WEBVTT

NOTE
This transcript was created on 2026-06-07 at 14:38:11

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God, I've missed doing these with you.

2
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Why have we waited 2.5 seasons, Brandon?

3
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I demand that we do one next year.

4
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That were my list of things.

5
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Let's do the doctor's daughter, darling.

6
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Well, I demand that.

7
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Yes, that's excellent.

8
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I think you would probably redeem that for me.

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James, the doctor's daughter, please.

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Hello, dear listener, and welcome back to Flight Through Entirety.

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The only Doctor Who podcast to produce more than 185 episodes in just under 7 days.

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We're exhausted I'm Nathan.

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I'm Brendan.

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I'm Todd.

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And I'm a Hath.

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Stay away from the bathtop here.

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Well, before we launch into the triumphant home stretch of series four, let's take a quick pit stop at an old theatre to make time for Donna to do some counting, the doctor to do some gurning and for Martha to do some emoting and a drowning fish.

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Sorry, everyone, but it's time for you to meet the doctor's daughter.

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So, for me, this is really quite a complex and sensitive exploration of the futility of war.

20
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Is that how you feel about it, Todd?

21
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What are you talking about?

22
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I've never thought of it in those terms ever.

23
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Something about futility in there.

24
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Sorry, I'm still struggling with jetmag.

25
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I can't get my brain around that.

26
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There is a sense, I think, in which it kind of would quite like to be that.

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You've got 2 sides of sort of people who are being manufactured at scale in order to fight a kind of pointless war with each other.

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They are enemies of each other for no readily apparent reason.

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They're seeking something that's sort of mythological and absolutely not important.

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And, you know, when peace is made, the kind of leader of one of them can not cope with that and kind of refuses to allow it to happen.

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So there is a sense, I think, in which this actually attempts to be about something.

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Well, the doctor even references the Vietnam War when they discover the human command camp, if you like, in the theatre, he quips, oh, perhaps they're doing Miss Saigon.

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Oh, yeah, yeah, yeah.

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That is quite good.

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Yeah, is good.

36
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And that is a choice.

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He's not saying perhaps they're doing any get your gun.

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He's not saying perhaps they're doing Oklahoma.

39
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He's not saying have a new Q. You know, he picks Miss Saigon because that is a musical about war.

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Yeah, with 1000s of Vietnamese children in rags swarming across the stage.

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And, you know, you could argue that war is always pointless, but a particularly pointless war and one of the 1st wars where a lot of the residents of the countries who were in Vietnam were saying, actually, we probably shouldn't be doing this.

42
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So why is it so stupid then?

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Well, the tone is more Avenue Q. It's silly is the problem, but it's not silly enough to be entertaining.

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It's just it's kind of NAF.

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It's got ideas behind it, but then it doesn't execute any of them very well, but it also takes itself very seriously.

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There's not a lot of humour sort of endemic to the story in there.

47
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No.

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Yeah, I think I think you've hit on it there in that it's trying to do several things, including, it's trying to be the doctor's daughter thought bubble that Russell T. Davies had, and understandably, that's an irresistible idea, but it's also the Martha Trapped in space story.

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And those 2 things, as we see, are probably enough to fill an episode on their own.

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You put both of them together in an episode and neither is adequately explored.

51
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But I also think the problem is the stupid fish.

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I think that's like it is an absolute problem, the half are ridiculous.

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And they are ungainly, like they look stupid in profile.

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There's some decent sort of animatronics and stuff in the masks, but there's whole scenes where there's no dialogue or just Martha's dialogue and everyone else is sort of standing around bubbling at each other.

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And it's absurd.

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Exactly.

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I mean, talk about a puzzling creative choice.

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Everybody's looking at me because I've gone very quiet, just burple at us.

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I like the Hath.

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Do you?

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Okay.

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Yeah, yeah, yeah.

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See, I quite like them too.

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They're quite cute.

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I like them as well.

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I think the only problem with the burbling is it's not subtitled.

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It would have been interesting, I think, to subtitle them for the audience because at the beginning, Martha doesn't understand them, but suddenly she starts understanding them and she's able to talk to Peck.

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Yeah, and we don't know at what point there's no realisation or I don't think it's at all clear when she, you know, that she understands them, isn't it?

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Well, after most of them go off.

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Is she and Pecker looking at the map?

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And the way he responds to her, she then responds to him, you know, it seems like, oh, that's outside, yeah.

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Well, there's just a bit of radiation.

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Oh yeah, I knew you'd come with me.

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You know, she is responding to what he's saying.

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And I looked into sort of cut material and whatnot because I thought maybe there was a line cut where for some reason the TARDIS can't translate them, but they give her a translator patch or whatever because there's that awesome bit where they're all like touching her and touching her.

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Exactly.

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And just, I, God, I love Freema.

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And isn't this episode just a show of Freema will give you 100% even when she's dealing with a script that asks her to do the most ridiculous thing.

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In fact, when Peck dies, she gives them much more than 100%.

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It's miserable, isn't it?

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So we talked last week or the last 2 weeks about the fact that we have Freeman back and we get her to play Evil Freeman.

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We don't get her to do any of the things that we really loved her for last year.

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And separate her from the doctor for most of those episodes.

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Yeah, that's right.

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And now, like in the cold open, she's immediately separated from them.

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She doesn't see them until the end.

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She has no one to kind of give her anything back.

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It's these people in these sort of preposterous masks that she's having to interact with the entire time.

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So she's carrying all of these scenes on her own in a plot that is completely disposable that could have been excised from the episode and we wouldn't have lost anything at all.

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It's really super thankless and they get her to flail about in the mud and stuff like that.

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After flailing about in the goo last story as well.

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Yeah, yeah.

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And she has to emote at a drowning fish, as I said, and she really goes over the top.

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But I just suspect that she was like super bored, you know?

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She gives it so much more than it deserves.

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And I just, you know, I hail her for that.

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I mean, you know, there's a fish drowning in front of you.

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Oh no.

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I mean, no, I mean, you know, does she feel guilt because she lured it out onto the surface and promised it, it would be okay.

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I don't know.

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She doesn't give us the opportunity to say that and she never refers to the fish again.

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And even if she did, it might not have understood her.

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It would have just nodded.

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It's a big waste of her.

105
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And the whole thing sort of screamed contractual obligation, doesn't it?

106
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It's kind of like, we'll give you 7 episodes next year or 5 episodes or whatever.

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She does five, doesn't she?

108
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Five and 3 torchwood.

109
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Yeah, it will give you that many episodes, but it really doesn't matter what we do with you.

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You're just a kind of warm body standing in front of the camera.

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One of the things originally. when I watched this season was that I completely agree with you about Martha and her treatment and bringing her back, her 3 episodes for me were by far the weakest of the entire season.

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And I really despised the Santara episodes because I hated the uses of Santara and how bland unit was.

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And I didn't really like Martha, like very much originally either.

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And it was written by Helen Rayner, who wrote that appalling Dalek story the previous year.

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So we just had all these black marks.

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And so they were the worst episodes.

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So this episode was slightly better, right?

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Because she actually, well, it wasn't 2 episodes off since Terence, basically, and it wasn't Helen Rayner.

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Of course, we've explored last series. and Helen's writing of that Dalek story, which I probably don't like as much as everybody else.

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But coming back to the Santarian one, like I actually said, look, I'm going to give this a go, like, because I actually could see what she was trying to do with the Dalek one.

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And I love Freeman now.

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So, of course, it went from surprise, surprise people to the universe.

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Like it went from 5 out of 10 to suddenly 8 out of 10.

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I thought the 1st episode was fabulous, right?

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Except for the cliffhanger, which was just terrible.

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And the 2nd episode's not as good, but I still enjoy it.

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I probably would give it like a 7.25.

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So I was really concerned coming in watching this particular episode because I always thought it was one of the weakest 3 of the season.

