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This transcript was created on 2026-06-07 at 14:29:41

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Hello, dear listener, and welcome back to Flight through Entirety, Chan, the only Doctor Who podcast with Perfect Malcasarian manners, though.

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I'm Nathan.

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I'm Brendan.

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I'm Adam.

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Chan and I'm a self-secreting double malted Frappuccino for this one, dough.

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Well, the stars have gone out.

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The galaxies have collapsed in humanity's only hope lies, as always, with Derek Jacoby.

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Will we go gentle into that good night, or will we find a way to reach utopia?

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It's amazing what you can double bank, isn't it?

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Because this, I, well, I don't think I'm being too controversial to say, is marvellous and visually great and a wonderful script and was double banked with 42.

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Ah, which, as we heard a few weeks ago.

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I enjoyed a great deal better than a lot of the other everyone else. in like 42 because it's very straightforward.

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That's one of my issues with everything since the reboot is the self-knowingness of them all.

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Like, that's my, that's one of the only problems I have with utopia is that, and it's with, you know, I think most of the Davis and and Moffat era is there's a moment where they're running and it's like, oh, I've missed this.

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It's like, don't draw attention to the boring bits.

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Like, no one runs for because they're enjoying it.

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You're running away from monster people.

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He's had a whole season of torture, though, you see, I think. probably what he's missing.

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Yeah, just being in a cave, being depressed.

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Having to put up with Bern Gorman's grimacing.

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Yeah, yeah.

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Dodging the payloads from Mefanwi, the pterodactyl.

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But I think I think you're right, Brendan, in that, it does look amazing and it is, you know, Graham Harper again.

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How is he double banking it?

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Is he in 2 places at once?

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I believe they shot a little bit of stuff for 42.

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Then shot most of Utopia, then shot most of 42 and then...

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So they were just all in the same silo.

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Yeah, yeah, kind of thing.

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They could have shut a, like, because everyone, like, there's that very long scene where they're talking to John Barrowman through a door, and so that could all be done.

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Well, we're off making 42, yeah. tenants off yelling through another door.

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Well, Freeman's stuck in another door.

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There's a lot of looking through portholes.

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And the thing is, there's a lot of times where you have a close-up of someone's hands on a control.

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Oh, yeah.

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It is actually at the location for 42 because it was that old sort of factory works thing, particularly any close-up of freema.

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Any close-up of Martha's hand.

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He's a hand double because Freema was off shooting actual dialogue and things.

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Wow, they're so clever, aren't they?

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That's a 2nd ID who is insanely doing scheduling.

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That's hard work.

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Maybe the 3rd AD. I can't remember who does the schedule.

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But I used to hate them.

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I'd always be bringing them going, I have to go to work.

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I've gotta go to the radio.

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What are you doing, putting me on at this hour?

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I suppose we have to talk about the episode.

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I thought we were doing quite well.

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We don't have to.

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Do we talk about how none of the story makes any sense?

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Well, this is Doctor Who.

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I think we more or less kind of resigned to that.

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But like it feels like it's trying to do so many things with the stories that have come before that are leading up to it and the stories that it's about to spin off into, that this one in itself goes.

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Look, we're just going tread water for a little minute.

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This is why I stopped playing with my action figures.

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This is the entire dramatist person that you're talking about, the entire drama talking of this episode because they all stand about and it's a polished balloon.

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It looks gorgeous, but they just end up doing my dinner with Andre. addressing each other in a circle. and yeah, look, I think there's the thing, it's actually a pyramid, isn't it?

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You've got Saint Derek Jacoby in the puffy pirate shirt and just, oh, he's emoting now, so if you'll just stand back and admire it. hearing the drums.

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He's hearing the drums.

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No one breathes for the entire week shoots.

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It all purple face.

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Jack wasn't acting.

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It was not apoplexy.

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Oh, I'm on the set with Dame Derek.

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But he had played the master before, had he not?

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Derek Checkerby in the cartoon.

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Yeah, in Scream of the Shark, which we never covered.

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Oh, we should do it now.

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Yeah.

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It's about all that buying a friend of the podcast, Paul Cornell, so it's very good.

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It is very good.

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I would say Richard E. Grant has never heard of Doctor Who despite having been in it.

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Has no interest in it.

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And again, and it shows.

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Yeah, yeah.

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But everyone else is very good.

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I kind of like his disaffected.

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I really don't care what's going on performance, even as the great intelligence.

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It's like, yeah, I don't really care.

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It makes him more menacing.

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It reminds me of when I used to be obsessed with, if you're a terrible actor, You're very good at playing a villain because you can seem completely emotionless about things that you should have some kind of inkling about, which is why Heather Locklear was so good in Melrose Plan.

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But it's true.

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It's like really, like anyone who doesn't care about what they're doing.

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Heather bloody long.

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Heather Locklear.

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She has no idea.

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I have distinct memories of watching this.

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I watched it in Cardiff.

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Oh, wow.

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I was in, I went on holidays from a radio job and took myself off to Carter for a Doctor Who holiday and I got a Dalek in my hotel room.

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It was some special deal.

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It's like a remote control one.

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It's the Death to the Daleks one.

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Oh, right.

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It's awesome.

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And so, yeah, I was sitting there on the Saturday night going, oh, my God, I'm finally going to see Doctor Who when it goes out.

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Like, because it was, you know, a couple of years before Ivy started doing that.

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I was like, 0 my god, I'm in.

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I'm in Cardiff.

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I watching Doctor Who.

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And I had suspected that Jacoby might be playing the master, but the way they kind of tease it down in the episode, I was like, is it going to be a future doctor?

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Yeah.

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Is it the valleyard or something?

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Puffy sleeves, yeah.

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Yeah, he sort of dresses like a classic series.

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Yes.

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He has the voice and the slightly camp.

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Yeah, yeah.

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Yeah.

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I think that I had been unable to avoid spoilers.

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So I was pretty sure that he was going to be the master.

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Yeah, with fans.

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But I remember watching it as well at the time.

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And for me, the big shock wasn't the master thing so much as the way that it ends up tying into what's been going on.

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Yeah, yeah, yeah.

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And I do think that one of the genius things about series 3 is that the arc is so simple, and it is just that the villain in episode 11 steals the TARDIS and travels back in time to kind of the beginning of series 2.

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And that's why he's been appearing ever since what Love and Monsters is our 1st reference to Harold Saxon.

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And I think the simplicity of that is really good.

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I also think that this does an amazing job of bringing a whole sort of heap of stuff in from earlier on in the season and things.

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And we talked in our human nature episode about the decision that Russell made to turn the cricket ball thing from the novel of human nature.

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Yeah, and that was a big surprise as well.

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And I love that moment.

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You know, we've talked a lot about David Tennant's acting, but I do really like that moment where he, you know, is kind of stunned and trying to deny that it's actually happening.

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And then he's shouting at Martha, you know, has he noticed it?

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Has he noticed it now?

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I think all of that sort of stuff is pretty good.

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And I'm actually on board for occasional Doctor Who story that is a little bit less of an adventure in itself.

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Oh, look, I love a base under siege. my favourite ones.

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Yeah, yeah, yeah, yeah.

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But I mean, this is as thin as possible, isn't it?

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I mean, it is super thin.

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But you know, for me, it's all kind of atmosphere. and then setting up for the 2 part finale.

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Now, I don't want to derail anything that you're going to be talking about in the next few weeks.

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But I believe still to this day that Davis had the finale of this in mind for Rose.

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Oh, because we're meant to be caring about these people who have been debased, like Martha's family, and we've barely gotten to know them.

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But if they were people we'd been with for the last 3 years, you'd be like, oh, how awful, how, you know, I don't want to see Jackie in that position.

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That's just the worst thing.

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Also, Jackie betraying Rose would have been much more powerful.

