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This transcript was created on 2026-06-07 at 14:23:15

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Hello, dear listener, and welcome back to Flight or Entirety, the only Doctor Who podcast full of salty fats and vintage wines and all those Michelin star sauces.

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We're delicious.

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I'm Nathan.

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I'm James.

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I'm Todd, and I'm an NHS slightly see-through oversized brine nylon 90 for this one.

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Of course you are.

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Well, the show ended its two-year run mere months ago, and so all of Britain is tuning in this week to find out whether it's even possible to conceive of a Doctor Who, after the shock departure of Camille Kaduri.

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Can anything ever be the same again after the 1st meeting of Smith and Joan?

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Yeah.

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What could happen on an average beautiful day?

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You never know.

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Summer breaks seasonal changes.

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It's hotcore, brother.

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On a beautiful...

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Turn out of 10 for teeth.

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Excellent teeth on the new gill.

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Very good.

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So, I mean, we open, don't we?

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Let's do this.

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Doing a street scene again.

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Yeah, yeah.

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And last week.

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Well, not last week.

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Last Christmas, we restarted the show with that opening shot of the moon heading down to Earth and then Donna's wedding, and I guess that was a way of saying, well, the show is restarting, but we've sort of found a way to do it.

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Here we don't have an opening thing.

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We go straight into the...

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Yeah, yeah.

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And then we see Martha.

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And I guess she's introduced to us very economically.

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It's a pretty good scene.

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It's a very now television scene, like having the mobile phone and cutting between all of her family and introducing.

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Could you imagine?

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Back in 1980 with Tegan, having a phone going off in the house, and then she's talking to her grandfather, and then Auntie Vanessa has a phone in the car or some big, huge gadget thing, and then she...

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Colin Fraser.

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She speaks to Colin. you know, and then they have to, they go down the freeway and then they find a police box and they talk to that.

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Could you imagine that?

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That's a great way to introduce all the family and selling regulars.

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And then her aunt gets horribly mad.

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In 25 minutes.

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But here it's all done in like 2 minutes.

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And it's very clear that what Martha's job is in the family is to kind of smooth things over.

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Like Tish calls to kind of get her to persuade her father not to bring Annalise, who is one of the great characters of the RTD.

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He names these creatures, doesn't it?

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Well, we had Naris last time, who I just think he's spectacular.

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I was about to say, like, you know, he's trying, like, for 3 episodes in a row, we had the wonderful Jackie, and then it's like we don't have Jackie anymore, so now we've got Neres, and now we've got Annelise.

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I mean, she never appears ever again.

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But, you know, that joke at the end of the episode.

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It's just, I just burst out laughing where Martha's mum says, you stole my husband.

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He seduced me.

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And it's just like, he really, did he?

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Like, 0 my god.

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So we've got some people who've gone on to doing incredibly well as well.

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Like all of these people, like Joe Ando has been in a bunch of things.

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Russell's used her again.

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She's got a big career.

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Goo Goo Mabatha Raw is in everything these days, including the sort of spectacular San Junipero from Black Mirror, and then Reggie Yates, who was apparently famous, but we didn't know about him then.

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That's her brother Leo.

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Yeah, yeah.

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And so Leo comes back, but not quite as often as Russell had originally hoped, I think.

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But Tish will be following Tish's career.

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She has a very eventful week.

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Yeah, and again, he's done the same thing with Rose, hasn't he?

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No pre-title sequence.

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I was trying to think, why is this like Rose's introduction?

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Oh, yeah, because...

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This is the new girl.

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Front and centre. and this is her family and she's here to stay.

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I really meant what I said in the opening.

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It was really hard to imagine what Doctor Who could do without the Powell estate without Mickey and Jackie and Rose, who had been so important to the show.

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And then, you know, you can't do the same thing again.

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Russell has to choose to do something different.

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And the shocking difference, I think, with the family is that they're...

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I was going to say, because Rose isn't upper middle class.

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No, more working class.

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Yeah, and here we've got an actress of colour cast in the role.

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And so the whole supporting cast, obviously, is.

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And it's well overdue in Doctor Who.

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Yeah, yeah, yeah.

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Well, yes, it's not like they had to powder up Louise Jameson.

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But that is actually sort of a huge, a huge thing, isn't it?

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Suddenly you've got this massive cast of black actors, it has semi-regulars, and I think it's a fantastic thing, and I think also it's meant to kind of sweeten the pill of having an upper middle class family who would otherwise be inclined to dislike.

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So looking forward to Sophie Aldred's comments on the sofa when this is re-released.

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That's it.

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They're not as posh as I was when I was on the show, you know.

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Well, no one was.

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And and of course, she's because she's sort of older.

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She's not being rescued from something so much.

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Yes, that nice thing that we get now in the 21st century, all we were supposed to get it with Liz Sladden.

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It kind of is actually a bit like Sarah James' 1st story, where she's very much part of the narrative and pushing it along and solving problems along, Geroff, murder, cup of day, that sort of upper middle-class behaviour.

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Yeah, very much so.

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In fact, there was quite a few little parallels to the time warrior.

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So she kind of has to prove herself to the doctor in this.

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And, you know, the doctor starts to like her, I think, when they sort of 1st meet in the hospital, but he's sort of peripheral to the story for quite a long time, I think.

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It does spend a lot of time establishing her.

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There are a number of moments where she actually drives the plot more than he does as well, where she basically, like, starts trying to solve the problem even before he said anything.

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When they're on the balcony, she starts working out the problem.

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She shows herself to be an intelligent and capable character quite quickly.

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Yeah, I like how, and you're quite right, James.

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I just like the way in which she's presented with different problems and she takes a moment to process it and then work out what she's going to do and deal with whatever she's thrown up against, you know?

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And there was a strength in her.

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I think there's just this strength.

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The fact that she's slightly older than Rose.

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She's obviously the older sibling, the other 2 are younger, and in that opening scene, you know, it's obvious the parents' marriage has broken down.

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And there's a real strength in Framer's performance that you can see the parallels with her mother.

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But she's also got aspects of her father, who's quite comedy.

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She actually has some nice little asides and one liners.

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It's actually a really beautiful nuanced performance by Freeman.

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Now, I just want to say this to the listeners, and you might have gathered that previously I dismissed famous performances, Martha, has been okay.

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I've talked about Martha's blank face, where I have spoken to Brendan about this, where I felt that she wasn't get the motive.

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Well, I'm wrong.

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And she is just, I just, I'm just, my, my opinion has completely changed.

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Interesting.

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So is mine, but to back to where you were in the beginning.

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Because there's more than one slab on set.

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Wow.

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No, no, she's lovely and warm and charming, but as our friend Kevin Johnson, who taught it Nyder for, I think, a half a century, almost, you know, they're C class actors.

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Oh, that's a bit harsh, isn't it?

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It's a term they use, which means that lots of warm plots of charm, but it's not getting over.

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I'm seeing a person reading a lovely person reading lines.

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I'm not getting involved in a character.

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See, I mean, I think that, you know, the character as written is a little bit less.

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Well, we've had more time with Rose, I guess.

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But, you know, that sort of slight, you know, we were constantly sort of cross-it rows for being sort of selfish and thoughtless and things and that wasn't all she was.

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But in a way, Freema's character is kind of designed to be the perfect companion.

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And, um, you know, she's smart and resourceful and thoughtful and caring and selfless.

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And she's willing to put up with a whole heap of stuff to go through a lot of stuff to help people.

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And so maybe that character isn't quite as complex.

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But I've seen actors do a lot more with a lot less.

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No, I just think it's about performance and you know, and just the way to get your character.

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It's almost alchemy, the way it works on camera.

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And it's different from theatres.

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She might actually be okay in theatre.

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And she's also an angournue and all the rest of it.

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But the great warmth, great charm, and you can see just what magnetism she has in interviews and her enthusiasm.

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And all of that is there, but there is the quintessential. there is that 5th element that an actor needs to get that across.

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And we still haven't actually been able to isolate what that is.

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And you don't always know it.

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In fact, it doesn't, the camera is a filter.

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Sometimes it allows and it magnifies and sometimes it actually just shuts off.

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So the warmth of a person doesn't come through.

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But anyway, that's kind of what I'm getting from this episode.

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And that's a disappointment for me because it is a strong light story and Russell shows that you can have a Buckminster full of geodesic dome of great volume and surface area, but very lightness, very much lightness of structure.

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I think that is something that I'm sort of keen to talk about because the actual plot, yes.

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I think we should be talking about moon architecture, considering the time of year that this is.

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The plot is very, very straightforward.

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And I think it works incredibly well.

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We haven't yet really properly established a pattern where the 1st episode is kind of light and maybe a bit comedic.

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I maybe, I guess, with the 3rd season, that's when the pattern is sort of finally established.

