WEBVTT

NOTE
This transcript was created on 2026-06-07 at 14:57:32

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Hello, dear listener and welcome back to Flight Through Entirety.

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The only Doctor Who podcast that has this nagging feeling that we might have forgotten to turn something off upstairs.

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I'm Nathan.

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I'm Todd.

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I'm Brendan.

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And I'm Eric.

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Well, over the years, the Silurians have been exploded twice and poisoned with hexachromite gas once, so we have good reason to be a little anxious about how things are going to turn out today.

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Still, Marvin the Paranoid Android seems nice and the decor here is comforting and familiar.

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So let's find out how the negotiations pan out in cold blood.

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Can I say something about the decor?

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It's that thing I hinted at last week that will make Todd ever so happy?

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Oh, what's that?

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Um, so part of this was filmed at the same botanical gardens that the end of the doctor's daughter takes place in.

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I'm estatic about that.

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Oh, another point deducted from this episode.

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And much like this episode, I just paid off the cliffhanger I set up last week with a voiceover.

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So we start this episode with a picture of the earth and it's a voiceover from a 1000 years in the future.

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Do we know that at this point?

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The monologue does mention that this is the story of a day a 1000 years past where we started sharing the planet with humanity?

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So it cheats?

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It cheats.

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Imagine that.

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Moffat era story cheating.

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I know.

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It's extraordinary. 1st few seconds.

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So the other cliffhanger resolution, which is, of course, Amy is about to be vivisected, is resolved in a classic, say, with era, way by, um, it's not someone coming in saying, no, stop, but it is basically a, uh, PA announcement, uh, telling Malik that he has to stop.

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And so he leaves.

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Yeah, the motion detector's gone off and the lights on the front porch have come on.

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And these kids need to get out of our front yard.

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No, I mean, he's got to, he's got some more people to vivisect, I guess.

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Yeah, and D-Louse.

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Yeah.

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He's got to delouse them.

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But doesn't she manage to pick his pocket?

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Oh, dear, oh dear.

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It really, you know, honestly.

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Yeah.

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She is somehow completely restrained in such a way that she can't even move her hands and yet she picks his pocket.

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It is, I feel frustrating.

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It's so frustrating.

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And and given how in the 11th hour, um, while dressed as a kissogram, she's known to Khali from the dominators and steals his car keys to lock.

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Yeah, that's Cully from the Dominators.

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Yeah.

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It's it's set up that she nicks stuff from people that she's kissogram for me.

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I mean, you know, I suppose kidsogram can't pay terribly well.

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No, she'd have to steal the occasional car, I think, to make ends meet.

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I'm just smiling at those comments.

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So, I mean, there is a weird thing about the characterisation of Malakare now because he has been vivisecting people, including attractive father of one Mo Northover.

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Yeah, but he's fine.

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He's fine.

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But now he's lovely.

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Now we love him.

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Hasn't he been doing it for a very long time?

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Yes, he's been vivisecting people for a very long time.

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And this is part of, um, again, the cut scenes from this story, and there's a line later on where he says, no, no, I never do that to the young ones.

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Yes.

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But he says, I've taken some of them and I've taken their genetic code and extrapolated and they live for ages and you're like, you don't see any other humans running around.

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But no, there's a cut bit. where um, Amy and Mo discover that he's got basically his own private petting zoo, if you like, you, including Tony's dog from when Mo was a kid and the dog ran away.

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Wow.

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But the dog is down here and it's fine.

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It's been living there for 30 years because Malakare has been extending all these animals lives.

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So when he's talking about the young ones, he's not making a distinction between humans and, um, other animals because to the solarians, we are pets.

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Or mammals.

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Or mammals, yes.

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That does not increase my enjoyment at all.

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There's a Silurian petting zoo.

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I would have loved to see that.

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Yeah, it's one of those moments where they need this Allurians, all of them, to be a horrible threat in episode one.

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And so they're all horrible threat in episode one.

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In episode two, he needs some of them to be good guys and some of them to be bad guys.

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And so suddenly, Malachi, the scientist, who is essentially a Megala type figure in part one, becomes, oh, friendly old scientist dude, that the doctor thinks is wonderful and wants to have a makeout session with.

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It is horribly done.

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The other problem I have is the fact that all the mouse celery insane to be quite reasonable people, but all the female salarians who seem to be worries, just want to destroy everybody.

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And I don't, I mean, whether it's casting or whatever, I just find that a problem.

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Well, in fact, it becomes more of a problem when you realise it's the single female.

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Well, Nasrene accepted, but the only other female human character is also a problem.

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So in a sense, this is a peace negotiation that is derailed by the fact that women are unable to control their emotions.

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In the scripting stage, it was sort of a couch 22, because originally Restac was Alaya's brother.

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Ah.

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And the reason they, um, they decided not to do that was, 1st of all, they didn't want a layer to be, A, the token woman, Solurian, and also B, the dead woman, Silurian.

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Yeah.

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And then they struck on the idea of, okay, well, what if the women are the Warriors?

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And, you know, we're getting a bit of Edgar Rice Burrows there and Amazon's kind of kind of vibe.

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Oh, and what if it's the same woman and they're part of the gene pool and yeah, okay, we save on an actress, but also we introduce the idea that these people have advanced genetic technology, which again would have been paid off with the petting zoo.

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Yeah.

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But yeah, it does then create its own problem.

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And that's something the Moffat era does quite a bit in that they sort of go down a route of saying, well, hey, let's do something progressive and let's have women aliens as well as men aliens because we rarely sell them in the classic series, but then not think about the roles they're giving them.

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And yes, Todd, absolutely, making all the women aggressors, including the, um, just the soldiers wearing the masks, there's no male shapes.

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There's no, there's no men's soldiers.

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So the 2 male solurians we meet, you know, the scientist and the wise elder who's like, well, if you kill those humans, you're going to have to kill me and 0 god, I'm very depressed.

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But yeah, it does then create that unfortunate situation, especially when you have Ambrose as well.

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It's sort of men reliable women unreliable.

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And I think it's unintentional, but it comes from a place of not thinking about it enough.

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Yeah, no, I agree with you.

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I don't think it was their intentions to do that.

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But by the choices they've made, they've gone down a certain path and that's the that's the outcome at the end of the day.

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I mean, the whole Ambrose pot I just find so painful and annoying throughout the whole thing and I just couldn't care less for her.

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I even don't think the, I don't even feel that a layer's death is even earned.

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Like I just don't think there's enough.

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I't know, I just wanted to build it up more to that point even.

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It's just there because we need it to be there.

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Yeah.

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Yeah.

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And it's not, I think I want, just to add the sort of little bit of complexity to the women are irrational and can't handle emotion thing.

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It specifically about family.

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It's that these females, uh, Ambrose and rest tack can't handle that their family members are in danger.

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And it's so it's very much this idea of the sort of mother, mother bear, you know, protecting the cuff.

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It's so trite and predictable.

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It's Kipling, the female of the species more deadly than male.

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So, um, I think you're right.

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I think they were trying to sort of do something progressive and it's not sort of painting them into a very tropic sort of corner, but it is, it's still, it's still problematic and, um, Yeah, I generally kind of wish the entire Ambrose thing had been cut almost.

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I find her presence and her role throughout this entire 2nd episode to be so awful.