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You are so spot on with this because we forget what a dark little bugger how Russell can actually be.

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He loves doing horrible, horrible things to people he's creative.

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And also, like, it makes more sense for Rose to spend a year walking around the planet whispering the doctor's name.

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Instead of, instead of Martha, who really is just a bit jacked off because old mate was blonde.

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Yeah, yeah.

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I think that, as well, you've got that, the hubris thing in series two, you know, that the doctor and Rose are sort of massively unlikeable, and you're waiting for the other shooter drop.

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And it sort of, I guess, drops in doomsday, but it's clear, I think, that he had more in mind.

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Yeah, it was kind of just blindsided by Billy's departure, I think, and had to change it.

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I, yeah, I had never considered it, but I think you're really onto something.

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And this is the other shoe dropping for me because the face of Bo's message, you are not alone, was written for the end of New Earth. with a view to it paying off at the end of that series and then he pushed it back a year.

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So, yeah, I hadn't I had never considered that.

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Yeah, it just, there's, because when, you know, you see all of Martha's family and I was like, I don't really care that they've been turned into hideous monsters.

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Like, it's, you know, I don't like, let them clean the tables.

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Except I actually really love Francine.

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And I'm a massive fan of all 3 RTD mums.

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And my my dream convention is mom con.

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With all 3 of them.

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I, I once got an audiobook just because, uh, Joe, and I was reading it.

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She has the most beautiful, mellifluous voice.

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Like it is spectacular.

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And it is, it was a terrible book.

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It was one of those, you know, the African crime stories. detective, ladies detective agencies.

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Number one ladies detectivate. reads those.

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Right.

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Oh, cool.

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Yeah, well, we'll see more of her next week, but I think that I think that does that sounds right, doesn't it?

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Like just from a, like from my, from my own writing, like I'm like, ah, because this is, this is one thing that you kind of forget about TV production is that there are so many things that, that a writer has to just take on board.

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Like, you know, everyone complains about the last season of Game of Thrones.

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And everyone's like, well, they should they should do it with competent writers, like, these writers are very competent, but they had the option of playing that story out over another 7 seasons with different actors because Leonard Hetty was being paid a 1000000 and a half dollars to sit in a window, drink a glass of wine.

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Or you try and tie it all up while you can still afford these people who are quite becoming more and more expensive.

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I mean, I think that that's what makes serialised television so interesting because things are being thrown at the people who are riding and they're having to deal with production things.

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Oh, family tree.

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Yeah, and through this dreary problem.

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Enterprise season 4, isn't it?

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But if you get the fans on board, I really did like that thing.

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It's one of the few bits of trick I actually liked because, oh, look, saliency and interlinking and plots and puzzles that ROCD-ish fan boy brains can follow and make fun with.

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And maybe in a way, Martha is designed to kind of fit that role in a different way because we've seen Martha.

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In human nature, you know, spend a few months, um, serving the doctor or helping him out or whatever.

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And so the idea that she would do that.

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And Martha has been set up as someone who is selfless and who really loves her family.

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And so he kind of shorthands all of that stuff to still kind of make it work, I think.

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There is...

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I mean, we're talking about everything but utopia.

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It is very problematic, the fact that the only black family he has, he puts all of them in servant positions.

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I was just going to say...

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I would pay rubies and tips to have Francine as my waitress because that would be Algonkin level, bitch.

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She's out the back spitting in your food.

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Oh, yeah, no, she exactly.

187
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Nothing so prosaic.

188
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No, no, no, the poison would be very slow accent.

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Very slow.

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Yeah, you would feel it only after your bank accounts had been completely drowned.

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I had draw her.

192
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But yes, it's the big thing.

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Because Russell is John Cimbwall in this case.

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He's, I think, in these nicest aspect.

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He's Jacobi.

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Have you heard Jacobi on the big finishes, by the way?

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Yes.

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Oh my god, the one, the master of...

199
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Yes.

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Oh, that is probably the best thing, big finish. in about 5 years.

201
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Thank you.

202
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And so is he playing Jana in that?

203
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No, he plays, like, it's, it doesn't quite make sense.

204
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Look, it's very silly, but he's he's the war master.

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Basically, he's the master before he gets turned back into a baby.

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Right, okay.

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Okay.

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And he's malevolent and he's awful and he hates people and he's manipulative and it's amazing.

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He's Russell.

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He's Russell's Jungian Shadow.

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I think everything that Russell wants to do as in really what you said about Martha's family, which is just no one will do it.

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I mean, Russell would be looking at Wing Chang.

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I will just list appalling thing anyone could have ever done in a Welsh accent.

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And he'd be, you know, it's always this is really terrible, but underneath he's going, oh, that's so evil.

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Well, and Russell's naughty.

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I mean, look at this.

217
00:15:57.179 --> 00:16:21.960
You know, you have a setup here, utopia, which is kind of really resonant and sort of, we talked about this in gridlock, where it creates a world that doesn't really work on its own terms, but the sort of comments on the human condition, you know, that you've got people living their lives, sort of creating a community, suffering, you know, there's a material reality around that sort of refugee camp thing, even though it's just in sort of some corridor in a glass section.

218
00:16:22.019 --> 00:16:26.220
And it looks like it's been entirely made out of leftover sets from some blitz drama.

219
00:16:26.340 --> 00:16:26.940
Yeah, yeah.

220
00:16:27.000 --> 00:16:29.879
Well, I love the mid-20th century look of everyone's clothes.

221
00:16:29.940 --> 00:16:31.679
Yeah, it's nearly terrific.

222
00:16:31.799 --> 00:16:39.120
And, you know, the doctor says, you always come back to their So it's like, you know, we have nothing, but we're going to make sure it's the aesthetic we like.

223
00:16:39.179 --> 00:16:42.299
It is weird, though, because it does, like, they've gone.

224
00:16:42.360 --> 00:16:46.860
Okay, it's what says refugees to us in the war, in the tube.

225
00:16:46.980 --> 00:16:49.379
Yeah, yeah, waiting for the bombs to drop.

226
00:16:49.440 --> 00:16:50.039
There we go.

227
00:16:50.100 --> 00:16:50.940
That's the look we're going.

228
00:16:51.000 --> 00:16:52.740
I think that's perfectly reasonable.

229
00:16:52.799 --> 00:16:58.500
I mean, they could have all been wearing sort of glittering space outfits or something, which would have been very bad.

230
00:16:58.559 --> 00:16:59.519
Oh, wouldn't it have been wonderful?

231
00:16:59.700 --> 00:17:02.159
Oh, Garrow beam.

232
00:17:02.220 --> 00:17:05.759
In his Davros wheelchair. the end.

233
00:17:05.819 --> 00:17:09.779
But and then you've got them searching for utopia.

234
00:17:09.839 --> 00:17:11.759
You know, they know that they're all about to die.

235
00:17:11.880 --> 00:17:15.539
They know that they're all mortal and they're trying to find some mythical way out of it.

236
00:17:15.599 --> 00:17:23.339
And, you know, the doctor's wandering through the refugee camp going on about how indomitable they all are, you know, borrowing Tom's lines.

237
00:17:23.400 --> 00:17:26.579
But what he's going to do to those people next week.

238
00:17:26.640 --> 00:17:27.420
Oh, yeah.

239
00:17:27.420 --> 00:17:31.980
You know, like it is so bleak and so brutal.

240
00:17:32.039 --> 00:17:40.920
And that's what Russell always does, you know, on the, you know, on confidential and on the commentaries, everything's lovely and marvellous and, you know, isn't it great and wonderful?

241
00:17:41.039 --> 00:17:47.700
But he's so cynical and kind of so horrible and I really like that.

242
00:17:48.420 --> 00:17:50.880
We've had years and years of it.

243
00:17:50.880 --> 00:17:51.599
Yeah.

