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This transcript was created on 2026-06-07 at 15:00:09

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Hello, dear listener, and welcome back to Flight Through Entirety.

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The only Doctor Who podcast exploring an exciting new retail opportunity right in the heart of the 5th moon of Cinda Callista.

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I'm Nathan.

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I am Brendan.

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I'm Joe. And I'm Jack.

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Well, we're nearing the end of the season now, so we've decided to give Amy the week off and to spend some quality bro time with our new flatmate TV's James Corden.

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It's a week of football, heterosexuality, and neglecting the housework as we discuss the lodger.

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So, Joe, your English, why does everyone hate James Corden?

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I've got absolutely no idea, because I think he's rather wonderful, and I thought he was rather wonderful in this episode, as well.

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What you say to me, I mean, what did you think of James Gordon in this?

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I really like him.

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I think he does a great job and I think he has great chemistry with Matt.

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I sometimes think of it, it's because he's, um, he's successful.

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Like, he's he's somebody who started off in, uh, like doing sketch shows and sitcoms and things like that.

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Popped off to America and has made a fantastic career for himself.

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But in this episode, I thought he was absolutely brilliant.

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I thought, uh, very, well, not charismatic, but very likeable, very relatable and very funny.

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He has a sort of every man shtick, I think, that works really well.

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You know, like he's not too attractive.

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He's not too confident and that's exactly what the role needs, I think.

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And there's definitely a bit, the role requires James Corden to be a bit of a good sport because they do make fun of him quite relentlessly throughout the episode at various points in a very affectionate way, but nonetheless, it's when they're calling him like the sofa man and all that kind of stuff.

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I actually think he plays the reaction to that absolutely beautifully, you know, like, um, it could so easily have gone wrong and we don't quite know, you know, how he's going to react to the doctor because the doctor is so odd.

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And when he says that you're starting to look like your sofa line and Craig responds by laughing kind of and making it clear that it's sort of, you know, slightly the wrong thing to say.

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Um, yeah, I think I think they have a great chemistry together.

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And of course, James Corden was just coming off the back of the original run of Gavin and Stacy.

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Yep. at this and, of course, also had Horn and Corden, the sketch comedy show.

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So getting him, I think he almost had the same profile as, say, getting Catherine Tate.

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Yeah, it is a big sort of casting thing.

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And we have had a few of those this year.

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Yeah, yeah, we've had Sophie Okinito, we've had Miracial.

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Yeah.

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Um, just Olivia Coleman.

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Olivia Coleman for 10 seconds, yeah.

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Oh, what a waste of Olivia Coleman. 10 seconds of Olivia Coleman. coming soon to HBO.

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It is nice to see like a guest act well spotlight here.

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I think that is one of the weaknesses of this era, is occasionally people like Arabella Weir and Bill Bailey and Olivia Coleman are wasted on like tiny roles, whereas it's nice, you know, this is James Gordon's episode, you know, and he gets another one as well.

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And should we mention Daisy Haggard as well?

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Oh, marvellous.

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I don't know that she's quite as big at that point.

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But she would still be recognisable to the audience.

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You know, it would be a matter of casual viewers tuning in would go, oh, it's that bloke and that and that woman.

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I know them.

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I mean, I loved her since Psychoville, where she's like super stupid and super evil.

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And then she's in episodes where she plays the head of comedy at that American TV network who doesn't get jokes and sort of never laughs or anything.

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And she's only quite amazing.

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And of course, since then she's gone on to create back to life, which I just think is really terrific.

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So she's a big catch, perhaps more in retrospect than at the time.

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And I think she's matched very perfectly against James Corden as well.

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Um, because especially in their opening scenes, um, together, after you kind of get through the sort of sci-fi hook with the doctor being dumped off, uh, on Earth, they build the kind of the, the, the history of their relationship and their kind of dynamic and the kind of awkwardness about, they both feel the same way, but they don't want to talk about.

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They do that together so quickly before the doctor even shows up at the doorstep.

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It's they're brilliant together as well.

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This is a doctor who doing a comedy sitcom.

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So the chemistry has got to be there and it really is.

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Like, I think from the very 1st scene, there's great chemistry between those two.

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And you have to want them to get together and you do.

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Yeah.

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I still say pizza booze telly all the time from this episode.

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That's a thing that I do every week is go over to my friend Robert's place and have pizza booze tally and it absolutely comes from that.

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And there's a real warmth to that.

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And, and I just love, you know, how reluctant she is to go and see her friend Melina because pizza boost Hell is so, you know, so important to her.

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And he's sort of disappointed when she says on the phone, oh, it's nothing.

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I just, you know, it's just Craig.

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But both of them, so both of them are downplaying pizza booze telly is an important thing to do, but both of them clearly, clearly love doing it and just love hanging out with each other.

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Yeah, one of my favourite little things in that scene is when James Cornen, he's got the pizza menu in his hand and he just throws it away, like it means nothing.

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He's like, oh, yeah, it's just, it's just pizza boots. doesn't mean anything and he just like, he like throws it as far as away as he can.

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It's so sweet.

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And particularly with those characters.

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They feel really worn in, if that makes sense.

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Like, uh, when, um, you know, the doorbell rings and Craig realises that um, she's left her keys behind, that he says like every, like every time, um, and there's just like all those little things, like, it's the pizza booze and telly that they've clearly been doing this for ages.

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She's leaving her keys behind all the time.

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There's the photo of them on the fridge, which is immediately drawn attention to, and you just get a sense of how long they've been friends for, which I think is really lovely.

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Yeah, yeah.

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And there's all these little moments in the episode where James Corden does something nonchalantly to hide how he's really feeling, like throwing the pizza menu, and then there's just this little flicker on his face of nobody throws a pizza menu to show.

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Yeah, it's it's that moment from friends where Joey says, you can't say you're breezy.

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That negates the fact that you're breezy. he's doing that all the way through.

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And it's a rom-com, but it also has a sort of 1940s screwball kind of mentality to the way Craig is written.

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Like, you could imagine, say, Jerry Lewis or Donald O'Connor playing this part.

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Yeah.

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Yeah, I, I think, I think it's really, it's really warm and really lovely and the 2 of them bring, they bring that and they bring the believability. to it.

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And then, of course, that all gets steamrolled over once the doctor arrives.

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I'm guessing the reception must have been strong enough for this episode because is it done?

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It's the next season, isn't it?

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They're back again, both of them.

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Yeah, yeah, absolutely.

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Daisy Haggard just for a little bit, but James Gordon for a whole episode.

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Yeah, no, I can only imagine that Moffatt has just spoken to the writer and said, do it again, you know, do it again next year.

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And he does that. in a sort of surprisingly similar way, which maybe we'll talk about when we get to it.

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I still can't believe that there's a Doctor Who romantic sitcom in the Moffatt era that's not written by Stephen Moffatt, given that that's where he's come from.

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They handed that to another writer.

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Well, I think, you know, like, I think probably Roberts and Moffatt have a pretty good relationship and Roberts is one of the experienced writers that he's brought across this year.

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And you can see that there are similarities thematically between this story and season 5 as a whole because season 5, as we've said many, many times over the last few episodes, is about a woman running away from adulthood and avoiding her wedding.

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And these 2 aren't, you know, avoiding getting married for quite the same reasons.

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They're just terribly clueless.

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But it's the same sort of theme.

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And then the following year, you know, there's a baby and that's also uh, upsettingly part of the uh, the series 6 arc.

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I think it's really interesting actually, now that you mention it, because you're right, the whole series is about Amy running away from her own wedding.

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Um, and then in this episode where she's not there, you've got these 2 people who are kind of avoiding, uh, who are too nervous to fall into the, into their relationship, but they don't run away.

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They do the opposite.

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They stay exactly put.

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Um, and just stay rooted.

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They have all these dreams about maybe going somewhere.

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Well, Sophie in particular, it talks about going elsewhere, but she stays here.

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Uh, and it's the complete opposite of Amy, where, you know, she runs away the night before a wedding.

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Yeah, I think I think that's the thing that's really well drawn and it's obviously important for the science fiction plot, which we're not going to get to for a long time because it's super tedious.

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But, um, you know, the idea that both of them are stuck where they are. basically because they love one another.

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So, um, Sophie is of no interest to the man upstairs at the beginning of the story because she wants to be with Craig and she says to the doctor, all my friends are here.

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It'd be scary to go anywhere else and Craig famously can't see the point of London and can't see the point of Paris or anything like that.

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He just wants to be where he is.

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And it can't really explain why either.

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The doctor actually kind of asks him and he just kind of goes, oh, it's comfortable.

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It's nice.

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Yeah, yeah.

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When he says, I don't really see the point of London, he's sort of swirling his wine around it.

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I think that's another one of those moments where the interiority of that is, what a bloody stupid statement.

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It's on the train.

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I can go there in an hour.

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But that's what I'm what I love so much about the characterisation of these two.

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I realised as I was watching this for the for the podcast.

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Every time Russell introduces a new companion at the at the top of a season.

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So Rose, Smith and Jones are partners in crime where he reintroduces Donna, they're always juxtaposed with someone who's not good enough to travel with the doctor because they're phased by all the strange stuff.

