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This transcript was created on 2026-06-07 at 15:16:08

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Hello, De, listen, welcome back to Flight Through Entirety, the only Doctor Who podcast with an inexhaustible supply of milk.

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I'm Nathan.

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I'm Todd.

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I'm Simon.

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And I'm Nina, your meta powdered egg protein supplement for this one.

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Well, a lot has happened since the last episode of Flight through Entirety.

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Simon and his husband have discovered that they cannot conceive children, and both Todd and Richard aren't speaking to me for some reason.

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Is this the sort of thing that Doctor Who can fix?

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Let's find out as we visit the asylum of the Daleks.

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So we're back for what is a bit of a weird year of Doctor Who, I think.

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Yes, the weirdest, perhaps.

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Do you think?

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Well, certainly, it's not really one year.

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It's sort of 2 years, really.

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Yeah.

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Yeah.

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And we've kind of decided, I think, to drop the serialisation.

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So we don't quite have a big arc in the same sense that we did last year.

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And I have a theory it's because Stephen Moffat always reacts against what he did the previous year.

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And do you have how lucky we were?

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Do you think?

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Well, I just watched Flux, haven't I?

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What could have been?

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Yeah, but it's nice to sort of go back to a series of completely self-contained episodes.

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It's a change.

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Why not do that, given that we've had 2 like that.

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But I also like the factor, it's interesting that there's a large gap of time, not just between this episode and the previous episode, but also between each episode from now, really.

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Yeah, there's like 10 months between this episode and the next one, according to Amy. from her points of view.

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And so that's the other thing that's happening here, is that we have part-time companions for the 1st time.

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We have kind of companions who go on trips and then go home for a bit and then go on another trip and stuff.

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This feels like, I don't, I'd like to talk about how you received Rory and Amy at the beginning of this at the time and now.

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So I'm really interested in everyone's opinions, but I'm feeling as to umbrella it.

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This feels very much informed by the new adventures.

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We were just talking about one of Codleman's beautiful books.

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They're all beautiful, but the characterisations and the acrimony and also the separation in time thing feels very new adventures.

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It's also like normal television in a way.

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Like, you know, Well, there's often a gap between seasons.

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We come back to, you know, series two, episode one. and some time has passed and the relationships between the characters have changed a little bit and we spend the 1st episode kind of looking into that.

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I mean, that's sort of because in sort of normal American television.

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You know, the last episode went out in June and the next one's going out in September and so they have to move time forward in order to get to the Christmas episode.

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I have to say, and I know that this isn't a popular opinion, but I like what happens to Amy and Rory in the inter, not interregnum, but in the interval between the 2 seasons, the fact that they have a, well, that they're breaking up.

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I mean, it starts with Rory delivering divorce papers.

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Does this have anything to do with the fact that we are broadcasting live from Oswin's crucible?

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Looking around the room of stuff.

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Yes, this is...

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FTE Studios is a place where I like to retire to and make...

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But Richard, which one of us is Oswald?

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all are today.

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Well, we will get to Oswin, because I do think that that is a really clever and surprising thing to have happened.

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Do you remember the shock you felt?

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Yeah. saw her. they kept it so well.

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I was debating that with Brian when we were watching it the other day as to, did we remember?

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Did we know who she was when we were watching this?

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She's been in the magazine.

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Yeah.

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Be in the next, so we knew she was car.

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She knew we knew she was cast and I remember the shock at, 0 my goodness, what is going on?

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She's in this.

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Did they kind of fudge it and sort of say, oh, well, you know, she was so good in this.

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We then decided to cast her as the companion.

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Was it like that?

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No, no, no.

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It was always intentional.

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So it is part of, so I know it was intentional, but was that the kind of the cover story they gave us?

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So I think there are 2 loose arcs in series 7 or at least in the beginning and end of series 7.

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So the series 7 A arc is Amy and Rory's relationship, which is why we start with them broken up, and the series 7 B arc is obviously about Clara.

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That's the Golga French and mark.

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Yeah, the BR.

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Where all of us are.

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Me anyway.

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Yeah, I teach a dead language to rich children, I'm essentially.

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Have we wiped these marks?

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I just want to check.

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So this kind of introduces that that 7BR, who the hell is Clara?

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Why is this person that we saw at the casting call taking publicity photos with Matt Smith?

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Why is she here already?

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But only the audience knows.

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Yes.

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Not the doctor, not Amy, not Rory.

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Of course it's very cleverly written in that the doctor never sees her.

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Of course.

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Yeah.

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So he only hears her voice.

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He never actually gets to see her.

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What sort of name is Oswin?

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Can I just ask that?

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Like, like, I don't even know the origin of the name.

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Like I've never heard it before.

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Like, you know, you can have old English ladies names, but I'd never heard of this.

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Like it just seems so...

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It just seems so random, you know, and I guess we'll talk about the Clara arc later on.

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I don't know if at this point Steven's got it fully in his mind what he wants to do with that.

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Yeah, it does a similar, there's a similar name for Oliver's name, isn't there?

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I think we need to look at Moffatt's early schoolboy diaries and discover who she actually is.

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Well, she does later on, I think, as Clara say something like Clara Oswald for the win or something.

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There is some dialogue, which suggests that that's where the name comes from.

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And obviously, like the mystery is enhanced by the fact that she's not Clara.

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We know that this character is going to be called Clara, the press release and the whole thing has already happened.

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So I think it just adds an extra layer, who the hell is this?

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And I think that that is really great.

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But let's go into it a little bit later.

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Let's get back to Amy and Rory's marriage.

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How did you feel about it breaking down between seasons, Todd?

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I was not impressed at all.

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I really hated it at the time.

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I just thought this is a plot device.

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We've made a decision to keep them on his companions for a bit longer.

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And so we need some sort of hook.

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And I certainly think with what happens to them in 5 episodes time, I think, especially when it talks about that she can't have children, I just think that's really nasty.

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I still think it's really nasty and awful.

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I can see now, having rewatched it, the whole dynamics and to give the doctor something to fix.

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We've talked about this, Nathan.

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But I still feel like it's something in the episode that just doesn't sit well with me.

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I just, I've mentioned in the last few episodes.

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I really like the fact that they were sort of being let go by the doctor and they're right out at the end of the last season and now it's sort of like, well, how do we get them back in?

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Like, because quite frankly, it's very generous of the Daleks to go and get them and bring them to be with the doctor because he needs his companions out of, you know, some sort of structural need of the story.

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Did we need to actually have that extra layer in there, right?

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We could have had them separated, which they are for the most thing, but it's sort of like Stephen needs to have some colour in the relationship.

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If they were just together and separated, you wouldn't have all of that sort of interplay.

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So I think from a structural point of view, I have problems with it.

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It's sort of like a means to an end, right?

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But it doesn't stop my enjoyment of the episode and I liked it a lot more this time.

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What do you think of it, Simon?

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Well, leaving aside that I probably would have preferred the Amy and Rory thing to have been wrapped up at the end of the previous season because it was so beautifully done and neat.

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I just went with it when it came on.

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I thought, oh, yes, okay, so we're, we've got relationship problems.

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We're doing you win exactly.

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We're doing this now, because essentially it's resolved by the end of the episode anyway.