244
00:17:52.200 --> 00:18:03.900
The fact that, you know, he gives you a character as delightful as Chen, though, who is, you know, you love just because she's forced to do this weird way of speaking, which she says is polite.

245
00:18:03.960 --> 00:18:06.779
And the joy she takes in not doing it.

246
00:18:06.900 --> 00:18:08.279
And you're like, oh, she's great.

247
00:18:08.339 --> 00:18:09.299
Oh, she's dead.

248
00:18:11.099 --> 00:18:32.579
But even doing it with Yana as well, who has, he's got a couple of really beautiful speeches, and there is that, the one where he's tearing up and saying, you know, there were stories of time travel in the old days and stuff, or when he's doing the exposition thing about what utopia is, and it's, you know, it's the Derek Jacoby voice and all of that.

249
00:18:32.700 --> 00:18:35.160
And the doctor really likes him.

250
00:18:35.220 --> 00:18:36.059
He's really smart.

251
00:18:36.119 --> 00:18:39.779
He's he is like a version of the doctor.

252
00:18:39.839 --> 00:18:41.940
And so we like him as well.

253
00:18:42.000 --> 00:18:46.680
And so turning him into the master too, is, again, just a sort of bit of a gut.

254
00:18:46.740 --> 00:18:55.200
There are so many like, there are so many great moments in this show that the rest of the story is looking to accommodate.

255
00:18:55.259 --> 00:18:56.880
Yeah, oh, yeah, yeah, yeah.

256
00:18:56.940 --> 00:19:01.859
Like the scene with Captain Jack and, you know, not turning into ash, like the poor man in the spacesuit.

257
00:19:01.920 --> 00:19:02.759
Yeah, yeah.

258
00:19:02.819 --> 00:19:04.500
Like that is a great scene.

259
00:19:04.559 --> 00:19:11.940
Like they playing off each other amazingly well and it is and it's one of those scenes where you're like, oh, I feel like that's the script.

260
00:19:12.059 --> 00:19:13.980
Oh, no, no, this master thing is the script.

261
00:19:14.039 --> 00:19:19.440
And it's almost like everything else has been just sort of weirdly stitched on.

262
00:19:19.559 --> 00:19:21.119
It reminds future kind.

263
00:19:21.180 --> 00:19:27.900
Well, they wandered in from the, wandered in from the planet Cephlon or whatever. or something.

264
00:19:28.319 --> 00:19:39.059
It reminds me a little bit of, you know, Grim Wade's things like Mordred on Dead or Planet of Fire in particular, which has really kind of not much plot.

265
00:19:39.119 --> 00:19:39.720
Yeah, there's nothing.

266
00:19:39.720 --> 00:19:48.539
But it's all about Turlow and Chameleon and the master and getting all of the characters where they need to be in order for Caves of Andrazani to happen.

267
00:19:48.599 --> 00:19:53.160
And, you know, I think I would like Doctor Who to be occasionally a little bit more like that.

268
00:19:53.220 --> 00:20:02.519
I'm kind of, you know, over just series of self-contained adventures that don't kind of, I like a self-contained adventure.

269
00:20:02.640 --> 00:20:07.740
I was more tired of this kind of thing by the time we got to the end of the Moffat era.

270
00:20:07.859 --> 00:20:10.980
Like, it was great when Davis was doing it because he would just pepper it through.

271
00:20:11.039 --> 00:20:13.799
He'd have like, here's an individual adventure.

272
00:20:13.859 --> 00:20:19.500
Like this episode, you know, can stand vaguely alone without all the ongoing stuff.

273
00:20:19.559 --> 00:20:29.279
But, you know, the, it's just, you know, towards the end of the Moffat era, it was like the, the adventure seemed to be, you never, they never finished.

274
00:20:29.339 --> 00:20:40.680
Like they kind of gone halfway through and it's like, oh, now we're going on to the continuing story that's been going on for the last 4 episodes and we, I'm not going to explain how I got out of that. why not?

275
00:20:40.740 --> 00:20:41.819
Oh, just because that's what I do.

276
00:20:44.880 --> 00:20:49.859
But yeah, I kind of, I personally have been enjoying a story that finishes.

277
00:20:52.920 --> 00:20:58.920
See, the structure of this one and the next 2 episodes coming up remind me of the Seeds of Doom.

278
00:20:59.039 --> 00:21:05.940
Because you've got those 1st 2 episodes in Antarctica, which just exists to show you how dangerous the monster is.

279
00:21:06.059 --> 00:21:06.599
Yeah.

280
00:21:06.599 --> 00:21:15.180
And what this episode does is it tells you that the master could be like the doctor if he wasn't evil.

281
00:21:15.240 --> 00:21:34.259
You know, it's shorthand for that, but it also tells the younger audience where Captain Jack has been because Barriman really stressed at the time in interviews, he said, no, we explained where Jack's been, you don't have to go watch Torchwood, and if, and he's like, if you are a child, don't don't watch me and talk to it.

282
00:21:34.319 --> 00:21:40.319
And Barriman has always said Captain Jack is a different character in Doctor Who than he is in Torture.

283
00:21:40.440 --> 00:21:41.460
He like, I play him differently.

284
00:21:41.519 --> 00:21:47.339
I put a different emphasis on because Doctor Who's for Children, Torchwood is for horny 15 year olds.

285
00:21:47.400 --> 00:21:49.140
Sorry, adults.

286
00:21:49.200 --> 00:21:50.400
That, that, that old.

287
00:21:51.480 --> 00:21:53.339
He came and went.

288
00:21:53.400 --> 00:22:05.099
You know, I actually remember being relieved when Jack turned up in this and how lovely and fun he was because he just wasn't that at all in Torchwood.

289
00:22:05.160 --> 00:22:06.059
To be all feel the same way.

290
00:22:06.119 --> 00:22:07.740
I only like Barrowman in doctor.

291
00:22:07.799 --> 00:22:17.039
Yeah, and and all of those things, you know, what's, we forget that this actually clears up some of the things, the questions about Jack raised in Tortwood series.

292
00:22:17.099 --> 00:22:18.420
Like, how did he even get there?

293
00:22:18.480 --> 00:22:21.059
How come we have flashbacks to him in World War one?

294
00:22:21.119 --> 00:22:21.960
How did that even happen?

295
00:22:22.019 --> 00:22:24.779
And it just explains it in a couple of throwaway lines.

296
00:22:24.839 --> 00:22:25.740
It absolutely doesn't matter.

297
00:22:25.799 --> 00:22:30.599
And then we get on with some running around and, you know, teeth and having an adventure and stuff.

298
00:22:31.559 --> 00:22:49.019
Also, the other thing about Captain Jack turning up is that, I mean, they still try and shoehorn it in, but this ongoing narrative of Martha feeling 2nd best to Rose, which sometimes I feel like her character was written just to be her entire character is not Rose.

299
00:22:49.079 --> 00:22:51.960
Like there's nothing else to her, but not Rose.

300
00:22:52.019 --> 00:22:54.420
And it's frustrating.

301
00:22:54.480 --> 00:22:58.619
It must have been frustrating for Freeman, the actor, because it's like, well, what am I, what am I playing?

302
00:22:58.680 --> 00:23:02.160
I'm just playing someone who's, yeah, the underheader Locklear?

303
00:23:02.220 --> 00:23:06.599
Whoever whoever's in the mean cast cast right at the bottom just looking up at all the pink.

304
00:23:06.660 --> 00:23:07.200
Yeah.

305
00:23:07.200 --> 00:23:17.400
Yeah, like it, I hate it when, not just characters, but people in life define themselves by what they're, what they're not or what they don't like.

306
00:23:17.400 --> 00:23:18.599
Because I do stuff for YouTube.

307
00:23:18.660 --> 00:23:20.220
I don't do nearly enough stuff for YouTube.