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But the fact that the initial problem is that rain is falling upwards is so easily comprehensible.

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It's not that the doctors, you know, getting emissions well into the E-band or something.

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Do you know what I mean?

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It's the rains falling up.

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And I really think that that's, you know, something that Russell does really well, something that we haven't ever thought of before and that is super obvious.

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And, you know, the technobabble used to justify the HTO scoop is pretty rudimentary. but it makes for a great image I think.

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I like it as a condensatory heat runoff from all that energy thing thing.

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We're 7 days off the moon landing after the 50th anniversary.

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That's what I mentioned, that's when we're recording.

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So there'll be lots of fascinating facts.

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Todd.

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That's your trip.

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I think this is the most confident.

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Opener to date.

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And I love that brain falling up and actually having the whole hospital taken up to the moon.

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It's just something that I never would have thought of.

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No, and it just works so well.

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I just think this whole story is so confident.

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And I'm going to disagree with Man City next to me, Richard.

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I, you know, Rich and I did not like Martha that much, but I just changed my mind completely.

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I just think she's fantastic in this entire story.

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I really think she's got the it factor.

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And I think it's really hard to follow up, Rose, and I'm glad that we had a brake last week.

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The doctors managed to get to a point where he can accept roses gone, which is so vital.

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You could not have had this companion in the Christmas special, you needed that stock gap.

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And I just believe that throughout this entire episode she just shines.

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I have only watched this far.

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I haven't watched any further into series 3 yet.

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I mean, I've watched it before, but I'm really looking forward to seeing how I respond to Freeman's performance.

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The hardest thing is that she's following up from Billy Piper in 2 years of what she's delivered and the fact that she's not, she's the not rows, basically.

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And I think that's a real noose around her neck.

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And during this episode, of course, the doctor kisses her, for genetic transference and a plug device.

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Um, and when she, you know, this man's walked into her life, this, all this stuff's happening, he owns he spits.

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Do you know what I think the kiss is?

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It's a rehash of the conversation that we had in our episode at the end of series one where Rose and the doctor have a kiss and some of us wanted to insist that it was a science fiction kiss and some of us wanted to say that it was a kiss.

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And here the doctor is the person who says, no, this is just a science fiction case.

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And Martha, for Martha, is a kiss, you know, like she reacts to it.

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And perhaps for me, that's the part of the episode that I don't like so much, is that, you know, she's immediately kind of won over by the doctor's invincible charms, one kiss and, you know, she's sort of suddenly in love with him.

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And there's a scene, she does a face in the final scene in the Tartars, where she says, no, look, I'm not interested in you at all, and then sort of turns slightly to Cameron, pulls a face to make it clear to us, but in fact, she is.

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And, you know, like, I think that's okay.

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But I do think that it all happens rather suddenly.

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Oh, look, I would agree with you, and it's, it's really a hard thing to judge at this point.

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Yahoo fans only know of pros being in love with the doctor.

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And so does it make sense to go there again, as classic fans, we're used to not having people in love with the doctor.

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Do we just ignore the fact that people could fall in love with him that quickly?

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It's a road that they're taking.

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Is it a noose around this character's neck?

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And we'll see that throughout the season.

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We'll explore that.

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Because certainly the following year we react against that immediately, don't we?

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With the, you know, the I don't want to mate conversation that Donna and the doctor have in partners in crime, Russell very definitely kind of takes on board the criticism or sees what the being in love plot does to Martha as a character.

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And I think it plays out well.

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We've talked about who gets the best ending of any companion in New Who.

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And I reckon Martha's very much up there and it pays off the being in love with the doctor all the way through.

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I would agree with you, Nathan.

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I think it pays off at the end, but the path along the way is pretty treacherous and quite arduous at times where you kind of think, just drop this, you know?

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I guess we're not up to that yet.

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So from looking at the character of Martha in this one.

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I can see how the writing would, you can, you can kind of see where, where he's going with it, and it's, and it's a bit bronte-isk, isn't it?

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There's definitely a setup for a fall already because innocence and capability will never go unpunished.

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Russell's talk to.

210
00:16:26.580 --> 00:16:31.200
And I wouldn't have cast, I think, any other type of actor.

211
00:16:31.259 --> 00:16:34.799
I think that she's, yes, the persona is there.

212
00:16:34.860 --> 00:16:40.740
And hopefully that will warm up and there'll be a bit more of the Tara King confidence building as the season goes on.

213
00:16:40.799 --> 00:16:42.299
I believe there was.

214
00:16:42.360 --> 00:16:44.340
But where we are with this one.

215
00:16:44.399 --> 00:16:50.159
There's a lot of flashes and distractions and a really able senior supporting cast.

216
00:16:50.220 --> 00:16:55.320
And you've got, um, Anne and Richard, and who else do we have?

217
00:16:55.379 --> 00:16:58.019
Oh, and Francine.

218
00:16:58.080 --> 00:17:01.679
And that's a cruel twist of lime, and that's all you get.

219
00:17:01.740 --> 00:17:04.859
Well, I mean, I wanted the full gin bottle, but I only got it.

220
00:17:04.920 --> 00:17:07.380
A little taste.

221
00:17:07.440 --> 00:17:11.099
It's a senior cast, most of whom have been in Doctor Who before.

222
00:17:11.160 --> 00:17:13.799
So Francine's been in Doctor Who before.

223
00:17:13.859 --> 00:17:15.299
Obviously, she was one of the cats.

224
00:17:15.359 --> 00:17:16.440
Sister Jack.

225
00:17:16.500 --> 00:17:17.400
Hasn't changed much.

226
00:17:17.460 --> 00:17:28.680
No, I actually really, I really like her, and the reason is that Jackie was such a superb effortless comic character.

227
00:17:28.740 --> 00:17:32.579
We adored her at the end of those, um, to years.

228
00:17:32.640 --> 00:17:40.619
Absolutely, you know, I've said before, that I was much more upset about Camille's departure from the shows than I was about Billy's.

229
00:17:40.680 --> 00:17:48.539
But so we get Francine and Francine instantly repels any attempt on our part to like her.

230
00:17:48.599 --> 00:17:50.279
She's brittle.

231
00:17:50.339 --> 00:17:53.279
She's super no nonsense.

232
00:17:53.339 --> 00:18:06.779
Um, you know, we immediately see her in conflict, like Martha has to kind of smooth things over so that Francine doesn't get angry at uh, at the party.

233
00:18:06.839 --> 00:18:08.400
Have you never cohabited with a cat?

234
00:18:10.440 --> 00:18:12.839
back in the recording studio.

235
00:18:14.099 --> 00:18:16.200
So I think she's wonderful.

236
00:18:16.259 --> 00:18:17.039
I can't wait.

237
00:18:17.160 --> 00:18:17.880
Powerful, isn't it?

238
00:18:17.940 --> 00:18:20.880
She's on the screen for nothing and that's what I remember.

239
00:18:20.940 --> 00:18:27.480
And she's kind of outshining people, I think I said Richard before, but Roy Marsden and Anne Reed as Florence Finnegan and Mr. Stoker.

240
00:18:27.539 --> 00:18:35.099
I said that carefully. is I just, they really are propelling this thing along every time they're on screen, you think, this is, this is fantastic.

241
00:18:35.160 --> 00:18:40.740
I just wish the poet weeds or the older Doctor Who's had had characters that were allowed to play up the comedy.

242
00:18:40.799 --> 00:18:48.119
Because I haven't really had a pair like this since Fury from the D. He is really spectacular, I think.

243
00:18:48.180 --> 00:18:56.759
And he kind of underplays like the way he plays being stranded on the moon, you know, looking out and seeing Florida and saying, I'm never going to see my daughter again.

244
00:18:56.819 --> 00:18:59.220
And it's not like he doesn't overplay that.

245
00:18:59.279 --> 00:19:00.900
It's he's very restrained.

246
00:19:00.960 --> 00:19:01.980
Very believable.

247
00:19:02.039 --> 00:19:02.880
He's wonderful.

248
00:19:02.940 --> 00:19:09.720
I'm taking the medical students through and making fun of all of their terrible answers to his questions.

249
00:19:09.779 --> 00:19:12.420
I can't believe that he hasn't been Doctor Who before.

250
00:19:12.480 --> 00:19:13.380
Has he?

251
00:19:13.440 --> 00:19:14.819
He was in a big finish earlier that year.

252
00:19:14.880 --> 00:19:15.720
Oh, okay.

253
00:19:15.779 --> 00:19:24.000
He reminded me of who's the fellow with that incredibly fruity voice in the space pirate, the one that Brendan made terrible fun of?

254
00:19:24.059 --> 00:19:28.200
He's just got such a rich kind of BBC voice.

