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This transcript was created on 2026-05-04 at 13:31:04

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Hello, Nilissa, and welcome back to Flight through Entirety.

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The only Doctor Who podcast still standing around wondering where

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the boatswain got to.

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I'm Nathan.

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I'm James.

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I'm Todd.

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And I'm Robert Picardo as Lily Cole in a crunchy, soggy, crimply

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nighty for this one.

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You really are. hospital night to your fat, yeah.

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Well, Pirates of the Caribbean was a huge hit just 7 years ago, and

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so it's time for Doctor Who to do what it does best.

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Cash in on a massive craze long after everyone else has well and

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truly moved on.

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So let's check in on Hugh Bonneville and his crew of scurvy

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bearded lads while we're all trying to avoid catching the curse of

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the black spots.

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I loved the smugglers.

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How about you?

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Yeah, no, I think the smugglers...

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I'm kind of serious.

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This feels like a reboot of Billy's last one, which is a favourite

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of this podcast, if you go back and listen to our recording.

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Yeah, so it was probably not deadly bored by it.

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It's sort of a prequel to it, isn't it?

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I'm blowing my powder early, but I honestly feel that, Okay, let's

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see what do we all feel about this one?

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I think that it doesn't quite deserve the bad reputation that it

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has until about 30 minutes in when it all goes horribly wrong.

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What about you, Todd?

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I think it deserves the bad reputation.

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And from 30 minutes in, it's pretty obvious it just falls

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collapses in upon itself.

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And I have problems with some of the casting as well, including

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Hugh Bonavill and Oscar Lloyd.

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Goodness.

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James.

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I think you're all wrong.

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No, no, no.

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I remember this being terrible.

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And I was pleasantly whelmed.

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I wasn't overwhelmed.

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I wasn't underwhelmed, I was whelmed.

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You just pushed through it.

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I think that's the wrong podcast, shit.

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The reason I mention the smugglers, it's just, I feel this is a

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perfect trout and bolly and pen.

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See what I did there?

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This is a perfect early trout and vehicle.

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And the only thing that lets it down is hasty.

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I suspect, hasty rewriting and looking for an hour.

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But the beginning of it, I think, is lovely, and Hugh Bonnable.

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Oh my god.

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I think, I mean, I'm going to put my cards on the table and think

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that Hugh Bonneville should basically be in everything.

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He is...

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He's the best reactive actor.

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We paid a fortune for a major star to react to Glad Rap hanging

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in.

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In the studio.

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Acting is just... reacting.

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I think it's horrible and it's such a wicked waste of a talent.

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Yeah, yeah, I mean, he's got a sort of good, I don't know.

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I don't agree with Todd about Bonneville or Lloyd.

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I think uh, the boy.

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Toby is actually really quite subtle and seems to know what he's

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doing.

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And according to Peter, He had a fantastic turn in Emmerdale being

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pulled through a hedge.

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So it clearly didn't affect his future career, except he doesn't

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seem to have worked since 2017.

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But if the dear listener decides to Google some images, they'll

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see that he has cheekbones that you could actually cut yourself on

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I think.

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He's turned into a handsome young man.

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See, I knew him from Emmerdale because he was in there just prior

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and I was watching it at the time and Amanda Donahue was his

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mother and he had unfortunate storylines, the hedge storyline and

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getting kicked in the head by a horse.

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But you know, he was...

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He was the youngest of the family.

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There were much bigger things going on.

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So he got, you know, the more tame sort of storylines.

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I actually think is very good, and I think Hugh is very good as

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well, but I just think they're just too nice for pirates, you know

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and when I think Lee Ross is actually doing, and the other members

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are doing much more down and dirty sort of pirating, and they're

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just sort of the upper crust of the pirating.

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Do you know what I mean?

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Like, I just kind of think there's something a little bit amiss

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there that that's what I was trying to say earlier on.

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I like that he plays a gentleman pirate.

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This is very Robert Louis Stevenson's kidnapped.

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The Smugglers was Dr. we talked about Dr. Sin and Moonfleets.

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It had its own antecedents.

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I love that when Doctor Who does current hits.

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It doesn't go to Pirates of the Caribbean.

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It goes to the literary antecedent of 100 years, something years

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ago. which is, I think, very cute.

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But yeah, he's a gentleman pirate, and when he discovers his son

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there, as Lee Ross's character says, oh, no, he's gone solved.

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So we can believe that he was a cutthroat R and a stabby type

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person.

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How good is Amy in Captain Pirate drag?

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She looks gorgeous.

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I actually think that that might be the best thing about it is

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that wonderful scene where Amy's in Pirate Drag.

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She looks up after finding the cutlass.

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Obviously they've locked all the cutlasses away so they don't sort

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of injure one another by mistake or anything.

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And then she sort of looks up at the wall and there's a pirate

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outfit hanging there and she sort of thinks, all right, I'll have

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that.

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And suddenly she's swinging from the yard arm and stuff and she

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thinks she's doing a really fantastic job.

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Like she thinks she's being incredibly threatening without

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realising, of course, that they're terrified of literally the

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slightest Nick at all.

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I think that that's absolutely really fun and I would have loved

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more of that.

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And that's part of the problem, I think, is that all the really

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fun piracy stuff like making Matt Smith walk the plank, you know

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having Amy swinging off the rigging and stuff, all of that stuff

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basically goes away really, really quickly.

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And we end up just sort of wandering around the pirate ship for

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quite a lot of time.

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Do you think uh, Karen in the Pirate Trag is the reason why Disney

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thought it was a good idea to reboot um, Pirates of the Caribbean

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with her a few years ago?

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Could be.

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Maybe.

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Did we know that Disney cast's purely on visuals?

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Yeah.

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And she is, she is sort of properly good in this, I think, you

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know, I'm always astounded watching her by how kind of subtle she

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is, and there'll be more of that next week where I think she puts

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in an amazing performance.

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But here I think she is just kind of solidly reliable.

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I think she's really good.

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And in fact, I think we'll get to this at the end, she's a little

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bit too good for the material in places and that can cause a

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problem.

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I agree with you, Nathan.

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I think she's, she does a really great job. throughout this.

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And I also love...

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I also love Arthur Darvel's acting when he's under the influence

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of the siren, like in that sequence.

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It's so good.

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So delicious.

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He leaves the cast in reactive acting.

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Yes.

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If only there was something for them all to react to.

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Monitor reacts to hanging glad rap on a south stage.

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At the cheapest fan production reboot of caretaker.

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This really is, this really is Voyager on the holodeck, isn't it?

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We should mention the smugglers, actually, while we were talking

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about it as being the first casting and speaking part of an actor

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of colour in Doctor Who.

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And so it's nice to see a mirror of things that happened then and

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happening again in this one.

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I like, I like the 1st 3 quarters of this a lot more than I

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thought I did.

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And Richard, I do agree with.

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I do agree with you all.

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Like, I mean, I'm being rather, you know, blunt and harsh, but, you

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know, I was quite, I was, yeah, it is my job.

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It's my contract.

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But I was enjoying the 1st 20 minutes, but then I just got more

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and more annoyed as it went to the conclusion and then it just

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sort of, I just kind of, just, everything began to irritate me, you

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know?

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Yeah, I think so.

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Look, I do want to talk about that a little bit later, but I also

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just kind of want to talk a bit about the good bits before we all

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kind of start tearing into it.

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I have to say that I think, you know, having Matt unable to kind

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of communicate with them properly because he keeps wanting to talk

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about senses and things, that that's kind of adorable.

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I like the little bit of jockeying for position between the doctor

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and Captain Avery, about who's the proper captain.