308
00:23:20.279 --> 00:23:22.500
No, you probably do too much.

309
00:23:23.460 --> 00:23:25.559
But this is the thing.

310
00:23:25.619 --> 00:23:32.339
The most viewed Doctor Who videos are the things that are like, you know, Jodie Whitaker murdered my childhood.

311
00:23:32.339 --> 00:23:32.700
Oh, man.

312
00:23:32.700 --> 00:23:35.160
And they keep turning up and I'm like, I don't want to watch these.

313
00:23:35.279 --> 00:23:37.319
Why does YouTube think I care about this?

314
00:23:37.380 --> 00:23:39.960
Yeah, and it's like, one day I was curious.

315
00:23:40.019 --> 00:23:45.059
And I clicked through to one of these channels and thought, have you put up a single video about something you like?

316
00:23:45.119 --> 00:23:45.960
No.

317
00:23:45.960 --> 00:23:46.380
No.

318
00:23:46.440 --> 00:23:48.900
No, it's all about something you don't like.

319
00:23:49.380 --> 00:23:52.380
You can't create something from a negative.

320
00:23:52.440 --> 00:23:53.099
Yeah, yeah.

321
00:23:53.160 --> 00:23:55.799
And Liz Miles was talking about this last week.

322
00:23:55.859 --> 00:24:00.119
It's like Martha has her own character, but it's constantly buried under this, not Rose.

323
00:24:00.180 --> 00:24:12.119
Yeah, I think I think they're walking it back here a little bit too, because they they give her, you know, like, like I think that Freeman does the sort of sassy, exasperated comedy thing quite well.

324
00:24:12.180 --> 00:24:16.500
And so her reaction to discovering that Rose was blonde, you know, that's kind of funny.

325
00:24:16.559 --> 00:24:22.500
And and making Jack have the same experience with the doctor as she has.

326
00:24:22.559 --> 00:24:25.259
So you are in love with him as well.

327
00:24:25.319 --> 00:24:30.900
And I think that sort of makes it more fun and takes the sting out of it a little bit.

328
00:24:30.960 --> 00:24:34.980
But also, Martha, it works brilliantly when she's not with the doctor.

329
00:24:35.039 --> 00:24:38.460
Like when she's with Shakespeare, when she's with Chanto.

330
00:24:38.519 --> 00:24:39.779
Like, these are great moments.

331
00:24:39.839 --> 00:24:42.119
And I know...

332
00:24:42.180 --> 00:24:42.839
Yes, from him.

333
00:24:42.900 --> 00:24:45.779
Yes, like when and when she's, you know, being shut off into the sun.

334
00:24:46.619 --> 00:25:02.460
Like, she's great without the doctor, but when she's, I don't know if it was a thing with her and tenant, or it was just Davis unable to write those as a, as a pairing, which he got so right with uh, Catherine Tate's Donna.

335
00:25:02.519 --> 00:25:07.500
But it was just, yeah, the unrequited love is just boring and annoying.

336
00:25:07.559 --> 00:25:12.539
And it's one of the reasons I don't like Charlie in the in the finish.

337
00:25:12.539 --> 00:25:14.099
Because I'm like, just get over it.

338
00:25:14.160 --> 00:25:16.680
Like, he's right there. either make a move or get out.

339
00:25:16.740 --> 00:25:28.680
But yeah, it is it is frustrating because she is a great character and she's a great actor and she has great moments, but as soon as you stick her next attendant, it's she becomes like part of the wallpaper.

340
00:25:37.740 --> 00:25:41.279
I think that's why we've felt, what is the right term?

341
00:25:41.339 --> 00:25:48.299
I'm not going to even throw a value judgement into it, but why we haven't valued famous performance so much in this and accepted wisdom has not.

342
00:25:48.359 --> 00:25:51.720
And oh, she's not quite the level of an actor as...

343
00:25:51.720 --> 00:25:52.500
She's a great actor.

344
00:25:52.559 --> 00:25:54.359
Yeah, I just, yeah, actually.

345
00:25:54.420 --> 00:25:56.880
Yeah, she's just pushing the chamber pot uphill.

346
00:25:56.940 --> 00:25:57.599
Yes.

347
00:25:57.599 --> 00:25:59.880
We're not going to let those handles go, are we?

348
00:25:59.940 --> 00:26:01.380
I hope not.

349
00:26:01.440 --> 00:26:15.539
But like her performance in human nature is amazing because so much of it is about, you know, being out of time being in a place where she has had all of her power taken away from her as a her colour is forefront.

350
00:26:15.599 --> 00:26:16.079
Yes.

351
00:26:16.140 --> 00:26:17.519
And, you know, she's a doctor.

352
00:26:17.579 --> 00:26:20.099
Like she's a trained doctor.

353
00:26:20.160 --> 00:26:23.400
She's, yeah, she's not an idiot as a character.

354
00:26:23.460 --> 00:26:29.160
So, yeah, I think I think Davis just ended up writing himself into a hole with that character.

355
00:26:29.160 --> 00:26:31.740
And she bore the brunt of that.

356
00:26:31.799 --> 00:26:36.119
We'll certainly see some like on the screen back peddling at the beginning of next season.

357
00:26:36.180 --> 00:26:36.960
Yeah, yeah, yeah.

358
00:26:37.019 --> 00:26:40.079
And, I mean, the rumour I heard at the time.

359
00:26:40.140 --> 00:26:44.400
And this has never been substantiated, was that Freema was signed for a year and a half .

360
00:26:44.579 --> 00:26:47.880
And that's why we get here in 3 episodes of Torchwood.

361
00:26:47.940 --> 00:26:50.819
And 3 episodes mid next season.

362
00:26:50.880 --> 00:26:54.119
And in the finale next season as well, she does fine.

363
00:26:54.180 --> 00:26:54.720
Yes, of course.

364
00:26:54.779 --> 00:26:58.740
And one of those 3 episodes, mid next season is terrible.

365
00:26:58.799 --> 00:26:59.579
Terrible.

366
00:26:59.640 --> 00:27:02.700
Well, it just fails in everything it sets out.

367
00:27:02.759 --> 00:27:04.559
Poor Georgia Moffatt.

368
00:27:04.619 --> 00:27:05.640
She still has a career.

369
00:27:06.180 --> 00:27:10.140
I'm not laying it at Georgia Moffat's feet at Georgia Tennant now.

370
00:27:10.200 --> 00:27:11.220
Yes, that's true.

371
00:27:11.279 --> 00:27:14.400
That's another one where she's acting with a character who can't speak.

372
00:27:14.460 --> 00:27:17.700
She's doing all the heavy lifting and she's great.

373
00:27:17.759 --> 00:27:19.079
The compelling scenes.

374
00:27:19.259 --> 00:27:24.119
I mean, you know, at the end of this season, she says to the doctor she'll be back.

375
00:27:24.180 --> 00:27:31.019
You know, they already definitely intend for her to turn up a few times in series four.

376
00:27:31.259 --> 00:27:35.220
What do we think about John Sims?

377
00:27:35.279 --> 00:27:38.099
We'll talk more of him next week, obviously.

378
00:27:38.400 --> 00:27:42.059
He's insane and I kind of love it.

379
00:27:43.440 --> 00:27:54.420
So what we have, I think, is the lead actor from the other big science fiction television program coming in and threatening to take over as lead actor of this show.

380
00:27:54.480 --> 00:27:58.140
And in 2 episodes time, he will, I think, have successfully done that.

381
00:27:58.200 --> 00:28:11.099
And it's the 1st time I think that the master, since, you know, since his introduction in Tariff the Autons, has actually been sort of properly rethought, and it's where they've worked out what he's for.

382
00:28:11.160 --> 00:28:18.420
And the job of the master is to threaten to be more fun than the doctor and more interesting than the doctor.