255
00:19:28.259 --> 00:19:28.859
He's wonderful.

256
00:19:28.920 --> 00:19:41.819
And then, of course, we have Anne Reid, who was Nurse Crane in Curse of Fenrik with the accent, and who we've recently seen in years and years, and she's spectacular in that.

257
00:19:41.880 --> 00:19:43.799
Yeah, Russell's had her back.

258
00:19:43.859 --> 00:19:49.259
And I think, you know, he really wanted to get her for this role and she's just so great.

259
00:19:49.319 --> 00:19:50.940
She's so good.

260
00:19:51.000 --> 00:19:55.259
Like, she just manages a menace with the humour.

261
00:19:55.319 --> 00:19:57.599
It's just a lovely layered performance.

262
00:19:57.660 --> 00:20:00.299
Like when she talks about, what does she, who does she eat?

263
00:20:00.420 --> 00:20:05.940
She eats the child princess of...

264
00:20:06.000 --> 00:20:08.880
Just keep bursting out of my little straw.

265
00:20:08.940 --> 00:20:11.279
And then burn in hell.

266
00:20:12.059 --> 00:20:21.180
She's so funny and that's such a Russell thing, you know, no, it's not, you know, the president of the planet Zog or anything like that.

267
00:20:21.240 --> 00:20:24.359
It's a little princess that she's killed in a little dress.

268
00:20:24.420 --> 00:20:27.180
Football Magnus Brewer.

269
00:20:27.839 --> 00:20:34.259
Oh, dear, and the straw is a ludicrous Bendy straw. not a science fiction straw.

270
00:20:34.319 --> 00:20:36.539
It doesn't have any lights or anything on it.

271
00:20:36.599 --> 00:20:37.619
It's ridiculous.

272
00:20:37.680 --> 00:20:39.539
It's just wonderful.

273
00:20:40.019 --> 00:20:42.539
And she's got her slabs with her.

274
00:20:45.000 --> 00:20:47.940
It's the line from Barbarella, isn't it?

275
00:20:48.000 --> 00:20:49.079
They are leather men.

276
00:20:49.140 --> 00:20:50.880
They have no actual substance.

277
00:20:51.119 --> 00:20:53.700
So they're completely made of leather.

278
00:20:53.759 --> 00:20:54.420
Yes, yes.

279
00:20:54.480 --> 00:20:55.799
It is from rubber.

280
00:20:55.859 --> 00:20:57.000
Yeah, yeah, yeah.

281
00:20:57.059 --> 00:20:59.220
Oh, from the planet Zavyrax.

282
00:20:59.279 --> 00:21:00.660
That's brilliant.

283
00:21:00.720 --> 00:21:02.819
Yeah, he does great terrific.

284
00:21:02.880 --> 00:21:12.480
If the listener doesn't remember, they used those ads in the 90s had a some bloke with a cycle helmet on because he didn't want to show off his massive herpes.

285
00:21:13.680 --> 00:21:15.839
He's a not a boy.

286
00:21:15.900 --> 00:21:18.119
It's a very Russell joke.

287
00:21:18.180 --> 00:21:20.640
Yeah, we had them out in Australia as well.

288
00:21:21.299 --> 00:21:31.259
Back in the old days when the only pop culture references were, you know, a flying saucer with Batman at the controls, which is just utterly baffling and incomprehensible.

289
00:21:31.319 --> 00:21:34.680
That's John Pertley, I think, in his 1st season.

290
00:21:34.740 --> 00:21:42.240
So, you know, referencing a cold sore cream. is really quite a new departure.

291
00:21:42.359 --> 00:21:45.059
And they get destroyed by radiation.

292
00:21:45.119 --> 00:21:52.079
Well, yeah, they get destroyed by sort of whatever's right, anti-science science. 5000 rats, please.

293
00:21:52.140 --> 00:21:55.980
When the doctor gets to get it out of his foot or shoe or whatever it is.

294
00:21:56.039 --> 00:21:57.359
It's a terrible scene.

295
00:21:57.420 --> 00:21:58.319
I hate that scene.

296
00:21:58.380 --> 00:21:59.700
In fact, can we?

297
00:21:59.700 --> 00:22:00.779
Also, he has horrid feet.

298
00:22:00.839 --> 00:22:07.920
Oh, pleasant horsute, boony toes. really not what you want to see on.

299
00:22:07.980 --> 00:22:10.200
Have we seen the doctor there for on TV?

300
00:22:10.259 --> 00:22:12.059
Oh, we've seen Perts.

301
00:22:12.119 --> 00:22:17.279
Bert's back crack, just a little semblance. speaking of intimate parts of the doctor.

302
00:22:17.339 --> 00:22:20.400
I'm going to have to go back and have a look at David Tim.

303
00:22:20.460 --> 00:22:21.240
It was really horrid.

304
00:22:21.299 --> 00:22:22.079
Brace yourself.

305
00:22:22.140 --> 00:22:22.619
Okay.

306
00:22:22.680 --> 00:22:24.359
I hate that scene.

307
00:22:24.420 --> 00:22:29.039
That's a moment where I find tenants performance just completely embarrassing.

308
00:22:29.099 --> 00:22:31.500
And I have to say that there are.

309
00:22:31.619 --> 00:22:32.339
He's not comfortable.

310
00:22:32.400 --> 00:22:32.940
No.

311
00:22:33.000 --> 00:22:36.779
And I have to say there are a few other. scenes like that.

312
00:22:37.259 --> 00:22:46.680
You know the scene where he is, for some reason, using his sonic screwdriver on the monitor of the screen in order to get something out of a database?

313
00:22:46.740 --> 00:22:49.740
to get the patient records, which why?

314
00:22:49.799 --> 00:22:51.059
It's not a Mac?

315
00:22:51.779 --> 00:22:55.200
And he has just the worst hair.

316
00:22:55.259 --> 00:23:01.200
Like he's been running his hands through his hair and his hairs all over the place and he just looks stupid, I think, in that scene.

317
00:23:10.259 --> 00:23:13.319
Now we get the introduction of an iconic monster.

318
00:23:13.380 --> 00:23:17.640
Francine, yeah, we'll...

319
00:23:17.700 --> 00:23:23.400
And I've documented this in our podcast that I that I have not liked her at all.

320
00:23:23.460 --> 00:23:24.539
Like, I hate her.

321
00:23:24.599 --> 00:23:26.220
Who want to?

322
00:23:26.220 --> 00:23:27.660
There's so many choices.

323
00:23:27.720 --> 00:23:30.180
Oh, how can you not like fancy?

324
00:23:30.240 --> 00:23:31.380
I haven't had a cat.

325
00:23:31.500 --> 00:23:34.200
Nathan and I had a big discussion about this.

326
00:23:34.259 --> 00:23:41.700
And so at this point in time, watching just this episode, she's obviously a damaged woman.

327
00:23:41.759 --> 00:23:42.839
She had to be strong for her family.

328
00:23:42.900 --> 00:23:43.680
Yeah, right?

329
00:23:43.740 --> 00:23:49.920
Um, and so, It's a really good performance, and I want to say this, she's a tremendous actress.

330
00:23:49.980 --> 00:23:51.779
Yeah, yeah, she's really something.

331
00:23:51.839 --> 00:23:55.680
But though I may not, I don't dislike the character at this point.

332
00:23:55.740 --> 00:23:56.700
Yeah, okay.

333
00:23:56.759 --> 00:23:59.099
But I think you're meant to dislike that.

334
00:23:59.160 --> 00:24:00.960
I think Russell wants that.

335
00:24:01.019 --> 00:24:02.819
Yeah, he's doing something different.

336
00:24:02.880 --> 00:24:04.019
We loved Jackie.

337
00:24:04.079 --> 00:24:05.819
She was immediately hilarious.

338
00:24:05.880 --> 00:24:07.799
She's the funniest thing in that 1st episode.

339
00:24:07.859 --> 00:24:13.680
And so now he's just getting us by bringing in some brisk and unlikeable.

340
00:24:13.740 --> 00:24:16.799
The comedy elements are being transferred to her husband.

341
00:24:16.859 --> 00:24:22.019
Yeah. and Annalise, but of course they don't appear ever again, except at the end.

342
00:24:22.140 --> 00:24:22.619
I don't know.

343
00:24:22.680 --> 00:24:26.640
I would like to come in as a marginalia in praise of St.

344
00:24:26.640 --> 00:24:27.240
Francine.

345
00:24:27.240 --> 00:24:34.019
Because I would, no, seriously, I do think she is the woman who held the family together and has been tossed over for a younger one.

346
00:24:34.079 --> 00:24:35.460
I'm completely with her.

347
00:24:35.519 --> 00:24:37.200
No, no, no, I agree with you.

