WEBVTT

NOTE
This transcript was created on 2026-06-07 at 14:34:33

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Hello, dear Lister, and welcome back to Flight Through Entirety, the only Doctor Who podcast where the Fat just walks away.

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And we're back.

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I'm Nathan.

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I'm James.

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I'm Todd, and I'm Peter, and I've travelled a long way to find obesity on this scale.

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I hate you so much.

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I'm thin and beauty.

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So it's been a couple of months since we killed Kylie and narrowly avoided crashing the Titanic into the royal family, so it's time for a return to business as usual.

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A new companion, a new family and a new small to medium enterprise to undermine and ultimately explode.

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It's the 1st episode of RTD's last Doctor Who series.

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It's partners in crime.

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So, let's start with Donna, I think.

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Peter, how did you feel when you first heard that Donna was coming back for an entire season?

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Well, I was actually spoil it on this fact very early.

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I think, um, yeah, maybe just after series 3 had finished recording, um, and a friend rang me up and said, you'll never guess what.

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Catherine Tate is back and she's going to be the regular for the entire season.

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I was like, 0 my god, and we both sort of, you know, combusted on the spot.

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But I knew that they would do something interesting with her.

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I knew that she wouldn't be quite the same Donna that we'd seen in runaway bride.

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There'd be more facets tour and more elements and they delivered on that in spades.

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How did you feel, Todd?

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I was concerned.

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Yeah.

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Because I hadn't really liked her very much initially, in her 1st appearance, well, certainly for about 20 minutes of the episode, she shouted her way through it, and then she got better.

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So when it was announced.

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I was like, okay, we'll see where this goes.

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Um, I mean, I wasn't totally against it, but I was, you know, concerned.

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And James?

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Um, oh, I was, I was really excited.

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I love Catherine Tate.

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I've loved everything she's ever done.

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Um, uh, she is just fantastic and, And she's a bloody good actress.

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I think it is the biggest companion casting announcement since Bonnie Langford, and maybe those are the 2 big ones.

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Maybe since Jackie Lane.

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Maybe since Jackie Lane and Bonnie Langford.

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And it was criticised in the in the press at the time for being stunt casting that they were chucking her back in there because they were trying to broaden the appeal of the show.

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What a terrible thing to do.

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Oh, that's crazy.

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It was like, how very terrible. television.

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I mean, yeah, let's try and broaden the appeal.

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But yeah, so now you're like, it is great casting.

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If you can get her back.

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By all accounts, she loved working on the show.

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I think she just loved working with David Tennant.

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Isn't that the story?

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Palpable chemistry on screen.

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And they've been friends ever since.

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Yeah.

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And you can see it when they sort of did press appearances together and the way that they would fire back and forth and kind of bounce off each other.

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It was just delightful.

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I don't think I seriously believed it because I just thought she was too big.

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Her show was still going on, so it meant, you know, months living in Cardiff, not doing the show, doing nothing other than Doctor Who.

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And she's really, really funny in the commentaries.

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Remember the podcast commentaries that they were making it this time?

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been releasing on the BBC website.

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Like the Santaran 2 parter and everything where she's just completely clueless about production, but Ishi.

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Yeah, yeah.

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Yeah, yeah.

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I think it's I think it's actually, you know, a bit.

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But she makes the claim that she thought that Doctor Who always just had Daleks in it.

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Like she seems to have not known anything about Doctor Who, you know, really.

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But it is incredible.

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And I think what you said earlier, Todd, where she's big and shouty for 20 minutes in Runaway Bride, but then it's a much, much more interesting performance.

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I think it's one of those things where comics often make the best dramatic actors and actresses.

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And in the back of my mind.

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That's what I was thinking, that that's where we're going to go with this and she had the potential to be the most sensational thing ever.

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And she was the most sensational thing ever.

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I think that's the thing, is that to be a good comedian, you really do need to understand drama.

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Yeah.

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Like, you need to understand timing, which is very important in drama.

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You need to understand how to carry an audience.

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And she came up, what, around the same time slightly before the Little Britain boys.

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She was doing stand-up.

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Um, they, didn't they kind of rip her off for Vicky Pollard in a way?

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Yeah, yeah, yeah.

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Well, that's not for here.

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Um, you know, she earned her, her um, her stand-up, her comedy chops and has pivoted quite well into other roles.

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She turned up in the office a few years later.

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Yeah, yeah.

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Yeah, doing a character.

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The Unreal Office.

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The wrong one, the one that is being remade again by NBC, apparently.

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I think they're not my companion crowd, the ones who are like, oh, she's just going to ruin the show and be over the top.

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It shows a certain lack of imagination of what Russell would be able to do with a character like that played by an actress like that.

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So people who are just like, oh, she's just going to be terrible.

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She's just going to be terrible and pretty much hung on to that.

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They're a very small minority.

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And can I say, when I was doing the big polls for Doctor Who magazine, Donna came 2nd in the companion polls both times.

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So this was up to 8 years after she left the show, 2nd only to Elizabeth Slayton.

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It's funny too, because the show, the new show, introduces Sarah Jane Smith, and Donna Noble as regulars in the same way.

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So they're investigating something, because they know that that's what the doctor would do.

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And so Sarah Jane Smith turns up in school reunion at the school.

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And here, um, Donna turns up at Adipose Industries because they know that the infiltrating an organisation that has some alien involvement is the sort of thing that the doctor would do.

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And the most interesting thing I think about the way that she's introduced is that she's positioned as the doctor's counterpart.

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She's the same as the doctor.

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She's his partner in crime.

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Yeah, yeah, yeah.

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But she's more she's clever and more competent because she manages to infiltrate without having to break doors down and that sort of thing.

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She's setting technology.

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She just, yeah, she just...

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Oh, yes, do, do.

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So yeah, so she actually looks a lot more professional. than he does.

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She doesn't need psychic paper or a sonic scrutiny.

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But she does have psychic paper.

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The funny thing about it is, she's clearly, it's clear in that wonderful scene, which we'll talk about later, that scene with Sylvia, that she's got a job in health and safety, has got an ID, quit the job 2 days later, and she's seen flashing the ID in exactly the same way as the doctor very quickly with a couple of fingers over it.

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Yeah, yeah.

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And it's health and safety.

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Like they both pose as health and safety.

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And they're both infiltrating the same organisation at exactly the same pace and doing the same thing.

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I'm not entirely sure that those scenes early on quite work, and I think it's James Strong's fault, because there are only a few scenes where it's very clear what their relationship spatially is to one another.

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And the script is clearly written in such a way that they're supposed to keep missing one another, just by a hair.

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But it's never very quite clear where spatially they are in relation to one another.

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They had such trouble filming that they kept stuffing up the timing and it took all night to get about 3 seconds of, I mean, I'm exaggerating there, but like they, all of that popping up, popping down stuff.

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They kept they kept stuffing it up and they had to reshoot and reshoot and reshoot.

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James, just do it as a split screen and they'd edit it later.

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But that is the bit that works.

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The bit where they're going up and down popping over the over the cubicle partitions and just missing one another.

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That's all wonderful.

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But when they approach the building, it's not clear. like it looks initially like they're walking towards one another and then it's not clear, like they're clearly going to different sides of the building.

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There's another scene later at night where they're at that sort of intersection and they walk.

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Which I do like because the last shot pays that off quite well.

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Yeah.

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Yeah.

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So she's the doctor straight away.

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And and that is obviously feeding into the arc this year, the Dr. Donna, which won't be actually sort of mentioned by name for another 2 episodes.

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It's like the way they're constantly mistaken for a married couple.

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The idea that they, that they have this sort of very, very close relationship, which ends up being a real kind of timey, whimey thing.

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Which other people pick up on immediately?

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Yeah, yeah.

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I have to say as well, it's really nice, the fact that Donna's investigating this, like Sarah Jane did, is very indicative of the change in her character because old Donna, you know, new flavour of Pringle, text me, text me, Donna, would have been all over the adipose tablet.

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She would have been one of the 1st customers.

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She would have been there, swept up in the craze, whereas New Donna, who's sort of investigating and interrogating things and wants to change her life, is more interested by what is this and what's behind it rather than it supposedly does this.

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Which is what makes her ultimate fate.

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So devastating.

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Of course, yeah.

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That she goes back to.

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Yeah, that like, you know, meeting the doctor made her a better person.

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Yeah.

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And the fact that she basically dies at the end of the season is just horrific.

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I still haven't forgiven Russell for it.

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Spoiler.

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Yeah, yeah.

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So, can we talk about Donna and her mum?

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Because I think the introduction of Will, and I think everyone's probably familiar with the story of the fact that it was meant to be Donna's dad from Runaway Brides, but sadly, the actor was very ill and passed away. not long after.

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And so they brought in Bernard Cribbens and made him her grandad.

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Um, that scene on the hill between them really warms Donna up.

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It allows her to kind of come back down to earth and gives her a few more facets because of his obvious love for her.

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Um, but her mum, uh, that scene in the kitchen, that very well shot scene where Donna's just sitting there staring into space and her mother's this whirl of activity kind of moving around her. um, and she's haranguing her.

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And she's really mean.

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Like everything that she says, she sort of pokes her face into Donna's and really gets up in her business.

