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NOTE
This transcript was created on 2026-06-07 at 14:19:15

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Hello, dear listener, and welcome back to Flight through Entirety, the only Modern and People Focus Doctor Who podcast that thinks it's very important to know everyone by name.

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I'm Nathan.

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James.

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I'm Todd.

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And this is the story of how I left.

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This is the story of how I left FTE podcast to go to the toilet.

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So what's new with you, Richard?

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Well, I'm just temping for this episode.

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I'm hoping someone will give me a full-time job.

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You know, it's worth a crack.

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Well, we've arrived back on Earth for another two-part finale, only to find that all our dead racist relatives are back. voting for you, Kip, and sticking the place up with cheap cigarettes.

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It's a pungent and terrifying army of ghosts.

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Listeners, I had you all going there for a moment.

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I wasn't giving you quite enough information, and I was sort of misdirecting you a bit, you know, you thought I was actually going to leave.

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And the beginning of this episode, we've got that new who classic trick of giving us certain information without giving us maybe the correct information or all of the story and I certainly was very worried.

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Were you worried?

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Did we think that Billy Piper's character was going to die at the end of this?

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We'll be suspended in the narrative because that's what naughty Russell does.

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He knows he's writing a soap.

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And there's no doctor who never does that.

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Sorry, Matthew Waterhouse.

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Doctor Who never does that.

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Sorry, Katerina, Doc, you never does that.

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Sorry, Gene Marsh.

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Never, ever, ever, ever, ever, unless we do.

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So I remember a story and it's probably recounted on Elle Sandifer's blog, and it's Russell talking about Bad Wolf.

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And in Bad Wolf.

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There's a scene where it looks like Rose has been shot and she turns into a little sort of pile of dust on the floor.

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And Russell says that the audience, the child audience would know that she wasn't dead.

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And I think that that's because she's too important a character for us to kill off.

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There's no way that we could have found that final episode next week's episode satisfying or even tolerable, I think, if the focus character for the last 2 years had ended up dying.

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Well, you'd end up with something like, I don't know, torchwood.

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Where everyone ends up dying sooner or later.

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But I mean, that is geared towards adults, in theory at least, or sort of horny 15 years. that's right. who also pine for Joss Whedon.

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So, yeah.

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I mean, we've been leaning into her dying.

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We got a mention from the beast a few weeks ago who said that she would soon die in battle, and we know now, of course, that that was shot after this was.

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And so they sort of stuck it in as some foreshadowing.

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And then last week, of course, at the end of fear her, there's some kind of big battle coming and something terrible is going to happen.

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So we have been leaning into it.

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Yeah, and like she's never, ever, ever, ever going to leave you.

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Yeah, yeah.

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Well, that's a bad situation when somebody says that.

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Well, I think we knew that she was going to leave.

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It had certainly been announced that Billy Piper was leaving the program by then.

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So the big question is, how does she leave?

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and the other big question is, how on earth are we going to cope with a modern Doctor Who that doesn't have Camille Kaduri in it?

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And I seem to remember that I was much, much more upset about the prospect of Camille leaving the show than I ever was about Billy Piper.

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It's so wonderful to see Camille front and centre in this episode really taking the role of the Doctor Who companion.

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She hasn't been in a lot of this season.

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Like, it's just been little scenes, save for 2 weeks ago when she was in Love and Monsters.

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Yeah, where it was a great affecting role.

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But besides that, it's been alternate Jackie and just little bits and pieces.

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So to have her right smack bang in the middle of the plot saying grandad, Prentice, Hancock has come back.

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You know, it's just fantastic.

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I always think that. a wide role.

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Because he's not, he's got not a lot to do, but he is wearing flares.

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Not much has changed.

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Every time she says that.

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I always think grandad, Prentice, Hancock. and I think Doctor Who Classic says the rebus operation and the planet of evil.

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I really hope that's what Russell meant now.

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He's probably tractably evil.

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Wouldn't be exactly meaning that.

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Yeah, she is the, again, she's the lovely warm, sparkly heart in everything she's in, isn't she?

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I love her. when she's talking about being on set.

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She's exactly the same as Jackie when Camille says, oh, I was standing right next to a cyber person and I turned and I thought he was, I was on his mark and he gave me such a blank look.

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It was horrifying.

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There's a beautiful moment where she really annoys the doctor by repeatedly kissing him and like grabbing him and calling him, you know, big fella and giving him a big kiss and stuff, which I just think is absolutely terrific.

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Like she now has the upper hand.

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She gets to make the doctor feel uncomfortable and I think that's really kind of sweet.

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And all the way through, she does it.

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There's a wonderful moment next week where the doctor leaps in for some much needed exposition and she just tells him he can shut up now.

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But he does treat her like, you know, he puts it down so much in this episode, yet she still just, you know, sucks it up and bounces back.

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When the doctor actually like explains who she is, like not the best I've ever had, age 57 years because she looked into the time vortex.

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Like, she says, I'm 40 and he goes, delusional.

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They make such a wonderful team.

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And it's such a lovely sort of foreshadowing to perhaps a companion who would be more his own age.

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Yeah, yeah.

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Who's willing to sort of, you know, have that sort of banter and have little digs at each other.

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But she's there for him.

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When he pulls that chair up when Yvonne is going to do the ghost shift, she stands there right behind him, like backing him up.

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And it's beautiful.

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Their bonding is beautiful despite all that little niggling throughout the episode.

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She's just a delight.

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It's so great having her be the companion.

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And the one thing.

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I mean, it was just the one thing they had to do with her given that it was going to be her last sort of semi-regular appearance on the show.

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And the only thing that I kind of miss is that she never got to travel to an alien planet with them, which would have just been tremendous.

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It would have been very funny.

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I mean, I guess I get a bit disappointed when she says, we better not end up on Mars or wherever, you know, when she's inside the Tartars.

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It's sort of like, oh, Jackie, I kind of would like you to end up on an alien planet.

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But I'm with you.

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It's such a, at the time, knowing that Billy was leaving, knowing that Camille would be going as well was quite devastating.

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And I don't think there's quite been a mother like her since they've they've had some good attempts at it, but for me, she is the best mum in the show.

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It's not like she's Amy's mum or Clara's mum or Bill. right?

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A case of perhaps diminishing returns there, but she's just a joy.

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Yeah.

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I think Jackie King probably gives her a bit of a run for her money in series four, but as Brendan would say, we're getting ahead of ourselves.

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So we come back to Earth, we're in the middle of something, and invasion has already started to happen.

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Always the best way, as Russell said, bring him in in the middle of the drama.

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We don't appear on a white void set and unless we're doing episode one of the mind robber.

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Everyone disses the mind robber as well.

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Yeah, no, we're not doing that kind of thing anymore.

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And it's much more exciting because of that.

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It also, unfortunately, means that we don't get to see David being quiet as much as I would like.

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Yeah, yeah.

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I quite like it when he doesn't do anything.

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That's right.

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When he's on screen, but not saying anything.

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But it's a little bit like invasion of the dinosaurs.

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Something huge and worldwide has happened and our, you know, the doctor and rose appear and they don't know what's going on yet.

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And so Jackie is the one who gets to explain it to them.

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But it gives rise to something that sort of happened last season, but becomes an episode 12 tradition, which is the celebrity cameos.

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Oh, on the TV, like with the weather and then the Tricia Show and that ad they do, Ecto Shine, and then Barbara Windsor in EastEnders.

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Dirty Dens Ghost comes back.

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You know, you know that's that's an in-joke in joke.

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Really?

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Because...

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Does he come back?

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Well, he left the year before, did he?

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Dirty 10 Watts.

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Who is Kisten in Resurrection of the Dialects?

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That his wife.

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Chrissy Watts was played by Tracy Ann openly.