348
00:24:37.259 --> 00:24:38.339
This is what I'm getting out of here.

349
00:24:38.400 --> 00:24:44.819
She's she's had to be the rock of the family and her husband has not been a great husband.

350
00:24:44.880 --> 00:24:48.359
He's a wonderful father, but he's a terrible father. a bit of a dope too.

351
00:24:48.420 --> 00:24:51.299
Yeah, it's pretty obvious that the intelligence comes from Francine.

352
00:24:51.359 --> 00:24:52.740
It's true.

353
00:24:52.799 --> 00:24:59.640
Martha is the oldest sibling, is the one that's had to support her mother and look after young. and be the alpha in the family.

354
00:24:59.700 --> 00:25:02.160
And that's where she's this linchpin of the family.

355
00:25:02.220 --> 00:25:07.980
It's absolutely a beautifully constructed scenario that we're going to explore.

356
00:25:08.039 --> 00:25:11.220
I'm totally on board and at the time I wasn't, but I am now.

357
00:25:11.279 --> 00:25:19.079
And I think that that's what the doctor is rescuing her from at the end, you know, the doctor was rescuing Rose from sort of life in a shop.

358
00:25:19.140 --> 00:25:28.740
Whereas here I think she gets into the Tartars because her family are having just this sort of massive public fight in the street and he offers her a way of escaping it.

359
00:25:28.799 --> 00:25:32.460
See, I think I prefer her father in leathers and mind warp.

360
00:25:33.059 --> 00:25:35.400
His acting has an impact.

361
00:25:37.440 --> 00:25:38.700
He's in mind warp.

362
00:25:38.759 --> 00:25:39.599
I rubbished him now.

363
00:25:39.660 --> 00:25:40.680
Which one is he's in one of the guards?

364
00:25:40.740 --> 00:25:41.579
Yeah, yeah, yeah.

365
00:25:41.640 --> 00:25:44.160
He's the one who says the rock was proud of his upgrading.

366
00:25:44.220 --> 00:25:49.079
When I recently watched this, I really enjoyed Goo Goo's performance more than Freeman's.

367
00:25:49.140 --> 00:25:50.579
Isn't she shining in this?

368
00:25:50.640 --> 00:25:52.440
She really does, doesn't she?

369
00:25:52.500 --> 00:25:56.220
But frame has leaped ahead of her this time round.

370
00:25:56.279 --> 00:25:57.839
Her performance is much more.

371
00:25:57.900 --> 00:26:00.119
She the younger, the younger sibling.

372
00:26:00.180 --> 00:26:03.599
It's much more a rose type of character, and I see that now for what that is.

373
00:26:03.660 --> 00:26:04.799
I mean, I like her.

374
00:26:04.859 --> 00:26:07.980
But I don't know, I just want to do this with different eyes.

375
00:26:08.039 --> 00:26:09.960
It's just, Nathan, you're smiling.

376
00:26:10.019 --> 00:26:11.460
No, no, no.

377
00:26:11.460 --> 00:26:15.660
And it's because I'm just finding so much more in this from Freeman.

378
00:26:15.720 --> 00:26:16.440
I just blown away.

379
00:26:16.559 --> 00:26:21.960
It's mostly because I can't think of an example where you've rewatched something and then reevaluate.

380
00:26:22.380 --> 00:26:24.779
That actually never happened.

381
00:26:24.779 --> 00:26:25.440
Yes.

382
00:26:25.500 --> 00:26:28.740
Richard, Nathan, listeners, that never happens.

383
00:26:28.799 --> 00:26:30.539
Yes, same chicken smile.

384
00:26:34.740 --> 00:26:40.200
Let's go on to the big monsters for this episode.

385
00:26:40.259 --> 00:26:41.819
John Coleman's not in this.

386
00:26:41.880 --> 00:26:43.440
She's not.

387
00:26:43.440 --> 00:26:44.220
She's coming soon.

388
00:26:44.279 --> 00:26:46.259
Common Bill will be able to comic on.

389
00:26:46.799 --> 00:26:48.900
I'm sure he will.

390
00:26:48.960 --> 00:26:50.279
Did you do?

391
00:26:50.700 --> 00:26:53.339
A platoon.

392
00:26:53.339 --> 00:26:56.400
Yeah, he's got his assonance generator out and running, hasn't he?

393
00:26:56.460 --> 00:26:57.420
I actually like that line.

394
00:26:57.480 --> 00:26:58.980
It's so random. doesn't mean anything.

395
00:26:59.039 --> 00:27:01.680
You know why that light is in there?

396
00:27:01.740 --> 00:27:09.839
It's because the double-O-N sound is really difficult for a Scottish person to say in an English accent.

397
00:27:11.700 --> 00:27:19.859
He's been running around with David. trying to stop him saying platoon.

398
00:27:20.400 --> 00:27:22.680
Like, no, it was deliberate.

399
00:27:22.680 --> 00:27:26.880
It was deliberately done to... don't want to say that word.

400
00:27:26.940 --> 00:27:28.559
That is hilarious.

401
00:27:28.619 --> 00:27:37.500
No, you're right, because I've heard Tenant on his podcast talking about this exact thing with the double O sound with other hackators.

402
00:27:37.559 --> 00:27:45.299
Well, it works for the doctor because, you know, he's super, yeah, he's super verbal, you know, like that's, we'll see that in me.

403
00:27:45.299 --> 00:27:46.140
Gum up, doesn't he?

404
00:27:46.200 --> 00:27:46.799
Yeah, yeah, ever.

405
00:27:46.859 --> 00:27:52.200
And so having him having him just play with words and the sounds of words, I think works really well.

406
00:27:52.259 --> 00:27:53.940
It's a fun line.

407
00:27:54.059 --> 00:27:56.339
What do we think of the monsters themselves?

408
00:27:56.400 --> 00:27:57.539
Okay.

409
00:27:57.779 --> 00:27:59.460
Here I go.

410
00:27:59.579 --> 00:28:00.599
That's own Reed, isn't it?

411
00:28:02.759 --> 00:28:04.619
Absolute fine.

412
00:28:05.160 --> 00:28:09.240
I was really upset the 1st time I watched Clip.

413
00:28:09.299 --> 00:28:09.900
Oh wow.

414
00:28:09.900 --> 00:28:10.799
Oh, because you do.

415
00:28:10.859 --> 00:28:16.200
I was really upset because I felt that they were looking off there's some tyrants from the classic who.

416
00:28:16.319 --> 00:28:21.599
They did feel like that. were sort of in leathers and I thought, well, if the Satarians ever come back, what are they going to do with them?

417
00:28:21.660 --> 00:28:22.200
nowhere to go.

418
00:28:22.319 --> 00:28:22.799
Yeah.

419
00:28:22.799 --> 00:28:24.299
Of course, now I'm over that.

420
00:28:24.359 --> 00:28:25.859
They're fantastic.

421
00:28:25.920 --> 00:28:28.319
The whole design, that whole rhino head.

422
00:28:28.380 --> 00:28:29.759
I think is brilliant.

423
00:28:29.880 --> 00:28:32.460
So we only get to see one big rhino head, don't we?

424
00:28:32.519 --> 00:28:33.839
The rest of them keep their hats on.

425
00:28:33.900 --> 00:28:36.839
There's a lot of them and they look fantastic.

426
00:28:36.900 --> 00:28:39.480
They're all very sort of fetishware, aren't they?

427
00:28:39.539 --> 00:28:43.380
So I really know where Russell spent his early 90s.

428
00:28:43.440 --> 00:28:45.779
I think I prefer them with the Mohawk.

429
00:28:45.839 --> 00:28:47.400
Yeah, so they're coming.

430
00:28:47.400 --> 00:28:48.779
Can't wait. coming back.

431
00:28:48.839 --> 00:28:49.680
Yeah.

432
00:28:49.740 --> 00:28:51.599
And they came back for Sarah Jane Adventures.

433
00:28:51.660 --> 00:28:52.920
Well, they did too, didn't they?

434
00:28:52.920 --> 00:28:53.279
Yes, yes.

435
00:28:53.279 --> 00:29:02.400
A good episode where one was a, he was a sort of cop, um, and they sort of played upon the sort of police thing of the jedune.

436
00:29:02.460 --> 00:29:05.640
But I love the whole, I love their spaceships.

437
00:29:05.700 --> 00:29:06.420
They look fantastic.

438
00:29:06.480 --> 00:29:13.680
I love the fact that they scooped the hospital up onto the moon, which is just a wonderful concept.

439
00:29:13.799 --> 00:29:23.099
And then to assimilate the language to go through that whole little process of actually getting somebody to talk Earth English and put it into their translator.

440
00:29:23.160 --> 00:29:24.660
It's like nothing.

441
00:29:24.720 --> 00:29:26.220
Right, I just don't have an imagination.

