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This transcript was created on 2026-06-07 at 14:42:08

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Hello, dear listener and welcome back to Flight Through Entirety, the only Doctor Who podcast that wouldn't even be mildly surprised by a sudden Dalek invasion right now.

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Bring it on 2020.

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I'm Nathan.

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I'm James.

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I'm pizza.

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And I'm Todd.

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Well, it's the end of the world, which is now an honoured tradition at this time of year, but it's the end of the world like you've never seen it before.

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Every spinoff, every companion, and nearly every mum turn up to say goodbye to David Tennant's doctor 18 months too early.

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It's an all singing, all dancing apocalyptic extravaganza.

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It's the stolen earth.

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So, we hit Earth running.

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We've come straight from the end of the previous episode, and we land in a street where the, what, the last ever milkman in Britain is delivering milk.

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It's milk delivered these days.

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Cotton.

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I think it's very definitely, you know, just an attempt to do sort of suburban normality, but all I could think of was John Pertley driving the float for his old dad.

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I think Russell missed a Mr. Comeback there for all Jones the Hill.

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I just got survival.

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I was expecting a Kitling to kidnap that Norman at any second.

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Yes, of course.

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I'd forgotten the milkman in survival.

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I think that this is a really, really well structured scene.

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I think it's brilliant.

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I mean, the entire precredit sequence is just, I mean, could you ask for anything more perfect than that?

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Yeah.

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So it starts with the milkman?

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And then we get, you know, the doctor and Donna arriving, we get earth disappearing from underneath them, and then we get these sort of 2 plot threads, 3 plot threads, don't we?

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The 2 spinoffs and Martha.

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Martha starts it off.

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Yeah.

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And then we go to Captain Jack and and them in Torchwood, then to Sarah Jane, and then back to Wilfrid and Sylvia.

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They always want the women.

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Yep.

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And then Rose with her big gun.

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I mean, and she gets to look up at the sky and we get to see, you know, gazillion planets and it's the Marvel's crossover event we never knew we wanted or needed, you know?

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It's incredible.

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It is sort of the, it's the story of Doctor Who, isn't it?

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It's Doctor Who, the spinoffs, and Martha.

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Don't worry, big things will make one for her soon.

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Well, I think the amazingly clever thing about it is that it's circular, that every one of the little inset scenes have a character being encouraged to look at the sky, but we don't get to see what's in the sky until Rose turns up and we see it from the milkman's point of view.

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So we start an end on the milkman and on that massive reveal, which is just, it's bonkers.

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I mean, it is unbelievable, you know, to have the earth moved out of position.

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I mean, there's a lot of competition.

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You know, every single series finale has been huge and has had to sort of outdo the previous one.

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And I think at the time people expressed sort of reservations about that or thought it was tiresome or whatever, but I'm absolutely on board with it.

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You know, make it huge and and they do.

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It's it's mental.

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It's fantastic.

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It's the Doctor Who cinematic universe coming together.

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And Russell's ahead of his time on this.

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He's sort of assembled the whole team and he throws in everything else.

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He throws in.

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We've got Harriet Jones and Davros and the Daleks and the most seismic event in the Doctor Who universe, which is a regeneration.

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We've got all that to come in this episode.

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And you know it's special just from the pre-credits teaser and from those endless names swooping past in the opening titles.

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It's wildly confident.

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And I think only a series and a writer at the top of their game could even attempt to pull this off.

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I agree, and over the course of these 2 episodes, Every single semi-regular character is basically either in it or name checked.

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Yeah.

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And the fact it says volumes, the fact that they can get back all these people back to the show and they're willing to come back and do these episodes when obviously some of them have very busy schedules.

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So I think it's amazing.

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Yes, and this show made stars of these people.

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That's why they're busy.

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Well, also, I mean, Rose is almost not in it.

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They had scheduling issues.

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They had to move the schedule about quite a lot because she was on her honeymoon when this was due to be filmed.

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And they almost had to rewrite her out of it.

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In fact, I think she got married while Russell was writing one of these episodes and Russell actually bailed on her wedding because the writing of it was so sort of enormously complex and Russell was reaching the end of 4 years of just an incredible amount of work.

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And he got sick as well.

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So, yeah, he skipped out of the wedding and something else as well.

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Like a holiday with his husband or something?

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Like he had to cancel everything like at the last minute to get this finished.

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Do you know, I'll be a little bit controversial and say that I think if Rose had been written out of this, it might have made it a better story, and that's not a judgement.

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That's no judgement on Billy at all.

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I love Rose.

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I love Billy and it's great to see them back.

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But Rose's story was in some ways completed, and I think this diminishes the character a little bit.

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I think we'll get onto that next week because I agree with you a little bit, but I do like the fact that in this episode, Rose is sidelined, and she discovers that since she's gone, the doctor has built up this huge network of people who, you know, love him and care about him, and she's on the outer.

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That Zoom call that they have.

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Her reaction to Martha.

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Who are you?

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Well, it's good to see that she hasn't changed a tune.

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She's still a stroppy little silk-centered so-and-so.

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But it's all done with humour and I think that's so great, is that, is that she, she is building up this antagonism towards Martha in a lot of the things that she says.

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So I think, um, who she, you know, former companion to the doctor or so was I, like things like that.

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I think there's a payoff next week when they do finally meet.

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Yeah.

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And this episode is just, I'm just going to put on the table now.

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These three, the 3 episodes, this, the 3rd episode in a row, which I would give more than 10 out of 10 to, like from midnight, turn left in this, are just, I don't think they're surpassed in classic or new who.

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I was talking 10.2, 10.2, did you turn it up to 11.?

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No, no, it's 11 out of 10.

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These 3 episodes, honestly, that's how I feel.

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And I just think it's just extraordinary.

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All the buildup through this, then you're wanting rose to meet.

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Obviously, meet the doctor.

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You know that's not going to happen until, you know, the bitter end.

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Oh, it's just the anticipation.

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And everybody's slowly meeting each other.

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Yeah.

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Well, that was always the thing that we fantasised about as kids as well.

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And I think there were new adventures that kind of touched on this, the idea that there were people on earth, you know, living at the same time, who had travelled with the doctor, and we imagine them kind of meeting one another.

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And here it gets to happen, you know, that because it's modern TV rather than classic Doctor Who, where such a thing just would never have been possible.

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Like, I guess we get the brigadier back in Morden Undead.

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But by then, sort of Doctor Who's eating itself a bit.

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Here you have people who are invited back for sort of guest roles and we love it.

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We love it.

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And the thing that Russell has done.

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The thing, the big triumph of these 4 years is to take a show that fights against the creation of a coherent world, a show where every episode is said in a different time and place, where every episode has a different tone.

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And it creates a coherent world, not by bringing the cybermen back to do their greatest hits or by constantly referencing previous stories, but by having these characters.

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You know, a whole cast of characters.

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The doctor has a group of friends who are all really well drawn who we really like.

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Um, and we get to see them slowly coming together in his absence.

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And in a way, it's like the Christmas invasion only on a small scale because, you know, the Christmas invasion sidelines the doctor and relies on the fact that we have Harriet Jones and Jackie and Mickey and Rose and that we love them and care about them and enjoy watching them.

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And we're willing to wait for the doctor to turn up.

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And so, you know, the doctor's role in this episode is really sort of fairly minimal, isn't it?

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It was a kind of journey to the shadow proclamation, which is maybe the least successful part of the episode.

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Yeah, I think he had a much, much bigger scale thing in mind for the shadow proclamation.

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To me, like he, when I was reading the writer's tale, the list goes on and on and on.

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He wanted to bring back every CG monster they'd ever created and get all the prosthetics out as well.

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Um, and he was going to bring back Baby Margaret Slithine.

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So there is actually a big cartoon that he does of his version of the shadow proclamation because he's a very skilled cartoonist.

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And so he draws that version of the shadow proclamation and it's included in the writer's tale.

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It's really great.

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And so that was going to be huge and it does end up being a little bit crab.

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Um, well, yeah, yeah, I would agree that it, because what you get, you should get, the woman with the red eyes and her offsider who likes to have visions of the future or a trope that he uses next year where everybody can talk about what's going to happen to a certain character or situations, and then you've got the Judune in the background, and you know, what's the, what's the name of the woman in charge of the shadow proclamation?

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I think her name is Madge Proclamation?

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I think her name is the Shadow Architect.

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No, she's Magic Proclamation.

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Otherwise known as frizzy white hair, what's her name?