383
00:28:18.480 --> 00:28:22.559
And, you know, the doctors thing with villains normally is that he's more fun than them.

384
00:28:22.619 --> 00:28:33.720
And so, you know, the villains are hidebound or boring or limited, or have no sense of humour, and the doctor is, by contrast, someone that we want to spend time with.

385
00:28:33.779 --> 00:28:36.539
And what the master has to do.

386
00:28:36.599 --> 00:28:40.559
The master has to plausibly be someone who could be the star of the show.

387
00:28:40.619 --> 00:28:50.400
Yeah, I want to ask you, do you believe it's another Dark Russell, which I think is a title on itself, that he is performance coding David Tennant's Stick.

388
00:28:50.460 --> 00:28:53.279
Oh, yeah. actually ramping that up and said, quiet to John.

389
00:28:53.339 --> 00:28:55.799
Just take the piss out of danger.

390
00:28:55.859 --> 00:28:56.339
Exactly.

391
00:28:56.400 --> 00:28:58.859
Oh, no, absolutely.

392
00:28:58.859 --> 00:29:02.220
I feel that too, because I thought, you're being very naughty here and I like it.

393
00:29:02.279 --> 00:29:02.880
Yeah.

394
00:29:02.940 --> 00:29:20.339
Yeah, because, I mean, look, all of John Sims appearances in the role have been very, like, even when he comes back for the end of the Capaldi thing and is spends most of it doing an insane accent and it's like, yeah, take the Scottish and ramp it up to Eastern Europe.

395
00:29:21.539 --> 00:29:24.059
Put on your eye, shadow, dear.

396
00:29:24.180 --> 00:29:29.640
They take it to some like a hot level, don't they, with Tony Curtis doing Greg or the Hungarian Bartler?

397
00:29:30.779 --> 00:29:38.940
But it's also because he's usually such a, he doesn't play big, crazy parts normally.

398
00:29:39.059 --> 00:29:41.819
He's normally quite internal.

399
00:29:41.880 --> 00:29:52.019
So seeing him be this physical and this, you know, vocal and and energetic is really peculiar, but amazing.

400
00:29:52.079 --> 00:29:52.680
Yeah.

401
00:29:52.680 --> 00:30:00.119
Something Russell said for the 1st 2 years of Doctor Who, when Evovery was asked about the master, he's like, no, no, the doctors have asked the time lies.

402
00:30:00.180 --> 00:30:01.619
I've got no interest in bringing back Master.

403
00:30:01.680 --> 00:30:03.779
Look, he wasn't very well handled in the past and da- da.

404
00:30:03.779 --> 00:30:08.819
When on confidential with Simmy, he's like, of course, I was going to bring back the past.

405
00:30:08.880 --> 00:30:16.559
But what he said was, I didn't know how to write for him until I realised he's totally insane.

406
00:30:16.619 --> 00:30:18.839
Like, like you said, Adam, he's totally insane.

407
00:30:18.900 --> 00:30:21.180
He's a psychopath, possibly a sociopath.

408
00:30:21.240 --> 00:30:22.680
Now I know how to write for him.

409
00:30:22.740 --> 00:30:25.680
But also the conscious reflection.

410
00:30:25.740 --> 00:30:29.759
And we've talked about this before, that Delgado was a reflection of pertwig.

411
00:30:29.819 --> 00:30:31.079
Yeah, he's Pertuy only foreign.

412
00:30:31.140 --> 00:30:34.019
He's urbane, pretty.

413
00:30:34.019 --> 00:30:34.200
Yeah.

414
00:30:34.259 --> 00:30:45.480
Claus of Axos, I think, is the story where the doctor is really quite irritating and very dull and the master is actually really rather lovely and, you know, he's working with unit and all of that.

415
00:30:45.539 --> 00:30:49.799
And you actually kind of want to watch the master rather than watching Pertu in that story.

416
00:30:49.920 --> 00:30:52.140
And I think that Sim gets that.

417
00:30:52.200 --> 00:30:53.160
Yeah.

418
00:30:53.220 --> 00:30:59.160
And another master actor who's gotten that in recent years is Jeffrey Beavers acting on audio with Tom Baker.

419
00:30:59.220 --> 00:31:00.539
Oh, yeah, they're good.

420
00:31:00.539 --> 00:31:03.059
Yeah, because they both have mellifluous voices.

421
00:31:03.119 --> 00:31:05.880
Yeah, both all voice and very little else.

422
00:31:07.140 --> 00:31:10.619
I just listened to Death Match.

423
00:31:10.680 --> 00:31:13.500
I'm way behind on the Tom Baker audience.

424
00:31:13.559 --> 00:31:20.940
But yeah, it's got Jeffrey Beaver's in it and he's running this sort of death watch thing from Blake 7 kind of thing.

425
00:31:21.000 --> 00:31:22.619
There's no one called Tarrant, unfortunately.

426
00:31:22.680 --> 00:31:23.400
Well, sad.

427
00:31:23.460 --> 00:31:33.119
But there's a bit where they're in the master's private box looking over the arena and there's already been established there's a bowl of figs and Tom just gives this big speech about how pointless it is.

428
00:31:33.180 --> 00:31:34.380
Oh I give up.

429
00:31:34.740 --> 00:31:37.559
Can I have a fig or don't you give a fig?

430
00:31:37.619 --> 00:31:41.819
And Jeffrey Beaver's just, I don't give a thing.

431
00:31:42.960 --> 00:31:47.220
I also loved Alex McQueen up against...

432
00:31:47.579 --> 00:31:49.799
McCoy.

433
00:31:49.799 --> 00:31:50.220
Yes.

434
00:31:50.279 --> 00:31:53.279
That is a spectacular pairing.

435
00:31:53.339 --> 00:32:00.900
Also, when he's pretending to be the doctor for the 1st, you know, 4 or 5 episodes he's in the show is wonderful.

436
00:32:00.960 --> 00:32:02.339
Hello you.

437
00:32:02.880 --> 00:32:05.700
I like I did not pick that twist.

438
00:32:05.759 --> 00:32:06.599
No.

439
00:32:06.660 --> 00:32:13.140
And if before anyone out there complains about spoilers, this was like 2011, we're out we're outside the statute of limitations.

440
00:32:13.740 --> 00:32:17.700
But playing the, you know, Carmen Miranda hat of free.

441
00:32:19.380 --> 00:32:22.920
Jacoby, again, you're just talking about master of colours.

442
00:32:23.099 --> 00:32:30.000
And one of my favourite things of big finishes, the behind the scenes when they've all been chortling the Sirah all afternoon and sit down.

443
00:32:30.000 --> 00:32:34.140
Jack Jack Billings, I just said, darling, is this the campus thing any of us have ever done?

444
00:32:35.279 --> 00:32:39.180
I mean, well, here's this if it wasn't, if it isn't just coming.

445
00:32:39.240 --> 00:32:39.900
Look at us.

446
00:32:39.960 --> 00:32:42.359
And he, as he said, he always loves it.

447
00:32:42.359 --> 00:32:43.859
And he never pictures it below that.

448
00:32:43.920 --> 00:32:44.700
Yeah.

449
00:32:44.700 --> 00:32:51.839
That's the, the effective thing about him in this as well, is when he opens the watch, it is an immediate change.

450
00:32:51.839 --> 00:33:00.359
And because he's been so dodtery and almost Peter Cushing in the 60s films up until that point, when he turns.

451
00:33:01.740 --> 00:33:06.960
And that kind of moment of fury when he's saying to Chanto, like, didn't you ever think?

452
00:33:07.259 --> 00:33:13.799
And then to top it all off, after Chentho kills him, he rails against being killed by a girl.

453
00:33:13.859 --> 00:33:16.440
So we're like, okay, not only are you evil, you're sexist.

454
00:33:16.799 --> 00:33:20.339
But I mean, he is racist, an insect.

