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This transcript was created on 2026-06-07 at 15:05:02

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Hello, Nilissa, and welcome back to Flight through Entirety.

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The only Doctor Who podcast still standing around wondering where the boatswain got to.

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I'm Nathan.

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I'm James.

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I'm Todd.

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And I'm Robert Picardo as Lily Cole in a crunchy, soggy, crimply nighty for this one.

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You really are. hospital night to your fat, yeah.

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Well, Pirates of the Caribbean was a huge hit just 7 years ago, and so it's time for Doctor Who to do what it does best.

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Cash in on a massive craze long after everyone else has well and truly moved on.

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So let's check in on Hugh Bonneville and his crew of scurvy bearded lads while we're all trying to avoid catching the curse of the black spots.

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I loved the smugglers.

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How about you?

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Yeah, no, I think the smugglers...

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I'm kind of serious.

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This feels like a reboot of Billy's last one, which is a favourite of this podcast, if you go back and listen to our recording.

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Yeah, so it was probably not deadly bored by it.

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It's sort of a prequel to it, isn't it?

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I'm blowing my powder early, but I honestly feel that, Okay, let's see what do we all feel about this one?

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I think that it doesn't quite deserve the bad reputation that it has until about 30 minutes in when it all goes horribly wrong.

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What about you, Todd?

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I think it deserves the bad reputation.

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And from 30 minutes in, it's pretty obvious it just falls collapses in upon itself.

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And I have problems with some of the casting as well, including Hugh Bonavill and Oscar Lloyd.

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Goodness.

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James.

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I think you're all wrong.

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No, no, no.

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I remember this being terrible.

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And I was pleasantly whelmed.

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I wasn't overwhelmed.

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I wasn't underwhelmed, I was whelmed.

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You just pushed through it.

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I think that's the wrong podcast, shit.

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The reason I mention the smugglers, it's just, I feel this is a perfect trout and bolly and pen.

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See what I did there?

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This is a perfect early trout and vehicle.

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And the only thing that lets it down is hasty.

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I suspect, hasty rewriting and looking for an hour.

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But the beginning of it, I think, is lovely, and Hugh Bonnable.

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Oh my god.

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I think, I mean, I'm going to put my cards on the table and think that Hugh Bonneville should basically be in everything.

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He is...

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He's the best reactive actor.

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We paid a fortune for a major star to react to Glad Rap hanging in.

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In the studio.

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Acting is just... reacting.

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I think it's horrible and it's such a wicked waste of a talent.

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Yeah, yeah, I mean, he's got a sort of good, I don't know.

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I don't agree with Todd about Bonneville or Lloyd.

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I think uh, the boy.

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Toby is actually really quite subtle and seems to know what he's doing.

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And according to Peter, He had a fantastic turn in Emmerdale being pulled through a hedge.

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So it clearly didn't affect his future career, except he doesn't seem to have worked since 2017.

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But if the dear listener decides to Google some images, they'll see that he has cheekbones that you could actually cut yourself on, I think.

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He's turned into a handsome young man.

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See, I knew him from Emmerdale because he was in there just prior and I was watching it at the time and Amanda Donahue was his mother and he had unfortunate storylines, the hedge storyline and getting kicked in the head by a horse.

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But you know, he was...

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He was the youngest of the family.

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There were much bigger things going on.

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So he got, you know, the more tame sort of storylines.

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I actually think is very good, and I think Hugh is very good as well, but I just think they're just too nice for pirates, you know, and when I think Lee Ross is actually doing, and the other members are doing much more down and dirty sort of pirating, and they're just sort of the upper crust of the pirating.

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Do you know what I mean?

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Like, I just kind of think there's something a little bit amiss there that that's what I was trying to say earlier on.

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I like that he plays a gentleman pirate.

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This is very Robert Louis Stevenson's kidnapped.

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The Smugglers was Dr. we talked about Dr. Sin and Moonfleets.

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It had its own antecedents.

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I love that when Doctor Who does current hits.

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It doesn't go to Pirates of the Caribbean.

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It goes to the literary antecedent of 100 years, something years ago. which is, I think, very cute.

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But yeah, he's a gentleman pirate, and when he discovers his son there, as Lee Ross's character says, oh, no, he's gone solved.

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So we can believe that he was a cutthroat R and a stabby type person.

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How good is Amy in Captain Pirate drag?

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She looks gorgeous.

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I actually think that that might be the best thing about it is that wonderful scene where Amy's in Pirate Drag.

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She looks up after finding the cutlass.

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Obviously they've locked all the cutlasses away so they don't sort of injure one another by mistake or anything.

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And then she sort of looks up at the wall and there's a pirate outfit hanging there and she sort of thinks, all right, I'll have that.

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And suddenly she's swinging from the yard arm and stuff and she thinks she's doing a really fantastic job.

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Like she thinks she's being incredibly threatening without realising, of course, that they're terrified of literally the slightest Nick at all.

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I think that that's absolutely really fun and I would have loved more of that.

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And that's part of the problem, I think, is that all the really fun piracy stuff like making Matt Smith walk the plank, you know, having Amy swinging off the rigging and stuff, all of that stuff basically goes away really, really quickly.

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And we end up just sort of wandering around the pirate ship for quite a lot of time.

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Do you think uh, Karen in the Pirate Trag is the reason why Disney thought it was a good idea to reboot um, Pirates of the Caribbean with her a few years ago?

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Could be.

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Maybe.

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Did we know that Disney cast's purely on visuals?

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Yeah.

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And she is, she is sort of properly good in this, I think, you know, I'm always astounded watching her by how kind of subtle she is, and there'll be more of that next week where I think she puts in an amazing performance.

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But here I think she is just kind of solidly reliable.

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I think she's really good.

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And in fact, I think we'll get to this at the end, she's a little bit too good for the material in places and that can cause a problem.