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So with Rose, it's Mickey, with Martha, it's her friend Julia, who the doctor dismiss is saying leave her, she'll slow us down.

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And then you've got Penny, the reporter, who's going to report them for weirdness.

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And here, instead, the writer goes, no, no, no, there is strength in being comfortable.

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So so long as you are truly comfortable in where you are.

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So much so that, In an earlier draft of the script.

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At the end, the doctor takes Craig and Sophie to see the Tartar and offers them a trip and they say, nope, Craig actually says I've got everything I need right here.

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And at the beginning of the episode, we're sort of invited to think, oh, that's really sad.

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He doesn't want to go to Paris, he doesn't want to do this. want to do that.

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With that ending, it's like, no, no, you really do have everything you want.

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Yeah.

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I mean, we do get the, I could see the point of Paris if you were there with me.

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Yeah, yeah.

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There's a hint of there's a hint of expansion.

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Yeah.

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You know, but it's, it's all, it's also, it's like that moment in Father's Day when Eccleston is talking to the married couple and they're like, we're not important.

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He's like, of course you're important.

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But this actually backs it up.

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Yeah, yeah, yeah.

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Well, it gives us enough time with these people.

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And that's the other thing that I like about this an enormous amount.

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I think that Doctor Who.

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You know, because of the way it started.

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It was always an exciting adventure, we'd land on a planet or there'd be aliens or whatever.

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But in 45 minutes, you don't actually have to do that.

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You could do something quite different.

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And this comes close to it.

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I think the power of 3 comes close to it.

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Maybe, um, boom town, where we just kind of get to see what they're doing when they're not really in an adventure.

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And I think a lot of people dismiss those stories because the adventure or the science fiction element of them is so undercooked.

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But I don't care.

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I would like to see more of that.

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And I think, um, like Morden Undead is a little bit like that.

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And, you know, the 1st episode of Black Orchid is like that.

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I think Planet of Fire is a bit like that.

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You know, there's a little bit of time to breathe and just see what the characters are doing when they're not being captured and escaping and stuff.

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And I certainly think you could afford to, you know, waste um, a single episode a season letting that sort of thing happen.

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Well, yeah, no, I find that especially interesting because I haven't, um, rewatched the lodger in an incredibly long time.

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I can't even remember the last time I saw it, but I do kind of remember the 1st time I saw it when it went out on the air.

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Um, and at that time, I was kind of, you know, I thought it was fine.

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I was like, oh, this is okay, but that was because I was like in my early kind of teens and uh, I was all kind of, you know, when you're, when you're in your teenage years and it's like, it's all got to be sci-fi plotting.

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It's all got to be. the sci-fi stuff I am here for.

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Not that this kind of comedy romance angle.

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And then, of course, many years later, when I, um, in here in 2021, when I watched it now, I was so delighted at how little the sci-fi side of the story intrudes upon, uh, the character dynamic, uh, and the fun of the story and the jokes as well.

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If um, if you'd have told me at some point that there would be a scene with the doctor playing football in the middle of an episode, I have no interest in football whatsoever.

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I would have been like, that, that episode would not be for me.

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I think it's my favourite scene in the entire episode.

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It's so unrepresentative what Doctor Who normally is.

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It absolutely should be cheering.

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It's so lovely, that scene in the middle.

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Like he's just embracing that life on earth and having so much fun.

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It clearly owes something to the scene from Black Orchard part one, which I really like as well, but it's better than that, because it has a proper character point, because that's the other thing that happens here is that the doctor arrives and he's super awkward and super weird, but he is better at Craig's life than Craig is.

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And so that scene is absolutely joyous.

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Murray does his version of the doctor's hero theme of the 11th doctor's hero theme, but a much more sort of fun and exciting version of it.

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And it's wonderful.

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It's so, so enjoyable.

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And I do also love that it is a nod to the fact that Matt Smith was almost a professional.

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Yeah.

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And then had to retire at 16 from football because of a backing.

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He is extremely good, isn't he?

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Yeah, yeah, yeah.

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Um, and um, in terms of Black Orchid watching this last night with Rod, he turns to me and says, well, it's better than cricket.

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You're a massive fan of Black Orchid, aren't you, Brendan?

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I love Black Orchids, dear listener.

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Go look for Brandy Bongo's 5 Bottom Doctor Who stories...

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Enjoy in the show notes.

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Thing is, it's my sister's favourite story.

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Because she loves a good frock drama.

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Yeah, well, and it's got lots of dancing and stuff.

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It has a lot of time wasting in part one.

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I think I remember saying that it was that was my favourite episode of the season, the favourite single episode of the season.

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Yeah, yeah, yeah.

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As Todd said at the time, Tegan finds her character when she gets drunk.

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Yeah, yeah.

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With Matt Smith's footballing as well.

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I think something I picked up on as well because, you know, uh, I mean, the doctor playing football was obviously an idea uh, that was originally in the comic uh, that this was based off.

196
00:18:19.500 --> 00:18:28.859
Um, and uh, but and Matt Smith happened to be a really good footballer and they just kind of drew on one of the things he loved to do when he was younger.

197
00:18:28.920 --> 00:18:36.720
And I think they do that again with Peter Capaldi as well, whether Moffat draws on the fact that Peter Capaldi was in a rock band.

198
00:18:36.779 --> 00:18:43.319
So they make him play an electric guitar on a tank just to kind of reference that part of his of his of his youth.

199
00:18:43.380 --> 00:18:49.319
Yeah, well, I just think it's that whole scene is just tremendously, tremendously fun.

200
00:18:49.380 --> 00:18:51.299
And what's really fun about it.

201
00:18:51.359 --> 00:19:09.660
There's a moment where he's lying on the ground after having scored a goal and all the other guys like Sean and that run up and kind of rub his belly or whatever. kind of there's a sort of just a hilarious moment of male bonding, which is absolutely not very doctor-ish.

202
00:19:09.779 --> 00:19:13.079
No one rubbed John Pertuy's belly for the entire 5 years.

203
00:19:13.079 --> 00:19:14.400
He is the doctor.

204
00:19:14.460 --> 00:19:18.420
Well, as I understand the sport, that's that's actually offside.

205
00:19:18.480 --> 00:19:19.559
Oh, okay.

206
00:19:19.559 --> 00:19:22.920
I love that he's still wearing his jacket on the field.

207
00:19:23.279 --> 00:19:29.700
Yes, yes, he turns he turns up in in the football, in the football jersey and shorts, but with the jacket.

208
00:19:30.180 --> 00:19:39.059
You remember I said that James Gordon, as Craig, was very relatable and I found him the most relatable in that scene.

209
00:19:39.119 --> 00:19:48.779
I was quite a podgy child, and I was squeezed into very um, small football, uh, uniforms at, and God bless him.

210
00:19:48.839 --> 00:19:51.960
He looks so cute, but that uniform was so small on him.

211
00:19:52.019 --> 00:19:54.900
Like, it's his little belly was...

212
00:19:55.079 --> 00:19:58.799
I, I, I just felt like that was me, aged about 8 years old.

213
00:19:58.859 --> 00:20:09.839
There's that scene at the end where he's just standing there completely forlorn because he hasn't had a very good game and his little bellies there. was definitely me.

214
00:20:10.319 --> 00:20:12.960
And his shorts look like a skirt.

215
00:20:13.019 --> 00:20:14.039
Yeah, they?

216
00:20:14.160 --> 00:20:15.839
Yeah, it looks like a netball skirt.

217
00:20:15.900 --> 00:20:18.119
Yeah, because of the scribes.

218
00:20:18.240 --> 00:20:23.400
Yeah, so and that's just kind of the beginning of where, you know, there's a bit of an arc.

219
00:20:23.460 --> 00:20:26.519
And we haven't really talked about the doctor all that much yet.

220
00:20:27.480 --> 00:20:32.940
And there's a little bit there where the doctor starts to kind of take over Craig's life.

221
00:20:33.000 --> 00:20:36.359
And I guess it starts with the football.

222
00:20:36.480 --> 00:20:38.519
Yeah, yeah, yeah.

223
00:20:38.579 --> 00:20:43.319
And then is he having he horns in on their date?

224
00:20:43.380 --> 00:20:50.640
Yep, where Craig is going to say that he loves Sophie, but he actually wrecks it.

225
00:20:50.700 --> 00:20:53.339
Yeah, he pops up behind from behind the sofa.

226
00:20:53.400 --> 00:20:54.299
From behind the sofa.

227
00:20:54.480 --> 00:20:56.700
Where the monsters can't get you.

228
00:20:56.819 --> 00:20:59.279
Is he unaware of what he's doing?

229
00:20:59.339 --> 00:21:05.099
Or is this just supposed to be kind of highlighting that this is an alien and he doesn't quite understand human interaction?

230
00:21:05.460 --> 00:21:14.160
Surely, because when they, uh, they, they ask him if he wants to stay and they're clearly queueing at him, do not stay.

231
00:21:14.220 --> 00:21:19.980
He says he says the fatal thing of saying, I don't mind.

232
00:21:19.980 --> 00:21:22.920
And social niceties kick in.

233
00:21:22.920 --> 00:21:25.619
So they go, well, okay, of course you can stay.