455
00:33:20.640 --> 00:33:27.839
But he's old school, you know, like he reads like a classic series doctor or like a classic series master.

456
00:33:28.440 --> 00:33:35.160
And so, you know, the sexism thing is the same trick that Moffatt pulls on the 1st doctor in that terrible twice upon a time.

457
00:33:35.220 --> 00:33:41.940
Yeah, it's like arguably more effective here because we're playing with an archetype rather than playing with an established character.

458
00:33:42.000 --> 00:33:42.960
Yeah, yeah, yeah.

459
00:33:43.079 --> 00:33:49.019
And of course, it's been sort of well rehearsed that when he opens the watch or when he's listening to the watch, you hear.

460
00:33:49.079 --> 00:33:55.319
Ainley's laugh and who's, I think it's from the demons, isn't it?

461
00:33:55.380 --> 00:33:56.039
Delgado.

462
00:33:56.099 --> 00:33:58.559
Yeah, you speaking to us well. willing to give your power to me.

463
00:33:58.619 --> 00:34:02.880
Yeah, which is really, I mean, that's really to mine something. cackling.

464
00:34:03.119 --> 00:34:05.099
Teeth clacking.

465
00:34:05.160 --> 00:34:10.980
And it is very sweet of them to include Ainley, who I think is probably pretty terrible as the master.

466
00:34:11.039 --> 00:34:16.260
Oh, no, he's great because he's, he is like the same as all the masters.

467
00:34:16.320 --> 00:34:22.559
He is the perfect foil. for Davison's doctor, who is a little bit useless.

468
00:34:22.679 --> 00:34:26.099
And so as the master, he's a little bit useless.

469
00:34:26.880 --> 00:34:35.039
Did you get the feeling with Ainley that he was playing it for real, or at least attempting to, and nobody else on set was doing that.

470
00:34:35.099 --> 00:34:40.199
Yeah, because, I mean, John Nathan Turner turned it into dancing with the stars with a plot.

471
00:34:40.320 --> 00:34:42.480
I'm just saying outfits.

472
00:34:43.980 --> 00:34:52.019
Yeah, I mean, the thing the thing with Ainley is Sylvester McCoy has said, anything I only cared about 2 things, cricket and playing the master.

473
00:34:52.079 --> 00:34:52.860
Yeah.

474
00:34:52.860 --> 00:34:57.239
And when he wasn't on set playing the master, he was off listening to his wireless, listening to the cricket.

475
00:34:57.300 --> 00:35:01.559
And so Silver's like, he was the most terrifying man I've ever worked with.

476
00:35:01.679 --> 00:35:02.280
It's wonderful.

477
00:35:02.340 --> 00:35:04.800
Yeah, and Aldred said the same thing.

478
00:35:04.860 --> 00:35:08.519
He actually was disturbing to be close too because there was that dissonance.

479
00:35:08.579 --> 00:35:09.360
And the wig, obviously.

480
00:35:09.420 --> 00:35:10.440
The well, the wig.

481
00:35:10.500 --> 00:35:11.400
Who are we talking about now?

482
00:35:12.960 --> 00:35:16.860
On one of the new Blu-ray sets. the season 18 set.

483
00:35:16.920 --> 00:35:19.500
There's a little bit of convention footage of him.

484
00:35:19.559 --> 00:35:28.619
And he's still got a bit of a sardonic edge to him, but it was also clear how much he enjoyed being around fans.

485
00:35:28.679 --> 00:35:32.219
Like he was telling this little anecdote about being a master and then he slipped into the master boy.

486
00:35:34.139 --> 00:35:50.159
I think I've said before that one of the great glories of the Castra Valver audiobook is Peter Davison's Anthony Alien impression, which had clearly been honed over years and years of working with him.

487
00:35:50.519 --> 00:35:52.019
It's spectacular.

488
00:35:52.079 --> 00:35:52.920
It's absolutely perfect.

489
00:35:52.980 --> 00:35:55.619
We're back onto gnashing of teeth, aren't we?

490
00:35:55.739 --> 00:36:04.920
Well, something I really appreciate about this is tenants gnashing of teeth has actually worked into the narrative by having them arrive at the gate and having to show their teeth.

491
00:36:05.880 --> 00:36:09.239
It's a nice nod back to Billy Piper.

492
00:36:09.360 --> 00:36:12.300
Yes, I mean, yeah, if she'd been in the scene, we wouldn't have been able to see anything.

493
00:36:13.199 --> 00:36:15.300
Those future kind.

494
00:36:15.360 --> 00:36:16.920
And we were sort of wondering why they were here.

495
00:36:16.980 --> 00:36:20.639
I think that they're borrowed pretty much directly from terminal, aren't they?

496
00:36:20.699 --> 00:36:23.039
The final episode of Blake 7 series 3?

497
00:36:23.099 --> 00:36:26.460
Where they're what humanity evolves into?

498
00:36:26.519 --> 00:36:34.739
And one of the, you know, the bleak thing about that episode, which I think we all remember with great fondness.

499
00:36:34.800 --> 00:36:38.099
I remember seeing it for the 1st time, I think when it was being broadcast.

500
00:36:38.159 --> 00:36:41.400
And so you have the liberator destroyed. you have them trapped.

501
00:36:41.460 --> 00:36:48.719
We know now, or we're told at least that Blake is dead, um, that Servoland saw him buried.

502
00:36:48.780 --> 00:36:57.539
So the whole thing's gone to hell, but we're now trapped on a planet where it's not just our heroes that have gone to hell, but the entire human race is going to evolve into this.

503
00:36:57.599 --> 00:37:00.239
And so at the end of the world.

504
00:37:00.300 --> 00:37:07.619
And one of the things that I think this episode does really well is that sense of a universe that's winding down.

505
00:37:07.679 --> 00:37:14.460
Um, and the sort of savagery that, that, you know, humanity kind of eventually...

506
00:37:14.460 --> 00:37:20.099
It's very, um, end of the Roman Empire, barbarians at the gate. kind of, you know, repeating itself again.

507
00:37:20.519 --> 00:37:28.380
And the same with the humanity in the tube trying to, you know, survive against the Hun bombings.

508
00:37:28.500 --> 00:37:35.400
It's very much like the end is coming and we are holding out hope for who knows what.

509
00:37:35.460 --> 00:37:43.440
And I just found it weird that it seemed like they were being attacked by an amateur dramatic society.

510
00:37:44.460 --> 00:37:52.500
I think they'd, they'd clearly cast people who brought their own piercings.

511
00:37:52.559 --> 00:37:58.980
Yeah, like if you look closely, a lot of people aren't wearing the prosthetic teeth, they just have really shockingly bad teeth.

512
00:37:59.219 --> 00:38:07.380
But yeah, Paul Mark Davies, who's the lead future kind, and we'll be the trickster in Sarah James.

513
00:38:07.440 --> 00:38:09.239
Yeah, he was a regular monster.

514
00:38:09.300 --> 00:38:11.280
Yeah, he had to have magnetic piercings or whatnot.

515
00:38:11.340 --> 00:38:14.579
There's another guy who's part of the future kind, big bald bloke, I think.

516
00:38:14.639 --> 00:38:16.739
All the piercings are his own.

517
00:38:16.800 --> 00:38:21.239
And he was cut specifically because he had piercing. had all these piercings.

518
00:38:21.300 --> 00:38:25.380
It was it's the it's the very tidy hair that the main guy has.

519
00:38:25.440 --> 00:38:27.719
I'm just like, couldn't you have stuck some dreads on it?

520
00:38:27.780 --> 00:38:28.079
or something?

521
00:38:28.679 --> 00:38:32.460
Like did the budget hair budget run out that week?

522
00:38:32.820 --> 00:38:35.760
Or did he have to run down and be in the other episode?