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Ah.

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How about that?

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You know, it's not just, oh, isn't that funny?

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Okay, let's bring back Den Watts and it was Kiston.

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It's a reference to the fact that you've got his ex-wife in the show.

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Yeah.

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I just adore that Barbara Wins is now canon.

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I think it's amazing that she had never been in the show before.

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I mean, it's if Tom Baker got talked to in the scratchment off the ground.

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Surely she would have been, you know, the companion in that or something like that.

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She would have played Camille Kuduri.

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Ah, yeah.

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I mean, they've had Joan Sims back in the 80s from the carry on movies, but I'm just really surprised that Barbara never made it until this point in time.

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We also have Derek Akora, which I think is a really funny little cameo because he's the sort of famous ghost hunter and he's on TV lamenting that no one needs him anymore because there's ghosts all over the place, which I think is pretty good.

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And so this will go on.

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We'll get that again next year and it'll be a thing that happens from time to time in the future, I think.

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It's another way that Russell is able to say we own all of television.

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Yes.

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This is a show about a television box with a box flying around inside the box.

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Yeah, yeah.

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That's how Billy Hartnell explains it.

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It is.

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Billy Piper Hartnell.

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Billy Piper Hartle.

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You've discovered television.

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With similar tombstone teeth.

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You knew she was going to die.

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She's been carrying the graveyard around in her mouth 10 years now.

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It's such silliness, but I love it.

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I just love all those little cameos Oh, no, we do.

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It will also, as little fan children of the of the never wear of the previous generation, it posits us in reality.

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And we used to get so excited when Doctor Who was mentioned on Dave Allen, or there was a little clip of anything.

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This is a little nod for the children now to know that, you know, you're big, but this is the difference though.

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Back then, it was a discreet, quiet, little nerdy thing that was just lost amongst the rest of television.

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And not saying it was any less popular, but it also wasn't that much more special except to us.

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Yeah.

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And now, of course, with media, the whole world can share being nerdasmic little children again, like weekend.

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We're not.

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I don't know that we're as special as we used to.

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No, but I think that's a great thing.

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I actually remember, and I've probably said this on the podcast before, when series one was on air, someone at work said, you look happy, and I said, I have to confess that it's because Doctor Who's back on, you know, and not only that, but it's the biggest thing on TV.

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And I think this is the era when Doctor Who is at its most important.

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It's at its biggest, maybe in the mid 70s as well, but definitely here where it is absolutely massive and will continue to be for the next couple of years.

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The ghosts, did you suspect that they were the side limit?

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No.

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It's a very strange way of bringing them back, isn't it?

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Because the cyberman, James.

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Well, they deliberately spread a rumour back in 2006 that it was the Gelf returning to throw people off.

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And she actually says, asks if it's the gals, doesn't she?

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And he says, don't be dumb.

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We're never bringing them back.

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Saws.

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I love his dialogue.

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Like the footprint doesn't look like a boot.

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Yeah, it's that's a lovely line, isn't it?

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Hang on.

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Is that...

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Are we lampshading something else?

183
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Is that actually...

184
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Now, but isn't it Conan Doyle reference?

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Doesn't it come back, gentle listener, out there might remember?

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I know that line.

187
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It is a clever way of introducing. off Watson. the eider down muddy.

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Yes.

189
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I do remember that one.

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All other, whole other fanfic world just opened up beyond the bridge. called Sherlock.

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It's a very strange way of bringing them back because they have been science fiction villains very much.

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And so bringing them back in this weird, supernatural way.

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You know, it's a way that none of us would have predicted.

194
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In fact, from the edge, back from memory.

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It's a very nice way of doing.

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I think it is it is tremendous.

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It could be a bit of phasic if you can't remember a couple of months ago.

198
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Yeah, yeah, yeah, yeah.

199
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It's always interesting how Russell sets these things up because back in the age of steel, Rise of the Cyberman, it was quite clear that the worlds had closed and thus it kind of could possibly be the Cyberman, the fanboy in you wants that, but it's been stated that it's highly unlikely, you know, if worlds are colliding.

200
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So you're sort of discounting it at the same time as wanting it to happen, which I think is a really clever writing.

201
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I mean, it had to be them, didn't it?

202
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Last year, it was a monster that had been brought back for the 1st time in the two-part finale, and so this year, it's the same pattern.

203
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And I've observed before that series one brings back the Dalek series 2 brings back the Seidman series 3 brings back the master, you know, corresponding to the main antagonists of the 1st 3 doctors.

204
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Russell is bringing the mythology of the program to a whole new generation of viewers in the same order.

205
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And series 4 brings back Davros, just like Davros is introduced with the 4th.

206
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Yeah, yeah.

207
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So, and the sultanans, obviously.

208
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The sudden and themselves.

209
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For me, I've never been the greatest villains of all time.

210
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No, they're terrible.

211
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But it was really great listening to your Age of Steel Rise of the Cyberman podcast. because we're obviously still recording this as the season has been released.

212
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And I've just listened to those.

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But your whole discussion about the way in which Russell has reinvented the cyberman and the new origins.

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I found really quite interesting because I had just sort of dismissed the whole thing.

215
00:15:51.840 --> 00:15:55.620
I hated that when I watched it originally because it wasn't the original.

216
00:15:55.740 --> 00:15:56.879
Well, it wasn't not like you.

217
00:15:56.940 --> 00:15:58.559
Not at all.

218
00:15:58.620 --> 00:16:10.559
Because it wasn't the original cyberman who had a history with the doctor was just these robotic monsters that are all the same that are just, you know, have no history with the doctor.

219
00:16:10.620 --> 00:16:13.919
So I just kind of went, that's a whole load of rubbish.

220
00:16:13.980 --> 00:16:16.320
Thus, I'm going to dismiss those 2 episodes.

221
00:16:16.379 --> 00:16:20.220
And so having these cyberman cybers things coming back here.

222
00:16:20.279 --> 00:16:22.320
It's sort of like, well, they're not really the cybermen.

223
00:16:22.379 --> 00:16:23.519
They're just fakes.

224
00:16:23.580 --> 00:16:33.960
But I really did enjoy your discussion about why he did that and how he reinvented them and coming not from like, you know, some 10th planet thing, you know, upside down earth.

225
00:16:34.019 --> 00:16:37.620
Yeah, so I actually do really appreciate that discussion.

226
00:16:37.620 --> 00:16:46.679
And certainly coming into watching these episodes and even reevaluating age of steel and rise of sidemen, it certainly improved my appreciation.

227
00:16:46.740 --> 00:16:51.360
I do think here, though, they are kind of generic robot monsters in a way.

228
00:16:51.419 --> 00:16:55.019
They do upgrade people and that's clearly their aim.

229
00:16:55.080 --> 00:17:02.580
And so that's something that Russell has chosen to foreground that very often gets forgotten in the classic series.

230
00:17:02.639 --> 00:17:07.319
With a notable exception tide of attack of the side men, which does upgrade people.

231
00:17:08.039 --> 00:17:10.019
Yeah, yeah, yeah.

232
00:17:10.079 --> 00:17:12.359
I think it's very much back to Kit Peddler.

233
00:17:12.420 --> 00:17:12.900
Yeah.

234
00:17:12.900 --> 00:17:15.720
In that it was all about the fear of technology.

235
00:17:15.779 --> 00:17:21.779
And the fear of modern, you know, where they were talking, Christian Barnard was talking about at the time on anyway, he was good.

236
00:17:21.839 --> 00:17:25.680
We've talked about this before, actually. heart replacement surgery.

237
00:17:25.740 --> 00:17:30.720
Goodness, I'm getting a flashback, dear listener, 1978 when we 1st did this podcast.

238
00:17:30.779 --> 00:17:31.079
Yeah.