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I agree with you, Nathan.

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I think she's, she does a really great job. throughout this.

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And I also love...

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I also love Arthur Darvel's acting when he's under the influence of the siren, like in that sequence.

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It's so good.

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So delicious.

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He leaves the cast in reactive acting.

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Yes.

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If only there was something for them all to react to.

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Monitor reacts to hanging glad rap on a south stage.

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At the cheapest fan production reboot of caretaker.

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This really is, this really is Voyager on the holodeck, isn't it?

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We should mention the smugglers, actually, while we were talking about it as being the first casting and speaking part of an actor of colour in Doctor Who.

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And so it's nice to see a mirror of things that happened then and happening again in this one.

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I like, I like the 1st 3 quarters of this a lot more than I thought I did.

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And Richard, I do agree with.

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I do agree with you all.

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Like, I mean, I'm being rather, you know, blunt and harsh, but, you know, I was quite, I was, yeah, it is my job.

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It's my contract.

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But I was enjoying the 1st 20 minutes, but then I just got more and more annoyed as it went to the conclusion and then it just sort of, I just kind of, just, everything began to irritate me, you know?

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Yeah, I think so.

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Look, I do want to talk about that a little bit later, but I also just kind of want to talk a bit about the good bits before we all kind of start tearing into it.

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I have to say that I think, you know, having Matt unable to kind of communicate with them properly because he keeps wanting to talk about senses and things, that that's kind of adorable.

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I like the little bit of jockeying for position between the doctor and Captain Avery, about who's the proper captain.

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I think it's sort of adorable the way that that pirate disappears and Matt kind of catches his hat before it hits the ground and now he's wearing the guy's pirate at.

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Like all of that stuff is actually really quite good.

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There's plenty of good stuff going on.

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There's a little life lesson in this for young people.

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And it really struck me this time.

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It's when, as you just said it, when the doctor hands over the standard controlled and says, oh, Captain, what do we do now?

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Which is actually a dangerous thing because we know the doctor knows everything.

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Can you imagine Tom doing that?

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Again, this is why it feels like a Pat Trouton story.

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It reminds me a little bit, too, of like, you know, I think there's some beautiful visuals with the with the pirate ship becalmed and the siren coming out of the water.

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Reminds me a little bit of like the highlanders with the ship sort of in that where there bends in the water and that sort of thing.

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That very memorable scene, which we don't get to see of Ben in a wet shirt, sort of coming out of the water.

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They better do that justice when they reanimated in, you know, 2045.

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They had better.

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Yeah, I don't know.

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It seems to have been something that was possible like a long time ago and possible on a Doctor Who budget, you know, as early as the chase to have a ship in water that you can shoot on.

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And I think it is very effective here.

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Lake El Street.

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Right, right, right.

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Right.

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Well, I mean, it's a great choice and it does give us some good visuals.

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The sheep is terribly convincing.

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The scene later on where they finally stop being becalmed and run into a storm is tremendously good and quite exciting.

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There's a great bit of sort of piratory in that.

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I think it was a good choice for a Doctor Who story.

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And I think that pirates are just reliably, terribly fun.

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So I'm absolutely on board with it.

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The problem is, I think, that far too early, they sort of switch from pirates to space corridors and, you know, that's where everything goes wrong.

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I would have found it more interesting visually.

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And maybe, I think, I feel like they ran out of time with this one.

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But it went through some structural changes, but it visually the pirate void or the alternate ship in the mirror universe should have all had goatees and beards, and it's been an evil version.

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No, sorry, that's Star Trek, isn't it?

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But just if they've gone with the liquid motif or just gone with something that was very surreal.

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I feel it's just let down by the budget crash and that terrible year 12 version of Voyager Caretaker. you see in the, I mean, seriously.

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And you've got Hugh Bonnable wandering about looking astonished at Gurneys and floating slabs.

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It's not good.

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No.

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No.

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So how do we feel about our siren, our stroppy homicidal mermaid, as the doctor calls her?

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I think she's absolutely beautiful.

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Like, I love the change of colours from green to red and all of that and her song and there's some beautiful moments, but you know, does it really make much sense that, you know, she goes homicidal on them and and like, and even at the end with, you know, trying to get the permission to, to let them be cured or whatever, or whatever, even I'm not convinced by that whole plot either.

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See, I'm kind of glad they didn't get Lily Cole to act because have you seen the imaginarium of Dr. Parnassus?

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No?

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Not good.

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No, she's not an actor, but she was one of the highest paid, the 10 highest paid models of the year before in the UK.

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It was it was a massive coup getting her publicity wise.

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But yeah, it shouldn't, we shouldn't have gone to such a static realm.

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If it had been something of a mystery.

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If rather than the holographic doctor from Voyager, if we'd actually had a little bit of, well, what if what's happening here?

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If, say, the aliens existed in a liquid environment, and they weren't exactly just put into a make do sick bay, and there was some, I don't know how visually you would do that.

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But, as I say, if you just truncated that last half or quarter into a smaller moment.

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But I guess that's the point.

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This is a very thin premise, isn't it?

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Yeah.

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And I think the bit early on where we're trying to discover what's going on.

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So the problem is set up immediately in the teaser, which is just largely played for laughs, I think, where poor old McGrath kind of slightly nicks his hand or whatever and suddenly he goes outside and he's completely disappeared.

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And then you have the doctor coming along to try and solve it.

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And the doctor comes up with a sort of series of theories.

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I think there's 4 theories that he presents that are just disproved.

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And even though that doesn't go anywhere or do anything, it's a nice change from a Doctor Who turns up and immediately knows what's going on and is just able to say, you know, this is from the planet Zog, and I know how it works and all of that, we actually see him doing what the doctor used to do a lot more frequently, I think, which is to try and work out what the rules are.

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And so he comes up with a theory it's falsified.

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He has to come up with another theory and so on.