234
00:21:26.220 --> 00:21:30.960
And I think it's genuinely adorable because he just doesn't pick up on it.

235
00:21:31.619 --> 00:21:40.859
Except, you know, everything that's led up to this scene makes us think that the doctor doesn't understand what's going on among human beings.

236
00:21:40.920 --> 00:21:43.740
You know, he doesn't know how we greet one another these days.

237
00:21:43.799 --> 00:21:50.339
He thinks that Sean is threatening to literally annihilate the team next week.

238
00:21:50.519 --> 00:21:56.400
Stephen Moffatt will steal for the day of the doctor and basically just a rabbit.

239
00:21:58.500 --> 00:22:04.859
And and then he doesn't get that cue about them leaving.

240
00:22:04.920 --> 00:22:21.000
But it's in that conversation where he speaks to Sophie and you think that he's saying something really terrible that he shouldn't say, where he says, maybe you'll spend the rest of your life in a call centre being just sort of slightly miserable or maybe a call centres the best place for you.

241
00:22:21.059 --> 00:22:24.720
And she gets angry at him and then he smiles.

242
00:22:24.779 --> 00:22:34.920
And what he's done is intervene to try and get her to, to do, what he does is the doctor-ish thing of inspiring someone to be better.

243
00:22:34.980 --> 00:22:37.980
You know, that's the doctor. hes the doctor because he makes you better.

244
00:22:38.279 --> 00:22:45.240
And we think that he doesn't understand that Craig is going to react badly to that.

245
00:22:45.299 --> 00:22:52.980
But it's very clear too that he knows that they both love each other and they're not doing anything about it.

246
00:22:53.039 --> 00:22:59.039
And it's that brilliant line where he says 6000000000 people watching you 2 at work.

247
00:22:59.099 --> 00:23:01.200
I'm starting to wonder where they all come from.

248
00:23:01.319 --> 00:23:11.339
And so it's very clear that he knows that they should be a couple, but they're kind of hopeless together to add to that figure.

249
00:23:11.400 --> 00:23:15.839
So it's curious because so much time is spent making the doctor look weird.

250
00:23:15.900 --> 00:23:23.519
But in fact, he's very much more insightful than both Craig and Sophie about their relationship.

251
00:23:23.640 --> 00:23:37.740
And this is why I really, really love the doctor's characterisation in this particular story because obviously so much of the comedy comes from the doctor. from it's seeming like the doctor doesn't quite get it.

252
00:23:37.799 --> 00:23:49.140
But, um, uh, it's one of the things I really, I think when it works in the Moffat era, it works very well, which is they put a lot of emphasis on how smart the doctor is.

253
00:23:49.140 --> 00:23:58.740
And in there are some stories, and this is a really great example of it, where the doctor's intelligence is really focussed on people, and he gets to be smart about people.

254
00:23:58.920 --> 00:24:05.400
Um, so he, um, you know, he doesn't understand all the social cues.

255
00:24:05.460 --> 00:24:16.140
He doesn't understand how a football game works, even though he's inexplicably very talented at it, but he does notice that Craig is fondling the keys.

256
00:24:16.200 --> 00:24:28.319
And he has, he notices and he notices, you know, when, uh, you know, he's gone up and down the stairs in a towel, which I'm sure we'll talk a bit more about later.

257
00:24:28.380 --> 00:24:34.740
But, um, he, he says to Sophie, you know, you've got 2 set, he sets of keys to this house.

258
00:24:34.799 --> 00:24:36.059
You must like it here too.

259
00:24:36.119 --> 00:24:40.140
And he also later then says, like, you know, it's a big world.

260
00:24:40.200 --> 00:24:42.539
So if you work out what's really keeping you here.

261
00:24:42.599 --> 00:24:43.440
Yeah.

262
00:24:43.440 --> 00:25:00.000
And it's one of the delightful things in this story where you get the doctor in the kind of, he's still kind of in his usual headspace of being in puzzle solving mode, but it's in a sitcom way, his puzzle solving is directed on the people in the room.

263
00:25:00.059 --> 00:25:13.740
And instead of it being like some kind of murder mystery or something like that, it's just their social awkwardness, which is why when, you know, he's like making the omelet and Craig's has that wonderful line. like, I don't know why I'm telling you all this.

264
00:25:13.799 --> 00:25:15.420
It's like, oh, I've just got one of those faces.

265
00:25:15.480 --> 00:25:17.160
People just start blurting up their plans to me.

266
00:25:29.579 --> 00:25:42.839
Something I was struck by this time about the sort of cosiness of the flat because the 1st time I'd seen this, I'd never seen spaced with Simon Pegg and Jessica Hines.

267
00:25:42.900 --> 00:25:44.160
Oh, yeah.

268
00:25:44.160 --> 00:25:46.140
And watching it now.

269
00:25:46.559 --> 00:25:48.900
Down to the colour scheme.

270
00:25:48.960 --> 00:25:51.960
It's very much like Tim and Daisy's flat.

271
00:25:52.019 --> 00:26:08.700
And now the thing is, with sort of space, Tim and Daisy are pretending to be a couple and there is a sort of will they won't they thing, but the whole point about it is, no, they're not going to because they've actually got something better. than the romances they've had before.

272
00:26:08.759 --> 00:26:18.539
And here, Craig and Daisy are afraid of pursuing something better in case it destroys what's there.

273
00:26:18.599 --> 00:26:19.140
Yeah.

274
00:26:19.140 --> 00:26:30.779
Which, you know, is incredibly sweet and incredibly relatable, but it's one of those things where if you see your friends going through that, you sort of go, just say it, just say something.

275
00:26:30.839 --> 00:26:32.700
But when you go, you're going through it yourself.

276
00:26:32.759 --> 00:26:34.259
You think, no, I can't possibly.

277
00:26:34.319 --> 00:26:36.839
I can't possibly say, I can't, I can't, I can't.

278
00:26:37.500 --> 00:26:40.319
It's um, oh, what's the word?

279
00:26:40.380 --> 00:26:41.640
It's dramatic irony.

280
00:26:41.700 --> 00:26:53.759
It's the dramatic irony of the situation in that the audience knows because this is a television show for a family audience that usually has happy endings that things will be fine.

281
00:26:53.819 --> 00:26:54.599
Yeah.

282
00:26:54.660 --> 00:27:00.960
But at the same time, they know if they were in that situation, they wouldn't be thinking that things would be fine.

283
00:27:01.019 --> 00:27:05.220
And, you know, you don't you don't get the meat cute in real life kind of thing.

284
00:27:05.279 --> 00:27:22.799
Yeah, I remember, I think it's a quote from John Cleese, and he was talking about, I think comedy, comedy in general, but farce in particular, where he said, all of this looks really funny to us, but for the people inside of farce.

285
00:27:22.859 --> 00:27:24.900
It's the worst day of their lives.

286
00:27:26.339 --> 00:27:33.839
And similarly on a slightly less extreme sort of measure. in a kind of more rom-comy kind of way.

287
00:27:33.900 --> 00:27:39.000
It's not it's not quite the worst day of their lives, but it's the, it's one of the more awkward days of their lives.

288
00:27:39.119 --> 00:27:39.900
Yeah.

289
00:27:39.900 --> 00:27:40.500
Yeah.

290
00:27:40.559 --> 00:27:41.220
Yeah, yeah, yeah.

291
00:27:41.279 --> 00:27:58.619
Well, you know, I think that scene in the call centre, after, you know, Craig's gone and touched the rot and the thing, I absolutely love the scene with the doctor bringing in the breakfast and reviving Craig and feeding him tea and he's like, you're important.

292
00:27:58.680 --> 00:27:59.460
So adorable.

293
00:27:59.519 --> 00:28:00.240
Yeah.

294
00:28:00.299 --> 00:28:02.279
The Charles and Diana wedding teapot.

295
00:28:02.339 --> 00:28:03.660
Yeah, yeah, yeah.

296
00:28:03.720 --> 00:28:07.619
Which, according to the script, was already in there when Craig moved in.

297
00:28:07.740 --> 00:28:10.980
So it's not that Craig collects commemorative teapots.

298
00:28:11.039 --> 00:28:11.940
It's that it got left behind.

299
00:28:12.000 --> 00:28:15.299
I want to believe that he collects commemorative teapots.

300
00:28:16.259 --> 00:28:26.880
But, you know, I think I think that then for Craig becomes that John Cleese's worst day of his life because the doctor has gone in.

301
00:28:26.940 --> 00:28:35.700
He's found his sort of manifest over how to run the company better and presented it and now he's getting rid of all Craig's clients because he doesn't need them anymore.

302
00:28:35.819 --> 00:28:43.319
I'm going to go back to that word relatable again because, uh, I've worked in a cool sensor.

303
00:28:43.380 --> 00:28:49.319
I have been that person and so the bit where the doctor basically says, go away and hangs out the phone.

304
00:28:49.380 --> 00:28:51.119
I was cheering in that moment.

305
00:28:51.180 --> 00:28:52.559
I have been that person.

306
00:28:53.220 --> 00:28:54.779
Oh yeah.

307
00:28:54.839 --> 00:28:56.220
Rude Mr. Lang.

308
00:28:58.380 --> 00:29:00.839
Please hold, I need to eat a biscuit.