239
00:17:31.140 --> 00:17:33.539
So the same fears are there.

240
00:17:33.539 --> 00:17:39.900
And the little AirPod thing is very clear, but Russell talks about why do we constantly need the new thing?

241
00:17:39.960 --> 00:17:42.779
What is it about the fear of being left behind?

242
00:17:42.960 --> 00:17:46.559
And that maybe is the clinch of this episode.

243
00:17:46.619 --> 00:17:53.640
The fear of rose being left behind, or in other words, dying is the saying that we fear, the little FOMO fear.

244
00:17:53.700 --> 00:17:56.099
Get out the BBC FOMO machine.

245
00:17:56.160 --> 00:17:58.740
That's what this episode is all about.

246
00:17:58.799 --> 00:18:00.960
Yeah, the fear of missing out.

247
00:18:01.019 --> 00:18:05.400
The fear of not being part of whatever this collective is.

248
00:18:05.460 --> 00:18:06.900
Have we mentioned Brexit yet?

249
00:18:06.960 --> 00:18:07.559
don't think.

250
00:18:07.619 --> 00:18:08.400
No, normally we have to.

251
00:18:08.579 --> 00:18:18.359
I do think, though, there's sort of so much going on that there isn't that much time for the sidemen to do very much apart from sort of stomping around the place.

252
00:18:18.420 --> 00:18:19.799
And that's why we have Graham Harper.

253
00:18:19.859 --> 00:18:21.119
Yes, we do.

254
00:18:21.180 --> 00:18:22.859
Can you imagine how doll this would be without him?

255
00:18:22.980 --> 00:18:27.660
Getting 9.7% appreciation from, not from the viewing figures.

256
00:18:27.720 --> 00:18:28.799
I think they got about James.

257
00:18:28.859 --> 00:18:30.240
You're our lexicographer here.

258
00:18:30.299 --> 00:18:31.859
The appreciation.

259
00:18:31.920 --> 00:18:32.880
Yeah, it was eight.

260
00:18:32.940 --> 00:18:33.779
That's not bad.

261
00:18:33.900 --> 00:18:38.579
I'm being seventh, I think, that was only after Corey and more football.

262
00:18:38.640 --> 00:18:40.259
England lost that week.

263
00:18:40.380 --> 00:18:44.039
I was hoping they'd throw a reference in, but I don't think they did, but there was a major thing, you know.

264
00:18:44.099 --> 00:18:49.859
But getting that sort of thing, it's just Graham Harper, it really would, there's not much in this. really thin.

265
00:18:49.920 --> 00:18:51.660
Yeah, I think that that's true.

266
00:18:51.720 --> 00:19:01.920
I mean, you get the ghosts introduced and then you get a guided tour of torchwood and we kind of set up the situation for next week.

267
00:19:02.039 --> 00:19:03.839
Which is the apprentice.

268
00:19:03.900 --> 00:19:05.220
You know, that's the location.

269
00:19:05.279 --> 00:19:09.299
That's the same opening establishing shot that the British apprentice used.

270
00:19:09.359 --> 00:19:11.039
Yeah, the aerial shot.

271
00:19:11.160 --> 00:19:13.019
Yeah, the Crown Tower, whatever it is.

272
00:19:13.079 --> 00:19:18.779
They had originally, I think, intended to create their own CG tower, but kind of ran out of money.

273
00:19:18.839 --> 00:19:21.240
It was going to be over the breach, wasn't it, James?

274
00:19:21.299 --> 00:19:24.779
It was originally written to be in the writer's tale.

275
00:19:24.839 --> 00:19:29.400
It was over the over the card. originally, originally, the episode was set in Cardiff.

276
00:19:29.460 --> 00:19:31.200
Oh, okay. over the time riff.

277
00:19:31.319 --> 00:19:31.920
Right.

278
00:19:31.980 --> 00:19:46.619
And when Torchwood was commissioned to series, Russell decided, oh, I'll set it in London, make it bigger, make the whole torch would mythology, and then destroy that.

279
00:19:46.680 --> 00:19:55.380
And then we have this one over here, which is still relatively unaffected by the events of that story, apart from, say, Yanto.

280
00:19:55.440 --> 00:20:03.900
I think that we did talk in our previous episode about the way that Russell takes London and stuffs it full of secret alien bases and stuff.

281
00:20:03.960 --> 00:20:09.000
And so this is another example of that where you look at Canary Wharf.

282
00:20:09.059 --> 00:20:14.400
You see that very building and you think about how Torch would actually build that in order to get to the rift.

283
00:20:14.460 --> 00:20:16.319
And I just love that.

284
00:20:16.380 --> 00:20:19.740
That's one of my favourite things about this era of Doctor Who.

285
00:20:19.799 --> 00:20:27.059
But it's so ridiculous that the cybermen came through 1st and then they're just in the office space next door behind some plastic sheets.

286
00:20:27.119 --> 00:20:41.819
And then, and then, and then like Gareth goes in, and he gets cyber tied and you hear nothing, then Freemas, and whatever her name is, goes in and she screams and sees a cyberman, and then Matt, I want to see something?

287
00:20:41.940 --> 00:20:47.460
Yes, Matt, you go in, but you get to scream and have all the like, it's like an angle grinder, isn't it?

288
00:20:47.519 --> 00:20:49.559
Thank you, mate. angle grinder and anything like that.

289
00:20:49.619 --> 00:20:51.059
Like, I just love the way it goes from.

290
00:20:51.119 --> 00:20:52.740
No noise to like full on.

291
00:20:53.460 --> 00:20:58.380
Our office is in the Governor Philip Tower down at the quay on the top floor.

292
00:20:58.440 --> 00:21:04.619
And for the last, honestly, 4 or 5 months, we've had the office suite being built around us, there's a lot of screaming.

293
00:21:04.619 --> 00:21:11.940
And honestly, the glint in the eye from the mirror balls, those builders put up constantly.

294
00:21:12.000 --> 00:21:14.039
It's really not that far.

295
00:21:14.160 --> 00:21:15.900
It's not that far different really, isn't it?

296
00:21:15.960 --> 00:21:20.039
In fact, it's the only kind of interesting peril that sort of happens, isn't it?

297
00:21:20.099 --> 00:21:24.420
Because it is just very much an introduction and a guided tour.

298
00:21:24.480 --> 00:21:27.779
And so we have to have the cybermen do something.

299
00:21:27.839 --> 00:21:31.200
And so that's, I think, why they're there doing that in this episode.

300
00:21:31.259 --> 00:21:33.180
Yeah, it's all William Patterson.

301
00:21:33.240 --> 00:21:40.500
I see them all as being Bill Patterson's resurrected career from the rocketeer. because it's that same gorgeous 30s, Will Eisner helmet design.

302
00:21:40.559 --> 00:21:47.160
But hang on, didn't the sphere come through 1st and created the breach through which the cybermen were able to follow?

303
00:21:47.220 --> 00:21:51.000
So was this, there's huge bronze ball in the air?

304
00:21:51.059 --> 00:21:52.079
James?

305
00:21:52.140 --> 00:21:56.460
The sphere came through after the tower was built.

306
00:21:56.519 --> 00:22:01.559
So they noticed the breach and then built a tower and then the sphere came through.

307
00:22:01.619 --> 00:22:03.299
I like the sphere a lot.

308
00:22:03.359 --> 00:22:05.160
I think it's very cool.

309
00:22:05.220 --> 00:22:07.440
And it's a sort of great idea.

310
00:22:07.500 --> 00:22:22.500
And it's one of those things too, that Russell manages to explain in just sort of very normal terms, you know, there is a talk about no sort of electromagnetic radiation and no mass and no kind of anything, no readings from it, as if it isn't there.