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And you think, yeah, this is dreadful.

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You can see why Donna previously hasn't had any ambitions.

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She's been ground down by kind of everyday bullying.

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Although I like the intention of that scene.

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I actually don't like the way it shot because Sylvia just seems to be, um, cleaning the same 3 spots all the time.

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Don't you think Sylvia might do that?

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I don't know.

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I just, every time I watch it, I just go, can you, can you do something different?

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You can be putting things away in the cupboard?

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But I just don't like the way it's shot.

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Hermogadons just kicked in.

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I think it's a good way of indicating that this is what happens to Donna all the time.

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So she's just sitting there like...

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A time lapse of weeks.

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Yeah, yeah, yeah.

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I mean, it is clearly not meant to be a time lapse of weeks, but it does give the impression that this is how Sylvia treats her.

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I think Sylvia is incredibly good and she's already good in Runaway Bride.

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Yeah, it's amazing because last season, you get off a bit on the wrong foot with Francine, she's a much harsher character, but coming back to this, I still warmed Sylvia, even though she's nagging away.

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And I think that's an interesting difference.

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And I like the fact that we then sort of go to Donna on the Hill talking to her, her grandfather and she's so much calmer and there's just a warmth there.

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And I think at that moment, you know, the character is that different and there's a completely new side to her.

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And so by that time, I'm completely on board.

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Yeah, yeah.

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I think that that seems a little bit on the nose in places.

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Like, Donna's given.

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You seem to be drifting.

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Yeah, it's all just a little bit kind of too obvious, but just the warmth between the 2 characters.

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It's not just the fact that Wilf loves Donna, that sells Donna to us.

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It's that Donna loves Wilf as well.

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And the 2 of them have this little oasis outside where they can escape being nagged by Sylvia because Sylvia nags Wilf as well.

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Like, she's all over Wilf too.

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I think we discover later that she won't let him have a webcam.

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You know, she's...

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Later on, she's sort of bustling him out the door and telling him to get outside with his thermos and things.

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And, you know, she's his daughter. but she sort of bosses him around and kind of doesn't really respect him.

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I love the family dynamic.

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And it's the thing that Russell does so incredibly well.

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I mean, you know, that's what Russell brings to the show.

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I've been missing that ever since.

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Yeah, I think, you know, Chipnell has learned from the best and has certainly attempted to do that with Yaz's family, with some success, I think, but they're just not in it enough.

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Yeah, they're not in enough.

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I think Yaz's mum is played by an actress who could deliver if she was given some material.

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Pilate.

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But I think Jackie King playing Sylvia.

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She's responsible for a lot of that Walt.

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She really manages to convey the fact that this is not a mean woman at her heart, that she just acts cruelly and doesn't even realise it.

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Yeah, is that relationship.

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We do get to see her out on the town with the Wednesday girls and she's there. person.

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Yeah, yeah, yeah, yeah.

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And she's wonderful in that too.

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And it's a return of having the family menaced by the aliens, which is great.

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I have always read the way that she behaves post Runaway bride as.

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This is like she's nastier in series 4 at the beginning than she is in Runner Boy Bride.

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And I think that's, I read that as her husband's died.

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She's, yeah, gone through trauma. and she's putting on this sort of angry face because that's the way she's getting through the day.

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I agree with you.

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And but also to say, you know, he's gone and you got to live your life and what are you doing?

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Yeah.

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It's it's kind of funny, isn't it?

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Because the seams show a little bit.

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They don't talk about the death of Jeff until later in the season.

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It does get a mention and obviously it's mentioned in the end of time part 2 in a scene which just never fails to make me bore my eyes out.

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Oh, lovely.

214
00:16:21.120 --> 00:16:24.120
I won't dwell or not here or we'll be a mess.

215
00:16:24.419 --> 00:16:44.940
But when Wilf says, you know, you've had a difficult year to Donna, it's that funny old Christmas and poor old what's his name, Lance, but not, and plus your dad died, because they aren't rewriting the script at this point, they're just getting him in to kind of reshoot those scenes.

216
00:16:44.940 --> 00:16:49.200
And maybe it might have been worth saying something like that early on.

217
00:16:49.259 --> 00:16:52.740
I don't think it, I don't think it's a problem.

218
00:16:52.799 --> 00:16:56.700
I think for us who've seen her before and the dad we can read into that.

219
00:16:56.759 --> 00:16:57.720
Yeah, yeah.

220
00:16:57.779 --> 00:17:05.940
But also, I read that as, because at the time I had not read that he had died. until after I'd seen the episode.

221
00:17:06.059 --> 00:17:13.259
I read that as, oh, the character's gone, but they're not talking about it because they're being very British and avoiding dealing with the emotion.

222
00:17:13.319 --> 00:17:14.039
Yeah, yes.

223
00:17:14.099 --> 00:17:16.079
So I think it works either way.

224
00:17:16.140 --> 00:17:16.740
Yeah.

225
00:17:16.740 --> 00:17:23.339
Like, it could be that they're just avoiding talking about that because it's just too hard for them to cope with because he has just died.

226
00:17:23.400 --> 00:17:26.519
And those are the scenes that that actor did.

227
00:17:26.579 --> 00:17:29.579
Like those were actually shot, weren't they?

228
00:17:29.640 --> 00:17:32.039
They exist, they might be...

229
00:17:32.039 --> 00:17:32.759
They're on the extras.

230
00:17:32.819 --> 00:17:33.240
Yeah, yeah.

231
00:17:33.299 --> 00:17:35.519
I think there's something unsaid there maybe as well.

232
00:17:35.519 --> 00:17:48.599
When Donna's explaining to the doctor and she says, you know, I was going to go off and enjoy life, I was going to go and run around the pyramids barefoot, is what she's not saying, the fact that she started to do that, but then had to come home because her father was ill.

233
00:17:48.660 --> 00:17:50.220
I mean she's just not addressing that at all.

234
00:17:50.279 --> 00:17:52.140
I mean, it works.

235
00:17:52.200 --> 00:18:02.940
It does work in a way, and it is, again, Russell's just incredible insight into people, because that's how resolutions work, isn't it?

236
00:18:03.000 --> 00:18:06.059
We all kind of say this year I'm going to do this.

237
00:18:06.119 --> 00:18:11.099
This year I'm going to, you know, lose a kilogram every evening, this year.

238
00:18:11.160 --> 00:18:13.380
You know, I've got a little tablet.

239
00:18:13.500 --> 00:18:16.319
This year I'm going to exercise this year.

240
00:18:16.380 --> 00:18:22.799
I'm going to be nicer to the dog, you know, all of those things and then life takes over and it doesn't happen.

241
00:18:22.920 --> 00:18:25.200
Wait, you're going to be nicer to your dog.

242
00:18:25.259 --> 00:18:26.339
Yeah, no it's not possible.

243
00:18:32.460 --> 00:18:46.019
I think two, you know, there is that change in the way that Donna is portrayed, where she doesn't do quite so much shoutiness, you know, in the other plot, in the non-family plot, in the proper sort of science fiction-y plot.

244
00:18:46.079 --> 00:18:50.220
Uh, she is sort of just much cleverer.

245
00:18:50.279 --> 00:18:53.700
And that was the thing that Lance said, you know, she couldn't find Germany on a map.

246
00:18:53.759 --> 00:19:01.019
But she is clever and she's good with people and they've obviously given her an environment that she's used to.

247
00:19:01.140 --> 00:19:04.559
She's a temp, so here she is infiltrating an office.

248
00:19:04.619 --> 00:19:24.779
Um, And I guess the big moment at the end is where the doctor realises that he and Donna are the same, you know, he needs 2 of these tablets in order to defeat Matron Foster's dastardly plan, but he doesn't have one and he thinks that everyone's going to die.

249
00:19:24.839 --> 00:19:39.480
But of course, Donna has one for exactly the same reason that he has one because they're the same, you know, and together they are, you know, they're given a photo defeat, whom they can only defeat together.

250
00:19:39.539 --> 00:19:41.579
Yeah, because they've done the same thing.

251
00:19:41.700 --> 00:19:46.019
I love that shot too, when the camera pulls in and out and they move back and forward.

252
00:19:46.079 --> 00:19:47.819
Yeah, the Hitchcock shot.

253
00:19:47.880 --> 00:19:50.579
Yeah. it's a bit leisurely isn't it?

254
00:19:50.640 --> 00:19:51.900
Do you know what I mean?

255
00:19:51.960 --> 00:19:55.619
A 1000000 people are dying, but Donna gets to kind of make a big point.

256
00:19:55.680 --> 00:20:00.299
Doesn't she even pause 3 seconds looking pleased with the self-proportionate?

257
00:20:01.259 --> 00:20:05.339
And even, even, even the pull Zoom is leisurely.

258
00:20:05.400 --> 00:20:06.779
Yeah, yeah, yeah.

259
00:20:07.380 --> 00:20:08.640
Very kind of...

260
00:20:08.640 --> 00:20:10.380
They've only got so much track.

261
00:20:10.920 --> 00:20:14.099
Yeah, they couldn't do that too quickly.

262
00:20:14.160 --> 00:20:16.200
They'd go flying into the back of the studio.