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And I actually think it is the weakest episode of the entire year.

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But I still give it.

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Oh my goodness. 7 out of 10.

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I still I enjoy it, right?

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And I enjoy all the talking between the doctor and Donna about his past and his family and it actually, I think, gives an opportunity to explore that side of things and give it a bit of breath into the show, like to reiterate that he does have family, right?

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And what is he like with his 2 hearts and all that sort of stuff.

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And I actually, this time around, I thought there was actually a lot of talking about that.

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And I really like that part of the episode.

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And actually, I like the daughter as well.

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And the fact that we've got Martha and I really adored her, right, this time around.

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I really love.

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I actually love all Peter.

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I actually really love her crying at that fish.

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I actually get enough.

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That sequence, she's giving it.

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You have to give it to her.

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But I actually really think she does a great job there.

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And so for me, it's performances of Freemer and obviously David and Georgia, in particular, who I and Catherine, that make me like this episode.

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Right.

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It's not old Rumble Bum.

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The whatever his name is the Cobb, General Cobblers, whatever, who's appalling, and that whole plot.

150
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It's just a device.

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I think it's more of an explanation about the doctor and his relationships with family and educating the new fans of Doctor Who a bit about his history, that he does have a history.

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You see, Todd, I think therein lies the problem that Martha Freeman is actually giving a good performance in those scenes, but the episode doesn't deserve it.

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The episode doesn't deserve that emotional weight because it's too lightweight and too disposable.

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And I was saying earlier, it's NAF, but it's not NAF in a fun way, like New Earth or Evolution of the Daleks, maybe.

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It's just disposable.

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I think, too, that the big problem with her performance in that scene is that it's a stupid drowning fish. who she's had a few scenes with and now it's, you know, the most affecting death that she's ever experienced while she's been with a doctor, apparently.

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Well, she was the last personality.

158
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Japan.

159
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Yeah, yeah, yeah.

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That's it.

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She's been through much, much worse than that.

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It's just bathos, you know, like it just seemed bizarre and inappropriate.

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It's great anguish acting, but it just seemed to be wasted on the wrong topic.

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Unearned.

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But I don't mind if fish actually drowning because like it's got its own little bubbly source of liquid, which may not be the same as the liquid in that lake.

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And so when that glass shatters, then it's contaminated.

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And the glass does shatter, I did notice that this time, yeah.

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See, I have never noticed the glass shattering, and I was reading that during the dubbing stage.

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They're like, hold on, the fish drown.

170
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And Russell said, oh, well, just add in the glass breaking.

171
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And the thing is, I've never noticed it.

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I have actually always been with Tom.

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Like I know I've joined him with a fish drowning joke, but I've always been told in that that doesn't look like water.

174
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No, no.

175
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You know, that doesn't look like pure water.

176
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And the doctors told us before, you're 70% water. you can still drown.

177
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Yeah, yeah, yeah, yeah.

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But still, is a fish that drowns.

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See, I think the purpose of that scene in the plot, which makes it both a success and a big problem is that the point of it is to give Martha a definite reason to go home.

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Now, yeah, she's already engaged, but of course, this is a massive temptation to go on travelling.

181
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So they give her a really crappy episode.

182
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She decides she doesn't want to stay.

183
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Yeah, yeah, yeah.

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She, you know, she has a horrible time in this episode and a creature sacrifices itself for her and she has to watch it die.

185
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And so she's like, no, that's it.

186
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I can't do this anymore.

187
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I want to go home.

188
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But the problem is, the subtext of that is Martha is no longer worthy to travel in the Tartars.

189
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And that's what I got watching this because she's not being Donner and being clever and figuring out the mystery.

190
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Like Martha's big contribution to the plot is that someone dies for her.

191
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Right.

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Again, I don't think that's the intention, but I think that's the problem with jamming these 2 plots together.

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It's not considered.

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I don't think it undermines her departure last year because she still leaves on her own terms and she still leaves to go to something positive and at the very end, there's this sort of bizarre moment where she looks at her engagement ring and goes, oh, that's right, I'm engaged and then kind of walks off.

195
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I'm engaged to Lucifer, for God's sake.

196
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Why am I going after that tall streak of misery?

197
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So, Brendan, basically, are you saying that hell hath no fury like a woman's gone?

198
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Oh God.

199
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Sorry.

200
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I actually agree with both Nathan and Brendan in the sense that I think this fish dying for her is just a reinforcement of, you know, all the deaths that she has seen and it's so pointless.

201
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Yeah, I just think that it just reinforces her decision that this is not for her anymore.

202
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And I don't see, I don't think it undermines her at all.

203
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I don't see that.

204
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No, in fact, there's that bit at the very beginning of the episode where both Donna and Martha Bond over this being the fun bit of the episode, they go out into the TARDIS and discover what the world's like, and that's really fun, and both of them appreciate it.

205
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I think their relationship, Donna, and Martha, throughout these 3 episodes, is actually great.

206
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I think it's really warm and lovely, and it would have been nice to have had another one where they actually got to team up, separated from the doctor.

207
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I think that would have been nice They're both sort of in the companions club from the start, aren't they?

208
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They're kind of, even at the start of the Son Torrance, you party.

209
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They kind of embrace each other and recognise each other's kind of experience, even if it wasn't shared.

210
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It's like Rose and Sarah Jane after they got over their initial bump in school reunion.

211
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It's just, it is a lovely relationship.

212
00:16:12.899 --> 00:16:18.299
And I like at the end when they drop Martha back, how Martha and Donna walk off down the street leaving the doctor behind.

213
00:16:18.360 --> 00:16:19.200
That's great.

214
00:16:19.259 --> 00:16:35.759
I think it's a little bit of a shame the way the show has gone with kind of companions and casting and contracts and stuff that that's never happened again, that all of the companions from now on will leave for sort of stupid science fiction reasons.

215
00:16:35.820 --> 00:16:43.139
And so the doctor never ends up having a group of people on earth who know him, who like him.

216
00:16:43.200 --> 00:16:52.320
And I've always felt that Russell gets that right, you know, for those 1st 2 seasons, he has a group of people who know him.

217
00:16:52.379 --> 00:17:06.480
And I always felt that in the 80s, I mean, maybe even in the Colin Baker era, the fact that it's just the doctor and Perry, and they don't seem to know anyone else, and that always makes me feel a little bit sad, you know.

218
00:17:06.539 --> 00:17:19.859
Yeah, it's like, as to drag us into 2020 for a moment, as much as I have really enjoyed series 12 of Doctor Who, I do regret that we haven't spent as much time with the cons as I would have liked.

219
00:17:19.920 --> 00:17:28.380
Like we've had some great scenes with Sonya, but Naja and Hakeem have just been pushed off to one side and they're great.

220
00:17:28.440 --> 00:17:30.359
I would love to see more of Najia.

221
00:17:30.420 --> 00:17:31.440
Who knows?

222
00:17:31.500 --> 00:17:35.220
We literally have no idea what's going to happen to the companions at the end of this series.

223
00:17:35.279 --> 00:17:37.200
Yes, for once, you know.

224
00:17:37.200 --> 00:17:38.880
You know all of you at home, no.

225
00:17:38.940 --> 00:17:44.579
Yeah, by the time we've, yeah, we are recording this just before episode 9 goes out.

226
00:17:45.420 --> 00:17:48.779
And yeah, we don't know, and that's really exciting.

227
00:17:48.960 --> 00:17:57.240
But the other thing that made me think of that is, of course, this week, Chris Chibnall has said, of course I'd like to bring old characters back.

228
00:17:57.299 --> 00:18:00.420
And he specifically mentions Amy and Rory.

229
00:18:00.480 --> 00:18:04.680
And initially I rolled my eyes, because I've said before on the podcast, I don't really like Amy.

230
00:18:04.740 --> 00:18:12.539
But then I thought about cold blood, Hungry Earth, Power of 3 dinosaurs on a spaceship, and it's like, hold on.