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From a long line of matches.

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Madge is actually not so bad.

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And I do enjoy that scene where the dog's not good either.

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No, no.

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But that scene where the doctor and Donna, and particularly Donna, work out what's going on.

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So they've detected like 24 missing planets or 23 missing planets.

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And Donna, because she's clever, remember, works out, you know, what the missing planets are.

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And then we see the doctor work out what they're for.

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And her line, her line about I'm a human and I'm just as important as a time lord is super important to the plot as well.

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No, I like all the, the, all the froth. should I say, like, you know, if you're having copy, all the, all the icing, like, you know, talking about all these planets that we've seen, like, or not seeing like the adipose breeding planet, the Lost Moon of Poosh.

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They talk about Calufrax Minor.

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Yeah, I mean, that's just wonderful.

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And then, you know, relating things to the bees.

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And so although the doctor is somewhat obviously sidelined, um, A lot of the dialogue I actually really enjoy in those scenes, like there's sprinkling of things that just make you smile or there's payoff, you know?

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Yeah, even if that woman at the end declares that she's, that they have, they're going to declare, well, right across the universe, and then what does she do?

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Just sit there and do nothing because they never turn up.

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Yeah, keep your frizzy white hair on, match.

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I actually think that that's the doctor rejecting the role that he had in the time war that we're about to sort of see the time war start again and the doctor puts a stop to it.

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Like he just says, nope, I'm not going to do that.

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And that's important for next episode, you know, the way that this story resolves itself, involves a rejection of that kind of thing, but we're getting ahead of ourselves.

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And it's also not a grandstanding moment.

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So, the 10th doctor. just says, I'm just going to go over here now.

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And that's how he gets out of it.

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We also get Donna's side eye when the doctor speaks Jadoon.

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That, worth the price of entry alone.

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Let's see another... another wonderful comic moment.

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I think Doctor Who is at its best when, when you have, when it's so, there's so much comedy within so much action, you know, that is the joy of Doctor Who, unlike other things that take themselves so seriously, it's the comedy in these situations that are dire. absolutely.

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And that's absolutely Russell's strength.

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He can just pivot between sort of drama and comedy and tragedy and farce just like that.

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He's so clever at it. he does it so well.

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And a lot of the reason that we love the characters is because they're funny.

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I think it may be the single biggest difference between the 3rd series and the 4th is that you have Martha, who's perfectly good character, but she doesn't bring a lot of comedy, whereas Donna does and it just elevates things slightly.

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Yeah.

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Yeah.

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So I think this story clearly has one aim.

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And that's just to be event television.

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Um, the point is that it's an event.

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It doesn't set out to be the best piece of doc whoever, regardless of whether it turns out to be or not.

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The only equivalence I can think of in the history of the show are the 5 doctors and maybe the Dalek invasion of Earth, they set out to be events for the audience.

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And I think you could only do it at this point with the show like an apex of popularity.

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You need kind of an enthusiastic receptive audience to be able to deliver this to them.

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You need them to be active participants.

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And an audience that has been sort of properly watching it for all of this time, or at least aware of it, even if you'd kind of dipped in and out, even if you weren't a committed fan, you would know about Rose and Martha and Donna, and they would have been on the telly and there are news stories about them.

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You've got Bernard Cribbons, you know, you've got mums, all of these minor characters that people remember, you know, Harriet Jones is huge in a Christmas special, which was watched by, you know, how many people, 10000000 people or whatever.

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You just can't do it otherwise.

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And if you compare it, I think the 5 doctors is the nearest equivalent.

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And if you compare it to the 5 doctors, you know, Liz Shaw is in it or whatever and kind of like we love Liz Shaw, but frankly, who cares?

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Whereas this has earned the right to do all of this stuff.

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And all of the little kids who are watching Sarah Jane adventures get to see Luke and Sarah Jane, they get that, they get that moment, the 1st moment when it's made clear that Mr. Smith's fanfare is diagetic, that it can be heard by the people in the room and isn't just added in post-production.

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It's so great.

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It's okay.

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And the people who are watching Torchwood get to see, you know, after that horrible, horrible finale where Tosh and Owen are killed.

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Now you get them back in a sort of fun, silly Doctor Who story with Yanto doing jokes and all of that sort of thing.

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It's hilarious that you compare it to the 5 doctors because, like, I mean, who would who would be the Richard Herndel character, like, I kind of think, they could have got Billy Piper.

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Maybe they could have got the doctor's daughter back for that role.

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Do you know what I mean?

185
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That's true.

186
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Well, they could have just recast it with Sonya.

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I think the relationship with the audience is key to these episodes, and you talk about sort of kids watching and having, you know, these kids would have had like action figures which they would have brought and they would have put characters together.

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They would have had Donna and Rose and Jack, having a scene together, or they would have had Rose hang out with Wilf and Sylvia, and we get all of that here.

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We get that kind of mixing up for the characters.

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Well, Russell actually described his creative process with this story as, I wanted this to be something the kids would play in the playground.

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I wanted this to be a crossover that a child would make with their action figures.

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Did he say that?

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Oh, okay, I haven't read that.

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But yeah, no, you definitely get that.

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But all the characters get their moments.

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Like, having Liz Sladen react to exterminate first, I think, is just marvellous, because it's for us classic fans, we know this, but for the new people watching it as well.

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It's like, oh, she knows about them.

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Do you know what I mean?

199
00:18:48.299 --> 00:18:51.779
Like, it just ties in little plot points like that, you know?

200
00:18:51.839 --> 00:18:54.720
The doctor says someone tried to move the earth once before.

201
00:18:54.779 --> 00:19:05.819
Like, it's a throwaway line, but, you know, I thought it was Dalek invasion of earth, but Peter, you were saying before that you thought it was more the mysterious planet, like, you know?

202
00:19:05.940 --> 00:19:08.339
Well, that was the 1st thing that occurred to me.

203
00:19:08.400 --> 00:19:10.619
I mean, it makes sense to be Daleks in context of the story.

204
00:19:10.680 --> 00:19:18.359
In fact, we get the Dalek music before the opening credits, before we know that the Daleks are involved.

205
00:19:18.420 --> 00:19:24.119
We get the Dalek music when we see the shot of the planets for the 1st time.

206
00:19:24.720 --> 00:19:36.180
Let's talk about the Daleks because, I mean, this is the best that they've ever been, I think, and they haven't been as good as this since then, ever.

207
00:19:36.299 --> 00:19:42.960
So you get Dalek sources, you know, attacking New York, flying down Broadway, you know.

208
00:19:43.019 --> 00:19:44.099
Exterminate, tortured.

209
00:19:45.420 --> 00:19:47.279
Were they fans?

210
00:19:47.339 --> 00:19:48.720
They're also fans.

211
00:19:48.779 --> 00:19:53.220
Russell wanted to destroy New York in one of the scripts.

212
00:19:53.220 --> 00:20:04.920
In one of the, in one of the drafts of the script, Russell was planning to destroy New York, but then went, maybe that'll stuff up um, series 5 for Moffatt.

213
00:20:04.980 --> 00:20:12.480
But also perhaps, given that this is 2008, it's perhaps not in the best possible taste.

214
00:20:12.539 --> 00:20:25.140
But you can see why they do it because he's already established that New York is a city that gets rebuilt and rebuilt and rebuilt, you know, and that exists as a kind of symbol of humanity for 1000000000s of years.

215
00:20:25.200 --> 00:20:31.500
So you can sort of tell that he's toying with it and that's clearly why Martha's there because New York is important.

216
00:20:31.559 --> 00:20:42.720
Yeah, it's such a shame, however, that, like, you don't have familiar unit characters there to be killed off, like that fool who's in charge of units back in the two-parter earlier in the season.

217
00:20:42.779 --> 00:20:44.640
I mean, Colonel Mace.

218
00:20:44.700 --> 00:20:47.400
Yeah, because...

219
00:20:47.400 --> 00:20:49.980
Deserve to be exterminated.

220
00:20:50.039 --> 00:20:59.819
Well, in fact, they get someone much better and much more interesting to play the lead in unit and that scene with Martha, where she's on the phone to Jack.

221
00:20:59.880 --> 00:21:00.779
It's just wonderful.

222
00:21:00.839 --> 00:21:01.920
She's on the phone to Jack.

223
00:21:01.980 --> 00:21:04.019
She's been in Torchwood for a few episodes.