263
00:20:16.319 --> 00:20:18.539
Exactly, take an eye out of Phil Collinson.

264
00:20:18.900 --> 00:20:20.759
The other thing that they introduce.

265
00:20:20.819 --> 00:20:30.180
And it is sort of there in the runaway bride, but I think it's going to be Donna's biggest feature for the entire season is how compassionate she is.

266
00:20:30.660 --> 00:20:36.539
How incredibly deeply she feels for other people.

267
00:20:36.599 --> 00:20:42.299
And we will talk more about this next week and the week after, but it comes up over and over again.

268
00:20:42.359 --> 00:20:47.940
And it's in that scene with Stacy, which I just think is so great.

269
00:20:48.119 --> 00:20:53.400
So the doctor and Donna, of course, go and interview someone who's taking the pills.

270
00:20:53.460 --> 00:20:56.460
Their plan to infiltrate is exactly identical.

271
00:20:56.519 --> 00:21:02.220
The doctor goes to see Sir Roger, who doesn't seem to be particularly fat, but maybe he's been taking the pills for a while.

272
00:21:02.279 --> 00:21:04.140
Well, he, a kilo a day.

273
00:21:04.200 --> 00:21:06.599
He must have been on it for like 30 days at least.

274
00:21:06.660 --> 00:21:08.279
Because he's very thin.

275
00:21:08.339 --> 00:21:09.599
He is very thin.

276
00:21:09.660 --> 00:21:12.240
And then she goes and sees Stacy.

277
00:21:12.240 --> 00:21:26.700
And it's so such a rustly thing to have the detail that Stacy, who is still fat and still like not conventionally attractive, and wearing kind of daggy makeup and stuff.

278
00:21:26.759 --> 00:21:28.140
I think she looks fabulous.

279
00:21:28.200 --> 00:21:31.019
But um, and she's not going on a date.

280
00:21:31.079 --> 00:21:31.980
She hasn't decided.

281
00:21:32.099 --> 00:21:32.880
I've lost all this weight.

282
00:21:32.940 --> 00:21:34.740
I'm gonna go and get myself a man now.

283
00:21:34.799 --> 00:21:36.599
It's like I've lost all this weight.

284
00:21:36.660 --> 00:21:38.759
I'm going to dump this guy and get someone better.

285
00:21:38.819 --> 00:21:40.559
But Donna assumes that.

286
00:21:40.799 --> 00:21:42.779
It's so good.

287
00:21:42.839 --> 00:21:44.640
And Stacy is wonderful.

288
00:21:44.700 --> 00:21:46.440
That whole scene is so real.

289
00:21:46.500 --> 00:21:48.779
Well, it's what Russell does best.

290
00:21:48.839 --> 00:21:55.319
I mean, those 2 characters, they're drafted in like 3 or 4 lines and you totally know them in their entire lives.

291
00:21:55.380 --> 00:22:01.740
But also something that Russell does a lot, which is...

292
00:22:01.799 --> 00:22:02.940
Well, there's that, yes.

293
00:22:03.000 --> 00:22:07.500
But making you love a character in a few lines and then horribly murdering.

294
00:22:07.559 --> 00:22:08.279
Yeah, yeah.

295
00:22:11.579 --> 00:22:21.240
Can we also talk just as a little addendum about the 2 people in the call centre for adipos wearing their headsets because Russell always does this.

296
00:22:21.299 --> 00:22:29.579
He loves casting, attractive young people working in call centres with headsets and things on, who then interact with the regulars, and one of them will always fancy the doctor.

297
00:22:29.940 --> 00:22:36.059
There's actually there's a line in there that's almost almost a reference to Paradise Towers.

298
00:22:36.119 --> 00:22:36.720
Really?

299
00:22:36.779 --> 00:22:39.779
When, you know, UB Health, RB safety.

300
00:22:39.839 --> 00:22:40.319
Okay?

301
00:22:40.380 --> 00:22:44.519
He says, oh, that's against paragraph 9, subsection C.

302
00:22:45.359 --> 00:22:49.019
That is that's actually quite a saucy come on, isn't it?

303
00:22:49.079 --> 00:22:52.740
It's like, is she, is she, are they going to time what another arm?

304
00:22:52.799 --> 00:22:54.119
Is that what she has in mind?

305
00:22:54.299 --> 00:22:57.960
And then, of course, you know, he has to come back to her.

306
00:22:59.400 --> 00:23:02.759
But it is cute how cute those 2 people are.

307
00:23:02.819 --> 00:23:05.099
And, you know, again, it works.

308
00:23:05.160 --> 00:23:11.579
They're slightly different from one another in exactly the way they approach the tone of their approach, but basically they're doing the same thing.

309
00:23:11.640 --> 00:23:16.859
It's a real throwback to army of ghosts with Adiola and her 2 cute sidekicks.

310
00:23:16.920 --> 00:23:17.579
Yes, yeah.

311
00:23:17.579 --> 00:23:20.220
We all know what happened to them.

312
00:23:20.519 --> 00:23:25.740
But it's so sad that Stacy gets horribly killed.

313
00:23:25.799 --> 00:23:30.240
And like that whole scene when it's all happening is that adipose are coming out and thinking, oh my goodness.

314
00:23:30.299 --> 00:23:34.740
And then, it appears, and you can't help but love it.

315
00:23:34.859 --> 00:23:42.480
Yeah, it's Russell doing that incredible pivot that he does from sadness to comedy because they're funny.

316
00:23:42.480 --> 00:23:52.920
And just the one, the one that's in the sink, like that, that's kind of pushes open the casement window and then just drops out the window after sort of waving goodbye.

317
00:23:52.980 --> 00:23:54.960
Well, if the happiness patrol taught us anything.

318
00:23:55.019 --> 00:23:57.539
It's the happiness and sadness are 2 sides of the same choice.

319
00:23:58.019 --> 00:24:09.119
But it's just so cute from the, from the waving at fat to the skipping, to the sliding down, tooth, tooth bang, just sliding down on the, the, the cab.

320
00:24:09.180 --> 00:24:10.980
To getting run over by the cab.

321
00:24:11.460 --> 00:24:13.200
Do you think?

322
00:24:13.200 --> 00:24:23.160
Do you think that when they came up with massive for Lord of the Rings, they thought that one day that it was going to be used to, anime, tiny little fat creature?

323
00:24:23.220 --> 00:24:23.759
Yeah, yeah.

324
00:24:23.819 --> 00:24:31.680
So massive is like a software package that enables you to create crowd scenes.

325
00:24:31.740 --> 00:24:35.099
And so it was used in Lord of the Rings to create all the orcs and all of that sort of thing.

326
00:24:35.160 --> 00:24:35.940
And here.

327
00:24:36.000 --> 00:24:43.079
So we've never had quite so many little monsters and things kind of walking around in the street.

328
00:24:43.079 --> 00:24:46.380
And you can see that they're all slightly different from one another.

329
00:24:46.440 --> 00:24:47.460
They all move differently.

330
00:24:47.519 --> 00:24:52.440
They all look the same, but just creating a sort of convincing milling crowd of things.

331
00:24:52.500 --> 00:25:02.279
And that's the 1st time Doctor Who uses that, we've had CGI creatures before, but not sort of quite so many of...

332
00:25:02.339 --> 00:25:03.420
Yeah, yeah.

333
00:25:03.480 --> 00:25:22.740
And, and like Russell based them, didn't he, on, there was an ad for like a breath freshener or something that had tiny animated, like a little animated donut and a little animated slice of pizza that sort of skipped along and they were sort of supposed to be cute, but were actually somehow really rather horrific.

334
00:25:22.799 --> 00:25:25.859
He claims he based them on the Pillsby doughboy.

335
00:25:25.920 --> 00:25:27.180
Oh, okay, yeah, yeah.

336
00:25:27.240 --> 00:25:27.539
Yeah.

337
00:25:27.599 --> 00:25:31.319
But I mean, they're just, they're tremendously great, aren't they?

338
00:25:31.380 --> 00:25:35.220
And it's nice that they're not a threat to...

339
00:25:35.279 --> 00:25:44.039
I don't buy a lot of Doctor Who merchandise in terms of like some people go for little Doctor Who figurines and stuff and I just, it just doesn't interest me.

340
00:25:44.099 --> 00:25:46.019
But I bought an adipose.

341
00:25:46.079 --> 00:25:47.099
Oh, well, yes.

342
00:25:47.099 --> 00:25:49.559
The only thing I've got, which one?

343
00:25:49.619 --> 00:25:53.339
The latex one, the fluffy one or the glow in the dark one.

344
00:25:53.400 --> 00:25:55.380
Well, it's getting a little bit personal, James.

345
00:25:55.440 --> 00:25:57.779
Why not all pushy toy?

346
00:25:58.140 --> 00:26:01.019
There was one which was like a stress ball.

347
00:26:01.079 --> 00:26:03.240
Because maybe that's stressful material?

348
00:26:03.299 --> 00:26:03.660
Yeah, yeah.

349
00:26:11.160 --> 00:26:14.039
So there's 2 other characters I'd like to talk about.

350
00:26:14.099 --> 00:26:16.380
One is Penny and one is Miss Foster.