309
00:29:00.900 --> 00:29:02.759
Oh, I love that so much.

310
00:29:04.380 --> 00:29:14.880
Also, can I just, can I just quickly say, I absolutely adore the fact that Craig's boss has been like, oh, yes, it is, is the doctor?

311
00:29:14.940 --> 00:29:15.779
isn't he marvellous?

312
00:29:15.839 --> 00:29:25.980
He went to the planning meeting and there's no explanation provided as to how the doctor just sorted on in and went into, what did he call it, like a platinum level meeting or something?

313
00:29:25.980 --> 00:29:31.319
It's not addressed how he did it, but you don't need to know.

314
00:29:31.440 --> 00:29:36.779
Um, and it's just so funny, especially when you see him sitting at his desk.

315
00:29:36.839 --> 00:29:44.759
I love when he's like blowing a raspberry down the telephone and the CEO is just doing like that little, it's just doing that thumbs up at him.

316
00:29:45.660 --> 00:29:49.140
Him smiling in the background is just marvellous.

317
00:29:49.200 --> 00:29:49.920
It's so great.

318
00:29:49.980 --> 00:29:54.000
Even when he does that, you have to go on hold now, I'm eating a biscuit.

319
00:29:54.059 --> 00:29:57.480
The boss is still absolutely delighted with his performance.

320
00:29:58.440 --> 00:30:03.299
Yes, if only we could all have that when we...

321
00:30:03.299 --> 00:30:14.519
The funniest bit for me was like the mad, violent farce of the doctor headbutting Craig in order to do like the contact moment and deliver all that information to him.

322
00:30:14.519 --> 00:30:17.039
And it wasn't even funny because of this episode.

323
00:30:17.099 --> 00:30:20.880
I had flashbacks of like the 5 doctors and stories like that.

324
00:30:20.940 --> 00:30:23.339
And I was thinking imagine if that was how they did it.

325
00:30:23.400 --> 00:30:26.819
And you had all of the doctors smacking each other in their head.

326
00:30:27.359 --> 00:30:37.440
Oh, that's that was a moment for me where I was like, oh, they must be so happy with that joke because they're literally making contact by headbutting.

327
00:30:37.500 --> 00:30:39.180
Yeah, it's so funny.

328
00:30:40.380 --> 00:30:52.140
I do remember Gallifrey bass back in the day with that moment to add, and a big thread about, won't someone think of the children who are now going to headbutt each other based on this episode?

329
00:30:53.039 --> 00:31:02.819
Looking back on it, the doctor and Craig make it very clear that this is an incredibly painful experience and my God, no one would ever want to do this.

330
00:31:02.880 --> 00:31:09.000
So I think they did think about that in terms of responsibility and went, this is a very bad idea.

331
00:31:09.059 --> 00:31:10.440
Don't do this at home, kids.

332
00:31:10.500 --> 00:31:11.640
Yeah.

333
00:31:11.640 --> 00:31:16.440
It plays out in that sort of mad, violent way, like an episode at bottom does, you know?

334
00:31:16.500 --> 00:31:18.779
And it is, it is really, really funny.

335
00:31:18.839 --> 00:31:19.319
Yeah, yes.

336
00:31:19.380 --> 00:31:26.039
So I think there are a lot of things like that contact has been made thing that Gareth references.

337
00:31:26.460 --> 00:31:30.599
You remember the time flow analogue in the time monster?

338
00:31:30.660 --> 00:31:34.680
Yeah, and when he creates that.

339
00:31:34.740 --> 00:31:39.660
When Pertwee creates that, Ruth says that it's a sort of terrible bit of modern art.

340
00:31:39.720 --> 00:31:48.660
And then we get the same thing here where the doctor creates that sensor thing out of, you know, traffic cones and an umbrella and a digital clock or whatever.

341
00:31:48.720 --> 00:31:50.640
And, you know, the next scene he's in the bar.

342
00:31:50.700 --> 00:31:55.559
I thought that was ridiculous enough in the Time Monster, you know, with a little cup of tea, you get on the top spinning around.

343
00:31:55.619 --> 00:31:58.200
Yeah, but this was something else.

344
00:31:58.799 --> 00:32:10.980
But I mean, the thing is that that was famously ridiculous in the time monster, and there's no way that Gareth Roberts didn't love that bit of the time monster, which is why he deliberately references it.

345
00:32:11.039 --> 00:32:24.240
And I think the doctor singing, um, La Donne Mobile, but like as Tara, Boomdie, or whatever in the shower, has got to be a reference to him sort of driving into the Inferno project or whatever.

346
00:32:24.299 --> 00:32:29.039
And you know, who's the only other doctor we've seen in the shower, John Pertley.

347
00:32:29.099 --> 00:32:29.700
That's right.

348
00:32:29.759 --> 00:32:30.240
That's right.

349
00:32:30.299 --> 00:32:46.319
So the whole thing is sort of chock full of things that we love from earlier episodes of Doctor Who, in classic series, stuff particularly, just done really confidently and really well, and in the service of a story that's sort of genuinely funny, I think.

350
00:32:46.380 --> 00:32:53.400
Yeah, and you mentioned the uh, with the time monster that it's another character who points out that it looks like a terrible piece of botanard.

351
00:32:53.460 --> 00:32:57.960
Here that's even funnier because you have the doctor defending it as a terrible piece of modern art.

352
00:32:58.019 --> 00:32:59.460
That's right.

353
00:32:59.519 --> 00:32:59.940
That's right.

354
00:33:00.059 --> 00:33:01.680
Ooh, it isn't.

355
00:33:01.680 --> 00:33:02.460
It's pretty awful.

356
00:33:07.619 --> 00:33:12.180
In terms of the bathroom scene, I remember again, the internet.

357
00:33:12.240 --> 00:33:13.380
Oh, a little bit of a flutter.

358
00:33:13.440 --> 00:33:16.980
With Matt Smith, with Matt Smith's chest running out.

359
00:33:17.039 --> 00:33:18.660
I had a little bit of a flutter.

360
00:33:18.720 --> 00:33:21.359
He's briefly naked, isn't he?

361
00:33:21.420 --> 00:33:25.740
Because he drops the towel by mistake and has to scramble to pick it up.

362
00:33:25.799 --> 00:33:30.539
And then when he's speaking to Craig later, He covers his nipples with his hand.

363
00:33:30.539 --> 00:33:32.940
Like, that's a thing that we do.

364
00:33:33.000 --> 00:33:33.599
Yeah.

365
00:33:33.599 --> 00:33:55.559
It's very cute, but he's, he's skinny, but, you know, the curious thing is, he's there, he's there in the towel, and, and, um, Daisy comes in, and, like, he's, he's in a towel, half naked, and he goes up to her and does, like, the little air kisses, like, completely, he doesn't care that he's...

366
00:33:55.619 --> 00:33:56.519
He's so good.

367
00:33:56.579 --> 00:34:00.420
I've got to say about Matt Smith in this episode because I'm not always kind about Matt Smith.

368
00:34:00.599 --> 00:34:04.079
This is a fantastic showcase for his doctor.

369
00:34:04.140 --> 00:34:14.460
I think I think this shows him at his absolute best, where he's dealing with people, where he's being funny and cute, where he's not juggling, like, you know, a 100 plot lines at once.

370
00:34:14.519 --> 00:34:17.880
It's all about Matt and Matt is gorgeous in this.

371
00:34:18.059 --> 00:34:21.420
I don't think another doctor could have done this.

372
00:34:21.480 --> 00:34:22.260
No.

373
00:34:22.320 --> 00:34:30.719
Well, I'm funny you should say that because, you know, they kind of do the do this version of the story again in the caretaker and it's much less appealing.

374
00:34:30.780 --> 00:34:32.639
Oh yeah, no, that's much nastier.

375
00:34:32.699 --> 00:34:33.119
Yeah.

376
00:34:33.119 --> 00:34:46.860
And even with the original comic strip version of this, with David Tennant's doctor, it has it has a quite different ending because it doesn't have as big an alien threat because, you know, it's a one shot comic.

377
00:34:46.980 --> 00:35:00.539
And what's really remarkable about the ending is, you know, again, during it, you've got the doctor's better at football than Mickey and then he beats the pub trivia quiz machine repeatedly.

378
00:35:00.539 --> 00:35:08.639
And then he reveals that all of his tinkering in Mickey's flat has been to disguise the earth from an alien invasion.

379
00:35:08.699 --> 00:35:11.099
So they just go by and he doesn't have to fight anyone.

380
00:35:11.159 --> 00:35:13.079
And he spoils a date.

381
00:35:13.139 --> 00:35:15.480
Mickey's trying to have with a girl called Gina.

382
00:35:15.539 --> 00:35:19.920
He's playing a video game with Mickey and he doesn't play properly by the rules and he wins anyway.

383
00:35:19.980 --> 00:35:24.900
And Mickey kind of says to him, maybe people don't want you impressing them all the time.

384
00:35:24.960 --> 00:35:28.619
Maybe they just want to live their lives even if they're not quite doing it right.

385
00:35:28.679 --> 00:35:36.119
And the lesson the doctor learns there is when the TARDIS does finally land and Rose isn't aware anything's been wrong.

