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This transcript was created on 2026-06-07 at 14:47:39

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Hello, Delistra, and welcome back to Flight Through Entirety, the only Doctor Who podcast, still having very vivid dreams about John Sim every night for the last 11 years.

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I'm Nathan.

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I'm James I'm Peter.

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And I'm Skeletor.

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Well, Christmas is cancelled.

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There's a crazed billionaire running the world and leering at his half-wit daughter, and Tony Blair is wandering the wastelands and eating the homeless.

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So things are very much business as usual in the penultimate episode of the David Tennant era, the end of time part one.

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I think we're gonna break with tradition and just start at the very beginning.

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Very good place to start.

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Yeah.

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So we actually start with the classic Russell T. Davis shot for the last time of the Earth from space, don't we?

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We don't sort of descend through the clouds into Chiswick, but we do start with that particular moment, I thought it was worth noting because it's our last one, sort of.

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And of course, Moffo will do that.

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Start next season's a cheeky little reference.

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Yeah, although he has a different take on the on the opening scene after the credits begin, but we're getting ahead of ourselves.

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How do we feel about this opening scene?

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It's got Sir Bernard in it, so obviously it's superb.

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I think it's great to see him trundling along and, you know, um, with his shopping and it's Christmas and then we're going into the church and there's the whole voiceover stuff and I just love all the stuff with, um, you know, as he spies the TARDIS in the stained glass window.

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I just really like, like, I have a notion.

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Yeah, it's not going to be particularly Christmassy, is it?

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But this is the most Christmassy bit.

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I think maybe it's choir practice because no one else seems to be in the church.

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And we have Wilf in front of a war memorial, which will be important, I think, you know, both this week and particularly next week.

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And we have Timothy Dalton.

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And I am not a big fan of voiceovers.

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And I think the way this story relies on voiceovers makes me think that perhaps another revision might have not gone Australia.

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It always seems to be a sort of crutch a bit.

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But it does the Moffat trick where the person doing the voiceover, the narrator actually ends up being a major character.

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That's an absolute Moffat thing to do.

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And it is, of course, Timothy Dalton, who is incredibly great.

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But Nathan, I think that the voiceovers in this paper over the cracks in the plot, really, like they're holding it together.

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Yeah.

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And he's never used it before, has he?

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Well, I mean, no, he does at the beginning of doomsday, I think, or what is it?

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Army of Ghost starts with Billy's voiceover.

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Yeah, that's Rose, though.

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It's not a character who's just sort of, you know, its omnipotent voice.

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No.

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And I guess we've got Elton telling the story of love and monsters.

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And he sort of has control over the narrative in the way that sort of wrestle on Will.

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But it is sort of a sort of slightly strange thing, I think.

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Well, it's the kind of thing which Russell's always shied away from.

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And I think it might be indicative of a few of the problems I have with this episode and that he's fallen back on that and he never has done in the past. hm, where's this leading?

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In fact, it puts me in mind of Romana.

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Remember she says portentous?

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Well, that's what it is, but pretentious is the word.

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I can forgive all the cracks that this episode has because it has wealth in it.

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Getting back to Bernard Crippen's like, I love the fact that he becomes a companion for 2 episodes.

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I think that's fantastic.

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Yeah, no.

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And he's in the opening credits, so the master's a companion as well.

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And the fact that the opening focusses on Wolf means that this is going to be to a certain extent good because you know it's going to have an industrial level of will in it.

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Yeah.

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And it is Wolf's story.

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I mean, the job of the pre-credit sequences to tell us what the episode will be about.

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And so that pre-credit sequence ends with the master laughing, which is the dream that everyone in the world or possibly the universe.

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It's hard to tell has been having for the last little while.

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And so it goes from Wilf.

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It touches on his war thing.

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It touches on the, you know, what the doctor's job is.

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Um, and then it hits the beat with the master.

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Yeah, and you've got the mystery woman in white just apparating in and out, you know, as part of the plot.

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I think it's Chancellor Flavia.

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Rodan.

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Well, she certainly wrote an in from somewhere.

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So Brendan, father of the podcast, Brendan, agrees with Russell T. Davis that it's the doctor's mum.

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It very clearly has to be a doctor's mum, in which case it's abusive torturer Tech Teune, which is a sort of fairly upsetting thought.

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Don't bring Chris Tripple into this.

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Well why not?

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I mean, there's lots of time lords, galafray nonsense.

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In fact, I think, now, I'm a big fan of hating on Gallifrey, and we will talk more about Gallifrey next week, because it's obviously hugely important, and this episode doesn't really do Gallifrey, but I do think after absolutely not doing Gallifrey for 5 years, I think it's inevitable here.

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And I think it's Julie Gardner as well, who agreed with that, that we now get to touch on Galafray, we now get to do the thing that the show started with, which, which was the reveal of the time war.

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I think it was inevitable as well, but unfortunately, I think they stuffed it up.

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Right.

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Yeah.

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Yeah.

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That's entirely possible.

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So here we have something that's all set up.

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Is that right?

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This episode really is establishing the players and shifting things into place and the voiceover actually kind of says that.

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So Timothy Dalton comes back at about 29 minutes.

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It's the whole episode is basically a 60 minute pre-credit sequence for the 2nd episode.

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And it often happens that that's the case with a two-parter, doesn't it?

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Yes, and especially the Russell two-parters.

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Like, we're just marking time and moving people around and trying to give red herrings and give funny bits of dialogue and bits of heart and but also, you know, put you off track and and have you guessing and not give you all the information until, you know, we get into part two.

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Yeah, episodes one's all build up, so 2 is all payoff.

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Well, it should be.

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Well, that's what I think might be a structural problem and that episode one builds up to the big cliffhanger, but then the big cliffhanger is kind of thrown away, and episode 2 doesn't pay it off.

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So it's a strange structure.

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We will talk about the cliffhanger at the end, of course.

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I think it's spectacular for a couple of reasons, but we will get to it.

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Well, we start off with the oud, really.

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The doctor turning up in a comedy classic scene of, you know, with his keys to the TARDIS and...

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So you know where that scene was filmed?

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Alaska.

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Whoopie hole.

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W wonderful. found out this could only have been improved by one of those cybermen turning up and maybe the vogan round the corner.

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Can anyone give?

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And possibly someone almost drowning?

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So I think this scene is super weird. and I think it actually points to why the specials kind of fail.

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So we build up to this massive, massive character moment at the end of Waters of Mars, which I think doesn't work at all and showcases all of the worst things about David Tennant's performances, the doctor.

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And then we kind of throw it away.

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And I don't know, are we meant to read his kind of offhanded comedy thing is menacing because he's not really playing it like that.

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Yeah, I think maybe we're meant to read it as the doctor is kind of vamping a little bit and having fun because he doesn't want to face what's going on, but it just comes across as misplaced whimsy.

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Yeah.

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I mean, you know, like comedy in Doctor Who is great and naming a galaxy.

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Alison is a pretty cool thing to do, but I just don't know.

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We had this big, big giant moment.

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You know, the doctor had gone crazy and he'd gone too far because he saved a bunch of people and that was wrong for some reason.

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And now he's, like, and there's no, is there any, any cost to that?

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You know, the doctor has been fooling about instead of doing what Bude Sigma told him to do.

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I think the cost is however much you're willing to pay for Time Lord Victorious.

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Yeah, no, that would be right.

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Whatever that is. a lot I think it could have worked, but it actually needed to be funny, and the problem with those scenes is they're not actually very funny.

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You know, the TARDIS kind of thing clicked locket and...

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It's not actually very amusing.

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Whereas it'd be genuinely funny. would have gone along with it.

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I think part of it is that it is just intentionally broad because it's Christmas.

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Do you know what I mean?

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And so the joke that that the sort of sonic screwdriver being the, you know, key fob for your car.

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Oh, yeah.

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Like, that's cute and sort of funny.

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It's not super witty or anything.

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And Russell doesn't go for like massively hilarious jokes sort of generally.

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I don't know, I just found it irritating.

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There is a line of dialogue that says, you know, if only you'd come straight here or whatever, something might have been better, but there don't seem to be any consequences to her.

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There's a cleverness lacking in the scene, I think, which I'm used to from Russell.

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Russell's an extremely clever, an able writer, and yet they feel a little bit disappointing, and it's got to be the fact that he was running on empty, having written so many episodes and like come back for the specials when, you know, he basically from the next doctor, he'd sort of run out of steam a little bit.

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But yeah, I'm disappointed him and I'm not I'm not bagging him for that because my expectations of Russell are so high.

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This is like the 10th episode in a row he's written.

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Oh, next week, it's the 10th episode.

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Right is written, I think.

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Yeah.

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Oh, I don't mind it.

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Well, I mean, I think it's, I think it's agreeable enough.

