 --> 00:44:48.659
it's very very clever.

976
00:45:13.800 --> 00:45:17.519
Well, dear listener, those darlets aren't going to run away from

977
00:45:17.519 --> 00:45:19.860
themselves, so it's time for us to leg it.

978
00:45:19.920 --> 00:45:23.519
We'll be back next week, ready to moisten up for doomsday.

979
00:45:24.239 --> 00:45:28.380
In the meantime, you can find us wherever you get your podcasts

980
00:45:28.380 --> 00:45:31.079
and you can keep up with us at flightthroughentirety.com.

981
00:45:31.139 --> 00:45:34.739
Flight through entirety on Facebook and at FT podcast on Twitter.

982
00:45:34.800 --> 00:45:38.460
You can also find our Series 11 Flashcast, Jody Interterra, at

983
00:45:38.460 --> 00:45:42.239
Jody Interterra.com, and at Jody Interterra on Twitter, and our

984
00:45:42.239 --> 00:45:46.380
James Bond commentary podcast, Bondfinger at bondfinger.com, at

985
00:45:46.380 --> 00:45:49.739
bondfinger on Facebook, and at bondfingercast on Twitter.

986
00:45:49.800 --> 00:45:54.000
Until next time, please make sure you always insert your AirPods

987
00:45:54.000 --> 00:45:57.840
firmly, but gently, on no account should they be shoved roughly

988
00:45:57.840 --> 00:45:58.619
into your brain.

989
00:45:58.679 --> 00:46:01.079
Thank you very much for listening and good night.

990
00:46:01.260 --> 00:46:02.880
See you soon.

991
00:46:02.940 --> 00:46:03.599
Thank you.

992
00:46:06.900 --> 00:46:10.559
That was Flight Through Entirety, starting Todd B, it'll be Nathan

993
00:46:10.559 --> 00:46:13.619
Bodley, James Selwood and Richard Stone, theme arrangement by

994
00:46:13.619 --> 00:46:16.320
Cameron Lamb, Strings Performance by Jane Allberg.

995
00:46:16.380 --> 00:46:19.980
This episode, Grandad Prentice Hancock, was recorded on the 28th

996
00:46:19.980 --> 00:46:22.860
of April 2019 and released on the 2nd of June.

997
00:46:26.340 --> 00:46:30.059
Of course, the Australian version of Torch, what is called Torch

998
00:46:30.059 --> 00:46:33.000
Walker, and is mostly concerned with spiders, land, and white

999
00:46:33.000 --> 00:46:33.360
people.

1000
00:46:33.420 --> 00:46:36.480
If interested, contact our new assistant minister for

1001
00:46:36.480 --> 00:46:38.940
Multicultural Affairs, Parliament House, Canberra.

1002
00:46:39.960 --> 00:46:45.059
If I say the words you know one more time, kill me today, because

1003
00:46:45.059 --> 00:46:45.659
I keep doing it.

1004
00:46:45.719 --> 00:46:47.099
I edit a lot of them out.

1005
00:46:47.159 --> 00:46:48.780
I'm much worse than you.

1006
00:46:48.840 --> 00:46:52.619
The floor is littered with me saying, you know, over and over

1007
00:46:52.619 --> 00:46:52.860
again.

1008
00:46:52.920 --> 00:46:54.780
The last episode I was in.

1009
00:46:54.840 --> 00:46:55.619
That all I kept saying.

1010
00:46:55.679 --> 00:46:58.679
I kept hearing it and going, oh, Nathan, you just must want to

1011
00:46:58.679 --> 00:46:59.280
just destroy me.

1012
00:46:59.340 --> 00:47:02.760
No, no, that actually is a nice tag with you.

1013
00:47:02.820 --> 00:47:04.739
You're going to die for the 1st bit.

1014
00:47:06.000 --> 00:47:09.420
Nathan probably recognises the waveform.

1015
00:47:09.480 --> 00:47:11.219
Okay, before you know now.

1016
00:47:11.760 --> 00:47:14.940
But when the doctor actually like...