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She's so horrendous as a human being.

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Uh, I could, especially compared with everyone else that she's around.

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It's bad.

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It's also, you know, the fact that she doesn't learn her lesson.

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Like she kills someone and like Tony has that sort of, you know, my little girl, what have you done?

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And she sort of faced with the consequences of it.

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She knows that she's going to have to take the dead body down and kind of confront the Silurians.

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No one else is prepared to sort of whitewash it or lie on her behalf.

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But she doesn't learn a lesson.

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And she then goes to set the drill up to actually like kind of kill everyone.

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Better and better.

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It's crazy.

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Elliot's going to be in therapy for years and they're not going to like her much when he gets old.

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No.

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But the thing the thing is, I do think then when when Elliot finds out what she's done and walks away from her, and it is an underplayed moment, you know, I think in the hands of a less capable director, that would have been the moment where Ambrose snaps and tries to grab one of the Solurians gun and then she shot.

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And not to insult anyone, but I think if the story had been made in the 80s, that probably would have happened and it would have been the episode 3 cliffhanger, so you don't have to pay her for episode four.

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But I, but the thing is, I also think that that moment with her and the doctor standing in the church doorway at the end and the thing is, her, her punishment is not a big speech for the doctor.

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The doctor does say to her, you've ruined this.

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You know, it's your actions that have ruined this, but at the end, her punishment is actually just the doctor saying to her very quietly, well, your son's going to have to be better than you because you screwed it up.

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There's no coming back from the fact that you're a murderer.

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It's kind of like, Killing her character as as a punishment for that.

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And I know no one's suggesting that, but I feel like your 2 options are, she survives, or you kill her.

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And if you kill her character.

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You know, the doctor says an eye for an eye with the implication that that's a terrible idea.

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So instead, her punishment is that she has to live with what she's done.

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But there is that glimmer of hope that that is going to make her pass on the lesson that it's not worth it.

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Do you know, I hate that scene.

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And the reason that I hate that scene. is that the doctor lets her off so lightly.

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And the 2 of them smile at one another as the scene ants.

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The doctor isn't menacing.

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He's not even, he's trying to be nice thing that he was doing last episode.

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He absolutely just kind of lets her get away with it.

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Oh, it's understandable.

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We've all had maternal instincts that have led us to murder someone from time to time.

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And that's, you know, that's regrettable.

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But I just think she's, you know, kind of let off far, far too lightly.

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Especially considering as, as, as you were saying that she, she murders one and it's like she gets a taste for it, so she escalates straight to genocide.

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She sets the drill to destroy their entire civilisation.

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And and the doctor does nothing.

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She does not repent during the story.

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We see her feel a little bad, I suppose, but she does not have a moral enlightening, for all we know, she's going to continue in this same path, because all the rewards she has received have been positive.

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She has not been punished.

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She has been, all the reinforcement has been, you got your son back, you got Mo back, the alien lizard people went back to sleep.

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You didn't have to sacrifice anything.

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Woohoo.

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Kill more people.

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Maybe you'll get more cool stuff.

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It was, I find it...

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Yeah, except your father.

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But he was old anyway.

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And I find that moment and her resolution really troubling from a moral perspective.

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And it, but I think that's something that's consistent with uh, chibnal stories.

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He is willing to have the doctor, quote unquote, punish aliens or have aliens have repercussions, but when humans have actual moral failings, he seems very inclined to just sort of say, well, what you going to do?

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Humans are flawed creatures and try not to be quite so flawed.

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And it's more than that, isn't it?

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Because it's her attitude, her attitude and rest tax attitude.

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It's the most belligerent and unreasonable people who are accommodated in the final decision.

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And so we have a situation here where 2 groups of people have equal claim to the land.

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They're trying to work out.

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There's this speech.

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The doctor gives this speech where he tells Eldane and Nazarene and Amy to be bold and be imaginative and think about the future, and Murray puts the 11th doctor, sort of hero music over that.

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It's a great moment.

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And what happens, we better not do anything for a 1000 years because it will upset all of the racists in this story.

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And it's just that tedious centrism of chibnal that just infuriates me, just makes me infuriated.

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And and like maybe Doctor Who doesn't want to do.

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You mentioned this last week, Eric.

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Maybe Doctor Who doesn't want to have a world where there are Silurians living in you know, deserts or whatever, uh, in settlements in the future.

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But then you're just setting the story up to be a failure where nothing happens and nothing happens in a much, much less interesting way. than the way in which nothing happened in 1970.

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Yeah, I do think, I do think, uh, since we had a discussion, uh, uh, on last week's episode, I did think about the fact that Moffat would revisit this idea of integrating an alien race into human society with Zigons and actually do something with it, do something, both actually have it happen, have them negotiate a peace treaty, and then follow up and see how that's doing a few years later.

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Um, in a way that here, yeah, it's exactly this sort of, well, in a 1000 years from now, we're, we're all going to be better.

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Sure.

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Okay, if you say so.

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It's like going 0 carbon by 2050.

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You know, it won't cost us anything because we'll be dead.

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The thing is, I find with that, it's kind of a quiet indictment of humanity, because as much as we've got that voiceover at the beginning hinting at what is going to happen or not happen in this episode, Nazarene at the very beginning of negotiation says, we can't even feed everyone who's on the planet.

188
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And it's like, well, actually, mathematically, you can, but also mathematically capitalism.

189
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Um, So, you know, it's kind of set up from the beginning that the failure of this is going to be down to selfishness.

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Um, and also, you know, the the other thing is, you know, I agree that accommodating the violent threat is wrong, but also you're accommodating a violent threat, who do have heat rays that can just totally kill you in a 2nd.

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And so The thing is, then the doctor takes the reins back, which I think is kind of weird.

192
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I think you could have had Nazarene stay in charge with that and Nasrene and Eldane go, neither of our species are ready.

193
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And the thing is, Eldane is just representing one city.

194
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Nazreen is just representing one community.

195
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So it's flawed anyway, but at least that way it's the representatives of the 2 species talking about it.

196
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The other problem I have with that negotiation scene is Amy's proposed solution.

197
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Taking land off indigenous people and giving it to Silurian.

198
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Yeah pretty much.

199
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It's like, even in 2010, it's like, they can use the Australian outback and I just went, ooh, and I was living in London and my housemate's like, what?

200
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What?

201
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am I?

202
00:18:18.539 --> 00:18:22.140
and, um, Do you know that people live in the Australian app?

203
00:18:22.200 --> 00:18:23.099
No.

204
00:18:23.160 --> 00:18:24.779
I'm like, well, they do.

205
00:18:24.839 --> 00:18:34.799
And then this time when I watch it, I think because I was so shocked with that, it never occurred to me that they also mentioned the Sahara Desert, which has like 2000000 people in it who are nomadic tribes.

206
00:18:34.920 --> 00:18:38.160
Yes, I think some people might own Nirvada as well.

207
00:18:38.220 --> 00:18:44.519
Like, uh, it's, uh, you know, it, it is a child's storybook solution.

208
00:18:44.759 --> 00:18:51.299
And if Amy had suggested that, but then Nasreen turned around and said, you do know there's people living there.

209
00:18:51.299 --> 00:18:57.000
And Eldane could say, well, we can negotiate directly with them, but this is an idea and a start.