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I think it's a way into the next bit, which is the ood telling what's going on now and having flashbacks to the end of series 3 with the master and trying to do a big, huge info dump with the master, the master's wife, the naysmiths, and all of that happening kind of all at once. which I think Russell does very well.

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You know, he gets all that information out there.

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And you don't feel like it's a headless chicken or whatever they, what's that, the timeless children episode where you just get the, where you just get spoken to, right?

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And so boring.

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Whereas whereas here he's trying, we're going from the comedy bit into this info dump and we're trying to make it as easy as possible so that everybody's on the same page.

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So we have the oud talking about a prophecy, and at this moment in our episode, I want to do a prophecy count.

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So how many prophecies are out there kind of kicking around at this point.

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You will knock 4 times.

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He'll knock 4 times.

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The Oudes prophecy.

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He is returning.

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He is returning. returning. returning.

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So is it three?

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It's they and he.

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Okay, that can be 5 then.

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Martha and Mickey will get together.

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Yeah.

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So I want that spinoff.

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I actually think it's just about permissible.

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Okay.

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You hate prophecies, Todd?

157
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Is it you who hate its prophecies?

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No, you're good with them.

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I don't know.

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I'm so tired.

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I have no idea.

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I no idea.

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On that note, do you know what I don't like about prophecies?

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I don't like mysterious figures?

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and this will appear, I think, at the start of the next episode where we're getting a little bit ahead of ourselves, but mysterious figures who talk nonsense and are delivering prophecies.

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And there's one with the time lords.

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The old woman who's scratching away at the things and going, blah, blah, blah, he will return.

168
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It's exactly the same as Dalek Khan from Journey Zend, who is infinitely more entertaining.

169
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You're not sure reminds me of the Rybots operation.

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Yes.

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Yes, if only you could have had anti, I'd imagine boons of our fathers.

172
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Oh, this is our kids.

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There's no way that Russell didn't steal that from there.

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Of course.

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And she's got a sort of sisterhood of Khan vibe.

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But I think that the prophecies kind of work in a way, because prophecies and coincidences, because we've not even mentioned Claire Bloom prophesying either, so we're probably up to about 12 by now.

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Because the time lords are returning and because the time lords have this relationship with time, that Russell makes properly mysterious, Russell's time lords have a much more kind of weird, you know.

178
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Yeah, yeah.

179
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And so time, you know, causality goes backwards and there are coincidences and all of these things are happening because gala phrase is about to kind of burst onto the stage.

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So I'm going to let it pass even though it is probably a bit of a cheat.

181
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But also, if you're going to have big portentous slash pretentious prophecies.

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These are the episodes to do it.

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These are like the big banner episodes.

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It's an important series for the public.

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Do something big.

186
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That's fine.

187
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Clan likes to prophesy, doesn't she?

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Doesn't get our prophecies very right. like, you know, tell the doctor of nothing of this.

189
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His life could still be saved as long as you tell him nothing.

190
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Really, honey, he's got 2 episodes to go, he's not going to be safe.

191
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Well, he doesn't get killed.

192
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He just turns into Matt Smith. which is not such a bad thing.

193
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But also, if you're going to tell the doctor nothing.

194
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Why are you bothering to tell Wolf?

195
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That's right.

196
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Just don't mention it.

197
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And she tries to get him to take the gun, right?

198
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Like later on when they're watching the queen's speech and I love the fact that she's got that sort of hair and the pearl necklace and all of that sort of thing and she turns up on the tally instead of the queen being sort of terribly posh.

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Everyone in Russell stories turns up on the telly.

200
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Rose did.

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If you got a telly, there they are.

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Yeah, speaking of turning up on the telly, you know that Lachelle Carl was actually supposed to have a guest role in this, not on the telly.

203
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Trinity Wells was actually going to appear in person reporting, I think, at one point.

204
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I think it's the scene where the doctor arrives at the prison.

205
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Ah, yeah.

206
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And she would have been reporting on the scene and would have given him some information that would have moved the plot on.

207
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You see, if they hadn't have had the oud in the 2nd half, we will sing you to your sleep.

208
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They could have had Trinity Wells turn up without a mic and everything.

209
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Dr. Staggers towards the Tartars. amazing.

210
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What dramatically reporting of this man is taking to it?

211
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We have seen Rose Tyler walk up the stairs to the flat.

212
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Oh dear.

213
00:16:13.919 --> 00:16:25.620
Or maybe before we launch into the our analysis of the episode as a whole, there is another introductory scene that we need to talk about, which is obviously the prisoner cell block age scene.

214
00:16:25.679 --> 00:16:31.440
Can I just say it's just absolutely hilarious that we have like the governor, right?

215
00:16:31.500 --> 00:16:34.620
And then Mrs. Trefusius?

216
00:16:34.679 --> 00:16:39.000
I wonder if she she obviously made it across from Spain or wherever.

217
00:16:39.059 --> 00:16:40.740
The Stone Circle, she did.

218
00:16:41.039 --> 00:16:44.159
And Lucy Saxon, you've got all of that going on.

219
00:16:44.220 --> 00:16:50.700
It's like a game of you know, because they put down one card, right, to say, well, we've trumped you because we've got the books of Saxon.

220
00:16:50.700 --> 00:16:52.320
And then Lucy's doing something.

221
00:16:52.379 --> 00:16:54.659
So she tries to trump her with the next you know card.

222
00:16:54.720 --> 00:16:58.860
It's like, it's layer upon layer upon layer, and it makes, like, it's just ridiculous.

223
00:16:58.919 --> 00:17:03.120
It makes me smile, but it's just so like, well, look at us.

224
00:17:03.179 --> 00:17:07.680
We've started this and we've countering you and we're countering you and curse of fatal death.

225
00:17:08.400 --> 00:17:13.559
Well, I mean, that scene can only have been improved if the freak had turned up, gloves and all.

226
00:17:13.619 --> 00:17:16.079
Well, I think that the missus whatever.

227
00:17:16.140 --> 00:17:18.299
She's not the governor, but the sort of chief.

228
00:17:18.359 --> 00:17:23.460
I mean, the governor sort of Erica Davison, perhaps, you know, just a few decades earlier.

229
00:17:23.519 --> 00:17:30.299
And then that sort of grey-haired woman has a very kind of Maggie Kirkpatrick sort of vibe.

230
00:17:30.359 --> 00:17:31.259
She does.

231
00:17:31.259 --> 00:17:36.420
She could have brought back Harold Saxon from the dead and got a cut of the poke money or story at the same time.

232
00:17:36.480 --> 00:17:42.660
But I love the way in which it is tied back to season 3 and that was always an ouch.

233
00:17:42.720 --> 00:17:44.759
Like, that was always set up, which is great.

234
00:17:44.819 --> 00:18:02.039
I mean, if we'd just got this as a cutaway that wasn't back in that episode with the master dying, then I would have been quite irritated, but he's obviously, again, it's this Russell thing where he does things, and then I pay off later, even if he hasn't got it fully planned at the time.

235
00:18:02.099 --> 00:18:08.400
Yeah, I suspect that he didn't have it fully planned, but he knows that you're always going to want to bring the master back.

236
00:18:08.400 --> 00:18:10.200
He's a child of the 80s.

237
00:18:10.200 --> 00:18:11.400
Yeah, exactly right.

238
00:18:11.460 --> 00:18:17.579
He knows, you know, that scene in Planet of Fire, where I genuinely thought as a kid that that was it.

239
00:18:17.640 --> 00:18:18.480
The master was dead.

240
00:18:18.539 --> 00:18:20.819
He burned up. you know, how can he get out of this?

241
00:18:20.880 --> 00:18:24.059
And so Russell absolutely kills him.

242
00:18:24.119 --> 00:18:26.880
Has the doctor burned his body and then leaves an out.

243
00:18:26.940 --> 00:18:43.559
And it's fantastic that Chris Chibnall has actually built on that because when the master has to live through the 20th century, He obviously has written the 5 or 10 volumes of the books of Saxon in that time because he's not going to interfere with any of his other history during that time.

244
00:18:43.619 --> 00:18:46.140
So he's just sat in a room and he's written all these books that they can then use.

245
00:18:46.200 --> 00:18:50.759
I think that you should email that to Christian all because that will be the basis of a future episode.

246
00:18:50.819 --> 00:18:52.559
I can hardly wait.

247
00:18:52.619 --> 00:18:53.819
The next season finale.

248
00:18:53.880 --> 00:18:54.839
Yeah, I would think.

249
00:18:54.960 --> 00:19:13.380
You see, I'm sad that they brought the master back because not because I don't like the master, but because I thought his character arc was so good in sound of drums and last of the time lords, that he's kind of brought back for nothing but to be a spectacle in these episodes.