231
00:18:12.599 --> 00:18:16.259
Chris Gibnall writes Amy as really likeable.

232
00:18:16.380 --> 00:18:18.299
Yeah, Amy and Rory.

233
00:18:18.359 --> 00:18:19.680
He does a great job of both of them.

234
00:18:19.740 --> 00:18:27.900
I also want to mention that he wants Tegan and or Ace back as well, and I'm totally on board for both of those, but especially Tegan.

235
00:18:27.900 --> 00:18:28.859
Definitely.

236
00:18:28.920 --> 00:18:29.279
Definitely.

237
00:18:33.119 --> 00:18:37.559
One performance I really want to praise in this episode is actually David Tennant.

238
00:18:37.619 --> 00:18:40.920
Oh, I dislike him enormously in this.

239
00:18:41.039 --> 00:18:41.579
Ooh, okay.

240
00:18:41.640 --> 00:18:49.259
You see, what I like about it is when he's playing the emotional stuff about having lost his family, for once he actually underplays it to Donna.

241
00:18:49.319 --> 00:18:51.720
Like when he says to Donna, I was a father.

242
00:18:51.779 --> 00:18:55.799
He, you know, it's almost a murmur or a whisper.

243
00:18:55.859 --> 00:19:00.539
He actually says it quietly instead of the rage of a time lord.

244
00:19:00.599 --> 00:19:03.119
It's, you know, it's genuine pain.

245
00:19:03.180 --> 00:19:13.140
And then whenever Jenny does anything to impress him, he looks thrilled, but there's still this kind of furrowed brow of, no, don't, don't, don't get attached.

246
00:19:13.200 --> 00:19:13.740
Don't do it.

247
00:19:13.799 --> 00:19:14.400
Don't do it.

248
00:19:14.460 --> 00:19:28.859
So there's one scene where he talks about the legacy of being a time law, that being a time lord isn't just about having a certain genetics or a certain parentage, that it's about being the heir to a sort of long legacy of things.

249
00:19:28.920 --> 00:19:33.900
And that's when he's being sort of super grandiose and stuff.

250
00:19:33.960 --> 00:19:39.420
And he's horribly dismissive of Jenny and her identity and her experience.

251
00:19:39.480 --> 00:19:53.819
And I just find that performance so slappable. despite the fact that Murray Gold does the little, this is galafray music in a really sort of light, soft, gentle kind of elegiac way.

252
00:19:53.880 --> 00:19:58.140
I think that's beautiful, but tenant's performance there really annoys me.

253
00:19:58.200 --> 00:20:00.000
He's super smug and unlikeable.

254
00:20:00.119 --> 00:20:04.079
But that is so when he does accept Jenny later in the episode.

255
00:20:04.140 --> 00:20:05.940
It's it's effective.

256
00:20:06.000 --> 00:20:10.980
I have always read that performance where he's being like really snug and horrid.

257
00:20:11.039 --> 00:20:13.500
He's being egotistical.

258
00:20:13.559 --> 00:20:17.400
He's making this about him and about his man pain.

259
00:20:17.460 --> 00:20:18.420
Yeah, yeah, yeah.

260
00:20:18.420 --> 00:20:28.859
So then Donna kind of says to him, well, you know, if she's got the 2 hearts and she's got the perspective of wanting to explore and she's got the questioning of why she's fighting.

261
00:20:28.920 --> 00:20:29.759
How is she different from you?

262
00:20:29.819 --> 00:20:35.099
Yeah, she doesn't need to have a big collar or be from the sort of Prydonian Academy or something.

263
00:20:35.220 --> 00:20:42.599
And that's what I love about this episode, that Donna takes him through this journey from that point that you don't like, right?

264
00:20:42.720 --> 00:20:45.000
to obviously the scene that you do, Brendan.

265
00:20:45.059 --> 00:20:46.799
And I love I love all that.

266
00:20:46.859 --> 00:20:52.019
That's what that's, for me, the real strength and the heart of this episode and seeing the doctor come to that realisation.

267
00:20:52.079 --> 00:20:57.599
I think his terrible pickup a Ghana name at the general, I never would over the top stuff at the end.

268
00:20:57.599 --> 00:20:58.319
Utterly awful.

269
00:20:58.380 --> 00:21:00.480
Or maybe his worst performance ever.

270
00:21:00.539 --> 00:21:08.880
There is an element there, I think, of what we were saying earlier about Freema, where he's giving it is all to compensate for something that really doesn't work and isn't earned on the page.

271
00:21:08.940 --> 00:21:09.720
Yeah.

272
00:21:09.839 --> 00:21:22.019
And although shots of Freema and Donna, looking shocked, when Jenny shot and looking shocked when the doctor does that, were recorded like 2 weeks later at a completely different exterior garden.

273
00:21:22.079 --> 00:21:24.839
They found another botanical garden somewhere in Cardiff.

274
00:21:24.900 --> 00:21:37.259
Some of the shooting days for this story were disrupted, mainly the stuff in the half encampment, because that was a civic hall, outside which there was a protest about a closing primary school.

275
00:21:37.440 --> 00:21:51.720
So after all the half leave, the scenes with just half Peck, named after Gregory Peck. and Martha were recorded in a totally different location. that they had to like redress as best they could.

276
00:21:51.779 --> 00:21:53.339
And look, I couldn't tell.

277
00:21:53.400 --> 00:22:08.940
And I think Alice Troughton's direction helps that because when all the half are there, she actually kind of shoots it from Martha's perspective of it's very confusing, there's lots of movement around her, Freema, of course, I think is about 5 foot 6 and all the half are like 6 foot six.

278
00:22:09.000 --> 00:22:13.140
So she's surrounded by these gentle monsters, if you like.

279
00:22:13.799 --> 00:22:19.920
Look, one thing in this episode I can praise is the cinematography and the visual direction.

280
00:22:19.920 --> 00:22:24.539
That's not the performance direction because, yeah, you're right, Todd, Cobb is dreadful.

281
00:22:24.599 --> 00:22:31.259
It is the most wooden performance of any spaceship stroke base commander since that narcoleptic old fossil in the arc.

282
00:22:33.960 --> 00:22:42.000
You know, I'm actually offended by the fact that they pick someone with an Irish accent to carry on this pointless war.

283
00:22:42.059 --> 00:22:45.180
And so it, don't you think it's gross?

284
00:22:45.240 --> 00:22:59.039
So it kind of takes whatever it was that went on in Ireland and turns it into 2 sides that have just been manufactured to hate one another for no reason at all.

285
00:22:59.099 --> 00:23:01.259
And they're continuing this wall.

286
00:23:02.099 --> 00:23:02.880
Well, isn't it?

287
00:23:03.000 --> 00:23:11.519
Like, I don't, I think it's about war generally, but I just think it's a miscalculation to give Cobb an Irish accent or to get him to use his Irish accent.

288
00:23:11.579 --> 00:23:14.519
I think it was a miscalculation to maybe cast that actor.

289
00:23:14.579 --> 00:23:17.640
It was a puzzling creative choice, as is his performance.

290
00:23:17.819 --> 00:23:22.140
His Wikipedia page says that he dedicated himself to the classical stage.

291
00:23:22.200 --> 00:23:23.759
Good luck with that.

292
00:23:23.819 --> 00:23:26.039
Just like Jenny Lair.

293
00:23:26.279 --> 00:23:33.839
I can only imagine that it was like bringing his audiences down so that more people wouldn't be exposed to his performances.

294
00:23:33.960 --> 00:23:36.480
Did they did they play Romeo and Juliet together?

295
00:23:38.099 --> 00:23:40.859
Romeo, my husband, my love.

296
00:23:40.920 --> 00:23:41.519
Why did you do it?

297
00:23:41.579 --> 00:23:42.240
Why, why?

298
00:23:42.299 --> 00:23:45.059
And he's got utterly awful teeth as well.