351
00:26:16.500 --> 00:26:26.460
So if we go with Penny first, apparently Russell had planned a companion called Penny, when he didn't know that, um, Catherine Tate was going to come back.

352
00:26:26.519 --> 00:26:35.460
And so we've got an investigative journalist here called Penny, who's probably not the same character as probably what's left of what he developed.

353
00:26:35.519 --> 00:26:41.519
But I just think it's hilarious that she keeps getting tied up all the time and discovered.

354
00:26:41.519 --> 00:26:42.960
And I just, I just laugh.

355
00:26:43.019 --> 00:26:45.240
I don't know when everything happens to her.

356
00:26:45.299 --> 00:26:47.819
I just think you poor sad woman.

357
00:26:47.880 --> 00:26:58.259
So Russell's idea of the next companion was always going to be that she was older and that there wouldn't be a romantic relationship between the doctor and the companion.

358
00:26:58.319 --> 00:26:59.640
That was always going to be the thing.

359
00:26:59.700 --> 00:27:01.740
She was going to be in her 30s.

360
00:27:01.799 --> 00:27:11.640
I think in the writer's tale, Russell imagined that if it wasn't the BBC, she would be smoking, she would have recently had a relationship breakup, I think.

361
00:27:11.700 --> 00:27:16.140
And so it was going to be a little bit more kind of adult.

362
00:27:16.200 --> 00:27:20.460
And she described her as strong-willed in the vein of Donna Noble.

363
00:27:20.519 --> 00:27:21.119
Yeah, yeah.

364
00:27:21.180 --> 00:27:23.460
Yeah, well, this sounds like surrogate for Donna, doesn't it?

365
00:27:23.519 --> 00:27:24.539
Yeah, yeah, yeah.

366
00:27:24.599 --> 00:27:24.900
Yeah.

367
00:27:24.960 --> 00:27:26.160
So, Penny.

368
00:27:26.279 --> 00:27:41.579
And there's a sort of feint, isn't there, where we think that Miss Foster has twigged that Donna has infiltrated adipose industries and she keeps talking about she and we'll wait and we'll get her and all of that sort of thing.

369
00:27:41.640 --> 00:27:47.940
And then Donna's hidden in the toilet, where she has that fantastic conversation with Sylvia over the phone.

370
00:27:48.000 --> 00:27:57.180
She's hidden in the toilet and then Miss Foster and her attractive bodyguard and her 2nd even more attractive bodyguard come in.

371
00:27:57.180 --> 00:28:01.140
And we think that Don has been rumbled and Donna thinks that she's been rumbled.

372
00:28:01.200 --> 00:28:05.880
But it turns out that Penny's been hiding in the loo, just sort of 2 or 3 cubicles are.

373
00:28:05.940 --> 00:28:09.119
It's almost as if the casting director was gay.

374
00:28:10.559 --> 00:28:16.619
I like the fact that because Donna was whispering on the phone that Penny 2 cubicles away didn't know she was there.

375
00:28:16.680 --> 00:28:18.000
Well, she was whispering.

376
00:28:18.059 --> 00:28:19.319
Also, did you notice?

377
00:28:19.319 --> 00:28:24.359
On the back of the door and in the toilets, there's actually a sign for the restaurant her mother's eating him.

378
00:28:24.420 --> 00:28:25.500
Oh, really?

379
00:28:25.559 --> 00:28:25.859
Okay.

380
00:28:25.920 --> 00:28:26.339
Okay, okay.

381
00:28:26.400 --> 00:28:27.119
Yeah, yeah, yeah.

382
00:28:27.180 --> 00:28:27.599
Whoops.

383
00:28:27.720 --> 00:28:30.839
The little one down the bottom saying, PS, the stars are going out.

384
00:28:31.799 --> 00:28:34.079
And did you notice the bees?

385
00:28:34.140 --> 00:28:36.720
Ah, yeah, we get the bees.

386
00:28:36.779 --> 00:28:38.279
So what do we have?

387
00:28:38.339 --> 00:28:39.480
Let's do a checklist.

388
00:28:39.539 --> 00:28:42.900
What do we have of the sort of arc concepts here?

389
00:28:42.960 --> 00:28:50.759
We have the doctor and Donna are the same, which is not as explicit as it becomes later, but it's the thrust of the episode.

390
00:28:50.819 --> 00:28:52.259
We have the bees.

391
00:28:52.440 --> 00:28:55.200
He talks about the shadow proclamation.

392
00:28:55.259 --> 00:28:56.339
The shadow proclamation.

393
00:28:56.400 --> 00:29:00.359
Adipose 3 has gone... has disappeared, a planet has gone missing.

394
00:29:00.420 --> 00:29:07.259
And it's quite funny, actually, because it talks about the 1st family losing one of their breeding planets.

395
00:29:07.319 --> 00:29:13.319
And then she says, but I don't go into the politics of it as if they've lost it in some kind of border dispute.

396
00:29:13.380 --> 00:29:16.380
Yeah, to sort of throw you off the scent in a way.

397
00:29:16.440 --> 00:29:23.220
And then, of course, you've got the big reveal, the end of the episode, which was successfully kept hidden at the time.

398
00:29:23.279 --> 00:29:25.200
So how did they do that, Peter?

399
00:29:25.259 --> 00:29:28.680
They edited that scene out of the previews that were shown to the press.

400
00:29:28.740 --> 00:29:30.779
Also, it was filmed a lot later.

401
00:29:30.839 --> 00:29:32.460
It was filmed with turn left.

402
00:29:32.519 --> 00:29:33.420
Was?

403
00:29:33.480 --> 00:29:33.839
Yes.

404
00:29:33.900 --> 00:29:34.319
Okay.

405
00:29:34.380 --> 00:29:45.660
So that's where Donna is dropping the keys in the bin, which again, I think is just wonderful in a little low-key way that she can torment Sylvia in revenge.

406
00:29:45.720 --> 00:29:48.660
Make your fish around in the garden.

407
00:29:48.720 --> 00:29:52.500
She had to buy new car because the bins had been empty.

408
00:29:55.559 --> 00:29:59.460
It's good that Rose doesn't get any lines because I think she was probably still working in those dentures.

409
00:30:00.359 --> 00:30:02.759
She looks very weird.

410
00:30:02.819 --> 00:30:07.079
It is a sort of odd shot, but I do like it and the music is sort of particularly good.

411
00:30:07.140 --> 00:30:09.960
And then having her walk away and vanish as she walks away.

412
00:30:10.019 --> 00:30:11.640
And it's got a real resonance.

413
00:30:11.700 --> 00:30:14.700
If you're not expecting Rose to turn up, that is a massive shock.

414
00:30:14.759 --> 00:30:17.220
No, I certainly remember being shocked by it.

415
00:30:17.279 --> 00:30:18.299
Yeah, chills.

416
00:30:18.359 --> 00:30:19.740
Yeah, yeah.

417
00:30:19.799 --> 00:30:21.960
Yeah, you kind of you caught your breath, didn't you?

418
00:30:22.319 --> 00:30:27.180
It's one of the better reveals of...

419
00:30:27.180 --> 00:30:31.740
And it's wonderfully shot because the hold on in close-up on the back of her head.

420
00:30:31.799 --> 00:30:35.579
You are there calculating in real time going, is that, is that?

421
00:30:35.640 --> 00:30:37.259
And then she turns it is.

422
00:30:37.319 --> 00:30:51.839
It's funny, it's hard to believe that Russell didn't go into this knowing that this would be his final full season because so many things happen this year, you know, that make you think that he's kind of rounding everything off.

423
00:30:52.259 --> 00:30:55.740
Does he know at this stage that he's not doing a season next year?

424
00:30:56.039 --> 00:31:03.539
I think he probably does because wasn't Stephen Moth that approach to take over in early 2008.

425
00:31:03.779 --> 00:31:05.519
So they would have still been shooting the season.

426
00:31:05.579 --> 00:31:12.180
Yeah, they were prepping series 5 from, was it, like early to mid 2008.

427
00:31:12.359 --> 00:31:19.559
They'd actually started pre-production on the 5th series whilst they were filming series 4.

428
00:31:19.859 --> 00:31:24.299
And then, you know, gave him an extra year to do it.

429
00:31:24.420 --> 00:31:25.259
Yeah.

430
00:31:25.259 --> 00:31:32.279
So, like, which is why they spaced out the, the special 5 episodes over the following year.

431
00:31:32.339 --> 00:31:35.880
It's the longest production run of the new series still, isn't it?

432
00:31:36.059 --> 00:31:39.420
Like, from the beginning, before which of the damned to the next doctor.

433
00:31:39.480 --> 00:31:40.200
Yeah.

434
00:31:40.259 --> 00:31:44.099
Well, actually, no, isn't it all the way through to the end of time?

435
00:31:44.160 --> 00:31:55.200
I, no, I, I may be wrong, but I think that there's a big break between um, the next doctor and Planet of Fair, because I think that's when David Tennant is um, Hamlet.

436
00:31:55.259 --> 00:31:55.980
Yeah.

437
00:31:56.039 --> 00:32:00.299
And is he still deciding whether to stay at that point or is he...