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I mean, he goes back inside the house and.

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But I just thought it was unnecessary.

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No, fair enough.

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And I just, I guess that the biggest thing for me, Simon, is the whole, she can't have kids.

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Yeah, right?

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to try and make all that happened last season even worse.

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Well, interestingly, she says she can't have kids.

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What she should have said is she can't have any more kids.

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They actually have a daughter.

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And it's kind of a bit rude.

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It's like we're now deleting River song.

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Like she doesn't count anymore.

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I know they didn't get to raise her as a child in the traditional sense, but it was nice the way it resolved at the end of the previous season with River arriving and River calling her mother and all that sort of stuff.

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I get it.

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I get that you don't like that and that's fair enough.

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I just feel with Todd that maybe with Simon as well, I wanted some continuity and characterisation.

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I understand that Mr. Moffatt finds that narcissistic sociopathic women very attractive.

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I, however, found that really on the nose at the time.

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And I still now I just find it unnecessary.

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It's an artificial point to raise drama where I don't think it needs to be.

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I expect more emotional summary.

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I expect more emotional intelligence from these characters. certainly seeing where we've been before.

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That's a great point.

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More emotional intelligence because I really felt that they were in such a great place.

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And their relationship was so strong that they could never actually get to this and I just don't quite buy it.

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And they also look just so glamorous now.

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And so well grew.

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Rory's wearing great clothes.

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Yeah, so gray hair.

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But yeah, no, I think that's the perfect point.

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It is the fact that I don't buy the fact that we're here already, given the love between them.

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No, you're going to get to this point where you're divorcing maybe 12 months later.

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No way.

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And so it's I don't buy it.

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I think it's it's lazy.

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I think that it's unpleasant to watch because we love them and we've been rooting for them for 2 years.

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I think that that's a problem.

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I do think, though, this episode is barely about the Daleks at all.

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It's not particularly interested in Daleks.

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Best Dialect stories are barely about the Dialect.

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Yeah, no, I agree. complaining.

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Did you mention the chase?

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But it is interesting that Stephen doesn't really ever want to write Daleks necessarily, even cyber them up to this point because all we've had is back in series, end of series five, a dalek in that final episode, right?

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Going around.

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He hasn't written really any other dalek Dalek things.

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And here.

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And I think it's in his writing.

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He always wants to do different things with them.

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Like we've got the human dalek thing, which is different, you know, with the unfortunate.

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Oh, okay.

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And with the cyberman, like back in again, series five, that one cyberman.

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But he was doing something different with that side and with, you know, down in the um, under stone hinge, like how it sort of was going to eject its skull and take over Amy.

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That was something different.

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He's not interested in doing the cybermen or the Daleks, as we know.

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It's always different thing.

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And here we've got the human daleks and we're not, we've got the Oswin dalek.

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Yeah, yeah, yeah. egg and we're not really interested too much in the new paradigm daleks, which have now been shunted off to one memory hold.

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You know, with the Parliament and the Prime Minister and all of the Russell T Daleks there.

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Yeah.

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So I think that the Amy and Rory relationship breakdown does 2 good things, which is that it gives us more consequences for the things of series 6, which we sort of complained about before.

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Like Amy undergoes this horrific torture and then is off on a jolly adventure the next week and that's a problem.

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So it makes those events have more consequences.

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And it's a baseline because the thing that we're going to see is a relationship that is much more mature and has weathered a lot of stuff.

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And what we actually find here is, I think, Rory and Amy growing up to the point where the doctor kind of realises that they don't really need him anymore.

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And that culminates in Amy's big decision at the end of Angels Take Manhattan.

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She doesn't need the doctor anymore, but she does need Rory.

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And so giving that relationship a bit more history, taking it from something that is, you know, the very beginning of a marriage where they're all sort of totally into one another, into a sort of more solid domestic relationship, I think is a good thing.

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Just shaking my head because every time I say something about how I dislike this and how it's not any good.

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You then come up with all these wonderful voices to say the consequences of this and there's so much payoff and there's actually really good things coming out of something that I don't.

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You know, I acknowledge that it's unpleasant to watch.

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I think it is unpleasant to watch.

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And what, like, Simon and Richard said about it, like, I thought it was a very TV writer.

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And I suppose that's why I just accept it and move on because I know that they do things in TV which aren't real. especially in a program like this.

202
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But yeah.

203
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Yeah, yeah, I think I agree.

204
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So, let's go back to Oswin then.

205
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And the big question is, I remember this.

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Do you remember this at the time, Richard?

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I thought that she had had an egg whisk in her hand at some point?

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remember that as well.

209
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But it doesn't happen, does it?

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And I think we, it so should have happened that we just imagine that it happened.

211
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Well, because like a 60s dialect sometimes have egg whisks on...

212
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Well, she's making souffles.

213
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And she's a dalek.

214
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And they don't have a scene where she has an egg whisk in her hand.

215
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They're only in the they're always in the oven.

216
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See, flaves are always in the oven.

217
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Whilst unblocking the sink with the right hand.

218
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Yeah.

219
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Mr. trick.

220
00:16:08.100 --> 00:16:09.659
It would have been so good.

221
00:16:10.379 --> 00:16:16.379
I love the plumbing. pardon the pun of Grim Fairy stories for this one.

222
00:16:16.440 --> 00:16:18.539
I want to talk a bit about metas.

223
00:16:18.720 --> 00:16:22.139
That's a thing that we now live in, Mr. Zuckerberg.

224
00:16:22.200 --> 00:16:24.000
Did anyone else pick up all of that?

225
00:16:24.059 --> 00:16:38.879
They're really ploughing the Grimm's fairy stories and not just Oswin being the sleeping beauty who slept for a year in this case, but in the sepulchra of her own lovely imaginings.

226
00:16:38.940 --> 00:16:43.139
But, um, my favourite moment visually in this.

227
00:16:43.200 --> 00:16:47.220
And I think it's beautifully shot and so well lit.

228
00:16:47.220 --> 00:16:49.980
And it's so well directed that this one.

229
00:16:50.039 --> 00:16:54.120
I think that's really why it works because I think we're all probably thinking along the same lines.

230
00:16:54.179 --> 00:16:55.860
It's actually kind of a thin story.

231
00:16:55.919 --> 00:17:04.200
And there's a lot of very artificial TV jerks to get the things to happen the way that they happen.

232
00:17:04.200 --> 00:17:06.720
And it's not just Amy and Rory.

233
00:17:06.779 --> 00:17:13.259
It's really all of the incidents and I find the Parliament of Daleks, as Greg Miller said, are delightful carols by candlelight.

234
00:17:13.799 --> 00:17:16.079
I would have loved to have been there.

235
00:17:16.140 --> 00:17:22.079
But there's a lovely, my favourite moment is when Amy is delirious and looks out and says they're just people.

236
00:17:22.140 --> 00:17:23.880
Oh, there's a lonely sequence.

237
00:17:23.940 --> 00:17:24.539
It's gorgeous.

238
00:17:24.599 --> 00:17:25.619
And you know where it's lifted from?

239
00:17:25.680 --> 00:17:26.579
And I had another look.

240
00:17:26.640 --> 00:17:27.599
It's cocktail.