442
00:29:26.279 --> 00:29:28.200
I just love the way Russell thinks about these things.

443
00:29:28.259 --> 00:29:32.940
Yeah, it's all something that we haven't seen before. interdimensional magic marker.

444
00:29:33.000 --> 00:29:34.920
Yes, I love that.

445
00:29:34.980 --> 00:29:37.380
And again, if you're going to do that.

446
00:29:37.440 --> 00:29:41.099
You know, like it's it's such a good...

447
00:29:42.779 --> 00:29:44.759
It's so good.

448
00:29:44.819 --> 00:29:48.180
It's so simple, you know, like it's not a space.

449
00:29:48.240 --> 00:29:49.980
Well, it is a space marker, isn't it?

450
00:29:50.039 --> 00:29:50.940
A space sharpie.

451
00:29:51.000 --> 00:29:54.960
But so you get across on your hand.

452
00:29:55.019 --> 00:30:06.299
I think that's what's so wonderful about Russell's writing is he takes something so simple and just goes with it and makes it a science fiction thing without having to be some some convoluted process.

453
00:30:06.359 --> 00:30:08.880
And it's the thing that solves the episode.

454
00:30:08.940 --> 00:30:20.099
Like we reveal and read for who she is. by Freema grabbing the magic marker off one of the Jadoon and pointing it at Anne Reid.

455
00:30:20.220 --> 00:30:24.779
So it's definitely there. and very well established.

456
00:30:24.839 --> 00:30:28.140
So the whole thing sort of fits together really well.

457
00:30:28.200 --> 00:30:30.240
I love their language.

458
00:30:30.299 --> 00:30:35.099
Yes, it's almost as if it's post-Slavic, isn't it?

459
00:30:35.460 --> 00:30:36.539
It's very eastern block.

460
00:30:36.599 --> 00:30:39.000
Well we really know where Russell's coming with this, don't we?

461
00:30:39.059 --> 00:30:52.019
Once again, he's metering the entire discourse of our planet, at least as far as reportage goes, and this is just a comment, around 2006, 2007, the cognitive dissonance of there was no moon landing.

462
00:30:52.079 --> 00:30:53.160
Yeah, yeah.

463
00:30:53.160 --> 00:30:54.960
And that we're now at the 50th moonlighting.

464
00:30:55.019 --> 00:30:59.279
I had 3 people, just the week of the moon landing last week, say, oh, you know it didn't happen.

465
00:30:59.339 --> 00:30:59.880
It was on TV.

466
00:30:59.940 --> 00:31:05.519
I was a chemical engineer, whose father was a senior general in Afghanistan.

467
00:31:05.579 --> 00:31:07.680
So she's, but she's a chemical engineer.

468
00:31:07.740 --> 00:31:09.359
Another one is an architect I worked with.

469
00:31:09.420 --> 00:31:15.180
Another one was a bloke in the queue in high views at the post office, but they all said to me, you know, there was no moon landing.

470
00:31:15.240 --> 00:31:17.819
I said, you know, I ended up saying, I'm so sorry.

471
00:31:17.880 --> 00:31:22.619
And then I got this kind of, you know, quizzical and confrontational.

472
00:31:22.740 --> 00:31:23.160
What do you mean?

473
00:31:23.220 --> 00:31:39.000
I said, well, I'm so sorry that, that's how you have chosen to see 450,000 people's work, including folk I've actually shaken hands with in Australia, who are at, you know, who are on Canberra, who recorded the 1st things.

474
00:31:39.059 --> 00:31:51.539
But Russell again talks about he, he, his horror of where we are with his lightness of touch and like the cognitive dissonance that we are being told not to believe what's in front of our bloody eyes.

475
00:31:51.599 --> 00:31:54.420
So at the end of the hospital, oh no, there's that great line.

476
00:31:54.480 --> 00:31:57.119
And of course, it's Annalise who gets to spiel.

477
00:31:57.180 --> 00:31:59.220
Oh, Facebook bullshit.

478
00:31:59.279 --> 00:32:00.960
Yeah, yeah, yeah, yeah.

479
00:32:01.019 --> 00:32:05.400
Yeah, but it didn't happen, you know, and Martha's being called a liar, of course.

480
00:32:05.460 --> 00:32:19.259
And he goes back to that well in years and years because of course, one of the features of the current world is, you know, people just choosing not to believe that the world is round.

481
00:32:19.259 --> 00:32:20.640
We've actually got that happening now.

482
00:32:20.700 --> 00:32:27.180
And I know it's my usual shtick of Todd, I know it's my usual stick of, oh, you're you're mattering everything and you're going too far.

483
00:32:27.240 --> 00:32:29.279
But I'm not because it's being proven.

484
00:32:29.339 --> 00:32:31.980
This is how Russell thinks in years and years is the evidence.

485
00:32:32.039 --> 00:32:33.839
He was always thinking like this.

486
00:32:33.900 --> 00:32:36.180
When I be doing the Years and Years podcast.

487
00:32:36.240 --> 00:32:37.380
I think doing it now.

488
00:32:37.440 --> 00:32:40.140
Um, I'm Tish.

489
00:32:40.200 --> 00:32:41.579
I hadn't really...

490
00:32:41.640 --> 00:32:45.420
I hadn't thought along those lines at all but I think that's absolutely right.

491
00:32:45.480 --> 00:32:56.099
And the show, because during this era of the show rightly wants to make alien invasions into a big public spectacle, but it still wants to be said in our world.

492
00:32:56.160 --> 00:33:05.640
And they made fun of that, obviously, last episode with Donna, you know, scuba diving during various alien invasions and missing out on them.

493
00:33:05.700 --> 00:33:19.259
So she gets to be someone who's sceptical about aliens because she was hung over or underwater or something when they all happened and somehow she's missed out, anyone filling her in on what happened while she was down there.

494
00:33:19.319 --> 00:33:22.319
And the show has sort of played with that a little bit.

495
00:33:22.440 --> 00:33:33.599
I mean, even when the spaceship sort of crashes into Big Ben, by the end of the episode, there are, you know, headlines in the evening standards saying that it was all a hoax.

496
00:33:33.720 --> 00:33:37.680
And so there is that kind of narrative level of it.

497
00:33:37.740 --> 00:33:49.920
But there is that thing that he wants to say, is that we are really good at justifying choosing not to believe in things that kind of we don't want to believe in.

498
00:33:50.039 --> 00:34:02.039
Martha is a Bridgepoint for the viewer and for us sitting watching it and that she is an ordinary person, very capable and higher IQ ordinary person, sure, but really just an ordinary person who's worked jolly hard.

499
00:34:02.099 --> 00:34:07.980
And with EQ and IQ and he's able to see clearly and call out the nonsense.

500
00:34:08.039 --> 00:34:13.019
And that's how it cypher enrol in this is to say, you're all bloody misleading yourselves.

501
00:34:13.199 --> 00:34:15.239
And that's the lovely thing.

502
00:34:15.300 --> 00:34:20.400
I think that's why she's fallen for the doctor because she's a, she's she's actually quite a Homeric character, isn't she?

503
00:34:20.460 --> 00:34:22.380
She's constantly in search of the truth.

504
00:34:22.440 --> 00:34:25.559
And if David's doctor is her golden fleece.

505
00:34:25.619 --> 00:34:29.940
That's why she's fallen for him because he is the final destination of truth.

506
00:34:30.000 --> 00:34:31.380
Well, they're both doctors.

507
00:34:31.440 --> 00:34:34.019
So they're both, you know, they're both going.

508
00:34:34.019 --> 00:34:34.860
That should be illegal, really.

509
00:34:34.860 --> 00:34:37.199
Yeah.

510
00:34:37.440 --> 00:34:39.539
And that's why she's so good.

511
00:34:39.599 --> 00:34:43.559
And she's been touched by all of this because her cousin...

512
00:34:44.699 --> 00:34:46.739
Stop it, man.

513
00:34:46.739 --> 00:34:47.880
Just stop he's nudging me.

514
00:34:48.599 --> 00:34:50.460
That stays in.

515
00:34:51.900 --> 00:34:53.820
Heaven help me.

516
00:34:53.880 --> 00:34:55.619
Please save me now.

517
00:34:55.739 --> 00:35:00.300
Um, like her cousin was at Canary Wharf and never returned.

518
00:35:00.360 --> 00:35:01.500
And so she's been touched by this.

519
00:35:01.559 --> 00:35:04.440
Just played by the same accent.

520
00:35:05.460 --> 00:35:07.139
Totally a thing.

521
00:35:07.199 --> 00:35:07.980
Yeah.

522
00:35:07.980 --> 00:35:08.760
Probably.

523
00:35:08.760 --> 00:35:09.539
Well, that's all right.