438
00:32:00.539 --> 00:32:00.779
Yes.

439
00:32:00.839 --> 00:32:19.740
Stephen Moffatt talks about the fact that he had discussions with David, and David, who had decided to go with Russell, was wavering and thinking, maybe I will come back for one more season, and Stephen had plans to make season five, David's last season, and we have just had to have made minor tweaks to the arc to make it work.

440
00:32:19.799 --> 00:32:20.579
Right, right.

441
00:32:28.019 --> 00:32:33.359
At 2346, the greatest comic moment in the history of Doctor Who occurs.

442
00:32:33.720 --> 00:32:35.940
I know where you're going with this.

443
00:32:36.480 --> 00:32:45.299
Obviously, it's the doctor and Donna discovering each other across from the windows and mouthing their whole conversation.

444
00:32:45.299 --> 00:32:46.980
At the time, it was...

445
00:32:46.980 --> 00:32:48.720
I took my breath away.

446
00:32:48.779 --> 00:32:51.480
It took my breath away, and I just couldn't stop laughing.

447
00:32:51.539 --> 00:32:53.039
And that is old, Donna.

448
00:32:53.099 --> 00:32:55.380
That's big old, loud donner, isn't it?

449
00:32:55.440 --> 00:33:05.400
But they, you know, it's engineered in such a way that she can't actually be loud because she can't be hurt, but she's doing these big, you know, reactions.

450
00:33:05.460 --> 00:33:09.180
They actually add-libbed that on the day.

451
00:33:09.240 --> 00:33:09.779
Really?

452
00:33:09.839 --> 00:33:14.700
I mean, it was planned for them to do that interaction, but they're not sticking to the script at all.

453
00:33:14.759 --> 00:33:16.019
I love her.

454
00:33:16.079 --> 00:33:22.619
I read it on the internet and her miming the internet by doing sort of exaggerated typewriter thing.

455
00:33:22.680 --> 00:33:24.839
Like a massive muppety gaping faces.

456
00:33:24.839 --> 00:33:25.980
And she says, no.

457
00:33:26.039 --> 00:33:29.099
She just holds it far beyond what any normal human would.

458
00:33:29.160 --> 00:33:30.059
It's amazing.

459
00:33:30.119 --> 00:33:33.119
And the doctor's reaction is super weird as well.

460
00:33:33.180 --> 00:33:36.059
It's kind of like, he's not really that excited.

461
00:33:36.599 --> 00:33:38.880
Oh, hurricane.

462
00:33:38.940 --> 00:33:46.140
We talked a little bit last year about how David Tennant's kind of blazing performance sometimes overshadowed Freemaragements.

463
00:33:46.200 --> 00:33:47.819
I don't think there's any danger of that.

464
00:33:47.880 --> 00:33:57.000
Actually, in some ways, her being quite a strong willed actor levels him out a bit.

465
00:33:57.839 --> 00:34:13.559
He actually brings his performance down because she is so animated and so front in the scene that he actually steps back and lets her play quite a lot.

466
00:34:13.619 --> 00:34:31.860
I don't completely agree with you Not all the time, but I actually think that you're right in that he lets her play, but I then think it does have impacts during the season as I've been watching that his performance that we always think about all of his teeth, gnarly and all of his over the top stuff, which I remember is really front and centre this season.

467
00:34:31.920 --> 00:34:35.039
It gets worse as the season goes along, in my opinion.

468
00:34:35.099 --> 00:34:37.920
I seem to remember getting sick of some of his ticks.

469
00:34:37.980 --> 00:34:48.179
That thing where he glues his tongue to the roof of his mouth when he's speaking and just a few other things, which I just kind of think, you know, those things are a bit tiresome.

470
00:34:48.239 --> 00:34:58.199
And I have heard people suggest that it's a bit of a vicious circle that they or a sort of positive feedback loop that they outbig each other a little bit.

471
00:34:58.260 --> 00:35:05.639
But I do think that they work well together and you're not going to get a restrained performance from tenant as the doctor.

472
00:35:05.699 --> 00:35:15.360
His shtick is that he'll do that occasionally in moments of great emotion, but mostly he's being big and it is even in story.

473
00:35:15.420 --> 00:35:16.679
It's a performance.

474
00:35:16.739 --> 00:35:19.019
You know, the doctor is a mask.

475
00:35:19.079 --> 00:35:23.579
The doctor is a performance, and it's tenant that kind of introduces that.

476
00:35:23.639 --> 00:35:26.639
And so having these sort of 2 big characters.

477
00:35:26.699 --> 00:35:29.519
I just think they're really enjoyable to watch and so maybe I don't care.

478
00:35:29.699 --> 00:35:31.500
Super enjoyable.

479
00:35:31.559 --> 00:35:33.059
Yeah, I find tenet irritating.

480
00:35:33.119 --> 00:35:35.039
I've said this before from time to time.

481
00:35:35.159 --> 00:35:40.019
But watching this season watching ahead, I haven't got quite to the end yet.

482
00:35:40.079 --> 00:35:46.619
But I am finding watching the 2 of them together really, really quite enjoyable.

483
00:35:46.679 --> 00:35:52.559
It's so great that they hold it to like 20 minutes into the episode because it just pays off in spades.

484
00:35:52.619 --> 00:35:54.300
You just want them to be together.

485
00:35:54.360 --> 00:36:01.260
And of course, they're stopped by recognising that Miss Foster has caught on.

486
00:36:01.320 --> 00:36:04.199
And I think she gives a wonderful performance as Supernanny.

487
00:36:04.320 --> 00:36:13.800
Well, in fact, there's that Donna is in the middle of pulling a face when she notices, when she notices Miss Foster, and she just holds that look.

488
00:36:13.860 --> 00:36:16.199
And you're left sort of going, how long?

489
00:36:16.199 --> 00:36:19.559
They actually been watching them at this conversation.

490
00:36:19.619 --> 00:36:25.500
And you can see the performance working there because a little bit earlier when Donna catches sight of the doctor.

491
00:36:25.559 --> 00:36:28.079
They're both focussed on what Miss Foster is doing.

492
00:36:28.139 --> 00:36:30.539
There's no need for them just to take a look around.

493
00:36:30.599 --> 00:36:37.199
And so Catherine Tate does this thing where she does just a, oh, I'm bored now, kind of glance askew, and that's where she notices the doctor.

494
00:36:37.320 --> 00:36:38.280
That's great.

495
00:36:38.880 --> 00:36:41.940
He's like, let's talk about Miss Foster then.

496
00:36:42.000 --> 00:36:44.219
She has a sonic device.

497
00:36:44.280 --> 00:36:44.940
She does.

498
00:36:45.000 --> 00:36:47.519
And when you put 2 sonic devices together.

499
00:36:47.579 --> 00:36:48.840
Hilarity ensures.

500
00:36:48.900 --> 00:36:51.059
It's it's kind of funny.

501
00:36:51.119 --> 00:36:55.920
We've probably forgotten the super nanny because that's 10, 11 years ago now.

502
00:36:55.980 --> 00:37:00.239
But the super nanny had those black rimmed glasses.

503
00:37:00.300 --> 00:37:02.099
Do you remember the show?

504
00:37:02.159 --> 00:37:03.119
Yeah.

505
00:37:03.179 --> 00:37:10.199
Yeah, um, I think I was living in the UK at the time series 4 was on.

506
00:37:10.260 --> 00:37:14.940
Yeah, no, I was living in the UK at the time, so I had seen Super Danny on television.

507
00:37:15.000 --> 00:37:16.320
So I got out here.

508
00:37:16.380 --> 00:37:17.940
It was on out here and it was huge.

509
00:37:18.000 --> 00:37:19.260
I didn't have Foxtell.

510
00:37:19.320 --> 00:37:19.619
Right.

511
00:37:19.679 --> 00:37:21.239
Super Nanny was big.

512
00:37:21.300 --> 00:37:27.539
And I used to love it because, you know, I don't have children and it used to make me feel really great about that.

513
00:37:28.860 --> 00:37:38.880
And I was in a position where I could side with the children and it was sort of painfully obvious to me that their poor behaviour was always the result of the parents' bad parenting.

514
00:37:38.940 --> 00:37:49.860
And then one of those genres of reality TV that I really like is where someone nice comes in and helps people kind of deal with a horrific situation.

515
00:37:49.920 --> 00:38:00.780
And so Marie Kondo and perhaps, you know, nothing more than queer eye, which is just 5 sweet, lovely men come in and help you fix your life.

516
00:38:00.840 --> 00:38:03.420
I just love that genre of TV.

517
00:38:03.480 --> 00:38:05.340
So I was a bit of a fan of the super nanny.

518
00:38:05.400 --> 00:38:07.860
Russell was deliberately referencing that.

519
00:38:07.920 --> 00:38:12.840
I think he described the characters cross between Supernanny and Ava Perron.

520
00:38:14.340 --> 00:38:20.820
Well, when she puts her arms up, like to be taken away and then...

521
00:38:20.820 --> 00:38:22.320
And then her wily coyote moment.

522
00:38:22.380 --> 00:38:23.159
Oh my god.

523
00:38:23.519 --> 00:38:32.579
And she, she, Sarah Lancashire said, I kind of saw her as an evil version of Mary Poppins.

