WEBVTT

NOTE
This transcript was created on 2026-05-04 at 12:54:59

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Hello, Delissa and welcome back to Flight for Entirety, the only

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Doctor Who podcast that's armed with Dalek guns and ready to fall

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over and die whenever that's required by the plot.

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I'm Nathan.

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James.

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I'm Peter.

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I am a human darling. for this episode.

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Hi, and a little bit camped.

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Just a little.

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Uncle Arthur.

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It's Peter Laurie and a negligee.

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Well, we've been standing here for an entire week admiring the

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terrifying animatronic penises adorning Dalek sex face and

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wondering what on earth is going to happen next.

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Let's see if Dalek Set can accomplish something not even Eric

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Seywood could manage, evolution of the Daleks.

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So we didn't really get much of a chance to talk about this last

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week, but that mask is shockingly bad.

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It's terrible.

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Is it?

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Well I kind of think so.

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I think it's Gay Hilaire.

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I think the problem with it is that the actor can't breathe

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through his nose.

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And so every line of dialogue sounds like it's being delivered by

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someone who has got their fingers up their nose.

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So he sounds like this and it's very difficult to take anything

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that he says seriously.

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And how would you feel if you've been shoved into a brass bolted

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front tense caro loader and squished about, at least it dry

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cleaned your suit. lovely though, didn't it?

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In fact, there's a bit of mucus on this.

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It looks like that one of those Dalek anyway.

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Dalek emoleans. product.

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I think he's also sabotaged slightly by the accent.

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Yeah, the accent doesn't help.

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And the animatronics...

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Yeah, Willies.

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Yeah, I mean, what we're skirting around is it's basically dalek

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bum with dalek penises attached.

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Yeah, yeah.

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Yeah.

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And, you know, there's a lot of tradition.

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We have talked about this on the podcast before, but there is a

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long tradition of Doctor Who monsters that in some way resemble

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human genitalia, and it's an honourable tradition, which includes

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the verboids and erato and obviously the draconians.

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Maybe I just need to see my doctor.

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Everything was thrown at Captain Jack.

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That's right And so, you know, I don't think we can complain about

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that, but I do think he's got a really crucial role to sell here

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because we move from the Daleks as a metaphor for capitalism, I

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think, into that sort of Whitakarian idea about Daleks and humans

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the Dalek factor and the human factor.

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And we saw that play out incredibly well in evil of the Daleks.

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It's perhaps the best thing about Evil of the Daleks.

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And here we've got to buy the idea that, you know, SEC has chosen

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to merge with humanity because humanity is sort of violent and

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warlike and survives at all cost and thrives and all of that.

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But he ends up adopting all of these sort of negative human

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emotions like empathy and compassion and stuff.

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Yeah, but he's got a big rubber thing on his head.

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But what is it he actually wants to do?

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I mean, he wants to progress the Dalek's evolution.

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Okay.

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But by adding the human factor, that's going to make him more

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empathetic and open to change.

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Evil and Dalek's got it.

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Why does he then need the doctor to help them?

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Why does it mean that he's no longer a Dalek?

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Yeah.

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There's that incredible speech by Hugh Korschi's character by

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Solomon from Hooverville, where he, I think it's an extraordinary

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speech, and I think he delivers it really, really well.

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And he kind of says if you have compassion kind of spare us and

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they kill immediately, but the way that sex stops the doctor from

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being killed is meant to indicate that he's got compassion.

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But it's more than that because he actually reacts to Solomon's

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death with shock.

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That actually he plays quite well.

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He does.

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And that's one of the bits of the episode, I think, works very

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well because also Dalek, whoever it is, by his side looks at him

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when he does that and is going, oh, oh, that's the moment when

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they go, we have to get rid of this bloke.

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I mean, you can see it coming.

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It is all sort of rather obvious and it's telegraphed.

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The doctor gives that speech about music and what music's for.

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And that scene ends with Dalek Sec picking up the broken radio and

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just looking at it.

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And so it's telegraphed, deliberately telegraphed.

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We know where this is going.

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Yeah, and even though, you know, Solomon's speech is all right.

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I don't know if it actually fulfils anything in the plot.

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I mean, yes, I see what they're trying to do, but we know he's

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just going to get exterminated straight away.

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So what's the point of the speech?

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I guess it is to kind of exhibit the human factor to show what

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humanity is like.

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And we've had humanity characterised as, you know, the face of

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capitalism, that humanity is all about, exploiting the weak in

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order to make profit.

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And that's not how Hooverville works.

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So would it have not been nice for a Dalek sect to have stepped in

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and saved Solomon because of the speech that he'd given?

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Yeah.

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I actually think that scene where, and David Tenner does it twice

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in this episode where he stands up, spreads his arms and

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encourages the Daleks to kill him.

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And, you know, the 2nd one I was kind of slightly disappointed

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that they didn't.

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I mean, but that 1st scene, why is he even doing that?

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He doesn't seem to be drawing them out.

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In the 2nd one.

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He's confident that because, and we'll talk more about the science

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of this perhaps later, that because the human daleks.

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No, the Dalek humans have been infected by Timelord DNA.

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He's confident that they won't kill him So when he stands on top

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of the chairs and says, kill me, he's just giving them the

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opportunity to do what he already knows they're going to do.

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He also has 2 Daleks facing him who might not have the same

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points.

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I know.

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Why don't they just shoot him?

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You know, it is that.

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It is that thing.

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And it is a little bit silly.

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I don't know why he wants to kill himself in that in that 1st

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speech in Hooverville.

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It's to give the doctor big moments, and the doctor is only ever

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as good as the Rice of Ricing them.

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And so, you know, if Russell or Stephen is giving the doctor a big

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speech like that.

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They give him something interesting to say.

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Whereas I don't think, and again, I'm not getting at Helen Rainer

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here because, you know, it's her 1st outing on the show.

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It's just to give the doctor something to grandstand on, but it's

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not particularly well done.

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And so all you get is tenant grandstanding, which is something

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that we are a little bit sick of, perhaps, by this point.

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Exactly.

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Well, that's all we have time.

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Yes, I think maybe the criticisms of this story all fall onto this

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2nd episode because we had so much hope and joy and wit in the 1st

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one whereas this one is about, ooh, there's a lot of wool.

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What shall we knit?

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And there's no begonia pope at hand, is there?

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So what do we make?

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It's trying to make logic out of something that should be silly

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and fun in camp.

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I think the problem is trying to search for a plot.

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Don't need one.

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It's Doctor Who.

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No.

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I mean, I think that the idea that the Daleks get infected with

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humanity and that doesn't work and then seeing the Daleks roundly

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reject that.

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I think that that's something interesting.

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And for a second, I think, because it's so early on, we actually

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don't know that Dalek sex is going to fail, or do we?

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We do.

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Um, I think we know from the fact that the other dialects are

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going to turn on him that he's going to fail because he succeeds

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the other dialects will fail.

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Yeah, yeah.

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And it does mean that we won't have Daleks to play with anymore

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but I guess we don't know at this point that the Daleks are just

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going to be sort of regular monsters who turn up every so often.

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But also the script muddies the idea because it is about the human

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factor and the dialect factor, but then it sort of introduced the

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weird McGuffin where the doctor gets electrocuted by the lightning

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bolt and somehow his DNA gets passed by a lightning bolt into the

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human dalek DNA and that's why they rebel, right?

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That's good for their humans. lightning bolt, if it's coming from

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the sun.

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Oh, but none of that matters. absolutely none of that matters.

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It's more the fact that they introduced the doctor's DNA as being

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part of it, whereas they should have just played with the concepts

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that they had, which is human factor and dalek factor.

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Yeah.

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You say that muddies the waters a bit.

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It would have been cleaner to have some kind of sort of parallel

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between what's happening to Dalek Sec and what happens to the

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human Daleks.

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Or make it the triumph of the human spirit, evil of the Daleks.

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Yeah, 3 dogs.

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Yeah, I would prefer to have seen the triumph of the Dalek

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spirit.

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But all of that magic, and it is absolutely openly magic, where

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it's about humans and daleks and time lords having a particular

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essence, which is conveyed through various means, you know, various

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McGuffins, like gamma radiation or whatever.