386
00:35:36.179 --> 00:35:37.500
It's only been a few seconds for her.

387
00:35:37.559 --> 00:35:39.480
The doctor says, actually, I've got some repairs to do.

388
00:35:39.539 --> 00:35:42.960
Why don't you go up and see Mickey by yourself and the last panel is Mickey realising.

389
00:35:43.019 --> 00:35:46.679
Oh my god, he did actually listen to me and he understands.

390
00:35:46.739 --> 00:35:47.159
Right.

391
00:35:47.159 --> 00:35:58.320
And it's very sweet and I don't think you could have done it here just because, yes, Matt Smith's doctor isn't that kind of grandstanding look. you know, thwarted an alien invasion from your kitchen.

392
00:35:58.380 --> 00:36:04.679
He's actually that more gentle figure who's goading Sophie, but he's goading Sophie and saying, you can do this.

393
00:36:04.739 --> 00:36:11.699
Whereas I think tenants doctor, he kind of does the same thing with with Gina in the comic, but actually on television.

394
00:36:11.820 --> 00:36:16.139
If he if he said to her, yeah, you're probably only good for a call centre, he would have meant it.

395
00:36:17.219 --> 00:36:21.900
Matt Smith plays this whole episode with like an air of innocence, doesn't he?

396
00:36:21.960 --> 00:36:24.480
And like the sweetest smile on his face all the time.

397
00:36:24.539 --> 00:36:30.780
If David Tennant had been in this, I think it would have been a bit nastier, a bit more uncomfortable to watch.

398
00:36:30.840 --> 00:36:34.079
He had, he had like sort of more of an acidic edge to him, didn't he?

399
00:36:34.139 --> 00:36:35.400
Whereas with Matt Smith.

400
00:36:35.460 --> 00:36:39.360
I don't know, I just don't get any sense of callousness, even if he knows what he's doing.

401
00:36:39.420 --> 00:36:40.559
It's all in how he plays it.

402
00:36:40.920 --> 00:36:45.780
I think sometimes there's an unpleasant edge to Matt Smith's doctor.

403
00:36:45.840 --> 00:36:46.739
Oh for sure.

404
00:36:46.800 --> 00:36:54.119
But there is something very sweet about the way he seems to be enjoying himself and underplaying it.

405
00:36:54.179 --> 00:37:03.599
And there's something disarming about his lack of competence and his lack of knowledge about human relationships, which David Tennant's doctor doesn't have.

406
00:37:03.659 --> 00:37:08.699
You know, David Tennant is very confident. and full of ego.

407
00:37:08.760 --> 00:37:12.480
And so he just wouldn't have been a good fit for this.

408
00:37:12.539 --> 00:37:17.099
And Capaldi, who does share Smith's awkwardness, has that nasty edge.

409
00:37:17.159 --> 00:37:19.079
So he wouldn't have fitted here at all.

410
00:37:19.199 --> 00:37:24.119
The only person, I think, who could remotely do it. would be Jody, I think.

411
00:37:24.599 --> 00:37:26.699
I mean, could you imagine?

412
00:37:26.760 --> 00:37:29.039
Could you imagine Capaldius, the 3rd wheel here?

413
00:37:29.099 --> 00:37:30.900
Yeah, yeah, yeah.

414
00:37:30.960 --> 00:37:31.260
No.

415
00:37:31.320 --> 00:37:32.760
Have you kissed yet?

416
00:37:32.940 --> 00:37:35.400
Human humans do the kissing thing.

417
00:37:35.460 --> 00:37:36.000
I don't.

418
00:37:39.239 --> 00:37:43.559
David Tenner would have just gnashed his teeth and gone, get on with it.

419
00:37:44.820 --> 00:37:47.099
I kissed a girl well.

420
00:37:47.159 --> 00:37:48.179
Well, I say a girl.

421
00:37:48.239 --> 00:37:51.659
More of a trampoline in my in my in my friend's body.

422
00:37:51.719 --> 00:37:53.099
Well, she wasn't always a trampoline.

423
00:37:53.159 --> 00:37:54.420
Sorry, where was I?

424
00:37:57.000 --> 00:38:04.860
But I made a point of reading the original comic as well before coming on.

425
00:38:04.920 --> 00:38:21.719
And although a lot of the jokes in the comic, uh, do transfer over uh, into the into the episode, um, the type of joke that it is just changes quite rapidly because it is because Tenet is very cool, very confident and much more aware.

426
00:38:21.780 --> 00:38:33.059
So it does feel, it's still quite earnest and sweet, but it is, you know, the doctor impressing people and kind of upstaging Mickey, which we've seen several dozen times.

427
00:38:33.119 --> 00:38:41.460
Um, and there is a slight undercurrent and unintended mean spiritness in the comic, whereas here the doctor just has no idea.

428
00:38:41.519 --> 00:38:47.280
Um, and the joke is that the doctor doesn't even know how good he is at most of these things.

429
00:38:47.340 --> 00:38:55.980
Um, so there's not even a remote sense of malice to any of it or even a sense, a desire to impress.

430
00:38:56.039 --> 00:39:02.639
He just genuinely wants to be like, um, you know, a good friend, a good, a good lodger, a good housemate and be helpful and friendly.

431
00:39:02.699 --> 00:39:03.840
Yeah, yeah.

432
00:39:03.900 --> 00:39:09.179
I think he's also a little bit trying to prove to Amy that he can be a normal bloke for 3 days.

433
00:39:09.239 --> 00:39:09.960
Yeah.

434
00:39:09.960 --> 00:39:10.619
Yeah.

435
00:39:11.159 --> 00:39:23.219
We haven't talked much about Amy, but yes, the whole point of this episode was if they had to follow the traditional structure of a Dr. Light and companion light episode, they could do that.

436
00:39:23.280 --> 00:39:27.179
But for some reason in this schedule, they didn't need a Dr. Light episode this year.

437
00:39:27.239 --> 00:39:29.340
So they came to the conclusion.

438
00:39:29.400 --> 00:39:31.920
Actually, we can have a bit more Amy in the early drafts.

439
00:39:31.980 --> 00:39:34.380
She had one scene at the beginning and one scene at the end.

440
00:39:34.440 --> 00:39:41.699
But the reason we keep coming back to her is they're like, okay, well, we've already structured it, but she's not going to be here, but let's give Karen more to do.

441
00:39:41.760 --> 00:39:42.300
Right.

442
00:39:42.360 --> 00:39:45.659
Including, including sort of piloting the TARDS.

443
00:39:45.719 --> 00:39:46.920
Yeah.

444
00:39:46.980 --> 00:39:53.760
And wasn't this episode originally a backup script, um, in production?

445
00:39:54.179 --> 00:39:56.039
Yes, that's right.

446
00:39:56.099 --> 00:40:00.059
So Stephen Moffat said to the writer, oh, look, why don't you adapt the lodger?

447
00:40:00.119 --> 00:40:04.380
And then like 6 months later, when it came time to do that, Moffatt had completely forgotten he said that.

448
00:40:04.440 --> 00:40:11.579
So there was another plot developed, which, you know, has never really come to light what the details were.

449
00:40:11.639 --> 00:40:14.699
And then it was decided, oh, no, we've got to.

450
00:40:14.880 --> 00:40:16.199
Yeah, that that's not quite working.

451
00:40:16.260 --> 00:40:17.579
Let's start developing the lodger.

452
00:40:17.639 --> 00:40:23.519
And then the lodger actually replaced a script called Bigger on the inside by Neil Gaiman.

453
00:40:23.579 --> 00:40:30.539
Oh, because it was decided they didn't have the budget to make that at that stage in the production and that became the doctor's wife.

454
00:40:30.599 --> 00:40:31.619
Yeah.

455
00:40:31.679 --> 00:40:48.900
And I, um, think it's incredibly telling that, you know, because, you know, you've got Stephen Moffatt in his 1st year as the showrunner and, um, you know, he's at this point, he's kind of the scary writer in Doctor Who, but his background is in sitcom comedy writing.

456
00:40:48.960 --> 00:40:55.320
And I do think it's quite telling that when, you know, a script falls through and he needs to reach for something else.

457
00:40:55.380 --> 00:40:58.559
He does reach for a sitcom comedy script, essentially.

458
00:40:58.619 --> 00:41:00.360
And that's the one he fills it with.

459
00:41:00.480 --> 00:41:03.059
And you've already got Richard Curtis in this series as well.

460
00:41:03.119 --> 00:41:07.199
So there's a very much Moffat leaning on his comedy chops when he has to.

461
00:41:19.739 --> 00:41:24.960
So, we haven't actually talked about the actual science fiction element. in this story.

462
00:41:25.199 --> 00:41:27.179
There's a reason for that.

463
00:41:29.039 --> 00:41:30.960
It's not very good.

464
00:41:31.019 --> 00:41:33.360
It's incredibly thin, isn't it?

465
00:41:33.420 --> 00:41:35.099
Like unbelievably thin.

466
00:41:36.179 --> 00:41:40.500
Much like one of the ears of the doctor's character reference.

467
00:41:40.559 --> 00:41:41.639
It's purely ornamental.