224
00:21:04.079 --> 00:21:13.500
He makes a sort of sly reference, voice of a nightingale, is a reference to series 2 of Torchwood, where she does, what, 3 episodes?

225
00:21:14.160 --> 00:21:27.779
And having him talk to her while she's sort of making this decision, having general, whatever his name is, kind of, say, you answer to me, you don't answer to torchwood, having Jack begging her not to use the indigo project.

226
00:21:27.839 --> 00:21:29.039
All of that stuff.

227
00:21:29.099 --> 00:21:40.440
There's such a scale to it and it is just what we would have wished would happen. you know, has that got to be a joke of Russell's calling it the indigo project because it was salvaged from Santaran hardware.

228
00:21:40.500 --> 00:21:45.000
And for some inexplicable reason, that 2 potter is bathed in purple light.

229
00:21:45.420 --> 00:21:47.519
That was deliberate, yes.

230
00:21:49.440 --> 00:22:00.000
I think it's amazing having the Daleks involved in seeing everyone's reaction to them because it's a reminder of just how woven into the fabric of Doctor Who that the Daleks are.

231
00:22:00.059 --> 00:22:02.700
So Sarah was there at their creation.

232
00:22:02.759 --> 00:22:05.039
Jack was killed by them.

233
00:22:05.099 --> 00:22:10.619
Martha's thinking back to her terrifying encounter with a dalek kloac or in a pinstripe suit.

234
00:22:11.519 --> 00:22:17.460
The individual reactions to the Dalek voice are superb because they're the audience reaction.

235
00:22:17.579 --> 00:22:21.359
It's every time you have a 1st night with the Daleks and the old series.

236
00:22:21.420 --> 00:22:25.859
It's every time you know that they're coming back for a season finale in the new series.

237
00:22:25.920 --> 00:22:26.940
Yeah.

238
00:22:27.000 --> 00:22:30.539
People were complaining at the time that there were too many Daleks.

239
00:22:30.599 --> 00:22:34.259
We have Daleks in 3 out of 4 of Russell series finales.

240
00:22:34.319 --> 00:22:40.740
And I just kind of think that's like saying like too much chocolate or, you know, like too many martinis.

241
00:22:40.799 --> 00:22:41.579
It's absurd.

242
00:22:41.700 --> 00:22:43.500
You know, you're watching Doctor Who.

243
00:22:43.559 --> 00:22:44.759
There's daleks in it.

244
00:22:44.819 --> 00:22:48.539
Remember those long stretches where we had no Daleks at all.

245
00:22:48.599 --> 00:22:56.279
And sure, you know, that allowed people to explore and do other things, but the show hasn't been short of creativity for the last 4 years.

246
00:22:56.339 --> 00:22:59.819
And the Daleks here are magnificent.

247
00:22:59.819 --> 00:23:03.660
And they take so many cues from Dalek Invasion of Earth, don't they?

248
00:23:03.720 --> 00:23:05.039
Even catchphrases.

249
00:23:05.160 --> 00:23:06.839
The descendants.

250
00:23:06.900 --> 00:23:12.480
Yes, the males, the females, the descendants, you know, we are the masters of earth.

251
00:23:12.539 --> 00:23:19.140
All of that stuff. just classic 60s Daleks only on a massive budget.

252
00:23:19.200 --> 00:23:20.039
It's so good.

253
00:23:20.099 --> 00:23:30.839
And on that level, I mean, the most meta that the story could possibly be, having Wilf fighting the Daleks after having fought them on the big screen in the 60s.

254
00:23:31.319 --> 00:23:34.500
You know that was actually a suggestion.

255
00:23:34.559 --> 00:23:52.380
The paint gun scene was a suggestion by Bernard Cribben's to Russell. saying, you know, I think would be great if I got to shoot a Dalek because there was a reference, like he wanted a reference to his original story.

256
00:23:52.440 --> 00:23:57.359
And then he ad-lived that line about swapping the BFG with Rose as well.

257
00:23:57.779 --> 00:24:01.319
But also my vision is not impaired.

258
00:24:01.380 --> 00:24:03.480
Yes, so good.

259
00:24:03.539 --> 00:24:05.279
So brilliant.

260
00:24:05.339 --> 00:24:12.779
And even just the look of it, because you think he's he's done it, and then, you know, the paint sort of bubbles off and starts sort of dropping away.

261
00:24:12.839 --> 00:24:14.039
Like it just looks so good.

262
00:24:14.099 --> 00:24:16.019
It's the garlic's reactions.

263
00:24:16.079 --> 00:24:17.880
It's their relationships with each character.

264
00:24:17.940 --> 00:24:19.019
Even Harriet Jones.

265
00:24:19.079 --> 00:24:22.319
They have a relationship with Harriet Jones, former PM.

266
00:24:22.380 --> 00:24:23.940
Yes, we know who you are.

267
00:24:24.000 --> 00:24:29.160
I must have written that at 3 o'clock in the morning, chortling away to himself.

268
00:24:30.059 --> 00:24:35.700
And they, there's, there is a sort of slight crap homespunness to the Daleks.

269
00:24:35.759 --> 00:24:40.680
They're definitely aliens conceived of in the 1960s by Terry Nation.

270
00:24:40.740 --> 00:24:43.019
And the show doesn't hide away from that.

271
00:24:43.079 --> 00:24:52.319
You know, Dalek in series one, tried to create them, recreate them as a credible threat, you know, as something really, truly terrifying.

272
00:24:52.380 --> 00:24:56.579
And so the script upgrades the Daleks there.

273
00:24:56.640 --> 00:25:06.000
But once you have sort of 200 ships and 1000s of Daleks, they can afford to be a bit cheesy and sort of lean into the show's history.

274
00:25:06.059 --> 00:25:07.200
And I just think it's wonderful.

275
00:25:07.380 --> 00:25:10.859
Dialects do not accept human apologies.

276
00:25:10.920 --> 00:25:13.380
You know, it's so good.

277
00:25:13.440 --> 00:25:15.480
And attack pattern seven.

278
00:25:15.539 --> 00:25:17.220
Remember Dialect Attack pattern 7?

279
00:25:17.279 --> 00:25:28.380
There's that family that refuses to stay out on the street that wants to go back into the house and the guy throws a brick and the family all goes inside and they go Dalek attack pattern 7.

280
00:25:28.440 --> 00:25:32.519
And Dalek Attack Patent 7 is clearly just 3 Dalek standing in a line.

281
00:25:34.799 --> 00:25:37.740
And then and then they blow up the house.

282
00:25:37.799 --> 00:25:39.420
And it's so great.

283
00:25:39.480 --> 00:25:41.160
It's so superb.

284
00:25:41.220 --> 00:25:48.059
But I like the fact that he adds a new element to it, which, of course, is the creator, Davros.

285
00:25:48.119 --> 00:25:59.099
And I have to wonder at the time, what knew who fans actually thought of the person in the shadows, what is this person in the shadows and then actually seeing it for the 1st time, you know, with no reference really to it.

286
00:25:59.160 --> 00:26:03.359
For us, it's like, you know, we know who that is. and 0 my goodness, what a performance.

287
00:26:03.420 --> 00:26:11.039
But with no previous reference isn't an element that adds to the story for people who've only known knew who.

288
00:26:11.099 --> 00:26:12.539
It's just a question.

289
00:26:12.660 --> 00:26:28.079
So there's a, there's an oblique reference to Davros in Dalek, and I think there's an oblique reference in the Dalek 2 parter in series 3 as well, to, you know, them having a creator and so on.

290
00:26:28.140 --> 00:26:31.019
And so maybe knew who people have that.

291
00:26:31.079 --> 00:26:34.680
But remember that Davros, I think, is huge.

292
00:26:34.740 --> 00:26:41.339
He's one of the mythic things that Classic Doctor Who created.

293
00:26:41.400 --> 00:26:45.660
He's rooted in popular culture, along with the Daleks, the Sidemen and the Master.

294
00:26:45.720 --> 00:26:48.539
It's those 3 and Davros from the original series.

295
00:26:48.660 --> 00:26:50.640
And we've said this before.

296
00:26:50.700 --> 00:27:01.380
He introduces Russell reintroduces the Daleks in series one, the Cybermen in series 2, the Master in series 3, and Davros in series 4.

297
00:27:01.680 --> 00:27:06.059
And so he brings to New Who all of that mythology.

298
00:27:06.119 --> 00:27:07.200
Not all at once.