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That's not what DNA is and we all know that.

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And that, in a sense, doesn't matter because it is just the human

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factor and the dalek factor, they're kind of alchemical essences

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that those races possess.

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And that's how Whittaker did it in evil of the Daleks.

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And so in evolution of the Daleks.

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We get the same thing.

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And it absolutely doesn't worry me at all, that DNA doesn't work

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like that.

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I just don't care.

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That's just a little bit silly.

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It's more the fact of, you know, let's do something with that

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idea.

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Let's do something with the fact that SEC is becoming more human

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and the human dialects are obviously have dialect DNA in them.

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So you know, let's see that work.

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Let's see the 2 chafing against each other.

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This really is not a two parter, it's a two thirds plus a third

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and that's being generous.

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Yeah, it does seem to run out of steam, like 15 minutes early.

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Much like this podcast.

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The point is, you're coming back to everything you were all saying

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is that it's how likeable are these characters?

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For me, Miranda Raisin, if there were a pyramid structure, is the

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most likeable, and Lazlo being reflected in her glory, is also

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there.

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Mr. Diagalev, whatever.

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Oh, where does he get that name from?

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I don't know.

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He's either Diagoras, the poet, or Diagoras, the sportsman.

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No, so he's a philosopher.

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Rhodes, and one of them came from Milos.

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Elos?

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Yeah.

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Diagras is an Olympic winner or a wrestler or something like

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that.

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Kinder writes an ode about him.

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Whereas Milos is a Dalek penal colony and a terrination story in

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19 blah.

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That's right.

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So the other Diagoras gets thrown out of Athens for being an

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atheist and lives in Corinth, I think, in exile.

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But it's hard to know what the point of...

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Well, actually, I can see a little bit of both.

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I mean, if they're also making the point that Mr. Diagros is now

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Dalek Sec and Dalek Sec is now an atheist, so that Sec does not

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believe anymore in the religion of the Dalek, which the emperor

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was imposing, then I can kind of see a little bit of that.

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That's a bit beautiful Yeah.

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I mean, it's not really a point which is made, but it's a point

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which is there. what we're here for.

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If he's talking about Digress, the sportsman, I think he was a

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boxer and then like achieved great things at the Olympic Games, but

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then saw his children achieve more and become more successful and

247
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apparently died the happiest man that you can die because you've

248
00:12:38.100 --> 00:12:40.080
achieved great things and then your children have achieved great

249
00:12:40.080 --> 00:12:40.440
things.

250
00:12:40.500 --> 00:12:43.740
Then there's also something in that in that Dalek Sec wanted to

251
00:12:43.740 --> 00:12:48.059
see the children of the Daleks go on and achieve more and could

252
00:12:48.059 --> 00:12:48.659
then die happy.

253
00:12:48.720 --> 00:12:51.960
But again, it's a point, which is sort of there, but not made.

254
00:12:52.620 --> 00:12:57.480
It does start to get sort of one McGuffin too many, I think.

255
00:12:57.539 --> 00:13:03.299
And that scene, I mean, I do kind of like there's, there's

256
00:13:03.299 --> 00:13:06.059
references to Frankenstein aren't there.

257
00:13:06.120 --> 00:13:08.940
I mean, there are these empty shells that are going to be

258
00:13:08.940 --> 00:13:11.159
reanimated by electrical power.

259
00:13:11.220 --> 00:13:13.440
I think they're taking their piss out of Paul McGann.

260
00:13:15.659 --> 00:13:22.019
I mean, yes, Frankenstein and also Island of Lost Souls, which is

261
00:13:22.019 --> 00:13:26.279
like a 30s adaptation of the island of Dr. Moreau.

262
00:13:26.340 --> 00:13:26.940
Right, okay.

263
00:13:27.240 --> 00:13:29.820
And also Phantom of the Opera.

264
00:13:29.879 --> 00:13:30.840
Oh, okay.

265
00:13:30.899 --> 00:13:32.399
As always, as usual.

266
00:13:32.460 --> 00:13:33.240
As always.

267
00:13:33.299 --> 00:13:38.279
But then I also feel that the design may have fumbled here a

268
00:13:38.279 --> 00:13:40.259
little bit because you've got all that beautiful stuff with the

269
00:13:40.259 --> 00:13:43.559
Empire State Building in the dialects being Deco, and it all seems

270
00:13:43.559 --> 00:13:43.980
to fit.

271
00:13:44.039 --> 00:13:46.799
But then you go down into the Daleks laboratory, and I think

272
00:13:46.799 --> 00:13:51.179
that's meant to be a sort of universal horror movie Frankenstein

273
00:13:49.860 --> 00:13:52.980
ish style, and it's not really.

274
00:13:53.039 --> 00:13:55.980
It's a bit of the millennium stadium or wherever with some things

275
00:13:55.980 --> 00:13:56.820
attached to it.

276
00:13:56.879 --> 00:14:00.720
They should have gone the full Morbius on it and added in some

277
00:14:00.720 --> 00:14:03.840
deco and it would have looked wonderful and made the point for

278
00:14:03.840 --> 00:14:04.139
them.

279
00:14:04.200 --> 00:14:05.159
Yeah.

280
00:14:05.220 --> 00:14:06.960
I think it was a disused power station.

281
00:14:07.080 --> 00:14:07.799
Okay.

282
00:14:07.860 --> 00:14:11.639
So yeah, it feels like they've kind of fumbled that in the design

283
00:14:11.700 --> 00:14:13.200
and haven't made the point.

284
00:14:13.259 --> 00:14:16.379
There was never a disused power station that Ed Thomas didn't

285
00:14:16.379 --> 00:14:18.059
like.

286
00:14:18.779 --> 00:14:21.360
Or a backstreet in Cardiff.

287
00:14:21.659 --> 00:14:23.820
Let's not go there.

288
00:14:24.360 --> 00:14:28.440
But yeah, I mean, that would have made the point better, I think

289
00:14:28.440 --> 00:14:30.480
and it would have added some visual interest to the story because

290
00:14:30.480 --> 00:14:32.519
it loses visual interest in the 2nd half.

291
00:14:32.580 --> 00:14:36.240
It all starts to be set in that kind of underground silo, which is

292
00:14:36.240 --> 00:14:37.320
just not that interesting to look at.

293
00:14:37.379 --> 00:14:38.580
It's all just a bit earnest.

294
00:14:38.639 --> 00:14:42.120
It's all just a bit season 11. 2nd episode.

295
00:14:42.299 --> 00:14:44.820
Yeah, maybe, maybe.

296
00:14:44.879 --> 00:14:48.299
I do have a massive soft spot for the scene which we alluded to

297
00:14:48.299 --> 00:14:51.240
last week, but didn't really discuss, which is the scene between

298
00:14:51.240 --> 00:14:56.279
Tallula and Martha upstairs when she's going through the various

299
00:14:56.279 --> 00:15:00.539
versions of the architect's plans to work out what's been done to

300
00:15:00.539 --> 00:15:01.620
the big antenna on top.

301
00:15:01.679 --> 00:15:03.600
Was that when Martha's about to make brunch?

302
00:15:05.820 --> 00:15:08.100
Oh, dead there.

303
00:15:08.220 --> 00:15:10.440
That is kind of terrible, but we will get there.

304
00:15:10.500 --> 00:15:16.019
But there is a really nice scene and we have objected to Martha

305
00:15:16.019 --> 00:15:17.820
and the doctor's relationship.

306
00:15:17.879 --> 00:15:22.919
But having her talk about her relationship with the doctor and

307
00:15:22.919 --> 00:15:28.019
then having to Lula, talk about Lazlo, who at this point has been

308
00:15:28.019 --> 00:15:30.779
abandoned sort of down in the cellar.

309
00:15:30.840 --> 00:15:33.000
They don't know whether he's alive or dead.

310
00:15:33.000 --> 00:15:34.200
And I think that's really nice.

311
00:15:34.200 --> 00:15:36.059
And I think she does a tremendous job.

312
00:15:36.179 --> 00:15:37.379
Miranda Raisin?

313
00:15:37.440 --> 00:15:38.700
She's just terrific.

314
00:15:38.700 --> 00:15:39.360
Really like her.