241
00:17:27.660 --> 00:17:34.079
Jean cocktails, belle la bet, you know, the 1946 film, 47 film, with Jean Marais.

242
00:17:34.140 --> 00:17:39.900
Again, lit the same way, the mere lighting and deliberately so.

243
00:17:39.960 --> 00:17:43.859
And just the way that reality layers into fantasy.

244
00:17:43.920 --> 00:17:45.299
I was like, where have I seen all this before?

245
00:17:45.359 --> 00:17:50.099
And that kind of language soupy density atmosphere.

246
00:17:50.160 --> 00:17:53.700
I feel as if the air is thicker on the planet.

247
00:17:53.759 --> 00:18:00.720
I also love the descent onto the ice planes and that the young man who they meet is wearing camo gear that's white.

248
00:18:00.779 --> 00:18:01.920
It just looks spectacular.

249
00:18:01.980 --> 00:18:03.180
Yeah, looks very nice.

250
00:18:03.240 --> 00:18:05.160
So it's Nick Curran again.

251
00:18:05.220 --> 00:18:13.799
So girl who waited God complex. and he is absolutely maybe the best director of the Moffat era.

252
00:18:13.859 --> 00:18:17.220
Certainly it's the visual style consistent. full throughout.

253
00:18:17.279 --> 00:18:18.359
He's really good.

254
00:18:18.420 --> 00:18:20.339
I think this is less showy than those.

255
00:18:20.400 --> 00:18:22.019
Yes, it's definitely less showy.

256
00:18:22.079 --> 00:18:29.819
But I, actually, it's interesting that you mentioned the girl who waited because, Richard, you sort of suggest that the plot's a bit thin or the story has been thin.

257
00:18:29.880 --> 00:18:35.579
Well, you see, for me, it feels like the kind of plot that you need in what is a 45 minute self-container.

258
00:18:35.640 --> 00:18:45.240
I brought it up in that episode, the girl who waited as well, in that the floor of some modern episodes is that they're trying to do an old style 4 parter in 45 minutes.

259
00:18:45.299 --> 00:18:47.220
And so you all rush through all this stuff and then it's over.

260
00:18:47.279 --> 00:19:03.180
Whereas this and the girl who waited are good examples of how much content you need, and the kind of story you need, to take you through a 45 minute episode, and get all the nice stuff in that you want, like, you know, Amy's sequence where she's hallucinating, the people, which is quite gorgeous.

261
00:19:03.240 --> 00:19:14.279
You do actually need to let the actors and the artists involved with the directors, the lighting crew, the designers, to have scope to create a narrative that isn't just on the page.

262
00:19:14.339 --> 00:19:15.059
So, yeah.

263
00:19:15.119 --> 00:19:21.480
I mean, I think this is fundamentally about Rory and Amy's relationship and about Clara.

264
00:19:21.539 --> 00:19:23.880
And I don't think the Daleks...

265
00:19:26.880 --> 00:19:29.700
That's actually good Yeah, it's like making sourdough.

266
00:19:29.759 --> 00:19:31.079
It's a bit spooky, though.

267
00:19:31.799 --> 00:19:39.839
Yeah, I think the Daleks are something that Moffat isn't interested in beyond their mere iconography.

268
00:19:39.900 --> 00:19:43.259
And so he doesn't care about the history of the Daleks, particularly.

269
00:19:43.319 --> 00:19:46.920
He doesn't want to create a Dalek story where Daleks do Dalek things.

270
00:19:46.980 --> 00:19:51.539
He wants to just use the imagery in a story.

271
00:19:51.599 --> 00:19:55.019
And so there is essentially no Dalek story here.

272
00:19:55.079 --> 00:19:58.859
It's just, you know, the Dalek send him down a thing.

273
00:19:58.920 --> 00:20:00.359
He wanders around for a while.

274
00:20:00.420 --> 00:20:01.619
He finds Oz when.

275
00:20:01.680 --> 00:20:03.420
He beams back and then escapes.

276
00:20:03.480 --> 00:20:05.700
You know, there's not really that much Dalek business.

277
00:20:05.759 --> 00:20:18.660
And the new Dalek thing where they have the eye stalk and the gun, both of which are iconic Dalek things bursting out of people's heads absolutely makes no sense.

278
00:20:18.720 --> 00:20:20.099
So Daleks can do that now.

279
00:20:20.160 --> 00:20:28.859
They can just be people with sort of guns coming out of their hands, but it is using Dalek imagery in a new way and that's what he's interested in.

280
00:20:28.859 --> 00:20:29.460
That's right.

281
00:20:29.460 --> 00:20:30.180
Yeah.

282
00:20:30.240 --> 00:20:31.619
I just don't like it though.

283
00:20:31.680 --> 00:20:35.519
I think it's twee and looks awful and it's a bit embarrassing.

284
00:20:35.579 --> 00:20:36.720
I find it a bit embarrassing.

285
00:20:36.779 --> 00:20:41.519
I like the concept of the people being taken over by the Daleks, but through the nano bots or whatever they are.

286
00:20:41.579 --> 00:20:45.720
I love the, well, but effectively it's like a modern take on the Roberman.

287
00:20:45.779 --> 00:20:46.440
Yeah, yeah.

288
00:20:46.440 --> 00:20:48.779
It's people being taken over by the dogs.

289
00:20:48.839 --> 00:20:54.779
I just think the ice stock coming out of the forehead in particular, it just makes me cringe.

290
00:20:54.839 --> 00:20:57.240
But I like that grotesqueness.

291
00:20:57.299 --> 00:21:01.559
It's not the grotesqueness. cringing because I think it's just, it's like, what the hell does that mean?

292
00:21:01.619 --> 00:21:02.640
What is that about?

293
00:21:02.700 --> 00:21:03.599
Why is that necessary?

294
00:21:03.660 --> 00:21:10.319
I liked it actually when, I can't remember the character's name, but the woman that's in the pre-credit sequence with Matt.

295
00:21:10.380 --> 00:21:13.680
Later when she's in the Parliament of the Dalek ship.

296
00:21:13.740 --> 00:21:17.519
She's just got more of a blue glow up there rather than the ice talk up there.

297
00:21:17.579 --> 00:21:18.779
I think that's nice.

298
00:21:18.839 --> 00:21:22.680
That's kind of suggests there's something implanted in your brain or growing in your brain.

299
00:21:22.740 --> 00:21:27.779
And even the gun coming out of the hand is...

300
00:21:27.839 --> 00:21:33.420
I saw coming out of the forest and it happens several times in the future and I just go, please, why did that?

301
00:21:33.480 --> 00:21:35.400
I love the bus driver.

302
00:21:35.460 --> 00:21:37.019
Remember when Rory gets on the bus?

303
00:21:37.079 --> 00:21:38.160
But that doesn't make any sense.

304
00:21:38.160 --> 00:21:38.759
Why the bus?

305
00:21:38.819 --> 00:21:40.200
It makes sense to Amy's assistant.

306
00:21:40.980 --> 00:21:46.019
It's taken over by the Daleks because he's working with Amy every day.

307
00:21:46.079 --> 00:21:48.359
How do the Daxies know that Rory's going to get on that exact bus?

308
00:21:48.420 --> 00:21:49.680
But it's so good.