250
00:19:13.440 --> 00:19:16.079
There's no sort of character development there, really.

251
00:19:16.140 --> 00:19:17.819
Oh, you don't think?

252
00:19:17.880 --> 00:19:18.720
No, no, no.

253
00:19:18.720 --> 00:19:21.480
I think that there's really interesting character development.

254
00:19:21.539 --> 00:19:24.000
I think we'll leave it till our next episode.

255
00:19:24.059 --> 00:19:25.859
But he is brought back for a reason.

256
00:19:25.920 --> 00:19:27.779
And the other reason I think he's brought back.

257
00:19:27.839 --> 00:19:40.200
I mean, you know, Russell knows about the final game and the fact that Pertley didn't get to face off against the master in his regeneration story, which was sort of rather tragic.

258
00:19:40.259 --> 00:19:42.900
So he's obviously pairing them again.

259
00:19:42.960 --> 00:19:46.140
What has he got to do every single season finale?

260
00:19:46.200 --> 00:19:49.380
And this is functionally a season finale, isn't it?

261
00:19:49.440 --> 00:19:55.380
The series finale, has had the master or the cybermen or the Daleks.

262
00:19:55.440 --> 00:20:00.059
And so, you know, he always goes big for the series finale.

263
00:20:00.119 --> 00:20:01.140
So he brings the master back.

264
00:20:01.200 --> 00:20:03.059
And there's no monsters in this story.

265
00:20:03.119 --> 00:20:10.440
Well, he kind of turns the master into a little bit of a monster in those scenes and that's actually one of my problems with the character.

266
00:20:10.500 --> 00:20:11.940
I think it debases the character a little bit.

267
00:20:12.059 --> 00:20:16.200
But don't you think that that's what's actually happened?

268
00:20:16.319 --> 00:20:19.200
Because so he's still the master.

269
00:20:19.259 --> 00:20:23.460
And I think the costuming is really brilliant because he's wearing a black hoodie.

270
00:20:23.579 --> 00:20:29.519
So he's got a hood and you can see his red t-shirt, like the hem of his red t-shirt.

271
00:20:29.579 --> 00:20:35.640
And actually, this was at the same time that David Cameron, pre-being Prime Minister, was running his whole hugger hoodie campaign.

272
00:20:35.700 --> 00:20:36.720
All right.

273
00:20:36.779 --> 00:20:46.859
So he goes from being Prime Minister of Great Britain to being, you know, one of the kind of lowest members of society as far as status is concerned.

274
00:20:46.920 --> 00:20:55.859
I think that's kind of interesting because I think this story, and I'll get into it a bit later, is about hierarchy and status, you know, in a huge way.

275
00:20:55.920 --> 00:20:57.359
That I have no problem with.

276
00:20:57.420 --> 00:20:58.380
I think that's really good.

277
00:20:58.440 --> 00:21:05.819
But then what becomes of the master, you don't get character moments between him and the doctor, you don't get any exploration of that theme.

278
00:21:05.880 --> 00:21:15.720
You get the master turning into a Marvel or DC sort of villain and bouncing round the place and firing energy bolts from his hands and things.

279
00:21:15.779 --> 00:21:18.119
And I think that could have been any villain.

280
00:21:18.180 --> 00:21:18.960
Why is that the master?

281
00:21:19.019 --> 00:21:21.420
See, I agree with both of you.

282
00:21:21.480 --> 00:21:33.059
I think it's an interesting thing to make the master this sort of debased character who has lost all his power and sophistication and status.

283
00:21:33.119 --> 00:21:41.039
But I think making him into some sort of weird flying skeleton man is a move too far.

284
00:21:41.099 --> 00:21:46.980
But except that wonderful scene with the food truck where he eats the 2 ladies who are making sandwiches.

285
00:21:47.099 --> 00:21:50.640
Like we go back to the food truck and they're just kind of charred skeletons.

286
00:21:50.700 --> 00:21:53.339
And that's our only kind of death.

287
00:21:53.400 --> 00:21:57.779
Todd, you must have been hanging out for it. just love that.

288
00:21:57.839 --> 00:22:02.519
They cut back to it and you've got them still in their outfits, but they're child skeletons.

289
00:22:02.579 --> 00:22:30.359
I 1st out laughing because in the 1980s, the original series of V, there was this triangle between Charles, Diana, and Lydia, and Lydia was trying to poison Diana, but instead, the poison cup goes to Charles, and Lydia walks in, and she's talking to Charles, and the chair spins around, and there's this skeleton of a lizard in the V outfit, and it just reminded me of that so much.

290
00:22:30.420 --> 00:22:31.859
I think it's brilliant.

291
00:22:31.920 --> 00:22:52.319
And I love the fact that the master's this super, um, skeletor, you know, type creature because I think in, in all of this, the brilliance of Russell Teen Davis actually shines through because he keeps coming back to Wilf and saying, you know, you're not special or you're special and, and I keep meeting you, right?

292
00:22:52.380 --> 00:22:56.640
And at no point I actually think that it's going to be the knock 4 times thing, right?

293
00:22:56.700 --> 00:22:59.220
He's got all these other red herrings all the way through.

294
00:22:59.279 --> 00:23:07.019
It kind of reminds me a bit of the mask of men, Dragra, where you've got the count who thinks he's the main villain, right?

295
00:23:07.079 --> 00:23:08.039
But he's not.

296
00:23:08.099 --> 00:23:12.180
That's the Naysmiths, then you've got Hieronymus, which is really the master.

297
00:23:12.180 --> 00:23:18.119
And but behind all of that, you've got the Mandrago Helix, which of course is Wrestleon and the Time Lord.

298
00:23:18.240 --> 00:23:20.880
And then we've also got the cactus people.

299
00:23:20.940 --> 00:23:35.339
So you've got all these different things that he's set up where you think, well, they're going to be the villain, they're going to be the villain, who is the villain, and everything keeps coming back to Will all the time to keep, but then they break away with a joke or a heartfelt moment or some plot thing.

300
00:23:35.400 --> 00:23:39.599
And so I have no problem with the master turning into Skeletor at all.

301
00:23:39.660 --> 00:23:56.039
I actually think it's really funny Although it does give us that appalling moment in David Tennant's acting where he's on the ground with John Sim and asks him something and I just thought that is the worst bit of acting that David Tennant has ever done in the history of his time on Doctor Who.

302
00:23:56.099 --> 00:23:58.079
I've got to find it in my notes.

303
00:23:58.140 --> 00:23:58.440
Sorry.

304
00:23:58.980 --> 00:24:05.339
Oh, yes, the master he is, he is like one, two, three, four, and the doctor says, what's inside your head?

305
00:24:05.400 --> 00:24:08.039
It's the worst bit of acting David Tennant has ever done.

306
00:24:08.099 --> 00:24:17.220
Is that the moment where the doctor realises and therefore the master realises that the 4 beats inside his head are real.

307
00:24:17.279 --> 00:24:19.319
So they're audible to tenet.

308
00:24:19.380 --> 00:24:20.940
I don't like that moment.

309
00:24:21.000 --> 00:24:31.799
But I think John Simmons spectacular in this, and I give him absolute kudos for all of the things that he has to get into all of those different outfits, you know, at the end and play all those different characters slightly differently.

310
00:24:31.859 --> 00:24:40.019
And even when he says like the master race, like it could have been so like so cheesy, but I just adore it.

311
00:24:40.079 --> 00:24:47.160
Like, I did not like John Sim back in season 3 originally at all, right?

312
00:24:47.220 --> 00:24:48.359
Second time through.

313
00:24:48.420 --> 00:24:49.740
Much improve.

314
00:24:49.740 --> 00:24:52.319
And I think he does a spectacular job here.

315
00:24:52.380 --> 00:24:59.279
And when he's hungry all the time, like ripping, doesn't it make you feel a bit sick, seeing all of that fast motion eating?

316
00:24:59.339 --> 00:25:01.559
It's meant to, isn't it?

317
00:25:01.619 --> 00:25:03.900
absolutely intentional. doesn't mean I want to watch it.

318
00:25:03.960 --> 00:25:08.759
And he's ripping that turkey apart and what we're doing now.

319
00:25:10.500 --> 00:25:12.420
Thanks, Peter.

320
00:25:13.019 --> 00:25:15.839
And David Harewood, is it?

321
00:25:15.900 --> 00:25:16.500
Yeah, yeah, yeah.

322
00:25:16.559 --> 00:25:19.079
David Herald is like mortified from Supergirl.

323
00:25:19.140 --> 00:25:19.799
Yeah.

324
00:25:19.859 --> 00:25:22.319
You know, I can't take him seriously.

325
00:25:22.380 --> 00:25:23.819
Like he's got gravitas.