299
00:23:46.559 --> 00:23:48.660
I don't get it too.

300
00:23:48.720 --> 00:23:56.220
If those machines, the generators produce like generations, generations and generations of young people.

301
00:23:56.279 --> 00:23:57.180
What happened?

302
00:23:57.240 --> 00:24:02.160
One of them had a fluff in its sprocket, and he, like, he, or does he know that we've only been fighting for a week?

303
00:24:02.279 --> 00:24:05.339
Or do they all like age really quickly?

304
00:24:05.400 --> 00:24:06.240
That's it.

305
00:24:06.299 --> 00:24:07.319
He's just 3 days old?

306
00:24:07.380 --> 00:24:12.180
I just, I just don't like that it's a 7 days since the start of the war.

307
00:24:12.240 --> 00:24:15.480
I just, you know, this is, this is, I just have a problem.

308
00:24:15.539 --> 00:24:19.920
And so please, Nathan and Brendan, I'm with you. stupid.

309
00:24:19.980 --> 00:24:31.380
And I'm the one who thinks that it's okay that the traffic jams in new, new, new, new, new, new, new, New York last for people's entire lifetimes because I think that's making a allegorical point.

310
00:24:31.440 --> 00:24:33.000
This thing for 7 days.

311
00:24:33.059 --> 00:24:34.019
Like, what the hell?

312
00:24:34.079 --> 00:24:35.460
how does it even work?

313
00:24:35.519 --> 00:24:38.700
Well, they've chosen 7 days to be a Genesis parable.

314
00:24:38.759 --> 00:24:39.240
Yeah sure.

315
00:24:39.299 --> 00:24:43.319
But I think, just logistically, a month.

316
00:24:43.380 --> 00:24:46.200
Just make it a month instead of 7 days.

317
00:24:46.259 --> 00:24:52.740
And in a month, you can conceivably have this degradation of knowledge, I think.

318
00:24:52.799 --> 00:24:56.279
Enough time that maybe a living memory has passed rather than days.

319
00:24:56.339 --> 00:25:00.240
But if we saw lots of people being killed, do you know what I mean?

320
00:25:00.299 --> 00:25:16.200
Like if it was a convincing war and people were going out and being killed in enormous numbers and they were having to manufacture lots of people to replace them, if there was any indication of that rather than we're hanging around a theatre in a ballroom and talking, what's you from Skins just kind of hanging around outside a cell dwarf?

321
00:25:16.200 --> 00:25:16.740
Yes, to his life.

322
00:25:16.799 --> 00:25:18.480
Joe Dempsey, yeah Joe Dempsey.

323
00:25:18.539 --> 00:25:20.339
Can I say he's got really bad skin in this episode?

324
00:25:20.400 --> 00:25:22.799
Yeah, well, they've got bad teeth, bad stuff.

325
00:25:22.859 --> 00:25:23.460
Listen to you.

326
00:25:23.519 --> 00:25:25.079
Send him all off to the clinic.

327
00:25:25.500 --> 00:25:29.279
But the other thing is, it doesn't make sense like 7 days.

328
00:25:29.339 --> 00:25:34.859
If we actually saw them ageing, like the people from the leisure hive, like really rapidly and dying.

329
00:25:34.920 --> 00:25:36.359
Then I could probably buy it.

330
00:25:36.480 --> 00:25:38.819
Or if waves and waves of them were being killed.

331
00:25:38.880 --> 00:25:47.759
And so we had, you know, um, 20 generations a day or whatever, um, because the death hole had been so great.

332
00:25:47.819 --> 00:25:52.799
But, you know, they're all sort of hanging around in this sort of, I mean, look at the map.

333
00:25:52.859 --> 00:25:56.400
It looks like a dungeons and dragons module, doesn't it?

334
00:25:56.460 --> 00:25:59.640
You know, like all of these rooms connected by corridors and things.

335
00:25:59.700 --> 00:26:03.720
And the locations, like what the hell is going on?

336
00:26:03.779 --> 00:26:06.180
I think that's a serious problem with this episode.

337
00:26:06.240 --> 00:26:13.680
I think it undermines the episode and it makes it look like student project in that it was a breakdown in production.

338
00:26:13.740 --> 00:26:17.039
They weren't able to find anywhere that looked suitable.

339
00:26:17.099 --> 00:26:20.940
And so you end up shooting in an old theatre.

340
00:26:20.940 --> 00:26:24.480
There's lines lampshading it everywhere when they turn up in the botanical gardens.

341
00:26:24.539 --> 00:26:26.640
Why does this look like a botanical garden here?

342
00:26:26.700 --> 00:26:27.539
They know it's a problem.

343
00:26:27.599 --> 00:26:28.740
And they've lampshaded it?

344
00:26:28.859 --> 00:26:32.940
But it goes back to that old problem that Ed Thomas just didn't build sets.

345
00:26:33.000 --> 00:26:34.500
He didn't build enough sets.

346
00:26:34.559 --> 00:26:39.420
This clearly needed to be something that was bespoke and instead they've they've just gone with whatever was to hand.

347
00:26:39.480 --> 00:26:46.200
Yeah, I mean, the script wants it to be a newly excavated colony.

348
00:26:46.200 --> 00:26:51.779
And instead, it's old buildings with like chandeliers and stuff like that.

349
00:26:51.839 --> 00:26:56.759
And, you know, down staircases with fading wallpaper and things of green gels everywhere.

350
00:26:56.819 --> 00:26:59.039
So the wallpapers faded in 7 days.

351
00:26:59.099 --> 00:27:00.660
They need to get a new contractor.

352
00:27:00.720 --> 00:27:11.519
It's ridiculous It needs to look like warriors of the deep, quite frankly, brightly lit and very stark and futury.

353
00:27:11.579 --> 00:27:15.059
Okay, I just say the Hatha, not a 1000000 miles away from those solurians.

354
00:27:15.119 --> 00:27:19.319
But I had forgotten that it was set in an old theatre.

355
00:27:19.380 --> 00:27:21.599
Like, and I wrote in my notes, oh, it looks like an old theatre.

356
00:27:21.660 --> 00:27:23.880
And of course, then it is an old theatre.

357
00:27:24.000 --> 00:27:28.680
And so, yeah, so Jenny at the end when she's sort of lying on that plinth is actually just put on a stage.

358
00:27:28.740 --> 00:27:30.599
And it looks bizarre.

359
00:27:30.660 --> 00:27:32.700
Yeah, it's like, why do that?

360
00:27:32.880 --> 00:27:35.940
You know, yeah, you're doing a service for her.

361
00:27:36.000 --> 00:27:41.220
It's like, but the thing is, this is also, this is also your basis where people have been living.

362
00:27:41.279 --> 00:27:45.960
It's an allegorical story, but it's not allegorical enough.

363
00:27:46.019 --> 00:27:47.339
I think you said earlier, Peter.

364
00:27:47.400 --> 00:27:50.460
It's a bit silly, but it's not actually silly enough.

365
00:27:51.000 --> 00:27:54.900
There's something to be said, like, if we look back at season 24.

366
00:27:55.200 --> 00:28:02.640
It's kind of like some people are taking it seriously and some people are not taking it seriously and that's where the disconnect happens.

367
00:28:02.940 --> 00:28:06.299
Here, there's no real excuse for that.

368
00:28:06.359 --> 00:28:07.140
No.

369
00:28:07.680 --> 00:28:10.559
I mean, this is the era of tone meetings.

370
00:28:10.619 --> 00:28:11.160
Yeah.

371
00:28:23.220 --> 00:28:26.339
You see, Brendan, you talk about season 24 and Paradise Towers in particular.

372
00:28:26.400 --> 00:28:38.220
I think that's quite instructive in that Paradise Towers clearly didn't have a tone meeting or a director who was keeping everyone on the same page, but what it did have was a recognisable world because they built that world in the studio.