309
00:21:49.680 --> 00:21:51.900
They take over all the bus drivers.

310
00:21:51.900 --> 00:21:52.319
They do.

311
00:21:52.500 --> 00:21:55.319
You don't actually see it happen, do you?

312
00:21:55.380 --> 00:21:58.079
You just see him looking scary in the bus revision.

313
00:21:58.140 --> 00:22:01.859
Maybe there's a bit of a thing on the bubble on it. bubble of patters on his head, yeah.

314
00:22:01.920 --> 00:22:02.460
Yeah.

315
00:22:02.460 --> 00:22:04.319
I mean, all of that stuff's just terribly fun.

316
00:22:04.319 --> 00:22:09.299
And it is, the trouble with the blue glow on the forehead is that it's subtle?

317
00:22:09.359 --> 00:22:12.539
Yes, it's not daleky enough.

318
00:22:13.500 --> 00:22:26.400
But I think keeping the Daleks as, as you say, as a motif, I think, is when they are most successful for me, because Diaz has been brought up many times before, conversations between Daleks are tiresome.

319
00:22:26.460 --> 00:22:31.859
In the extreme, conversations between cybermen are tiresome, in the extreme.

320
00:22:31.920 --> 00:22:37.980
So you use them sparingly rather than en masse because of the fact that they are more interesting sparingly.

321
00:22:38.279 --> 00:22:39.599
Yeah.

322
00:22:39.660 --> 00:22:41.640
And they're great because they're frightening. creepy.

323
00:22:41.700 --> 00:22:42.779
They're creepy.

324
00:22:42.839 --> 00:22:50.460
Having, however, many bazillions of them CGI'd into the Parliament of the Daleks, is just, it's just for the fact that it's the opening episode.

325
00:22:50.460 --> 00:22:52.799
Yeah, it creates the pre-credits teacher and that's all that it's about.

326
00:22:52.859 --> 00:22:56.579
But talking of the parliament, I wouldn't understand some more because we do have a prime minister of the dialects.

327
00:22:56.640 --> 00:22:58.380
So is there a leader of the opposition?

328
00:22:58.920 --> 00:23:01.019
Do they have divisions?

329
00:23:01.079 --> 00:23:02.640
You know, is there a pairing system?

330
00:23:02.700 --> 00:23:03.720
So many questions.

331
00:23:03.779 --> 00:23:05.519
It's odd, isn't it?

332
00:23:05.579 --> 00:23:12.240
It's almost like he's kind of gesturing towards some kind of political point, but I don't know what it is.

333
00:23:12.240 --> 00:23:14.940
Yeah, yeah, it doesn't actually get developed.

334
00:23:15.000 --> 00:23:15.960
What was he trying to say?

335
00:23:16.019 --> 00:23:16.680
I don't know.

336
00:23:16.680 --> 00:23:19.799
Trying to remember what was happening when this was being written.

337
00:23:19.859 --> 00:23:24.180
You're right about the partisanship of the Darlings.

338
00:23:25.019 --> 00:23:39.180
I think it was just an excuse to have a lovely big rotunda, but it was also, I felt a little bit of a tiny Mick duration against our dear Russell's final episode for Eccleston's doctor.

339
00:23:39.240 --> 00:23:43.559
So the god emperor Dalek is now a Vaseline jar.

340
00:23:43.559 --> 00:23:44.880
Yeah.

341
00:23:44.940 --> 00:23:46.200
Yeah, yeah, yeah.

342
00:23:46.259 --> 00:23:47.519
So he's the prime minister.

343
00:23:47.700 --> 00:23:52.380
I mean, because Parliament's actually a good word because I can't remember what animal...

344
00:23:52.380 --> 00:23:52.740
Owls.

345
00:23:52.740 --> 00:23:53.759
Owls.

346
00:23:53.819 --> 00:23:54.299
There you are.

347
00:23:54.359 --> 00:23:56.700
So owls have a collective noun is a parliament.

348
00:23:56.759 --> 00:24:00.660
So I just thought it was maybe the collective noun have done it, which is, which would be so good.

349
00:24:00.720 --> 00:24:01.619
Which is fine.

350
00:24:01.680 --> 00:24:03.359
But then they call the...

351
00:24:03.420 --> 00:24:04.920
I mean this is prime minister doesn't make any sense.

352
00:24:04.980 --> 00:24:06.539
But you know, who cares?

353
00:24:06.599 --> 00:24:07.440
Yeah, yeah.

354
00:24:07.500 --> 00:24:12.539
It's been a while since we've had a non-evil Prime Minister of Great Britain and perhaps that's it.

355
00:24:12.599 --> 00:24:16.680
Maybe that's the point, but it doesn't seem like a very interesting point to make.

356
00:24:16.740 --> 00:24:19.259
And it's certainly not developed in any way.

357
00:24:19.319 --> 00:24:19.980
So, you know.

358
00:24:20.039 --> 00:24:30.900
I think he's more interested in the outcome at the end where they're all just, they forget about the doctor, which has been an ongoing thing in the master episodes, which, of course, is conveniently dropped after this.

359
00:24:30.960 --> 00:24:32.759
No, it will come up again next week.

360
00:24:32.819 --> 00:24:33.900
Oh, okay.

361
00:24:33.900 --> 00:24:34.500
Yeah.

362
00:24:34.559 --> 00:24:39.359
So that's that's a thing too, because we start with the doctor being dead.

363
00:24:39.420 --> 00:24:41.400
And so when he turns up on Skaro.

364
00:24:41.460 --> 00:24:42.180
And that's another thing.

365
00:24:42.240 --> 00:24:45.660
Moffatt isn't interested in the fact that the doctor blew up Scaro.

366
00:24:45.779 --> 00:24:46.319
He doesn't care.

367
00:24:46.380 --> 00:24:47.400
He's Scaro.

368
00:24:47.460 --> 00:24:49.680
We're going to be on Scaro because I literally don't care.

369
00:24:49.740 --> 00:24:50.640
A different point in time.

370
00:24:50.700 --> 00:24:51.839
Well, yeah, I suppose.

371
00:24:51.960 --> 00:24:52.680
Well, the future.

372
00:24:53.220 --> 00:24:58.440
Where he's, he, no one knows who he is and he's disappeared.

373
00:24:58.500 --> 00:25:01.680
His his kind of his death has taken.

374
00:25:01.740 --> 00:25:02.940
People think he's dead.

375
00:25:03.000 --> 00:25:05.640
Isn't that the implication of that conversation?

376
00:25:05.700 --> 00:25:11.039
Like he's surprised that whatever her name is knows about him or knows who he is.

377
00:25:11.099 --> 00:25:12.480
There is some reference to that.

378
00:25:12.539 --> 00:25:13.200
Yes.

379
00:25:14.039 --> 00:25:21.960
But of course, the dalek's no, you know, him and they know his companion's addresses and they know what bus Rory catches, obviously.

380
00:25:24.480 --> 00:25:26.460
And then by the end of it, they've never heard of him.

381
00:25:27.960 --> 00:25:36.839
But it's interesting that, you know, this has been like was a big point at the end of last season and is here again and as you said next week.

382
00:25:36.900 --> 00:25:41.160
But after that, it seems to be somewhat dropped.