326
00:25:23.880 --> 00:25:32.220
But he's got the English accent here and I'm so used to him being in retirement mode in Supergirl using John Jones using the American accent.

327
00:25:32.279 --> 00:25:42.960
But here, like the nice Mr. Built Up, and I'm going to make my daughter discovered the secret books and, you know, really, she's just like from the secret housewives of, you know, Cambridge on Thames or something like that.

328
00:25:43.019 --> 00:25:50.460
And so for me, it's like, I love the fact that Russell has created these really super crap villains who think they're all that, but they really are all crap.

329
00:25:50.519 --> 00:25:51.480
Yeah, yeah.

330
00:25:51.539 --> 00:25:55.920
And the fact that he loves her so much and he's going to put it on a pedestal and she's so appalling.

331
00:25:55.980 --> 00:25:59.099
Like it just is just, it's delicious.

332
00:25:59.160 --> 00:26:01.140
That is one of the things I quite like about this episode.

333
00:26:01.200 --> 00:26:03.720
The supervillains in it are really inept.

334
00:26:03.839 --> 00:26:06.119
Yeah, well, it's kind of funny, isn't it?

335
00:26:06.180 --> 00:26:07.740
And it is because they're a faint.

336
00:26:07.799 --> 00:26:10.559
It is because they're not the real villains.

337
00:26:10.680 --> 00:26:17.160
But I do think making them billionaires is interesting because you've got homeless people.

338
00:26:17.220 --> 00:26:22.980
You've got the middle class family, you know, the noble family, you've got billionaires.

339
00:26:23.039 --> 00:26:27.599
You've got the master who is makes his way up that hierarchy.

340
00:26:27.599 --> 00:26:37.740
Only, you know, once he hits the top of the hierarchy, suddenly he's SmackDown because there's something much, much worse than anything we've ever seen before in Doctor Who.

341
00:26:37.799 --> 00:26:39.299
And you've got the aristocracy coming back.

342
00:26:39.359 --> 00:26:40.440
Yeah, yeah, yeah.

343
00:26:40.500 --> 00:26:42.180
Well, that yeah, that's exactly it.

344
00:26:42.240 --> 00:26:42.599
Yeah.

345
00:26:42.599 --> 00:26:46.799
And you've got June Whitfield and the Silver Cloak.

346
00:26:46.859 --> 00:26:53.039
You've spent weeks now talking about how crap June Whitfield is in this, but I actually think...

347
00:26:53.099 --> 00:26:56.400
No, you're the one, Peter.

348
00:26:56.460 --> 00:27:00.660
You're the one, Peter, who has talked about how rubbish shit.

349
00:27:00.779 --> 00:27:01.859
June Whitfield can bite me.

350
00:27:02.039 --> 00:27:09.180
I think there's very, very little between her performances, mother on Ab Fab and her performance here.

351
00:27:09.240 --> 00:27:13.500
It's not quite as sort of demented as the mother in ab fab.

352
00:27:13.559 --> 00:27:14.940
Isn't that the whole point?

353
00:27:15.000 --> 00:27:16.259
Yeah, exactly.

354
00:27:16.319 --> 00:27:16.859
Yeah.

355
00:27:16.859 --> 00:27:28.500
Like, she is supposed to be, you know, we've had a few whiskeys and scotches and, oh, it's June Whitfield and she knows she's comedy relief and she's playing for comedy relief, but it totally takes me out of things watching it now.

356
00:27:28.559 --> 00:27:30.660
It's a mugging for the camera.

357
00:27:30.720 --> 00:27:32.279
I mean, it's 0 god.

358
00:27:32.339 --> 00:27:38.579
And her friend, her friend who's so into David Tenner. who looks like who Richard Franklin friend.

359
00:27:38.640 --> 00:27:40.500
Oh, a bit of crumpet or whatever.

360
00:27:40.559 --> 00:27:42.839
He really wants David Tennant's photo.

361
00:27:42.900 --> 00:27:43.680
But that's the problem.

362
00:27:43.740 --> 00:27:44.519
They're both into him.

363
00:27:44.579 --> 00:27:48.180
And I afraid that being old doesn't give you license to grab someone's arse.

364
00:27:48.240 --> 00:27:49.680
Hashtag mini too.

365
00:27:49.740 --> 00:27:55.619
And she did it like every take, she pitched his parmada.

366
00:27:55.680 --> 00:28:00.660
But I think it works, Lieutenant, because Tenant is so kind of sexually confident as the doctor, you know?

367
00:28:00.720 --> 00:28:02.160
Oh, so he doesn't have a bumby, has he?

368
00:28:02.220 --> 00:28:04.920
That's right. should lose a hand.

369
00:28:05.039 --> 00:28:09.359
So I don't, you know, like, I don't mind that at all.

370
00:28:09.420 --> 00:28:18.480
And I also like the fact that Russell allows old people to be sexual, which is not a thing that is normally sort of permitted on television.

371
00:28:18.539 --> 00:28:19.740
Junkie.

372
00:28:19.859 --> 00:28:21.599
She's not that old.

373
00:28:21.660 --> 00:28:24.119
Speaking as an old person.

374
00:28:24.180 --> 00:28:25.859
She's younger than you.

375
00:28:25.920 --> 00:28:26.640
No, no.

376
00:28:26.700 --> 00:28:28.200
Actually, June Whitfield is fine.

377
00:28:28.259 --> 00:28:31.500
She does mug for the camera and it is irritating and I love her.

378
00:28:31.559 --> 00:28:34.140
So, you know, me, my bones rot saying it.

379
00:28:34.200 --> 00:28:35.400
I love it too.

380
00:28:35.460 --> 00:28:36.779
But I just think it's hilarious.

381
00:28:36.839 --> 00:28:43.500
Like, you know, the master and the doctor are in that junkyard or boatyard or wherever they are.

382
00:28:43.559 --> 00:28:44.339
What is it?

383
00:28:45.720 --> 00:28:48.240
Well, I walked into that, didn't I?

384
00:28:48.839 --> 00:28:53.400
And then they just enter from stage left, like out of nowhere.

385
00:28:53.460 --> 00:28:57.359
Like, the camera just sort of cuts to them and it's like, where's the bus?

386
00:28:57.420 --> 00:28:58.019
Where they come from?

387
00:28:58.079 --> 00:28:59.279
Oh, no, they were all as a pack.

388
00:28:59.339 --> 00:29:01.319
They're moving as a pack and they've found him as a pack.

389
00:29:01.319 --> 00:29:04.619
And I just laugh at that bit of direction by Euroslim.

390
00:29:04.740 --> 00:29:07.019
They were just waiting behind some scrap.

391
00:29:07.079 --> 00:29:08.160
For their cue.

392
00:29:08.220 --> 00:29:09.839
Exactly, James, exactly.

393
00:29:09.900 --> 00:29:10.799
That is what it looks like.

394
00:29:10.859 --> 00:29:14.279
They're just polished off the remains of those people in the truck.

395
00:29:14.339 --> 00:29:16.859
Yeah, no, this is indicative of the problem.

396
00:29:16.920 --> 00:29:17.880
June wheatfield is fine.

397
00:29:17.940 --> 00:29:20.940
But the silver cloak is just dressing.

398
00:29:21.000 --> 00:29:23.759
And that's all this episode is it's all dressing.

399
00:29:23.819 --> 00:29:25.859
There's no meat on the bones, so to speak.

400
00:29:25.920 --> 00:29:31.559
You know, the silver cloak was actually a discarded idea that Russell came up with for partners in crime.

401
00:29:31.619 --> 00:29:33.000
Oh, really?

402
00:29:33.059 --> 00:29:35.220
It's also what the Vardens wore in the invasion of time.

403
00:29:35.279 --> 00:29:49.140
So, so was the idea, because it took Donna a year to find the doctor and the silver cloak do it in about 15 minutes, was it, was Wilf helping Donna find the doctor originally?

404
00:29:49.200 --> 00:29:50.640
Is that what was that the plan?

405
00:29:51.000 --> 00:29:52.500
Who knows?

406
00:29:52.619 --> 00:29:53.220
That's better.

407
00:29:53.220 --> 00:29:54.180
That's all I know.

408
00:29:54.240 --> 00:29:58.319
Yeah, Will wasn't really a live thing in the planning of series 4 in any case.

409
00:29:58.380 --> 00:30:00.059
He just ended up being there.

410
00:30:00.420 --> 00:30:04.019
Yeah, I mean, it's another one of those coincidences.

411
00:30:04.019 --> 00:30:11.940
And you can just about sell it because there's a line about there being lots of coincidences, you know, or no such thing as coincidence.

412
00:30:13.019 --> 00:30:20.220
The thing is, you have all that scene with, you know, let's get a photograph with the doctor and just as I'm beginning to get irritated.