210
00:18:57.059 --> 00:18:59.819
That's something, but it's just lazy.

211
00:18:59.880 --> 00:19:10.859
Oh, but, but the thing is, right, that the, the Silurians are all about questions of colonialism and settler societies and and, and all of that.

212
00:19:10.920 --> 00:19:14.039
Who has who has a proper sort of claim to the land?

213
00:19:14.099 --> 00:19:17.279
And what does the doctor tell the Silurians?

214
00:19:17.339 --> 00:19:21.660
You don't have a claim now because these people have come along later?

215
00:19:21.720 --> 00:19:24.779
Things have changed and these people are here now.

216
00:19:24.839 --> 00:19:32.579
And then that, the sort of tone deaf failure, to even take indigenous peoples into account in the solution?

217
00:19:32.700 --> 00:19:34.140
I just think it's bad.

218
00:19:34.680 --> 00:19:44.220
I think it's, I think it's, I, you know, I think I said last week that the sort of, uh, the 1970s salarian story ends up sort of raising a problem.

219
00:19:44.279 --> 00:19:46.799
It is in not any way capable of addressing.

220
00:19:46.859 --> 00:19:48.539
And the same thing happens here.

221
00:19:48.599 --> 00:20:03.119
It's like the Silurians are, would be, were they to be real, would be a massive, huge earth shattering sort of problem to try to confront that would bring out probably both the best and worst of both kinds of species.

222
00:20:03.180 --> 00:20:11.700
And they're trying to do something with 3 people around a table, negotiating on behalf of 2 completely separate, you know, species.

223
00:20:11.759 --> 00:20:14.339
It's like, this is not how this would happen.

224
00:20:14.400 --> 00:20:38.279
It's never going to work this way, and you're going to get a very limited basic sort of simplistic view of what this would actually look like to do it this way, which means that things like considering indigenous peoples, the fact that there is not a spokesman for the human race, there are 150, whatever it is, nations on earth, plus all the sort of indigenous tribes that are semi-autonomous, or fully autonomous.

225
00:20:38.400 --> 00:20:38.940
Like, this is not.

226
00:20:39.059 --> 00:20:48.299
This is not how any of this works, and it's tremendously frustrating, especially because you know it's not going to result in the end.

227
00:20:48.359 --> 00:20:53.039
You know, you know the entire time as a viewer that Aleia is dead.

228
00:20:53.400 --> 00:20:56.519
It's like, well, Okay.

229
00:20:56.579 --> 00:20:58.079
This is all pointless.

230
00:20:58.200 --> 00:20:59.519
Why are we watching this again?

231
00:20:59.640 --> 00:21:01.079
Exactly.

232
00:21:01.140 --> 00:21:04.200
I just I just don't buy the whole negotiation thing right from the start.

233
00:21:04.259 --> 00:21:16.619
Now, for all the reasons that you have pointed out, which I didn't necessarily think about at the time, but just having like these 2 women and a solurian in the room that can just really just resolve all of this?

234
00:21:16.680 --> 00:21:18.420
Like, I mean, I just don't buy it.

235
00:21:18.480 --> 00:21:19.500
I just don't buy it.

236
00:21:19.680 --> 00:21:24.599
You know, I get the impression that whatever they come up with, it's not legally binding.

237
00:21:24.660 --> 00:21:28.380
It's like, okay, you know, we'll we'll take this to God.

238
00:21:28.440 --> 00:21:31.500
Oh, God, it's 20, it's 2020.

239
00:21:31.680 --> 00:21:33.299
We'll take this to Boris Johnson.

240
00:21:34.380 --> 00:21:36.539
And Donald Trump.

241
00:21:36.599 --> 00:21:38.519
Oh my god.

242
00:21:38.640 --> 00:21:40.500
And hold on.

243
00:21:40.559 --> 00:21:42.720
Yes, no, it was Scott Morrison in 2020.

244
00:21:42.839 --> 00:21:44.460
It gets hard to keep track of over here.

245
00:21:44.519 --> 00:21:49.920
Um, The thing is, the, the whole thing with, you know, we know Alaya's dead.

246
00:21:49.980 --> 00:21:50.940
I think I mentioned this last week.

247
00:21:51.000 --> 00:22:06.539
I actually quite, I think the dramatic irony of that, that we as the viewer know something that the doctor doesn't, is very well played, and we do have that awful moment you alluded to last week, Nathan, where someone comes in and shouts, stop, so no one gets executed.

248
00:22:06.599 --> 00:22:10.019
But I think Matt Smith on the screen afterwards is hilarious.

249
00:22:10.079 --> 00:22:11.579
Todd is waving frantically.

250
00:22:11.640 --> 00:22:12.779
Yes, yes.

251
00:22:12.839 --> 00:22:16.799
Like, Eldane walks in and says, stop Amy's execution.

252
00:22:16.859 --> 00:22:17.880
We've never seen him before.

253
00:22:17.940 --> 00:22:24.059
It's just this miracle to get out the device of the pot because we've woken him up because we need it.

254
00:22:24.119 --> 00:22:26.519
Yeah, no, absolute say word era sort of stuff.

255
00:22:26.579 --> 00:22:28.200
I'm hating this more.

256
00:22:28.259 --> 00:22:29.579
My marks are going down.

257
00:22:29.640 --> 00:22:40.920
But, you know, when even when Restac calls them up on what was meant to be a broken down all in one iMac, like from when they relaunch, that was was what was suggested in the script.

258
00:22:40.980 --> 00:22:48.180
Um, when Restat calls them, they all, before they go, go on the call, they're like, we don't tell her what's happened.

259
00:22:48.240 --> 00:22:54.119
We don't, and then the doctor comes on and says, and bring a layer with you, and everyone's just like, Oh, dear.

260
00:23:03.180 --> 00:23:09.000
I think I can possibly get behind it just because I, um, I feel all the actors in this are very good.

261
00:23:09.059 --> 00:23:14.880
And I think even Ambrose, whom, you know, you don't like for what she's done.

262
00:23:15.000 --> 00:23:18.660
The actress does a great job of performing a role you don't like.

263
00:23:18.720 --> 00:23:19.559
Yeah sure.

264
00:23:19.619 --> 00:23:34.920
And something I'm finding as I go through this season is I am liking Amy a lot more than I did in 2010 and then I think in 2014, 2015 is when I did the great journey of life and watched everything through and I really didn't like Amy.

265
00:23:34.980 --> 00:23:36.779
I like Karen Gill and in other things.

266
00:23:36.960 --> 00:23:41.579
Um, That's how I know she's a good actress because I like her and I don't like the character.

267
00:23:41.640 --> 00:23:44.700
But I'm actually really liking her here.

268
00:23:44.759 --> 00:23:48.960
What I didn't like was I felt there was a lack of vulnerability.

269
00:23:49.019 --> 00:23:55.859
But we get that here because yeah, she's she's about to be vivisected and whatnot, but she does not stop talking.

270
00:23:55.859 --> 00:24:05.400
And she's doing the sort of Wendy Padring Katie Manning thing of being brave and scared at the same time. you know, which is which is essential.

271
00:24:05.460 --> 00:24:13.500
And the other thing I kind of like is when she and Mo find Elliot and Mo says, we're going to go get some weapons.