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I think it's sort of adorable the way that that pirate disappears

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and Matt kind of catches his hat before it hits the ground and now

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he's wearing the guy's pirate at.

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Like all of that stuff is actually really quite good.

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There's plenty of good stuff going on.

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There's a little life lesson in this for young people.

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And it really struck me this time.

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It's when, as you just said it, when the doctor hands over the

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standard controlled and says, oh, Captain, what do we do now?

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Which is actually a dangerous thing because we know the doctor

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knows everything.

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Can you imagine Tom doing that?

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Again, this is why it feels like a Pat Trouton story.

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It reminds me a little bit, too, of like, you know, I think

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there's some beautiful visuals with the with the pirate ship

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becalmed and the siren coming out of the water.

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Reminds me a little bit of like the highlanders with the ship sort

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of in that where there bends in the water and that sort of thing.

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That very memorable scene, which we don't get to see of Ben in a

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wet shirt, sort of coming out of the water.

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They better do that justice when they reanimated in, you know

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2045.

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They had better.

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Yeah, I don't know.

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It seems to have been something that was possible like a long time

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ago and possible on a Doctor Who budget, you know, as early as the

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chase to have a ship in water that you can shoot on.

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And I think it is very effective here.

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Lake El Street.

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Right, right, right.

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Right.

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Well, I mean, it's a great choice and it does give us some good

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visuals.

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The sheep is terribly convincing.

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The scene later on where they finally stop being becalmed and run

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into a storm is tremendously good and quite exciting.

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There's a great bit of sort of piratory in that.

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I think it was a good choice for a Doctor Who story.

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And I think that pirates are just reliably, terribly fun.

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So I'm absolutely on board with it.

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The problem is, I think, that far too early, they sort of switch

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from pirates to space corridors and, you know, that's where

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everything goes wrong.

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I would have found it more interesting visually.

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And maybe, I think, I feel like they ran out of time with this

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one.

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But it went through some structural changes, but it visually the

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pirate void or the alternate ship in the mirror universe should

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have all had goatees and beards, and it's been an evil version.

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No, sorry, that's Star Trek, isn't it?

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But just if they've gone with the liquid motif or just gone with

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something that was very surreal.

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I feel it's just let down by the budget crash and that terrible

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year 12 version of Voyager Caretaker. you see in the, I mean

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seriously.

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And you've got Hugh Bonnable wandering about looking astonished at

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Gurneys and floating slabs.

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It's not good.

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No.

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No.

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So how do we feel about our siren, our stroppy homicidal mermaid

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as the doctor calls her?

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I think she's absolutely beautiful.

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Like, I love the change of colours from green to red and all of

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that and her song and there's some beautiful moments, but you know

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does it really make much sense that, you know, she goes homicidal

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on them and and like, and even at the end with, you know, trying

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to get the permission to, to let them be cured or whatever, or

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whatever, even I'm not convinced by that whole plot either.

249
00:13:31.679 --> 00:13:35.639
See, I'm kind of glad they didn't get Lily Cole to act because

250
00:13:35.639 --> 00:13:38.519
have you seen the imaginarium of Dr. Parnassus?

251
00:13:38.580 --> 00:13:39.480
No?

252
00:13:39.480 --> 00:13:42.000
Not good.

253
00:13:42.059 --> 00:13:45.899
No, she's not an actor, but she was one of the highest paid, the

254
00:13:45.899 --> 00:13:48.779
10 highest paid models of the year before in the UK.

255
00:13:48.840 --> 00:13:53.340
It was it was a massive coup getting her publicity wise.

256
00:13:53.399 --> 00:13:56.639
But yeah, it shouldn't, we shouldn't have gone to such a static

257
00:13:56.639 --> 00:13:57.299
realm.

258
00:13:57.360 --> 00:14:00.539
If it had been something of a mystery.

259
00:14:00.600 --> 00:14:05.159
If rather than the holographic doctor from Voyager, if we'd

260
00:14:05.159 --> 00:14:09.240
actually had a little bit of, well, what if what's happening

261
00:14:09.240 --> 00:14:09.600
here?

262
00:14:09.659 --> 00:14:14.580
If, say, the aliens existed in a liquid environment, and they

263
00:14:14.580 --> 00:14:18.960
weren't exactly just put into a make do sick bay, and there was

264
00:14:18.960 --> 00:14:21.899
some, I don't know how visually you would do that.

265
00:14:21.960 --> 00:14:26.580
But, as I say, if you just truncated that last half or quarter

266
00:14:26.580 --> 00:14:28.080
into a smaller moment.

267
00:14:28.139 --> 00:14:29.340
But I guess that's the point.

268
00:14:29.399 --> 00:14:31.200
This is a very thin premise, isn't it?

269
00:14:31.259 --> 00:14:32.279
Yeah.

270
00:14:32.340 --> 00:14:38.159
And I think the bit early on where we're trying to discover what's

271
00:14:38.159 --> 00:14:39.419
going on.

272
00:14:39.480 --> 00:14:43.860
So the problem is set up immediately in the teaser, which is just

273
00:14:43.860 --> 00:14:47.879
largely played for laughs, I think, where poor old McGrath kind of

274
00:14:47.879 --> 00:14:51.779
slightly nicks his hand or whatever and suddenly he goes outside

275
00:14:51.779 --> 00:14:53.820
and he's completely disappeared.

276
00:14:53.879 --> 00:14:56.759
And then you have the doctor coming along to try and solve it.

277
00:14:56.820 --> 00:14:59.340
And the doctor comes up with a sort of series of theories.

278
00:14:59.399 --> 00:15:03.000
I think there's 4 theories that he presents that are just

279
00:15:03.000 --> 00:15:04.019
disproved.

280
00:15:04.080 --> 00:15:08.279
And even though that doesn't go anywhere or do anything, it's a

281
00:15:08.279 --> 00:15:11.100
nice change from a Doctor Who turns up and immediately knows

282
00:15:11.100 --> 00:15:15.539
what's going on and is just able to say, you know, this is from

283
00:15:15.539 --> 00:15:18.659
the planet Zog, and I know how it works and all of that, we

284
00:15:18.659 --> 00:15:21.899
actually see him doing what the doctor used to do a lot more

285
00:15:21.899 --> 00:15:26.399
frequently, I think, which is to try and work out what the rules

286
00:15:26.399 --> 00:15:27.000
are.

287
00:15:27.059 --> 00:15:29.580
And so he comes up with a theory it's falsified.

288
00:15:29.639 --> 00:15:31.500
He has to come up with another theory and so on.

289
00:15:31.559 --> 00:15:34.379
And I think that that's actually quite good.

290
00:15:34.500 --> 00:15:40.440
And I also like the idea that suddenly it's reflective surfaces

291
00:15:40.440 --> 00:15:43.320
that are the danger.

292
00:15:43.559 --> 00:15:47.159
Initially, we think it's water and then we find out it's any sort

293
00:15:47.159 --> 00:15:50.399
of reflective surfaces at all and having them hide in the powder

294
00:15:50.399 --> 00:15:51.899
room where there's the powder room.

295
00:15:51.960 --> 00:15:56.519
The armoury, the arsenal, where there's no protective services.

296
00:15:56.580 --> 00:15:59.639
All of that's actually sort of quite interesting and that develops

297
00:15:59.639 --> 00:16:02.639
and that's how the plot propels itself.

298
00:16:02.759 --> 00:16:05.940
I believe that pirates have a powder room.

299
00:16:06.000 --> 00:16:09.240
They are very, they are very pretty pirates.

300
00:16:13.500 --> 00:16:15.779
They do have bad teeth.

301
00:16:15.840 --> 00:16:17.940
I think there is quite a lot of bad.

302
00:16:18.000 --> 00:16:19.860
Another nod to the heart no era, yes.