523
00:38:36.780 --> 00:38:40.559
They're kind of like the goth kids in South Park, aren't they?

524
00:38:40.619 --> 00:38:43.619
Like, you know, it does just feel like dress up.

525
00:38:43.679 --> 00:38:48.059
It just, like, on a weird kind of level.

526
00:38:48.119 --> 00:39:00.119
It feels like, you know, if the utopians or the people seeking utopia, uh, in the blitz, they're they're boomers down in the tunnels, and these are punks.

527
00:39:00.179 --> 00:39:04.739
This is the new generation coming to take television away from it.

528
00:39:04.800 --> 00:39:20.699
Like it's a weird kind of look that it has, but it's, it just feels very strange because it looks like there's, you know, here we are in the 40s in, you know, in these tunnels and then we've got the 70s coming to, Yeah, you know, rip it all away.

529
00:39:20.760 --> 00:39:26.579
I don't know why those were chosen for the looks because that's not in the script.

530
00:39:26.639 --> 00:39:30.000
So it just ends up being weirdly kind of reactionary.

531
00:39:30.119 --> 00:39:30.960
Yeah.

532
00:39:31.019 --> 00:39:39.659
It's obviously a weird production design decision that no one's made deliberately, but it feels very peculiar to look at.

533
00:39:39.719 --> 00:39:44.699
Like it is a, because yeah, it's, they're obviously just cyphers for both things.

534
00:39:44.760 --> 00:39:49.679
Like they're just like, oh, yes, this is the end of humanity and this is, you know, the teeth people.

535
00:39:49.739 --> 00:39:54.360
And it's never really explained what happened to the conglomeration.

536
00:39:54.420 --> 00:39:55.139
Like that.

537
00:39:55.260 --> 00:39:57.300
Yeah, it just went...

538
00:39:57.300 --> 00:40:08.460
Well, but I think that that's a point too, where when the doctors ask to explain, he just says, it's time, and the idea is that time eventually kills all of us, including the whole universe.

539
00:40:08.519 --> 00:40:15.840
And so I think just it provides us a way of seeing that, where we get a, you know, an actual scene where they get to talk about.

540
00:40:16.019 --> 00:40:18.780
As opposed to Lookopolis, where it's like, yeah, the entropy's over there.

541
00:40:33.840 --> 00:40:42.599
I was just gonna say, with the planet, Mel Casero, in the 1st year, Russell said, we're not going to any alien planets because we don't just want to use a quarry.

542
00:40:42.659 --> 00:40:46.139
We've now had 3 alien planets.

543
00:40:46.199 --> 00:40:46.980
And they're all quarries.

544
00:40:47.099 --> 00:40:47.579
Yeah.

545
00:40:47.639 --> 00:40:53.280
You know, there's a there's a field in New Earth, but then there's crop tour, which is a quarry.

546
00:40:53.340 --> 00:40:57.300
And then there's Malcasero, which is a quarry.

547
00:40:57.420 --> 00:41:00.239
I have to say that it's a really good quarry.

548
00:41:00.300 --> 00:41:03.300
I mean, they Welsh quarries are much better than Macquarry.

549
00:41:03.480 --> 00:41:07.199
I don't have Gareth Thomas flouncing around in the first starters.

550
00:41:07.260 --> 00:41:11.099
Oh, well, although it looks like, you know, that Jana's wearing one of his old shirts.

551
00:41:13.199 --> 00:41:15.960
Although obviously they'd have to take it in a little.

552
00:41:19.019 --> 00:41:21.300
I think it's the night shoot.

553
00:41:21.420 --> 00:41:26.280
I think it's the fact they can afford a night shoot in a way that they could rarely do on classic Doctor Who.

554
00:41:26.519 --> 00:41:28.619
They're so tedious.

555
00:41:28.679 --> 00:41:31.019
Like, whenever I, yeah.

556
00:41:31.079 --> 00:41:41.219
Like, because you start work at sunset and then you finish at sunrise and it is not for like a week to do a half hour episode and this would be a fortnight probably.

557
00:41:41.280 --> 00:41:42.599
But so yeah, it's...

558
00:41:42.599 --> 00:41:43.440
It's not good for anyone.

559
00:41:43.679 --> 00:41:46.380
And they've dressed it as well.

560
00:41:46.500 --> 00:41:48.420
They just haven't done a quarry.

561
00:41:48.480 --> 00:41:53.400
Like there's that very flimsy gate. keeping with a padlock.

562
00:41:53.519 --> 00:41:55.559
Keeping...

563
00:41:55.679 --> 00:42:02.940
To be fair, there are some other kinds of defences that do get switched off and then immediately the future kind break the padlock and get in.

564
00:42:03.000 --> 00:42:06.119
But the whole look of it, you know, in the big trucks and all of that sort of thing.

565
00:42:06.179 --> 00:42:18.300
And I do like the idea that they don't really particularly sort of code it as far future. that that's a decision that the show's been making since it came back that it's going to look dated anyway.

566
00:42:18.360 --> 00:42:20.460
So let's make it look recognisable.

567
00:42:20.519 --> 00:42:21.480
Yeah, yeah, yeah.

568
00:42:21.539 --> 00:42:24.480
As opposed to, that's all, wear a silver jumpsuit.

569
00:42:24.539 --> 00:42:25.079
Yeah, yeah.

570
00:42:25.320 --> 00:42:30.119
Really miss the padded shoulders and wedgies.

571
00:42:30.119 --> 00:42:30.360
I know.

572
00:42:30.420 --> 00:42:32.039
Stephen Moffatt will be along soon.

573
00:42:32.820 --> 00:42:34.500
You'll be fine.

574
00:42:35.039 --> 00:42:39.840
I want the nappy uniforms of the team that staff in seats of death.

575
00:42:39.900 --> 00:42:41.460
Oh, now you're talking.

576
00:42:41.519 --> 00:42:49.980
I was thinking of the space crew from the web, but what's that 1st season Blake 7 thing where they've just got these broom handles and they just poke the portal seaweed.

577
00:42:50.039 --> 00:42:52.679
Yes, SVSV7 Yeah, yeah.

578
00:42:52.739 --> 00:42:53.760
That's SB 7.

579
00:42:53.820 --> 00:42:54.840
Miles Fothergill.

580
00:42:54.900 --> 00:42:57.360
And would, wouldn't he?

581
00:42:57.420 --> 00:42:59.880
And Wyatt Earp.

582
00:42:59.940 --> 00:43:01.019
You know, attack.

583
00:43:02.219 --> 00:43:15.659
But I kind of like, you know, Doctor Who hasn't always been crazy silver jumpsuits, we had the robots of death, crazy, you know, over the top lunacy. and the whatever they were wearing in the vervoids.

584
00:43:18.059 --> 00:43:20.940
That was very 80s active wares.

585
00:43:21.000 --> 00:43:22.800
Civilisation, really.

586
00:43:22.860 --> 00:43:24.119
That's right.

587
00:43:24.119 --> 00:43:25.500
It's what we've got now.

588
00:43:25.559 --> 00:43:28.739
It is the future because we're all wearing crimpling jumpsuits.

589
00:43:29.159 --> 00:43:30.900
It's not what I want.

590
00:43:30.900 --> 00:43:31.679
On a black man.

591
00:43:32.760 --> 00:43:34.500
I wish.

592
00:43:34.559 --> 00:43:38.099
I just think Janet looks like she's working at boots or something.

593
00:43:39.360 --> 00:43:44.639
Well, that's how she got access to the drugs to kill everyone because Janet is the killer.

594
00:43:54.360 --> 00:43:57.360
I like Utopia in spite of itself.

595
00:43:57.420 --> 00:44:09.239
Like there's so much that just doesn't work, but I feel like there's so many good parts of it, that it, that the coat hanger of a story has some nice clothes on it.