272
00:24:13.619 --> 00:24:19.740
It's kind of like, you know, if that was Donna or Rose or Martha, they would go, oh, no, no weapons, we don't do weapons.

273
00:24:19.799 --> 00:24:21.119
The doctor says we don't do weapons.

274
00:24:21.180 --> 00:24:24.059
Whereas Amy is more like, um, yeah, okay.

275
00:24:24.119 --> 00:24:31.140
I think she visibly kind of just in her facial expression expresses reservations about that.

276
00:24:31.200 --> 00:24:37.019
Yes, but it looks like she just doesn't want to kind of contradict him, which kind of fair enough.

277
00:24:37.019 --> 00:24:37.920
It's his kid.

278
00:24:37.980 --> 00:24:40.619
Yeah, and she does then take one.

279
00:24:40.680 --> 00:24:45.240
But when she's given the chance to fire it, the whole character point is that she's not going to shoot someone in the face.

280
00:24:45.900 --> 00:24:59.400
It's interesting that you've brought up Amy and Karen because I've mentioned it a number of times already that I did not like her performances, Amy, and I did not like Amy throughout this entire season.

281
00:24:59.460 --> 00:25:02.579
And I'm really liking her performance so much more.

282
00:25:02.640 --> 00:25:10.259
And and I'm liking Amy a lot more, um, except in Vampires of Venice, where I think there's a lot of disservice to that character.

283
00:25:10.319 --> 00:25:13.619
But I've mentioned that already a few weeks ago.

284
00:25:13.680 --> 00:25:19.619
But yeah, here again, I actually am liking Karen and what she's actually bringing to the role.

285
00:25:19.680 --> 00:25:21.359
I think she's good.

286
00:25:21.420 --> 00:25:24.480
I'm a big fan and kind of always have been.

287
00:25:24.539 --> 00:25:26.339
I love this TARDIS team.

288
00:25:26.400 --> 00:25:35.099
I've said it before this year that the 3 of them, 3 sort of reasonably attractive young people who all have really sort of good chemistry and like one another.

289
00:25:35.220 --> 00:25:36.299
Lovely hair.

290
00:25:36.359 --> 00:25:37.200
Lovely hair.

291
00:25:37.259 --> 00:25:41.220
It's a version of the Tartis crew that I actually really like a great deal.

292
00:25:41.279 --> 00:25:43.740
And I think Arthur does a really good job.

293
00:25:43.799 --> 00:25:52.980
I mean, although he's not as prominent as last week, even in all those sequences up on the surface, having to deal with the ramifications, I think he's actually really, really good in all of those.

294
00:25:53.039 --> 00:26:07.500
Yeah, I actually quite like this grouping as well, and I think they all, yeah, as we said, Rory gets more to do in Hungary or certainly, but he's still, he's still around and sort of trying, it's interesting.

295
00:26:07.559 --> 00:26:12.720
Both Rory and Amy are sort of trying and failing to be the doctor in some way.

296
00:26:12.779 --> 00:26:28.019
Like Rory is trying to sort of keep people from shooting each other and murdering the innocent, not the innocent, murdering the captured combatant, and Amy is trying and failing to keep people from resorting to guns when they're running around an alien base.

297
00:26:28.079 --> 00:26:58.559
Um, it is interesting to see that both of them, while they kind of think they can handle things maybe a little bit more than they actually can, the story makes it very clear that actually, That they are also flawed, um, and, you know, Mo saying they have my son is enough for Amy to brush aside her concerns about weapons and Rory clearly also has enough understanding of where Ambrose is coming from, but he he does not do anything to punish her.

298
00:26:58.619 --> 00:27:04.559
Like, he does not like, okay, you get tied up and changed now and we hand you over to the Salurians as an exchange.

299
00:27:04.619 --> 00:27:07.799
Like, which is something that I would have proposed.

300
00:27:07.859 --> 00:27:10.740
I'd have been like, okay, you, she murdered your one of you.

301
00:27:10.799 --> 00:27:11.339
You take her now.

302
00:27:11.400 --> 00:27:12.000
She's yours.

303
00:27:12.059 --> 00:27:12.299
Here.

304
00:27:15.359 --> 00:27:30.420
See, something I said months ago on the beast below is I don't like the doctor in the moment where he screams at Amy for not telling him about the star whale and blah, blah, and I thought like that was a bad choice.

305
00:27:30.480 --> 00:27:37.920
So here, when people fail him, he makes it clear that he's not happy with them, but he also makes it clear that.

306
00:27:38.099 --> 00:27:47.279
They're human and well, he may not approve of what they do, especially with, say, Ambrose, um, that, He.

307
00:27:47.519 --> 00:27:52.380
He understands why what happened happened kind of thing.

308
00:27:52.500 --> 00:28:07.500
And I also think that feeds into the inevitability of this story, because again, there were scenes cut from this episode, and one scene, and you may have seen a picture of this floating around.

309
00:28:07.559 --> 00:28:08.940
It has been floating around for a few years.

310
00:28:09.000 --> 00:28:16.799
I think it was even released officially by the BBC's publicity before they realised they'd cut this scene out, where Rory brings a layer, a tray of food.

311
00:28:16.799 --> 00:28:17.880
Oh, okay.

312
00:28:17.940 --> 00:28:22.859
And it's like a bowl of cereal and a banana and juice and milk and Ape food.

313
00:28:22.920 --> 00:28:23.940
Ape food, yeah.

314
00:28:24.000 --> 00:28:26.220
And she's like, she's basically, I don't want egg food.

315
00:28:26.279 --> 00:28:27.059
Why would I want to eat food?

316
00:28:27.180 --> 00:28:28.980
And they have a discussion about faith.

317
00:28:29.039 --> 00:28:30.119
Wow.

318
00:28:30.180 --> 00:28:37.019
And she's basically, oh, like, yeah, kind of like the vest perform, you primitive apes with your tribal sky gods.

319
00:28:37.079 --> 00:28:37.859
We been observing you.

320
00:28:37.920 --> 00:28:40.440
We've been looking at your communications and we see that.

321
00:28:40.559 --> 00:28:44.640
And but Rory, Rory doesn't directly say that he has faith.

322
00:28:44.700 --> 00:28:54.660
He actually talks about his dad, but he's like, this is why humans have faith and he tries to get to know her and understand her and even says to her, the skin on your face is so different.

323
00:28:54.720 --> 00:28:56.039
May I touch your face?

324
00:28:56.099 --> 00:28:57.299
Ooh, creepy.

325
00:28:57.359 --> 00:28:58.319
Which is creepy.

326
00:28:58.319 --> 00:28:59.700
And she says, why?

327
00:28:59.759 --> 00:29:01.980
And he says, I'm a nurse if anything goes wrong.

328
00:29:02.039 --> 00:29:05.519
And that's why he knows how to feel for a pulse later.

329
00:29:05.579 --> 00:29:07.500
But, you know, that's a that's an instinctual thing.

330
00:29:07.559 --> 00:29:10.680
Um, but again, that's also slightly insensitive from Jubile.

331
00:29:10.740 --> 00:29:15.299
If you're chained up, can I touch your face kind of thing, which could be another reason it was cut.

332
00:29:15.359 --> 00:29:30.299
But as such, there's a lot in this that is building up to, and I know we'll come back to this later, but it is building up to Rory's death because there's a few conversations he has where he's like, I won't allow that to happen.