373
00:28:38.279 --> 00:28:41.039
Paradise Towers and the sets look amazing.

374
00:28:41.099 --> 00:28:45.839
It would have looked really bad if they'd just gone to some backstreets and dressed them up and sure.

375
00:28:45.900 --> 00:28:48.240
Whereas, that's what this episode lacks.

376
00:28:48.299 --> 00:28:51.180
If they built some sets and given it a sense of place.

377
00:28:51.240 --> 00:28:53.940
None of these locations look like they're tied together.

378
00:28:54.000 --> 00:29:01.619
They go from an old theatre out to a quarry, to some staircases to, I don't know, the inside of a paper mill or whatever, and they end up in the botanical gardens.

379
00:29:01.680 --> 00:29:03.180
It's just bizarre.

380
00:29:03.240 --> 00:29:08.339
The bloody paper mill again. how many times do we have to see this place?

381
00:29:08.400 --> 00:29:20.099
I also think, too, that there is a big problem at the end with the visuals and something that had never occurred to me before, that we actually go out onto the surface of the planet.

382
00:29:20.099 --> 00:29:32.519
And we see quite a fantastic shot where Peck and Martha see the sort of big ship thing from the outside and you've got the moons and you've got this desolate planet.

383
00:29:32.579 --> 00:29:48.720
And then at the very end, they do the terraforming thing, and the terraforming thing happens at the same time as kind of peace breaks out, and everyone's in dialogue, saying how beautiful the big swirly thing in that sort of set is.

384
00:29:48.779 --> 00:29:52.200
And that's the thing actually, that seems to have people make peace.

385
00:29:52.259 --> 00:29:55.500
They see a swirly cloud and lay down their gums rather than seeing the effects of it.

386
00:29:55.559 --> 00:29:56.759
But that's it.

387
00:29:56.819 --> 00:29:58.079
That's what you don't see.

388
00:29:58.140 --> 00:30:07.079
You don't see that world. turned into a beautiful paradise, and you absolutely have to see that for that to work.

389
00:30:07.140 --> 00:30:13.019
And all we get is a swirly thing and we get some light coming in through the windows of the theatre.

390
00:30:13.079 --> 00:30:17.880
And what we don't see is a new world created once these people are at peace.

391
00:30:17.940 --> 00:30:25.500
You know, it's bizarre and clearly they just didn't have the money for the sort of effect shot, but that effect shot is so important.

392
00:30:25.619 --> 00:30:42.359
It's, if the story is going to be about anything, it's got to be about that, they're fighting to achieve something and it turns out what they get isn't a weapon, but a way of recreating the world, creating a beautiful, peaceful world and we just never see it.

393
00:30:42.420 --> 00:30:45.539
So rather than word peril, it's word safety.

394
00:30:45.599 --> 00:30:46.859
Yeah, that's it.

395
00:30:46.980 --> 00:30:48.839
Word victory.

396
00:30:49.559 --> 00:30:55.559
See, that's a big problem with the ending and you build up to this, and you want the episode to be about something.

397
00:30:55.619 --> 00:31:14.519
And that just turns into that horrible collection of cliches where the doctor stops people who should just be shooting him because he's hoisting aloft their prized artefact, and then he smashes it and still no one does anything, and then they all lay down their weapons just because, and then someone decides shoot the doctor while someone else throws themselves in front of him going, no.

398
00:31:14.640 --> 00:31:16.319
Yeah, I was getting awful.

399
00:31:16.380 --> 00:31:22.079
I was getting some pretty serious Jackie Hill vibes from Megloss.

400
00:31:22.140 --> 00:31:23.700
Yes, because they make survibes.

401
00:31:23.759 --> 00:31:27.359
And do you know when Martha gets kidnapped at the startly episode?

402
00:31:27.420 --> 00:31:30.359
It's just like when Barbara gets kidnapped at the start of a crusade?

403
00:31:30.420 --> 00:31:33.599
And that is the only connection between those 2 episodes?

404
00:31:37.200 --> 00:31:43.799
I don't know, presumably, you know, with all this single parent genetic stuff going on, there's there's going to be some interbreeding.

405
00:31:43.859 --> 00:31:46.019
Like Richard and Joanna.

406
00:31:46.079 --> 00:31:46.559
Anyway.

407
00:31:46.619 --> 00:31:49.799
I could say, wouldn't it have been great if Donna was cloned?

408
00:31:49.859 --> 00:31:51.839
Can you imagine the Donna's daughter?

409
00:31:52.319 --> 00:31:55.079
That would have ended the war quick, smart.

410
00:31:55.200 --> 00:32:02.039
I think I saw a few of them at Gallifrey this week. joined forces against their common enemy, Nerris.

411
00:32:02.759 --> 00:32:06.119
By the way, yeah, they're a schizophrenian.

412
00:32:06.180 --> 00:32:07.319
She's a lesbian.

413
00:32:07.380 --> 00:32:08.220
Is she a lesbian?

414
00:32:08.279 --> 00:32:13.019
Well, I don't know, but she's either a lesbian or a single mum who?

415
00:32:13.079 --> 00:32:16.859
has used a turkey-based to produce her own offspring.

416
00:32:16.920 --> 00:32:18.240
So there you go.

417
00:32:18.299 --> 00:32:18.900
Neres.

418
00:32:18.960 --> 00:32:19.500
Yeah.

419
00:32:19.559 --> 00:32:24.839
The funny thing is, Doctor Who, the Complete History, refers to that as Neres fathering twins with a turkey-based.

420
00:32:24.900 --> 00:32:28.079
And I'm like, I'm not sure, that's the right verb.

421
00:32:28.140 --> 00:32:31.799
Maybe she paid a little visit to Morocco, like Patsy.

422
00:32:40.859 --> 00:32:53.519
It might be the case that the names of the clones come from their progenitor, because the forenamed soldiers we get aside from Jenny R, Cobb, Klein, Carter, and Cash.

423
00:32:54.299 --> 00:32:56.819
Maybe they're the sea generation.

424
00:32:56.819 --> 00:32:59.460
Like each generation, you know, has a different letter.

425
00:32:59.519 --> 00:33:01.259
That's why he doesn't like Jenny.

426
00:33:01.319 --> 00:33:02.039
She's jumped ahead.

427
00:33:02.099 --> 00:33:02.759
Yeah, yeah, yeah.

428
00:33:03.299 --> 00:33:11.640
We really haven't spent all that much time talking about Georgia Moffat, and she is the eponymous character in this episode.

429
00:33:12.059 --> 00:33:14.160
How do you think she does?

430
00:33:15.240 --> 00:33:17.099
I love her.

431
00:33:17.160 --> 00:33:25.259
I think she's got so much energy and and pizzazz and that backflip sequence through the lasers.

432
00:33:25.319 --> 00:33:27.539
It's just the most hilarious thing.

433
00:33:27.599 --> 00:33:30.900
Like, you know, compare that to Richard Herndl and Tegan.

434
00:33:31.619 --> 00:33:35.160
The frigging floor in the 5 doctors.

435
00:33:35.220 --> 00:33:40.019
Shuffle any old wear and this is like, you know, it's out of the field.

436
00:33:40.079 --> 00:33:42.359
It is as easy as pie.

437
00:33:42.420 --> 00:33:42.900
I just love it.

438
00:33:42.960 --> 00:33:48.299
It's like when Lady Christina comes down from the ceiling like Mission Impossible. next year.

439
00:33:48.839 --> 00:33:52.859
It's a great homage to an action movie.

440
00:33:52.920 --> 00:33:54.119
I love I love her.

441
00:33:54.180 --> 00:34:00.119
I actually really like the reaction to where Donna kind of looks at the doctor and goes, oh, you know, like I'd love to see you doing that.

442
00:34:00.180 --> 00:34:02.039
You know, this is a time lord thing.

443
00:34:02.099 --> 00:34:03.059
He said off you go.