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And I think that that's actually quite good.

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And I also like the idea that suddenly it's reflective surfaces that are the danger.

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Initially, we think it's water and then we find out it's any sort of reflective surfaces at all and having them hide in the powder room where there's the powder room.

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The armoury, the arsenal, where there's no protective services.

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All of that's actually sort of quite interesting and that develops and that's how the plot propels itself.

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I believe that pirates have a powder room.

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They are very, they are very pretty pirates.

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They do have bad teeth.

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I think there is quite a lot of bad.

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Another nod to the heart no era, yes.

189
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But they do have a big manicurist.

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They have lovely beards, don't they?

191
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I would have liked the final moment. to continue from Dave the Moon. where everyone is now sporting a beard.

192
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That's right Matt turns around and Amy and Rory have beards.

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Yeah, so all of that is quite good.

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And there are some sort of decent jump scares as well.

195
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So, you know, like, I think, I think for a while we're doing okay here, at what point does it go wrong?

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For me, they're just little things that begin to sort of add up, like, you know, I just find, And I started to be so negative.

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I just I really do.

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I'm so sorry.

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Like, the goal, like all the pirate treasure reminds me of the treasure from the ultimate foe that, um, Anthony Amy tries to bribe bits with.

200
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It looks like fake sort of pantomime stuff.

201
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Do you know what I mean?

202
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And then, you know, suddenly Hugh Bonneville is so cuddly and he's in the TARDIS and also accepting and does that really stick?

203
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you know what I mean?

204
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And then, like, we find his son and he's supposed to be hiding away for, I don't know how long, but it's like, surely he would have been discovered before then.

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Like, there's just, for me, there's little tiny things that, Just begin to add up.

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00:17:43.859 --> 00:17:56.640
And then, of course, when they do get taken, and we know that, of course, Lee Ross's character gets taken, but we don't see that happen because of the having to re-edit the episode, because it was moved in the sequence of the season and have the eye passionating in.

207
00:17:56.700 --> 00:18:00.539
That always irritates me, that the fact that we don't see that.

208
00:18:00.599 --> 00:18:04.680
I mean, I know that I just find it a very Star Trek Voyager thing.

209
00:18:04.740 --> 00:18:28.019
You might all disagree with me, but there's these little things that just begin to just, for me, just slowly sort of add up to the point then when we are in Star Trek Voyager holodeck with the doctor, that by the end when we have to watch, Rory died, again, and I think the really appalling attempts at reviving him, and it's not Karen's fault.

210
00:18:28.079 --> 00:18:33.480
It's the way it's shot and just totally unconvincing that whole CPR sequence.

211
00:18:33.539 --> 00:18:34.680
That really just irritates me.

212
00:18:34.680 --> 00:18:35.759
Like, totally.

213
00:18:35.819 --> 00:18:45.480
Like, I really, that just, well, sorry, I'm just, you know, that whole sequence just really just, is the icing on the cake for me as, as the whole thing collapses in upon itself towards the end.

214
00:18:45.539 --> 00:18:46.920
I'm so sorry.

215
00:18:46.980 --> 00:18:47.640
I'm so sorry.

216
00:18:47.759 --> 00:18:51.299
I'm going to get much worse than that, Todd. no need to apologise.

217
00:18:51.359 --> 00:19:13.259
The, the, I think that you identified earlier on, Todd, something that is a problem in the episode, and that is the Hugh Bonneville learns a valuable lesson about the importance of fatherhood, is such a sort of weird anachronistic and kind of cheesy and trite character arc for him.

218
00:19:13.319 --> 00:19:22.380
You know, like he learns that, um, it's very important to look after his son, he tries to throw away the treasure to kind of protect him from the siren.

219
00:19:22.440 --> 00:19:26.519
He can't bring himself to throw away that cheesy, fake looking crown.

220
00:19:26.579 --> 00:19:29.579
And then he loses his son.

221
00:19:29.640 --> 00:19:37.500
It's all just incredibly kind of tedious and kind of played.

222
00:19:37.559 --> 00:19:41.460
It's it's, there's nothing really very interesting about it.

223
00:19:41.519 --> 00:19:43.799
So I think that's a problem.

224
00:19:43.859 --> 00:19:48.599
I think that going to the TARDIS in the middle of the episode kills it.

225
00:19:49.559 --> 00:19:51.240
Very much so.

226
00:19:51.299 --> 00:19:53.160
But it is, it is that thing.

227
00:19:53.220 --> 00:19:56.579
It's that thing where it seems to be marking time.

228
00:19:56.640 --> 00:20:00.299
We've run out of pirate things to do, so are you going to do this?

229
00:20:00.359 --> 00:20:11.880
I had the same experience with my Lego pirate ship after I built it and very quickly it descended into sodomy and after that there wasn't much else to do until he brought in the Ghostbusters.

230
00:20:11.940 --> 00:20:12.420
I mean.

231
00:20:27.779 --> 00:20:29.880
I mean, so there's that.

232
00:20:29.940 --> 00:20:31.619
There is, there is that.

233
00:20:31.680 --> 00:20:42.059
And there's some kind of character development going on there in that tartar scene, but the whole point of the episode is just that sort of the piratiness of it.

234
00:20:42.119 --> 00:20:43.859
And so that's not there.

235
00:20:43.920 --> 00:20:52.140
You take the least pirate pirate out of the plot for a while so that they can hang around the TARDIS in a way that doesn't go anywhere.

236
00:20:52.200 --> 00:20:55.079
Like it doesn't seem to develop the plot any further.

237
00:20:55.140 --> 00:20:59.700
It does just seem to be marking time and I just think it's probably a mistake.

238
00:21:00.240 --> 00:21:03.720
And then there's the disappearance of Lee Ross.

239
00:21:03.779 --> 00:21:07.500
Now, James, you didn't notice that.