524
00:38:32.639 --> 00:38:33.360
Yeah.

525
00:38:33.420 --> 00:38:34.079
Yeah.

526
00:38:34.139 --> 00:38:35.579
No, it's fantastic.

527
00:38:35.639 --> 00:38:40.199
I, like, I think she's one of the best one-off villain characters.

528
00:38:40.739 --> 00:38:43.980
It's a very Sarah Jane villain, isn't it?

529
00:38:44.039 --> 00:38:47.579
Like that sort of woman with her sort of hair tied back and glasses or?

530
00:38:47.639 --> 00:38:52.920
Who's the villain in time heist, Miss Del Fox, who has her law?

531
00:38:52.980 --> 00:38:53.579
Kelly Hawes.

532
00:38:53.639 --> 00:38:54.119
Yeah, yeah.

533
00:38:54.179 --> 00:38:57.420
And Celia Immery in The Bells of St.

534
00:38:57.420 --> 00:38:57.780
John.

535
00:38:57.840 --> 00:39:00.000
It's a thing that we go back to, isn't it?

536
00:39:00.059 --> 00:39:01.440
A strict woman.

537
00:39:01.500 --> 00:39:02.760
Yeah, yeah, yeah, yeah.

538
00:39:02.820 --> 00:39:03.659
But she is the best.

539
00:39:03.719 --> 00:39:05.820
I mean, Sarah Lancashire is great.

540
00:39:05.880 --> 00:39:09.599
I mean, she was very famous from Coronation Street playing a very popular character.

541
00:39:09.659 --> 00:39:11.159
And she's brilliant.

542
00:39:11.219 --> 00:39:14.760
And, you know, just like she's very thin compared to everybody else.

543
00:39:14.820 --> 00:39:18.480
And did anyone else catch the line where she says she's the adipose's wet nurse.

544
00:39:18.539 --> 00:39:21.059
Yes, so she's breastfeeding the adipose.

545
00:39:21.119 --> 00:39:21.960
Is that what that means?

546
00:39:22.500 --> 00:39:24.420
Oh, no.

547
00:39:24.420 --> 00:39:27.239
I didn't just notice that.

548
00:39:27.300 --> 00:39:28.619
Oh, that's terrible.

549
00:39:28.679 --> 00:39:39.480
I like, um, two, it's that RTD thing where it's not alien races that are evil, so much as sort of individual members of a species.

550
00:39:39.539 --> 00:39:41.820
So this is the adipose 1st family.

551
00:39:41.880 --> 00:39:43.619
So they're sort of royal.

552
00:39:43.679 --> 00:39:45.239
So obviously they're evil.

553
00:39:45.300 --> 00:39:48.900
And here they are sort of seeding our planet.

554
00:39:48.960 --> 00:39:56.280
And then the other thing is too, every spaceship in the RTD era is sort of dramatically different looking.

555
00:39:56.340 --> 00:39:59.400
And here they've just gone for close encounters of the 3rd kind.

556
00:39:59.519 --> 00:40:00.780
With the noise and everything.

557
00:40:04.320 --> 00:40:07.860
I really think it's nice that this foster is an evil too.

558
00:40:07.920 --> 00:40:11.579
At the end, she just doesn't want them to interfere with her plan.

559
00:40:11.639 --> 00:40:19.199
And so when she's being drawn up before her wily coyote, drop to earth, she says to the doctor and Donna, oh, I really hope we won't meet again.

560
00:40:19.260 --> 00:40:22.019
It's quite palsy, really, now that she's got what she wanted.

561
00:40:22.079 --> 00:40:25.619
Well, except that she does try and kill a 1000000 people at one.

562
00:40:25.679 --> 00:40:27.960
But she was just doing her job.

563
00:40:28.019 --> 00:40:31.500
Oh, and that's where you lose the right to even talk to me, James.

564
00:40:34.980 --> 00:40:36.300
I don't agree with that.

565
00:40:36.360 --> 00:40:40.199
But yeah, I mean, it's and that's a deliberate thing as well.

566
00:40:40.260 --> 00:40:47.400
It's like, she doesn't see herself as evil because she is just doing her job and no we're not going to mention the Nazis.

567
00:40:47.639 --> 00:40:51.300
A little pasta no genesis never hurt anybody.

568
00:40:51.480 --> 00:40:53.159
It doesn't hurt.

569
00:40:53.219 --> 00:40:54.719
Just pop out of existence.

570
00:40:54.780 --> 00:40:58.019
And also, who wouldn't kill a 1000000 people for that degree of weight loss.

571
00:40:58.079 --> 00:41:02.039
Well, in fact, I think that they really do.

572
00:41:02.099 --> 00:41:05.880
Um, like the bit where the doctor says Actually, it's not a bad plan.

573
00:41:05.940 --> 00:41:13.019
Like, you know, imagine if she come to earth and said, I actually have these diet pills and I promise not to kill you and make sick adipose.

574
00:41:13.079 --> 00:41:13.920
I would have been fabulous.

575
00:41:13.980 --> 00:41:14.880
I'd have been right on it.

576
00:41:14.940 --> 00:41:25.380
And of course, it comes back later in the season as well, where, well, in turn left, where Titanic crashes into London destroys the south of England.

577
00:41:25.440 --> 00:41:30.360
And so the adipose Target America, and 60000000 people die.

578
00:41:30.420 --> 00:41:31.679
Yeah, yeah.

579
00:41:31.739 --> 00:41:42.719
So, so we do see that her plan is horrifically evil and the doctor has to stop it, but we don't really hate her because she's sort of rather camp and sort of fabulous, I think.

580
00:41:42.780 --> 00:41:49.800
Let's talk about the scene where the doctor and Donna in that sort of cradle, the cleaning.

581
00:41:49.800 --> 00:41:50.760
The window cleaning cradle.

582
00:41:50.820 --> 00:41:51.300
Yeah, yeah.

583
00:41:51.420 --> 00:41:55.380
Because that's when we see her with her Sonic Divine.

584
00:41:55.440 --> 00:42:03.000
And it is that kind of thing where the doctor says, it'll be fine because she won't have a sonic device and then she would cut to her wielding her Sonic device.

585
00:42:03.059 --> 00:42:06.179
And stuffing up all the continuity as well.

586
00:42:06.239 --> 00:42:07.199
Oh, why?

587
00:42:07.500 --> 00:42:16.440
That shot keeps accidentally being flipped either in post-production or because they kept forgetting which way they were shooting.

588
00:42:16.559 --> 00:42:22.019
So, um, between shots, the why that she's cut flips.

589
00:42:22.019 --> 00:42:22.739
Oh, really?

590
00:42:22.800 --> 00:42:29.519
And also the Sonic screwdriver keeps swapping sort of which way is oriented in David's mouth.

591
00:42:31.440 --> 00:42:33.420
It is a great scene.

592
00:42:33.480 --> 00:42:35.699
Russell talks about it in the writer's tale, doesn't he?

593
00:42:35.760 --> 00:42:50.699
Because he says, this, we're going to be filming, and I'm writing a script where there's a lot of detailed action and not that much dialogue, which is something that Doctor Who hasn't been able to manage much before, I don't like the end of that scene.

594
00:42:50.760 --> 00:42:52.500
Oh, which end?

595
00:42:52.619 --> 00:42:55.019
Well, when Donna's hanging on for an eternity.

596
00:42:55.079 --> 00:42:57.360
I mean, she's got the best grip and arms.

597
00:42:57.420 --> 00:43:03.179
Like she should be plummeting to her death by the time the doctor gets down and then there's a cheek to get her actually into the window.

598
00:43:03.239 --> 00:43:04.559
That is a terrible cheat.

599
00:43:04.619 --> 00:43:05.099
That scene.

600
00:43:05.159 --> 00:43:06.000
It's so terrible.

601
00:43:06.059 --> 00:43:07.019
Like she's hanging.

602
00:43:07.079 --> 00:43:10.199
He's like one floor too low down or something.

603
00:43:10.260 --> 00:43:15.900
And so he's grabbing her by her calves and it's kind of like, she lets go.

604
00:43:15.960 --> 00:43:17.280
How does she not plummet to a dick?

605
00:43:17.340 --> 00:43:20.159
She's got incredibly strong. calm.

606
00:43:20.219 --> 00:43:23.820
So he's got great upper body strength and he really doesn't.

607
00:43:23.880 --> 00:43:25.860
Such a thin, thin man.

608
00:43:25.920 --> 00:43:35.639
Do you remember that scene from the original Crystal Reeves Superman movie where he gets Lois Lane, which is falling and he says, don't worry, I've got you and she says, you've got me.

609
00:43:35.699 --> 00:43:36.300
Who's got you?

610
00:43:36.659 --> 00:43:37.980
Yes.

611
00:43:38.099 --> 00:43:44.039
I mean, I think they try and give Donna something to hang on to that's sort of more substantial than just a robe.

612
00:43:44.099 --> 00:43:47.940
So to try and justify the fact that she's left hanging there for a long time.

613
00:43:48.000 --> 00:43:49.800
But that would cut your hands up.