383
00:25:41.279 --> 00:25:44.279
Well, I mean, I've said this before, but the show has done this before.

384
00:25:44.339 --> 00:25:56.339
At the end of World War III. the doctor gives a CD to Mickey with a computer virus on it that will wipe out all of the mentions of the doctor from the records and stuff.

385
00:25:56.400 --> 00:25:59.460
There's always been this sort of weird thing.

386
00:25:59.519 --> 00:26:00.720
Is the doctor famous or not?

387
00:26:00.779 --> 00:26:02.160
And then they bottle out of it.

388
00:26:02.220 --> 00:26:11.099
The thing that I find disappointing, because several times they've done that, as I think I said, at the end of Wedding of River Song. several times they've done that and they've always bottled out of it.

389
00:26:11.160 --> 00:26:12.900
Not just in the new series, been the old series as well.

390
00:26:12.960 --> 00:26:18.359
And I think they missed an opportunity on each occasion by not then running with it and doing a bit of a reset.

391
00:26:18.420 --> 00:26:19.140
Yeah.

392
00:26:19.200 --> 00:26:19.680
Yeah.

393
00:26:19.740 --> 00:26:22.799
I mean, you can always have the doctor just not be known in a particular place.

394
00:26:22.859 --> 00:26:23.579
Exactly.

395
00:26:23.640 --> 00:26:24.480
The universe is a big place.

396
00:26:24.539 --> 00:26:25.740
Yeah, so time is long.

397
00:26:25.799 --> 00:26:26.759
Yeah, that's right.

398
00:26:26.819 --> 00:26:30.539
He could be famous if the story needs it and unknown if it doesn't.

399
00:26:30.599 --> 00:26:31.319
Yeah.

400
00:26:31.380 --> 00:26:41.759
I mean, even Chris Chibnall, who kind of tries to reset Doctor Who to just be a traveller rather than a superhero, has her bragging about her backstory by about episode three.

401
00:26:41.819 --> 00:26:44.579
So it doesn't take with him either.

402
00:26:44.640 --> 00:26:50.700
I think it's a thing that Doctor Who has had to do ever since, what, the savages occasionally is famous.

403
00:27:07.259 --> 00:27:10.619
I still want to talk a little bit more about Jenna.

404
00:27:10.680 --> 00:27:13.980
I mean, she is doing an absolutely spectacular job.

405
00:27:14.039 --> 00:27:16.019
She is one of the best things.

406
00:27:16.079 --> 00:27:17.099
She is so good.

407
00:27:17.160 --> 00:27:18.660
The delivery is fantastic.

408
00:27:18.720 --> 00:27:29.519
And basically, I assume she's basically performing all of these takes without anyone else there by herself with just some stage hand reading off the other dialogue.

409
00:27:29.579 --> 00:27:31.019
She is so good.

410
00:27:31.079 --> 00:27:39.960
And but when the credits finish and she suddenly is there in the red dress with Carmen going on in the background and the souffle is coming out of the oven and she's got the little monologue.

411
00:27:40.019 --> 00:27:46.559
That is such a great sequence and beautiful and it just suddenly changes the tempo and style of the program almost.

412
00:27:46.619 --> 00:27:51.900
Like, I feel like I felt like at the time and I felt like watching it when I was watching it again the other day, how fresh it suddenly was.

413
00:27:51.960 --> 00:27:53.880
And she's so vibrant.

414
00:27:53.940 --> 00:27:55.140
She's such a vibrant person.

415
00:27:55.200 --> 00:27:55.619
She's great.

416
00:27:55.680 --> 00:27:58.200
Yeah, I'm a huge fan of Jenna.

417
00:27:58.259 --> 00:28:00.180
I really, really like her performance.

418
00:28:00.240 --> 00:28:04.319
I think she's charismatic, she's charming.

419
00:28:04.380 --> 00:28:14.339
I think she's a little bit more subtle and versatile maybe than Karen, who we have quite a high opinion of, I think, after the last few years.

420
00:28:14.819 --> 00:28:16.619
Looks at me.

421
00:28:16.799 --> 00:28:21.720
Well, no, I've grown to love Karen, but straight away, I'm totally drawn to Jenna.

422
00:28:21.779 --> 00:28:23.099
She looks stunning.

423
00:28:23.160 --> 00:28:33.359
Every piece of dialogue, every, every look to the camera or not, everything that she does in this episode is just sublime.

424
00:28:33.480 --> 00:28:38.579
I get the feeling that she's had a lot more experience than Karen.

425
00:28:38.640 --> 00:28:40.500
Yeah, it may not be right.

426
00:28:40.559 --> 00:28:43.380
Well, I mean, she was on Emmerdale for a few years.

427
00:28:43.440 --> 00:28:47.819
So, I mean, she certainly cut her chops in having to do episode 8 television.

428
00:28:47.880 --> 00:28:49.619
So she can come straight into something.

429
00:28:49.619 --> 00:28:52.319
At a fast pace where you're doing a lot of shooting. television.

430
00:28:52.380 --> 00:28:56.400
She's also just very, very good at Moffatt's dialogue as well.

431
00:28:56.460 --> 00:29:12.839
Now, that's an interesting thing because I looked up when I wanted to find out, did we know that she was going to be the companion when it came out and I found a little kind of a factoid in there that apparently one of the reasons Moffatt said he cast her was because she could talk faster than Matt Smith and makes sense.

432
00:29:12.900 --> 00:29:14.579
And I think it works so well.

433
00:29:15.000 --> 00:29:22.980
You get the sense that she, whether it's the actress or the character, she's keeping up with the doctor. almost like the way River song does.

434
00:29:23.039 --> 00:29:23.700
Yeah.

435
00:29:23.759 --> 00:29:26.400
And I think she manages to do it with both doctors as well.

436
00:29:26.519 --> 00:29:30.900
Like she absolutely holds her own against 2 different doctors during her run.

437
00:29:30.960 --> 00:29:35.220
Yes, but I actually think that she's best in the Matt Smith episodes.

438
00:29:35.220 --> 00:29:38.279
And I think she, the character works best with Matt.

439
00:29:38.339 --> 00:29:50.039
And I think it's fine with Capaldi, but I think it may be just for me more the way they change the character developer character that I start to lose interest in her as we move into the Capaldi era, but I think she's strongest at the start.

440
00:29:50.099 --> 00:30:01.019
Yeah, I think we will complain about the way the character works because she does tend to be jerked around by whatever the...

441
00:30:01.079 --> 00:30:02.279
Yeah, yeah, yeah.

442
00:30:02.339 --> 00:30:04.019
And that is a little bit of a problem.

443
00:30:04.079 --> 00:30:13.019
But, you know, we used to, the classic series where, you know, the character has a paragraph long description and...

444
00:30:13.019 --> 00:30:20.400
Computer programming, peace popping, that's right, and nothing else, and the whole thing just relies on the actor's performance, and I think that's what's happening here.

445
00:30:20.460 --> 00:30:22.680
The whole thing is tied together by Jenna's performance.

446
00:30:22.740 --> 00:30:26.279
It's funny that you mention that because, I mean, I'm jumping ahead.