315
00:15:39.419 --> 00:15:42.899
They're both good characters, and you enjoy watching both of

316
00:15:42.899 --> 00:15:43.139
them.

317
00:15:43.200 --> 00:15:46.080
I just wish that Martha propelled the plot a little bit more.

318
00:15:46.139 --> 00:15:49.559
Yeah, so they send her upstairs to do that, don't they?

319
00:15:49.620 --> 00:15:54.960
Also, I think there's a there's a missed beat there where she's a

320
00:15:54.960 --> 00:15:59.759
doctrine training and she's just murdered a whole heap of people

321
00:15:59.759 --> 00:16:02.519
and it's just like, oh, I killed them.

322
00:16:02.580 --> 00:16:05.100
I mean she does get to react to that, doesn't she?

323
00:16:05.159 --> 00:16:07.860
But it's kind of against a Hippocratic goes.

324
00:16:07.919 --> 00:16:11.100
The story helps itself to science fiction reasons not to care

325
00:16:11.100 --> 00:16:12.299
about the deaths of people.

326
00:16:12.419 --> 00:16:14.399
So the pig slaves.

327
00:16:14.460 --> 00:16:18.240
You know, they were all going to die anyway for science fiction

328
00:16:18.240 --> 00:16:20.279
reasons and they were no longer people.

329
00:16:20.340 --> 00:16:21.840
Their minds had been taken away.

330
00:16:21.899 --> 00:16:25.980
So we don't have any moral obligation not to kill them.

331
00:16:26.039 --> 00:16:27.840
They're not part of our moral community.

332
00:16:27.899 --> 00:16:30.960
And the same with the human daleks or dalek humans.

333
00:16:31.019 --> 00:16:32.100
They've been emptied out.

334
00:16:32.159 --> 00:16:33.960
There's nothing left of what they once were.

335
00:16:34.019 --> 00:16:36.240
And there's a whole heap of dialogue to establish that.

336
00:16:36.299 --> 00:16:40.559
And that is, I think, so that we don't care when they're all

337
00:16:40.559 --> 00:16:44.519
killed. when 1000s of people are just, yeah, wiped out.

338
00:16:44.580 --> 00:16:49.019
Caring about dead people is a very recent thing in Doctor Who.

339
00:16:49.080 --> 00:16:49.740
Yeah.

340
00:16:49.740 --> 00:16:52.980
We didn't really used to give much of a toss, did we?

341
00:16:53.039 --> 00:16:57.120
Well, the thing that I remember is how upset.

342
00:16:57.179 --> 00:17:01.080
I was about the bus exploding in Delta and the Bannerman.

343
00:17:01.080 --> 00:17:04.019
Because all those lovely, wonderful, silly people all get killed.

344
00:17:04.079 --> 00:17:06.240
And it does have a plot purpose.

345
00:17:06.299 --> 00:17:07.859
One of my favourite moments in the story.

346
00:17:08.640 --> 00:17:10.380
I love that story.

347
00:17:10.440 --> 00:17:11.339
Yeah, yeah, yeah.

348
00:17:11.400 --> 00:17:12.599
So why do you say that, though?

349
00:17:12.660 --> 00:17:14.400
Because it's such a jolt.

350
00:17:14.460 --> 00:17:17.460
Such a lovely, jolly story, and Mel was there going, goodbye

351
00:17:17.460 --> 00:17:17.940
goodbye.

352
00:17:18.000 --> 00:17:19.859
And then they kill them all and you think, oh, God.

353
00:17:19.920 --> 00:17:22.259
And because the Bannermen are sort of rather silly.

354
00:17:22.259 --> 00:17:23.819
And so that makes them a proper threat.

355
00:17:23.880 --> 00:17:27.119
And I think they are reluctant.

356
00:17:27.180 --> 00:17:29.400
It's what Stephen Moffatt says about the master.

357
00:17:29.460 --> 00:17:32.279
He wants the master to kill people from time to time just to

358
00:17:32.279 --> 00:17:37.019
remind us that the master is a bad person, that they're a

359
00:17:37.019 --> 00:17:37.500
villain.

360
00:17:37.559 --> 00:17:43.200
And here the Daleks have to kind of kill people, and it's the only

361
00:17:43.200 --> 00:17:44.519
real chance that they get.

362
00:17:44.579 --> 00:17:48.900
But like, I think Martha killing all the pig slaves is not a good

363
00:17:48.900 --> 00:17:49.259
choice.

364
00:17:49.859 --> 00:17:54.119
Also, I think all of the human daleks dying at the end is not a

365
00:17:54.119 --> 00:17:54.539
good choice.

366
00:17:54.599 --> 00:17:57.839
It's sort of the Seywardian way out of like where we'll just kill

367
00:17:57.839 --> 00:17:58.200
them off.

368
00:17:58.259 --> 00:18:00.839
But it would have been much more interesting to have, again, you

369
00:18:00.839 --> 00:18:04.920
know, it's my problem with this story is that it's a mile wide and

370
00:18:04.920 --> 00:18:05.640
an inch deep.

371
00:18:05.700 --> 00:18:08.700
There's nothing that's really kind of investigated or interrogated

372
00:18:08.700 --> 00:18:09.240
in the story.

373
00:18:09.299 --> 00:18:12.660
I want to know what's then going to happen to these people who

374
00:18:12.660 --> 00:18:15.059
have some of the dialect factor in them, but are still human.

375
00:18:15.119 --> 00:18:17.940
Let's see them go off into Hooverville with Laszlo.

376
00:18:18.000 --> 00:18:19.559
Let's see an aftermath for them.

377
00:18:19.619 --> 00:18:22.680
I think that that is exactly right.

378
00:18:22.740 --> 00:18:25.619
And it reminded me of the way that New Earth was originally going

379
00:18:25.619 --> 00:18:30.119
to end with all of those freed people being killed just to kind of

380
00:18:30.119 --> 00:18:32.339
get them out of the way so we didn't have to deal with them in the

381
00:18:32.339 --> 00:18:32.759
plot.

382
00:18:32.880 --> 00:18:36.599
And it is very much like we don't want to talk about what happens

383
00:18:36.599 --> 00:18:38.640
to them, so we'll just have them all killed.

384
00:18:38.700 --> 00:18:41.519
And it does make the Daleks more evil, but I do think it's a

385
00:18:41.519 --> 00:18:42.119
missed opportunity.

386
00:18:42.180 --> 00:18:45.299
You could have killed some of them to have made a point, but I

387
00:18:45.299 --> 00:18:47.819
mean, just off the top of my head, and I know it's fool's errand

388
00:18:47.819 --> 00:18:49.980
sort of saying, well, you know, maybe this story could have done

389
00:18:49.980 --> 00:18:52.380
this, so my version's better than the original version.

390
00:18:52.440 --> 00:18:54.839
But just to take one example.

391
00:18:54.900 --> 00:18:58.619
How about Dalek Sec has been killed, then Dalek Khan, the only

392
00:18:58.619 --> 00:19:02.940
remaining Dalek, realises that to keep the race going.

393
00:19:03.000 --> 00:19:05.339
He's going to have to take some of these human daleks under his

394
00:19:05.339 --> 00:19:08.880
wing and turn them into proper daleks, teach them to be daleks, and

395
00:19:08.880 --> 00:19:10.259
they all time jump off together.

396
00:19:10.319 --> 00:19:13.079
I mean, that's just one idea of, you know, let's do something

397
00:19:13.079 --> 00:19:14.400
interesting with this concept.

398
00:19:14.460 --> 00:19:16.559
Let's lay the groundwork for something in the future.

399
00:19:16.680 --> 00:19:18.960
Because it is thrown away in one scene.

400
00:19:19.019 --> 00:19:22.980
I would have loved John Wyndham alternate universe, dialect

401
00:19:22.980 --> 00:19:23.640
child.

402
00:19:23.759 --> 00:19:26.460
I mean, we've actually seen all of that before as well, haven't

403
00:19:26.460 --> 00:19:26.700
we?

404
00:19:26.759 --> 00:19:29.700
It's really just called totally Doctor Who, isn't it?

405
00:19:29.759 --> 00:19:31.559
The audience for that.