299
00:27:07.319 --> 00:27:10.440
It's not the opening speech of the TV movie.

300
00:27:10.500 --> 00:27:20.279
He holds his fire and brings them out in order. so that knew who owns it as much as we do.

301
00:27:20.339 --> 00:27:25.200
I did just question at the time whether certain people would actually know what that is.

302
00:27:25.259 --> 00:27:27.480
You know, obviously there's so much other fanfare going on.

303
00:27:27.539 --> 00:27:33.599
It doesn't matter if one element doesn't quite work for somebody, but it's just something that has always been a question in my mind.

304
00:27:34.019 --> 00:27:40.500
I think it, the dialogue makes it very clear eventually that, you know, who Davros is.

305
00:27:40.559 --> 00:27:47.519
And so having him, this mysterious, shadowy, dalek like figure with that fabulous music from Murray.

306
00:27:47.579 --> 00:27:50.759
Um, like I think that that works on its own terms.

307
00:27:51.059 --> 00:27:54.599
And he's very physically distinctive, I think, Davrell.

308
00:27:54.660 --> 00:27:59.339
So even if people hadn't watched the show and didn't really know who he was, they would recognise the image of him.

309
00:27:59.400 --> 00:28:00.839
I mean, he's not the macra.

310
00:28:02.160 --> 00:28:07.559
They, um, you know, they they were going to approach Terry Malloy to return at one point.

311
00:28:10.259 --> 00:28:19.980
And also, they, they didn't, they didn't give him a name in the, well, they called him Dave Ross in the script.

312
00:28:20.099 --> 00:28:26.940
Yeah, they were calling him Dave, I think, on set, you know, just to sort of hide the fact that it was Stavrost coming back.

313
00:28:27.000 --> 00:28:33.240
I think that Julian Bleach is the best Davros.

314
00:28:33.299 --> 00:28:34.559
Because.

315
00:28:34.619 --> 00:28:37.440
My cool issue is turning in his grave.

316
00:28:37.559 --> 00:28:40.079
I think Michael Wisher is very good.

317
00:28:40.319 --> 00:28:47.099
But the mask is nowhere near as good as the mask that bleach gets.

318
00:28:47.160 --> 00:28:51.900
And so that means that Bleach gets to give like a proper performance.

319
00:28:51.960 --> 00:29:08.519
And what he nails is the 2 registers that Davros has, the sort of quiet, thoughtful, menacing sort of register and the sort of huge shouty register as well.

320
00:29:08.579 --> 00:29:15.420
And because he's, he's got a better mask, we can see inside his mouth, his face is more mobile.

321
00:29:15.480 --> 00:29:17.640
I know, yeah, yeah.

322
00:29:17.700 --> 00:29:21.480
And we sort of had them, didn't we, with Michael Wisher, but...

323
00:29:21.480 --> 00:29:22.920
They were just an HST.

324
00:29:23.339 --> 00:29:25.200
Sorry, Michael.

325
00:29:26.880 --> 00:29:29.640
The big book of British smiles.

326
00:29:30.299 --> 00:29:37.440
I like to think of the 2nd registrar of Dan Ross's voice as being his branded burglaration.

327
00:29:39.000 --> 00:29:53.460
Yeah, well, I mean, they, you know, I think that remembrance of the Daleks makes a very, very clear parallel between Hitler on television during the Second World War and and, you know, Davros, the way that he shouts as well.

328
00:29:53.519 --> 00:29:55.859
I'm sorry, I've been mispronouncing that.

329
00:29:55.920 --> 00:29:57.420
It should be Dar Ross.

330
00:29:57.480 --> 00:29:58.380
Dar Ross.

331
00:29:58.380 --> 00:29:59.220
Dar Ross.

332
00:29:59.279 --> 00:30:01.259
Dar Ross is coming.

333
00:30:10.319 --> 00:30:22.019
We'll talk more about him next week because I think that as we discover his plan and, you know, when we get him interacting with the doctor in person, I think we get to see how genuinely good he is.

334
00:30:22.079 --> 00:30:27.900
It's interesting how all of these separate sort of plot prints come together.

335
00:30:27.960 --> 00:30:35.940
With the doctor and Donna being in the TARDIS and the trail stops dead, the Medusa Cascade, and the doctor sort of gives up.

336
00:30:36.000 --> 00:30:38.460
It's a bit like Colin Baker in Venice on Varos, really.

337
00:30:38.519 --> 00:30:40.140
Yeah, he's out of Zeiton 7.

338
00:30:40.200 --> 00:30:41.400
He doesn't know what to do next.

339
00:30:42.720 --> 00:30:48.299
Maybe Donna could have brought him the TARDIS manual and that would have set off a, you know, wonderful plot thread.

340
00:30:48.599 --> 00:31:04.200
I'm not sure that that works that scene because the doctor, you know, but I guess we want to make it clear just how sort of truly defeated he feels or how big the thread is.

341
00:31:04.259 --> 00:31:10.319
And it also, of course, gives Catherine Tate the chance to sort of act against him while he's not doing anything.

342
00:31:10.380 --> 00:31:13.680
And of course, she's as magnificent as she always is.

343
00:31:13.740 --> 00:31:16.380
Yeah, it's building the scale of the thread, isn't it?

344
00:31:16.440 --> 00:31:17.460
Yes, it is.

345
00:31:17.700 --> 00:31:28.079
But that whole moment meant, you know, you then get Harriet Jones coming in, you get the subway network, you get, you know, all that comedy stuff.

346
00:31:28.140 --> 00:31:31.200
She wouldn't let me have a webcam because they're naughty.

347
00:31:31.259 --> 00:31:33.779
I mean, that is just one of the most hilarious things ever.

348
00:31:33.839 --> 00:31:36.299
Rose going off, but, you know, Martha.

349
00:31:36.359 --> 00:31:39.059
And having the flashback with Martha, you know, with her mum.

350
00:31:39.480 --> 00:31:43.440
I mean, you came home at the end of the world, you came back to me.

351
00:31:43.500 --> 00:31:45.000
Thanks, Francine.

352
00:31:45.059 --> 00:31:51.000
It's always about you Still a much more mellow version of Francine than we've seen.

353
00:31:51.059 --> 00:31:51.599
That's true.

354
00:31:51.660 --> 00:31:52.500
Yeah, that's true.

355
00:31:52.559 --> 00:31:53.819
I mean, I like her a lot more.

356
00:31:53.880 --> 00:31:54.779
I still don't love her.

357
00:31:54.839 --> 00:31:56.880
But it's great to have that, you know.

358
00:31:56.940 --> 00:32:10.500
And and and I love the fact that the subwave network was created by the Mr. Copper Foundation going back to the Christmas special, like it's a subtle little tie in, but it's a payoff for everybody who's been watching to go, oh.

359
00:32:10.859 --> 00:32:16.079
You know, Russell was actually planning to bring back the famous miserable bastard in this episode.

360
00:32:16.319 --> 00:32:21.180
Yes, it was a very begrudging corporation.

361
00:32:21.480 --> 00:32:25.680
He was going to bring back Russell Toby as a companion for this story as well.

362
00:32:25.799 --> 00:32:27.180
Really?

363
00:32:27.240 --> 00:32:27.599
Yeah.

364
00:32:27.660 --> 00:32:48.480
I mean, he will get to bring Russell Tovey back at the end of next year or, you know, but he was really throwing everything he could possibly throw at the script and working around availability and and just kind of what was practical, you know, in sort of 2 inflated episodes.

365
00:32:48.539 --> 00:32:52.619
But James, what I love is the fact that Russell does have all these ideas.

366
00:32:52.740 --> 00:33:09.720
It's about bringing back all these things and he'll, he'll do a draft or whatever, and then something will not practically work and realise, no, no, no, that's not right, or, or that's not going to work in this instance, or it's just serendipity, that they can't be brought back, and it sort of all just works out beautifully. for him.

367
00:33:09.779 --> 00:33:21.660
Like there's just something magical about this time on the show where decisions are made, whether they be 2 or 3 years ago and they're all paying off now and he makes decisions in scripts or people aren't available and it just works out, you know?

368
00:33:21.720 --> 00:33:23.700
You know, Todd Talent will win out in the end.

369
00:33:23.819 --> 00:33:27.480
Russell is just supremely talented and makes it look easy.

370
00:33:27.539 --> 00:33:28.740
Yeah.