447
00:30:26.339 --> 00:30:40.019
Like, we do get about 4 different Claras throughout the time, but I also think if you look back in classic, you also get 3 different Sarah Jane Smith, in my opinion, when you look at it, and it's Elizabeth Stadden, who holds that all together.

448
00:30:40.079 --> 00:30:46.079
And here, I think again, with Jenna's performance is the thing that holds Clara together throughout all of that.

449
00:30:46.140 --> 00:30:47.759
But I certainly agree with you, Simon.

450
00:30:47.819 --> 00:30:50.940
And I certainly think that, well, this is Oswald.

451
00:30:51.000 --> 00:30:53.880
My favourite Clara is yet to come and she's only in one episode.

452
00:30:53.940 --> 00:30:54.900
Yeah, right?

453
00:30:55.799 --> 00:30:58.619
I wonder if that's the same one as mine.

454
00:30:58.680 --> 00:31:00.180
I think it might be.

455
00:31:00.240 --> 00:31:01.259
I think it might be.

456
00:31:01.380 --> 00:31:05.339
But she's just a breath of fresh air in this.

457
00:31:05.339 --> 00:31:16.380
And it says a lot about the writing and her performance and the direction in the fact that she's trapped in this room and she's been there, but you don't really think about that for a while.

458
00:31:16.440 --> 00:31:29.519
You begin to question it, but then, whether it be the performance of the dialogue or whatever, you then get distracted and it's only towards perhaps the last little for me anyway, the last 15 minutes or so where you start to go, well, how does this actually work?

459
00:31:29.579 --> 00:31:33.599
Exactly, despite despite the fact that you know that she can't be there.

460
00:31:33.660 --> 00:31:34.500
You just don't think it.

461
00:31:34.559 --> 00:31:36.180
Well for me, you just don't think about it.

462
00:31:36.240 --> 00:31:42.839
Despite all the hints that get dropped, it is still a terrible shock and the station when it's revealed that she's a dalek at the end.

463
00:31:42.839 --> 00:31:56.579
Because I think when you're watching a program like this, I'm spotting things and then I'm kind of dismissing slash forgiving them, thinking that either it's an error of production or it's just they just stuffed up the writing or it was the wrong person on the wrong day.

464
00:31:56.640 --> 00:32:00.420
And so even if it's flagged, it's still a surprise. for me.

465
00:32:00.539 --> 00:32:03.779
So are you talking about the where does she get the milk for the souffle?

466
00:32:03.839 --> 00:32:04.259
What is it from?

467
00:32:04.319 --> 00:32:06.779
I think that's...

468
00:32:06.779 --> 00:32:07.680
Don't they have replicators?

469
00:32:07.740 --> 00:32:10.140
It's a throwaway gag, is it?

470
00:32:10.200 --> 00:32:17.400
Like it's a joke and it looks like a meta joke about how Doctor Who kind of doesn't make sense often about that kind of stuff.

471
00:32:17.460 --> 00:32:19.440
Like, none of us would have been...

472
00:32:19.559 --> 00:32:24.180
Oh, I don't know, maybe people would be writing angry letters to the production team about the milk problem.

473
00:32:24.240 --> 00:32:25.319
It's like, where's the milk?

474
00:32:25.380 --> 00:32:25.799
Where are the eggs?

475
00:32:25.859 --> 00:32:26.400
Where everything else?

476
00:32:26.460 --> 00:32:27.900
What else are you eating?

477
00:32:27.960 --> 00:32:33.420
Like basically that's why I thought it was just the running joke because if she doesn't have milk, then she doesn't have anything else either.

478
00:32:34.259 --> 00:32:37.440
But that's but that's how the doctor realises that this is not real.

479
00:32:37.500 --> 00:32:38.759
Like that's an important thing.

480
00:32:38.819 --> 00:32:40.079
It's not just a throwaway line.

481
00:32:40.140 --> 00:32:41.400
He brings it up again.

482
00:32:41.460 --> 00:32:44.039
So I think that's really clever.

483
00:32:44.099 --> 00:32:46.859
She's like, what is she?

484
00:32:46.920 --> 00:32:47.819
She's really smart.

485
00:32:47.880 --> 00:32:53.160
She's super flirty with both the doctor and Rory, which I really like, actually.

486
00:32:53.220 --> 00:32:55.559
Yeah, no, it's gorgeous.

487
00:32:56.039 --> 00:32:58.140
The nose and the chin.

488
00:32:59.880 --> 00:33:06.539
But it's yet another female character that Moffat's created to insult and tease the doctor.

489
00:33:06.599 --> 00:33:07.079
Yeah.

490
00:33:07.079 --> 00:33:09.059
She's another Julie Solala.

491
00:33:09.119 --> 00:33:10.200
Yeah, well that's right.

492
00:33:10.259 --> 00:33:14.460
He's always been trying to recreate Linda Day, hasn't he?

493
00:33:14.519 --> 00:33:17.160
I think this is more like Julius Swala.

494
00:33:17.220 --> 00:33:20.940
She even starts to dress like Linda Day a little bit as well.

495
00:33:20.940 --> 00:33:26.220
With sort of leggings and short skirts and stuff like that. like Linda ends up wearing.

496
00:33:26.279 --> 00:33:31.440
Brendan Jones and I had a lovely Diana Rigg flashback when we 1st saw this.

497
00:33:31.500 --> 00:33:33.720
She's a modern day M appeal.

498
00:33:33.779 --> 00:33:34.440
Yeah.

499
00:33:34.500 --> 00:33:36.660
Yeah, she's pretty and smart and cool.

500
00:33:36.720 --> 00:33:45.539
Yeah, I mean, not to belabour the point, but the hair, the dress, the makeup, is all so elegantly sophisticated.

501
00:33:45.599 --> 00:33:47.579
It's just lovely.

502
00:33:47.640 --> 00:33:52.980
And even though she's in this little, what is supposed to be in her mind, at least, an escape pod from the Alaska.

503
00:33:53.039 --> 00:33:57.180
And she just looks so glamorous and fantastic and I buy it completely.

504
00:33:57.240 --> 00:33:58.140
Yeah, yeah.

505
00:33:58.200 --> 00:34:05.519
And she has that thing about not being distressed by this difficult situation that she's in, which is solution orientated.

506
00:34:05.880 --> 00:34:07.980
All of us during lockdown.

507
00:34:08.039 --> 00:34:09.420
Yeah, all of us here.

508
00:34:09.480 --> 00:34:15.119
And in the absence of an egg whisk, what hints do we have apart from where's the milk?

509
00:34:15.179 --> 00:34:19.199
I guess there's a round porthole that she looks at through.

510
00:34:19.260 --> 00:34:25.559
And there's, I think there might be other sort of semicircular... was the 1st big giveaway.

511
00:34:25.619 --> 00:34:26.579
Yeah, yeah.

512
00:34:26.639 --> 00:34:27.239
Yeah, that's right.

513
00:34:27.300 --> 00:34:27.780
That's right.

514
00:34:27.840 --> 00:34:29.639
She speaks to the dog.

515
00:34:29.639 --> 00:34:32.159
Very Star Wars, that I thought, that's something out of the snow.

516
00:34:32.219 --> 00:34:32.880
Yeah, yeah.

517
00:34:32.940 --> 00:34:34.500
In fact, all of that stuff is great.