240
00:21:07.559 --> 00:21:08.279
Is that right?

241
00:21:08.400 --> 00:21:15.000
Yeah, look, I just, um, I thought that she was just a really efficient killer mermaid.

242
00:21:15.059 --> 00:21:17.339
Like, she just killed him between cuts.

243
00:21:17.880 --> 00:21:21.240
Yeah And that's clearly what happened.

244
00:21:21.299 --> 00:21:24.839
But we're left in the arsenal with him threatening them.

245
00:21:24.900 --> 00:21:30.240
There's conflict between him and Toby, and then suddenly the next time we come back, he's gone.

246
00:21:30.359 --> 00:21:38.460
So there was something happening there, some kind of conflict which looked like it was set up as being important, and then it disappears completely.

247
00:21:38.519 --> 00:21:50.700
And they've clearly edited it because Mulligan's disappearance was sort of similar or something, and I think James, maybe you even kind of thought that that was Lee Ross disappearing through the door.

248
00:21:50.759 --> 00:21:59.460
But in any case, it was sacrificed for the overall plot arc, right?

249
00:21:59.519 --> 00:22:07.259
And so what's gone into this episode, when it's moved up, it's exchanged with night terrors in the running order.

250
00:22:07.319 --> 00:22:08.099
Am I right about that?

251
00:22:08.160 --> 00:22:08.880
Yes.

252
00:22:08.880 --> 00:22:12.599
And so it is now a pre-gangers episode.

253
00:22:12.660 --> 00:22:20.400
And so we have to have the eye patch lady appearing to kind of continue with that plot thread, but that doesn't take very long.

254
00:22:20.460 --> 00:22:22.019
That's about 30 seconds probably.

255
00:22:22.079 --> 00:22:23.400
That's right.

256
00:22:23.460 --> 00:22:24.240
I timed it.

257
00:22:24.299 --> 00:22:26.039
Like I went, this is a 22nd scene.

258
00:22:26.099 --> 00:22:28.619
It doesn't, like, you know, it's seen such a feeble excuse.

259
00:22:28.680 --> 00:22:45.779
But what else goes on at the end of the episode is a bit longer where we have an ending to this episode that is essentially there for the people who have forgotten how last week's episode ended because last week's episode ended exactly the same way.

260
00:22:46.140 --> 00:22:52.440
With Amy and Rory going, oh, we mustn't tell the doctor that we saw him die.

261
00:22:52.500 --> 00:22:59.819
And the doctor looking at his screen going, we can't tell Amy that she is and simultaneously isn't pregnant.

262
00:22:59.880 --> 00:23:04.079
And that's exactly how the previous episode ended.

263
00:23:04.140 --> 00:23:11.400
And next week we're going to pick up with a scene where Amy and Rory discussed the fact that they saw the doctor die.

264
00:23:11.460 --> 00:23:19.259
I just don't see that that scene, which is clearly what ate up the running time that saw Lee Ross edited out.

265
00:23:19.319 --> 00:23:21.900
I don't know why that's there. you know.

266
00:23:21.960 --> 00:23:26.220
Lee Ross, he is absolutely the best player in this.

267
00:23:26.279 --> 00:23:27.119
He's great number.

268
00:23:27.180 --> 00:23:31.500
Johnny Spandrel, guest of the podcast, and possible friend of the podcast.

269
00:23:31.559 --> 00:23:44.099
Mentioned this in his in his random Hoonist thing when he talks about the jumping of the editing to fit in, um, you know, this anodyne plot line.

270
00:23:44.160 --> 00:23:54.420
It's meant to be jigging us up, isn't it, for every single week, but I'm actually finding it a bit trying to drive a mini moke when you've never tried a manual gearbox before.

271
00:23:54.480 --> 00:23:57.539
I just keep getting stuck and I don't care.

272
00:23:57.599 --> 00:24:00.359
And that's my real problem with the season.

273
00:24:00.420 --> 00:24:03.119
I know we'll probably get to this further on, but yeah, is she pregnant?

274
00:24:03.180 --> 00:24:04.200
Is she not pregnant?

275
00:24:04.259 --> 00:24:09.779
I don't know that things that are so personal to the characters really work in this situation.

276
00:24:09.839 --> 00:24:13.680
It's too big an event to make such lightness of.

277
00:24:13.799 --> 00:24:24.480
Yeah, I think that we will definitely be getting onto that too, probably. at the, you know, at the end of this sort of 1st half of the season at the kind of mid-season cliffhanger.

278
00:24:24.539 --> 00:24:27.119
But I agree with you exactly, Richard.

279
00:24:27.180 --> 00:24:28.740
I think that's the problem with that plot.

280
00:24:28.859 --> 00:24:39.839
But, you know, people complain that the plot is too complicated, but here we have a situation where we're seeing things that we've seen before and I don't know why we have to see them again.

281
00:24:39.900 --> 00:24:47.099
We won't get Madame Cavaria next week, but she will reappear in the gangers 2 parter, I think.

282
00:24:47.160 --> 00:24:48.420
Am I right?

283
00:24:48.480 --> 00:24:49.980
I can't remember.

284
00:24:50.039 --> 00:24:51.720
But we just didn't need it.

285
00:24:51.779 --> 00:24:55.440
And it wrecks the episode to some degree, I think.

286
00:24:55.500 --> 00:24:57.720
Can you explain something to me?

287
00:24:57.779 --> 00:25:03.059
When the doctor realises what's going on with the siren and they all cut themselves simultaneously?

288
00:25:03.119 --> 00:25:04.259
They all get taken.

289
00:25:04.319 --> 00:25:05.099
All 3 of them.

290
00:25:05.160 --> 00:25:07.980
Why don't they all get put into like on the beds and everything like that?

291
00:25:08.039 --> 00:25:12.660
What's the, can you, like, everybody else seems to be connected to it and unconscious, but they're not.