371
00:33:28.799 --> 00:33:45.299
I think it's really well worth going back to the writer's tale and rereading the sections on this because all of this, just seeing him creates and winnow ideas and and reject things and and be sorry that things don't work out and stuff.

372
00:33:45.359 --> 00:33:52.680
Just having that incredible access to his creative process is really, really interesting, I think.

373
00:33:52.799 --> 00:34:01.859
I think also you can underestimate the amount of creativity and wit is needed to pull off a story like this.

374
00:34:01.920 --> 00:34:08.039
I mean, it's television before it's time with kind of crossover universes and characters coming back and everything.

375
00:34:08.099 --> 00:34:19.500
J and T had a sense of this kind of thing way back in the 80s, but he didn't really have the wit to pull it off or more importantly, the audience goodwill, I think, to pull it off.

376
00:34:19.559 --> 00:34:24.900
The only point where he ever really successfully made event TV like this was Earthshock.

377
00:34:24.960 --> 00:34:31.559
And I think that's because that was part of his only genuinely successful season of Doctor Who.

378
00:34:31.619 --> 00:34:35.699
So, many writers and many showrunners could have attempted this.

379
00:34:35.760 --> 00:34:37.260
I think very few could have pulled it off.

380
00:34:38.039 --> 00:34:50.219
Yeah, I don't think we, you know, like I think, um, Stephen Moffatt is a supremely talented writer, and you know, someone that we're very lucky to have had in charge of the show for so long.

381
00:34:50.280 --> 00:34:53.639
He's written more Doctor Who on screen than anyone else at all.

382
00:34:53.699 --> 00:34:58.139
But this is not what he's interested in.

383
00:34:58.860 --> 00:35:02.519
And it's not playing to his wheelhouse.

384
00:35:02.579 --> 00:35:16.199
And for me, I've said before so many times that I feel sad about a version of Doctor Who that's just the doctor and a companion and they have no friends and they don't exist in a world.

385
00:35:16.260 --> 00:35:31.380
And Russell has just made something so spectacular that the show hasn't properly attempted again, maybe a little bit in the tubinal era, to try and give the show a sort of earthbound context.

386
00:35:31.440 --> 00:35:34.019
And I think that that's what the show needs.

387
00:35:34.079 --> 00:35:37.440
It's like the unit era, only writ large.

388
00:35:37.500 --> 00:35:39.000
Absolutely.

389
00:35:39.059 --> 00:35:42.900
Doctor Who has family and the audience or willing participants in that.

390
00:35:42.960 --> 00:35:43.860
We're all part of the family.

391
00:35:43.920 --> 00:35:48.119
Yeah It's like fandom, actually, but it's extended to the general viewership.

392
00:35:48.179 --> 00:35:48.780
Yeah.

393
00:35:48.840 --> 00:35:50.699
Yeah, well, that was it.

394
00:35:50.760 --> 00:35:52.619
They all got invited in to enjoy our thing.

395
00:35:52.739 --> 00:35:59.579
And people who are down on Russell for being populist, I think, miss the fact that that was the point.

396
00:35:59.639 --> 00:36:00.840
It was inviting everybody in.

397
00:36:00.900 --> 00:36:08.219
It was a Saturday night family drama on a mainstream broadcast channel.

398
00:36:08.280 --> 00:36:10.440
It needs to be populous entertainment.

399
00:36:10.500 --> 00:36:16.800
And that's the point that, Although I really love a lot of what Moffatt did.

400
00:36:16.860 --> 00:36:22.559
He's making it for the fans after series 5, it's being made for the fans.

401
00:36:22.619 --> 00:36:32.639
And, you know, Chipwell attempted to do that again in series 11, but, you know, probably went too far.

402
00:36:32.699 --> 00:36:36.659
And then went completely in the opposite direction the next season.

403
00:36:37.019 --> 00:36:39.960
I think there is a midpoint to be chartered there.

404
00:36:40.019 --> 00:36:44.880
I mean, I understand that there are arguments from some people who say that Russell was too populist.

405
00:36:44.940 --> 00:36:48.059
I don't necessarily agree with that, but I understand where it's coming from.

406
00:36:48.119 --> 00:36:53.639
I think there's a midpoint to be chartered, and I think Moffatt did actually get that quite right for a couple of seasons.

407
00:36:53.699 --> 00:36:56.639
But there's no denying Russell's instincts here.

408
00:36:56.699 --> 00:36:57.480
His instincts are correct.

409
00:36:58.019 --> 00:37:08.699
And also when he decides to kill off one of our um, semi-regulars in Harriet Jones, um, there has to be some sort of price to pay.

410
00:37:08.760 --> 00:37:11.340
You know, he's not going to kill off certain people at this point in time.

411
00:37:11.400 --> 00:37:21.659
And to have it be her and not see it, but hear it, you know, the way it's written is and structured is just brilliant.

412
00:37:21.780 --> 00:37:24.719
Like, you can feel it. about that.

413
00:37:24.780 --> 00:37:26.219
No, no, no, Russia's not dead.

414
00:37:26.280 --> 00:37:28.500
She dropped through a trap door and escaped on a motorbike.

415
00:37:28.559 --> 00:37:38.159
Russell secretly thinks that he he, the fun thing about Russell's approach to the show is that he's a fan of his own version of Doctor Who in a way that we are.

416
00:37:38.219 --> 00:37:41.820
And so he makes jokes about Chancellor Flavia.

417
00:37:41.880 --> 00:37:43.260
And he has this theory.

418
00:37:43.320 --> 00:37:49.079
I think, again, in the writer's tale, isn't there a cartoon of Harriet Jones escaping the Taleks?

419
00:37:49.139 --> 00:37:51.599
So he's engaged with it on that same level.

420
00:37:51.659 --> 00:37:58.380
Obviously, Harriet Jones dies and in part as penance for her destruction of the secret acts at Christmas day.

421
00:37:58.679 --> 00:38:03.179
But, you know, Russell is still having fun with his own show.

422
00:38:03.239 --> 00:38:07.860
But he's left it, he's left it so that you, you know, they say exterminate.

423
00:38:07.920 --> 00:38:09.179
She could escape, right?

424
00:38:09.239 --> 00:38:16.500
Like if you wanted to bring her back now, like some showrunner could say, well, she actually did escape.

425
00:38:16.559 --> 00:38:18.659
It's a bit like a milk. was teleported where it last minute.

426
00:38:18.960 --> 00:38:26.219
It's a bit like Melrose place where they kill off Kimberly offscreen and then she comes back half a season later with a wig and a big scar.

427
00:38:26.280 --> 00:38:36.599
Like, I mean, it's that sort of thing that he just knows when to leave things open enough that if you wanted to, Big Finish could come in and do 15 box sets of Harriet Jones.

428
00:38:36.659 --> 00:38:39.599
You know, they probably will if they can get Penelope Wilton.

429
00:38:39.659 --> 00:38:43.980
And James, you said she might have been teleported away. did this not remind you?

430
00:38:44.039 --> 00:38:47.880
There was just enough wiggle room to have server land in the teleport in terminal, you know?

431
00:38:47.940 --> 00:38:48.539
Oh, yes.

432
00:39:02.039 --> 00:39:13.500
So, of course, with her extermination, the subwave network is transferred to Torchwood, um, We're all talking to the doctor at this point, aren't we?

433
00:39:13.559 --> 00:39:14.880
We're all about to talk to the doctor.

434
00:39:14.940 --> 00:39:15.719
Yeah.

435
00:39:15.780 --> 00:39:16.380
Yeah.

436
00:39:16.380 --> 00:39:18.000
And that call goes through.

437
00:39:18.059 --> 00:39:27.300
And that's just a glorious moment when they're all on their phones, you know, trying to get the signal through to the doctor and then they're all appearing and all, who's that?

438
00:39:27.300 --> 00:39:27.780
and all.

439
00:39:28.559 --> 00:39:34.139
I mean, let's just get that one front on shot of Gwen typing away at the thing, which is used about 5 different times.

440
00:39:35.099 --> 00:39:43.800
But when the doctor finally comes in on the Zoom call, like it is, it's so great and he's so excited to see them all and so incredibly happy.

441
00:39:43.860 --> 00:39:53.159
And my favourite thing, and it comes up again next week, is that, of course, the thing that we all know about Jack is that he hits on people all the time.

442
00:39:53.219 --> 00:39:54.599
So he hits on Chanto.

443
00:39:54.659 --> 00:39:57.480
He hits on Martha in Utopia when he comes back.