518
00:34:34.559 --> 00:34:35.639
We're in Spain, aren't we?

519
00:34:35.699 --> 00:34:36.840
Oh is that where it is?

520
00:34:36.900 --> 00:34:37.800
Yeah, yeah.

521
00:34:37.860 --> 00:34:39.599
I'm in Spain It's awesomely beautiful.

522
00:34:39.659 --> 00:34:40.619
Yes, lovely.

523
00:34:40.679 --> 00:34:41.880
Yeah amazing.

524
00:34:41.940 --> 00:34:42.900
And gloves.

525
00:34:42.960 --> 00:34:44.639
Spanish gloves.

526
00:34:44.699 --> 00:34:49.440
Well, I think this episode and town called Mercy might be shot in Spain as well.

527
00:34:49.500 --> 00:34:50.340
That's right in Spain.

528
00:34:50.400 --> 00:34:52.019
Oh, tackled Mercy Spain, right?

529
00:34:52.079 --> 00:34:52.679
Yeah, yeah.

530
00:34:52.739 --> 00:34:54.000
So the gunfighter?

531
00:34:54.059 --> 00:34:57.239
The gunfighters, in a studio set in Spain.

532
00:34:57.599 --> 00:34:59.519
Time met.

533
00:34:59.579 --> 00:35:03.420
Well, it's not Spirit and Campbell, Iridius Falcon.

534
00:35:03.480 --> 00:35:03.960
Excellent.

535
00:35:04.019 --> 00:35:08.699
I can say, yes, they pronounce spirit on wrong as well.

536
00:35:10.199 --> 00:35:13.619
Inspiredon, but that's not what's said in the dialogue.

537
00:35:13.679 --> 00:35:16.920
So Sylvester McCoy pronounces it Spiriton.

538
00:35:16.980 --> 00:35:17.639
Spirit on.

539
00:35:17.639 --> 00:35:20.639
And so does, so does Jenna.

540
00:35:20.699 --> 00:35:22.019
She pronounces it Spiriton.

541
00:35:22.079 --> 00:35:23.880
So that confirms my theory.

542
00:35:23.940 --> 00:35:25.679
What are they saying, planet of the Dialects?

543
00:35:25.739 --> 00:35:26.940
They say spirad on.

544
00:35:27.000 --> 00:35:33.360
So my theory is that John Pertwee mispronounces the names of all of these planets and...

545
00:35:33.420 --> 00:35:34.380
Yeah that's right.

546
00:35:34.440 --> 00:35:35.639
Like metabolis 3.

547
00:35:35.880 --> 00:35:40.320
It really is metabolis 3 and per twig just mispronounced.

548
00:35:40.380 --> 00:35:42.179
The balance of evidence, Planet of the Daleks is wrong.

549
00:35:42.239 --> 00:35:43.199
Yes, clearly.

550
00:35:43.260 --> 00:35:46.199
In other ways, so...

551
00:35:46.440 --> 00:35:48.659
Go back to that.

552
00:35:48.659 --> 00:35:51.420
Previous comments about Dalek centric stories not being interesting.

553
00:35:51.480 --> 00:35:54.420
What do you mean there's Bernard Horseful in?

554
00:35:54.480 --> 00:35:54.900
that's true.

555
00:36:01.860 --> 00:36:13.320
You know all the hallucination, like of all the different Daleks and their characters, like, is that in her mind or is that sort of showing us like these were the people behind these dialects?

556
00:36:13.380 --> 00:36:14.159
or the characteristics?

557
00:36:14.280 --> 00:36:15.000
I think it's beautiful.

558
00:36:15.059 --> 00:36:17.159
I just, like, what's the imagery?

559
00:36:17.219 --> 00:36:18.239
What's the?

560
00:36:18.239 --> 00:36:23.400
I got the impression that she is reading the Daleks as people because she's becoming a dalek.

561
00:36:23.460 --> 00:36:26.159
And they all had their own little...

562
00:36:26.159 --> 00:36:27.659
And that's who they were.

563
00:36:27.780 --> 00:36:28.500
I don't know about that.

564
00:36:28.559 --> 00:36:30.659
They're all from the 1920s or whatever.

565
00:36:30.659 --> 00:36:32.760
They're all kind of like it just, it is.

566
00:36:32.820 --> 00:36:34.320
We're all at a party.

567
00:36:34.380 --> 00:36:38.099
That's right, a lovely party. garden party in the 1920s.

568
00:36:38.159 --> 00:36:41.639
No, I just think it's what Richard said.

569
00:36:41.699 --> 00:36:44.639
It's just an incredible piece of imagery.

570
00:36:44.699 --> 00:36:46.800
In Beauty and the Beast.

571
00:36:46.860 --> 00:36:53.099
Bell has to put on a glove to pass through into the other universe, which is a whole lot of other kink in it as well.

572
00:36:53.159 --> 00:36:54.719
It's cocktail.

573
00:36:54.780 --> 00:37:01.619
And in here, of course, it's the nanites, but there's still that lovely sense if we pass into other realms and what is reality.

574
00:37:01.679 --> 00:37:13.320
So it really has some little nods to film history and especially to French romantic fantasy that is really, I suppose, cocktail started, but anyway, 40s and early 50s just after the war.

575
00:37:13.500 --> 00:37:22.980
There's that lovely sense of, which Stephen Moffatt does very well of when he allows himself to indulge is we are not sure which reality we're in.

576
00:37:23.039 --> 00:37:24.059
I really like that.

577
00:37:24.119 --> 00:37:25.019
It should be that way.

578
00:37:25.079 --> 00:37:25.860
It's Doctor Who.

579
00:37:25.920 --> 00:37:26.820
Yeah.

580
00:37:26.880 --> 00:37:31.139
Just going back to the references to the other planets, be they spirad on or spirit on.

581
00:37:31.199 --> 00:37:33.480
There was a lot made at the time.

582
00:37:33.539 --> 00:37:36.300
I remember that we were going to see Dalek's...

583
00:37:36.300 --> 00:37:39.599
Every time Dalek was going to be there and we saw the special weapons dark.

584
00:37:39.659 --> 00:37:42.480
But apart from that, I didn't really get the impression you saw very many.

585
00:37:42.539 --> 00:37:55.380
But what I thought was disappointing is when we're going into intensive care, which were the Daleks that had survived the doctor, and they're from places that Todd mentioned, they're all just the RTD era daleks.

586
00:37:55.440 --> 00:38:02.639
That was the opportunity to have the retro looking Daleks from all the places and I just thought that was disappointing.

587
00:38:02.699 --> 00:38:04.500
So he decides.

588
00:38:04.559 --> 00:38:07.380
I think Moffat decides that that didn't quite be bothered by then.

589
00:38:07.440 --> 00:38:15.719
No, no, because he does it properly in the series 9 opener. and has a whole heap of well lit.

590
00:38:16.199 --> 00:38:19.139
Daleks from the films and stuff like that.

591
00:38:19.199 --> 00:38:20.880
Could have been a budget time thing.

592
00:38:20.940 --> 00:38:22.980
I just think that...

593
00:38:22.980 --> 00:38:25.679
Someone had a special weapons dialogue in their garage.