444
00:34:03.359 --> 00:34:06.839
And she does actually listen to him.

445
00:34:06.900 --> 00:34:12.179
You know, like she does kind of earn her place in the TARDIS because she starts off as a soldier.

446
00:34:12.239 --> 00:34:18.840
She's there ready to shoot them with those terrible guns that have flames coming out the end for no reason, whether they're shooting or not.

447
00:34:18.900 --> 00:34:24.599
And then she decides, no, I'll pull a trick, you know, and escape in a sort of clever way.

448
00:34:24.659 --> 00:34:25.380
Yeah.

449
00:34:25.380 --> 00:34:30.900
Production information for why the guns like flash with that gas flame.

450
00:34:30.960 --> 00:34:34.079
It was to save on buying blanks.

451
00:34:34.139 --> 00:34:36.719
They're like, this is how we can economise.

452
00:34:36.780 --> 00:34:38.519
We can have a gas cylinder on each gun.

453
00:34:38.579 --> 00:34:39.840
It makes it look slightly futuristic.

454
00:34:39.900 --> 00:34:42.059
We don't need to do a laser and we don't need to do blanks.

455
00:34:42.119 --> 00:34:47.820
The backflip sequence was inspired by Britney Spears' toxic music video.

456
00:34:47.880 --> 00:34:48.900
Of course it was.

457
00:34:50.099 --> 00:34:52.260
That's how Britney Spears.

458
00:34:52.320 --> 00:34:56.699
But, you know, that in itself, as you say, Todd, was inspired by action movies.

459
00:34:56.760 --> 00:35:01.079
And while you may think, oh, well, you know, that's definitely a gymnast doing that.

460
00:35:01.139 --> 00:35:05.820
The final shot where Georgia Moffatt sort of flips back into screen.

461
00:35:05.880 --> 00:35:09.360
Georgia Moffatt does do that last cartwheel and backflip.

462
00:35:09.420 --> 00:35:13.619
You know, so she's, she gets it done.

463
00:35:13.679 --> 00:35:21.840
Sort of, they had a gymnast and a choreographer on set, and before the shot, the gymnast sort of said, well, I can do this, I can do this, I can do this, I can do this.

464
00:35:21.900 --> 00:35:23.579
And George Moff was like, well, I can do that.

465
00:35:23.639 --> 00:35:26.460
Well, work that is...

466
00:35:31.199 --> 00:35:36.059
You see, having her played the doctor's daughter, she's clearly not the 10th doctor's daughter.

467
00:35:36.119 --> 00:35:37.619
No, she's the 5th doctor.

468
00:35:37.679 --> 00:35:39.659
Yeah, I mean, that's an icky thought given real life.

469
00:35:40.079 --> 00:35:46.139
But, you know, I would have loved an in universe explanation for why she looks like the 5th doctor.

470
00:35:46.199 --> 00:35:47.699
It would have been utterly ludicrous.

471
00:35:47.760 --> 00:35:49.139
Really quite funny.

472
00:35:49.500 --> 00:35:52.019
Like, tenant removing his hand.

473
00:35:52.079 --> 00:35:55.440
So he's like, I think they only got genetic information from my 1st 5 incarnation.

474
00:35:55.500 --> 00:35:59.699
I would have given this episode a bit of a, you know, that sort of silly kick it needed.

475
00:35:59.760 --> 00:36:02.820
You aren't on board with her performance, Peter.

476
00:36:02.880 --> 00:36:04.559
I think it's fine.

477
00:36:04.619 --> 00:36:09.239
I think she's doing what Freema is doing and she's doing everything she can with material.

478
00:36:09.300 --> 00:36:12.119
I don't think the character is particularly well defined.

479
00:36:12.179 --> 00:36:15.539
She doesn't get a lot of doing doctor-ish things.

480
00:36:15.599 --> 00:36:18.480
We get a lot of Donna saying, see, she's like the doctor.

481
00:36:18.539 --> 00:36:19.380
I'd like to see more of that.

482
00:36:19.440 --> 00:36:26.099
I like to see her have a journey throughout the episode where she becomes less of a soldier and more of a thinker.

483
00:36:26.159 --> 00:36:27.719
I don't think we really do get that.

484
00:36:27.780 --> 00:36:35.340
I guess the closest thing is that scene that I just mentioned where she has the choice to shoot Cobb and decides to shoot the thing in the ceiling instead.

485
00:36:35.400 --> 00:36:41.280
Yeah, I mean, that is sort of one of the most obvious kind of iterations, though. like I would have liked to have seen more too.

486
00:36:41.340 --> 00:36:43.079
I think the character had a lot of scope to be interesting.

487
00:36:43.139 --> 00:36:46.920
I think she's a fine actress, but like the rest of the episode, I don't think it gets there.

488
00:36:46.980 --> 00:36:50.159
Weren't they supposed to kill her off at the end and wasn't it Stephen Moffatt?

489
00:36:50.219 --> 00:36:52.619
said to Russell keep her alive.

490
00:36:52.679 --> 00:36:56.880
And I kind of feel a bit cheated that, well, great, keep her alive, but you know, bring her back.

491
00:36:56.940 --> 00:37:07.739
Well, I mean, I kind of, I'm never a big fan of bringing people back because I think it actually probably rarely works unless you've got a good 2nd idea for them.

492
00:37:07.800 --> 00:37:25.500
But I do like the scene at the end where she's in the shuttle and she says what she's going to do and she just lists the things that Donna said that the doctor does, you know, that he saves planets, he fights monsters and she just gives that dialogue back and says, that's what I'm off to do.

493
00:37:25.559 --> 00:37:33.480
So I like the idea that she's now in our imagination out there somewhere doing what the doctor does.

494
00:37:33.539 --> 00:37:38.099
And although we don't get to see her again, we do get to have that.

495
00:37:38.159 --> 00:37:39.480
And I think that is quite nice.

496
00:37:39.599 --> 00:37:40.739
I like that too.

497
00:37:40.800 --> 00:37:45.900
My heartaway sinks a little bit when someone says, oh, we'll recast her and bring her back or she's regenerated or whatever.

498
00:37:45.900 --> 00:37:47.639
And I just think, no, no, no.

499
00:37:47.699 --> 00:37:52.500
Let's not everything needs a big finish box set on it.

500
00:37:52.559 --> 00:37:54.780
Like not everything needs to be explored.

501
00:37:54.840 --> 00:38:00.900
And it's quite nice to have that little loose end because it's a hopeful and kind of optimistic loose end, I think.

502
00:38:00.960 --> 00:38:07.679
And I certainly think that killing her is just the most cliched and appalling thing imaginable.

503
00:38:07.739 --> 00:38:09.900
And she doesn't die saving anyone.

504
00:38:09.960 --> 00:38:11.699
She doesn't, do you know what I mean?

505
00:38:11.760 --> 00:38:14.400
Like it is just, oh, she needs to be dead.

506
00:38:14.460 --> 00:38:16.800
So we'll just get cob to shoot her.

507
00:38:16.860 --> 00:38:21.900
And like Cobb shoots her because he is a warrior who can't accept peace.

508
00:38:21.960 --> 00:38:24.239
So there is a proper point being made.

509
00:38:24.300 --> 00:38:26.760
But otherwise, like it's it's super random.

510
00:38:26.820 --> 00:38:29.880
Yeah, and Stephen Moffat's objection was exactly that.

511
00:38:29.940 --> 00:38:36.179
It's like killing her is the cliche, and it's there to reset the doctor's status quo.

512
00:38:36.179 --> 00:38:42.659
Because part of Stephen Greenhorn's brief for this script was based on an interview he gave about the Lazarus experiment.

513
00:38:42.659 --> 00:38:56.219
Because what he said in the interview was, this is my 1st time writing for Doctor Who, and he says, writing for Doctor Who is very different from writing for other drama, because in other drama, you want to give your central character an emotional journey, and you can't do that in Doctor Who because he has to stay the same.