524
00:35:09.599 --> 00:35:17.039
We're okay with, you know, Ian Martin turning up 2 years later, or let's face it, Colin Baker turning up a year later in the title role of the show.

525
00:35:17.159 --> 00:35:22.380
Maybe her father wasn't... infidelity...

526
00:35:22.380 --> 00:35:25.800
Yeah, having a fur with Francine's sister or something.

527
00:35:25.860 --> 00:35:27.900
Oh, we didn't Twitter.

528
00:35:30.420 --> 00:35:34.199
Why didn't they explore that more during this season?

529
00:35:34.260 --> 00:35:36.300
Back to the Jadoon.

530
00:35:36.840 --> 00:35:46.500
I like the fact that the doctor describes them as like space cops or whatever, and then they go, that poor man that assaults them, he's just executed.

531
00:35:46.679 --> 00:35:47.340
Yeah, yeah.

532
00:35:47.400 --> 00:35:53.340
So that you get the sense that they are pretty harsh in their judgement.

533
00:35:53.400 --> 00:35:54.480
Give them a bit more menace.

534
00:35:54.599 --> 00:35:57.239
I thought it was for your benefit because...

535
00:35:57.300 --> 00:36:01.320
Yeah, yeah, because you get rather sort of weary if there aren't enough deaths in Doctor Who.

536
00:36:01.380 --> 00:36:05.340
And so we have 2 here.

537
00:36:05.400 --> 00:36:11.579
We have Mr. Stoker, and we have the person who hits the Jadoon with a vase.

538
00:36:11.579 --> 00:36:17.340
And it also gives us a chance to do another sort of another new effect for people being destroyed.

539
00:36:17.400 --> 00:36:23.280
Because one of the things that the design always does in this era is completely new spaceships, like you talked about before, Todd.

540
00:36:23.340 --> 00:36:34.559
Yeah, yeah, each spaceship that we've seen has looked really different and isn't just the sort of standard detergent bottle with a few things stuck on that we got in the Hingecliffe era for spaceships.

541
00:36:34.679 --> 00:36:36.239
You know the most exciting thing.

542
00:36:36.239 --> 00:36:40.199
For me, I really wish we had got a plastic washing up bottle.

543
00:36:40.320 --> 00:36:42.000
You know who the directory is, Charles Palmer.

544
00:36:42.059 --> 00:36:52.199
And you did a whole few of this season. you know, cooking in Shakespeare code. and I'll go on to why I think this is all about cognitive dissonance because the next story is about how Shakespeare wrote Shakespeare.

545
00:36:52.260 --> 00:36:53.519
This whole season's about that.

546
00:36:53.579 --> 00:36:56.159
But jumping back, Charles Palmer's dad is Jeffrey Palmer.

547
00:36:56.219 --> 00:36:56.940
Yes, yes.

548
00:36:57.000 --> 00:36:59.400
That's very owned Jeffrey Palmer.

549
00:36:59.460 --> 00:37:02.219
The only one who's married to Penelope Keith and everything.

550
00:37:03.059 --> 00:37:07.260
But he, of course, appears in what colony in space.

551
00:37:07.320 --> 00:37:08.400
So, isn't he?

552
00:37:08.400 --> 00:37:09.000
isn't he?

553
00:37:09.059 --> 00:37:10.920
Yes, he's inside your...

554
00:37:10.980 --> 00:37:16.380
Yeah, and later on he'll come back to be on the Titanic with Kylie.

555
00:37:16.440 --> 00:37:17.039
He will.

556
00:37:17.099 --> 00:37:19.559
Well, we weren't going ahead of ourselves there.

557
00:37:19.619 --> 00:37:21.300
Back to...

558
00:37:21.360 --> 00:37:22.559
Oh my god, I can't say.

559
00:37:22.619 --> 00:37:25.260
But did you say to this gorgeous shark?

560
00:37:26.699 --> 00:37:29.340
Don't do that No, I can't.

561
00:37:29.340 --> 00:37:30.300
Don't do the accent.

562
00:37:30.360 --> 00:37:33.000
Back to the space rhinos.

563
00:37:33.480 --> 00:37:37.619
I love their compensation thing with Martha as well.

564
00:37:37.679 --> 00:37:38.519
That bit of comedy.

565
00:37:38.579 --> 00:37:40.199
Yeah, yeah, yeah.

566
00:37:40.260 --> 00:37:42.960
Like it's just... tickles my fancy.

567
00:37:43.079 --> 00:37:46.860
They are really good. and they're not villains.

568
00:37:46.920 --> 00:37:51.119
Like, we've got a proper villain who, again, is a comedy villain in Anne Reid.

569
00:37:51.179 --> 00:37:53.099
So these are just sort of aliens.

570
00:37:53.219 --> 00:38:01.320
And I think that they are sort of different enough from the Santarians in the fact that, you know, their whole sort of concept is kind of different.

571
00:38:01.380 --> 00:38:06.659
And we bring this on tyrants back, perhaps not particularly successfully, in the future.

572
00:38:06.719 --> 00:38:10.019
Um, but, you know, until you get tracks.

573
00:38:10.079 --> 00:38:11.340
Yeah, yeah, yeah.

574
00:38:11.400 --> 00:38:12.840
That's when they kind of do it right.

575
00:38:12.900 --> 00:38:15.780
But they have to do it by kind of undoing this on torrance a little bit.

576
00:38:15.840 --> 00:38:18.599
I don't think we can ever use them again, for instance.

577
00:38:29.099 --> 00:38:32.579
An appreciation, audience figure of 88.

578
00:38:32.760 --> 00:38:34.980
I think I've got 8.700000 in the UK.

579
00:38:34.980 --> 00:38:35.940
It was ninth.

580
00:38:36.000 --> 00:38:37.079
Not really the expert on this.

581
00:38:37.139 --> 00:38:38.699
I'm just a fanboy.

582
00:38:38.760 --> 00:38:40.619
So it's in the back of my head somewhere.

583
00:38:40.679 --> 00:38:42.599
8.71 million.

584
00:38:42.659 --> 00:38:43.500
Oh, there you go.

585
00:38:43.559 --> 00:38:44.039
Thank you, James.

586
00:38:44.099 --> 00:38:47.099
Let's see. most popular broadcast on television that week.

587
00:38:47.159 --> 00:38:49.079
Ah, top 10 episodes.

588
00:38:49.139 --> 00:38:49.679
Yeah.

589
00:38:49.739 --> 00:38:53.159
It did better in terms of the chart than Runaway Bride.

590
00:38:53.280 --> 00:38:53.880
Right.

591
00:38:53.940 --> 00:38:54.480
Really?

592
00:38:54.539 --> 00:38:55.199
Yeah.

593
00:38:55.260 --> 00:39:00.659
Well, because Runaway brides at Christmas and has about 15 episodes of EastEnders to come in behind, probably.

594
00:39:00.719 --> 00:39:01.199
Okay, yes.

595
00:39:01.260 --> 00:39:01.679
Yeah.

596
00:39:01.739 --> 00:39:06.539
I like the fact that the Sonic screwdriver gets destroyed and then...

597
00:39:06.539 --> 00:39:09.840
Nathan did too, because he was hoping for a terrelep.

598
00:39:10.860 --> 00:39:13.079
Then I should rephrase that.

599
00:39:13.139 --> 00:39:20.159
It does cheapen the fact that it gets destroyed back in the Dark Ages of the Davis and era. like you can just replace it like that.

600
00:39:20.219 --> 00:39:28.800
But it's nice to have it not there, so they actually have to find a different way to stop things, i.e. pulling out the cord from the yeah, unplugging it.

601
00:39:28.860 --> 00:39:31.980
And...

602
00:39:31.980 --> 00:39:37.739
Which I just think it's just so clever and obvious that it's never really been...

603
00:39:37.800 --> 00:39:45.480
I actually really like how Martha's leafing through the instruction manual on the MRI thing to find out what button to press as well.

604
00:39:45.539 --> 00:39:52.739
Like, you know, it's sort of comedy and silly, but it also is character stuff about how incredibly competent she is.

605
00:39:52.800 --> 00:39:59.099
Yes, she's presented with a problem and she's got to solve it and she just deals with it, right?

606
00:39:59.159 --> 00:40:00.300
This is the thing I've got to get it done.

607
00:40:00.360 --> 00:40:03.239
I just think she's just so practical that way.

608
00:40:03.300 --> 00:40:05.219
It's also the moment too.

609
00:40:05.280 --> 00:40:23.699
And I'm not quite sure that Freeman completely sells it or whether maybe the scene is a little bit overwritten, but when they're out kind of on the smoker's balcony, you know, uh, of the hospital, sort of near the patient lounge, and the doctor and Freeman get their 1st sort of proper chance to talk.