413
00:30:20.279 --> 00:30:33.660
We then jump to Will from the doctor in the cafe, having that conversation with Donna turning up outside and just the emotional resonance and how sort of affected that I get by it all the time.

414
00:30:33.779 --> 00:30:40.079
So just when you have a, I find that in this episode, when I have a moment where it's like, oh, that's a bit crap.

415
00:30:40.200 --> 00:30:47.099
I then suddenly have a moment where I'm laughing or I'm really that he goes for the heart strings.

416
00:30:47.160 --> 00:30:50.940
I think David Tennant is really good in that scene.

417
00:30:51.000 --> 00:30:57.599
And when David Tennant has to cry and stuff, I usually find him like super irritating.

418
00:30:57.660 --> 00:31:08.700
But here, there's that moment where he's just about to burst into tears and where Wolf, you know, is so kind of heartbroken and his response is so just sort of warm and beautiful.

419
00:31:08.759 --> 00:31:14.220
And then it's diffused, like they kind of laugh or, you know, he doesn't quite come back.

420
00:31:14.279 --> 00:31:19.980
It's not quite jolly, but he sort of, he sort of pulls it together and kind of tries to make light of it.

421
00:31:20.039 --> 00:31:23.400
And it's so real and it's so good and tenant is great in it.

422
00:31:23.460 --> 00:31:24.720
It's a really good scene.

423
00:31:24.839 --> 00:31:27.180
And it's not overwrought. melancholy.

424
00:31:27.240 --> 00:31:28.380
Yeah, yeah, that's what you want.

425
00:31:28.440 --> 00:31:29.880
There will be overwrought later.

426
00:31:29.940 --> 00:31:32.940
Right, absolutely, there will. agree with you.

427
00:31:33.000 --> 00:31:38.759
It's one of the highlights of dated tenant in this episode, but it's also the fact that he's against Bernard Crippis, who's almost breaking down as well.

428
00:31:38.880 --> 00:31:44.160
And the scene also has a lot of like info sort of dump dialogue. you know, I'm going to die.

429
00:31:44.220 --> 00:31:46.200
He will knock full times, we keep coming back to that.

430
00:31:46.259 --> 00:32:04.380
And even if I change it feels like dying, some new man goes sauntering away, like all that foreshadowing of what's to come and and we've been through it all before, you know, these new, the new series fans have experienced it once already quite out of the blue.

431
00:32:04.440 --> 00:32:10.259
So now for the 2nd time with the doctor, they've loved for 3 years and universally loved.

432
00:32:10.319 --> 00:32:14.819
They know where it's all heading and how they're going to feel.

433
00:32:14.880 --> 00:32:19.619
And so I think those fields begin in that scene in this episode.

434
00:32:19.680 --> 00:32:21.299
It's funny, isn't it?

435
00:32:21.359 --> 00:32:31.200
Because when someone like Russell talks about or, you know, Moffatt or or people who grew up on the old series, talk about how it feels to have a new doctor.

436
00:32:31.500 --> 00:32:46.740
The show isn't apparently aware of that, you know, like there'll be a sort of heartwarming moment or something, possibly, um, or, you know, the Rani will just turn him over and it'll be, you know, Sylvester McCoy in a wig.

437
00:32:46.799 --> 00:32:48.480
I was heart warmed by that.

438
00:32:48.900 --> 00:32:52.200
But this show is super aware of it.

439
00:32:52.259 --> 00:32:54.539
And because it's the most popular show on TV.

440
00:32:54.599 --> 00:33:11.700
And I think we talked about this in our Planet of the Dead episode or I said that regeneration is a bit of a hack, you know, it's a bit of a, it's a tiny bit crap. they really do need to kind of let you know that they know how you're going to be feeling about this.

441
00:33:11.759 --> 00:33:27.539
And so the idea that the doctor fears regenerating and feels like it's an annihilation of his kind of self, that's not in the old show at all, but it sort of works here.

442
00:33:27.599 --> 00:33:32.039
Do you remember in Death of the Doctor, the Sarah Jane Adventures episode?

443
00:33:32.099 --> 00:33:37.380
where Matt Smith doctor says that it hurts, that it always does, that it's painful, you know?

444
00:33:37.440 --> 00:33:39.960
So that's that from the other direction.

445
00:33:40.019 --> 00:34:00.059
It's what we were saying about on the stolen Earth and Journey's End podcast about the fact that the audience is complicit in doctor at this stage because it is so popular and it is such an icon of television that you've got complete license to be emotional about the fact that David Tennant, the most popular doctor there has ever been, is leaving the series.

446
00:34:00.119 --> 00:34:05.819
I don't particularly like seeing the doctor get very emotional but it's totally warranted here.

447
00:34:05.880 --> 00:34:07.920
I kind of like it.

448
00:34:07.980 --> 00:34:13.260
It is the thing that that Russell's brought to the program is giving the doctor some interiority.

449
00:34:13.320 --> 00:34:18.420
And I remember that moment, the moment where Eccleston like tears up.

450
00:34:18.480 --> 00:34:21.360
You know, his face is otherwise completely immobile.

451
00:34:21.420 --> 00:34:27.960
He doesn't cry or, you know, there's no quivering bottom leap or anything, but he tears up when Jabe is talking to him about the Time Lords.

452
00:34:28.019 --> 00:34:31.619
I thought that that was an absolute just revelation.

453
00:34:31.679 --> 00:34:33.360
You know, it was so amazing.

454
00:34:33.420 --> 00:34:35.880
And I'm glad that he brought that to the show.

455
00:34:36.000 --> 00:34:41.639
I think my problem with it is that David Tennant tends to kind of overplay it a bit and he doesn't in this scene.

456
00:34:41.760 --> 00:34:42.900
No, he gets it right.

457
00:34:50.579 --> 00:35:00.719
The other thing that appears in this scene is, of course, Donna, and I think that she's amazing in this.

458
00:35:01.079 --> 00:35:03.119
I totally agree.

459
00:35:03.179 --> 00:35:10.500
You can see that the character, Nathan, has she's still Donna, but she's not the Donna from the Runaway bride.

460
00:35:10.559 --> 00:35:16.079
She she's not the donner that she ended up being, but there is growth there.

461
00:35:16.139 --> 00:35:20.820
The fact that she actually has a fiance and she can still give it to the ticket officer woman.

462
00:35:20.880 --> 00:35:21.659
Yeah.

463
00:35:21.719 --> 00:35:27.780
It's just lovely seeing Catherine Tate come back and do these small parts.

464
00:35:27.840 --> 00:35:32.699
It's intensely frustrating because I want these episodes to be about Donna.

465
00:35:32.760 --> 00:35:35.760
I want them her to be all throughout them and I wish she was.

466
00:35:35.820 --> 00:35:39.599
However, it was the correct decision by Russell. not to do that.

467
00:35:39.659 --> 00:35:43.380
And he knows that you wish she was the star of it.

468
00:35:43.380 --> 00:35:44.400
And that's incredible thing.

469
00:35:44.460 --> 00:35:52.739
And initially she, in the original draft original drafts of the script, she was in it a lot less.

470
00:35:52.800 --> 00:36:03.840
She was only supposed to make a short cameo and he decided to put her in more, but as this character who is floating around in the background is a shadow of her former self.

471
00:36:03.900 --> 00:36:10.559
But it works too, because it also gives the opportunity to bring in Sylvia.

472
00:36:10.559 --> 00:36:18.659
Yeah, and see the growth in Sylvia, like that hilarious scene where she says hello to the doctor or Merry Christmas or whatever.

473
00:36:18.719 --> 00:36:21.599
And, you know, the last time they did not end on very good terms.

474
00:36:22.019 --> 00:36:31.920
But, you know, she seems to have gotten past that to an extent and can share a bit of a moment and then berate him.

475
00:36:31.980 --> 00:36:33.119
Exactly, James.

476
00:36:33.179 --> 00:36:41.880
You know, I do want to say one more thing about that cafe scene because there's a choice that Auros makes, which is to shoot Donna and Sean through the window.

477
00:36:41.940 --> 00:36:43.739
Yeah, maintain that distance.

478
00:36:43.800 --> 00:36:44.760
Yeah, yeah.

479
00:36:44.820 --> 00:36:48.119
And so we are kept away from them.

480
00:36:48.179 --> 00:36:54.480
And there's that other scene where we see them opening Christmas presents and watching the Queen's speech and stuff like that.

481
00:36:54.599 --> 00:36:58.320
But they're also in the background too, because it's all, yes.

482
00:36:58.320 --> 00:36:59.880
From Wolf's perspective.

483
00:36:59.940 --> 00:37:00.360
Yeah.

484
00:37:00.360 --> 00:37:00.960
Yeah.