333
00:29:30.299 --> 00:29:34.619
And it's like, okay, the implication to this is over my dead body.

334
00:29:34.680 --> 00:29:36.180
Oh dear, you're gonna die.

335
00:29:36.240 --> 00:29:55.319
And when Arthur Darville got the script for this, Because the way the production blocks worked is he's in one episode of the next block of two, then it's the Pandora opens Big Bang and then he's in another episode at the end, he hadn't had the script for the finale yet, he said, he said in an interview, I know I'm filming more.

336
00:29:55.380 --> 00:30:02.160
At the time of getting this script, I don't know if this death is permanent.

337
00:30:02.220 --> 00:30:07.380
So at the time he recorded this, he didn't know about the Pandora Opens and Big Bang Twist.

338
00:30:07.440 --> 00:30:07.980
Right.

339
00:30:08.039 --> 00:30:15.119
So, and I think that is the most sensible idea because it informs the actor's performance.

340
00:30:15.240 --> 00:30:18.839
If they if they know that this is a temporary death and they're coming back.

341
00:30:19.259 --> 00:30:22.079
They're not going to play it like a real death.

342
00:30:22.140 --> 00:30:30.059
And the thing is, this had impact back then, people believed it for a few weeks that he was really dead.

343
00:30:30.119 --> 00:30:31.079
Did they?

344
00:30:31.259 --> 00:30:33.359
In in the UK they did.

345
00:30:33.480 --> 00:30:35.160
As I recall.

346
00:30:35.220 --> 00:30:36.359
I did.

347
00:30:36.420 --> 00:30:37.319
I believed it.

348
00:30:37.380 --> 00:30:38.700
Did you?

349
00:30:38.759 --> 00:30:39.420
I didn't.

350
00:30:39.480 --> 00:30:40.440
I thought no, he's coming back.

351
00:30:40.500 --> 00:30:41.940
Well, because he died last week.

352
00:30:42.000 --> 00:30:43.740
Yes, death number two.

353
00:30:43.799 --> 00:30:47.880
I just kind of went, you know, okay, he's died and then we're keeping the engagement ring.

354
00:30:47.940 --> 00:30:48.960
Why would that still be there?

355
00:30:49.019 --> 00:30:50.579
And I just went, no, there's something here.

356
00:30:51.119 --> 00:31:09.059
I am someone who doesn't think that Rory dies too often and that actually likes this idea, even though I'm not sold on the execution of the actual death.

357
00:31:09.119 --> 00:31:14.460
So, So it's a Meglos episode 4 death, isn't it?

358
00:31:14.519 --> 00:31:19.920
It's Jacqueline Hill gets killed by a random person who we thought was dead.

359
00:31:19.980 --> 00:31:26.519
She leaps in front of the doctor for some reason and then gets shot and we do that exactly again.

360
00:31:26.579 --> 00:31:28.619
Nothing really has been leading up to it.

361
00:31:28.680 --> 00:31:31.140
We didn't need to see Rastak again.

362
00:31:31.200 --> 00:31:33.779
She could have just sort of died or whatever.

363
00:31:33.900 --> 00:31:42.180
But instead, we have her turn up just for the express purpose of killing Rory for the purpose of this scene.

364
00:31:42.480 --> 00:31:44.220
And the crack.

365
00:31:44.220 --> 00:31:46.680
Yeah, and then the sort of crack comes along.

366
00:31:46.740 --> 00:31:48.720
But I mean, what's happening here?

367
00:31:48.779 --> 00:32:11.579
We've talked about this season's arc, which is Amy runs off with her childhood friend the night before her wedding, the whole thing is about childhood and adulthood, and we're going to get to the point where she accepts adulthood goes through with the wedding and then decides actually that's not good enough and I'm going to have childhood as well.

368
00:32:11.640 --> 00:32:12.900
And that happens in the finale.

369
00:32:12.960 --> 00:32:25.259
Here, I think, we're at the point where the doctor has tried to course correct in vampires of Venice and sort of Amy's choice and things look like they're going well.

370
00:32:25.319 --> 00:32:29.039
And then Rory is killed and she can't even remember him.

371
00:32:29.099 --> 00:32:32.460
She's so completely rejected her adulthood.

372
00:32:32.519 --> 00:32:35.039
He's no longer someone that she even remembers.

373
00:32:35.099 --> 00:32:43.980
And so in a way, this is the point where the season kind of where her escape from her wedding goes horribly wrong and gets out of control.

374
00:32:45.119 --> 00:32:48.059
She's really, really good in these scenes, Karen.

375
00:32:48.180 --> 00:32:49.319
Do you?

376
00:32:49.380 --> 00:32:50.579
I think they're a bit overwrought.

377
00:32:50.880 --> 00:32:54.779
I think this is a time to go over overwrought though.

378
00:32:54.839 --> 00:33:06.000
And especially because she has been someone who is so cagey about her level of emotion for Rory, like her reaction last week to seeing themselves on the other heelers.

379
00:33:06.059 --> 00:33:07.619
It's 10 years and we're still together.

380
00:33:07.680 --> 00:33:11.759
Yeah, well, I think her last sort of proper words to him are wrong way idiot.

381
00:33:11.880 --> 00:33:12.839
Yeah, yeah.

382
00:33:12.900 --> 00:33:15.059
So I think it's actually fully appropriate.

383
00:33:15.119 --> 00:33:22.980
Yeah, because it's alluded to several times this season that the doctor leaving her as a child really messed her up.

384
00:33:23.039 --> 00:33:28.799
And so she puts on a very fierce exterior, but actually she's quite hurt.

385
00:33:28.799 --> 00:33:35.099
And yeah, and getting through and getting through her life and not letting that stop her.

386
00:33:35.160 --> 00:33:39.960
But this moment opens up the floodgates of that trauma.

387
00:33:40.019 --> 00:33:44.880
And I think once we see sort of real, the real depth of despair from a companion.

388
00:33:45.299 --> 00:33:46.680
Yeah.

389
00:33:46.740 --> 00:33:54.779
No, I actually, I'm inclined to think that maybe it is a bit big, but I'm fine with big because it's a big emotional moment.

390
00:33:54.839 --> 00:34:08.099
I find myself actually rather affected, even though I know how the rest of the season goes and and everything because partly because I thought Darvel's performance as dying Rory was actually tremendously effective.

391
00:34:08.159 --> 00:34:18.300
Uh, and because Matt Smith was really playing the genuine idea that Matt, I believed that Matt Smith didn't know how the season was going to turn out.

392
00:34:18.360 --> 00:34:26.519
And so the doctor really seemed to be believing, I need to keep Rory alive in Amy's memory because otherwise I don't know how I'm going to bring him back.

393
00:34:26.579 --> 00:34:32.219
Uh, and so, yeah, I quite, I quite found that whole thing uh, quite emotionally.

394
00:34:32.460 --> 00:34:46.380
Touching, I would have preferred it without the uh, portentous voiceover from Eldane about all the doctor's losses and all the doctor's losses yet to come, which is just ripping off what they say to Donna at the end of season four.

395
00:34:46.440 --> 00:34:49.800
Um, it's how does he know?

396
00:34:49.860 --> 00:34:51.539
How did they know any of this?