311
00:22:22.559 --> 00:22:30.299
And just that detail where it said, that's why it makes you feel uncomfortable because it doesn't seem to be there.

312
00:22:30.359 --> 00:22:37.980
And he manages to achieve that and make it uncanny without leaning very heavily into sort of science fiction gobbledygook.

313
00:22:38.039 --> 00:22:43.740
Yes, it's a mystery. another mystery on top of things, and you have to wonder, how does that work with the cyberman?

314
00:22:43.799 --> 00:22:51.119
And part of the fanboy in me, when you look at your kind of thing, Oh, could it be something to do with the Daleks being like a sphere, but you could sort of discount that?

315
00:22:51.180 --> 00:22:52.319
I can't remember.

316
00:22:52.380 --> 00:22:53.279
That's good that you guessed.

317
00:22:53.339 --> 00:22:54.240
I'd hadn't guessed at the time.

318
00:22:54.299 --> 00:22:56.279
It's a little...

319
00:22:56.339 --> 00:22:57.839
Paul, he said it.

320
00:22:57.900 --> 00:23:02.039
It's a nod to the hard SF of the 60s.

321
00:23:02.099 --> 00:23:15.059
So Fred and Jeffrey Hoyle and Standard Style Lamb, and, you know, who would posit things like this, that, you know, especially in Standard Style Limbs writing, where you've got things that shouldn't exist, and it's about the disquiet of being in around unrealities.

322
00:23:15.119 --> 00:23:17.220
It's really nicely done.

323
00:23:17.279 --> 00:23:19.440
Because again, it ties in with the whole new tech thing.

324
00:23:19.500 --> 00:23:22.319
We're very comfortable with things that slightly frighten us.

325
00:23:22.440 --> 00:23:40.079
Or then maybe there's that sense of the brave new world of having to overcome our fears by believing that we're in control of it, but underneath there's the substantive fear that we don't actually know as, as, um, David said it at the time, it gets into our little plastic things and we don't know how it gets there.

326
00:23:40.140 --> 00:24:01.200
I assume he's talking about his phone. but I love the fact that that entire plot allows Rose to do a very classic Doctor Who thing of the companion investigating separately and she gets to put on the white lab coat and then follow somebody down somewhere else and she's got her own little story to solve.

327
00:24:01.259 --> 00:24:04.980
She's pert we for most of this episode, isn't she?

328
00:24:05.039 --> 00:24:06.119
He puts on a white cone.

329
00:24:06.180 --> 00:24:11.039
I mean, both parts of the episode separate the doctor and Rose for pretty much all of it.

330
00:24:11.160 --> 00:24:17.700
They're not together very much, except in the sort of last few scenes of the final episode.

331
00:24:17.759 --> 00:24:25.259
But what we do get, and what was an absolute surprise, is the reappearance of Mickey.

332
00:24:25.319 --> 00:24:27.000
Does she follow him down there?

333
00:24:27.059 --> 00:24:28.380
Is he the scientist you're following or not?

334
00:24:28.500 --> 00:24:30.059
At the last minute?

335
00:24:30.119 --> 00:24:34.920
Sure, but he is definitely visible in shot before he turns around.

336
00:24:34.980 --> 00:24:36.240
With his back to her.

337
00:24:36.240 --> 00:24:37.319
Yeah, yeah.

338
00:24:37.380 --> 00:24:40.859
And he's had a haircut or whatever and we don't recognise him.

339
00:24:40.920 --> 00:24:43.259
He's wearing that great hoodie anyway.

340
00:24:43.319 --> 00:24:44.700
Did you know it was him?

341
00:24:44.759 --> 00:24:45.660
Had you spotted him before?

342
00:24:45.960 --> 00:24:48.359
I haven't in the in the day.

343
00:24:48.420 --> 00:24:49.740
I didn't even do it again this time.

344
00:24:49.859 --> 00:24:51.359
Oh, that's right.

345
00:24:51.420 --> 00:24:52.019
It appears in it.

346
00:24:52.079 --> 00:24:53.460
It's been so long since I watched.

347
00:24:53.519 --> 00:24:57.720
No, I kind of remember my gaze sort of went to the person in the background.

348
00:24:57.779 --> 00:25:01.019
Why is that person sort of horring in the background, but I didn't really...

349
00:25:01.079 --> 00:25:03.839
And then when he turns around, it's like, oh, my goodness, you know?

350
00:25:04.140 --> 00:25:04.680
How fantastic.

351
00:25:04.740 --> 00:25:12.119
And I do think too, that it is a good idea to have Rose and Mickey together.

352
00:25:12.180 --> 00:25:16.500
We'll talk more about this next week, but the last time Mickey appeared.

353
00:25:16.559 --> 00:25:18.779
We thought that Rose had been rather mean to him.

354
00:25:18.839 --> 00:25:25.140
And so getting them together to kind of patch things up a little bit, I think, was kind of a good idea.

355
00:25:25.200 --> 00:25:28.380
And it is just amazing to see him back.

356
00:25:28.440 --> 00:25:40.500
What I like is the fact that Mickey is seen to be completely competent and has managed to infiltrate this organisation, whereas Rose can only infiltrate for 5 seconds before she's caught.

357
00:25:40.559 --> 00:25:42.599
And that massive gun.

358
00:25:42.660 --> 00:25:44.160
Where was he hiding that?

359
00:25:44.220 --> 00:25:46.319
You really don't want to know.

360
00:25:46.619 --> 00:25:49.440
It's not a compact laser to last.

361
00:25:49.740 --> 00:25:54.180
He's actually a little bit dismissive of her too.

362
00:25:54.240 --> 00:25:55.980
He's in no way excited to see her.

363
00:25:56.099 --> 00:25:58.259
He calls her babe in this sort of dismissive way.

364
00:25:58.319 --> 00:26:00.599
And it's kind of like the tables have turned.

365
00:26:00.660 --> 00:26:09.779
He's sort of over her, or at least wants to look like he is, but he doesn't sort of fall into that subservient tin dog role immediately.

366
00:26:09.839 --> 00:26:17.579
He's got a job to do and he's clearly, you know, since we left him behind in sort of episode 5 or whenever it was, episode 6.

367
00:26:17.640 --> 00:26:18.900
With the other blonde.

368
00:26:18.900 --> 00:26:21.119
With the other blonde, more of whom laser.

369
00:26:21.180 --> 00:26:23.039
But only last week in recording, too.

370
00:26:23.460 --> 00:26:26.160
But I think that's so fantastic, I think.

371
00:26:26.160 --> 00:26:29.819
His role in this episode, Rose's role in this episode.

372
00:26:29.880 --> 00:26:31.859
Jackie's role in this episode are all wonderful.

373
00:26:31.920 --> 00:26:37.200
And the other person who I absolutely adore is Tracy Ann Cyberman, Yvonne Hartman.

374
00:26:37.259 --> 00:26:39.539
I mean, I think she's every Doctor Who Gay Boy's delight.

375
00:26:39.599 --> 00:26:43.380
I mean, she sashays handclaps and hair flicks away through this.

376
00:26:43.380 --> 00:26:44.039
Fabulous hair.

377
00:26:44.160 --> 00:26:44.579
You know?

378
00:26:44.640 --> 00:26:45.059
Really?

379
00:26:45.059 --> 00:26:46.740
Are we going to talk about the hair?

380
00:26:46.799 --> 00:26:52.740
My favourite moment is when is the confidential when David says to her she's been 15 hours in makeup?

381
00:26:53.700 --> 00:27:00.420
And, and, oh, one of the wake-up lady said 16, David, we didn't get a home over the weekend.

382
00:27:00.420 --> 00:27:02.940
And she still can't get a bloody hair.

383
00:27:03.000 --> 00:27:04.380
Oh, sorry, it's the driest thing.