485
00:37:01.019 --> 00:37:08.579
So it is amazing getting her back, you know, having a companion back, but she's not allowed to interact with a doctor, she can never interact with a doctor at any point.

486
00:37:08.639 --> 00:37:12.900
And we so wanted it because those 2 were so magical together.

487
00:37:12.960 --> 00:37:14.940
It's really good.

488
00:37:15.000 --> 00:37:17.880
And so Russell makes you feel the way that you feel.

489
00:37:17.940 --> 00:37:24.539
It's an exercise in restraint on Russell's behalf, and it's absolutely the right decision, but it's so frustrating.

490
00:37:24.659 --> 00:37:34.139
But it is the brilliance in his writing here that I think shines through all this emotional stuff that you want that to happen, but you're not going to get that.

491
00:37:34.199 --> 00:37:39.239
And then in that scene, giving Wolf the moment to piece together the naysmiths and the book.

492
00:37:39.300 --> 00:37:43.139
You know, it's another clue as to his importance.

493
00:37:43.199 --> 00:37:45.659
But you don't really realise that when you're watching it.

494
00:37:45.719 --> 00:37:56.340
Yeah, the 1st time through, it's just, it just happens, but it keeps coming back to him and keeps coming back to him and then he gets to get into the TARDIS and... thinks it's dirty.

495
00:37:56.400 --> 00:37:58.920
It's not as clean as I expected.

496
00:37:58.980 --> 00:38:05.639
So doesn't the script lampshade that bit where it's not really a good idea to park the TARDIS in the street outside where Donna lives?

497
00:38:09.659 --> 00:38:17.760
Lovely little comic moments with the emotional resonance that, you know, Russell gives us.

498
00:38:17.820 --> 00:38:19.860
And this episode gets it so right.

499
00:38:19.920 --> 00:38:24.059
You just want to spend more time with these characters and you get more time with these characters.

500
00:38:24.119 --> 00:38:48.840
And I think that that's what, I think that that's what he's doing, and I think the reason, perhaps, that the plot isn't particularly satisfying, there's almost nothing at all to it, is because his last, you know, biggest season finale ever, was so stuffed, had so many characters in it and was super plotty.

501
00:38:48.900 --> 00:38:54.840
And this time it's kind of like, no, let's just give David Tennant some time to do some things.

502
00:38:54.900 --> 00:39:02.460
Let's just let the audience spend some time in the world that the last 5 years of Doctor Who has created.

503
00:39:02.519 --> 00:39:21.599
And so, you know, there's a way in which this is a bit indulgent, but there is also a way in which he's giving space for us to say goodbye to this version of Doctor Who and cluttering it up with plot and science fiction things and stuff would just detract from that.

504
00:39:21.719 --> 00:39:23.639
I mean, I agree in one respect.

505
00:39:23.699 --> 00:39:27.480
I think Russell played his best hand with the stolen earth journey's hand.

506
00:39:27.539 --> 00:39:34.260
That felt like it should have been the end of the doctor because it was so warmly resonant at the show that had come.

507
00:39:34.320 --> 00:39:41.519
However, I slightly disagree because I think these episodes, especially this 1st one, are stuffed with plot, but it's meaningless plot.

508
00:39:41.579 --> 00:39:44.039
It's just it's talking about big plot.

509
00:39:44.099 --> 00:39:49.380
And so that detracts from these lovely scenes which you have with the family and everything because it gets in the way of those.

510
00:39:49.559 --> 00:39:54.000
I think you still have to give everyone sort of Doctor Who-ey things to do.

511
00:39:54.179 --> 00:39:57.300
But I mean, it's not like anything's very complex.

512
00:39:57.360 --> 00:39:58.559
It's not blink or anything.

513
00:39:58.619 --> 00:40:03.900
It is just super linear and a little bit sort of throwaway.

514
00:40:03.960 --> 00:40:13.559
There's a kind of, this is never an insult, but there is a kind of Sarah Jane adventures kind of vibe to the, to the nasmiths in a way.

515
00:40:13.679 --> 00:40:16.800
They're very two-dimensional, but for a reason.

516
00:40:16.860 --> 00:40:36.179
But I like the fact that we're now getting drawn into their world actually to their mansion and we're seeing their scientists that are helping them and the absolutely brilliant Sinead Keenan, who plays Adams, the scientist.

517
00:40:36.239 --> 00:40:43.440
And I'd just seen her, I think, playing Russell Toby's girlfriend, Nina, the werewolf, being human.

518
00:40:43.500 --> 00:40:45.179
In being human.

519
00:40:45.239 --> 00:40:47.340
And so I was really excited that she was in it.

520
00:40:47.400 --> 00:40:51.539
And it's interesting how like her and her offsider, whose name I cannot.

521
00:40:51.539 --> 00:40:52.440
I think it's Rossiter.

522
00:40:52.500 --> 00:40:53.460
It is Rossiter.

523
00:40:53.519 --> 00:40:54.900
I just call them the Meglos twins.

524
00:40:54.960 --> 00:40:56.219
Wow, that's super racist.

525
00:40:56.280 --> 00:40:57.480
Initially...

526
00:40:57.480 --> 00:41:00.179
Initially...

527
00:41:00.239 --> 00:41:03.659
Initially they were supposed to be called Shanshay and Shanshay.

528
00:41:03.840 --> 00:41:08.940
And with a slightly different pronunciation, but Wolf couldn't work out what the difference.

529
00:41:09.059 --> 00:41:15.179
I love the fact that they're sort of in the background and now they're sort of, you know, coming to the forefront and you know something's not right.

530
00:41:15.239 --> 00:41:22.320
And then, of course, David Tennant gets to meet them when they go downstairs and he gets to say the word Shimmer.

531
00:41:22.380 --> 00:41:26.760
And I love how he says Schimmer. schlock from the reboss of Horatia.

532
00:41:26.820 --> 00:41:27.960
And he keeps saying it.

533
00:41:28.019 --> 00:41:29.280
I just want to keep saying Shrimmer.

534
00:41:29.340 --> 00:41:30.239
Shrimer.

535
00:41:30.300 --> 00:41:31.199
And she's so great.

536
00:41:31.260 --> 00:41:33.659
I just love her energy as one of the cactus people.

537
00:41:33.719 --> 00:41:33.900
Sorry.

538
00:41:33.960 --> 00:41:36.659
She's kind of not putting up with any of his crap.

539
00:41:36.719 --> 00:41:39.900
I mean, that just seems to be her kind of default thing.

540
00:41:39.960 --> 00:41:43.860
She's kind of annoyed with him and not intimidated by him.

541
00:41:43.920 --> 00:41:45.179
I think she's really good.

542
00:41:45.239 --> 00:41:48.239
And do you remember that makeup?

543
00:41:48.300 --> 00:41:51.719
The green makeup is entirely computer generated.

544
00:41:51.780 --> 00:41:53.820
They didn't paint the actor's green.

545
00:41:53.880 --> 00:41:55.860
They put green prosthetics on them.

546
00:41:55.920 --> 00:42:07.019
And kind of faded into their skin tones and then had to digitally retouch every shot that they were in green because they went, oh, actually, that looks a bit pants.

547
00:42:07.079 --> 00:42:10.739
And in fact, another use of CG, and I've just read about time.

548
00:42:10.800 --> 00:42:23.699
So I didn't know this before this, that the turkey in the Queen's Christmas speech scene, because that takes place at 3 o'clock in the afternoon, the speech normally, rather than the morning.

549
00:42:23.760 --> 00:42:26.280
The turkey was raw on the set.

550
00:42:26.340 --> 00:42:33.239
And Russell realised that, of course, by 3 the turkey would be cooked, so they digitally cooked it in post-production.

551
00:42:33.300 --> 00:42:34.860
It's a computer effect.

552
00:42:34.920 --> 00:42:37.019
I didn't have too much budget on this show.

553
00:42:37.079 --> 00:42:38.579
Oh, that's fantastic.

554
00:42:46.019 --> 00:42:48.780
They've got the immortality gate.

555
00:42:48.840 --> 00:42:59.460
I love these names that Russell comes up with and the Nace Miske to talk about the immortality gate, but yet again, it's a slight misdirection because what they believe it to do is not actually what it actually does.

556
00:42:59.519 --> 00:43:06.659
And it's like with Donna having been memory wiped and if she remembers everything, she's going to die.

557
00:43:06.719 --> 00:43:16.619
Well, that's not exactly true, and this is another Russell trope that he likes to sort of give a certain information or an interpretation of what something actually does.

558
00:43:16.679 --> 00:43:20.460
It's our last anti-plastic of the era, isn't it?

559
00:43:20.579 --> 00:43:22.980
It's the immortality gate.