468
00:41:41.699 --> 00:41:42.900
I don't know.

469
00:41:42.960 --> 00:41:44.460
I quite like the execution.

470
00:41:44.699 --> 00:41:53.579
The execution of some of the scenes of the passer-bys coming past and sort of the shadowy figure at the top of the stairs.

471
00:41:53.639 --> 00:42:00.119
I was getting like echos of psycho of like this scary kind of shadowy figure at the top of the stairs.

472
00:42:00.239 --> 00:42:01.619
I did like the execution.

473
00:42:01.679 --> 00:42:08.519
It just, I don't know, it kind of rubbed up with what was happening elsewhere in the episode a bit awkwardly.

474
00:42:09.119 --> 00:42:11.460
Because it's so dark, you think?

475
00:42:11.820 --> 00:42:22.139
Uh, no, not because it was dark, just because, like, tonally it was very different and sort of we weren't getting any more information about that plot as the episode progressed.

476
00:42:22.199 --> 00:42:23.880
So really, it's not until the end.

477
00:42:23.940 --> 00:42:26.519
And even at the end, we don't really find out what it's all about.

478
00:42:26.639 --> 00:42:33.360
Like it's a it's a spaceship on top of the house, but it's answered, it's answered later, isn't it?

479
00:42:33.420 --> 00:42:34.619
In C series 6.

480
00:42:34.679 --> 00:42:43.199
Yeah, so we will get it picked up again in the series opener and we will be numb the wiser, in fact, after that.

481
00:42:43.980 --> 00:42:47.340
Yeah, the doctor just says very Aikman Road, doesn't he?

482
00:42:47.400 --> 00:42:49.019
And that's all that's really said about it.

483
00:42:49.079 --> 00:42:51.420
Yeah, yeah, they use the same design.

484
00:42:51.480 --> 00:42:53.519
I actually don't care.

485
00:42:53.579 --> 00:43:03.239
Um, and I think that anything that was more complex or interesting would take Vanderbilt's screen time away from Craig and Sophie.

486
00:43:03.300 --> 00:43:05.940
So I do want it to be as thin as possible.

487
00:43:06.000 --> 00:43:09.119
And so there are only 3 people who get lured upstairs.

488
00:43:09.179 --> 00:43:10.860
Things play out the same way.

489
00:43:10.920 --> 00:43:14.099
We discover there have been 17 people in total later.

490
00:43:14.159 --> 00:43:27.840
But we only see 3 of them, including that sort of tragic walk of shame woman who is coming home from the nightclub after having a fight with her boyfriend or something, which is super relatable.

491
00:43:27.900 --> 00:43:28.860
Well, yeah, that's right.

492
00:43:28.920 --> 00:43:35.460
But it's also, it's actually quite upsetting because she's the 1st person whom we see screaming and distressed and we get just get a little shot of that.

493
00:43:35.519 --> 00:43:39.900
And then there's the mousey woman who comes along later and we see that from her as well.

494
00:43:39.960 --> 00:43:44.280
Yeah, there was, there was intended to be one other person seen.

495
00:43:44.340 --> 00:43:48.780
Um, uh, and that was a young man with a holiday brochure.

496
00:43:48.840 --> 00:43:53.940
And that would have helped the doctor make the leap of logic as to what the thing wanted.

497
00:43:54.000 --> 00:43:55.079
Yeah, yeah.

498
00:43:55.139 --> 00:43:58.920
But instead, you know, he sort of has, he has to do it himself in a way.

499
00:43:59.039 --> 00:44:08.940
Yeah, and in fact, the what the science fiction thing has to do is it has to be at the service of the rom-com plot.

500
00:44:08.940 --> 00:44:18.480
And so it is a spaceship with a Voyager style emergency crash hologram.

501
00:44:18.539 --> 00:44:19.079
Yeah.

502
00:44:19.079 --> 00:44:20.519
And the, yeah.

503
00:44:20.579 --> 00:44:25.800
And Matt Smith even says, I'm Troy Hanson of International Rescue, please state the nature of your emergency.

504
00:44:25.860 --> 00:44:26.340
Yeah, yeah.

505
00:44:26.400 --> 00:44:30.599
He's openly admitting to stealing it from Voyager.

506
00:44:30.659 --> 00:44:31.500
Yeah, yeah.

507
00:44:31.500 --> 00:44:35.519
And and it just wants someone who wants to go.

508
00:44:35.579 --> 00:44:36.539
Yes.

509
00:44:36.599 --> 00:44:36.840
Yeah.

510
00:44:36.900 --> 00:44:37.260
Yeah.

511
00:44:37.320 --> 00:44:51.239
Which I actually think is is actually a really smart little bit of character plotting that it draws people in who want to leave because it ties in with the kind of character work that's been the actual subject of the episode.

512
00:44:51.300 --> 00:45:11.400
I think it's quite neat that you don't get this random conclusion that happened, this complicated sci-fi thing that has nothing to do with the kind of the rest of the episode, but um, the threat is based around drawing in people who want to leave and reminding the 2 characters why they want to stay and it's because they love each other.

513
00:45:11.460 --> 00:45:16.679
So I think the sci-fi elements tie in quite nicely with what the rest of the episode's been about.

514
00:45:17.280 --> 00:45:21.599
Well, I mean, the whole thing is resolved by Craig and Sophie Kissing.

515
00:45:21.659 --> 00:45:24.599
I mean, it's just brilliant, you know, like it couldn't possibly be better.

516
00:45:24.659 --> 00:45:27.239
What more satisfying conclusion can we have?

517
00:45:27.300 --> 00:45:28.800
Kiss the girl.

518
00:45:28.860 --> 00:45:30.360
It's so great.

519
00:45:30.420 --> 00:45:33.300
I mean, no one's flicking the switches or rewiring.

520
00:45:33.360 --> 00:45:40.679
It is a lovely moment, and it's a lovely moment here, and it's one of those love conquers all, and this is like the 1st time it's happened.

521
00:45:40.739 --> 00:45:41.880
So it is very cute.

522
00:45:42.300 --> 00:45:47.400
This would happen quite a lot in the future where it starts to get a little try.

523
00:45:47.460 --> 00:45:49.679
But as like the payoff for this episode.

524
00:45:49.739 --> 00:45:52.559
I think as a one time sort of love conquers all ending.

525
00:45:52.619 --> 00:45:54.059
It's marvellous.

526
00:45:54.119 --> 00:45:55.559
Mm.

527
00:45:55.559 --> 00:45:56.219
Mm.

528
00:45:56.280 --> 00:46:01.320
Yeah, no, but I mean, they kind of sell it because it's not quite love conquers all, is it?

529
00:46:01.380 --> 00:46:04.260
It's kind of like inertia conquers all.

530
00:46:04.320 --> 00:46:06.840
You know, like, I'm going to stay here.

531
00:46:07.679 --> 00:46:12.360
I'm not going to go and look after orangutans.

532
00:46:12.420 --> 00:46:15.539
So it has no power over me.

533
00:46:15.599 --> 00:46:20.219
And I actually think that that's kind of neat.

534
00:46:20.280 --> 00:46:26.820
It does lead to the, to the, that final scene, which has lots of like gooey squilchy kissing, the worst kind of kissing.

535
00:46:26.880 --> 00:46:29.460
It's nasty to listen to.

536
00:46:31.619 --> 00:46:34.139
But I'm glad they got there.

537
00:46:34.199 --> 00:46:35.760
I'm glad they admitted how they feel.

538
00:46:35.820 --> 00:46:36.300
Yeah.

539
00:46:36.300 --> 00:46:38.940
I had to turn the volume down during the kissing.

540
00:46:39.000 --> 00:46:39.840
It made me uncomfortable.

541
00:46:39.900 --> 00:46:41.039
It was revolting.

542
00:46:42.179 --> 00:46:52.619
And the thing is, if you watch the Doctor Who Confidential for one of the Silurian episodes, I think it's cold blood, it's all about the Foley artist and how she achieves the sounds.

543
00:46:52.679 --> 00:46:59.099
So she, those sounds that, I highly doubt that's James Corden and...

544
00:46:59.159 --> 00:47:07.320
That's this poor woman, like, I don't know, sticking a handful, sticking a hand into a glove full of dishwashing liquid.

545
00:47:08.159 --> 00:47:10.440
Give that woman a raise.

546
00:47:10.500 --> 00:47:11.400
Oh my god.

547
00:47:11.460 --> 00:47:15.179
I'm going to be thinking about that anytime I see an offscreen stage kiss now.

548
00:47:15.239 --> 00:47:17.159
You're welcome.

549
00:47:24.599 --> 00:47:27.539
We should talk about Megloss.

550
00:47:27.599 --> 00:47:27.960
Yes.

551
00:47:27.960 --> 00:47:29.340
I think we should.

552
00:47:29.400 --> 00:47:31.500
Why should we talk about Megloss, Brendan?

553
00:47:31.559 --> 00:47:38.159
So this script was initially commissioned under the title Megloss 2.

554
00:47:41.099 --> 00:47:56.519
And then colloquially referred to in the office as Mrs. Megloss because the Avatar was going to be a little old lady who lived above Craig, and that's how she was eliciting sympathy, because she's a little old lady who needs help.