292
00:25:12.720 --> 00:25:14.579
Yes, yeah.

293
00:25:14.640 --> 00:25:16.079
Okay.

294
00:25:16.140 --> 00:25:17.400
So, all right.

295
00:25:17.460 --> 00:25:30.779
The very, very 1st time I think that we've had a medical device out of control, instead of a villain, is in the vastly superior empty child doctor dances.

296
00:25:30.839 --> 00:25:34.619
Although Vira goes a bit AWOL on Nertha Beacon.

297
00:25:39.660 --> 00:25:46.200
And that, everyone agrees that that story is absolutely tremendous.

298
00:25:46.259 --> 00:26:04.200
But you don't actually need to push very hard before realising that the Chula ambulances, medical technology and the nano genes are really just doing whatever it is that we need in order to get the plot to work.

299
00:26:04.200 --> 00:26:12.599
In order for us to get to that big climax at the end, where Nancy tells Jamie, that she's his mother, right?

300
00:26:12.660 --> 00:26:17.460
The only other reason the Chula ambulance behaves like that is so that we can get creepy gas mask monsters.

301
00:26:17.519 --> 00:26:19.319
So it's analysed human beings.

302
00:26:19.380 --> 00:26:31.559
It's decided because it's really not very good that this thing made out of rubber and metal is part of a normal functioning human being and that it goes rewriting people so that they're all like that.

303
00:26:31.619 --> 00:26:33.660
And none of that makes any sense.

304
00:26:33.720 --> 00:26:36.000
You get away with that once, I think.

305
00:26:36.059 --> 00:26:55.319
And here, what we have is a medical AI that's out of control that does whatever it needs to do to look like a spooky, stroppy homicidal mermaid in the 1st half of the story, and then to suddenly unexpectedly reveal itself to be a medical device at the end.

306
00:26:55.380 --> 00:27:00.539
And the other thing about that is that who cares?

307
00:27:02.819 --> 00:27:05.279
We have no villain now.

308
00:27:05.339 --> 00:27:06.900
We have nothing to overcome.

309
00:27:06.960 --> 00:27:09.119
We found out that it's a medical thing.

310
00:27:09.180 --> 00:27:12.720
We sign a form and then we escape.

311
00:27:12.779 --> 00:27:27.900
And so it's so undramatic and so, so tedious and it has absolutely nothing to do with the piratry in the 1st half of the episode. except the captain does get to fly the ship at the end.

312
00:27:27.960 --> 00:27:30.480
I mean, obviously he's just a genius at space technology.

313
00:27:30.779 --> 00:27:34.740
That's kind of what the scene in the TARDIS was for, wasn't it?

314
00:27:34.799 --> 00:27:37.440
It's like my ship and your ship aren't that different.

315
00:27:37.500 --> 00:27:39.720
The astrolabe, you know, the all of that.

316
00:27:39.839 --> 00:27:42.779
I get it, but I don't care. just don't care.

317
00:27:43.859 --> 00:27:45.299
Yeah.

318
00:27:45.359 --> 00:27:46.259
Yeah.

319
00:27:46.319 --> 00:27:52.380
A very slim premise is taken at 90 degrees and shoved down a space corridor and then we left with the results.

320
00:27:54.480 --> 00:28:08.519
You know, I think it's, I think it's, um, Xander, who sort of makes the point that in underworld, the Golden Fleece is guarded by a dragon, you know, like a worm or something like that.

321
00:28:09.000 --> 00:28:25.680
And when the doctor meets the version of that in underworld, the exciting science fiction version of that in underworld, it's actually vastly less interesting than a dragon because it's just a sort of CSO tunnel that he floats up.

322
00:28:25.740 --> 00:28:29.460
You know, the invisible dragon, so we don't have to pay to realise them.

323
00:28:29.519 --> 00:28:30.839
They're terrible, you know.

324
00:28:30.900 --> 00:28:32.700
And I think that that's what we get here.

325
00:28:32.759 --> 00:28:37.920
We're promised pirates and we get space corridors and we don't just get space corridors.

326
00:28:37.980 --> 00:28:44.940
We get the cheapest, most low effort space corridors that the show has done in an incredibly long time.

327
00:28:45.000 --> 00:28:51.000
They might as well have just been in like one of Ed Thomas's warehouses.

328
00:28:51.960 --> 00:28:53.400
I think they may as well.

329
00:28:53.460 --> 00:28:57.960
They may as well have been in, you know, a spaceship from season 17.

330
00:28:58.200 --> 00:29:04.019
Like they're poor and they're cheap and they're visually... is exactly the same, yeah.

331
00:29:04.079 --> 00:29:07.440
They should be trapped in hyperspace forever.

332
00:29:08.700 --> 00:29:11.940
But the stones of blood pulls that off so much better.

333
00:29:12.000 --> 00:29:14.279
Yes, yes, exactly.

334
00:29:14.339 --> 00:29:18.480
That spaceship is visually interesting in a way that this is not in any way.

335
00:29:18.539 --> 00:29:20.819
You're doing a top ramp, Nathan.

336
00:29:21.359 --> 00:29:23.160
No, sorry.

337
00:29:23.160 --> 00:29:23.819
No, not at all.

338
00:29:23.880 --> 00:29:24.839
Not at all.

339
00:29:24.900 --> 00:29:29.039
You know, this is like a 5 out of 10 to a six.

340
00:29:29.099 --> 00:29:34.619
Like, this is bad. bad news and this is not my least favourite episode of the season.

341
00:29:34.680 --> 00:29:37.140
I was wondering when we get your rating.

342
00:29:38.160 --> 00:29:47.099
It says beautiful directorial talent in the beginning, the lovely shot of the TARDIS materialising as a reflection in the water.

343
00:29:47.160 --> 00:29:48.779
It's just gorgeous.