514
00:38:56.280 --> 00:38:58.739
So you give the emotional journey to the companion.

515
00:38:58.800 --> 00:39:02.639
And Russell heard that and went, Actually, Stephen, that's a really good point.

516
00:39:02.699 --> 00:39:05.880
I want to give you a story where you give the doctor an emotional journey.

517
00:39:05.940 --> 00:39:12.119
Except that that emotional journey then ends at the end of the episode and we never speak of it again.

518
00:39:12.179 --> 00:39:12.840
Yeah.

519
00:39:12.840 --> 00:39:14.940
He's still right.

520
00:39:15.000 --> 00:39:16.559
Right, don't get me wrong.

521
00:39:16.619 --> 00:39:30.900
But I just want to praise David Tennant and Georgia Moffatt's performance in her death scene. pretty much because again, it's not tenants spitting in the master's face that we got last year.

522
00:39:30.960 --> 00:39:33.420
It's gentle and it's tender.

523
00:39:33.480 --> 00:39:37.139
We do have that really overacted.

524
00:39:37.199 --> 00:39:38.280
I'm the man who never would.

525
00:39:38.340 --> 00:39:40.860
It's not just the acting.

526
00:39:40.920 --> 00:39:43.619
That line of dialogue is absolute whippet.

527
00:39:43.679 --> 00:39:44.639
Do you know what I mean?

528
00:39:44.699 --> 00:39:45.480
It's terrible.

529
00:39:45.539 --> 00:39:48.119
As you always say, if the doctor picks up a gun?

530
00:39:48.239 --> 00:39:49.559
rewrite your script.

531
00:39:49.619 --> 00:39:57.900
But then wait, the thing I so love about that scene is after he's done all that big thing, he just comes down and sits next to Jenny's body and he doesn't say anything else.

532
00:39:58.260 --> 00:40:05.400
Yeah, it only, it's only a few seconds, but the speech is performative.

533
00:40:05.460 --> 00:40:13.380
It's him performing a speech and then he's like, now leave me the hell alone because everything is about her right now.

534
00:40:13.500 --> 00:40:19.559
And there's a sort of there's a grandiosity to the speech as well.

535
00:40:19.619 --> 00:40:27.420
It's like, I want you to base your society on how I behave right now when I pull the gun on the guy and then decide not to do it.

536
00:40:27.480 --> 00:40:41.340
And it kind of wrecks what's happened before, where they've all laid down their guns because, you know, the world has changed and become, you know, beautiful and blah, blah, blah, and they've discovered what they're all there for or whatever.

537
00:40:41.400 --> 00:40:50.760
I mean, it doesn't come off, but they have their own reason not to find their own reason to not be warriors and his tenet inserting himself into the middle of it.

538
00:40:50.820 --> 00:40:56.940
Yeah, and it highlights the passivity, I think, of those characters and that they follow whatever the script gives them.

539
00:40:57.000 --> 00:41:06.780
They say, oh, okay, well, let's, you know, stop fighting and, oh, that's a good point. you make doctor, you know, have the blah, blah, blah, blah. none of it is owned, none of it has any emotional weight to it.

540
00:41:07.019 --> 00:41:14.400
I also have a problem with the scene as well because there's no blood or anything like when she gets shot.

541
00:41:14.460 --> 00:41:25.380
And I know Russell didn't want to show anything like that, but I just have a problem that she sort of just clutches her chest and then you look back and there's never any indication she's ever been shot or the anything's gone through what she's wearing.

542
00:41:25.440 --> 00:41:27.119
And it just doesn't sell it for me.

543
00:41:27.179 --> 00:41:30.780
I just kind of go, that's if you're going to do that, you've got to direct it better than what it's direct.

544
00:41:30.840 --> 00:41:33.719
Todd wanted bits coming out like condo.

545
00:41:34.260 --> 00:41:35.820
Not at all.

546
00:41:35.880 --> 00:41:37.980
But a little hole in the t-shirt.

547
00:41:38.099 --> 00:41:38.639
Just something.

548
00:41:38.699 --> 00:41:41.519
And I just, and I just, it just, it's just rubbish.

549
00:41:41.579 --> 00:41:43.440
No, she looks like she's having a bit of a rest.

550
00:41:43.619 --> 00:41:47.639
Between scenes. waiting for a beauty treatment.

551
00:41:48.659 --> 00:41:59.099
You know, I was saying, like, I love doing these with you all, and often with Brendan, you actually make me love episodes more than what I initially thought.

552
00:41:59.159 --> 00:42:01.019
I think with this one, I'm liking it a little bit less.

553
00:42:01.679 --> 00:42:04.079
Does that mean that I've influenced?

554
00:42:04.199 --> 00:42:07.199
Yes, Peter, it's now a 6 to a seven.

555
00:42:08.219 --> 00:42:10.980
Look, I give this one a 6 as well.

556
00:42:11.039 --> 00:42:14.760
I think I think it's flawed, but I still enjoy watching it.

557
00:42:14.820 --> 00:42:20.639
You know, I get to that scene in the garden and I'm like, oh, it's almost the end of the episode.

558
00:42:20.699 --> 00:42:22.380
I didn't notice that time going by.

559
00:42:22.440 --> 00:42:26.280
I'm not sitting here feeling like this is a slog like I do with Planet of the Oude.

560
00:42:26.340 --> 00:42:36.599
You know, I find that episode quite difficult to get through and it's just that I like the doctor actually doing stuff in the plot, but that's not for him.

561
00:42:37.619 --> 00:42:42.000
I also really respect Russell four, right?

562
00:42:42.059 --> 00:42:44.039
In series 3 and this was the case at the time.

563
00:42:44.099 --> 00:42:46.980
The Dalek 2 parter was heavily criticised.

564
00:42:47.039 --> 00:42:49.199
Lazarus experiment was heavily criticised.

565
00:42:49.260 --> 00:42:55.380
And that was a two-parter by Helen Rayner bringing back an old monster and a new monster with Stephen Greenhorn.

566
00:42:55.679 --> 00:43:01.920
Rather than Russell say, okay, well, I'll do the middle two-parter, and I'll get Stephen Moffatt to do the episode immediately after.

567
00:43:01.980 --> 00:43:04.619
He, like, actually, no, everyone out there.

568
00:43:04.679 --> 00:43:09.360
These are 2 very talented writers, and you're going to have the same for them again next year, and you will like it.

569
00:43:10.019 --> 00:43:11.820
I mean, too.

570
00:43:11.880 --> 00:43:15.360
I'm mostly, I mostly like the Santaran 2-parter.

571
00:43:15.420 --> 00:43:16.920
It's fun, it's a bit of fluff.

572
00:43:16.980 --> 00:43:18.480
I like Colonel Mace.

573
00:43:18.539 --> 00:43:20.519
I like evil Martha.

574
00:43:20.579 --> 00:43:24.539
It's got cribbons. yeah It's got Jackie.

575
00:43:24.599 --> 00:43:31.320
Yeah, and this is a perfectly enjoyable 45 minutes if you don't think too hard about the world.

576
00:43:31.559 --> 00:43:33.840
Like, Brendan, I agree with you.

577
00:43:33.900 --> 00:43:37.380
Like, I'm going to be quite, well, I'm not surprised.

578
00:43:37.440 --> 00:43:43.320
I mean, David Tennon is not my favourite. doctor, but this season is, I think, my favourite season of New Who.

579
00:43:43.380 --> 00:43:46.860
And in terms of shows dipping below six.

580
00:43:46.920 --> 00:43:57.119
There's only, well, one in that category, which is this one, and everything else is like way above, and the back half of this season is just like, you know, from strengths and strengths or strength, and I love the 1st 3 stories.

581
00:43:57.179 --> 00:44:03.719
So, yeah, I just, yeah, it's quite incredible that this is my favourite season of New Who?