384
00:27:04.440 --> 00:27:13.680
Billy's been out on a planet of the flying stingray vortisors and she still manages bounce and plasticity.

385
00:27:13.740 --> 00:27:17.099
And honestly, open, it's just a thicket.

386
00:27:17.160 --> 00:27:20.519
It's a single Lego. clipped onto a head.

387
00:27:20.579 --> 00:27:23.279
No, it's just really dry and rough.

388
00:27:23.279 --> 00:27:26.519
No, no, she obviously's just her own hair because she's 15 hours in makeup.

389
00:27:26.640 --> 00:27:30.960
She is incredible and I think we should talk about torchwood as well.

390
00:27:31.019 --> 00:27:36.299
So Torchwood has been occasionally name checked.

391
00:27:36.420 --> 00:27:38.460
Even since Bad Wolf.

392
00:27:38.519 --> 00:27:39.000
Yeah.

393
00:27:39.059 --> 00:27:40.019
You have a list?

394
00:27:40.079 --> 00:27:42.420
No, actually, I don't have I don't have a list.

395
00:27:42.480 --> 00:27:43.440
Sorry to disappoint you, listeners.

396
00:27:43.500 --> 00:27:47.940
So it has been, you know, name check from time to time, but not in a sort of massive way.

397
00:27:48.059 --> 00:27:51.059
It doesn't get... almost every story, but it's just subtly done.

398
00:27:51.119 --> 00:27:51.720
Yeah.

399
00:27:51.720 --> 00:27:57.240
It's even at the party in Rise of the Sidemen when Pete says how's Torchwood going, mate, something.

400
00:27:57.359 --> 00:27:58.140
Yeah, that's right.

401
00:27:58.259 --> 00:28:04.259
And there's a wonderful reference to Torchwood in Love and Monsters.

402
00:28:04.319 --> 00:28:12.000
I can't remember whether in that episode we mentioned that it has Bad Wolf Torchwood and Mr. Saxon all in the one episode.

403
00:28:12.059 --> 00:28:14.279
It's our 1st Mr Saxon reference as well.

404
00:28:14.339 --> 00:28:19.380
So Torch would sort of set up as an antagonist for the doctor, but it hasn't really been serving that purpose.

405
00:28:19.440 --> 00:28:23.940
But it's a very strange antagonist for the doctor, I think.

406
00:28:24.420 --> 00:28:26.400
Well, I quite like it.

407
00:28:26.460 --> 00:28:31.319
Like, I like the fact that they're trying to find the doctor, like using CCTV.

408
00:28:31.380 --> 00:28:37.619
The 1st time we have the ghost shift, the music that accompanies it is literally the torch would theme.

409
00:28:37.680 --> 00:28:38.460
Oh, yeah, it is too.

410
00:28:38.519 --> 00:28:44.039
And then, you know, they get taken and then we're walking around the base.

411
00:28:44.220 --> 00:28:49.500
I mean, I think it's a bit stupid having like the Egyptian mummy thing.

412
00:28:49.619 --> 00:28:50.819
I loved that.

413
00:28:50.819 --> 00:28:56.339
You could see that one of Sutek's little animated corpses is standing right next to the police box.

414
00:28:56.400 --> 00:28:58.500
A sarcophagus next to it.

415
00:28:59.099 --> 00:29:01.140
I mean, I liked it at the time.

416
00:29:01.140 --> 00:29:04.920
And I thought, well, didn't they burn the entire house down?

417
00:29:04.920 --> 00:29:07.380
So it wouldn't have been all charcoal?

418
00:29:07.440 --> 00:29:10.859
Maybe those things are not proof to, you know, maybe they're asbestos line?

419
00:29:10.920 --> 00:29:12.660
Yeah, it was a space sarcophagus.

420
00:29:12.720 --> 00:29:16.019
Okay, time vortex protected it.

421
00:29:16.079 --> 00:29:17.579
Okay, I stand corrected.

422
00:29:18.539 --> 00:29:23.460
I like the cat with a moustache and a big begging bowl and thinking what that's from.

423
00:29:23.519 --> 00:29:27.720
And what about the big giant CG thing?

424
00:29:27.779 --> 00:29:30.839
There's a giant CG spaceship.

425
00:29:30.960 --> 00:29:32.160
Enormous Webber barbeque.

426
00:29:32.640 --> 00:29:36.240
Is that a reference to the killer cats of Jiddensen?

427
00:29:36.299 --> 00:29:38.039
Oh, that's not real.

428
00:29:38.099 --> 00:29:44.339
But I do like to get the whole tour of Torchwood, and it's like, oh, happy day, and I'm a people person, like all of that stuff.

429
00:29:44.400 --> 00:29:48.720
Oh, yes, and I love when she says that because she's a monster and that's how you know she's a monster.

430
00:29:48.839 --> 00:29:50.819
Yeah, because of her fluent management.

431
00:29:50.880 --> 00:29:52.920
It's neoliberal proto-fashion.

432
00:29:52.920 --> 00:29:54.240
Jab a walkie man.

433
00:29:54.299 --> 00:29:57.480
Yeah, she's great in the torchwood audios.

434
00:29:57.539 --> 00:29:58.559
Oh really?

435
00:29:58.619 --> 00:29:59.400
finish is done.

436
00:29:59.460 --> 00:30:04.200
They've done a number of them set before the fall of torture.

437
00:30:10.500 --> 00:30:22.740
We did talk a little bit about fascism in the last cyberman to Pada, and so I think it's interesting that what we have here in Torchwood is explicitly imperialist.

438
00:30:22.799 --> 00:30:30.480
And there's one point where Jackie says, we don't have a British Empire, and her response, Tracy Ann Seidman, responds, not yet.

439
00:30:30.539 --> 00:30:40.740
And we observed in our tooth and claw episode that Torchwood still uses imperial tons, and she has to make that quite clear.

440
00:30:40.799 --> 00:30:44.039
We don't go metric in torchwood, like those terrible Europeans.

441
00:30:44.099 --> 00:30:47.160
And it just seems very strange.

442
00:30:47.220 --> 00:30:48.539
Let's talk Brexit, Richard.

443
00:30:48.599 --> 00:30:49.440
It does.

444
00:30:50.039 --> 00:30:54.359
It's exactly, the one knot I thought here was another commendators have said this.

445
00:30:54.420 --> 00:31:00.720
It's really precinent of Russell to get this. and others have, you know, the guardian and the independent, what's left of the independent.

446
00:31:00.779 --> 00:31:03.240
How will Britain manage without our own energy source?

447
00:31:03.359 --> 00:31:06.539
I think we actually need to go up and find some seaweed.

448
00:31:06.660 --> 00:31:14.039
And then, you know, if only Debbie Watling was still with us and could hurl a lungful at the North Sea and see what we get back.

449
00:31:14.099 --> 00:31:19.920
Well, I mean, if the doctor hadn't spent so much time in the 70s shutting down alternative energy projects.

450
00:31:20.819 --> 00:31:22.319
Thank you.

451
00:31:22.680 --> 00:31:31.019
A whole lot of eye patches distribute it to every fascist crypto dictator that might want to take over a power station.

452
00:31:31.079 --> 00:31:31.740
Then we might get that.

453
00:31:31.799 --> 00:31:37.259
But yeah, it's very, it's a very interesting nod to, well, Britain, if you want your empire back, you'll need a power source.

454
00:31:37.319 --> 00:31:37.619
Yeah.

455
00:31:37.619 --> 00:31:46.440
Holland had its, all the Netherlands had their, the nether regions, as Storm French has, has their, their own energy source for many years, just why they were able to, you know, pull an empire.

456
00:31:46.500 --> 00:31:48.059
Well, keep a welfare state going.