397
00:34:51.659 --> 00:34:53.460
Yeah, yeah.

398
00:34:53.519 --> 00:34:55.800
Well, he's the narrator at that point, I think, probably.

399
00:34:55.860 --> 00:35:03.659
But Matt's urgency about making sure that Amy remembers Rory is right.

400
00:35:03.780 --> 00:35:05.940
Rory comes back because Amy remembers him.

401
00:35:21.119 --> 00:35:24.239
There is quite a few things going on here at the end.

402
00:35:24.300 --> 00:35:29.460
We get that really pathetic stock explosion of the...

403
00:35:29.460 --> 00:35:30.119
Big mining thing?

404
00:35:30.179 --> 00:35:31.199
Oh, I think it's terrible.

405
00:35:31.260 --> 00:35:32.099
I love it.

406
00:35:32.159 --> 00:35:34.079
Yeah, that looks a bit Sarah Jane Adventures.

407
00:35:34.139 --> 00:35:35.940
No, I agree with not an insult.

408
00:35:36.000 --> 00:35:37.380
It is sometimes.

409
00:35:37.440 --> 00:35:45.900
You said last week how good the actual plant looked, but I think the explosion this week looks as cheap as tacky as anything, right?

410
00:35:45.960 --> 00:35:50.579
And of course, then we get the wonderful moment where Amy gets to say hello to herself up on the heel.

411
00:35:50.639 --> 00:35:51.179
Yeah, great.

412
00:35:51.239 --> 00:35:52.920
I care back to 0 from me.

413
00:35:52.980 --> 00:35:58.559
And of course, then the doctor's got a piece of the TARDIS to reveal so we can all go ooh ah, which actually I really like.

414
00:35:58.619 --> 00:35:59.940
I think that's amazing.

415
00:36:00.000 --> 00:36:00.960
Yeah, yeah, yeah.

416
00:36:01.019 --> 00:36:10.320
That was a huge thing in in 2010 in in the year 2010 AD. No, it was.

417
00:36:10.380 --> 00:36:14.880
That moment is you are literally there going, 0 my goodness, what is really going on with this crack?

418
00:36:14.940 --> 00:36:17.340
Like I really, I was blown away by that.

419
00:36:17.400 --> 00:36:20.940
It doesn't save the episode, which has gone down 2 points, I'd like to tell.

420
00:36:21.000 --> 00:36:22.920
So we're down to a 4 out of 10.

421
00:36:23.159 --> 00:36:33.420
Can I just say, I would love later this year for, um, Tardis lands on a street?

422
00:36:33.480 --> 00:36:36.599
Dr. Yaz, step out.

423
00:36:36.719 --> 00:36:38.940
Doctor, why there, lizard men?

424
00:36:39.000 --> 00:36:40.559
Oh, it's 3020.

425
00:36:40.739 --> 00:36:42.239
It worked.

426
00:36:42.360 --> 00:36:42.960
Nice.

427
00:36:43.019 --> 00:36:46.860
Unfortunately, though, Stephen Moore passed away 2 years ago.

428
00:36:46.920 --> 00:36:49.500
So we won't, we won't be seeing Eldane's outlet.

429
00:36:49.559 --> 00:36:51.900
But we could have, um, we could have Nasrene back.

430
00:36:51.960 --> 00:36:53.099
We could have Miraciel.

431
00:36:53.159 --> 00:36:54.420
That'd be awesome.

432
00:36:54.960 --> 00:37:04.739
And to top it all off, this was the result of several years of Miraciel getting her agent to contact the Doctor Who production office and saying, let me in.

433
00:37:05.519 --> 00:37:11.460
And it looks like part of part of what got her in was she she was in Jekyll.

434
00:37:11.519 --> 00:37:12.539
Ah.

435
00:37:12.539 --> 00:37:15.000
She was in Stephen Moffatt's Jekyll.

436
00:37:15.119 --> 00:37:22.980
So, um, and with the greatest of respect to Olivia Common, I'm so glad that she got a meteor role than Olivia Coleman did.

437
00:37:23.039 --> 00:37:25.800
Although Olivia played that role perfectly well.

438
00:37:25.860 --> 00:37:38.460
I'm so glad to have Mira Ciel all throughout this, and it's, and again, the bit where she decides to stay with Tony and going to hibernation, that could have been sickly sweet and overwrought, yes, Todd?

439
00:37:38.519 --> 00:37:43.260
Yes, completely twee, but she's great in this episode despite everything else going on around her.

440
00:37:43.260 --> 00:37:53.579
And that sells that moment and I really, I think it's a beautiful ending for her and Tony, I guess, in a way, like the best that we can make out of this entire Chris Chibnall script.

441
00:37:53.639 --> 00:37:58.679
Yeah, it's all a bit kind of let's tidy them away at the end and stuff.

442
00:37:58.739 --> 00:38:06.239
I mean, that whole resolution is so sort of horribly disappointing, you know, and we get another countdown.

443
00:38:06.300 --> 00:38:17.940
You know, like it's 12 minutes until the drill hits us in 10 minutes until the poison gas goes through the city and like it is all just incredibly rose, I think.

444
00:38:18.000 --> 00:38:19.260
Yeah.

445
00:38:19.320 --> 00:38:21.059
No, I completely agree with that.

446
00:38:21.119 --> 00:38:39.900
I find it, um, it's a, it's a sort of climax that needs to either put all the toys back in the box or find new boxes for the toys, uh, without creating any actual significant change, the status quo, because I said Lurians are too big of a problem in some way for Doctor Who to actually effectively and properly handle.

447
00:38:39.960 --> 00:38:53.099
And so, Gymnal just does, okay, everything goes back to normal and again, as we said, a 1000 years later, it'll humanity will be fine and these, uh, these lizard people will all be fine and everything will be great.

448
00:38:53.400 --> 00:38:59.039
On that, Eric, um, with, you know, the the whole thing of they're going to wake up in the future.

449
00:38:59.099 --> 00:39:02.519
Um, and you know, we've put all the toys back in the box.

450
00:39:02.579 --> 00:39:27.360
That whole voiceover kind of reminds me of the final Planet of the Apes film in the original 1970s run of the films called Battle for the Planet of the Apes, which ends with A few 100 years in the future, um, ape children and human children learning the history of how the humans and the apes made peace alongside each other a 1000 years ago.

451
00:39:27.420 --> 00:39:42.179
And it's a really mawkish ending because the children aren't very good, and then the camera pans across to a statue of Roddy McDowell's ape, and a tear comes out of the statue because all of the cycle could begin again.

452
00:39:42.900 --> 00:39:49.320
The thing is, when I 1st saw this episode, I hadn't seen that movie and now I have, I think it's a direct crib from that.

453
00:39:49.380 --> 00:39:59.460
And that final Planet of the Apes movie actually is pretty good until you get to that moment and the screenwriters tried to get their name taken off it because they didn't write that.

454
00:40:01.800 --> 00:40:11.579
I just, you know, like I think had we seen it, had anything other than just voiceover saying that it was all going to be okay.

455
00:40:11.639 --> 00:40:19.500
You know, that might have helped, perhaps, but it's very unambitious in that it doesn't desire to really go anywhere.

456
00:40:19.559 --> 00:40:21.059
And I think that's the problem.

457
00:40:21.119 --> 00:40:21.780
Yeah.