406
00:19:31.619 --> 00:19:35.640
But it's what Moffatt does, the way that Moffatt changes our earth

407
00:19:35.640 --> 00:19:38.279
so that it's full of zygons.

408
00:19:38.339 --> 00:19:42.180
You know, and that's absolutely audacious and super interesting.

409
00:19:42.180 --> 00:19:45.000
And it would have been more interesting if they'd referred to it

410
00:19:45.000 --> 00:19:47.519
occasionally more often, and they do refer to it again, though

411
00:19:47.519 --> 00:19:48.059
don't they?

412
00:19:48.119 --> 00:19:49.920
beyond the Zygon.

413
00:19:49.980 --> 00:19:51.660
Yeah, yeah, yeah.

414
00:19:51.720 --> 00:19:55.319
But that idea that there are zygons among us and it would be

415
00:19:55.319 --> 00:19:59.339
interesting because he's already equated human beings with

416
00:19:59.339 --> 00:20:00.059
daleks.

417
00:20:00.119 --> 00:20:03.420
When human beings are warmongers and acquisitive and all of those

418
00:20:03.420 --> 00:20:04.019
things.

419
00:20:04.079 --> 00:20:07.740
They're characteristics that Sek initially admires.

420
00:20:07.859 --> 00:20:12.299
So to have Daleks among us might have been a little bit more

421
00:20:12.299 --> 00:20:13.500
interesting, I think.

422
00:20:13.559 --> 00:20:18.299
Or to have human dialects go off with Dalek Khan and be the new

423
00:20:18.299 --> 00:20:19.019
Dalek race.

424
00:20:19.079 --> 00:20:19.859
What does this lead to?

425
00:20:19.920 --> 00:20:21.480
I mean, I know that's not the way it pans out.

426
00:20:21.539 --> 00:20:24.900
But you know, the point is that any number of ideas are more

427
00:20:24.900 --> 00:20:26.160
interesting than just having them all killed.

428
00:20:26.220 --> 00:20:27.180
Yeah, yeah.

429
00:20:27.240 --> 00:20:31.140
As for the pig slaves, you know, we're supposed to not care about

430
00:20:31.140 --> 00:20:31.440
them.

431
00:20:31.500 --> 00:20:32.460
Bit hammy.

432
00:20:32.519 --> 00:20:34.019
But, oh, God, sorry.

433
00:20:34.619 --> 00:20:35.640
There is a wonderful scene.

434
00:20:35.700 --> 00:20:37.079
Gives me the trance.

435
00:20:37.680 --> 00:20:41.339
You know, when they're going up in the lift. and one of them is

436
00:20:41.339 --> 00:20:45.599
looking at the, above the lift and they're kind of just sort of

437
00:20:45.599 --> 00:20:48.539
waiting there for the lift to open, all standing face.

438
00:20:48.599 --> 00:20:50.640
You know, they're exactly like us. music.

439
00:20:51.900 --> 00:20:54.059
It would have been awesome.

440
00:20:54.119 --> 00:20:58.140
But it is a genuinely funny scene and it's over quite quickly.

441
00:20:58.140 --> 00:21:03.539
And, you know, again, making them just things that die anyway is

442
00:21:03.539 --> 00:21:05.339
like it's cheating a bit.

443
00:21:05.460 --> 00:21:06.480
It is.

444
00:21:06.539 --> 00:21:09.299
And I mean, can I just say, what are the pig slaves?

445
00:21:09.359 --> 00:21:10.259
Who, what, and why?

446
00:21:10.319 --> 00:21:11.339
Why are they pigs?

447
00:21:11.400 --> 00:21:12.240
Why are they slaves?

448
00:21:12.299 --> 00:21:14.279
Why do the Daleks do these things?

449
00:21:14.339 --> 00:21:17.339
And then like, oh, they only last for a couple of weeks, then why

450
00:21:17.339 --> 00:21:17.940
bother?

451
00:21:18.000 --> 00:21:19.740
Why not just keep the most?

452
00:21:19.799 --> 00:21:21.960
Because equity the equity rights to Ogron.

453
00:21:22.079 --> 00:21:23.579
They're just so difficult to work with.

454
00:21:23.880 --> 00:21:26.279
They should have been robo pigs.

455
00:21:26.339 --> 00:21:30.539
Well, you know, like, I think it kind of works in that Russell

456
00:21:30.539 --> 00:21:35.579
likes aliens that are people with animal heads. they do look quite

457
00:21:35.579 --> 00:21:35.819
good.

458
00:21:35.880 --> 00:21:39.240
I think they look good and I guess the idea is that the Daleks are

459
00:21:39.240 --> 00:21:41.579
experimenting with hybrids, aren't they?

460
00:21:41.640 --> 00:21:44.579
They're planning to hybridise humans and daleks and so they

461
00:21:44.579 --> 00:21:48.480
practice with humans and another earth animal, which is all they

462
00:21:48.480 --> 00:21:49.200
have access to.

463
00:21:49.319 --> 00:21:53.640
Are we getting a bit of All's Animal Farm and maybe Golding's Lord

464
00:21:53.640 --> 00:21:54.720
of the Flies as well?

465
00:21:54.779 --> 00:21:57.180
Or Dr. Moreau, perhaps.

466
00:21:57.240 --> 00:21:58.319
Oh, yes, Dr. Moreau, yeah.

467
00:21:58.380 --> 00:21:59.519
The best worst film of all time.

468
00:21:59.759 --> 00:22:01.619
One shot out here.

469
00:22:01.680 --> 00:22:04.980
It's slightly undone by the fact that they've already had space

470
00:22:04.980 --> 00:22:08.700
picky in aliens of London, who is an altogether better

471
00:22:08.700 --> 00:22:10.200
anthropomorphic pig.

472
00:22:10.259 --> 00:22:14.099
Yeah, although these, I mean, these do look sort of scary.

473
00:22:14.160 --> 00:22:15.900
I think they, I think they work.

474
00:22:15.900 --> 00:22:18.480
And I want Daleks to have humanoid slaves.

475
00:22:18.539 --> 00:22:20.220
You know, there's only 4 of them.

476
00:22:20.279 --> 00:22:23.160
And all they do is kind of like snarl in the background, although

477
00:22:23.160 --> 00:22:26.160
there is one moment where one of the Daleks gives pig slave an

478
00:22:26.160 --> 00:22:29.279
order and it winks back to it. is amazing.

479
00:22:35.339 --> 00:22:39.420
What do we think of the climax with sort of Talek Sec on stage in

480
00:22:39.420 --> 00:22:41.460
chains in front of the Dallas?

481
00:22:41.519 --> 00:22:43.079
I mean, if it was if it was a show.

482
00:22:43.200 --> 00:22:44.880
I'd certainly pay to go and see.

483
00:22:44.940 --> 00:22:47.400
It's very comic book.

484
00:22:47.460 --> 00:22:48.900
It's only become Dalek sex.

485
00:22:50.279 --> 00:22:52.500
That's the cash register.

486
00:22:52.559 --> 00:22:55.380
It does actually sound when he 1st says his name after he's come

487
00:22:55.380 --> 00:22:57.240
out of the cloacre of doom.

488
00:22:57.299 --> 00:23:01.019
He does sound like he actually says, I am Dalek sex.

489
00:23:01.019 --> 00:23:05.940
Because, like you said earlier, Nathan, he can't breathe through

490
00:23:05.940 --> 00:23:06.420
his nose.

491
00:23:06.480 --> 00:23:06.900
No.

492
00:23:08.279 --> 00:23:13.980
I think that that scene is too talky and that it goes on too

493
00:23:13.980 --> 00:23:14.160
long.

494
00:23:14.220 --> 00:23:16.319
And doesn't have enough drama to it.

495
00:23:16.380 --> 00:23:19.680
No, it's not saying, let, you know, come on, come at me.

496
00:23:19.740 --> 00:23:22.740
And we already know that they're not going to do that.

497
00:23:22.799 --> 00:23:26.039
So it's already, there's no sort of particular, you know.

498
00:23:26.039 --> 00:23:29.880
It's got the whole cliche of sex throwing himself in front of the

499
00:23:29.880 --> 00:23:35.579
Dalek blast and popularised by Jacqueline Hill in Megloss, of

500
00:23:35.579 --> 00:23:35.759
course.