596
00:44:09.300 --> 00:44:19.260
I think for me, it has that sort of sense of there's a kind of melancholy about it and I think Graham Harper directs it really well.

597
00:44:19.320 --> 00:44:27.840
I think Murray's using sort of some pretty old music cues from elsewhere in the season, but they are used pretty effectively.

598
00:44:27.900 --> 00:44:34.079
I do like the way that the master is conceived of in the way that he's presented musically as well.

599
00:44:34.679 --> 00:44:43.739
And I guess I'm sort of up for an episode that marks time while a bunch of stuff happens for a while.

600
00:44:43.739 --> 00:44:45.179
I don't mind that.

601
00:45:13.260 --> 00:45:16.800
Well, there, listener, that's all we have time for is wait.

602
00:45:16.860 --> 00:45:20.820
The master is now Prime Minister of Great Britain, much to everyone's relief, I imagine.

603
00:45:20.940 --> 00:45:25.559
So we'll check in on how he's getting one next week in the sound of drums.

604
00:45:25.619 --> 00:45:31.860
The fun thing is, at this stage, we have no idea who the prime minister of Great Britain is going to be when this goes out.

605
00:45:31.920 --> 00:45:33.659
It's too unalumn.

606
00:45:35.039 --> 00:45:36.539
It's Ruth Davidson.

607
00:45:36.539 --> 00:45:52.559
In the meantime, you can find us wherever you get your podcasts and you can keep up with us at Flight 3 Entirety on Facebook at FDE podcast on Twitter and on our website, flight through Entirety.com, where you'll find links to our other podcasts, Bondfinger and Jody into Terror.

608
00:45:52.619 --> 00:45:54.719
Adam, where can people find you?

609
00:45:54.780 --> 00:45:56.219
Adamricard.com.

610
00:45:56.280 --> 00:45:57.300
Excellent.

611
00:45:57.360 --> 00:45:57.960
That was easy.

612
00:45:58.019 --> 00:45:58.860
All right.

613
00:45:58.920 --> 00:46:00.480
Until next time.

614
00:46:00.539 --> 00:46:04.260
May you find a utopia that hasn't been devised by Russell T. Davis.

615
00:46:04.320 --> 00:46:06.360
Thank you very much for listening and good night.

616
00:46:06.420 --> 00:46:07.139
Good night.

617
00:46:07.199 --> 00:46:07.800
Bye.

618
00:46:07.860 --> 00:46:08.760
Good then.

619
00:46:12.000 --> 00:46:17.760
That was Flight through Entirety, starring Nathan Bottomley, Brendan, Jones, Richard Stone, and Adam Richard.

620
00:46:17.820 --> 00:46:21.599
Theme arrangement by Cameron Lamb, strength performance by Jane Alberg.

621
00:46:21.659 --> 00:46:28.440
This episode on the set with Dame Derek Jacoby, was recorded on the 8th of September 2019 and released on the 24th of November.

622
00:46:31.500 --> 00:46:38.099
Here at FDE, we celebrated Doctor Who Day by nipping back in time, 50 years, and deleting the Celestial Toymaker part 4.

623
00:46:38.280 --> 00:46:41.099
So, next time we catch up, drinks are on you.

624
00:46:44.519 --> 00:46:48.599
I think he had made it known that it had been a longtime ambition.

625
00:46:48.599 --> 00:46:53.579
It used to appear on Doctor Who and Coronation Street. has he achieved the Coronation Street one?

626
00:46:53.639 --> 00:46:54.300
He has not.

627
00:46:54.360 --> 00:46:56.400
Has he come into Xena Sharples?

628
00:46:56.760 --> 00:46:58.079
Long lost it.

629
00:46:58.139 --> 00:46:59.280
Because I really want to.

630
00:46:59.340 --> 00:46:59.639
Oh, yeah.

631
00:46:59.699 --> 00:47:04.800
Well, you know Maureen Lippman, who we talked about last time I was on this show, is now in Coronation Street.

632
00:47:04.860 --> 00:47:05.340
No.

633
00:47:05.340 --> 00:47:09.000
So 3 times it's a big finish spinoff.

634
00:47:09.360 --> 00:47:13.679
And isn't Phil Collinson now producing Coronation Street?

635
00:47:13.739 --> 00:47:14.639
Oh, he was for a while.

636
00:47:14.699 --> 00:47:15.300
Has he gone back?

637
00:47:15.360 --> 00:47:16.019
don't know.

638
00:47:16.079 --> 00:47:21.480
Because he was in charge of it during the 50th anniversary when the tram fell off the aqueduct into the shop.

639
00:47:22.679 --> 00:47:25.920
In a devastating live episode.

640
00:47:26.219 --> 00:47:28.800
It was honoured by Skyfall.

641
00:47:30.300 --> 00:47:40.380
Why does that make me think of that episode of South Park when a scriptwriting department gets their plots from a bunch of dew gongs in a pool with words written on balls?

642
00:47:40.440 --> 00:47:46.139
like, Oh, they were mad. off the bridge. into the shop.

643
00:47:46.260 --> 00:47:48.539
No, it was a live episode.

644
00:47:48.599 --> 00:47:58.739
So they had to, it had to be all dramatic. the one before the tram falls off the bridge into the shop and then it was a lot of is old mate going to be pulled out from under the tram in time.

645
00:47:58.920 --> 00:48:02.519
Everything's a Brexit metaphor.

646
00:48:02.579 --> 00:48:07.559
The 50th is a long, it was like, oh, it was the 50th anniversary.

647
00:48:07.619 --> 00:48:08.699
Like it was ages ago.

648
00:48:08.760 --> 00:48:10.019
The Doctor Who one.

649
00:48:10.079 --> 00:48:12.900
It was like 2012, I think.

650
00:48:12.960 --> 00:48:13.619
Gosh.

651
00:48:13.679 --> 00:48:15.599
So yeah, Collinson might have gone back.

652
00:48:15.659 --> 00:48:16.619
Maybe he's the EP now.

653
00:48:16.679 --> 00:48:17.099
Who knows?

654
00:48:17.159 --> 00:48:28.559
Well, on that topic, Derek Jacoby actually grabbed Phil Collins and while he was shooting on the TARTA set and said, what a fantastic set.

655
00:48:28.619 --> 00:48:30.300
Do you watch Coronation Street?

656
00:48:33.420 --> 00:48:36.539
Because don't you reckon the TARDIS is like the knicker factory?

657
00:48:36.900 --> 00:48:40.860
It's got gantries and everything and it never used to be that big.

658
00:48:41.099 --> 00:48:43.920
What is a sauce pot, isn't it?

659
00:48:43.980 --> 00:48:47.880
The knicker factory has grown substantially over time.

660
00:48:49.320 --> 00:48:51.480
Underworld, it's called.

661
00:48:51.539 --> 00:48:52.500
Underworld.

662
00:48:52.500 --> 00:48:58.380
Oh, God.

663
00:48:58.440 --> 00:49:00.659
How did we get onto coronation?

664
00:49:00.719 --> 00:49:02.400
We all indoors.

665
00:49:02.460 --> 00:49:06.300
Diana Daws and Alan Lake used to hold naughty parties there and there, didn't they?

666
00:49:06.360 --> 00:49:07.860
Oh, yes. in the underworld.

667
00:49:07.920 --> 00:49:10.260
Underwear world, yeah, underwear world.

668
00:49:10.380 --> 00:49:13.079
It all comes back to Diana Dawes and Alan.

669
00:49:13.139 --> 00:49:15.179
Like, they're going to be our arc words for next season.

670
00:49:16.320 --> 00:49:18.300
They're the Saxon.

671
00:49:18.480 --> 00:49:22.619
It actually means that our last episode next season can't be broadcast.

672
00:49:22.739 --> 00:49:26.340
So but he had played the master before, had he not?