303
00:16:19.919 --> 00:16:22.860
But they do have a big manicurist.

304
00:16:22.919 --> 00:16:25.379
They have lovely beards, don't they?

305
00:16:25.440 --> 00:16:30.059
I would have liked the final moment. to continue from Dave the

306
00:16:30.059 --> 00:16:32.460
Moon. where everyone is now sporting a beard.

307
00:16:33.419 --> 00:16:39.059
That's right Matt turns around and Amy and Rory have beards.

308
00:16:39.120 --> 00:16:42.720
Yeah, so all of that is quite good.

309
00:16:42.779 --> 00:16:47.220
And there are some sort of decent jump scares as well.

310
00:16:47.279 --> 00:16:52.019
So, you know, like, I think, I think for a while we're doing okay

311
00:16:52.019 --> 00:16:55.200
here, at what point does it go wrong?

312
00:16:55.500 --> 00:17:00.720
For me, they're just little things that begin to sort of add up

313
00:17:00.720 --> 00:17:04.500
like, you know, I just find, And I started to be so negative.

314
00:17:04.559 --> 00:17:06.240
I just I really do.

315
00:17:06.299 --> 00:17:07.079
I'm so sorry.

316
00:17:07.559 --> 00:17:12.000
Like, the goal, like all the pirate treasure reminds me of the

317
00:17:12.000 --> 00:17:16.140
treasure from the ultimate foe that, um, Anthony Amy tries to

318
00:17:16.140 --> 00:17:17.039
bribe bits with.

319
00:17:17.099 --> 00:17:19.980
It looks like fake sort of pantomime stuff.

320
00:17:20.039 --> 00:17:21.000
Do you know what I mean?

321
00:17:21.059 --> 00:17:25.259
And then, you know, suddenly Hugh Bonneville is so cuddly and he's

322
00:17:25.259 --> 00:17:30.119
in the TARDIS and also accepting and does that really stick?

323
00:17:30.180 --> 00:17:30.779
you know what I mean?

324
00:17:30.839 --> 00:17:34.500
And then, like, we find his son and he's supposed to be hiding

325
00:17:34.500 --> 00:17:37.619
away for, I don't know how long, but it's like, surely he would

326
00:17:37.619 --> 00:17:38.759
have been discovered before then.

327
00:17:38.819 --> 00:17:43.019
Like, there's just, for me, there's little tiny things that, Just

328
00:17:43.019 --> 00:17:43.859
begin to add up.

329
00:17:43.859 --> 00:17:46.799
And then, of course, when they do get taken, and we know that, of

330
00:17:46.799 --> 00:17:49.859
course, Lee Ross's character gets taken, but we don't see that

331
00:17:49.859 --> 00:17:53.579
happen because of the having to re-edit the episode, because it

332
00:17:53.579 --> 00:17:55.859
was moved in the sequence of the season and have the eye

333
00:17:55.859 --> 00:17:56.640
passionating in.

334
00:17:56.700 --> 00:18:00.539
That always irritates me, that the fact that we don't see that.

335
00:18:00.599 --> 00:18:04.319
I mean, I know that I just find it a very Star Trek Voyager

336
00:18:04.319 --> 00:18:04.680
thing.

337
00:18:04.740 --> 00:18:07.500
You might all disagree with me, but there's these little things

338
00:18:07.500 --> 00:18:12.480
that just begin to just, for me, just slowly sort of add up to the

339
00:18:12.480 --> 00:18:16.859
point then when we are in Star Trek Voyager holodeck with the

340
00:18:16.859 --> 00:18:22.200
doctor, that by the end when we have to watch, Rory died, again

341
00:18:22.200 --> 00:18:26.759
and I think the really appalling attempts at reviving him, and

342
00:18:26.759 --> 00:18:28.019
it's not Karen's fault.

343
00:18:28.079 --> 00:18:31.619
It's the way it's shot and just totally unconvincing that whole

344
00:18:31.619 --> 00:18:33.480
CPR sequence.

345
00:18:33.539 --> 00:18:34.680
That really just irritates me.

346
00:18:34.680 --> 00:18:35.759
Like, totally.

347
00:18:35.819 --> 00:18:39.480
Like, I really, that just, well, sorry, I'm just, you know, that

348
00:18:39.480 --> 00:18:42.660
whole sequence just really just, is the icing on the cake for me

349
00:18:42.660 --> 00:18:45.480
as, as the whole thing collapses in upon itself towards the end.

350
00:18:45.539 --> 00:18:46.920
I'm so sorry.

351
00:18:46.980 --> 00:18:47.640
I'm so sorry.

352
00:18:47.759 --> 00:18:50.640
I'm going to get much worse than that, Todd. no need to

353
00:18:50.640 --> 00:18:51.299
apologise.

354
00:18:51.359 --> 00:18:56.460
The, the, I think that you identified earlier on, Todd, something

355
00:18:56.460 --> 00:19:00.900
that is a problem in the episode, and that is the Hugh Bonneville

356
00:19:00.900 --> 00:19:05.220
learns a valuable lesson about the importance of fatherhood, is

357
00:19:05.220 --> 00:19:11.039
such a sort of weird anachronistic and kind of cheesy and trite

358
00:19:11.039 --> 00:19:13.259
character arc for him.

359
00:19:13.319 --> 00:19:17.339
You know, like he learns that, um, it's very important to look

360
00:19:17.339 --> 00:19:20.460
after his son, he tries to throw away the treasure to kind of

361
00:19:20.460 --> 00:19:22.380
protect him from the siren.

362
00:19:22.440 --> 00:19:25.799
He can't bring himself to throw away that cheesy, fake looking

363
00:19:25.799 --> 00:19:26.519
crown.

364
00:19:26.579 --> 00:19:29.579
And then he loses his son.

365
00:19:29.640 --> 00:19:37.500
It's all just incredibly kind of tedious and kind of played.

366
00:19:37.559 --> 00:19:41.460
It's it's, there's nothing really very interesting about it.

367
00:19:41.519 --> 00:19:43.799
So I think that's a problem.

368
00:19:43.859 --> 00:19:47.400
I think that going to the TARDIS in the middle of the episode

369
00:19:47.400 --> 00:19:48.599
kills it.

370
00:19:49.559 --> 00:19:51.240
Very much so.

371
00:19:51.299 --> 00:19:53.160
But it is, it is that thing.

372
00:19:53.220 --> 00:19:56.579
It's that thing where it seems to be marking time.

373
00:19:56.640 --> 00:20:00.119
We've run out of pirate things to do, so are you going to do

374
00:20:00.119 --> 00:20:00.299
this?

375
00:20:00.359 --> 00:20:04.740
I had the same experience with my Lego pirate ship after I built

376
00:20:04.740 --> 00:20:08.579
it and very quickly it descended into sodomy and after that there

377
00:20:08.579 --> 00:20:11.880
wasn't much else to do until he brought in the Ghostbusters.

378
00:20:11.940 --> 00:20:12.420
I mean.

379
00:20:27.779 --> 00:20:29.880
I mean, so there's that.

380
00:20:29.940 --> 00:20:31.619
There is, there is that.

381
00:20:31.680 --> 00:20:35.279
And there's some kind of character development going on there in

382
00:20:35.279 --> 00:20:40.019
that tartar scene, but the whole point of the episode is just that

383
00:20:40.019 --> 00:20:42.059
sort of the piratiness of it.

384
00:20:42.119 --> 00:20:43.859
And so that's not there.

385
00:20:43.920 --> 00:20:48.839
You take the least pirate pirate out of the plot for a while so

386
00:20:48.839 --> 00:20:51.539
that they can hang around the TARDIS in a way that doesn't go

387
00:20:51.539 --> 00:20:52.140
anywhere.