501
00:23:38.880 --> 00:23:40.319
It looks great.

502
00:23:40.380 --> 00:23:43.619
I mean, I do like because there's a lot of explosions in that big

503
00:23:43.619 --> 00:23:46.980
assault on Hooverville, which does seem to be slightly pointless

504
00:23:46.980 --> 00:23:50.759
but it at least gives us some much needed explosions.

505
00:23:50.819 --> 00:23:54.960
But they're not going to spend the money on the special effect of

506
00:23:54.960 --> 00:23:57.480
people being exterminated in that scene.

507
00:23:57.539 --> 00:23:58.440
So we never see that.

508
00:23:58.500 --> 00:24:01.319
We see lots of people kind of, you know, leaping away from

509
00:24:01.319 --> 00:24:04.259
explosions and stuff and sort of landing on their faces or

510
00:24:04.259 --> 00:24:04.619
whatever.

511
00:24:04.680 --> 00:24:08.039
So we do get to see Dalek Sec being exterminated.

512
00:24:08.099 --> 00:24:10.680
We get to see his skull with the one eye in the middle of the

513
00:24:10.680 --> 00:24:11.640
forehead and stuff.

514
00:24:11.700 --> 00:24:12.720
And I think that's pretty fun.

515
00:24:12.779 --> 00:24:17.759
But it is sort of undramatic and I was starting to tire of it a

516
00:24:17.759 --> 00:24:18.539
little bit by then.

517
00:24:18.599 --> 00:24:19.440
I think.

518
00:24:19.500 --> 00:24:24.359
I think that's why we're getting a negative sense then from the

519
00:24:24.359 --> 00:24:26.460
collective for this story.

520
00:24:26.519 --> 00:24:29.819
But I certainly don't believe the overall story deserves that.

521
00:24:29.880 --> 00:24:32.339
And a denouement is simply that.

522
00:24:32.400 --> 00:24:33.839
It's meant to be a lessening done.

523
00:24:33.900 --> 00:24:37.079
And maybe the message is actually that none of us are buying that

524
00:24:37.079 --> 00:24:40.440
humans are really all that wonderful in the 1st place.

525
00:24:40.559 --> 00:24:41.339
Really?

526
00:24:41.700 --> 00:24:45.660
Dalek factor in the human factor pretty much interchangeable and

527
00:24:45.660 --> 00:24:47.460
this probably wouldn't work out this way.

528
00:24:47.519 --> 00:24:50.519
Need to induce a bit of DNA from the time lords just to make

529
00:24:50.519 --> 00:24:50.940
things interesting.

530
00:24:51.059 --> 00:24:53.039
It's very cynical.

531
00:24:53.099 --> 00:24:55.740
That would be actually a little bit more interesting.

532
00:24:55.799 --> 00:24:59.759
Again, we're advancing our own versions that we would have been

533
00:24:59.759 --> 00:25:02.759
more interested in, but it does take a sort of fairly

534
00:25:02.759 --> 00:25:06.420
uncomplicated look at what the human factor is and what the Dalek

535
00:25:06.420 --> 00:25:07.019
factor is.

536
00:25:07.079 --> 00:25:10.140
And the doctor kind of weighs in and says, no, that's not what

537
00:25:10.140 --> 00:25:10.859
humans are like.

538
00:25:10.920 --> 00:25:13.380
It is about music and compassion and all sorts of things like

539
00:25:13.380 --> 00:25:13.559
that.

540
00:25:13.680 --> 00:25:14.759
A well prepared meal.

541
00:25:14.819 --> 00:25:15.960
Yes, exactly.

542
00:25:16.019 --> 00:25:19.380
I do wonder as well if some of the disappointment about the

543
00:25:19.380 --> 00:25:19.740
episode.

544
00:25:19.799 --> 00:25:22.980
I think some of mine is, is the fact that we're being asked to

545
00:25:22.980 --> 00:25:27.000
invest in the story of the dialects and, you know, where they've

546
00:25:27.000 --> 00:25:29.400
come from, where they're going, what changes they're going

547
00:25:29.400 --> 00:25:29.700
through.

548
00:25:29.759 --> 00:25:34.200
And so they use Dalek Sec as a cliffhanger to the 1st episode.

549
00:25:34.259 --> 00:25:37.079
You're meant to find, oh, wow, look, there's now a human dalek

550
00:25:37.079 --> 00:25:39.900
which isn't actually that interesting or dramatic.

551
00:25:39.960 --> 00:25:43.440
They then put Dalek sex big head on the cover of the radio times

552
00:25:43.440 --> 00:25:44.400
for the next week.

553
00:25:44.460 --> 00:25:46.559
Again, like you're supposed to be interested in that.

554
00:25:46.619 --> 00:25:51.839
And it reminds me of the 80s where they would say, okay, we're

555
00:25:51.839 --> 00:25:54.299
going to bring back Omega because it's the 20th season.

556
00:25:54.359 --> 00:25:57.059
Well, you think, well, does that actually mean a thing to the

557
00:25:57.059 --> 00:25:57.420
audience?

558
00:25:57.480 --> 00:26:01.079
They're told that he was someone from the 10th season, the 10th

559
00:26:01.079 --> 00:26:01.680
anniversary.

560
00:26:01.740 --> 00:26:04.259
You think, okay, great, but that's the extent of it.

561
00:26:04.319 --> 00:26:08.339
So is what we're seeing here, we're being told to be interested in

562
00:26:08.339 --> 00:26:10.859
what the Daleks are and what they become or actually not.

563
00:26:10.920 --> 00:26:13.019
We're only interested in the fact that the Daleks are monsters and

564
00:26:13.019 --> 00:26:13.859
what's their latest plan.

565
00:26:14.039 --> 00:26:18.900
I think that what we are interested in though, is the world that's

566
00:26:18.900 --> 00:26:20.579
created in episode one.

567
00:26:20.700 --> 00:26:25.200
And I am not a big fan of people saying this just needed to be a

568
00:26:25.200 --> 00:26:29.940
two-parter because I think that that's almost certainly a recipe

569
00:26:29.940 --> 00:26:33.000
for just 42 additional minutes of something that's rather

570
00:26:33.000 --> 00:26:33.900
disappointing.

571
00:26:33.960 --> 00:26:35.099
Episode 2 of 42.

572
00:26:35.279 --> 00:26:36.119
Yeah, yeah.

573
00:26:36.180 --> 00:26:38.039
Episode 2 of victory of the Daleks.

574
00:26:38.099 --> 00:26:41.400
Like, we've talked about this before, Nathan needs to be a 0

575
00:26:41.400 --> 00:26:42.119
partner.

576
00:26:42.180 --> 00:26:46.799
But what you do get from Long Doctor Who stories is the chance to

577
00:26:46.799 --> 00:26:49.980
hang out with characters in a world that you like.

578
00:26:50.039 --> 00:26:52.500
And I think that this story successfully does that.

579
00:26:52.559 --> 00:26:54.240
I care about Hooverville.

580
00:26:54.299 --> 00:26:55.799
I care about Frank.

581
00:26:55.859 --> 00:26:58.799
And actually we made to care a little bit more about Frank in this

582
00:26:58.799 --> 00:27:02.400
episode because we see him grieving the loss of Solomon.

583
00:27:02.400 --> 00:27:06.180
And I think that that's a really nice touch and it is something

584
00:27:06.180 --> 00:27:07.319
that I think matters.

585
00:27:07.380 --> 00:27:10.140
I care about Tallula and Laslow.

586
00:27:10.200 --> 00:27:16.740
I think that that's lovely and her kind of bravery and all of that

587
00:27:16.799 --> 00:27:19.380
like I think is really, really something.

588
00:27:19.440 --> 00:27:24.180
And even though Laslow is dying for a sort of science fiction

589
00:27:24.180 --> 00:27:24.660
reason.

590
00:27:24.720 --> 00:27:30.059
I actually don't mind that either because I think the tidy thing

591
00:27:30.059 --> 00:27:33.059
to do would be to just have him die.