614
00:43:49.860 --> 00:43:54.179
But it is, it's just a sort of, it's like a piece of metal that doesn't seem to be sharp.

615
00:43:54.239 --> 00:44:01.619
So it does give her a sort of substantial thing to hang on to, but keep on justifying it.

616
00:44:01.679 --> 00:44:06.960
I'm sorry, I don't buy it for a second. mine is one point. for me for this episode.

617
00:44:07.019 --> 00:44:13.079
But it does give her time to yell about how much she hates the doctor and to kind of regret doing what she's doing.

618
00:44:13.079 --> 00:44:17.400
And it's wonderful that just a 2nd later once she's in the building.

619
00:44:17.460 --> 00:44:21.840
All of that's gone and she's, you know, back on board and having sort of fun adventures.

620
00:44:21.900 --> 00:44:34.980
And that's, that's the kind of moment when you see that, the way that she behaved previously in the runaway bride, at least the way they're reconning it now, because she's a continuing character.

621
00:44:35.039 --> 00:44:37.260
That was all a front.

622
00:44:37.320 --> 00:44:42.960
That was all an armour that she put up against the world because it had hurt her a lot.

623
00:44:43.019 --> 00:44:51.480
Yeah, so maybe the runaway bride, you know, the end of the runaway bride promises some changes for Donna, doesn't it?

624
00:44:51.539 --> 00:44:53.880
Like she's she's going to become the doctor.

625
00:44:53.940 --> 00:44:54.780
She's going to travel.

626
00:44:55.260 --> 00:44:59.460
And so bringing her back is a little bit of a disappointment in a way.

627
00:44:59.699 --> 00:45:03.840
But she is still a better person already.

628
00:45:03.900 --> 00:45:05.760
And she's fully prepared.

629
00:45:05.820 --> 00:45:07.320
I mean, that boot in the car.

630
00:45:07.500 --> 00:45:12.780
The hat box. love that line.

631
00:45:12.840 --> 00:45:14.699
So great, isn't it?

632
00:45:14.760 --> 00:45:16.679
And the doctor looks so miserable.

633
00:45:16.739 --> 00:45:27.539
You remember that scene, that awful scene in the 2 doctors, where the doctor kind of comes into the TARDIS and he's doing his sort of arm waving kind of blowviating thing that he does.

634
00:45:27.599 --> 00:45:36.000
And then, and then Perry trudges into the Tartar's mind, carrying all of his crap, all of his fishing gear.

635
00:45:36.119 --> 00:45:42.480
And here it's reversed, you know, the doctor has all of this baggage and he looks utterly miserable.

636
00:45:42.539 --> 00:45:45.179
In fact, maybe too miserable.

637
00:45:45.840 --> 00:45:48.539
This is the 2nd time in 2 seasons.

638
00:45:48.599 --> 00:45:53.219
The doctors looked a little bit miserable taking someone on board the TARDIS in a pack alley in Cardiff.

639
00:45:53.280 --> 00:45:54.300
Sorry, London.

640
00:45:55.019 --> 00:46:05.639
This has been a really interesting discussion because I've watched this episode a number of times over the years and this was the hardest episode for me to watch this entire season.

641
00:46:05.699 --> 00:46:06.480
Wow.

642
00:46:06.480 --> 00:46:10.139
I found it not as funny and I wasn't as connected.

643
00:46:10.199 --> 00:46:18.420
And you may recall that a few episodes ago, I dare to suggest that last season's opener might, I might like it more than this.

644
00:46:18.960 --> 00:46:21.840
That was your reaction then too, Peter.

645
00:46:21.900 --> 00:46:23.340
And you were wrong.

646
00:46:24.480 --> 00:46:38.760
It's really interesting because I have this vision in my head that RTD is sitting having his typewriter having his glass of Chardonnay, much like the canine and company increditors, right?

647
00:46:38.820 --> 00:46:46.199
So for this one, he's starting typing away and he gets a phone call, he hears his sports out of the end of the phone going, hello, governor.

648
00:46:46.260 --> 00:46:47.699
It's Billy Piper here.

649
00:46:47.760 --> 00:46:48.360
I can do the season.

650
00:46:48.420 --> 00:46:49.800
And he goes, huzzah.

651
00:46:49.860 --> 00:46:50.579
This is fantastic.

652
00:46:50.639 --> 00:46:53.099
So he takes a swig of his wine and then he gets another phone call.

653
00:46:53.159 --> 00:46:55.500
Oh, hello, it's Catherine Tate here.

654
00:46:55.559 --> 00:46:56.940
I can do the whole season.

655
00:46:57.000 --> 00:46:58.320
Oh, huzzah.

656
00:46:58.380 --> 00:47:07.440
He takes another swig of the of the wine and the stomach rumbles and he goes, oh my goodness, the fat just walks away and he starts typing and it's all, you know, one draft.

657
00:47:07.500 --> 00:47:07.980
Here it is.

658
00:47:08.039 --> 00:47:08.579
Boom.

659
00:47:08.639 --> 00:47:09.780
He's had the family before.

660
00:47:09.840 --> 00:47:11.039
Last season.

661
00:47:11.099 --> 00:47:16.619
It's like, okay, so he starts off with the Chardonnay and the typewriter and it's like, okay.

662
00:47:16.679 --> 00:47:22.260
Now, I've got to come up with a companion that is clever and funny, but not rose and everybody's going to love.

663
00:47:22.320 --> 00:47:40.619
I've got to make sure that the doctor likes her, but is also, um, missing rose still, and he has to be clever and funny, um, and, oh, I need a villain as well that is going to be funny but threatening, and it's like page after page, and the sweat is coming off, and he's having more and more drinks, and I've got to introduce a whole new family, like a whole new family.

664
00:47:40.679 --> 00:47:47.280
And so by the end of it, it's like, you know, with Sarah Jane running, it's completely sweat. sweaters everywhere, the wine bottle's emptied.

665
00:47:47.340 --> 00:47:49.920
He's got a stack of papers next to him.

666
00:47:49.980 --> 00:47:51.059
It's like draft 23.

667
00:47:51.239 --> 00:47:56.579
So I've got this image in my head that there was so much work that had to be done at the beginning of last season.

668
00:47:56.639 --> 00:48:13.679
So that script to balance all of those elements out. whereas here I've got this image that it's just, oh, no, Catherine can just make that up on the spot and they can just workshop that and so I kind of got the feeling that it was a much sparser sort of script and as opposed to last year that was so heavily packed impacted.

669
00:48:13.739 --> 00:48:26.400
But of course, yet again, talking here, and certainly earlier in our conversation, I was really, really amazed at what you were talking about in terms of all the characters with Sylvia and Wilf and all that sort of thing.

670
00:48:26.460 --> 00:48:31.800
And so I actually came away a little bit disappointed when I watched this, but again, now talking.

671
00:48:31.860 --> 00:48:34.079
It's like, it's gone back up to a 9 again.

672
00:48:34.079 --> 00:48:38.699
Like, it's, but I think both of them are equally as good.

673
00:48:38.760 --> 00:48:39.840
I like both of them as much now.

674
00:48:39.900 --> 00:48:40.800
This is fun.

675
00:48:40.860 --> 00:48:43.260
Last year had a lot of other things that it needed to do.

676
00:48:43.320 --> 00:48:50.280
It was harder, I think, because it is the 1st change in regular cast apart from, I guess, Eccleston and Tenet.

677
00:48:50.340 --> 00:48:57.780
But the 1st new entirely new character that he has to introduce in an opener, and it just might not have worked.

678
00:48:58.440 --> 00:49:01.739
And here he's got an established character.

679
00:49:01.800 --> 00:49:07.260
He still has to do a lot of work in order to make her more than just a one-off character.

680
00:49:07.320 --> 00:49:08.760
But that's the thing.

681
00:49:08.820 --> 00:49:10.559
Like, she is returning.

682
00:49:10.619 --> 00:49:17.280
We're already familiar with her. and passingly familiar with her mother and would have been with her father.

683
00:49:17.340 --> 00:49:20.639
And we are with her grandfather as well.

684
00:49:20.699 --> 00:49:26.940
So the script doesn't have to do as much heavy lifting because you're already, if you're a regular viewer.

685
00:49:27.000 --> 00:49:37.860
And Doctor Who is, you know, I mean, that that Christmas special, Voyage of the Damned, like, is the highest rated story of the modern era.

686
00:49:37.920 --> 00:49:46.320
So, chances are, if you're watching Doctor Who, with Catherine Tate returning, and this is her grandfather, you've already seen that character.

687
00:49:47.280 --> 00:49:53.820
Yeah, there are 4000000 viewers more watching Voyage of the Dam than there are watching this.

688
00:49:53.880 --> 00:49:56.519
This is still very good rating for a season opener.

689
00:49:56.639 --> 00:49:57.659
It's still top 10.

690
00:49:57.900 --> 00:50:09.119
But I just, I do love the fact that you have got Donna talking to the doctor too at the end about Rose and about Martha, and the doctor even concedes.

691
00:50:09.179 --> 00:50:12.059
Well, she fancied me. don't like that line.

692
00:50:12.119 --> 00:50:17.760
But then there's then he kind of makes up for it by admitting I destroyed half her life.