344
00:29:48.839 --> 00:29:50.880
There's some really lovely visual moments.

345
00:29:50.940 --> 00:30:02.279
And then you realise that the problem is that we're making a television series that's got to be crammed into a certain time slot and made in a certain order and we lose what makes it work.

346
00:30:02.400 --> 00:30:08.400
See, you know, all of the below deck scenes are actually in studio at upper boat.

347
00:30:08.460 --> 00:30:10.319
That that's not the ship.

348
00:30:10.380 --> 00:30:10.920
Yes.

349
00:30:10.920 --> 00:30:11.940
Right.

350
00:30:12.000 --> 00:30:13.319
I mean, I think they look great.

351
00:30:13.380 --> 00:30:15.119
I mean, they look tremendous.

352
00:30:15.180 --> 00:30:24.660
That, the set for the, uh, what we are now calling the powder room, um, is is stunning and detailed, the set of Avery's quarters looks great.

353
00:30:24.779 --> 00:30:30.000
You know, all of that stuff is incredibly good, but they decide to throw it all away.

354
00:30:30.059 --> 00:30:33.359
They're not confident enough to make it the setting for an entire episode.

355
00:30:33.660 --> 00:30:36.240
It's like Jody's 2nd episode.

356
00:30:36.299 --> 00:30:41.519
It looks parts of this look absolutely stunning, but that does not save a story.

357
00:30:41.579 --> 00:30:42.420
Do you know what I mean?

358
00:30:42.480 --> 00:30:43.500
No.

359
00:30:43.559 --> 00:31:00.420
But imagine if the spaceship had looked like the spaceship in the Saranga conundrum, you know, that if it had been a real contrast to what we've what we'd seen, but instead it's just lit with the same sort of greeny colour palette and stuff like that, it's it's boring.

360
00:31:00.480 --> 00:31:01.859
It's just visually dull.

361
00:31:01.920 --> 00:31:03.299
And cheap as hell.

362
00:31:03.480 --> 00:31:06.720
I'm still going with the liquid environment thing.

363
00:31:06.779 --> 00:31:13.680
I want the threat to have been proper, not just ostensible because it's the podcast that we use ostensible every episode.

364
00:31:13.740 --> 00:31:20.819
I would have liked, maybe they'd have to transmogrify into liquid form.

365
00:31:20.880 --> 00:31:23.039
So that they do in die in a way.

366
00:31:23.099 --> 00:31:26.880
I don't know how you get the doctor and Amy out of that and Rory, but it doesn't really matter.

367
00:31:26.940 --> 00:31:30.900
But the idea of the alien, just being in a space set.

368
00:31:30.900 --> 00:31:34.140
With, with focussing.

369
00:31:34.200 --> 00:31:35.039
Yeah, exactly.

370
00:31:35.099 --> 00:31:39.000
I would have liked that there is some sacrifice in changing over to that other world.

371
00:31:39.059 --> 00:31:46.319
And no, and they do fly, maybe they fly around in a big, in an universe in, they have to give up their bodies.

372
00:31:46.380 --> 00:31:56.220
It becomes a little bit, a little bit woo woo, a little bit sad, a little bit, yeah, because the fact that they're still pirates in the same gear on a space bridge.

373
00:31:56.279 --> 00:31:56.700
Yeah.

374
00:31:57.240 --> 00:31:59.819
But again, that would have been great.

375
00:32:00.059 --> 00:32:08.519
That would have been more fun if it had been gleaming white futuristic corridors, but you have sort of scurvy, filthy pirates, you know.

376
00:32:08.579 --> 00:32:13.559
Yeah, yeah, you've got pirates kind of flying the enterprise around the galaxy.

377
00:32:13.619 --> 00:32:15.839
That would have been actually a lot more fun.

378
00:32:15.900 --> 00:32:24.119
But instead, you've got them in the same grungy ass corridors that they were in on the spaceship who cares, you know, it's just not that interesting.

379
00:32:24.240 --> 00:32:26.099
I don't just say it.

380
00:32:26.160 --> 00:32:47.160
Like, I mean, if this hadn't kept its same position in the season and not had to go like the re-edits, like coming after quite a strong two-parter to begin with, maybe we might think a little bit more of it, like if it had been placed a bit later on in the season, like, you know, rather than here, it's wedged between what I think is a good 2 partner and the doctor's wife, which I adore, right?

381
00:32:47.220 --> 00:32:51.240
So for me, it's sort of, there's a bit of that going on too, I have to say.

382
00:32:51.299 --> 00:32:52.559
Yeah.

383
00:32:52.619 --> 00:33:14.880
The other thing too, Nathan, you were saying, and you've said a number of times, like, you know, from this point forward, like the writers are now writing for Matt Smith, and they're purposely writing eccentric things for him to do, and I'm really beginning to pick up on it in this episode, like ultra-accentive, lots of throwaway lines and asides, and this is something that I'm seeing a lot more, and I think early on in the episode it works really well.

384
00:33:14.940 --> 00:33:21.240
Later on, there's that whole alien bogies joke, which I just think falls completely flat for me.

385
00:33:21.299 --> 00:33:25.619
It's another thing that really just gets to me and I just kind of think, oh, really?

386
00:33:25.680 --> 00:33:27.900
Like that, probably think it's the best thing ever.

387
00:33:27.960 --> 00:33:28.500
But, you know.

388
00:33:28.619 --> 00:33:31.559
Do you know who sells that is Karen?

389
00:33:31.619 --> 00:33:43.079
So when he wipes his hand on Karen's jacket and she does this look, which is like, this is literally the kind of crap I have to put up with from this idiot all the time.

390
00:33:43.140 --> 00:33:46.559
Like, it's really quite subtle, but it's perfect.

391
00:33:46.619 --> 00:33:49.019
She absolutely makes that joke work.

392
00:33:49.079 --> 00:33:51.420
But I agree, the alien bogies thing.