592
00:27:33.119 --> 00:27:37.559
You know, that he dies and doesn't live on and we don't end up

593
00:27:37.559 --> 00:27:40.980
with a world in which there's a pig guy living in New York in

594
00:27:40.980 --> 00:27:41.880
1930.

595
00:27:42.839 --> 00:27:45.000
And, you know, that's the same instinct.

596
00:27:45.059 --> 00:27:48.900
I think that makes people want Ursula to die in love and

597
00:27:48.900 --> 00:27:49.440
monsters.

598
00:27:49.500 --> 00:27:55.380
And what we get instead is that the doctor and the world of Doctor

599
00:27:55.380 --> 00:28:02.220
Who, and even just, you know, trauma changes people in weird ways

600
00:28:02.220 --> 00:28:07.980
and the consequences of that are something that has to be lived

601
00:28:07.980 --> 00:28:08.339
with.

602
00:28:08.400 --> 00:28:10.140
And I think that's a really interesting thing.

603
00:28:10.200 --> 00:28:14.460
I think the choice of having the doctor save Laslo, which I think

604
00:28:14.460 --> 00:28:18.720
is a great scene and then having Laslo live on in Hooverville, I

605
00:28:18.720 --> 00:28:19.619
think, is terrific.

606
00:28:19.680 --> 00:28:23.759
But also having Tallula very definitely staying with him and in

607
00:28:23.759 --> 00:28:25.799
love with him because she's choosing that as well.

608
00:28:25.859 --> 00:28:28.619
She's choosing to live through whatever he's going to live through

609
00:28:28.619 --> 00:28:28.980
with him.

610
00:28:29.039 --> 00:28:31.019
Yeah, I think that's really lovely.

611
00:28:31.019 --> 00:28:31.799
It is nice.

612
00:28:31.859 --> 00:28:36.000
You know, she refuses initially, doesn't she, to recognise him.

613
00:28:36.059 --> 00:28:39.119
Like it takes a while before she can recognise that that's

614
00:28:39.119 --> 00:28:39.779
last...

615
00:28:39.839 --> 00:28:42.240
Yeah, I think that's actually a choice on the character's behalf

616
00:28:42.240 --> 00:28:45.240
where, you know, anyone can see that it's actually Laszlo, but

617
00:28:45.240 --> 00:28:49.200
he's being changed, but she's refusing to recognise that it's him

618
00:28:49.200 --> 00:28:49.680
for a while.

619
00:28:49.740 --> 00:28:53.819
But she never, you know, she's still physically affectionate with

620
00:28:53.819 --> 00:28:54.059
him.

621
00:28:54.119 --> 00:28:55.140
She calls him sweetheart.

622
00:28:55.259 --> 00:28:58.259
She touches his face and his tail and his tail.

623
00:28:58.319 --> 00:29:01.019
And I look forward to Sunday brunch.

624
00:29:02.039 --> 00:29:05.160
I wonder how much pig he is.

625
00:29:05.220 --> 00:29:10.440
Oh, yeah.

626
00:29:10.500 --> 00:29:12.000
I think that's I think that's fun.

627
00:29:12.059 --> 00:29:14.400
And I do love the fact that they have some accommodation in

628
00:29:14.400 --> 00:29:17.880
Hooverville, you know, that people will stare at him, but he's

629
00:29:17.880 --> 00:29:18.779
accepted.

630
00:29:18.839 --> 00:29:21.000
And that's what Hooverville is, isn't it?

631
00:29:21.059 --> 00:29:21.839
That's the human factor.

632
00:29:21.900 --> 00:29:24.779
I also love about Hooverville, the fact they can't afford bread

633
00:29:24.779 --> 00:29:26.160
but they've got a nice stash of guns.

634
00:29:26.220 --> 00:29:27.539
It's America.

635
00:29:27.779 --> 00:29:29.579
Actually, that is true.

636
00:29:29.940 --> 00:29:32.339
It does set up a wonderful world.

637
00:29:32.400 --> 00:29:34.859
I like the world of Daleks in Manhattan.

638
00:29:34.920 --> 00:29:38.160
And for the same reason I was saying last week that I really enjoy

639
00:29:38.160 --> 00:29:41.880
all the plate shots of 1930s New York skylines and everything

640
00:29:41.880 --> 00:29:43.619
which look amazing and really set the tone.

641
00:29:43.680 --> 00:29:46.920
I want this world to be interesting, and it turns out to be a

642
00:29:46.920 --> 00:29:49.920
little bit less interesting than I wanted it to be, and that's the

643
00:29:49.920 --> 00:29:50.880
root of the disappointment.

644
00:29:50.940 --> 00:29:52.380
It's not massive disappointment.

645
00:29:52.440 --> 00:29:53.700
It's disappointing anyway.

646
00:30:02.759 --> 00:30:06.420
You know how last week we talked about the Dalek voices and how

647
00:30:06.420 --> 00:30:10.380
Nick Briggs does a Peter Hawkins Dalek voice.

648
00:30:10.440 --> 00:30:14.220
There's actually a point in the episode where when Dalek Khan

649
00:30:14.220 --> 00:30:17.279
takes control of the cult of Skaro.

650
00:30:17.339 --> 00:30:19.920
He changes the pitch of the voice.

651
00:30:19.980 --> 00:30:24.180
And the in-world reason for that is that, you know, he's in

652
00:30:24.180 --> 00:30:24.359
charge.

653
00:30:24.420 --> 00:30:29.220
He's now in charge, so he's changed his voice because Dalek's

654
00:30:29.220 --> 00:30:33.779
respect, a more sort of high pitched screechy voice.

655
00:30:33.839 --> 00:30:38.400
But the real reason was because he'd given Dalek Khan this deep

656
00:30:38.400 --> 00:30:45.299
raspy tone and it was hell on his throat. throat.

657
00:30:45.359 --> 00:30:50.400
So he changed it there so he could actually get through the

658
00:30:50.400 --> 00:30:51.480
recording without dying.

659
00:30:51.900 --> 00:30:56.460
So there's that big final scene, isn't there, with Dalek Khan and

660
00:30:56.460 --> 00:30:58.200
the doctor just sort of confronting one another.

661
00:30:58.259 --> 00:31:00.000
Facing off in the laboratory.

662
00:31:00.180 --> 00:31:03.720
People are playing against type here, and that's what Russell was

663
00:31:03.720 --> 00:31:06.779
going for, and that was his instruction to Helen Rayno, but I

664
00:31:06.779 --> 00:31:10.680
think we're also seeing, it doesn't necessarily work out for the

665
00:31:10.680 --> 00:31:14.099
narrative or for the audience or indeed for the play itself.

666
00:31:14.160 --> 00:31:19.980
If you're really going to posit a vault face in your main

667
00:31:19.980 --> 00:31:20.700
villains.

668
00:31:20.759 --> 00:31:25.200
We kind of need a bit more happening behind us than building a

669
00:31:25.200 --> 00:31:27.900
gorgeous skyscraper and you know how much I care about gorgeous

670
00:31:27.900 --> 00:31:30.240
skyscrapers and Art Deco motifs.

671
00:31:30.299 --> 00:31:32.220
And are you being served references?

672
00:31:32.279 --> 00:31:32.759
Thank you, James.

673
00:31:32.940 --> 00:31:34.920
That's in there as well.

674
00:31:34.980 --> 00:31:36.720
And there's nods to Marilyn Monroe.

675
00:31:36.779 --> 00:31:39.059
I mean, it's everything's out of time and out of place, but it's

676
00:31:39.059 --> 00:31:45.900
the fundament of it being that we survived the global recession in

677
00:31:45.900 --> 00:31:47.880
the 20s and we'll do it again.

678
00:31:47.940 --> 00:31:49.859
This is 2007 when this went out.

679
00:31:49.920 --> 00:31:53.640
So we really did not think that the GFC would be survivable and

680
00:31:53.640 --> 00:31:55.859
perhaps we're not actually over that yet.

681
00:31:55.859 --> 00:32:00.180
Maybe that's where October 31st, or if you've got your bingo card

682
00:32:00.180 --> 00:32:01.859
Brexit, is coming from.