457
00:31:48.240 --> 00:31:51.119
The Scandwegians will do clever things.

458
00:31:51.180 --> 00:31:54.420
But we have, yeah, we're being still part of the British Empire.

459
00:31:54.480 --> 00:31:57.299
I think it's just us and August Bank holiday Island now, isn't it?

460
00:31:57.359 --> 00:32:01.200
Maybe he's just tapping into the late motif at the time.

461
00:32:01.259 --> 00:32:04.500
He's very good at knowing how people are feeling.

462
00:32:04.559 --> 00:32:07.079
That's why his productions, all his TV shows.

463
00:32:07.200 --> 00:32:08.220
He's got a new one coming up.

464
00:32:08.279 --> 00:32:08.819
Yeah, yeah.

465
00:32:08.819 --> 00:32:10.440
With that bloke with the ears.

466
00:32:10.500 --> 00:32:13.980
He can't stop sketching, clean to that up.

467
00:32:14.460 --> 00:32:17.880
I mean, there's always been U-Kip and things in Britain.

468
00:32:17.940 --> 00:32:18.599
There has always been.

469
00:32:18.839 --> 00:32:21.960
We always had Mosley and we always had, you know, the Mitford sisters.

470
00:32:22.019 --> 00:32:23.339
Yeah, exactly.

471
00:32:23.400 --> 00:32:28.259
So there has always been that sort of under current of sort of British fascism.

472
00:32:28.319 --> 00:32:31.680
And so here that's the doctor's enemy.

473
00:32:31.740 --> 00:32:51.839
You know, we've talked about years ago about how Bob Holmes makes bureaucrats and humourless, rule bound, hide bound people are the doctor's enemy, but Russell has made the doctor's enemy, that kind of, you know, strain of British imperialism.

474
00:32:51.900 --> 00:32:56.460
It's a lovely nod back to Mac Hulk and Bob Holmes, isn't it?

475
00:32:56.519 --> 00:32:59.099
Which we've kind of lost over the years.

476
00:32:59.160 --> 00:33:13.859
Well, I think Russell's Doctor Who is, you know, explicitly political in a way that Moffat's is not so much and in a way that Chibnol in his 1st year, he seems to have really very, definitely trying to avoid.

477
00:33:13.920 --> 00:33:16.859
But it is very strange.

478
00:33:16.920 --> 00:33:26.940
And I do love the contrast between Tracy Ann's incredibly genial manner and her response to the doctor's question, so am I your prisoner then?

479
00:33:27.059 --> 00:33:29.640
And she just says, well, yes, you are.

480
00:33:29.759 --> 00:33:36.539
So it's a great sort of Doctor Who villain in the sense that it's not a slavering moustache twirling villain.

481
00:33:36.599 --> 00:33:38.339
She's a super genial management type.

482
00:33:38.460 --> 00:33:48.480
Look, if this had been set back in the 1970s, she would have been a he and she would have been like Mr. Chin or something like that, you know, um...

483
00:33:48.480 --> 00:33:54.599
Although unless we've got Susan Gemma sitting in her leather knickers out, you know, the BBC board, you know, Barry Letts have been allowed to do that.

484
00:33:54.599 --> 00:33:57.420
But this also predicates season 11.

485
00:33:57.660 --> 00:33:59.579
I believe that's what we've just been through, haven't we?

486
00:33:59.640 --> 00:34:00.660
I shouldn't say that.

487
00:34:00.660 --> 00:34:02.640
Series 11, we've just enjoyed.

488
00:34:02.700 --> 00:34:06.960
Chibnall's response, you might want to say, is Graham Williams' response.

489
00:34:07.019 --> 00:34:24.719
I'll just say quickly, is that we respond by small acts of kindness, with the overweening and overbearing threat that it cannot be controlled, which is, you want, if you want to call it, free wheeling, late stage capitalism or neoliberals, gone mad or whatever it is you want to call it.

490
00:34:24.780 --> 00:34:37.500
But it actually is nicely indicated in this story, is that, you know, as living in this stage of capitalism that you have to buy the new things, and if you don't keep up, you're left behind, and you're less of a citizen.

491
00:34:37.559 --> 00:34:39.900
Because we're not citizens anymore, are we?

492
00:34:39.960 --> 00:34:40.559
We're customers.

493
00:34:40.679 --> 00:34:43.440
And boarding any state rail.

494
00:34:43.500 --> 00:34:45.539
You'll know that straight off.

495
00:34:45.719 --> 00:34:52.739
It's really amazing how foreshadowing this is. 13 stop.

496
00:34:52.860 --> 00:34:53.099
Stop it.

497
00:34:53.159 --> 00:34:53.880
How many years later?

498
00:34:53.940 --> 00:34:55.139
I don't know how many years.

499
00:34:55.199 --> 00:35:02.760
This is like sitting, watching Sarah Jane leave to the point where an unearthly child started for us watching this now.

500
00:35:02.820 --> 00:35:06.599
Oh, Lordy, as to when it was on our television sets in 2006.

501
00:35:06.780 --> 00:35:08.400
That's horrendous dot.

502
00:35:08.460 --> 00:35:11.639
The 1st and 8th of July 2006.

503
00:35:11.880 --> 00:35:13.800
So nearly 13 years ago.

504
00:35:13.860 --> 00:35:14.579
Gosh.

505
00:35:14.639 --> 00:35:22.440
But to have these things discussed in an episode 13 years ago, which is so relevant now, is amazing.

506
00:35:22.500 --> 00:35:30.119
It harks back to things like the Green Death in the Pertury era where those things weren't really to the forefront at that time.

507
00:35:30.179 --> 00:35:32.340
Well, they were strongly discussed at the time.

508
00:35:32.400 --> 00:35:35.579
We just all got over it quickly when Neoliberalism took on.

509
00:35:35.699 --> 00:35:36.119
Yeah.

510
00:35:40.679 --> 00:35:46.079
Dave Tennant in this episode wears some 3D glasses throughout.

511
00:35:46.139 --> 00:35:53.699
And when I 1st watched this, I could have just gone up to him and ripped those things off his face and just thrown them in the bin and go, what are you doing?

512
00:35:53.820 --> 00:35:55.380
It is super slappable, isn't it?

513
00:35:55.440 --> 00:35:59.760
No, that what little children can be a part of the show because everyone's got a pair.

514
00:35:59.820 --> 00:36:01.320
But this time through.

515
00:36:01.380 --> 00:36:06.539
I actually was quite amused by the whole thing and he keeps coming back to it and keeps having them.

516
00:36:06.599 --> 00:36:07.380
I actually quite liked it.

517
00:36:07.440 --> 00:36:20.099
It's the same reason why Moffatt puts Capoldi and the Ray-Bans. you can make something normal or every day or gettable by the audience.

518
00:36:20.159 --> 00:36:21.719
And it's actually a consumer.

519
00:36:21.780 --> 00:36:23.519
He's the point of difference.

520
00:36:23.579 --> 00:36:24.059
Thank you.

521
00:36:24.119 --> 00:36:25.619
He's the point of difference in the plot.

522
00:36:25.679 --> 00:36:27.179
Everyone else has got high tech.

523
00:36:27.239 --> 00:36:31.260
The doctor gets something out of a comic book and still manages to defeat the threat.

524
00:36:31.320 --> 00:36:36.900
It also kind of works with his sort of slightly 50-ish hipster kind of look.

525
00:36:36.960 --> 00:36:42.119
You know, those 3D glasses, the green and red ones.

526
00:36:42.239 --> 00:36:43.860
Big deal in the 50s.

527
00:36:43.920 --> 00:36:45.300
Yeah, for 3D movies.

528
00:36:45.360 --> 00:36:47.340
And so it fits his look.