555
00:47:56.940 --> 00:48:04.440
And the writer did publish an extract of the scripted issue of Doctor Who magazine because he said, I want to make this clear.

556
00:48:04.500 --> 00:48:05.280
People think I was joking.

557
00:48:05.340 --> 00:48:05.940
No here it is.

558
00:48:06.000 --> 00:48:06.780
Yeah.

559
00:48:06.780 --> 00:48:11.039
So was Megalos supposed to be the villain in the spaceship?

560
00:48:11.099 --> 00:48:21.659
Yeah, yeah, because the idea was, okay, we've got time distortion and Meglos had chronic hysteresis sees, and we've got something which can adopt form.

561
00:48:21.719 --> 00:48:26.940
So it was changed into a hologram, but it's like Megloss can adopt people's forms and it's looking for a new host.

562
00:48:27.000 --> 00:48:37.860
But it then figures out, Megloss then figures out the doctor's there and decides, oh, you know, I can get revenge on the doctor and the extract published in Doctor Who magazine.

563
00:48:37.920 --> 00:48:39.119
Does anyone else know about this?

564
00:48:39.179 --> 00:48:40.739
Oh, I've read it.

565
00:48:40.800 --> 00:48:41.340
It's so good.

566
00:48:41.699 --> 00:48:48.179
Yeah, it's, it's like, um, it is I, Dr. Meglos, the last Zolfathoran.

567
00:48:48.300 --> 00:48:49.559
And the doctor says, I'm sorry, who?

568
00:48:49.860 --> 00:48:53.940
The doctor just doesn't remember who Megloss is at all.

569
00:48:54.000 --> 00:48:55.739
And no one watched Megloss.

570
00:48:55.800 --> 00:48:56.579
And no one watch me.

571
00:48:56.639 --> 00:48:57.780
That's probably why.

572
00:48:57.840 --> 00:48:59.760
I've covered Meglosson say something nice.

573
00:48:59.820 --> 00:49:01.139
So obviously no one watched it.

574
00:49:01.199 --> 00:49:02.699
Wouldn't you?

575
00:49:02.699 --> 00:49:07.920
Wouldn't you just kill to see how they would have realised Megloss in 2000 whenever this was.

576
00:49:07.980 --> 00:49:09.960
Like a CGI Megloss.

577
00:49:10.019 --> 00:49:11.039
I'm there for that.

578
00:49:11.099 --> 00:49:12.480
Yeah, yeah.

579
00:49:12.539 --> 00:49:17.639
Part of the reason they didn't do it was the end of time had the Vinvocce.

580
00:49:17.699 --> 00:49:18.900
Ah.

581
00:49:19.380 --> 00:49:19.980
Oh, really?

582
00:49:20.039 --> 00:49:22.800
Yeah, that was part of the reason that scuppered it.

583
00:49:22.860 --> 00:49:32.460
And you know, they were already like, we're bringing back this one-time villain from a not particularly well-regarded 1980 Doctor Who story, and that just was the final nail in the coffin.

584
00:49:32.519 --> 00:49:37.559
Well, I mean, they brought back Alpha Centuri in that Mark Gator story.

585
00:49:37.619 --> 00:49:39.239
So that's why they're above doing that.

586
00:49:40.500 --> 00:50:01.500
I frankly find it utterly hysterical that between in the transition between the specials and series 5, that Russell T. Davis wasn't able to bring back the Daleks in the end of time, because they were appearing in series 5, and Stephen Muffet wasn't able to bring back Megloss because of the Vinvacci in the specials.

587
00:50:02.280 --> 00:50:05.880
Wow, who do you think was inconvenienced worse?

588
00:50:07.380 --> 00:50:10.139
Oh, Stephen Moffatt, for sure.

589
00:50:10.860 --> 00:50:27.900
I have to say that I'm glad that Meg Loss isn't in it because I think that it needs to be absolutely as thin as possible and not distract us from the main game of this episode, which is Craig and Sophie.

590
00:50:27.960 --> 00:50:32.820
And so it's super rudimentary and I'm absolutely there for that.

591
00:50:33.420 --> 00:50:40.019
In a way, in a way, using Meglos would have been like how briefly Olivia Coleman appears.

592
00:50:40.079 --> 00:50:40.619
Yeah.

593
00:50:40.619 --> 00:50:41.340
You know?

594
00:50:41.400 --> 00:50:44.219
And actually, God damn it.

595
00:50:44.280 --> 00:50:45.539
Chipnell, are you listening?

596
00:50:45.599 --> 00:50:46.679
I know you are.

597
00:50:46.920 --> 00:50:48.780
Series 13.

598
00:50:49.139 --> 00:50:51.840
Olivia Coleman is Meglos.

599
00:50:51.900 --> 00:50:53.039
Megloss.

600
00:50:53.099 --> 00:50:53.760
Oh my god.

601
00:50:53.820 --> 00:50:55.860
Academy Award winner.

602
00:50:55.920 --> 00:50:57.000
Olivia Coleman.

603
00:50:57.780 --> 00:51:00.119
He is a cactus.

604
00:51:00.179 --> 00:51:01.920
The role she was born for.

605
00:51:18.539 --> 00:51:31.500
So this episode ends with a scene that really has nothing very much to do with the rest of the episode and seems to be kind of leading into the finale, but I think it's worth mentioning.

606
00:51:31.559 --> 00:51:44.699
And we need to remember, I think, that Rory died just 2 weeks ago, and then in the last episode, Vincent mentions to Amy that Rory's gone.

607
00:51:44.820 --> 00:51:51.059
So as the viewing audience, we haven't had the chance to forget this, how do we think this plays?

608
00:51:51.900 --> 00:52:01.380
So, yeah, Amy discovering the ring in the TARDIS, which obviously sparks a memory about Rory and then kind of guides into the finale.

609
00:52:01.860 --> 00:52:06.780
First of all, I was immediately struck at kind of how well done that was.

610
00:52:06.900 --> 00:52:13.500
And I do think as we're heading into like this 2 part finale, you do need a reminder.

611
00:52:13.559 --> 00:52:20.159
But I do, I think it's like an unfortunate thing about modern television in that it is so serialised.

612
00:52:20.400 --> 00:52:27.539
That you can't really just watch a single episode and this on its own is a nice fluffy standalone episode.

613
00:52:27.599 --> 00:52:34.860
But if I gave this to somebody to watch, like, you know, one of my friends who never watched Doctor Who before, well, they'd be like, well, what was that all about?

614
00:52:34.920 --> 00:52:37.079
What the hell did that have to do with the episode at large?

615
00:52:37.199 --> 00:52:39.960
So I see the purpose of it.

616
00:52:40.019 --> 00:52:42.599
I just think like for rewatching a single episode.

617
00:52:42.780 --> 00:52:44.699
It's kind of a shame.

618
00:52:45.179 --> 00:52:52.860
I do think though, that because modern TV is so serialised, we kind of expect that to some degree.

619
00:52:52.920 --> 00:53:07.320
And certainly it's only a couple of minutes compared to the, like next year, um, a similar thing happens because, um, the sequel to this is in the same position in the season, isn't it?

620
00:53:07.380 --> 00:53:13.980
And that's a much weirder and less comprehensible ending than what we get here.

621
00:53:14.039 --> 00:53:28.500
I think it's a terrifying cliffhanger because what we have is the possibility that Amy is going to remember that her, you know, pre-wedding jitters have got her boyfriend killed.

622
00:53:28.559 --> 00:53:35.039
So, in context, and it's hard to remember what it was like at the time.

623
00:53:35.099 --> 00:53:39.780
In context, this was actually a really kind of shocking conclusion.

624
00:53:40.260 --> 00:53:44.699
Yeah, I remember it being a, oh, no moment.

625
00:53:44.820 --> 00:53:45.420
Yeah.

626
00:53:45.719 --> 00:53:50.940
Helped along by the fact that Karen Gillan is so facially expressive.

627
00:53:51.659 --> 00:53:54.599
Yeah, yeah, very much that.

628
00:53:54.659 --> 00:54:01.380
She does, um, do, like the way she looks at the ring in this kind of puzzled fear is really striking.

629
00:54:01.440 --> 00:54:18.000
And the way it's filmed as well, and just those tight close-ups of her, and the music especially is really chilly, where you've got that kind of do, do, do, opposite these kind of low cello kind of sounds.

630
00:54:18.059 --> 00:54:20.880
I find it really spooked me actually.

631
00:54:20.940 --> 00:54:21.900
I found it very ominous.

632
00:54:21.960 --> 00:54:23.219
So it was very good.

633
00:54:23.280 --> 00:54:26.400
And they use they use that same music, don't they?

634
00:54:26.400 --> 00:54:31.980
in Pandora are open as she's rediscovering at the end of that episode, so he kind of linked in too.

635
00:54:32.039 --> 00:54:38.460
It's, I just want to say for a 2nd the score in general for this episode and for this entire season.

636
00:54:38.519 --> 00:54:42.119
I think this is like peak Doctor Who music in the new series.

637
00:54:42.599 --> 00:54:58.980
Yeah, I have said before, I think that Murray sometimes just kind of recycles the same old cues and gets a little bit, perhaps a little bit complacent in the RTD era at some point, but he's certainly trying to impress his new boss this season, I think.