683
00:32:02.039 --> 00:32:08.220
This is perhaps uncomfortable to perform and to stage as well as

684
00:32:08.220 --> 00:32:12.240
to being in with as a viewers because it's a little bit too close

685
00:32:12.240 --> 00:32:15.960
to the point that we can't really write about how this would work

686
00:32:15.960 --> 00:32:16.140
out.

687
00:32:16.200 --> 00:32:21.180
If you are going to tell this as a truthful, not even a metaphor

688
00:32:21.180 --> 00:32:24.420
as a truthful piece of what is our dark and what is the light

689
00:32:24.420 --> 00:32:25.440
aspects of humanity.

690
00:32:25.500 --> 00:32:28.200
There's just got to be a massacre at the end of it because that's

691
00:32:28.200 --> 00:32:30.000
the best Doctor Who story of all time.

692
00:32:39.839 --> 00:32:44.579
All right, so it's time for pix of the week, and James, we're

693
00:32:44.579 --> 00:32:45.180
gonna throw to you.

694
00:32:45.240 --> 00:32:52.200
Well, I picked the 1931 adaptation of Frankenstein, the classic

695
00:32:52.200 --> 00:32:54.779
Boris Karlov black and white film.

696
00:32:54.839 --> 00:32:56.519
James Whale.

697
00:32:58.259 --> 00:33:02.940
Mainly because it was one of the main inspirations for the visuals

698
00:33:02.940 --> 00:33:06.779
and a lot of the storytelling in this 2 part.

699
00:33:06.839 --> 00:33:11.160
So when the Dalek army sort of heads off into Manhattan.

700
00:33:11.220 --> 00:33:13.619
James Strong lifts.

701
00:33:13.680 --> 00:33:17.460
He deliberately references the torch.

702
00:33:17.579 --> 00:33:20.880
It's basically it's the villagers carrying pitchforks and torches

703
00:33:20.880 --> 00:33:24.240
kind of... those crossfades and things like that.

704
00:33:24.299 --> 00:33:28.859
Yeah, like that's very deliberately lifted from towards the end of

705
00:33:28.859 --> 00:33:29.819
Frankenstein.

706
00:33:29.880 --> 00:33:32.220
The beds.

707
00:33:32.220 --> 00:33:34.019
Oh, yeah, yeah, yeah.

708
00:33:34.019 --> 00:33:38.940
Human dalek shells are waiting, are waiting on are very

709
00:33:38.940 --> 00:33:40.440
deliberate.

710
00:33:40.500 --> 00:33:41.819
The ones that are kind of lowered from the ceiling.

711
00:33:41.880 --> 00:33:46.619
Yeah, in the same way that the bed that Frankenstein's monster is

712
00:33:46.619 --> 00:33:49.500
on that is all incredibly...

713
00:33:49.559 --> 00:33:53.279
Yeah, and even, even, you know, waking them up with electricity

714
00:33:53.279 --> 00:33:55.319
like it is a deliberate reference.

715
00:33:55.440 --> 00:33:57.900
I mean, that's the that's the most obvious of the references there

716
00:33:57.900 --> 00:34:01.440
is that bringing something to life with a bolt of lightning.

717
00:34:01.980 --> 00:34:07.140
And also the Lemley, the Carl Lemley period at Universal, where it

718
00:34:07.140 --> 00:34:10.320
was such a beautiful deco experience and the sets and the timing

719
00:34:10.320 --> 00:34:11.699
of it, it's right on the mark.

720
00:34:11.820 --> 00:34:14.699
I rewatched it last night for the 1st time in years.

721
00:34:14.820 --> 00:34:19.559
It's beautiful in a way that I think Daleks, in Manhattan

722
00:34:19.559 --> 00:34:21.539
evolution of the Daleks wants to be.

723
00:34:21.599 --> 00:34:27.960
And visually, I think, is in places, but I really enjoy the film.

724
00:34:28.019 --> 00:34:31.440
And if you don't want to stop there, go on to brighter

725
00:34:31.440 --> 00:34:32.099
Frankenstein.

726
00:34:32.280 --> 00:34:34.199
In many ways, a better film.

727
00:34:34.260 --> 00:34:35.400
Yeah, and it's gorgeous.

728
00:34:35.460 --> 00:34:37.860
It is just, it is such a wonderful film.

729
00:34:37.980 --> 00:34:39.239
Oh, so Lancaster.

730
00:34:39.300 --> 00:34:40.079
Wow.

731
00:34:40.139 --> 00:34:44.579
And if you haven't had enough there, then I would suggest Paul

732
00:34:44.579 --> 00:34:47.280
Mars's, Brenda and nephew mysteries.

733
00:34:47.340 --> 00:34:48.239
Oh, they're fun.

734
00:34:48.300 --> 00:34:50.579
They start with Nefer the bride.

735
00:34:50.639 --> 00:34:54.659
So Paul Mars wrote for Doctor Who Fic for a long time and also.

736
00:34:54.840 --> 00:34:59.760
Well, the Tom Baker audios before he was at Big Finish, but they

737
00:34:59.760 --> 00:35:03.119
are set in Whitby from Dracula.

738
00:35:03.360 --> 00:35:05.519
I've got Susan Jamison.

739
00:35:07.920 --> 00:35:13.500
And they are basically the bride of Frankenstein, after she has

740
00:35:13.500 --> 00:35:19.500
retired to Whitby, as an elderly lady, and she's running a B&B

741
00:35:19.500 --> 00:35:21.059
That sounds great.

742
00:35:21.119 --> 00:35:25.619
Paul Mars is, of course, the inventor of Iris Wild Time.

743
00:35:25.679 --> 00:35:26.039
Is that right?

744
00:35:26.159 --> 00:35:26.820
Yeah.

745
00:35:26.880 --> 00:35:29.699
The BBC have done radio adaptions of them.

746
00:35:29.760 --> 00:35:30.239
Right.

747
00:35:30.300 --> 00:35:30.659
So, yeah.

748
00:35:30.719 --> 00:35:31.679
Peter.

749
00:35:31.739 --> 00:35:36.300
My pick of the week is someone which I picked off my bookshelf

750
00:35:36.300 --> 00:35:39.179
about 2 months ago and had to read because I recently returned to

751
00:35:39.179 --> 00:35:42.239
the country to live and so I've been going back to my parents

752
00:35:42.239 --> 00:35:45.599
house and just going through my old library and occasionally, you

753
00:35:45.599 --> 00:35:47.280
know, plucking something out to have a read of.

754
00:35:47.340 --> 00:35:50.880
And this was Terence Dick's blood harvest, his new adventure from

755
00:35:50.880 --> 00:35:55.199
19, I don't know, 1994, 95, somewhere around there.

756
00:35:55.260 --> 00:35:59.219
So if you want to read something which is roughly contemporary

757
00:35:59.219 --> 00:36:03.719
with Daleks in Manhattan, and set in a similar city, Chicago, and

758
00:36:03.719 --> 00:36:08.159
a writer having enormous fun with their subjects matter, then go

759
00:36:08.159 --> 00:36:08.760
and give it a read.

760
00:36:08.880 --> 00:36:11.940
I think his books were better than his TV.

761
00:36:12.000 --> 00:36:13.739
Tories on the whole.

762
00:36:13.800 --> 00:36:16.559
I loved his missing adventures or new adventures.

763
00:36:16.619 --> 00:36:17.639
Oh, me too.

764
00:36:17.699 --> 00:36:20.579
Although I don't agree with you about his TV story.

765
00:36:20.639 --> 00:36:21.539
Exodus is great.

766
00:36:21.599 --> 00:36:23.159
Oh, Exetus is brilliant.

767
00:36:23.219 --> 00:36:25.559
But if you look at the TV stories that Terrence actually wrote.

768
00:36:25.619 --> 00:36:29.159
He's just a master, the war games, Breen of Morbius.

769
00:36:29.219 --> 00:36:30.300
Horror Fang Rock.

770
00:36:30.360 --> 00:36:31.440
The 5 doctors.

771
00:36:32.400 --> 00:36:36.539
Praying a Porpius wasn't written by Terrence Stewart. by Robin

772
00:36:36.539 --> 00:36:37.079
Bland.

773
00:36:37.139 --> 00:36:40.440
Actually, if you look at the sensibility of that, It's all Terence

774
00:36:40.440 --> 00:36:40.800
sticks.