444
00:39:58.019 --> 00:40:03.539
He hits on Sarah in this call and Sarah really likes it.

445
00:40:03.599 --> 00:40:04.079
Like she.

446
00:40:04.380 --> 00:40:09.780
Ooh, she's, you know, sort of quite flattered, but he doesn't hit on Donna because Donna hits on him.

447
00:40:09.840 --> 00:40:12.300
Like Donna is going, who's that?

448
00:40:12.420 --> 00:40:20.579
and pointing to the screen and kind of doing sort of hilarious comedy, sort of sexy face on the call, and she will do that next week.

449
00:40:20.639 --> 00:40:27.480
Jack never hits on Donna because Donna is more sexually confident and more outgoing than Jack.

450
00:40:28.739 --> 00:40:45.659
And then, of course, some good old, you know, the doctor in that moment as well, of course, is sad that that Rose is not there. and then and then something's coming through and you think, oh, could it be, but you know it's going to be Darrox?

451
00:40:45.719 --> 00:40:51.239
And I'm so and I'm so glad that Sarah even gets to react to to just that, that, you know?

452
00:40:51.300 --> 00:40:57.659
It's little touches like that, that make the writing so good that she gets that moment in the midst of everything else.

453
00:40:57.719 --> 00:41:01.559
And of course, we'll have the utter fangasm pay off to that next week.

454
00:41:01.619 --> 00:41:04.139
But I mean, think about the 5 doctors.

455
00:41:04.199 --> 00:41:05.039
Do you know what I mean?

456
00:41:05.099 --> 00:41:17.880
Like, in the 5 doctors, at the very end, on the top floor of the tower, They're all there and like the brigadier is there and all of these people who should be surprised to see one another and who never react to one another at all.

457
00:41:17.940 --> 00:41:20.880
But Russell doesn't let that happen here.

458
00:41:20.940 --> 00:41:25.199
And so having Sarah react, recognise Davros.

459
00:41:25.320 --> 00:41:50.579
And, you know, he decides that he has to make them interact in some way, just as you said before, Todd, where it's Sarah who gets to hear about the Daleks 1st because, you know, she met them twice and met them in this incredible story from the 1970s and then having her respond to Davros's voice and having Davros recognise her later.

460
00:41:50.639 --> 00:41:51.780
It's so good.

461
00:41:51.840 --> 00:41:53.159
I mean, it's so good.

462
00:41:53.219 --> 00:41:54.659
Without weighing it down.

463
00:41:54.719 --> 00:41:56.039
It didn't have to weigh it down.

464
00:41:56.099 --> 00:42:02.940
It didn't have to be something that you had to read a whole heap of Peter Haning coffee table books to understand.

465
00:42:03.000 --> 00:42:05.940
I just love the fact that, yes, the classic series fans.

466
00:42:06.000 --> 00:42:06.420
It's there.

467
00:42:06.480 --> 00:42:10.079
But it's also a way of saying to you who fans.

468
00:42:10.139 --> 00:42:13.199
Well, come on, you need to come and watch some of these old stories.

469
00:42:13.260 --> 00:42:16.739
It's very subtle and I really love the fact that that's there.

470
00:42:16.860 --> 00:42:19.079
And Russell knows his audience.

471
00:42:19.139 --> 00:42:20.400
He knows how to pick and choose.

472
00:42:20.460 --> 00:42:30.420
And so he's not referring to, you know, the leisure hive or Meglos, who's referring to possibly the most famous story from the original run, Genesis of the Daleks.

473
00:42:30.480 --> 00:42:35.280
So even the wider viewership is going to have some awareness of this fact, I think.

474
00:42:35.340 --> 00:42:40.199
Yeah, and, you know, we've already heard about Sarah travelling with a doctor.

475
00:42:40.260 --> 00:42:45.900
We had her give her laundry list of things that she'd encountered during her time with him.

476
00:42:45.960 --> 00:42:50.460
So even if you've only watched the new series.

477
00:42:50.519 --> 00:42:57.179
You're not going to be surprised that Sarah recognises the Daleks and Sarah recognises Davros's voice.

478
00:42:57.360 --> 00:43:07.440
And of course, all of that then runs into, you know, the doctor having a bit of a confrontation with Davros, but then it's like, you know, I've only got one thing to say to you.

479
00:43:07.500 --> 00:43:08.579
Bye.

480
00:43:09.119 --> 00:43:11.280
So David said it.

481
00:43:11.340 --> 00:43:12.179
It's so cool.

482
00:43:12.239 --> 00:43:18.360
And, and, and, and it then just sets off the chain of events to the cliffhanger with everybody in peril.

483
00:43:18.900 --> 00:43:23.519
I just think this cliffhanger is unbelievably great.

484
00:43:23.579 --> 00:43:25.139
Amazing Yeah.

485
00:43:25.199 --> 00:43:28.800
Like possibly the best one ever, but certainly up there.

486
00:43:28.860 --> 00:43:44.940
And so the, very early on in the episode, like in that sort of 1st scene in the Tardis, um, where Donna says, but I know everything's terrible, but Rose's coming back isn't that good.

487
00:43:45.000 --> 00:43:54.719
And you see David Tennant, and for a 2nd you wonder whether he's going to say, that's not important, it's all too dangerous or whatever, but he just is so genuine.

488
00:43:54.840 --> 00:43:58.920
You know, like Tenet is so artificial in his performance so often.

489
00:43:58.980 --> 00:44:05.039
But here he's just genuinely excited that he's going to see Rose again and it's beautiful.

490
00:44:05.099 --> 00:44:06.300
It's so lovely.

491
00:44:06.360 --> 00:44:20.940
And again, Donna gets this incredible role in that scene where she appears and the doctor's back is to her and Donna sees her 1st and she smiles in this subtle way.

492
00:44:20.940 --> 00:44:22.320
Totally.

493
00:44:22.380 --> 00:44:25.139
And, you know, when she says, ask her yourself.

494
00:44:25.199 --> 00:44:40.739
Like, you know, the emotion in that, and you can just, I just, you know, feel waves of emotion go over my whole person every time I watch that combined with Murray's music and that whole run, like, and the looks, and it's just this payoff.

495
00:44:40.800 --> 00:44:49.800
Julie Gardner's talked about that, the fact that the doctor running towards Rose is so big and romantic, the full on pelt that he sort of puts on.

496
00:44:49.860 --> 00:44:55.559
And it's the 1st thing that him and Rose ever do together is hold hands and run.

497
00:44:55.679 --> 00:45:00.300
You know, running is what they do and it was what their relationship was about.

498
00:45:00.360 --> 00:45:07.679
You know, like many people I sometimes found rose and Tennant kind of irritating together in series 2.

499
00:45:07.860 --> 00:45:09.840
And I think that was partly by design.

500
00:45:09.900 --> 00:45:12.239
I think you know, Russell intended it.

501
00:45:12.300 --> 00:45:17.880
So I wasn't one of those people who sort of ship the doctor and rose in a sort of tumbler kind of way.

502
00:45:18.420 --> 00:45:26.460
But nevertheless, I'm absolutely sold by the romance of that run.

503
00:45:26.519 --> 00:45:30.300
And just, of course, a dalek comes and shoots in.

504
00:45:30.360 --> 00:45:31.320
Of course, that happens.

505
00:45:31.440 --> 00:45:33.840
Russell whipping the rug out from underneath us.

506
00:45:33.900 --> 00:45:34.500
Yeah.

507
00:45:34.500 --> 00:45:38.699
But I love the fact that it's not a full on extermination.

508
00:45:38.760 --> 00:45:43.440
It's a brush past, like, you know, Yeah, it hits one of his hearts.

509
00:45:44.760 --> 00:45:54.000
And even the, when they come together, like when they, you know, he's lying on the ground, she's speaking to him and it's like, hi, yes, I've been busy.

510
00:45:54.059 --> 00:45:56.099
You know, like the conversation.

511
00:45:56.159 --> 00:45:58.320
He's so normal and so.

512
00:45:58.320 --> 00:46:00.000
I like your dental world. beautiful, you know.

513
00:46:01.860 --> 00:46:03.539
New teeth.

514
00:46:03.599 --> 00:46:12.780
I think that whole sequence from the TARDIS touching down outside the church through the end of the episode is one of the most perfect stretches of Doctor Who ever.

515
00:46:12.840 --> 00:46:22.199
It's beautifully written, it's beautifully performed, but let's not lose sight of how... marshalled it is by Graham Harper.