458
00:40:22.139 --> 00:40:27.719
So do we think that Silurians can't be done anymore?

459
00:40:27.780 --> 00:40:28.380
Is that it?

460
00:40:28.440 --> 00:40:31.019
Can we never have another Silurian story?

461
00:40:31.079 --> 00:40:32.340
I don't know.

462
00:40:32.400 --> 00:40:44.340
I kind of think of them and the Santarans, like the Ferengi of Star Trek, where they tried to make them all menacing and everything, but they work much better when they're sort of out of character.

463
00:40:44.400 --> 00:40:51.900
Like, when it's Madame Bastra as a single detective solder in, that works really well, when it strikes in comedy mode, et cetera.

464
00:40:51.960 --> 00:40:54.960
That works really well, but as a collective, do they really work that well?

465
00:40:55.019 --> 00:40:55.500
I don't know.

466
00:40:55.559 --> 00:41:10.980
Maybe if they're just people, you know, maybe from now on, they appear and they're just people and we can't do the story again of how we work towards trying to find a way to share the planet and failing.

467
00:41:11.039 --> 00:41:14.820
Yeah, I think we don't need to jump a 1000 years ahead.

468
00:41:14.880 --> 00:41:21.480
We need to jump 1500 years ahead to where they've already been around for 500 years and the 2 societies are integrated.

469
00:41:21.539 --> 00:41:30.960
We just need the doctor to land on a spaceship that has humans and Silurians on it on the same crew, like, you know, Captain James T. Silurian.

470
00:41:31.019 --> 00:41:31.619
Yeah.

471
00:41:31.619 --> 00:41:38.699
And, you know, his his his human crew and Niamh McIntosh as another Silorian, as the communications officer.

472
00:41:38.760 --> 00:41:46.739
You know, we just, we just need to get to the point where, yep, in the future, humans and homoreptilia are sharing the planet and everything's fine.

473
00:41:47.820 --> 00:41:52.860
So I have one more Silurian theory, um, which is this.

474
00:41:52.920 --> 00:41:59.340
Every time the Silurians appear, they get given a scientifically impossible new name.

475
00:42:00.360 --> 00:42:04.139
So if they were homo reptilia, like that makes no sense.

476
00:42:04.199 --> 00:42:11.099
No one who knows anything about the way species are named would like it just absolutely makes no sense.

477
00:42:11.159 --> 00:42:13.260
They can't be in the same genus as us.

478
00:42:13.320 --> 00:42:15.000
So that's absurd.

479
00:42:15.119 --> 00:42:22.139
And we tried with Silurians initially because it sounded cool and then we tried with EO scenes because that sounded cool as well.

480
00:42:22.199 --> 00:42:32.940
Um, I can't work out when they live because there are apes and like, who the hell knows what's even going on, apes and and tyrannosauruses and all sorts of things.

481
00:42:33.000 --> 00:42:34.440
But no moon.

482
00:42:34.500 --> 00:42:35.519
No moon.

483
00:42:35.579 --> 00:42:36.059
That's it.

484
00:42:36.119 --> 00:42:37.019
No egg.

485
00:42:38.039 --> 00:42:40.500
Sorry, but I'm jumping ahead of ourselves.

486
00:42:55.019 --> 00:42:57.539
All right, so it's part two of a two part story.

487
00:42:57.599 --> 00:42:58.739
God help us.

488
00:42:58.800 --> 00:43:02.639
And so it's time for picks of the week.

489
00:43:03.179 --> 00:43:04.739
Todd.

490
00:43:04.800 --> 00:43:08.519
My peak of the week is called Warriors of the Deep.

491
00:43:08.579 --> 00:43:11.760
It's a classic Doctor Who story that involves the Silurians.

492
00:43:11.820 --> 00:43:12.780
I think you'll just love it.

493
00:43:12.960 --> 00:43:14.579
Brilliant.

494
00:43:14.639 --> 00:43:15.300
We will.

495
00:43:15.360 --> 00:43:16.320
We promise we will.

496
00:43:16.380 --> 00:43:18.659
Um, Eric, do you have a pick of the week?

497
00:43:18.719 --> 00:43:20.820
I do have a pick of the week.

498
00:43:20.880 --> 00:43:23.099
It is not Doctor Who related, unfortunately.

499
00:43:23.159 --> 00:43:29.820
Uh, it is a Broadway musical called Natasha Pierre and the great comet of 1812, uh, written by Dave Malloy.

500
00:43:29.880 --> 00:43:33.900
It was on Broadway a few years ago now, about 2016, 2017.

501
00:43:34.139 --> 00:43:41.219
Um, and it is, um, it's something that's, I've, I love, and it's been a favour for a while, but I've been revisiting it recently.

502
00:43:41.219 --> 00:43:45.300
And it's just one of the most astounding works of human imagination.

503
00:43:45.360 --> 00:44:00.300
Essentially, Dave Malloy took a chunk of War and Peace, and musicalized it and using a ton of different styles, everything from traditional Russian music to electronic dance, and it's wild and incredible, and more people should check it up.

504
00:44:00.360 --> 00:44:02.340
So Natasha Pier and the Great Comed of 1812.

505
00:44:03.179 --> 00:44:04.800
Marvellous.

506
00:44:04.860 --> 00:44:06.719
Best peak of the weekend, I think.

507
00:44:06.780 --> 00:44:07.139
Yeah.

508
00:44:07.139 --> 00:44:08.699
Brendan.

509
00:44:08.760 --> 00:44:10.500
Yeah, I have a pick of the week.

510
00:44:10.559 --> 00:44:12.059
It is a Spotify playlist.

511
00:44:12.360 --> 00:44:22.739
And this is by the official steps, Spotify account, and it's heartbreaking the city, steps anti-Valentine's playlist.

512
00:44:22.800 --> 00:44:29.699
So it's a bunch of sad step songs, but being steps, you know, there's also dance remixes of the sad songs.

513
00:44:29.760 --> 00:44:41.880
Um, and yeah, you can find it on Spotify. one hour and 11 minutes, and Nathan, I will send you the link to put up on the website, just because I've been listening to that on the bus this week, and it's awesome. brilliant.

514
00:44:41.940 --> 00:44:44.579
All right, so I have 2 picks of the week.

515
00:44:44.639 --> 00:44:56.880
One is a former student of mine and a friend of his have started a podcast thereabout, sort of 25, 26 episodes in at the time of recording, and they are releasing regularly.

516
00:44:56.940 --> 00:44:58.679
It's called Pilot Club.

517
00:44:58.739 --> 00:45:06.599
And each week they look at 3 TV pilots that are from this year from the current year.

518
00:45:06.659 --> 00:45:18.960
So there's so much TV out there and a pilot from the past, they've done the prisoner and um, they did the Mary Tyler Moore show and and all sorts of things like that.

519
00:45:19.019 --> 00:45:24.900
Billy and Drew are both very sensitive and insightful critics.

520
00:45:25.019 --> 00:45:29.400
The show is extremely clever and it's absolutely worth listening to.

521
00:45:29.460 --> 00:45:48.719
The 2nd podcast is called a hamster with a blunt penknife, which is hosted by friend of the podcast, Joe Ford, and he gets guests on and gets them to pick a story and the 2 of them record a commentary.