388
00:20:52.200 --> 00:20:55.079
Like it doesn't seem to develop the plot any further.

389
00:20:55.140 --> 00:20:58.500
It does just seem to be marking time and I just think it's

390
00:20:58.500 --> 00:20:59.700
probably a mistake.

391
00:21:00.240 --> 00:21:03.720
And then there's the disappearance of Lee Ross.

392
00:21:03.779 --> 00:21:07.500
Now, James, you didn't notice that.

393
00:21:07.559 --> 00:21:08.279
Is that right?

394
00:21:08.400 --> 00:21:13.319
Yeah, look, I just, um, I thought that she was just a really

395
00:21:13.319 --> 00:21:15.000
efficient killer mermaid.

396
00:21:15.059 --> 00:21:17.339
Like, she just killed him between cuts.

397
00:21:17.880 --> 00:21:21.240
Yeah And that's clearly what happened.

398
00:21:21.299 --> 00:21:24.839
But we're left in the arsenal with him threatening them.

399
00:21:24.900 --> 00:21:28.740
There's conflict between him and Toby, and then suddenly the next

400
00:21:28.740 --> 00:21:30.240
time we come back, he's gone.

401
00:21:30.359 --> 00:21:34.319
So there was something happening there, some kind of conflict

402
00:21:34.319 --> 00:21:37.440
which looked like it was set up as being important, and then it

403
00:21:37.440 --> 00:21:38.460
disappears completely.

404
00:21:38.519 --> 00:21:43.380
And they've clearly edited it because Mulligan's disappearance was

405
00:21:43.380 --> 00:21:46.259
sort of similar or something, and I think James, maybe you even

406
00:21:46.259 --> 00:21:50.339
kind of thought that that was Lee Ross disappearing through the

407
00:21:50.339 --> 00:21:50.700
door.

408
00:21:50.759 --> 00:21:58.740
But in any case, it was sacrificed for the overall plot arc

409
00:21:58.740 --> 00:21:59.460
right?

410
00:21:59.519 --> 00:22:05.099
And so what's gone into this episode, when it's moved up, it's

411
00:22:05.099 --> 00:22:07.259
exchanged with night terrors in the running order.

412
00:22:07.319 --> 00:22:08.099
Am I right about that?

413
00:22:08.160 --> 00:22:08.880
Yes.

414
00:22:08.880 --> 00:22:12.599
And so it is now a pre-gangers episode.

415
00:22:12.660 --> 00:22:16.859
And so we have to have the eye patch lady appearing to kind of

416
00:22:16.859 --> 00:22:20.400
continue with that plot thread, but that doesn't take very long.

417
00:22:20.460 --> 00:22:22.019
That's about 30 seconds probably.

418
00:22:22.079 --> 00:22:23.400
That's right.

419
00:22:23.460 --> 00:22:24.240
I timed it.

420
00:22:24.299 --> 00:22:26.039
Like I went, this is a 22nd scene.

421
00:22:26.099 --> 00:22:28.619
It doesn't, like, you know, it's seen such a feeble excuse.

422
00:22:28.680 --> 00:22:33.240
But what else goes on at the end of the episode is a bit longer

423
00:22:33.240 --> 00:22:38.880
where we have an ending to this episode that is essentially there

424
00:22:38.880 --> 00:22:42.299
for the people who have forgotten how last week's episode ended

425
00:22:42.299 --> 00:22:45.779
because last week's episode ended exactly the same way.

426
00:22:46.140 --> 00:22:51.599
With Amy and Rory going, oh, we mustn't tell the doctor that we

427
00:22:51.599 --> 00:22:52.440
saw him die.

428
00:22:52.500 --> 00:22:56.640
And the doctor looking at his screen going, we can't tell Amy that

429
00:22:56.640 --> 00:22:59.819
she is and simultaneously isn't pregnant.

430
00:22:59.880 --> 00:23:04.079
And that's exactly how the previous episode ended.

431
00:23:04.140 --> 00:23:08.700
And next week we're going to pick up with a scene where Amy and

432
00:23:08.700 --> 00:23:11.400
Rory discussed the fact that they saw the doctor die.

433
00:23:11.460 --> 00:23:16.259
I just don't see that that scene, which is clearly what ate up the

434
00:23:16.259 --> 00:23:19.259
running time that saw Lee Ross edited out.

435
00:23:19.319 --> 00:23:21.900
I don't know why that's there. you know.

436
00:23:21.960 --> 00:23:26.220
Lee Ross, he is absolutely the best player in this.

437
00:23:26.279 --> 00:23:27.119
He's great number.

438
00:23:27.180 --> 00:23:31.079
Johnny Spandrel, guest of the podcast, and possible friend of the

439
00:23:31.079 --> 00:23:31.500
podcast.

440
00:23:31.559 --> 00:23:35.640
Mentioned this in his in his random Hoonist thing when he talks

441
00:23:35.640 --> 00:23:42.059
about the jumping of the editing to fit in, um, you know, this

442
00:23:42.059 --> 00:23:44.099
anodyne plot line.

443
00:23:44.160 --> 00:23:47.339
It's meant to be jigging us up, isn't it, for every single week

444
00:23:47.339 --> 00:23:51.000
but I'm actually finding it a bit trying to drive a mini moke when

445
00:23:51.000 --> 00:23:54.420
you've never tried a manual gearbox before.

446
00:23:54.480 --> 00:23:57.539
I just keep getting stuck and I don't care.

447
00:23:57.599 --> 00:24:00.359
And that's my real problem with the season.

448
00:24:00.420 --> 00:24:02.700
I know we'll probably get to this further on, but yeah, is she

449
00:24:02.700 --> 00:24:03.119
pregnant?

450
00:24:03.180 --> 00:24:04.200
Is she not pregnant?

451
00:24:04.259 --> 00:24:07.500
I don't know that things that are so personal to the characters

452
00:24:07.500 --> 00:24:09.779
really work in this situation.

453
00:24:09.839 --> 00:24:13.680
It's too big an event to make such lightness of.

454
00:24:13.799 --> 00:24:17.759
Yeah, I think that we will definitely be getting onto that too

455
00:24:17.759 --> 00:24:21.900
probably. at the, you know, at the end of this sort of 1st half of

456
00:24:21.900 --> 00:24:24.480
the season at the kind of mid-season cliffhanger.

457
00:24:24.539 --> 00:24:27.119
But I agree with you exactly, Richard.

458
00:24:27.180 --> 00:24:28.740
I think that's the problem with that plot.

459
00:24:28.859 --> 00:24:32.519
But, you know, people complain that the plot is too complicated

460
00:24:32.519 --> 00:24:35.880
but here we have a situation where we're seeing things that we've

461
00:24:35.880 --> 00:24:39.839
seen before and I don't know why we have to see them again.

462
00:24:39.900 --> 00:24:45.480
We won't get Madame Cavaria next week, but she will reappear in

463
00:24:45.480 --> 00:24:47.099
the gangers 2 parter, I think.

464
00:24:47.160 --> 00:24:48.420
Am I right?

465
00:24:48.480 --> 00:24:49.980
I can't remember.

466
00:24:50.039 --> 00:24:51.720
But we just didn't need it.

467
00:24:51.779 --> 00:24:55.440
And it wrecks the episode to some degree, I think.

468
00:24:55.500 --> 00:24:57.720
Can you explain something to me?

469
00:24:57.779 --> 00:25:01.619
When the doctor realises what's going on with the siren and they

470
00:25:01.619 --> 00:25:03.059
all cut themselves simultaneously?

471
00:25:03.119 --> 00:25:04.259
They all get taken.