582
00:44:03.780 --> 00:44:06.480
What is it with them having terrible military characters?

583
00:44:06.539 --> 00:44:08.699
First of all, Colonel Mace, then general cobblers.

584
00:44:08.760 --> 00:44:09.659
They're all.

585
00:44:09.780 --> 00:44:11.699
I will give you this, Brandon.

586
00:44:11.760 --> 00:44:13.260
I don't think this episode is too boring.

587
00:44:13.380 --> 00:44:14.820
And boring is the number one crime.

588
00:44:14.880 --> 00:44:15.960
Yeah, yeah, I agree.

589
00:44:16.019 --> 00:44:18.239
It's like Orphan 55 this year.

590
00:44:18.360 --> 00:44:23.099
Like, it's my least favourite episode of this series, current series.

591
00:44:23.159 --> 00:44:26.400
It's probably my 2nd least favourite of the Jodies.

592
00:44:26.460 --> 00:44:30.599
It's just above Battle of Ranscore of Colos because it's fun.

593
00:44:30.659 --> 00:44:31.619
Yeah.

594
00:44:31.619 --> 00:44:33.539
And this episode is fun.

595
00:44:33.599 --> 00:44:39.179
It's like, you know, my worst David Tennon episode is Fear Her because it's not fun.

596
00:44:39.239 --> 00:44:40.380
It's boring.

597
00:44:40.440 --> 00:44:41.760
There long periods with nothing happening.

598
00:44:42.000 --> 00:44:45.420
You can't say that about the doctor's daughter.

599
00:44:45.480 --> 00:44:46.800
There's something happening every second.

600
00:44:46.860 --> 00:44:48.119
Just doesn't make sense.

601
00:44:48.179 --> 00:44:49.739
I wish it had been more fun.

602
00:44:49.800 --> 00:44:59.579
Yeah, I, for me, I think there's so much kind of ineptitude and so many cliches in the script and it is just a little bit of a mess.

603
00:44:59.639 --> 00:45:03.300
I'm not bored, but maybe I'm irritated.

604
00:45:30.360 --> 00:45:34.320
Well, the listener, that's just about as much as we can take this week.

605
00:45:34.380 --> 00:45:39.059
We'll be back next week to watch a vest perform drown in the unicorn and the wasp.

606
00:45:40.199 --> 00:45:55.380
In the meantime, you can find us wherever you get your podcasts, and you can keep up with us at Flight Through Entirety, on Facebook, at FTE Podcast, on Twitter, and on our website, FlightthroughEntirety.com, where you'll find links to our other podcasts, Bondfinger, and Jody IntoTera.

607
00:45:55.440 --> 00:45:57.659
Brendan, is there anything you'd like to plug?

608
00:45:57.719 --> 00:45:58.440
Yes.

609
00:45:58.500 --> 00:46:05.280
So, it's 15 years since Doctor Who came back on our screens and on the anniversary of each episode.

610
00:46:05.340 --> 00:46:11.400
I am reviewing the relevant episode on my YouTube channel.

611
00:46:11.460 --> 00:46:16.619
So I'm in the midst of the Christopher Eccleston series at the moment, just giving my thoughts.

612
00:46:16.679 --> 00:46:22.019
And also, if you want to on Twitter or in a comment on the YouTube video.

613
00:46:22.079 --> 00:46:25.380
Please leave me your comments about next week's episode.

614
00:46:25.440 --> 00:46:27.179
As we're recording this ahead of time.

615
00:46:27.239 --> 00:46:36.059
I'm not quite sure where I'm up to, but just check out the channel and I will be reading some of them out in each review and kind of responding to them as well.

616
00:46:36.119 --> 00:46:40.139
So do please join me for that over on my YouTube channel, Brandy Bongos.

617
00:46:40.199 --> 00:46:40.440
Thank you.

618
00:46:40.559 --> 00:46:41.099
Brilliant.

619
00:46:41.159 --> 00:46:42.659
We'll have links to that in the show notes.

620
00:46:42.719 --> 00:46:46.440
Until next time, may you never experience dad shock.

621
00:46:46.500 --> 00:46:47.820
It's easy to avoid.

622
00:46:47.880 --> 00:46:49.920
Just ask any of us here on the podcast.

623
00:46:49.980 --> 00:46:52.320
Thank you very much for listening and good night.

624
00:46:52.380 --> 00:46:53.159
Good night.

625
00:46:53.219 --> 00:46:54.000
See you soon.

626
00:46:54.059 --> 00:46:54.719
Good night.

627
00:46:57.840 --> 00:47:03.420
That was Flight for Entirety, starring Todd Bilby, Nathan Bottomley, Peter Griffith, and Brendan Jones.

628
00:47:03.480 --> 00:47:07.139
Theme arrangement by Cameron Lamb, Strings performance by Jane Orberg.

629
00:47:07.199 --> 00:47:13.559
This episode about his man pain was recorded on the 22nd of February 2020 and released on the 19th of April.

630
00:47:15.179 --> 00:47:29.699
Stay tuned, of course, for the inevitable Big Finish Jenny box set, comprising 6 story, starring Georgia Tennant, phoning it in as Jenny, with Michelle Collins as the War Briggs, and Ryan Sampson as loveable hat sidekick Glug.

631
00:47:31.380 --> 00:47:35.159
Hit the nail on the head in that the problem is with the design department.

632
00:47:35.219 --> 00:47:47.340
I think all the actors are pulling in the same direction, as opposed to season 24, where, you know, each story, there's someone who is not performing the same as everyone else, like Richard Briars.

633
00:47:47.460 --> 00:47:52.980
But even Cobb, who it's not a very interesting performance.

634
00:47:53.039 --> 00:47:54.179
Wait a sec.

635
00:47:57.239 --> 00:47:58.980
General cobblers.

636
00:47:59.039 --> 00:48:04.139
I'll see your woman die. a terrible thing.

637
00:48:04.199 --> 00:48:06.300
Nathan, that's no way to speak to Todd.

638
00:48:10.860 --> 00:48:13.139
I think I'm going to cry.

639
00:48:14.280 --> 00:48:17.039
What's the stupid name of this planet?

640
00:48:17.099 --> 00:48:19.380
Oh, it's miscellane.

641
00:48:19.440 --> 00:48:20.820
Vaseline.

642
00:48:20.820 --> 00:48:22.320
Vaseline.

643
00:48:26.340 --> 00:48:29.880
It's named after the wife of the emperor.

644
00:48:29.940 --> 00:48:31.139
Can I?

645
00:48:31.139 --> 00:48:31.800
Oh, Messalina.

646
00:48:31.860 --> 00:48:33.300
Is it Messalina?

647
00:48:33.300 --> 00:48:34.139
or is it Messalina?

648
00:48:34.199 --> 00:48:34.500
Yeah.

649
00:48:34.619 --> 00:48:37.320
Yeah, look, I finished that point about actors.

650
00:48:37.500 --> 00:48:39.900
I'll see your woman dies.

651
00:48:40.019 --> 00:48:41.699
We're not together.

652
00:48:41.760 --> 00:48:44.639
It's one of those ongoing...

653
00:48:44.639 --> 00:48:45.239
Yeah, yeah.

654
00:48:45.300 --> 00:48:47.940
You see, Brendan, I think that's really...

655
00:48:47.940 --> 00:48:48.719
Sorry, I'll start that again.

656
00:48:48.780 --> 00:48:51.420
You see, Brendan, that's really interesting because...

657
00:48:52.619 --> 00:48:55.800
We may as well just put a report in the middle of Pitt Street.

658
00:48:55.860 --> 00:48:58.619
I felt like that was a commentary on what I was going to say.

659
00:48:58.679 --> 00:49:00.719
I snoop a mouth and clue.

660
00:49:01.619 --> 00:49:04.365
You see, Brendan, you talk about season 24.