610
00:40:23.760 --> 00:40:29.639
And the 1st thing that she says is, you know, I might die, but this is beautiful.

611
00:40:29.699 --> 00:40:30.840
I'm on the moon.

612
00:40:30.900 --> 00:40:33.539
You know, she's the one who realises they're on the moon.

613
00:40:33.599 --> 00:40:38.099
And I think that that is kind of a mission statement here.

614
00:40:38.159 --> 00:40:40.440
It's not just that she's super competent.

615
00:40:40.500 --> 00:41:02.579
It's not just that she kind of sort of sacrifices her life in a way, you know, to save the doctor to make sure that the doctor's able to sort of solve the problem and save everyone. is that she appreciates the beauty of the universe in a way that the doctor does as well.

616
00:41:02.639 --> 00:41:05.340
So she ticks all the boxes.

617
00:41:05.400 --> 00:41:07.079
She's kind of the perfect companion.

618
00:41:07.860 --> 00:41:19.800
It's a doctor also working through his loss of rose, still, from the previous episodes, and it's that journey that he's undertaking from Runaway bride through these 1st few.

619
00:41:19.860 --> 00:41:23.639
Is he horrible in this episode?

620
00:41:23.699 --> 00:41:24.719
To her?

621
00:41:24.780 --> 00:41:26.340
Well, kind of to everyone.

622
00:41:26.400 --> 00:41:33.059
There's another young woman who's presumably another medical student in the room with a Jedun.

623
00:41:33.119 --> 00:41:34.679
No, no, with Martha.

624
00:41:34.739 --> 00:41:35.460
No, you.

625
00:41:35.519 --> 00:41:37.079
Yeah, not you. leave her.

626
00:41:37.139 --> 00:41:37.800
She's crying.

627
00:41:37.860 --> 00:41:39.000
Too slow, leave her.

628
00:41:39.059 --> 00:41:41.039
Yeah, which is really horrible.

629
00:41:41.099 --> 00:41:43.380
And she actually is horrible.

630
00:41:43.440 --> 00:41:45.000
She's not incompetent.

631
00:41:45.059 --> 00:41:49.260
You know, Martha checks in with her later. to get the stuff about the oxygen.

632
00:41:49.320 --> 00:41:51.420
And she's actually, she's doctoring.

633
00:41:51.480 --> 00:41:53.099
She's helping people.

634
00:41:53.159 --> 00:41:55.920
She's just in a moment of terror and not coping.

635
00:41:55.980 --> 00:41:58.079
And the doctor just dismisses her immediately.

636
00:41:58.139 --> 00:41:59.460
That is this doctor.

637
00:41:59.579 --> 00:42:00.239
Yeah.

638
00:42:00.239 --> 00:42:03.239
And they've never all been entirely nice. have they?

639
00:42:03.300 --> 00:42:08.519
I think we all get it wrong when we turn into certain kinds of fangirls and go, oh, he's so romantic and lovely.

640
00:42:08.579 --> 00:42:09.360
No, he's not.

641
00:42:09.420 --> 00:42:15.000
He'll leave you in a crater with a horrible, horrible man radiated with Daleks just behind your back door.

642
00:42:15.059 --> 00:42:16.320
I think...

643
00:42:16.320 --> 00:42:17.340
I think...

644
00:42:17.340 --> 00:42:22.500
Suck it, boys, poised and ready to remove the last of your hope.

645
00:42:22.559 --> 00:42:25.619
But don't you think he's kind of horrible to her in?

646
00:42:25.679 --> 00:42:26.400
He never comes back.

647
00:42:26.460 --> 00:42:27.659
No, no.

648
00:42:27.719 --> 00:42:47.039
Um, he's he is kind of horrible to her, though, in the TARDIS as well, where he says, you know, you're just going on a trip and that's all and like, you know, you're not replacing her and you're kind of, um, and I don't know whether that's the lines or whether those lines are kind of written to us as the audience or what.

649
00:42:47.099 --> 00:42:56.219
Do you think he's being horribly, horribly meta Russell Clever and actually writing the doctor with some of Rose's persona because you know that's where he got the accent from?

650
00:42:56.280 --> 00:43:00.659
Oh, so maybe he's being sort of selfish and stuff.

651
00:43:00.719 --> 00:43:12.420
Well, I like to think that Capaldi is part of Capaldi's doctor is part of Amy, and that's why he's as preserved, well, he's as Amy-like as he can be.

652
00:43:12.480 --> 00:43:13.199
Yeah, yeah, yeah.

653
00:43:13.260 --> 00:43:14.579
I don't know.

654
00:43:14.639 --> 00:43:18.480
I think it's a bit of bravado or...

655
00:43:18.480 --> 00:43:21.900
He's just trying... he doesn't want...

656
00:43:21.900 --> 00:43:25.260
He obviously likes master.

657
00:43:25.320 --> 00:43:25.559
Yeah.

658
00:43:25.619 --> 00:43:37.199
And he's just gone through a loss, and he's seen that so many times, and it's him sort of dealing with that saying, well, it's only one trip, you know, I'm just, I can't want to cope with saying you're going to be here forever.

659
00:43:37.260 --> 00:43:42.000
Like, because that would be, I can't guarantee that, but he's not verbalising that.

660
00:43:42.119 --> 00:43:46.019
He does just come across as a bit obnoxious though.

661
00:43:46.079 --> 00:43:49.559
And you can see him softening even over the course of the next 2 episodes.

662
00:43:49.619 --> 00:43:51.360
He's going to be horrible to her again next week.

663
00:43:51.420 --> 00:43:53.340
He's oblivious to how horrible he is.

664
00:43:53.340 --> 00:43:55.739
And her reactions actually sell that really well.

665
00:43:55.800 --> 00:44:00.360
We all are, though, especially with those who are more in love with us than we are with them.

666
00:44:00.480 --> 00:44:03.420
I mean, this is actually Shakespeare. we end up with him next week.

667
00:44:03.480 --> 00:44:04.380
It is.

668
00:44:04.440 --> 00:44:05.219
Yeah, yeah.

669
00:44:05.280 --> 00:44:07.619
Can't see Mary Tam putting up with it, can you?

670
00:44:08.099 --> 00:44:11.760
She'd be straight at him with a locator muticore.

671
00:44:11.820 --> 00:44:13.139
That's right.

672
00:44:13.199 --> 00:44:15.119
And burn a hole in his frontage.

673
00:44:15.539 --> 00:44:17.579
That's a big hole.

674
00:44:17.639 --> 00:44:18.539
K9 did it for me.

675
00:44:18.659 --> 00:44:19.739
I've got the all in on it.

676
00:44:19.800 --> 00:44:23.699
I do like her reaction to the whole Tartars.

677
00:44:24.059 --> 00:44:26.519
I love the mouthing, yes.

678
00:44:26.579 --> 00:44:29.820
Oh, when he goes, it's bigger on the inside than the outside.

679
00:44:29.880 --> 00:44:32.460
That is massive by tenon.

680
00:44:32.519 --> 00:44:34.500
No, that's brilliant.

681
00:44:34.559 --> 00:44:36.239
And I'm so glad that she gets to say that.

682
00:44:36.300 --> 00:44:37.320
Yeah.

683
00:44:37.380 --> 00:44:38.760
It's just so perfect.

684
00:44:38.820 --> 00:44:42.599
And when he talks about being a time lord and she goes, oh, well, not pompous at all.

685
00:44:42.659 --> 00:44:45.300
Like, that's so, that's so Martha.

686
00:44:45.360 --> 00:44:46.920
I love that Martha thing.

687
00:44:46.980 --> 00:44:48.539
It's very Liz Sladden too, isn't it?

688
00:44:48.599 --> 00:44:50.519
I know you're a timelord.

689
00:44:51.300 --> 00:44:53.880
This is why I'm falling in love with her.

690
00:44:53.940 --> 00:44:56.760
She might be my MVP.

691
00:44:56.820 --> 00:44:57.960
This season.

692
00:44:58.320 --> 00:45:01.199
Yes, James, you've got those James.

693
00:45:01.619 --> 00:45:04.260
Martha's visible pantelion.

694
00:45:05.519 --> 00:45:07.739
The tattoo's visible.

695
00:45:07.800 --> 00:45:08.579
Yeah, yeah.

696
00:45:08.639 --> 00:45:14.340
I know, I think she's I think she got that with the spittle, because it's the pert wee tattoo. just keeps jumping around.

697
00:45:14.400 --> 00:45:16.019
It's a tattoo.

698
00:45:16.019 --> 00:45:17.099
It's a tattoo.

699
00:45:17.159 --> 00:45:20.039
You know the joke, though, that that's the Corsairs tattoo.