529
00:36:47.400 --> 00:36:49.320
I think really well.

530
00:36:49.380 --> 00:36:56.760
I think Tennant has, I'm going to do a my favourite tenant moment and my least favourite tenant moment of the episode.

531
00:36:57.360 --> 00:37:13.079
My favourite tenant moment is where he makes Yvonne call off the ghost shift by just sitting in a chair staring at her and kind of half smiling and just his confidence.

532
00:37:13.139 --> 00:37:15.059
Like, that is a great doctor moment.

533
00:37:15.119 --> 00:37:16.199
Wonderful, wonderful.

534
00:37:16.260 --> 00:37:17.039
Had they written down, yes.

535
00:37:17.099 --> 00:37:18.360
Yeah, least favourite moment.

536
00:37:18.420 --> 00:37:21.179
It's who you're going to call Ghostbusters.

537
00:37:21.239 --> 00:37:24.059
I just think that is bum clenchingly embarrassing.

538
00:37:24.119 --> 00:37:28.260
It's really...

539
00:37:28.260 --> 00:37:30.059
I'm just sort of, yes, okay.

540
00:37:30.119 --> 00:37:31.380
It's very self-conscious, yes.

541
00:37:31.440 --> 00:37:32.880
It's so bad.

542
00:37:32.940 --> 00:37:34.199
It's really bad.

543
00:37:34.260 --> 00:37:35.940
But again, little fans would love that.

544
00:37:36.000 --> 00:37:39.239
But I mean, is Ghostbusters a living reference in 20 years?

545
00:37:39.300 --> 00:37:40.679
No, it's 1980, what?

546
00:37:42.000 --> 00:37:45.239
I guess the thing is here, when I was looking at David's performance in this.

547
00:37:45.300 --> 00:37:47.039
I knew that this had been recorded earlier in the season.

548
00:37:47.099 --> 00:37:56.519
So I was quite interested to see whether or not there's still traits of him finding his way in the role and not being perhaps the stereotype that we think that he is.

549
00:37:56.579 --> 00:38:08.099
And I think there are moments in this episode where he actually is more subtle than what comes ahead and there's times where I think, oh, it's not quite the David Tennant that I remember.

550
00:38:08.159 --> 00:38:13.619
And it's interesting coming at this point when you view it in the season having been through the last few episodes.

551
00:38:14.159 --> 00:38:19.380
Again, for the most part, his performance in this is surprisingly enjoyable.

552
00:38:19.440 --> 00:38:23.460
I know that we've talked a bit about how annoying we think he is.

553
00:38:23.519 --> 00:38:28.019
But then when you come back to actually watch him, I actually find him quite hypnotic.

554
00:38:28.079 --> 00:38:33.480
It's a bit like perch we in that, you know, a lot of fans of a certain age will be quite critical.

555
00:38:33.539 --> 00:38:37.260
But then you actually go back and watch him, you actually sit there enjoying the performance.

556
00:38:37.320 --> 00:38:39.960
And I really enjoyed this episode.

557
00:38:40.019 --> 00:38:47.760
I mean, I don't know where we're at with it, but I came out of this liking it more than I had previously liked it.

558
00:38:47.820 --> 00:38:54.960
And that's been the case for most of this season is that virtually every episode that I've watched, I've either liked the same or more.

559
00:38:55.019 --> 00:38:59.760
And I'm at 9 out of 10 for this episode, which I'm...

560
00:38:59.760 --> 00:39:01.199
Which is reeling.

561
00:39:01.920 --> 00:39:06.840
I'm sure that you're running a shop because you're saying like, so the plot is so thin on the ground, but I just...

562
00:39:06.840 --> 00:39:08.760
It doesn't matter because you've got direction and performance.

563
00:39:08.880 --> 00:39:14.099
And I just enjoyed just watching it. really enjoyed the lines, the performances.

564
00:39:14.159 --> 00:39:16.980
Isn't it a lovely to talk about presaging.

565
00:39:17.039 --> 00:39:21.960
It's a lovely thing to say, you don't need to over egg the plot, Stephen.

566
00:39:22.019 --> 00:39:29.760
You can just do a very simple, elegant story and let the director, and then as Graham Harper says, in his interviews.

567
00:39:29.820 --> 00:39:35.639
Then I just stop, leave the cameras static and let the artists do what they've been working on for 3 weeks.

568
00:39:35.699 --> 00:39:38.340
And that's when we all start tearing up.

569
00:39:38.400 --> 00:39:43.559
And it's that gorgeous juxtaposition of really beautifully edited crisp direction.

570
00:39:43.619 --> 00:39:52.019
And I am going to, I was going to mention some of the, some of the Socarol Reed and David Lean thumbs, because there's a lot of British army stuff in this.

571
00:39:52.019 --> 00:39:53.639
Then I thought, of course, it's Graham Harper.

572
00:39:53.699 --> 00:39:54.539
He grew up with those films.

573
00:39:54.599 --> 00:39:57.960
He knows how to array soldiers for the camera.

574
00:39:58.019 --> 00:40:04.800
It's just like all the life and death of Colonel Blimp is a great film that does use almost the same camera angles for their soldiers.

575
00:40:04.860 --> 00:40:08.280
So, yeah, you've got all of that lovely stuff there.

576
00:40:08.340 --> 00:40:10.980
And then you've got these little moments where, no, I'll just stop now.

577
00:40:11.039 --> 00:40:12.119
Billy's doing her thing now.

578
00:40:12.179 --> 00:40:13.380
David's doing his thing now.

579
00:40:13.440 --> 00:40:17.280
I just love the way in which when the ghosts finally do come through.

580
00:40:17.340 --> 00:40:20.400
They suddenly take that formation as soldiers.

581
00:40:20.460 --> 00:40:21.119
Yeah.

582
00:40:21.119 --> 00:40:22.920
And it's just lovely little touches.

583
00:40:23.099 --> 00:40:36.239
And then as we head into the cliffhanger or the intercutting between what's happening with the doctor, what's happening with Rose down in the sphere room and the tension is building and, you know, you're getting that parallel story between them, like the severe is not ours.

584
00:40:36.300 --> 00:40:39.539
They came through 1st and that sort of stuff as they're discovering that down there.

585
00:40:39.599 --> 00:40:46.139
I just love that device where you intercut between people having conversations and finding that out at the same time.

586
00:40:46.199 --> 00:40:50.579
And the 2 plots kind of reach their climax at exactly the same moment.

587
00:40:50.639 --> 00:41:06.659
In fact, it's 3 plots because we get all those shots of the ghosts turning into cybermen, you know, at the power estate and uh, in Paris, I think, and uh, outside the Taj Mahal and sort of news reports.

588
00:41:06.719 --> 00:41:11.039
We get the guy from the pirate planet warning us to stay in our home.

589
00:41:11.099 --> 00:41:12.599
Louise Jameson's husband.

590
00:41:12.659 --> 00:41:13.199
Yes.

591
00:41:13.260 --> 00:41:13.619
Yes.

592
00:41:15.840 --> 00:41:20.519
But at the time, it may have been an ex at that time.

593
00:41:21.480 --> 00:41:23.039
He's such a great actor in that, isn't he?

594
00:41:23.159 --> 00:41:24.360
Well, he gets killed.

595
00:41:24.960 --> 00:41:29.400
But like that stuff is tremendous.

596
00:41:29.460 --> 00:41:36.719
And I think the best thing about it, we're being told to stay in our homes and the cybermen are in our homes.

597
00:41:36.780 --> 00:41:42.360
So, you know, they escape up the stairs from the Cyberman only to find there's a Cyberman there.

598
00:41:42.420 --> 00:41:48.659
And one of the things that I miss a lot, these massive scale scenes.