516
00:46:22.260 --> 00:46:30.119
This story could have spun out of control so easily, and Graham Harper keeps it all perfectly in sync.

517
00:46:30.179 --> 00:46:31.679
He is fantastic.

518
00:46:31.739 --> 00:46:41.099
Like, he is the perfect man for the job, especially in the TARDIS, when the TARDIS needs to have fire, for God knows what reason coming up, you know, when they're trying to get back.

519
00:46:41.159 --> 00:46:42.420
You know, he does that so well.

520
00:46:42.420 --> 00:46:45.960
And thank God it's not, is it Douglas McKinnon?

521
00:46:46.199 --> 00:46:48.599
He directed the Santantu part.

522
00:46:48.659 --> 00:46:52.800
Thank God he's not him because he's like the...

523
00:46:52.800 --> 00:46:54.900
He's that folk of series 4.

524
00:46:55.079 --> 00:46:58.260
And I think you mentioned previously, James, or somebody did.

525
00:46:58.320 --> 00:47:02.579
He's like the Peter Moffatt of classics.

526
00:47:02.639 --> 00:47:03.719
We don't want him.

527
00:47:03.780 --> 00:47:13.199
Graham Harper is the right man for the job, and at every point in this, he just, he just chooses the right shots, the right angles, the right performances.

528
00:47:13.199 --> 00:47:21.659
And it's such a good script, but I think moving so seamlessly between so many plot elements is so much harder than it looks.

529
00:47:21.719 --> 00:47:26.340
It could have easily come off as a little bit of a mess, and yet it absolutely doesn't.

530
00:47:26.400 --> 00:47:37.139
Perhaps the one thing I will say here at the end is that intercutting between all of the cliffhangers with torture would under attack, Sarah James seems to be getting exterminated for quite some time in her car.

531
00:47:37.559 --> 00:47:44.699
It's the one thing that I kind of go, okay, okay, they're just gonna keep on saying that for 5 minutes whilst other things happen.

532
00:47:44.760 --> 00:47:45.300
I can live with that.

533
00:47:46.139 --> 00:47:49.139
I think you have to do that in the cliffhanger.

534
00:47:49.199 --> 00:47:54.960
Like it's a good practice, I think, for all of the plot threads to come to a head at the same time.

535
00:47:55.019 --> 00:48:00.480
And they did it in their very, very 1st ever Keith Poke directed cliffhanger.

536
00:48:00.539 --> 00:48:03.900
Let's just have a bit of comparing critras between that and this.

537
00:48:03.960 --> 00:48:14.460
Yeah, but I mean, even that, you know, it's a Russell script and a really great Russell script and, you know, it doesn't quite come off, but it's the right instinct and he does that here.

538
00:48:14.519 --> 00:48:24.900
So having Sarah confronted by the Daleks and Torchwood about to be attacked by the Daleks and so on, like all of this stuff happening at the same time is great.

539
00:48:25.019 --> 00:48:29.699
I think Graham is just a confident, supremely confident directory.

540
00:48:29.699 --> 00:48:30.480
He knows what he's doing.

541
00:48:30.539 --> 00:48:34.679
And so he knows when to pull out his bag of tricks, but he knows when to get out of away as well.

542
00:48:34.739 --> 00:48:35.460
Yeah.

543
00:48:35.460 --> 00:48:42.539
Well, you know, that's the thing that's most striking about the difference between his stuff in the 80s and his stuff in the new series.

544
00:48:42.599 --> 00:48:44.519
The stuff in the 80s is so stylised.

545
00:48:44.579 --> 00:48:51.719
And so artfully directed and stands out so much from everything else around it.

546
00:48:51.780 --> 00:49:10.139
Whereas, you know, he does use tricks, there are all sorts of fun, silly things that he does in the unicorn and the wasp that no one else has ever done in the new show, but he really just stands out because he's confident and competent and not because he's trying sort of to do auntie moves with the camera so much.

547
00:49:13.199 --> 00:49:17.940
So the other thing, the most incredible thing.

548
00:49:18.000 --> 00:49:21.659
We're at a point, I think, do we know David's leaving at the end of next year?

549
00:49:21.719 --> 00:49:23.340
So we didn't know what was going to happen?

550
00:49:23.400 --> 00:49:25.199
It was announced at the NTAs, wasn't it?

551
00:49:25.260 --> 00:49:29.400
Yes, he announced at the NTAs, which was in October of that year, so about 4 months later.

552
00:49:29.460 --> 00:49:34.199
So we do know by the time the next doctor is airing, but we don't know it yet.

553
00:49:34.260 --> 00:49:35.340
Yes.

554
00:49:35.400 --> 00:49:39.000
We do know that Russell is leaving and that Moffatt is taking over.

555
00:49:39.059 --> 00:49:39.900
Yes.

556
00:49:39.960 --> 00:49:46.199
So we have to be wondering what's going to happen with Tennant, I think, at this point.

557
00:49:46.320 --> 00:49:56.219
And so this cliffhanger, which is not just the doctor in peril, because he's not, actually, he's regenerating, he's going to be fine.

558
00:49:56.280 --> 00:49:57.840
We know that he's going to be fine.

559
00:49:57.960 --> 00:50:04.800
The cliffhanger is a cliffhanger because it puts us in peril in a way.

560
00:50:04.860 --> 00:50:06.780
Like it's affecting us.

561
00:50:06.840 --> 00:50:08.880
What is going to happen next?

562
00:50:08.940 --> 00:50:12.900
What is going to happen to David Tennant's doctor, who we adore.

563
00:50:12.960 --> 00:50:14.519
What's going to happen now?

564
00:50:14.699 --> 00:50:18.360
He's breaking the rules of regeneration.

565
00:50:18.420 --> 00:50:20.820
Of course, there are no rules, but in our head, canon.

566
00:50:20.880 --> 00:50:27.719
There are rules, like you just don't have the doctor exterminated and regenerating unless he's actually regenerating into a new person.

567
00:50:27.780 --> 00:50:30.900
We're going to find something out next week.

568
00:50:30.960 --> 00:50:38.820
But at this point, some of us on this podcast, probably me, are enraged that this is happening the 1st time round.

569
00:50:38.880 --> 00:50:41.699
How dare you do this with your generation?

570
00:50:41.760 --> 00:50:43.199
You're wasting it if he's going to come back.

571
00:50:43.199 --> 00:50:45.360
Regenerating a bathroom, destroying it.

572
00:50:45.420 --> 00:50:52.380
This is absolutely appalling, but it's absolutely the best thing and the most wonderful thing coming back to it and watching it.

573
00:50:52.440 --> 00:50:53.820
It's just divine.

574
00:50:54.239 --> 00:51:11.400
You know how sometimes people say it's just a massive pity that we know when the doctor's leaving and we've never seen a Doctor Who story in the new series where we haven't known that the doctor's going to regenerate at the end and who the doctor's going to regenerate into.

575
00:51:11.460 --> 00:51:18.480
Like, that just never happens and can't possibly ever happen again, because they announce the casting of a new doctor.

576
00:51:18.539 --> 00:51:19.320
It's a big story.

577
00:51:19.380 --> 00:51:27.480
It's part of the whole program's paratext, is this discussion of who's going to play the doctor next and when they're leaving and when they're joining.

578
00:51:27.539 --> 00:51:29.099
And so we can't have that again.

579
00:51:29.159 --> 00:51:31.800
But we get it here.

580
00:51:31.860 --> 00:51:39.119
You know, we get a surprise regeneration, and it's absolutely unbelievable.

581
00:51:39.179 --> 00:51:43.380
And when Moffat tries that trick again in his last season.

582
00:51:43.440 --> 00:51:44.340
It's horrible.

583
00:51:44.400 --> 00:51:49.739
But here it's just so spectacular.

584
00:51:49.800 --> 00:51:57.179
It's just unimaginable And it's, there's no, like he cuts the thing right in the middle of the regeneration.

585
00:51:57.239 --> 00:51:59.579
It's not coming, it's not going to be thwarted.

586
00:51:59.639 --> 00:52:04.139
He's standing there in the TARDIS with the light pouring out of every orifice.

587
00:52:04.199 --> 00:52:06.300
You know, we, there's no stopping it now.

588
00:52:06.360 --> 00:52:08.699
We know it's happening and then it goes.

589
00:52:08.820 --> 00:52:10.139
No next time trailer either.

590
00:52:10.199 --> 00:52:11.219
No, that's right.