775
00:36:40.860 --> 00:36:41.940
Like it feels like him.

776
00:36:42.000 --> 00:36:43.739
But yes, read Blood Harvest.

777
00:36:43.800 --> 00:36:44.579
You won't regret it.

778
00:36:44.639 --> 00:36:48.539
Aside from sort of a late switch to Gallifrey, which doesn't work

779
00:36:48.539 --> 00:36:48.960
at all.

780
00:36:49.019 --> 00:36:50.340
It never does.

781
00:36:50.400 --> 00:36:51.119
It never does.

782
00:36:51.179 --> 00:36:53.159
With its beige sofas.

783
00:36:53.219 --> 00:36:54.539
Well, indeed.

784
00:36:54.599 --> 00:36:58.500
And the antithesis of beige is the soundscape of this story, and I

785
00:36:58.500 --> 00:37:02.219
think that's probably why I love these 2 episodes, because Murray

786
00:37:02.219 --> 00:37:03.900
Gold has really enjoyed himself here.

787
00:37:03.960 --> 00:37:08.219
And even the little moments and the, the, almost to the point of

788
00:37:08.219 --> 00:37:12.239
Foley, just the, the sound points that he places in the score are

789
00:37:12.239 --> 00:37:12.719
beautiful.

790
00:37:12.780 --> 00:37:15.420
But I would just go and listen to Gershman's Rhapsody in Blue

791
00:37:15.420 --> 00:37:19.260
because he notes it at the beginning when they're under the Statue

792
00:37:19.260 --> 00:37:21.300
of Liberty, and then the rifts keep going through it.

793
00:37:21.360 --> 00:37:22.739
It's just a beautiful piece of music.

794
00:37:22.800 --> 00:37:25.800
You don't have to take out a novel then or watch.

795
00:37:25.860 --> 00:37:28.739
I did last night in preparation in this podcast.

796
00:37:28.800 --> 00:37:30.059
Yeah, and it's really gorgeous.

797
00:37:30.119 --> 00:37:30.420
Yeah.

798
00:37:30.599 --> 00:37:33.480
Well, I'm tempted to pick years and years again.

799
00:37:33.539 --> 00:37:34.920
I can't remember the last time.

800
00:37:35.340 --> 00:37:35.760
I done that?

801
00:37:35.820 --> 00:37:36.659
I'm not allowed to do that.

802
00:37:36.719 --> 00:37:38.519
Alright, absolutely allowed to do that.

803
00:37:38.579 --> 00:37:40.619
Well, you should all watch it anyway.

804
00:37:40.679 --> 00:37:41.820
It is tremendous.

805
00:37:41.880 --> 00:37:45.840
And it just reminds us that we don't deserve Russell T.D. Davies.

806
00:37:45.960 --> 00:37:51.179
But failing that, someone we do deserve is Eric Sayward, and I'm

807
00:37:51.179 --> 00:37:54.900
going to recommend the novelisation of Resurrection of the

808
00:37:54.900 --> 00:37:55.500
Daleks.

809
00:37:55.559 --> 00:38:01.619
I have started it and it is as terrible as you would imagine.

810
00:38:01.679 --> 00:38:05.340
And I do want to thank friend of the podcast, Colin Neal, who

811
00:38:05.340 --> 00:38:10.440
actually sent me a copy of it signed by Eric Saywood. as Colin

812
00:38:10.440 --> 00:38:10.860
Neal.

813
00:38:11.159 --> 00:38:16.679
And no, I've seen a photo of Colin with Eric Saywood and a pile of

814
00:38:16.679 --> 00:38:18.059
the novelisations to hand.

815
00:38:18.119 --> 00:38:21.420
So I'm assured that it really is Eric's signature, and I just hope

816
00:38:21.420 --> 00:38:23.639
that Colin didn't tell Eric Saywood.

817
00:38:23.699 --> 00:38:24.360
Exactly.

818
00:38:24.420 --> 00:38:27.239
Did Eric sign at Snog marry or a boy?

819
00:38:28.079 --> 00:38:29.760
Oh, God.

820
00:38:29.760 --> 00:38:33.119
Because I did best, which I don't think is actually short for all

821
00:38:33.119 --> 00:38:33.480
the best.

822
00:38:33.539 --> 00:38:35.400
It's short for I am the best.

823
00:38:35.639 --> 00:38:37.559
Eric, say what.

824
00:38:37.619 --> 00:38:39.960
Why, oh, why, couldn't we have had the novelisation of

825
00:38:39.960 --> 00:38:42.239
Resurrection of the Daleks by, oh, John Peel?

826
00:39:09.300 --> 00:39:11.400
Weldy listener, that's all we have time for this week.

827
00:39:11.460 --> 00:39:14.460
We will see you next week for what looks like a truly alarming

828
00:39:14.460 --> 00:39:18.539
product launch as we suit up to witness the Lazarus experiment.

829
00:39:18.659 --> 00:39:22.079
In the meantime, you can find us wherever you get your podcasts

830
00:39:22.079 --> 00:39:24.719
and you can keep up with us at flightthroughentirety.com.

831
00:39:24.780 --> 00:39:27.960
Flight through entirety on Facebook and at FTE podcast on

832
00:39:27.960 --> 00:39:28.380
Twitter.

833
00:39:28.440 --> 00:39:33.840
You can also find our series 11 flashcast Jody Interterterra.com

834
00:39:33.840 --> 00:39:37.739
and at Jody Interterra on Twitter at our James Bond commentary

835
00:39:37.739 --> 00:39:41.639
podcast bondfinger at bondfinger.com at bondfinger on Facebook and

836
00:39:41.639 --> 00:39:43.320
at bondfingercast on Twitter.

837
00:39:43.380 --> 00:39:48.719
Until next time, may you find true love or bacon in the arms of a

838
00:39:48.719 --> 00:39:49.920
man like Laslow.

839
00:39:49.980 --> 00:39:52.440
Thank you very much for listening and good night.

840
00:39:52.500 --> 00:39:53.219
Good night.

841
00:39:53.280 --> 00:39:55.079
Good night. and get crackling.

842
00:39:59.400 --> 00:40:03.059
That was Flight through Entirety, starring Nathan Bottomley, Peter

843
00:40:03.059 --> 00:40:05.039
Griffiths, James Selwood, and Richard Stone.

844
00:40:05.099 --> 00:40:08.039
Theme arrangement by Cameron Lamb, Strings performance by Jane

845
00:40:08.039 --> 00:40:08.760
Orberg.

846
00:40:08.880 --> 00:40:12.239
This episode, a long tradition of Doctor Who monsters that in some

847
00:40:12.239 --> 00:40:15.420
way resemble human genitalia, was recorded on the 11th of August

848
00:40:15.420 --> 00:40:17.940
2019 and released on the 13th of October.

849
00:40:19.380 --> 00:40:23.699
Founder and beloved host of the podcast, Brendan Jones is really

850
00:40:23.699 --> 00:40:26.039
killing it with his YouTube channel right now.

851
00:40:26.039 --> 00:40:29.639
To see what he's been up to, search for brandy bongos on YouTube

852
00:40:29.639 --> 00:40:31.980
or follow the link in our show notes.

853
00:40:33.360 --> 00:40:35.760
It doesn't really go anywhere, does it?

854
00:40:35.820 --> 00:40:38.219
This episode itself doesn't really go anywhere.

855
00:40:38.280 --> 00:40:39.539
I can talk about that.

856
00:40:39.599 --> 00:40:42.059
So I feel like I've closed down to arguments in a row.

857
00:40:45.719 --> 00:40:51.360
Yeah, see, we've gone through the 1st 5 things on my list.

858
00:40:51.420 --> 00:40:52.980
That's the thing.

859
00:40:53.039 --> 00:40:57.059
My, my, my notes for the 1st episode are like 7 pages of hormones

860
00:40:57.059 --> 00:41:00.719
for the 2nd are...

861
00:41:00.780 --> 00:41:02.159
Because it's a story wrapup.

862
00:41:02.219 --> 00:41:03.300
Yeah, it really is.

863
00:41:03.360 --> 00:41:03.599
Okay.

864
00:41:03.659 --> 00:41:05.639
As we were saying, this really is.