393
00:33:51.480 --> 00:33:54.180
It's like bumpy wumpy a couple of weeks ago.

394
00:33:54.240 --> 00:34:05.579
Like, it is, I think, leaning too much into that sort of stuff, whereas the genius of Matt is the spin that he gives on new things that you give him to do.

395
00:34:05.640 --> 00:34:15.719
And so he is starting maybe at this point to become a little bit of an impression of himself.

396
00:34:16.500 --> 00:34:19.980
I'm going to say, I, and it's not a bad thing.

397
00:34:20.039 --> 00:34:20.760
I do agree with you.

398
00:34:20.820 --> 00:34:23.940
That's the one thing that I picked up on a number of episodes this season.

399
00:34:24.000 --> 00:34:28.980
I know I'm jumping ahead, but I just began to notice it more and stuff like that.

400
00:34:29.039 --> 00:34:33.000
And this was the 1st time I kind of thought, oh, That's what you're doing.

401
00:34:33.059 --> 00:34:36.300
This is, I don't want to say this is the David Tenant shtick.

402
00:34:36.360 --> 00:34:38.159
It's like, this is your default, you know?

403
00:34:38.219 --> 00:34:45.539
And I'm sorry to sort of be putting it into this episode because I think Matt's great and I really love him as the doctor, but it's just something that I observed.

404
00:34:57.960 --> 00:35:04.739
Can I have another rant about that horrible CPR scene and having, like, Rory lying there dead in the TARDIS?

405
00:35:04.800 --> 00:35:12.179
Like, they then transport him from the Sick Bay into the Tartars, just so we can do that there, like, for no apparent reason.

406
00:35:12.239 --> 00:35:13.739
It just annoys me so much.

407
00:35:13.800 --> 00:35:17.519
It's just like we don't know how to end this and this is what we're going to do.

408
00:35:17.579 --> 00:35:20.579
It's utterly pretend drama.

409
00:35:20.639 --> 00:35:22.440
There's no drama here at all.

410
00:35:22.500 --> 00:35:29.219
So the doctor doesn't do it and doesn't cure him for literally no reason at all.

411
00:35:29.280 --> 00:35:32.219
It's just so that we get Amy to do it.

412
00:35:32.280 --> 00:35:36.719
He's standing there kind of biting his fingernails and stuff, not doing anything.

413
00:35:36.780 --> 00:35:45.059
You know, like in a few years time, he'll be replacing Ram's leg in the 1st episode of class, you know, or Nardol's whole body.

414
00:35:45.119 --> 00:35:55.079
Like, it's clear the doctor could have done this, but doesn't, and that's just so that we can have Amy do some acting for this scene.

415
00:35:55.139 --> 00:35:57.239
And there's no drama to it.

416
00:35:57.300 --> 00:35:59.099
We know that Rory's not going to die.

417
00:35:59.159 --> 00:36:00.960
Of course, it's not going to die.

418
00:36:00.960 --> 00:36:02.340
Everything's going to be okay.

419
00:36:02.400 --> 00:36:04.380
No, it doesn't matter.

420
00:36:04.440 --> 00:36:08.400
It's absolute, it's the simulacrum of drama.

421
00:36:08.460 --> 00:36:10.559
It's utterly pretend.

422
00:36:10.619 --> 00:36:12.420
There's no stakes.

423
00:36:12.480 --> 00:36:14.579
Everyone's overwrought.

424
00:36:14.639 --> 00:36:19.619
Karen's acting her socks off in a scene that doesn't matter in any way.

425
00:36:19.679 --> 00:36:21.539
I think it's dreadful.

426
00:36:21.599 --> 00:36:25.079
Oh my god, it's the lockdown of Doctor Who.

427
00:36:26.400 --> 00:36:35.039
You know, like to be fair, they couldn't have filmed that scene on one of those beds because they would have shaken too much.

428
00:36:35.760 --> 00:36:52.559
Like, they gave, they gave the actors. a direction on those beds that please don't move too much and don't breathe too heavily because it would set up this sort of swaying motion of of the beds on the wires.

429
00:36:52.679 --> 00:36:54.059
It would have been more dramatic.

430
00:36:54.960 --> 00:36:58.619
That's the most movement you've seen in the 2nd half of the episode.

431
00:36:58.739 --> 00:37:04.920
Like a 70s executive desk toy with all the little crunch forks bouncing and fixed up.

432
00:37:04.980 --> 00:37:05.639
Exactly.

433
00:37:07.559 --> 00:37:10.320
We needed a Vivian Fay in this.

434
00:37:10.380 --> 00:37:17.820
We needed like, you know, Lee Ross to actually be silver and be between both the ship and the spaceship or something.

435
00:37:17.880 --> 00:37:20.099
I don't know, not the stupid buddy hologram.

436
00:37:20.159 --> 00:37:21.179
I agree.

437
00:37:21.239 --> 00:37:22.920
It needed a villain.

438
00:37:22.980 --> 00:37:24.599
It needed something to overcome.

439
00:37:24.659 --> 00:37:34.139
Basically all that happened is they made a guess that everyone was being kept alive before they realised that she was a medical device.

440
00:37:34.199 --> 00:37:37.739
They appear and there's no threat.

441
00:37:37.800 --> 00:37:39.119
There's nothing to overcome.

442
00:37:39.179 --> 00:37:41.820
There's nothing clever to do.

443
00:37:41.880 --> 00:37:43.019
There is no one to defeat.

444
00:37:43.079 --> 00:37:47.760
Like, I just think that it makes for a dull story.

445
00:37:47.820 --> 00:37:57.360
And they're trying to do something dramatic at the end, but it's so meretricious and so kind of specious that no one cares.

446
00:37:57.420 --> 00:37:58.980
Like, how could you possibly care?

447
00:37:59.039 --> 00:38:01.739
I think it's a great shame.