560
00:43:23.039 --> 00:43:24.300
It makes people immortal.

561
00:43:24.360 --> 00:43:27.659
It's really very simple and does what it says on the tin.

562
00:43:27.719 --> 00:43:31.260
It's the sort of techno babble that I actually really quite like.

563
00:43:31.260 --> 00:43:37.559
Because again, this is a Christmas special and it's being half watched, while drunk and full of turkey.

564
00:43:37.619 --> 00:43:39.900
And so it needs to be straightforward.

565
00:43:39.960 --> 00:43:42.539
But I like the fact that the master has the ability to repair it.

566
00:43:42.599 --> 00:43:43.320
He's a timelord.

567
00:43:43.380 --> 00:43:43.980
He's repairing it.

568
00:43:44.099 --> 00:44:01.320
And at the same time, then, you know, when he's talking to Adam's, the doctor's talking to Adams, you know, it makes people better, but why so big and there's these questions and then it's like, well, it doesn't, men's whole planets and then it's like the David Tennant run. like, this is much worse than we expected.

569
00:44:01.380 --> 00:44:04.139
Which we had at the beginning of the episode when he runs back to the Tartars.

570
00:44:04.199 --> 00:44:06.000
Like, this is really bad and then it's the run.

571
00:44:06.059 --> 00:44:17.099
You know how he jumps off the wall and it's like we've got to stop this and then it's all hell breaks loose because Skeletor gets to, you know, zap his hands and jump into the gate and everybody begins to shimmer.

572
00:44:17.159 --> 00:44:21.599
You know, things are really bad when David Tennant does that big run with his arms and legs everywhere.

573
00:44:21.659 --> 00:44:22.619
I love it.

574
00:44:22.739 --> 00:44:25.679
And it's such a new series thing because you can't run in the studio.

575
00:44:25.739 --> 00:44:27.420
You just don't have the space for it.

576
00:44:27.539 --> 00:44:30.420
And so now we're in location, the doctor can properly run.

577
00:44:30.480 --> 00:44:39.659
Wasn't there a story that either David Tennant, Matt Smith or Matt Smith and Peter Capaldi needed the same operation done on their knee because of the running down corridors.

578
00:44:39.659 --> 00:44:41.219
Tennant and Capaldi.

579
00:44:42.360 --> 00:44:45.539
So, Todd, let's talk about the cliffhanger then.

580
00:44:45.599 --> 00:44:51.960
I contend that it, well, I went on Twitter.

581
00:44:52.019 --> 00:45:05.039
I actually live tweeted my watching of this hashtag, Final Days of Planet Earth, and I made the bold contention that this was the best cliffhanger of the era, and I kind of want to defend that.

582
00:45:05.099 --> 00:45:11.099
And part of the reason is that I'd forgotten the final scene.

583
00:45:11.159 --> 00:45:25.320
And so I expected it to end with the master running around and I think Sim is wonderful in this because he's running from place to place and when he sees another one of him, he's super excited and he throws his arms out and he's jumping up and down.

584
00:45:25.380 --> 00:45:26.460
He's wearing dresses.

585
00:45:26.519 --> 00:45:29.039
I don't know how he did it as an actor.

586
00:45:29.099 --> 00:45:33.480
You would be so tired to have to go through all of those costume changes.

587
00:45:33.539 --> 00:45:37.980
I hope to God that they actually filmed it over several days.

588
00:45:38.039 --> 00:45:39.659
All on one fee as well.

589
00:45:39.840 --> 00:45:42.360
It deserves an extra fee for it.

590
00:45:42.480 --> 00:45:50.820
But I also like the fact that he talks about like in here, I think Russell throws in hypnotism and mind control and they're all going to become me.

591
00:45:50.880 --> 00:45:54.840
Like, I like all these little subtle explanations back or links back to the original series.

592
00:45:54.900 --> 00:46:01.980
It's like Shada, where Christopher Nemes' character, Skagra, wants to put his mind into everyone in the universe.

593
00:46:02.039 --> 00:46:06.059
And for a 2nd the doctor thinks that that's what the master's plan is.

594
00:46:06.119 --> 00:46:10.320
But the master's plan is much better than that because it's so ridiculous.

595
00:46:10.380 --> 00:46:18.480
And so those wonderful scenes where like Sylvia and Sean and Barack Obama all turning into the master.

596
00:46:18.480 --> 00:46:25.679
And remember, this is set on Christmas Day, let's say at the time it was broadcast.

597
00:46:25.739 --> 00:46:30.179
So it's also happening to the viewers at home and Barack Obama.

598
00:46:30.239 --> 00:46:31.920
My head was spinning watching this.

599
00:46:31.980 --> 00:46:36.360
But Barack Obama, it's like we've never mentioned the real...

600
00:46:36.840 --> 00:46:37.800
No, this is real.

601
00:46:37.860 --> 00:46:39.179
Why Obama?

602
00:46:39.239 --> 00:46:42.840
He went to great pains to avoid Tony Blair and George W.

603
00:46:42.840 --> 00:46:44.460
Bush in the sound of...

604
00:46:44.519 --> 00:46:45.360
Well, did he though?

605
00:46:45.420 --> 00:46:48.059
I mean, someone like George W.

606
00:46:48.059 --> 00:46:49.440
Bush was cast.

607
00:46:49.500 --> 00:46:53.940
And he kills Tony Blair and stuffs him in a closet in Aliens of London.

608
00:46:54.000 --> 00:46:56.460
He turns President Obama into the master.

609
00:46:56.579 --> 00:47:01.139
I mean, it's very definitely Obama, and I wonder why I made that decision.

610
00:47:01.199 --> 00:47:21.659
But I think it's so that it's the viewers at home because one of the things that you can do with, remember Pirate Planet episode 4 where Xanac is about to materialise around Earth, and I like to imagine that it's going to materialise around Earth while you're sitting watching the program, right?

611
00:47:21.719 --> 00:47:23.400
And that that's what the doctor prevents.

612
00:47:23.460 --> 00:47:27.059
He's actually preventing you, the viewing audience from being killed.

613
00:47:27.119 --> 00:47:37.079
Or in Daleks masterplan, where we know that the Daleks are on their way to contemporary Earth while we're watching it in those sort of middle episodes.

614
00:47:37.199 --> 00:47:38.280
On Christmas Day.

615
00:47:38.340 --> 00:47:39.119
Yeah, yeah.

616
00:47:39.179 --> 00:47:44.639
And so this is a cliffhanger that affects everyone who's watching the show.

617
00:47:44.760 --> 00:47:46.199
And so it has that.

618
00:47:46.260 --> 00:47:50.760
And so, you see, you're, like, your touchstone to be, to make it the real world.

619
00:47:50.820 --> 00:47:52.679
Yeah, that makes sense. that we're in.

620
00:47:52.739 --> 00:47:53.760
And so there's that.

621
00:47:53.820 --> 00:47:58.619
And I think that cliffhanger is visually superb and it's got John Sim being as fun as he ever is.

622
00:47:58.679 --> 00:48:03.719
It's really silly and funny, but also really quite threatening and terrifying.

623
00:48:03.780 --> 00:48:09.420
And then you get the 2nd cliffhanger, which is the narrator has been wrestle on all along.

624
00:48:09.780 --> 00:48:17.760
But before we get to that, we're also getting Donna having all of her flashbacks, which is intercut with the John Sims stuff happening.

625
00:48:17.820 --> 00:48:23.400
And so you've actually got 3 different things happening at once, is Donna going to die?

626
00:48:23.460 --> 00:48:26.340
Everybody's turning into the master race.

627
00:48:26.400 --> 00:48:27.420
I still want that.

628
00:48:27.480 --> 00:48:43.079
And then we get, I get chills with that narration when he says, you know, this was the day, the time lords returned, and then for galafre, for victory, for the end of time itself, I just, I'm getting chills now.

629
00:48:43.139 --> 00:48:49.739
I, I, it's just incredible that, it's, they, you look at me, complete just staying.

630
00:48:49.800 --> 00:48:57.780
Listeners, it's like, you know, Nathan's in one corner, like, you know, Jolly, Jolene, Peter's looking at me like, really, really.

631
00:48:57.840 --> 00:49:00.719
I do think that dialogue's a bit rubbish.

632
00:49:00.840 --> 00:49:03.119
Oh, it's super ripe, but of course it is.

633
00:49:03.179 --> 00:49:04.800
But it sells it.

634
00:49:04.860 --> 00:49:07.260
I just think it is, it's stunning.

635
00:49:07.320 --> 00:49:08.519
It gets to me every single time.

636
00:49:08.579 --> 00:49:10.139
I've got problems with the episode.

637
00:49:10.199 --> 00:49:11.760
You'll notice in my special book here.