472
00:25:04.319 --> 00:25:05.099
All 3 of them.

473
00:25:05.160 --> 00:25:07.559
Why don't they all get put into like on the beds and everything

474
00:25:07.559 --> 00:25:07.980
like that?

475
00:25:08.039 --> 00:25:11.400
What's the, can you, like, everybody else seems to be connected to

476
00:25:11.400 --> 00:25:12.660
it and unconscious, but they're not.

477
00:25:12.720 --> 00:25:14.579
Yes, yeah.

478
00:25:14.640 --> 00:25:16.079
Okay.

479
00:25:16.140 --> 00:25:17.400
So, all right.

480
00:25:17.460 --> 00:25:21.720
The very, very 1st time I think that we've had a medical device

481
00:25:21.720 --> 00:25:28.619
out of control, instead of a villain, is in the vastly superior

482
00:25:28.619 --> 00:25:30.779
empty child doctor dances.

483
00:25:30.839 --> 00:25:34.619
Although Vira goes a bit AWOL on Nertha Beacon.

484
00:25:39.660 --> 00:25:45.240
And that, everyone agrees that that story is absolutely

485
00:25:45.240 --> 00:25:46.200
tremendous.

486
00:25:46.259 --> 00:25:52.259
But you don't actually need to push very hard before realising

487
00:25:52.259 --> 00:25:56.759
that the Chula ambulances, medical technology and the nano genes

488
00:25:56.759 --> 00:26:03.420
are really just doing whatever it is that we need in order to get

489
00:26:03.420 --> 00:26:04.200
the plot to work.

490
00:26:04.200 --> 00:26:08.579
In order for us to get to that big climax at the end, where Nancy

491
00:26:08.579 --> 00:26:12.599
tells Jamie, that she's his mother, right?

492
00:26:12.660 --> 00:26:15.599
The only other reason the Chula ambulance behaves like that is so

493
00:26:15.599 --> 00:26:17.460
that we can get creepy gas mask monsters.

494
00:26:17.519 --> 00:26:19.319
So it's analysed human beings.

495
00:26:19.380 --> 00:26:24.059
It's decided because it's really not very good that this thing

496
00:26:24.059 --> 00:26:27.960
made out of rubber and metal is part of a normal functioning human

497
00:26:27.960 --> 00:26:31.259
being and that it goes rewriting people so that they're all like

498
00:26:31.259 --> 00:26:31.559
that.

499
00:26:31.619 --> 00:26:33.660
And none of that makes any sense.

500
00:26:33.720 --> 00:26:36.000
You get away with that once, I think.

501
00:26:36.059 --> 00:26:42.779
And here, what we have is a medical AI that's out of control that

502
00:26:42.779 --> 00:26:47.279
does whatever it needs to do to look like a spooky, stroppy

503
00:26:47.279 --> 00:26:51.480
homicidal mermaid in the 1st half of the story, and then to

504
00:26:51.480 --> 00:26:55.019
suddenly unexpectedly reveal itself to be a medical device at the

505
00:26:55.019 --> 00:26:55.319
end.

506
00:26:55.380 --> 00:27:00.539
And the other thing about that is that who cares?

507
00:27:02.819 --> 00:27:05.279
We have no villain now.

508
00:27:05.339 --> 00:27:06.900
We have nothing to overcome.

509
00:27:06.960 --> 00:27:09.119
We found out that it's a medical thing.

510
00:27:09.180 --> 00:27:12.720
We sign a form and then we escape.

511
00:27:12.779 --> 00:27:20.819
And so it's so undramatic and so, so tedious and it has absolutely

512
00:27:20.819 --> 00:27:24.000
nothing to do with the piratry in the 1st half of the episode

513
00:27:24.599 --> 00:27:27.900
except the captain does get to fly the ship at the end.

514
00:27:27.960 --> 00:27:30.480
I mean, obviously he's just a genius at space technology.

515
00:27:30.779 --> 00:27:34.740
That's kind of what the scene in the TARDIS was for, wasn't it?

516
00:27:34.799 --> 00:27:37.440
It's like my ship and your ship aren't that different.

517
00:27:37.500 --> 00:27:39.720
The astrolabe, you know, the all of that.

518
00:27:39.839 --> 00:27:42.779
I get it, but I don't care. just don't care.

519
00:27:43.859 --> 00:27:45.299
Yeah.

520
00:27:45.359 --> 00:27:46.259
Yeah.

521
00:27:46.319 --> 00:27:50.700
A very slim premise is taken at 90 degrees and shoved down a space

522
00:27:50.700 --> 00:27:52.380
corridor and then we left with the results.

523
00:27:54.480 --> 00:27:59.339
You know, I think it's, I think it's, um, Xander, who sort of

524
00:27:59.339 --> 00:28:04.500
makes the point that in underworld, the Golden Fleece is guarded

525
00:28:04.500 --> 00:28:08.519
by a dragon, you know, like a worm or something like that.

526
00:28:09.000 --> 00:28:15.660
And when the doctor meets the version of that in underworld, the

527
00:28:15.660 --> 00:28:19.140
exciting science fiction version of that in underworld, it's

528
00:28:19.140 --> 00:28:22.980
actually vastly less interesting than a dragon because it's just a

529
00:28:22.980 --> 00:28:25.680
sort of CSO tunnel that he floats up.

530
00:28:25.740 --> 00:28:29.099
You know, the invisible dragon, so we don't have to pay to realise

531
00:28:29.099 --> 00:28:29.460
them.

532
00:28:29.519 --> 00:28:30.839
They're terrible, you know.

533
00:28:30.900 --> 00:28:32.700
And I think that that's what we get here.

534
00:28:32.759 --> 00:28:36.539
We're promised pirates and we get space corridors and we don't

535
00:28:36.539 --> 00:28:37.920
just get space corridors.

536
00:28:37.980 --> 00:28:42.900
We get the cheapest, most low effort space corridors that the show

537
00:28:42.900 --> 00:28:44.940
has done in an incredibly long time.

538
00:28:45.000 --> 00:28:50.160
They might as well have just been in like one of Ed Thomas's

539
00:28:50.160 --> 00:28:51.000
warehouses.

540
00:28:51.960 --> 00:28:53.400
I think they may as well.

541
00:28:53.460 --> 00:28:57.240
They may as well have been in, you know, a spaceship from season

542
00:28:57.240 --> 00:28:57.960
17.

543
00:28:58.200 --> 00:29:03.240
Like they're poor and they're cheap and they're visually... is

544
00:29:03.240 --> 00:29:04.019
exactly the same, yeah.

545
00:29:04.079 --> 00:29:07.440
They should be trapped in hyperspace forever.

546
00:29:08.700 --> 00:29:11.940
But the stones of blood pulls that off so much better.

547
00:29:12.000 --> 00:29:14.279
Yes, yes, exactly.

548
00:29:14.339 --> 00:29:17.339
That spaceship is visually interesting in a way that this is not

549
00:29:17.339 --> 00:29:18.480
in any way.

550
00:29:18.539 --> 00:29:20.819
You're doing a top ramp, Nathan.

551
00:29:21.359 --> 00:29:23.160
No, sorry.

552
00:29:23.160 --> 00:29:23.819
No, not at all.

553
00:29:23.880 --> 00:29:24.839
Not at all.

554
00:29:24.900 --> 00:29:29.039
You know, this is like a 5 out of 10 to a six.

555
00:29:29.099 --> 00:29:33.660
Like, this is bad. bad news and this is not my least favourite

556
00:29:33.660 --> 00:29:34.619
episode of the season.

557
00:29:34.680 --> 00:29:37.140
I was wondering when we get your rating.