522
00:45:48.719 --> 00:45:54.780
And some of us have been or are soon to be on the podcast with him.

523
00:45:54.840 --> 00:45:57.780
So check that out in your podcatcher of choice.

524
00:46:28.320 --> 00:46:30.659
Well, no, sir, that's all.

525
00:46:30.780 --> 00:46:31.860
We have time for this week.

526
00:46:31.920 --> 00:46:38.639
We'll be back next week to see what Richard Curtis can do on a Doctor Who budget in Vincent and the Doctor.

527
00:46:40.019 --> 00:46:55.619
In the meantime, you can find us wherever you get your podcasts and you can keep up with us at flights or entirety on Facebook, at FDE podcast on Twitter, and on our website, flightthroughentirety.com, where you'll find links to our other podcasts, Bondfinger and Jody into terror.

528
00:46:55.800 --> 00:46:58.619
Eric, where can people find you online?

529
00:46:58.679 --> 00:47:02.760
Oh, people can find me on Twitter at SJC after night?

530
00:47:02.820 --> 00:47:18.659
That's S-J-C-A-U-S-T-E-N-I-T, and they can find me in the podcasting world on Doctor Who, the writer's room, where we look at Doctor Who from a writing perspective, and the real McCoy podcast, where we talk about the Dr. Ship of Sylvester McCoy.

531
00:47:18.719 --> 00:47:27.360
Until next time, may you find a way to cross off all the major things on your to-do list sometime before the year 3020?

532
00:47:27.420 --> 00:47:30.360
Thank you very much for listening and good night.

533
00:47:30.420 --> 00:47:31.380
See you soon.

534
00:47:31.440 --> 00:47:32.099
Good night.

535
00:47:32.159 --> 00:47:33.179
Toodles.

536
00:47:37.559 --> 00:47:43.619
That was Flight Through Entirety, starring Todd Bealby, Nathan Bottomley, Brendan Jones, and Eric Stadnick.

537
00:47:43.679 --> 00:47:45.659
Theme arrangement by Cameron Lamb.

538
00:47:45.719 --> 00:47:52.079
This episode, the status quo was recorded on the 21st of February 2021 and released on the 9th of May.

539
00:47:55.260 --> 00:48:07.559
Now that you've heard us trashing a couple of Chris Chibnell episodes of Doctor Who, we hope you'll like and subscribe to our YouTube channel, why we hate girls and fun and telly and have literally never had sex, you'll love it.

540
00:48:07.679 --> 00:48:08.519
No, you won't.

541
00:48:13.019 --> 00:48:20.940
And, uh, some of us, I think, uh, have been or are soon to be on the podcast with him.

542
00:48:21.000 --> 00:48:24.000
So check that out in your podcatcher of choice.

543
00:48:24.059 --> 00:48:25.860
I'm going to be doing time flight.

544
00:48:29.519 --> 00:48:34.019
He made me do Resurrection of the Daleks because I told him I hated it so much.

545
00:48:34.079 --> 00:48:38.460
So he let me do Aliens of London and then I did Resurrection of the Daleks.

546
00:48:38.519 --> 00:48:47.280
And it is actually really hard to talk about Resurrection of the Daleks for like 2 hours because you just keep on saying, here are more people with guns.

547
00:48:47.340 --> 00:48:48.179
Why is this happening?

548
00:48:48.239 --> 00:48:49.739
Well, somebody's just died.

549
00:48:49.800 --> 00:48:50.699
Yeah.

550
00:48:50.760 --> 00:48:51.900
Yeah, it's awful.

551
00:48:52.380 --> 00:48:55.079
Have you seen It's a Sin, Eric?

552
00:48:55.139 --> 00:48:59.940
No, I'm actually probably not going to watch it.

553
00:49:00.000 --> 00:49:09.300
I find, uh, as you know, my my RTD tolerance for when he goes sort of full, uh, depressing drama is quite low.

554
00:49:09.300 --> 00:49:13.440
And I honestly think I would just, and everyone has said, oh, it's gutting.

555
00:49:13.500 --> 00:49:14.099
It's so emotional.

556
00:49:14.159 --> 00:49:15.960
I'm like, I don't need that right now.

557
00:49:16.019 --> 00:49:19.980
I don't need an excuse to sit and cry for 7 hours.

558
00:49:20.039 --> 00:49:20.940
I could do that on my own.

559
00:49:21.000 --> 00:49:21.480
Thank you very much.

560
00:49:21.539 --> 00:49:26.039
So I think I'll probably maybe come back to it at a later time.

561
00:49:26.099 --> 00:49:28.079
But everyone says it's fantastic.

562
00:49:28.139 --> 00:49:29.400
It is very good.

563
00:49:29.460 --> 00:49:32.760
It's the same thing with years and years and sort of cucumber and stuff.

564
00:49:32.820 --> 00:49:36.059
When I 1st watched cucumber, I was alone in the house.

565
00:49:36.119 --> 00:49:40.679
Calvin had moved to Tokyo for a year and so I was completely alone in the house.

566
00:49:40.739 --> 00:49:46.079
And episode 6 has the most upsetting death that I've ever ever seen on television.

567
00:49:46.139 --> 00:49:58.320
It was absolutely heartbreaking, and I was completely destroyed, and I was on my own totally, and it's, I think it's an episode of TV that I can't ever bring myself the watch again.

568
00:49:58.380 --> 00:50:00.000
Um, it was brilliant.

569
00:50:00.119 --> 00:50:03.780
It was brilliant, but you know, absolutely. sort of impossible to watch.

570
00:50:04.559 --> 00:50:06.119
All right.

571
00:50:06.179 --> 00:50:11.099
Okay, so let's do the outro.

572
00:50:11.340 --> 00:50:12.719
Okay.

573
00:50:12.840 --> 00:50:19.619
Oh, I've got a really cruel potential outro, which I think I won't do, but I'll record it anyway.

574
00:50:19.679 --> 00:50:20.880
I'll do them both.

575
00:50:20.940 --> 00:50:23.699
You can use the laugh from the cruel one on the other one.

576
00:50:23.760 --> 00:50:26.400
Lisa, you might hate me. for this one.

577
00:50:27.360 --> 00:50:28.920
Here we go.

578
00:50:29.880 --> 00:50:33.659
Well, dear listener, that's all we have time for this week.

579
00:50:33.719 --> 00:50:39.960
We'll be back next week to make a whole bunch of bourgeois liberals cry in Vincent and the doctor.

580
00:50:40.139 --> 00:50:43.199
Sorry, that was that was my watch telling me.

581
00:50:43.739 --> 00:50:45.480
Oh, okay, sorry, I will record that again.

582
00:50:45.539 --> 00:50:46.619
That's intolerable, isn't it?

583
00:50:46.679 --> 00:50:47.340
I can't air that.

584
00:50:47.400 --> 00:50:47.940
That's terrible.

585
00:50:48.059 --> 00:50:49.980
Yeah, and you can record it again.

586
00:50:50.039 --> 00:50:51.719
I know, but it's unuseable.

587
00:50:52.500 --> 00:50:54.840
I'm going to do it again anyway.

588
00:50:55.559 --> 00:50:58.440
I'll release it as a bonus track.

589
00:50:59.400 --> 00:51:02.460
Well, dear listener, that's all we have time for this week.