638
00:49:11.820 --> 00:49:13.440
I've said, look at your special book.

639
00:49:13.440 --> 00:49:14.039
Not bad.

640
00:49:14.099 --> 00:49:25.139
I'm not in love with it. 7 out of 10 because I really, there are these moments that just get to me, which currently the current writing of Doctor Who doesn't do.

641
00:49:25.199 --> 00:49:26.400
Not bad, 7 out of 10.

642
00:49:26.579 --> 00:49:27.300
I am not in love with it.

643
00:49:27.360 --> 00:49:29.639
Is this your story notes or is this your little black book?

644
00:49:30.179 --> 00:49:31.800
Go away.

645
00:49:31.800 --> 00:49:32.760
I invited you.

646
00:49:32.820 --> 00:49:35.039
So I loved you in your race.

647
00:49:35.099 --> 00:49:38.519
Can I just say as well, that's taking Russell back to the start.

648
00:49:38.579 --> 00:49:42.840
That's that three-tiered cliffhanger, which was the 1st one he ever did for aliens of London.

649
00:49:42.900 --> 00:49:49.800
But admittedly, that cliffhanger was 3 instances of people unzipping themselves and threatening someone.

650
00:49:49.860 --> 00:49:50.639
Do you know what I mean?

651
00:49:50.699 --> 00:49:52.440
Like it, wow, that sounded...

652
00:49:52.500 --> 00:49:53.099
Yeah, that's right.

653
00:49:53.099 --> 00:49:55.320
So that didn't quite work.

654
00:49:55.380 --> 00:50:02.760
I mean, it worked in the sense that it lent on Jackie Tyler and how much we love her already, and it was Jackie Tyler in peril.

655
00:50:02.820 --> 00:50:11.820
So this has everyone turning into the master, Donna, who we also love in peril, with some exciting little flashback moments, which is sort of pretty cool.

656
00:50:11.880 --> 00:50:24.059
And then you've got James Bond himself in his richest kind of voice, in profile, spitting as he delivers this sort of terrifying speech because he's virtually rabid.

657
00:50:24.119 --> 00:50:25.500
Not the James Bond.

658
00:50:25.559 --> 00:50:28.679
Anyone cares about, no, but one of the best ones ever, though.

659
00:50:28.800 --> 00:50:30.239
Oh, don't you dare.

660
00:50:30.420 --> 00:50:34.380
You know that they actually initially asked Patrick Stewart.

661
00:50:34.559 --> 00:50:39.119
I don't think he's as good an actor as Timothy Doctor.

662
00:50:39.179 --> 00:50:42.900
I'm glad it's Timothy Dalton and he's got that craggy face and everything.

663
00:50:42.960 --> 00:50:45.420
I think he looks, he absolutely looks the bar.

664
00:50:45.539 --> 00:50:56.699
The only thing I don't particularly like at this point in all this is I do think the cutting to all the different masters around the world and all the paners ups and zones out does go on too long.

665
00:50:56.760 --> 00:50:59.219
I do sit there going, oh, just please, just quickly.

666
00:50:59.280 --> 00:50:59.880
Yeah.

667
00:50:59.880 --> 00:51:01.079
Like it's just a little bit.

668
00:51:01.139 --> 00:51:10.079
I think it helps having one of the scenes, the reason that we're in the council estate is because that's where Winston lives, which is Wilf's friend.

669
00:51:10.139 --> 00:51:14.579
And so that's why we get to be there and we get to see that happening.

670
00:51:14.639 --> 00:51:17.460
But yeah, I wanted it to be June Whitfield.

671
00:51:18.000 --> 00:51:20.280
I love that zoom out.

672
00:51:20.340 --> 00:51:23.880
You get that zoom out where everybody on the balcony is the master.

673
00:51:23.940 --> 00:51:30.119
No, but don't we zoom out even further and we zoom out over London and all you can hear is the master laughing.

674
00:51:30.179 --> 00:51:33.119
And it's not moaha laughing.

675
00:51:33.179 --> 00:51:34.800
You know, I now control the world.

676
00:51:34.860 --> 00:51:38.340
He's laughing because he's just delighted to see himself, you know?

677
00:51:38.400 --> 00:51:43.019
I really feel for John Sim having to keep laughing and laughing.

678
00:51:43.079 --> 00:51:44.280
John, we need another laugh.

679
00:51:44.340 --> 00:51:45.420
We need another laugh.

680
00:51:45.480 --> 00:51:46.679
Can you get dressed into this?

681
00:51:46.739 --> 00:51:51.420
But also, again, it is the audience because they've just finished watching this episode, like the master.

682
00:51:51.480 --> 00:51:54.659
They're full of Christmas turkey and whatever else is stuffed. he's face with.

683
00:51:54.719 --> 00:51:57.119
And they're having a good old laugh because they've just had a good time as well.

684
00:52:27.239 --> 00:52:30.239
Well, that's all we have time for this Christmas.

685
00:52:30.300 --> 00:52:37.199
We'll be back next week to clean up the mess and say au revoir to David Tennant's doctor in the end of time, part two.

686
00:52:37.679 --> 00:52:53.340
In the meantime, you can find us wherever you get your podcasts and you can keep up with us at flight through entirety on Facebook, at FDE Podcast on Twitter, and on our website, flight throughentirety.com, where you'll find links to our other podcasts, Bondfinger, and Jody into Terror.

687
00:52:53.400 --> 00:52:56.760
Until next time, have a very merry Christmas.

688
00:52:56.820 --> 00:53:01.860
Enjoy your pork and beef and fat, and we'll see you again in 2021.

689
00:53:02.039 --> 00:53:04.440
Thank you very much for listening and good night.

690
00:53:04.500 --> 00:53:05.579
Ta-ta.

691
00:53:05.639 --> 00:53:06.000
Good night.

692
00:53:06.059 --> 00:53:06.780
See you soon.

693
00:53:09.840 --> 00:53:15.659
That was Flight 3 Entirety, starring Harold Saxon, Harold Saxon, Harold Saxon, Harold Saxon.

694
00:53:15.719 --> 00:53:19.619
Theme arrangement by Harold Saxon, String's performance by Harold Saxon.

695
00:53:19.679 --> 00:53:25.619
This episode, Do Something Big, was recorded on the 13th of December 2020 and released on Christmas Day.

696
00:53:29.460 --> 00:53:36.840
Of course, if Georgia Tennant is listening, we would like to apologise for any negative comments this episode about David Tennant's bum.

697
00:53:36.900 --> 00:53:39.719
Please don't be mean to us on Twitter, Mrs. Tennant.

698
00:53:39.780 --> 00:53:40.440
It's Christmas.

699
00:53:43.500 --> 00:53:44.639
I think we'd probably end it there.

700
00:53:44.880 --> 00:53:46.559
Don't you think?

701
00:53:46.619 --> 00:53:47.039
Yeah.

702
00:53:47.099 --> 00:53:48.420
All right, let me just read.

703
00:53:48.420 --> 00:53:51.780
Maybe I should redo that in my end of episode, sort of voice.

704
00:53:51.840 --> 00:53:54.840
Don't spit on the certain hate.

705
00:53:54.900 --> 00:54:01.019
And so we pull out and the audience has had a great time and so they're laughing along as well.

706
00:54:01.079 --> 00:54:05.099
The end of time.

707
00:54:05.099 --> 00:54:09.719
For Gallifrey, for victory, for June Whitfield herself.

708
00:54:11.280 --> 00:54:12.780
So good.

709
00:54:12.960 --> 00:54:16.260
It's got to be it's asking a tissue.

710
00:54:16.320 --> 00:54:19.500
It's got to be, it has to be that big, I reckon.

711
00:54:19.559 --> 00:54:20.340
It just has to be.

712
00:54:20.400 --> 00:54:22.079
It's so good It's so good.

713
00:54:22.139 --> 00:54:23.159
It's got such gramitous.

714
00:54:23.219 --> 00:54:26.760
But you know, this 3 tier cliffhanger has Eros Lynn directing it.

715
00:54:26.760 --> 00:54:28.679
The 1st one had Keith Bowack directing it.

716
00:54:28.739 --> 00:54:32.639
Can I just say, I hate the way he says the word master. because he's no master.

717
00:54:32.699 --> 00:54:33.840
He's Welsh.

718
00:54:33.900 --> 00:54:34.860
He doesn't know any better.

719
00:54:34.920 --> 00:54:36.480
Oh, I thought it sounded American.

720
00:54:36.539 --> 00:54:37.980
I just kind of thought, oh, can you just say Mars?

721
00:54:38.039 --> 00:54:39.360
That's a Welsh thing.

722
00:54:39.420 --> 00:54:40.139
Yeah, okay.

723
00:54:40.559 --> 00:54:41.940
Okay.