558
00:29:38.160 --> 00:29:43.980
It says beautiful directorial talent in the beginning, the lovely

559
00:29:43.980 --> 00:29:47.099
shot of the TARDIS materialising as a reflection in the water.

560
00:29:47.160 --> 00:29:48.779
It's just gorgeous.

561
00:29:48.839 --> 00:29:50.880
There's some really lovely visual moments.

562
00:29:50.940 --> 00:29:54.599
And then you realise that the problem is that we're making a

563
00:29:54.599 --> 00:29:57.779
television series that's got to be crammed into a certain time

564
00:29:57.779 --> 00:30:02.279
slot and made in a certain order and we lose what makes it work.

565
00:30:02.400 --> 00:30:07.319
See, you know, all of the below deck scenes are actually in studio

566
00:30:07.319 --> 00:30:08.400
at upper boat.

567
00:30:08.460 --> 00:30:10.319
That that's not the ship.

568
00:30:10.380 --> 00:30:10.920
Yes.

569
00:30:10.920 --> 00:30:11.940
Right.

570
00:30:12.000 --> 00:30:13.319
I mean, I think they look great.

571
00:30:13.380 --> 00:30:15.119
I mean, they look tremendous.

572
00:30:15.180 --> 00:30:19.140
That, the set for the, uh, what we are now calling the powder room

573
00:30:19.140 --> 00:30:24.359
um, is is stunning and detailed, the set of Avery's quarters looks

574
00:30:24.359 --> 00:30:24.660
great.

575
00:30:24.779 --> 00:30:29.279
You know, all of that stuff is incredibly good, but they decide to

576
00:30:29.279 --> 00:30:30.000
throw it all away.

577
00:30:30.059 --> 00:30:32.880
They're not confident enough to make it the setting for an entire

578
00:30:32.880 --> 00:30:33.359
episode.

579
00:30:33.660 --> 00:30:36.240
It's like Jody's 2nd episode.

580
00:30:36.299 --> 00:30:40.019
It looks parts of this look absolutely stunning, but that does not

581
00:30:40.019 --> 00:30:41.519
save a story.

582
00:30:41.579 --> 00:30:42.420
Do you know what I mean?

583
00:30:42.480 --> 00:30:43.500
No.

584
00:30:43.559 --> 00:30:47.220
But imagine if the spaceship had looked like the spaceship in the

585
00:30:47.220 --> 00:30:51.539
Saranga conundrum, you know, that if it had been a real contrast

586
00:30:51.539 --> 00:30:55.980
to what we've what we'd seen, but instead it's just lit with the

587
00:30:55.980 --> 00:30:59.759
same sort of greeny colour palette and stuff like that, it's it's

588
00:30:59.759 --> 00:31:00.420
boring.

589
00:31:00.480 --> 00:31:01.859
It's just visually dull.

590
00:31:01.920 --> 00:31:03.299
And cheap as hell.

591
00:31:03.480 --> 00:31:06.720
I'm still going with the liquid environment thing.

592
00:31:06.779 --> 00:31:11.400
I want the threat to have been proper, not just ostensible because

593
00:31:11.400 --> 00:31:13.680
it's the podcast that we use ostensible every episode.

594
00:31:13.740 --> 00:31:19.740
I would have liked, maybe they'd have to transmogrify into liquid

595
00:31:19.740 --> 00:31:20.819
form.

596
00:31:20.880 --> 00:31:23.039
So that they do in die in a way.

597
00:31:23.099 --> 00:31:26.099
I don't know how you get the doctor and Amy out of that and Rory

598
00:31:26.099 --> 00:31:26.880
but it doesn't really matter.

599
00:31:26.940 --> 00:31:30.900
But the idea of the alien, just being in a space set.

600
00:31:30.900 --> 00:31:34.140
With, with focussing.

601
00:31:34.200 --> 00:31:35.039
Yeah, exactly.

602
00:31:35.099 --> 00:31:37.980
I would have liked that there is some sacrifice in changing over

603
00:31:37.980 --> 00:31:39.000
to that other world.

604
00:31:39.059 --> 00:31:43.859
And no, and they do fly, maybe they fly around in a big, in an

605
00:31:43.859 --> 00:31:46.319
universe in, they have to give up their bodies.

606
00:31:46.380 --> 00:31:50.220
It becomes a little bit, a little bit woo woo, a little bit sad, a

607
00:31:50.220 --> 00:31:52.859
little bit, yeah, because the fact that they're still pirates in

608
00:31:52.859 --> 00:31:56.220
the same gear on a space bridge.

609
00:31:56.279 --> 00:31:56.700
Yeah.

610
00:31:57.240 --> 00:31:59.819
But again, that would have been great.

611
00:32:00.059 --> 00:32:03.119
That would have been more fun if it had been gleaming white

612
00:32:03.119 --> 00:32:08.279
futuristic corridors, but you have sort of scurvy, filthy pirates

613
00:32:08.279 --> 00:32:08.519
you know.

614
00:32:08.579 --> 00:32:12.539
Yeah, yeah, you've got pirates kind of flying the enterprise

615
00:32:12.539 --> 00:32:13.559
around the galaxy.

616
00:32:13.619 --> 00:32:15.839
That would have been actually a lot more fun.

617
00:32:15.900 --> 00:32:20.579
But instead, you've got them in the same grungy ass corridors that

618
00:32:20.579 --> 00:32:23.579
they were in on the spaceship who cares, you know, it's just not

619
00:32:23.579 --> 00:32:24.119
that interesting.

620
00:32:24.240 --> 00:32:26.099
I don't just say it.

621
00:32:26.160 --> 00:32:28.200
Like, I mean, if this hadn't kept its same position in the season

622
00:32:28.200 --> 00:32:34.079
and not had to go like the re-edits, like coming after quite a

623
00:32:34.079 --> 00:32:37.200
strong two-parter to begin with, maybe we might think a little bit

624
00:32:37.200 --> 00:32:39.960
more of it, like if it had been placed a bit later on in the

625
00:32:39.960 --> 00:32:43.500
season, like, you know, rather than here, it's wedged between what

626
00:32:43.500 --> 00:32:46.859
I think is a good 2 partner and the doctor's wife, which I adore

627
00:32:46.859 --> 00:32:47.160
right?

628
00:32:47.220 --> 00:32:50.819
So for me, it's sort of, there's a bit of that going on too, I

629
00:32:50.819 --> 00:32:51.240
have to say.

630
00:32:51.299 --> 00:32:52.559
Yeah.

631
00:32:52.619 --> 00:32:56.819
The other thing too, Nathan, you were saying, and you've said a

632
00:32:56.819 --> 00:32:59.220
number of times, like, you know, from this point forward, like the

633
00:32:59.220 --> 00:33:01.859
writers are now writing for Matt Smith, and they're purposely

634
00:33:01.859 --> 00:33:05.039
writing eccentric things for him to do, and I'm really beginning

635
00:33:05.039 --> 00:33:08.460
to pick up on it in this episode, like ultra-accentive, lots of

636
00:33:08.460 --> 00:33:12.119
throwaway lines and asides, and this is something that I'm seeing

637
00:33:12.119 --> 00:33:14.640
a lot more, and I think early on in the episode it works really

638
00:33:14.640 --> 00:33:14.880
well.

639
00:33:14.940 --> 00:33:19.140
Later on, there's that whole alien bogies joke, which I just think

640
00:33:19.140 --> 00:33:21.240
falls completely flat for me.

641
00:33:21.299 --> 00:33:24.420
It's another thing that really just gets to me and I just kind of

642
00:33:24.420 --> 00:33:25.619
think, oh, really?

643
00:33:25.680 --> 00:33:27.900
Like that, probably think it's the best thing ever.