693
00:50:17.880 --> 00:50:18.840
Yeah, yeah.

694
00:50:18.900 --> 00:50:22.920
He's actually kind of gone. oh I was a bastard.

695
00:50:22.980 --> 00:50:34.019
Well, it kind of works, too, because Donna is absolutely not impressed because the doctor goes, you know, she fancied me as if we're going to think that that's cool or something.

696
00:50:34.079 --> 00:50:36.539
She's like, oh, there must be something wrong with her.

697
00:50:36.599 --> 00:50:37.739
That's right.

698
00:50:37.800 --> 00:50:41.760
So she relentlessly refuses to be impressed by that.

699
00:50:41.820 --> 00:50:43.139
I think that's kind of cool.

700
00:50:43.199 --> 00:50:46.619
And then you get the, I just want to mate line.

701
00:50:46.619 --> 00:50:49.079
And I doesn't quite work on it.

702
00:50:49.139 --> 00:50:50.219
Yeah, it doesn't quite work for me.

703
00:50:50.280 --> 00:50:57.360
And I think partly it's because Catherine Tate over enunciates the word 2 when she says it in return.

704
00:50:57.420 --> 00:51:00.840
So no one would say, I just want to mate.

705
00:51:00.900 --> 00:51:01.800
Do you know what I mean?

706
00:51:01.860 --> 00:51:04.320
So I think that that's a bad line reading.

707
00:51:04.380 --> 00:51:06.059
But I just think the whole thing's too on the nose.

708
00:51:06.179 --> 00:51:15.360
I think, actually, the problem is with David Tennant's delivery because he delivered it as I just want to mate. then she wouldn't have had to have over enunciated it to make a joke.

709
00:51:15.420 --> 00:51:16.739
Yeah, you should have said, I just want a mate.

710
00:51:16.800 --> 00:51:25.619
But I think that's also true sometimes when you get too strong and well-known actors, like, does the director do enough to actually step in?

711
00:51:25.739 --> 00:51:27.659
Yeah, that's a possibility too.

712
00:51:27.719 --> 00:51:31.679
And so we've already criticised a few aspects to his direction.

713
00:51:31.739 --> 00:51:36.059
Sorry, James, because I actually think he does...

714
00:51:36.119 --> 00:51:37.860
I think you did very well James.

715
00:51:38.280 --> 00:51:40.019
Oh, listeners.

716
00:51:40.079 --> 00:51:42.780
It's episode one of series four.

717
00:51:42.840 --> 00:51:43.320
Help me now.

718
00:51:45.119 --> 00:51:59.880
But yes, I think there are some aspects in this episode where I think the director gets it wrong and it may be because of the actual having to deal with 2 big personalities who are in the lead and not being able to say, well, no, we need to do it a different way.

719
00:51:59.940 --> 00:52:02.699
You know, they may have done it several times. don't know.

720
00:52:02.760 --> 00:52:06.840
I also think too, it's a little bit too tell, don't show.

721
00:52:06.900 --> 00:52:11.099
You know, it's a little bit too much directed at the audience.

722
00:52:11.159 --> 00:52:13.920
It's not something those 2 would say to one another.

723
00:52:13.980 --> 00:52:29.159
It's happening because Russell wants to tell the people at home that we're not going to have that love affair that really, we decided halfway through series 3 was not such a great idea and began walking back.

724
00:52:29.219 --> 00:52:34.980
And so now, you know, so by the way, people at home, you know, Donna's not...

725
00:52:34.980 --> 00:52:36.119
No hanky-panky in the tar.

726
00:52:36.179 --> 00:52:36.840
Yeah, yeah, yeah.

727
00:52:36.900 --> 00:52:41.039
And what you were saying, Todd, as well, about directors not stepping in with big personalities.

728
00:52:41.099 --> 00:52:47.699
You could also say that maybe Julie or Phil might have flagged that up to Russell and said, yeah, that doesn't quite work, but just let it through.

729
00:52:47.760 --> 00:52:49.559
Yeah, that's a possibility.

730
00:52:49.800 --> 00:52:52.980
I'm sorry, we're hopping on a bit about James Strong's direction.

731
00:52:53.039 --> 00:52:58.199
I also have a problem with the fact that Donna pulls up her car and then the Tartar seems to land like 12nd later and she doesn't hear anything.

732
00:52:58.260 --> 00:53:00.000
Like, so it's engineering. that as well.

733
00:53:00.059 --> 00:53:02.400
I mean, that's another thing too, though.

734
00:53:02.460 --> 00:53:05.099
That's another wonderful thing about the doctor and Donna being the same.

735
00:53:05.159 --> 00:53:10.500
You know, that they both turn up within seconds of each other in blue vehicles in a particular alley.

736
00:53:10.500 --> 00:53:12.780
You know, it's very cute.

737
00:53:12.840 --> 00:53:14.519
And Donna actually notices it too.

738
00:53:14.579 --> 00:53:17.760
Do you think Rose went over to the bin and fished out the TARDIS key?

739
00:53:18.659 --> 00:53:26.519
I was just going to say, I mean, we have harped on a little bit about his direction, but by no means is this poorly directed?

740
00:53:26.579 --> 00:53:27.599
It is a really great story.

741
00:53:27.599 --> 00:53:49.500
And I think it really perhaps is summed up in the final moments. when the doctor asked Donna where she wants to go, and you kind of, you know, people might say, oh, past the future, and then you see that she's going to see a grandfather, and it gets to me every single time, and I think it sums up the change in character and the warmth and the family atmosphere and the payoffs that you want to have for the rest of the season.

742
00:53:49.559 --> 00:53:51.360
Yeah, it's lovely, isn't it?

743
00:53:51.420 --> 00:53:55.619
And ending on Bernie Cribbon's dancing as well in the in the vegetable patch.

744
00:53:55.739 --> 00:53:59.519
You've got that sort of, is there like a double punch of emotion?

745
00:53:59.579 --> 00:54:05.400
You get rose come back and then you see them flying over and waving too many.

746
00:54:05.400 --> 00:54:06.599
Like, I well up.

747
00:54:06.659 --> 00:54:08.519
Yeah, that's lovely.

748
00:54:08.579 --> 00:54:10.860
It's just, it's gorgeous, isn't it?

749
00:54:10.980 --> 00:54:19.559
It's like that sets up the rest of the season because you've got this sort of joy. to these characters who are just friends.

750
00:54:19.619 --> 00:54:20.400
They're just friends.

751
00:54:20.460 --> 00:54:24.300
The whole episode is just like a joyous, light, screwball comedy.

752
00:54:24.360 --> 00:54:25.079
How could you not love it?

753
00:54:46.860 --> 00:54:50.820
Well, dear listener, that's all we've got time for this week.

754
00:54:50.940 --> 00:54:59.039
We'll be back next week for a Latin lesson, a moral dilemma, and some proleptically familiar faces in the fires of Pompeii.

755
00:54:59.099 --> 00:55:15.420
In the meantime, you can find us wherever you get your podcasts, and you can keep up with us at Flight Through Entirety on Facebook, at FTE Podcast on Twitter, and on our website, Flight Through Entirety.com, where you'll find links to our other podcasts, Bondfinger, and Jody into Terror.

756
00:55:15.599 --> 00:55:20.340
Until next time, remember the true secret of lasting weight loss.

757
00:55:20.400 --> 00:55:24.000
No exercise, no diet, and no pain.

758
00:55:24.059 --> 00:55:26.340
Thank you very much for listening and good night.

759
00:55:26.400 --> 00:55:27.059
Good night.

760
00:55:27.119 --> 00:55:28.079
See you soon.

761
00:55:28.139 --> 00:55:28.559
Good night.

762
00:55:31.619 --> 00:55:41.280
That was Flight Through Entirety, starring Todd Bealby, Nathan Bottomley, Peter Griffiths and James Selwood, theme arrangement by Cameron Lamb, Strings performance by Jane Orberg.

763
00:55:41.340 --> 00:55:48.599
This episode, for exactly the same reason, was recorded on the 1st of February 2020 and released on the 15th of March.

764
00:55:50.219 --> 00:56:02.820
Fans who think that Sylvia was cruel to Bandwilf from having a webcam should on no account visit onlyfans.com slash Skiffleman, which we will not be linking to in the show notes.

765
00:56:04.320 --> 00:56:08.400
Q music, Q music, that'll be Donna's theme.

766
00:56:08.460 --> 00:56:09.059
Was that all right?

767
00:56:09.119 --> 00:56:09.719
Yes.

768
00:56:09.780 --> 00:56:12.599
I was wondering whether to foley footsteps in.

769
00:56:12.659 --> 00:56:14.340
The fat just walks away.

770
00:56:14.400 --> 00:56:14.639
Okay.

771
00:56:14.699 --> 00:56:18.539
You know, they destroyed a small to medium enterprise in yesterday's enterprise.

772
00:56:18.599 --> 00:56:19.380
I did.

773
00:56:21.360 --> 00:56:24.840
When are we doing the yesterday's Enterprise podcast?

774
00:56:24.900 --> 00:56:27.780
Oh, anytime. several times.

775
00:56:29.519 --> 00:56:32.820
So, let's start with Donna, I think.