591
00:52:11.280 --> 00:52:21.900
Do you think that's him making up for the fact that Eccleston ruined... 2nd bite at the cherry.

592
00:52:21.960 --> 00:52:22.559
Yeah.

593
00:52:22.619 --> 00:52:31.199
So like, you know, like initially, you know, when they realised Eccleston wasn't returning, it was going to be a complete surprise.

594
00:52:31.260 --> 00:52:33.360
They weren't going to announce tenant.

595
00:52:33.420 --> 00:52:39.539
He was just going to become him at the end of series one and it was leaked.

596
00:52:39.599 --> 00:52:41.460
Yeah, they almost pulled it off.

597
00:52:41.519 --> 00:52:43.920
The series was actually airing before it got leaked.

598
00:52:43.980 --> 00:52:44.579
So they came close.

599
00:52:44.699 --> 00:52:49.559
Well, in fact, it got leaked, you know, between episodes one and two, didn't it?

600
00:52:49.619 --> 00:52:49.920
Yeah.

601
00:52:49.920 --> 00:52:50.159
Yeah.

602
00:52:50.219 --> 00:52:50.699
Yeah.

603
00:52:50.760 --> 00:52:54.900
It goes back, I think, to what I was saying earlier about the fact that the audience is complicit in this.

604
00:52:54.960 --> 00:53:00.059
I don't think he can just throw in a regeneration like Mothat did in his last year and have it work.

605
00:53:00.119 --> 00:53:09.900
It has to be a big audience moment, which there, and between the stolen earth and journey's end in the UK, where I was living at the time, with the Regeneration Cliffhanger.

606
00:53:09.960 --> 00:53:12.059
Doctor Who was everywhere.

607
00:53:12.119 --> 00:53:15.360
The not we were talking about it in the office.

608
00:53:15.420 --> 00:53:19.920
There were endless news reports and interviews and TV discussion analysis.

609
00:53:19.980 --> 00:53:22.860
It was the genuine TV event that they tried to make it.

610
00:53:22.920 --> 00:53:26.400
Yeah, it's just unthinkable, isn't it?

611
00:53:26.460 --> 00:53:27.239
Wonderful.

612
00:53:27.300 --> 00:53:42.599
Yeah, it's it's spectacular and I think this cliffhanger is is just astounding and the whole episode is just a culmination of the past weeks and the past 4 years and it really is just brilliant television.

613
00:54:10.440 --> 00:54:13.500
Well, that's all we have time for this week.

614
00:54:13.559 --> 00:54:19.139
We'll be back next week for the first episode of the David Morrissey era, apparently, in Journey's End.

615
00:54:19.260 --> 00:54:34.739
In the meantime, you can find us wherever you get your podcasts, and you can keep up with us at Flightthrough Entirety on Facebook at FTE podcast on Twitter and on our website, FlightthroughEntirety.com, where you'll find links to our other podcasts, Bondfinger and Jody into Terra.

616
00:54:34.800 --> 00:54:38.519
Until next time, remember to look after the bees.

617
00:54:38.579 --> 00:54:43.139
Without them, the doctor won't be able to save us from the coming apocalypse.

618
00:54:43.199 --> 00:54:45.539
Thank you very much for listening and good night.

619
00:54:45.599 --> 00:54:46.559
Good night.

620
00:54:46.619 --> 00:54:47.280
Good night.

621
00:54:47.340 --> 00:54:48.420
See you soon.

622
00:54:51.480 --> 00:54:55.679
That was Flight 3 Entirety, starring Todd, Billby, Nathan Bottomley, Peter Griffith, St.

623
00:54:55.679 --> 00:54:56.519
James, Selwood.

624
00:54:56.579 --> 00:55:00.239
Theme arrangement by Cameron Lamb, Strings performance by Jane Orberg.

625
00:55:00.300 --> 00:55:08.219
This episode, Mr. Smith's fanfare is digetic, was recorded on the 13th of April 2020 and released on the 31st of May.

626
00:55:11.280 --> 00:55:18.059
If you normally hit stop on your iPhone at this point in the podcast, you're missing out on several minutes of top quality content every week.

627
00:55:18.119 --> 00:55:22.739
So stay tuned now and you'll hear Peter and Nathan make an alarming admission.

628
00:55:23.760 --> 00:55:26.460
Okay, let's end it there, do you think?

629
00:55:26.519 --> 00:55:26.880
Yeah.

630
00:55:26.880 --> 00:55:28.860
That was good.

631
00:55:28.920 --> 00:55:29.519
That was good.

632
00:55:29.639 --> 00:55:32.579
I didn't get to throw in my big character development surprise.

633
00:55:32.760 --> 00:55:34.800
Ah, what was it?

634
00:55:34.860 --> 00:55:36.599
Give me a tag.

635
00:55:36.659 --> 00:55:37.199
Okay.

636
00:55:37.199 --> 00:55:41.219
So talking about unexpected character development.

637
00:55:41.280 --> 00:55:42.659
Wilf is a Tory.

638
00:55:43.440 --> 00:55:47.880
I, well, so years, seen from years and years.

639
00:55:47.940 --> 00:55:57.239
So I read, um, I read um, about times entry on this before we did it. and they read it, and I think they read it wrong.

640
00:55:57.300 --> 00:56:01.380
I think they read it that Jackie's a Tory.

641
00:56:01.440 --> 00:56:07.019
And so when Wilford admits to voting for labour, her response is, no, you didn't.

642
00:56:07.079 --> 00:56:21.360
But remember that scene in years and years where everyone goes to the polls for the general election and Russell Toby's character votes conservative after being sort of super sort of liberal and terribly annoying and stuff.

643
00:56:21.480 --> 00:56:24.539
So I think it's a little sort of anticipation of that.

644
00:56:24.599 --> 00:56:28.139
I think that maybe he did what he did.

645
00:56:28.199 --> 00:56:29.760
Well, you see, I think their reading of it.

646
00:56:29.820 --> 00:56:31.320
Again, I agree with you.

647
00:56:31.380 --> 00:56:35.280
I can because he looks very chastened when Jack says that.

648
00:56:35.340 --> 00:56:36.239
So this is my thinking.

649
00:56:36.300 --> 00:56:42.119
So he says he voted for Harriet Jones, who was definitely Labour, because she was one of Blair's babes.

650
00:56:42.300 --> 00:56:44.039
Sylvia Schuszim, says he did not.

651
00:56:44.099 --> 00:56:45.599
So that means he voted Tory.

652
00:56:45.659 --> 00:56:52.440
And I mean, that's no great surprise since he lives in Chiswick, which is a conservative hotspot in the borough of Britain Nyworth.

653
00:56:52.500 --> 00:56:57.480
It's just about conceivable that he voted 3rd party, like Lib Demo or something.

654
00:56:57.539 --> 00:57:01.860
But if Harriet did win in a landslide, the Lib Dem vote must have collapsed.

655
00:57:01.920 --> 00:57:04.320
Ergo, Wilf is a suburban toy.

656
00:57:04.380 --> 00:57:06.000
Horrifying.

657
00:57:06.059 --> 00:57:07.380
I'll never...

658
00:57:07.380 --> 00:57:08.340
I'm totally fine with that.

659
00:57:08.579 --> 00:57:11.340
Because that scene is hilarious.

660
00:57:12.360 --> 00:57:14.940
Really funny, isn't it?

661
00:57:15.000 --> 00:57:15.960
You did not.

662
00:57:16.019 --> 00:57:18.780
Like, whatever she says it, it's very good.

663
00:57:18.840 --> 00:57:19.800
So good.

664
00:57:19.860 --> 00:57:25.199
Well, they're so good. like when the line you referenced earlier, Todd, where, you know, they always want the women.

665
00:57:25.260 --> 00:57:26.760
She could have reused her line.

666
00:57:26.760 --> 00:57:29.280
I know why you came to earth, Dafros.

667
00:57:29.340 --> 00:57:30.420
You think you'll meet a woman.

668
00:57:32.039 --> 00:57:34.800
That just reminds me of that...

669
00:57:34.800 --> 00:57:40.800
That episode of AbFab, um, where Patsy is playing boobarella.

670
00:57:40.860 --> 00:57:45.599
She came to earth to save womankind for herself.

671
00:57:49.139 --> 00:57:51.179
I love Boober.

672
00:57:51.239 --> 00:57:52.559
I do too.

673
00:57:52.619 --> 00:57:54.000
All right, here goes.