644
00:33:27.960 --> 00:33:28.500
But, you know.

645
00:33:28.619 --> 00:33:31.559
Do you know who sells that is Karen?

646
00:33:31.619 --> 00:33:37.619
So when he wipes his hand on Karen's jacket and she does this look

647
00:33:37.619 --> 00:33:40.859
which is like, this is literally the kind of crap I have to put up

648
00:33:40.859 --> 00:33:43.079
with from this idiot all the time.

649
00:33:43.140 --> 00:33:46.559
Like, it's really quite subtle, but it's perfect.

650
00:33:46.619 --> 00:33:49.019
She absolutely makes that joke work.

651
00:33:49.079 --> 00:33:51.420
But I agree, the alien bogies thing.

652
00:33:51.480 --> 00:33:54.180
It's like bumpy wumpy a couple of weeks ago.

653
00:33:54.240 --> 00:33:59.160
Like, it is, I think, leaning too much into that sort of stuff

654
00:33:59.160 --> 00:34:04.200
whereas the genius of Matt is the spin that he gives on new things

655
00:34:04.200 --> 00:34:05.579
that you give him to do.

656
00:34:05.640 --> 00:34:12.179
And so he is starting maybe at this point to become a little bit

657
00:34:12.179 --> 00:34:15.719
of an impression of himself.

658
00:34:16.500 --> 00:34:19.980
I'm going to say, I, and it's not a bad thing.

659
00:34:20.039 --> 00:34:20.760
I do agree with you.

660
00:34:20.820 --> 00:34:23.579
That's the one thing that I picked up on a number of episodes this

661
00:34:23.579 --> 00:34:23.940
season.

662
00:34:24.000 --> 00:34:28.079
I know I'm jumping ahead, but I just began to notice it more and

663
00:34:28.079 --> 00:34:28.980
stuff like that.

664
00:34:29.039 --> 00:34:32.519
And this was the 1st time I kind of thought, oh, That's what

665
00:34:32.519 --> 00:34:33.000
you're doing.

666
00:34:33.059 --> 00:34:36.300
This is, I don't want to say this is the David Tenant shtick.

667
00:34:36.360 --> 00:34:38.159
It's like, this is your default, you know?

668
00:34:38.219 --> 00:34:41.039
And I'm sorry to sort of be putting it into this episode because I

669
00:34:41.039 --> 00:34:44.219
think Matt's great and I really love him as the doctor, but it's

670
00:34:44.219 --> 00:34:45.539
just something that I observed.

671
00:34:57.960 --> 00:35:02.639
Can I have another rant about that horrible CPR scene and having

672
00:35:02.639 --> 00:35:04.739
like, Rory lying there dead in the TARDIS?

673
00:35:04.800 --> 00:35:08.400
Like, they then transport him from the Sick Bay into the Tartars

674
00:35:08.400 --> 00:35:12.179
just so we can do that there, like, for no apparent reason.

675
00:35:12.239 --> 00:35:13.739
It just annoys me so much.

676
00:35:13.800 --> 00:35:16.860
It's just like we don't know how to end this and this is what

677
00:35:16.860 --> 00:35:17.519
we're going to do.

678
00:35:17.579 --> 00:35:20.579
It's utterly pretend drama.

679
00:35:20.639 --> 00:35:22.440
There's no drama here at all.

680
00:35:22.500 --> 00:35:28.500
So the doctor doesn't do it and doesn't cure him for literally no

681
00:35:28.500 --> 00:35:29.219
reason at all.

682
00:35:29.280 --> 00:35:32.219
It's just so that we get Amy to do it.

683
00:35:32.280 --> 00:35:36.000
He's standing there kind of biting his fingernails and stuff, not

684
00:35:36.000 --> 00:35:36.719
doing anything.

685
00:35:36.780 --> 00:35:40.860
You know, like in a few years time, he'll be replacing Ram's leg

686
00:35:40.860 --> 00:35:45.059
in the 1st episode of class, you know, or Nardol's whole body.

687
00:35:45.119 --> 00:35:50.219
Like, it's clear the doctor could have done this, but doesn't, and

688
00:35:50.219 --> 00:35:54.659
that's just so that we can have Amy do some acting for this

689
00:35:54.659 --> 00:35:55.079
scene.

690
00:35:55.139 --> 00:35:57.239
And there's no drama to it.

691
00:35:57.300 --> 00:35:59.099
We know that Rory's not going to die.

692
00:35:59.159 --> 00:36:00.960
Of course, it's not going to die.

693
00:36:00.960 --> 00:36:02.340
Everything's going to be okay.

694
00:36:02.400 --> 00:36:04.380
No, it doesn't matter.

695
00:36:04.440 --> 00:36:08.400
It's absolute, it's the simulacrum of drama.

696
00:36:08.460 --> 00:36:10.559
It's utterly pretend.

697
00:36:10.619 --> 00:36:12.420
There's no stakes.

698
00:36:12.480 --> 00:36:14.579
Everyone's overwrought.

699
00:36:14.639 --> 00:36:19.199
Karen's acting her socks off in a scene that doesn't matter in any

700
00:36:19.199 --> 00:36:19.619
way.

701
00:36:19.679 --> 00:36:21.539
I think it's dreadful.

702
00:36:21.599 --> 00:36:25.079
Oh my god, it's the lockdown of Doctor Who.

703
00:36:26.400 --> 00:36:31.260
You know, like to be fair, they couldn't have filmed that scene on

704
00:36:31.260 --> 00:36:35.039
one of those beds because they would have shaken too much.

705
00:36:35.760 --> 00:36:42.719
Like, they gave, they gave the actors. a direction on those beds

706
00:36:42.719 --> 00:36:46.679
that please don't move too much and don't breathe too heavily

707
00:36:46.679 --> 00:36:52.019
because it would set up this sort of swaying motion of of the beds

708
00:36:52.019 --> 00:36:52.559
on the wires.

709
00:36:52.679 --> 00:36:54.059
It would have been more dramatic.

710
00:36:54.960 --> 00:36:58.380
That's the most movement you've seen in the 2nd half of the

711
00:36:58.380 --> 00:36:58.619
episode.

712
00:36:58.739 --> 00:37:03.599
Like a 70s executive desk toy with all the little crunch forks

713
00:37:03.599 --> 00:37:04.920
bouncing and fixed up.

714
00:37:04.980 --> 00:37:05.639
Exactly.

715
00:37:07.559 --> 00:37:10.320
We needed a Vivian Fay in this.

716
00:37:10.380 --> 00:37:13.920
We needed like, you know, Lee Ross to actually be silver and be

717
00:37:13.920 --> 00:37:17.820
between both the ship and the spaceship or something.

718
00:37:17.880 --> 00:37:20.099
I don't know, not the stupid buddy hologram.

719
00:37:20.159 --> 00:37:21.179
I agree.

720
00:37:21.239 --> 00:37:22.920
It needed a villain.

721
00:37:22.980 --> 00:37:24.599
It needed something to overcome.

722
00:37:24.659 --> 00:37:29.519
Basically all that happened is they made a guess that everyone was

723
00:37:29.519 --> 00:37:33.239
being kept alive before they realised that she was a medical

724
00:37:33.239 --> 00:37:34.139
device.

725
00:37:34.199 --> 00:37:37.739
They appear and there's no threat.

726
00:37:37.800 --> 00:37:39.119
There's nothing to overcome.

727
00:37:39.179 --> 00:37:41.820
There's nothing clever to do.

728
00:37:41.880 --> 00:37:43.019
There is no one to defeat.

729
00:37:43.079 --> 00:37:47.760
Like, I just think that it makes for a dull story.