638
00:54:59.460 --> 00:55:08.340
And it is one of those cliffhangers that I love, which isn't like moment of jeopardy have been done to death in Doctor Who.

639
00:55:08.400 --> 00:55:11.639
It's one of those cliffhangers, which is like conceptual.

640
00:55:11.699 --> 00:55:13.619
It's an ideas, cliffhanger.

641
00:55:13.679 --> 00:55:19.559
So it's less about, oh, someone's in danger and more about, oh, where's the story going now?

642
00:55:19.619 --> 00:55:21.539
And I really like those.

643
00:55:21.599 --> 00:55:34.320
I think as I get older, I like those a lot more than I like the, you know, like the human nature family of blood, choose between so-and-so and so-and-so, this sort of underplayed subtle cliffhanger. is a lot more effective.

644
00:55:59.760 --> 00:56:02.099
Well, dear listener, that's all.

645
00:56:02.099 --> 00:56:03.300
We have time for this week.

646
00:56:03.420 --> 00:56:11.760
We'll be back next week for some hilarious sitcom Quippery as we hang around Stonehenge waiting until the Pandorica opens.

647
00:56:11.820 --> 00:56:27.300
In the meantime, you can find us wherever you get your podcasts and you can keep up with us at flight through entirety on Facebook, at FDE podcast on Twitter, and on our website, flightthroughentirety.com, where you'll find links to our other podcasts, Bondfinger and Jody into Terra.

648
00:56:27.539 --> 00:56:30.420
Jack, where can people find you online?

649
00:56:30.599 --> 00:56:39.539
Um, so you can find me on Twitter if you're so inclined for some reason uh, at uh, Shaq Janahan.

650
00:56:39.599 --> 00:56:41.519
It's an injoke.

651
00:56:41.579 --> 00:56:42.960
It will make sense to somebody out there.

652
00:56:43.019 --> 00:56:53.699
Um, but you can also find, um, if you enjoyed Joe and I politely interrupting uh, Brendan and Nathan at various points.

653
00:56:53.820 --> 00:57:07.619
You can tune into our own podcast, which is, um, the Naimon be praised, uh, which Joe and I, um, spend essentially nattering at each other relentlessly and try to make each other laugh and disagree with each other.

654
00:57:07.679 --> 00:57:16.739
You can find us, and we've been very lucky to have Nathan on at some and we would love to have any of the rest of the FTE team on at some point as well.

655
00:57:16.800 --> 00:57:22.019
You can find us on Twitter at at Naimon Podcast.

656
00:57:22.079 --> 00:57:25.980
Just type the 91B praise or on Facebook as well.

657
00:57:26.579 --> 00:57:29.340
And Joe, where can people find you?

658
00:57:29.400 --> 00:57:31.199
Uh, right.

659
00:57:31.260 --> 00:57:39.239
Well, it feels slightly egotistical to do so, but I have a 2nd podcast out there called A Hamster with a Blunt Penknife.

660
00:57:39.300 --> 00:57:40.380
I hope you get the reference.

661
00:57:40.440 --> 00:57:43.380
And that is Doctor Who Coventaries.

662
00:57:43.440 --> 00:57:50.039
It's me and one guest, a different guest each time, watching through a Doctor Who story, and bantering, basically.

663
00:57:50.039 --> 00:57:58.920
On Twitter, I am at Doc Oho, DOC OHO, but you may have heard of my blog.coho reviews.

664
00:57:58.980 --> 00:58:00.179
That's the reference to that.

665
00:58:00.239 --> 00:58:06.360
But it's on every available platform, anchor, Spotify, Google Podcasts.

666
00:58:06.360 --> 00:58:17.219
And I have already had one of the hosts from today, Nathan Bottomey, records 3 stories already, one of which which is out already.

667
00:58:17.280 --> 00:58:24.659
That's aliens of London and World War 3 where he, for an hour and a half managed to convince the world that that was the best story ever.

668
00:58:25.260 --> 00:58:35.460
And I am going to be having um, Brendan, uh, my host here today, uh, on very soon to, um, it's a defensive time flight, isn't it, Brendan?

669
00:58:36.300 --> 00:58:38.099
Even Arab.

670
00:58:38.880 --> 00:58:40.260
Yes.

671
00:58:40.380 --> 00:58:42.480
Love time flight.

672
00:58:42.539 --> 00:58:44.579
Well, love is strong.

673
00:58:44.639 --> 00:58:47.280
I am comfortable with time fly.

674
00:58:47.340 --> 00:58:48.119
Well, comfortable.

675
00:58:48.179 --> 00:58:50.340
Um, it's gonna be fun.

676
00:58:50.519 --> 00:58:52.440
It's going to be fun.

677
00:58:53.099 --> 00:59:03.239
And I feel I should just mention before we go, that we, we, we consider ourselves your marketing team now because we literally mentioned this podcast on every episode.

678
00:59:03.300 --> 00:59:04.739
So you're welcome.

679
00:59:04.860 --> 00:59:07.860
Oh, well, thank that is very much appreciated, chaps.

680
00:59:07.920 --> 00:59:08.219
Thank you.

681
00:59:08.340 --> 00:59:16.920
Well, in that case, all that remains is for me to say, until next time, may you look less like your couch than we look like ours.

682
00:59:16.980 --> 00:59:19.739
Thank you very much for listening and good night.

683
00:59:19.800 --> 00:59:21.900
I knew I shouldn't have worn this.

684
00:59:21.960 --> 00:59:22.380
Good night.

685
00:59:22.440 --> 00:59:23.639
Good night.

686
00:59:23.699 --> 00:59:24.119
Good night.

687
00:59:28.800 --> 00:59:35.219
That was Flight 3 entirety, starring Nathan Bottomley, Joe Ford, Brendan Jones and Jack Shanahan.

688
00:59:35.280 --> 00:59:37.199
Theme arrangement by Cameron Lamb.

689
00:59:37.320 --> 00:59:43.679
This episode, relatable, was recorded on the 14th of March 2021 and released on the 23rd of May.

690
00:59:46.739 --> 00:59:56.280
This episode is brought to you by Zencaster, the online podcasting tool that lends you see a pixelated slideshow of your remote guests, and occasionally hear some of the things they're saying.

691
00:59:56.400 --> 01:00:02.400
Go to zencaster.com and use the offer code tiresome at checkout.

692
01:00:05.460 --> 01:00:06.239
Hello?

693
01:00:07.019 --> 01:00:09.000
Joe, are you there?

694
01:00:09.420 --> 01:00:11.340
I'm here.

695
01:00:11.639 --> 01:00:14.099
I think we've lost them.

696
01:00:14.880 --> 01:00:19.139
Oh, okay, so so we can hear each other and they can't hear us.

697
01:00:19.199 --> 01:00:21.179
That's that's bizarre.

698
01:00:21.239 --> 01:00:22.079
Yeah.

699
01:00:22.920 --> 01:00:26.219
Hello and welcome to the Noble Be Praised.

700
01:00:26.280 --> 01:00:26.880
I'm Jack.

701
01:00:28.079 --> 01:00:31.260
Welcome to a hamster for blump and night.

702
01:00:32.820 --> 01:00:36.059
We shouldn't have done that. shameless.

703
01:00:36.119 --> 01:00:38.039
They're going to have to cut that.

704
01:00:38.519 --> 01:00:40.199
Are we back?

705
01:00:41.099 --> 01:00:42.780
I don't know.

706
01:00:42.840 --> 01:00:43.559
I can't hear them.

707
01:00:43.739 --> 01:00:45.659
We can hear you.

708
01:00:45.719 --> 01:00:46.980
You can't hear us.

709
01:00:47.039 --> 01:00:48.480
We can hear you.

710
01:00:48.539 --> 01:00:50.760
Wait, were you talking to me or to them?

711
01:00:51.539 --> 01:00:56.099
Wait, can I can hear you, Joe, but Jack is offline.

712
01:00:56.159 --> 01:00:57.780
Jack is not here anymore.

713
01:00:57.840 --> 01:00:59.579
Oh, I can hear you.

714
01:00:59.639 --> 01:01:01.019
I'm assuming both of us will.

715
01:01:01.079 --> 01:01:01.920
Yeah, I can hear Jack.

716
01:01:01.980 --> 01:01:03.960
I can hear Jack and I can hear you too.

717
01:01:04.019 --> 01:01:06.119
That's who I can hear. can hear everybody.

718
01:01:06.179 --> 01:01:07.619
You can hear Jack.

719
01:01:07.679 --> 01:01:09.599
I can't...

720
01:01:09.840 --> 01:01:12.420
Oh, I can't hear Nathan and Brendan.

721
01:01:12.480 --> 01:01:14.940
Jack, can you refresh the browser?

722
01:01:15.000 --> 01:01:16.320
Can you tell him to refresh the browser?

723
01:01:16.380 --> 01:01:17.340
Will that keep his recording?

724
01:01:17.400 --> 01:01:19.619
Uh...

725
01:01:19.619 --> 01:01:21.179
Let's stop and start.

726
01:01:21.300 --> 01:01:23.400
I feel as if I'm in a chronic hysteresis.