700
00:45:20.099 --> 00:45:22.019
Oh, he's tattoo.

701
00:45:22.079 --> 00:45:23.460
Go back and watch Spearhead from Space.

702
00:45:23.519 --> 00:45:24.780
There's shenanigans there, James.

703
00:45:24.840 --> 00:45:29.219
Say it 3 times and there'll be a big finish spinoff about this tattoo. written by boys.

704
00:45:31.320 --> 00:45:38.940
I like and it's a very rustly thing that she observes that the spaceship's made of wood.

705
00:45:39.000 --> 00:45:41.099
Your spaceship's made of wood.

706
00:45:41.159 --> 00:45:48.179
That is, you know, again, it's just that earthy normal thing. that Russell kind of brings to the table.

707
00:45:48.239 --> 00:45:48.900
It's very sweet.

708
00:45:49.019 --> 00:45:50.820
I think he's a bit proud of that line.

709
00:45:50.880 --> 00:45:53.519
I'm sure that it gets a mention in confidential or something.

710
00:45:53.579 --> 00:45:55.860
Except it's actually metal, isn't it?

711
00:45:55.920 --> 00:45:57.539
Because that's what Chester Field says.

712
00:45:57.599 --> 00:45:58.739
Oh does he?

713
00:45:58.800 --> 00:45:59.159
Yes.

714
00:45:59.219 --> 00:46:01.440
And of course, police boxes are concrete.

715
00:46:01.500 --> 00:46:03.179
So yes.

716
00:46:04.800 --> 00:46:07.500
We know these things, don't we?

717
00:46:07.559 --> 00:46:08.340
So you don't have to.

718
00:46:09.360 --> 00:46:13.260
Look, I just have to say that I thoroughly enjoyed this.

719
00:46:13.320 --> 00:46:14.760
I mean, I'm giving this a solid eight.

720
00:46:14.820 --> 00:46:17.099
I think creamer is an absolute revelation and delight.

721
00:46:17.159 --> 00:46:23.159
The family I'm liking the performances and it's a really confident star to...

722
00:46:23.219 --> 00:46:25.559
I'm open to seeing how we are.

723
00:46:49.619 --> 00:46:52.619
Well, they're listening, that's all we have time for this week.

724
00:46:52.679 --> 00:47:00.960
We'll be back next week for our annual celebrity historical cage match between Gareth Roberts and William Shakespeare in the Shakespeare code.

725
00:47:01.019 --> 00:47:07.320
In the meantime, you can find us wherever you get your podcasts and you can keep up with us at flightsthroughentirety.com.

726
00:47:07.380 --> 00:47:11.039
Flight through entirety on Facebook and at FTE podcast on Twitter.

727
00:47:11.099 --> 00:47:25.500
You can also find our series 11 flashcast, Jody Intetera, at Jodyintetera.com, and at Jody Intetera on Twitter, and our James Bond commentary podcast, Bondfinger at bondfinger.com, at bondfinger on Facebook, and at bondfingercast on Twitter.

728
00:47:25.559 --> 00:47:30.239
Until next time, please remember to be kind to your new stepmother, Annalise.

729
00:47:30.300 --> 00:47:33.179
She's really very lovely when you get to know her.

730
00:47:33.239 --> 00:47:35.039
Thank you very much for listening and good night.

731
00:47:35.099 --> 00:47:35.820
Good night.

732
00:47:35.880 --> 00:47:37.440
I was seduced.

733
00:47:37.559 --> 00:47:39.059
Again.

734
00:47:40.440 --> 00:47:42.239
Good night, everyone.

735
00:47:42.360 --> 00:47:42.900
See you soon.

736
00:47:45.960 --> 00:47:51.300
That was Flight for Entirety, starring Todd Beeleby, Nathan Bottomley, James Hellwood, and Richard Stone.

737
00:47:51.360 --> 00:47:55.260
Theme arrangement by Cameron Lamb, String's performance by Jane Orberg.

738
00:47:55.320 --> 00:48:02.219
This episode, the Tara King Confidence, was recorded on the 28th of July 2019 and released on the 15th of September.

739
00:48:05.460 --> 00:48:16.199
Like many of you, we have a love of Doctor Who that owes an enormous amount to the work of Terence Diggs, and so we would like to dedicate this silly episode to his memory.

740
00:48:19.260 --> 00:48:20.880
The blue suit.

741
00:48:20.940 --> 00:48:22.500
Love the blue suit.

742
00:48:22.559 --> 00:48:24.719
I know did the blue suit. in my notes.

743
00:48:24.780 --> 00:48:25.559
I said the blue suit.

744
00:48:25.679 --> 00:48:37.260
Yeah, I got sort of halfway through the episode before I realised that we'd never seen it before, and it is really good, and it's used as so often to kind of indicate the doctor a 2 time period.

745
00:48:37.320 --> 00:48:40.440
So, um, when he stops Martha in the street.

746
00:48:40.500 --> 00:48:43.980
He's wearing his brown suit. that he takes his tie off.

747
00:48:44.039 --> 00:48:46.500
Oh my goodness.

748
00:48:46.559 --> 00:48:48.119
That's the joke.

749
00:48:48.179 --> 00:48:50.099
The fact that he changed the colour of the suit.

750
00:48:50.159 --> 00:48:51.239
Well, yeah, yeah, yeah.

751
00:48:51.300 --> 00:48:58.800
So he was in the blue suit and then so I actually really like that that you're only allowed to cross your own timeline for the sake of cheap tricks.

752
00:48:58.860 --> 00:49:01.079
And I never got the joke.

753
00:49:01.199 --> 00:49:01.860
Yeah, yeah, yeah.

754
00:49:01.920 --> 00:49:03.420
Like, I go, he's just gone into the TARDIS.

755
00:49:03.480 --> 00:49:04.320
He's taken off his tie.

756
00:49:04.380 --> 00:49:04.739
That's it.

757
00:49:04.800 --> 00:49:06.780
The tires are faint.

758
00:49:06.840 --> 00:49:19.079
Yeah, is deliberately there to make you think, oh, he's just taking this tie off, but do you realise in that split 2nd is changed his suit and gone back in time and taken his tie off in front of her and then come back?

759
00:49:19.139 --> 00:49:19.980
Yeah.

760
00:49:19.980 --> 00:49:24.059
Thank you, FTE, for explaining that to me because I've never got that before.

761
00:49:24.119 --> 00:49:28.800
I don't think I consciously realised until I was watching it like last night.

762
00:49:28.860 --> 00:49:30.179
Preparation.

763
00:49:30.239 --> 00:49:32.579
I'm an idiot Just wait one second.

764
00:49:32.639 --> 00:49:33.960
I don't think that's true.

765
00:49:34.019 --> 00:49:36.539
I think he's wearing the brown suit in that final scene.

766
00:49:36.659 --> 00:49:38.460
He is wearing the brown superfinals.

767
00:49:38.519 --> 00:49:39.239
So he doesn't change.

768
00:49:39.300 --> 00:49:40.800
He doesn't change suit.

769
00:49:40.860 --> 00:49:41.099
Yeah.

770
00:49:41.159 --> 00:49:43.139
Get it up on Plex.

771
00:49:43.199 --> 00:49:46.019
Well, he does in the final scene, but he's wearing the blue all the way through.

772
00:49:46.079 --> 00:49:47.280
So check that's different.

773
00:49:47.280 --> 00:49:48.300
And if that's right.

774
00:49:48.300 --> 00:49:54.239
No, I think that's fine because it is a different colour from the same from the body's wearing for the rest of the episode.

775
00:49:54.300 --> 00:49:55.559
Yeah, that's right.

776
00:49:55.619 --> 00:49:56.219
Hang on.

777
00:49:56.579 --> 00:50:01.440
If he still, if he's wearing the brown suit, goes into the TARDIS and just says the tie, right?

778
00:50:01.500 --> 00:50:02.699
And he's got a brown suit earlier.

779
00:50:02.760 --> 00:50:08.340
If it's all brown, like to say we were wrong in our conversation we just had, then what's the joke?

780
00:50:08.400 --> 00:50:11.579
Well, the joke is that he went back in time and took off his time.

781
00:50:11.639 --> 00:50:13.619
Yeah, which is pretty crack.

782
00:50:13.679 --> 00:50:17.940
I can see 16 pages, threads of text on gallery base about this.

783
00:50:18.059 --> 00:50:21.420
I only need to say it 3 times.

784
00:50:21.480 --> 00:50:26.820
When is my Anne Reid and Roy Marsden spinoff series coming, Nicholas Briggs?

785
00:50:26.880 --> 00:50:27.900
Are there dollies?

786
00:50:27.960 --> 00:50:29.099
There ought to be.

787
00:50:29.699 --> 00:50:31.679
There ought to be.