730
00:37:47.820 --> 00:37:52.019
And they're trying to do something dramatic at the end, but it's

731
00:37:52.019 --> 00:37:57.360
so meretricious and so kind of specious that no one cares.

732
00:37:57.420 --> 00:37:58.980
Like, how could you possibly care?

733
00:37:59.039 --> 00:38:01.739
I think it's a great shame.

734
00:38:01.800 --> 00:38:05.880
I think it is a great shame because there's some great stuff early

735
00:38:05.880 --> 00:38:09.480
on, but it all just craters spectacularly at the end.

736
00:38:09.539 --> 00:38:12.780
But you know what, for me, is the worst thing is the fact that, you

737
00:38:12.780 --> 00:38:16.019
know, I like this episode more than the Gangers episode and Night

738
00:38:16.019 --> 00:38:20.219
Terrace. you know, it's for me, it's not the worst of the season

739
00:38:20.219 --> 00:38:24.179
and but last year we had some problems with a number of episodes

740
00:38:24.179 --> 00:38:25.440
one I'll write off.

741
00:38:25.500 --> 00:38:29.099
But ending stuck, or there were minor things.

742
00:38:29.159 --> 00:38:30.780
This, you know, it's so right, Nathan.

743
00:38:30.840 --> 00:38:32.099
It just, this just craters.

744
00:38:32.159 --> 00:38:36.659
Like, a lot of us didn't like the ending of, say, victory of the

745
00:38:36.659 --> 00:38:39.900
Daleks, which is diffusing a bomb, you know, it's a little bit

746
00:38:39.900 --> 00:38:40.380
similar.

747
00:38:40.440 --> 00:38:43.500
You've got someone lying there and we're trying to kind of make

748
00:38:43.500 --> 00:38:44.699
them better or whatever.

749
00:38:44.760 --> 00:38:49.440
But there are kind of, there are interesting things there.

750
00:38:49.500 --> 00:38:51.900
You know, there's some character stuff there.

751
00:38:51.960 --> 00:38:57.360
There's some stuff about, you know, grief and hurt and identity

752
00:38:57.360 --> 00:39:01.019
and it's all very kind of thin and underdone, but there is at

753
00:39:01.019 --> 00:39:04.980
least something going on there, which is very different from this

754
00:39:04.980 --> 00:39:09.000
which is just Rory's going to die, and Amy really doesn't want him

755
00:39:09.000 --> 00:39:09.360
to.

756
00:39:09.420 --> 00:39:13.440
And that's absolutely in no way interesting, I think.

757
00:39:13.500 --> 00:39:15.300
Yeah, no, I agree.

758
00:39:15.360 --> 00:39:18.000
Like, I mean, the 1st time through that ending of victory at the

759
00:39:18.000 --> 00:39:19.139
Daleks really irritated me.

760
00:39:19.199 --> 00:39:21.539
But coming back to it, I actually like it a lot more, whereas

761
00:39:21.539 --> 00:39:23.400
coming back to this, it just irritates me more.

762
00:39:51.059 --> 00:39:54.539
Well, listen, that's all we have time for this week.

763
00:39:54.659 --> 00:39:58.440
We'll be back next week for our regular meeting of the Suran Jones

764
00:39:58.440 --> 00:40:01.380
Appreciation Society in the Doctor's Wife.

765
00:40:01.500 --> 00:40:05.400
In the meantime, you can find us wherever you get your podcasts

766
00:40:05.400 --> 00:40:08.219
and you can keep up with us at flight through entirety on Facebook

767
00:40:08.219 --> 00:40:11.639
at FTE podcast on Twitter, and on our website

768
00:40:11.639 --> 00:40:14.579
flightthroughentirety.com, where you'll find links to our other

769
00:40:14.579 --> 00:40:18.000
podcasts, Bondfinger, and Jody into Terror.

770
00:40:18.059 --> 00:40:22.679
Until next time, remember that nothing is more important than

771
00:40:22.679 --> 00:40:27.119
family, apart from your collection of Blu-ray box sets and day

772
00:40:27.119 --> 00:40:28.139
pole figurines.

773
00:40:28.199 --> 00:40:30.840
Thank you very much for listening and good night.

774
00:40:30.900 --> 00:40:32.039
Good night.

775
00:40:32.099 --> 00:40:33.059
See you soon.

776
00:40:33.119 --> 00:40:34.860
Keep your water wings on.

777
00:40:38.880 --> 00:40:41.460
That was Flight Through Entirety.

778
00:40:41.460 --> 00:40:43.920
Sorry, Todd Building, Nathan Bottomley, James Selwood, and Richard

779
00:40:43.920 --> 00:40:44.460
Stone.

780
00:40:44.519 --> 00:40:46.679
Theme arrangement by Cameron Lan.

781
00:40:46.800 --> 00:40:50.219
This episode, everyone is now sporting a beard was recorded on the

782
00:40:50.219 --> 00:40:53.820
8th of August 2021 and released on the 26th of September.

783
00:40:57.119 --> 00:41:01.079
If any of you know how to get in touch with Tenaya Miller's people

784
00:41:01.079 --> 00:41:02.280
can you please DM me?

785
00:41:02.400 --> 00:41:06.900
There's a fantastic new job opportunity opening up in 2023, and I

786
00:41:06.900 --> 00:41:08.400
think she'd be just perfect for it.

787
00:41:15.000 --> 00:41:17.400
Do you think we've got an out there?

788
00:41:17.880 --> 00:41:20.099
We're at 45 minutes.

789
00:41:20.159 --> 00:41:24.659
I don't think we need to do, like, an hour long episode of this

790
00:41:24.659 --> 00:41:27.119
like we did for the Impossible. doesn't deserve it.

791
00:41:27.420 --> 00:41:33.239
Did you know that, I mean, this, the plot of this is inspired by

792
00:41:33.239 --> 00:41:37.619
an actual mermaid story from Cornwall.

793
00:41:38.400 --> 00:41:40.380
Who cares?

794
00:41:40.920 --> 00:41:42.300
And it turned out it was a seal.

795
00:41:42.360 --> 00:41:48.000
It was a seal all along that was kidnapping the pirates.

796
00:41:48.539 --> 00:41:49.800
James, that could go at the beginning.

797
00:41:49.920 --> 00:41:50.880
Do you know anything more about it?

798
00:41:50.940 --> 00:42:00.420
Um, It's a Cornish legend, um, The Mermaid of Zenor, or Xenor, or

799
00:42:00.420 --> 00:42:01.920
Castria.

800
00:42:01.980 --> 00:42:03.239
No, um...

801
00:42:03.239 --> 00:42:08.400
It's obviously a very...

802
00:42:08.460 --> 00:42:09.780
No, I mean, that's a different...

803
00:42:09.780 --> 00:42:11.880
That's all I've got.

804
00:42:11.940 --> 00:42:14.460
I don't think that's of much use to the episode.

805
00:42:14.519 --> 00:42:16.380
Yeah, it's all right.

806
00:42:16.440 --> 00:42:17.940
It's a tag.

807
00:42:18.000 --> 00:42:18.539
All right.

808
00:42:18.599 --> 00:42:19.679
I'm going to do the out track.

809
00:42:19.739 --> 00:42:21.659
There you go.

810
00:42:22.679 --> 00:42:25.260
Look, what a sweet, precious angel.

811
00:42:25.320 --> 00:42:28.619
Until she suffocates you in your sleep.

812
00:42:28.679 --> 00:42:31.019
Yeah, well, that's cats.

813
00:42:31.079 --> 00:42:32.039
All right, here goes.

814
00:42:32.699 --> 00:42:36.119
Well, dear listener, that's all we have time for this week.