448
00:38:01.800 --> 00:38:09.480
I think it is a great shame because there's some great stuff early on, but it all just craters spectacularly at the end.

449
00:38:09.539 --> 00:38:25.440
But you know what, for me, is the worst thing is the fact that, you know, I like this episode more than the Gangers episode and Night Terrace. you know, it's for me, it's not the worst of the season. and but last year we had some problems with a number of episodes, one I'll write off.

450
00:38:25.500 --> 00:38:29.099
But ending stuck, or there were minor things.

451
00:38:29.159 --> 00:38:30.780
This, you know, it's so right, Nathan.

452
00:38:30.840 --> 00:38:32.099
It just, this just craters.

453
00:38:32.159 --> 00:38:40.380
Like, a lot of us didn't like the ending of, say, victory of the Daleks, which is diffusing a bomb, you know, it's a little bit similar.

454
00:38:40.440 --> 00:38:44.699
You've got someone lying there and we're trying to kind of make them better or whatever.

455
00:38:44.760 --> 00:38:49.440
But there are kind of, there are interesting things there.

456
00:38:49.500 --> 00:38:51.900
You know, there's some character stuff there.

457
00:38:51.960 --> 00:39:09.360
There's some stuff about, you know, grief and hurt and identity, and it's all very kind of thin and underdone, but there is at least something going on there, which is very different from this, which is just Rory's going to die, and Amy really doesn't want him to.

458
00:39:09.420 --> 00:39:13.440
And that's absolutely in no way interesting, I think.

459
00:39:13.500 --> 00:39:15.300
Yeah, no, I agree.

460
00:39:15.360 --> 00:39:19.139
Like, I mean, the 1st time through that ending of victory at the Daleks really irritated me.

461
00:39:19.199 --> 00:39:23.400
But coming back to it, I actually like it a lot more, whereas coming back to this, it just irritates me more.

462
00:39:51.059 --> 00:39:54.539
Well, listen, that's all we have time for this week.

463
00:39:54.659 --> 00:40:01.380
We'll be back next week for our regular meeting of the Suran Jones Appreciation Society in the Doctor's Wife.

464
00:40:01.500 --> 00:40:18.000
In the meantime, you can find us wherever you get your podcasts, and you can keep up with us at flight through entirety on Facebook, at FTE podcast on Twitter, and on our website, flightthroughentirety.com, where you'll find links to our other podcasts, Bondfinger, and Jody into Terror.

465
00:40:18.059 --> 00:40:28.139
Until next time, remember that nothing is more important than family, apart from your collection of Blu-ray box sets and day pole figurines.

466
00:40:28.199 --> 00:40:30.840
Thank you very much for listening and good night.

467
00:40:30.900 --> 00:40:32.039
Good night.

468
00:40:32.099 --> 00:40:33.059
See you soon.

469
00:40:33.119 --> 00:40:34.860
Keep your water wings on.

470
00:40:38.880 --> 00:40:41.460
That was Flight Through Entirety.

471
00:40:41.460 --> 00:40:44.460
Sorry, Todd Building, Nathan Bottomley, James Selwood, and Richard Stone.

472
00:40:44.519 --> 00:40:46.679
Theme arrangement by Cameron Lan.

473
00:40:46.800 --> 00:40:53.820
This episode, everyone is now sporting a beard was recorded on the 8th of August 2021 and released on the 26th of September.

474
00:40:57.119 --> 00:41:02.280
If any of you know how to get in touch with Tenaya Miller's people, can you please DM me?

475
00:41:02.400 --> 00:41:08.400
There's a fantastic new job opportunity opening up in 2023, and I think she'd be just perfect for it.

476
00:41:15.000 --> 00:41:17.400
Do you think we've got an out there?

477
00:41:17.880 --> 00:41:20.099
We're at 45 minutes.

478
00:41:20.159 --> 00:41:27.119
I don't think we need to do, like, an hour long episode of this, like we did for the Impossible. doesn't deserve it.

479
00:41:27.420 --> 00:41:37.619
Did you know that, I mean, this, the plot of this is inspired by an actual mermaid story from Cornwall.

480
00:41:38.400 --> 00:41:40.380
Who cares?

481
00:41:40.920 --> 00:41:42.300
And it turned out it was a seal.

482
00:41:42.360 --> 00:41:48.000
It was a seal all along that was kidnapping the pirates.

483
00:41:48.539 --> 00:41:49.800
James, that could go at the beginning.

484
00:41:49.920 --> 00:41:50.880
Do you know anything more about it?

485
00:41:50.940 --> 00:42:01.920
Um, It's a Cornish legend, um, The Mermaid of Zenor, or Xenor, or Castria.

486
00:42:01.980 --> 00:42:03.239
No, um...

487
00:42:03.239 --> 00:42:08.400
It's obviously a very...

488
00:42:08.460 --> 00:42:09.780
No, I mean, that's a different...

489
00:42:09.780 --> 00:42:11.880
That's all I've got.

490
00:42:11.940 --> 00:42:14.460
I don't think that's of much use to the episode.

491
00:42:14.519 --> 00:42:16.380
Yeah, it's all right.

492
00:42:16.440 --> 00:42:17.940
It's a tag.

493
00:42:18.000 --> 00:42:18.539
All right.

494
00:42:18.599 --> 00:42:19.679
I'm going to do the out track.

495
00:42:19.739 --> 00:42:21.659
There you go.

496
00:42:22.679 --> 00:42:25.260
Look, what a sweet, precious angel.

497
00:42:25.320 --> 00:42:28.619
Until she suffocates you in your sleep.

498
00:42:28.679 --> 00:42:31.019
Yeah, well, that's cats.

499
00:42:31.079 --> 00:42:32.039
All right, here goes.

500
00:42:32.699 --> 00:42:36.119
Well, dear listener, that's all we have time for this week.