599
00:41:48.719 --> 00:41:56.880
So you get a family, you know, who have nothing to do with the plot, but are just there to illustrate...

600
00:41:56.940 --> 00:41:58.320
Yeah, it's the inversion of the camera.

601
00:41:58.380 --> 00:41:58.679
Yeah.

602
00:41:58.739 --> 00:41:59.340
Yeah, yeah.

603
00:41:59.400 --> 00:42:00.239
They're us watching it.

604
00:42:00.300 --> 00:42:02.579
They're Eric and Esa for sort of 2006.

605
00:42:03.059 --> 00:42:07.019
So we see the scale of what the cybermen have done.

606
00:42:07.139 --> 00:42:12.179
And we haven't really had that before.

607
00:42:12.239 --> 00:42:23.280
The only classic series, things that I can think of are The Invasion, where, you know, everyone's out and Cybern are marching through the streets and clearly this owes a lot to that.

608
00:42:23.340 --> 00:42:28.079
And invasion of the dinosaurs, I guess, when we evacuate London.

609
00:42:28.139 --> 00:42:29.880
But we don't really see that.

610
00:42:29.940 --> 00:42:36.360
Whereas here we see, you know, it's another big public invasion like the Slovene last year.

611
00:42:36.420 --> 00:42:38.579
And I just adore it.

612
00:42:38.639 --> 00:42:43.079
It's something new that Russell's brought to the program and I'm absolutely on board with it.

613
00:42:43.139 --> 00:42:44.639
Yeah, no, it's great.

614
00:42:44.699 --> 00:42:47.039
I mean, I love the fact that they actually state we are the cyberman.

615
00:42:47.159 --> 00:42:48.239
I mean, the fanboy in me.

616
00:42:48.300 --> 00:42:50.039
They have to say it because I didn't really say that.

617
00:42:50.099 --> 00:42:51.960
I don't think in the previous 2 episodes.

618
00:42:52.019 --> 00:42:58.139
Then you've got Mickey Smith, defender, defending the earth, the earth, like sort of the spinoff that never happened for Rose.

619
00:42:58.199 --> 00:43:02.219
And, you know, the sphere is not our own and then you've got that music rising.

620
00:43:02.280 --> 00:43:05.400
As the Daleks come out of that.

621
00:43:05.460 --> 00:43:09.239
I think the Dalek music kicks in just before the Daleks appear.

622
00:43:09.300 --> 00:43:24.960
So, um, if you know your music cues, uh, you'll know what it is and presumably some of the audience would have got a sort of unidentifiable Dalek related sensation at that moment without really realising why Dalek tingle.

623
00:43:26.699 --> 00:43:28.199
Tag.

624
00:43:28.380 --> 00:43:36.599
But I like the Wayne Witch, like you've got the cyberman threat and the threat of the world's collapsing, but then you up the ante with the Daleks.

625
00:43:36.659 --> 00:43:43.380
You know, had it been the cyber controller coming out in his chair. the same sort of impact at all.

626
00:43:43.500 --> 00:43:47.400
It's like he references the cyber king in this, doesn't he?

627
00:43:47.460 --> 00:43:49.079
Yeah, there is a little nice.

628
00:43:49.139 --> 00:43:50.579
Yeah, nice that these time things through as well.

629
00:43:50.639 --> 00:43:53.940
Oh, what about the cyber thing from Tobias Vaughan's office?

630
00:43:54.000 --> 00:43:55.860
Or the one from Wheeling Space.

631
00:43:55.860 --> 00:43:59.159
The decorative wall feature. in the cupboard.

632
00:43:59.219 --> 00:44:02.219
From Fear Hurst slash the invasion.

633
00:44:02.280 --> 00:44:02.460
Yes.

634
00:44:02.519 --> 00:44:04.260
See, I've never found the cybermen.

635
00:44:04.320 --> 00:44:07.139
That threatening compared to the Daleks.

636
00:44:07.199 --> 00:44:11.099
The only time I've ever been more sort of afraid of them was in Revenge of the Sidemen.

637
00:44:11.159 --> 00:44:11.519
I agree.

638
00:44:11.519 --> 00:44:16.199
When you've got the cyber mats that were poisoning everybody, and that sort of freaked me out.

639
00:44:16.260 --> 00:44:23.159
So to have something here that is even more of a threat, going into the cliffhanger is just tremendous.

640
00:44:23.159 --> 00:44:28.860
And you'd sort of, your senses are overloaded between all of these things and also knowing that Rose could potentially die.

641
00:44:28.920 --> 00:44:48.659
And then you've got the 2nd cliffhanger, which is the next time on Doctor Who, straight following it, where, again, he's already misdirecting us with, oh, this is a story of how I died, but then in the way that next time it's cut together, you actually believe that the Cyberman and the Daleks are going to be working together, it's very very clever.

642
00:45:13.800 --> 00:45:19.860
Well, dear listener, those darlets aren't going to run away from themselves, so it's time for us to leg it.

643
00:45:19.920 --> 00:45:23.519
We'll be back next week, ready to moisten up for doomsday.

644
00:45:24.239 --> 00:45:31.079
In the meantime, you can find us wherever you get your podcasts, and you can keep up with us at flightthroughentirety.com.

645
00:45:31.139 --> 00:45:34.739
Flight through entirety on Facebook and at FT podcast on Twitter.

646
00:45:34.800 --> 00:45:49.739
You can also find our Series 11 Flashcast, Jody Interterra, at Jody Interterra.com, and at Jody Interterra on Twitter, and our James Bond commentary podcast, Bondfinger at bondfinger.com, at bondfinger on Facebook, and at bondfingercast on Twitter.

647
00:45:49.800 --> 00:45:58.619
Until next time, please make sure you always insert your AirPods firmly, but gently, on no account should they be shoved roughly into your brain.

648
00:45:58.679 --> 00:46:01.079
Thank you very much for listening and good night.

649
00:46:01.260 --> 00:46:02.880
See you soon.

650
00:46:02.940 --> 00:46:03.599
Thank you.

651
00:46:06.900 --> 00:46:16.320
That was Flight Through Entirety, starting Todd B, it'll be Nathan Bodley, James Selwood and Richard Stone, theme arrangement by Cameron Lamb, Strings Performance by Jane Allberg.

652
00:46:16.380 --> 00:46:22.860
This episode, Grandad Prentice Hancock, was recorded on the 28th of April 2019 and released on the 2nd of June.

653
00:46:26.340 --> 00:46:33.360
Of course, the Australian version of Torch, what is called Torch, Walker, and is mostly concerned with spiders, land, and white people.

654
00:46:33.420 --> 00:46:38.940
If interested, contact our new assistant minister for Multicultural Affairs, Parliament House, Canberra.

655
00:46:39.960 --> 00:46:45.659
If I say the words you know one more time, kill me today, because I keep doing it.

656
00:46:45.719 --> 00:46:47.099
I edit a lot of them out.

657
00:46:47.159 --> 00:46:48.780
I'm much worse than you.

658
00:46:48.840 --> 00:46:52.860
The floor is littered with me saying, you know, over and over again.

659
00:46:52.920 --> 00:46:54.780
The last episode I was in.

660
00:46:54.840 --> 00:46:55.619
That all I kept saying.

661
00:46:55.679 --> 00:46:59.280
I kept hearing it and going, oh, Nathan, you just must want to just destroy me.

662
00:46:59.340 --> 00:47:02.760
No, no, that actually is a nice tag with you.

663
00:47:02.820 --> 00:47:04.739
You're going to die for the 1st bit.

664
00:47:06.000 --> 00:47:09.420
Nathan probably recognises the waveform.

665
00:47:09.480 --> 00:47:11.219
Okay, before you know now.

666
00:47:11.760 --> 00:47:14.940
But when the doctor actually like...