594
00:38:25.800 --> 00:38:28.440
Yeah, Andrew Beach could not be bothered.

595
00:38:28.500 --> 00:38:36.300
I just think it's, let's do Dalek things and have things that look very daleky because that's really all he cares about the Daleks.

596
00:38:36.360 --> 00:38:39.659
I mean, the Daleks didn't turn people into Daleks very much before.

597
00:38:39.719 --> 00:38:41.699
I guess... revelation.

598
00:38:41.760 --> 00:38:43.139
Is the M1 name.

599
00:38:43.199 --> 00:38:45.659
Yeah, most of them, they just want to conquer and destroy.

600
00:38:45.719 --> 00:38:48.780
They're normally too racist to turn you into a dalek, I think.

601
00:38:48.900 --> 00:39:02.400
Oh, I guess the humans were sifted and filleted and stuff in parting of the ways where we learn that the Daleks have been created through humans because there weren't enough Daleks around or whatever.

602
00:39:02.460 --> 00:39:18.179
In fact, there's, there are more instances where the using humans as Daleks goes horribly wrong with like the human factor in evil and um, and then uh, the, the, the Dalek, the new paradigm, not the new paradigm, the new um, the guy in evolution of the Daleks.

603
00:39:18.239 --> 00:39:19.500
Yeah, yeah, Dalek sex.

604
00:39:19.559 --> 00:39:20.280
Dalek sex, yeah.

605
00:39:20.340 --> 00:39:21.420
Makes sense.

606
00:39:21.480 --> 00:39:22.920
We're post-emperor Dalek.

607
00:39:22.980 --> 00:39:25.679
We've seen the purity factor.

608
00:39:25.739 --> 00:39:31.559
I'm trying to remember the name of that little Easter egg that they cart about with them in the tobacco.

609
00:39:31.619 --> 00:39:33.360
Yeah, yeah.

610
00:39:33.420 --> 00:39:35.579
There's some nice, if you want to get fanboy about it.

611
00:39:35.639 --> 00:39:41.579
There's some nice meta concepts of what the Daleks are proposing to be doing now and they have no longer have a god.

612
00:39:41.699 --> 00:39:43.440
Yeah, they have a parliament.

613
00:39:43.500 --> 00:39:44.280
They have, yeah.

614
00:39:51.480 --> 00:40:01.139
Going back to the whole final reveal. that she's a Dalek and the horror on Matt's face, all of that sequence.

615
00:40:01.199 --> 00:40:04.679
It's so heartbreaking and then just seeing her, the flashbacks to her.

616
00:40:04.679 --> 00:40:07.500
Yeah, getting transformed. very powerful.

617
00:40:07.559 --> 00:40:10.860
So we actually don't see what Matt sees for a while.

618
00:40:10.920 --> 00:40:11.760
Do we?

619
00:40:11.820 --> 00:40:15.059
Like it's, we see his reaction before we see what his reaction.

620
00:40:15.119 --> 00:40:16.139
I think we know what he's saying.

621
00:40:16.199 --> 00:40:17.280
Yes, I think we do.

622
00:40:17.340 --> 00:40:19.320
But it's nice that they delay it.

623
00:40:19.380 --> 00:40:24.900
And before then, he has actually fixed Amy and Rory's marriage.

624
00:40:24.900 --> 00:40:27.000
And he has done it deliberately.

625
00:40:27.059 --> 00:40:38.340
So when Amy 1st meets the doctor and and the doctor questions her about what happened and she says this isn't a thing that you can fix.

626
00:40:38.460 --> 00:40:40.380
You worry about the Daleks.

627
00:40:40.440 --> 00:40:41.400
This is not your thing.

628
00:40:41.460 --> 00:40:51.480
And then she also suggests that when the doctor fixes a problem, he's going to straighten his bow tie and sort of saunter off. there's that wonderful moment, isn't there?

629
00:40:51.539 --> 00:40:58.860
And it's beautifully directed where he leaves the 2 of them alone and he walks past security cameras.

630
00:40:58.920 --> 00:41:00.719
Well, yeah, yeah, he leaves them alone.

631
00:41:00.780 --> 00:41:07.019
He actually taken his bracelet off and put it on Amy, which he could have done that earlier.

632
00:41:07.079 --> 00:41:09.239
I don't know why I was thinking that myself.

633
00:41:09.300 --> 00:41:10.440
Maybe, uh, whatever.

634
00:41:10.500 --> 00:41:15.480
Maybe maybe he doesn't know that he's not going to be affected or it's kind of like I'm at the end game here.

635
00:41:15.539 --> 00:41:16.679
I can go without it for a bit.

636
00:41:16.739 --> 00:41:23.699
And then they're doing this sort of self-sacrifice thing and Rory saying, oh, it's the love, isn't it?

637
00:41:23.760 --> 00:41:28.860
To turn you into a dalek, they drive out love and introduce anger into you.

638
00:41:28.920 --> 00:41:34.679
And so Rory says, well, you're going to turn into a dalek before me because I love you more than you love me.

639
00:41:34.679 --> 00:41:39.719
And she, you know, break, anyway, the whole thing sort of is resolved.

640
00:41:39.900 --> 00:41:46.380
And then, yes, the doctor Saunders passed a security camera and looks into it and then straightens.

641
00:41:46.440 --> 00:41:47.699
It's so good.

642
00:41:47.760 --> 00:41:49.500
Talking about the bracelet thing, actually.

643
00:41:49.559 --> 00:41:57.719
It is a little flaw, which is sort of brought up at that moment where because it's brought up that the doctors slipped to her onto her wrist.

644
00:41:57.780 --> 00:42:00.900
It's like, well, actually, why didn't they share them around?

645
00:42:00.960 --> 00:42:04.139
Why didn't they all have a turn for a little bit 10 minutes without without it?

646
00:42:04.199 --> 00:42:06.840
This goes back to Belladabet as well.

647
00:42:06.900 --> 00:42:09.719
So there's a similar thing with the glove and the mirrors.

648
00:42:09.780 --> 00:42:12.059
I suspect he's lifted it from that.

649
00:42:12.119 --> 00:42:22.320
I think it's a little bit like the doctor's plan in Destiny of the Daleks to give Romana. the beeper that tells her when to take the pills but not any of the actual pills.

650
00:42:22.619 --> 00:42:25.380
Because that's just how Tom Roll.

651
00:42:26.699 --> 00:42:29.039
Yeah, things are not going well.

652
00:42:29.099 --> 00:42:31.440
Baker Ward household.

653
00:42:31.739 --> 00:42:33.119
Yes.

654
00:42:33.179 --> 00:42:36.119
She looks like she's got plenty of anti-radiation gloves, doesn't she?

655
00:42:36.840 --> 00:42:50.579
They're going back to Amy and Rory in that whole sequence with them resolving and getting back together, I think, as much as I don't like necessarily some of the dialogue and that sort of thing, I think they sell the hell out of it.

656
00:42:50.639 --> 00:42:53.159
They're both extraordinary sequence.

657
00:42:53.219 --> 00:42:56.159
It even always brought me to tears.

658
00:42:56.219 --> 00:42:57.659
Yeah, Arthur is so good.

659
00:42:57.719 --> 00:42:58.380
No, I know.

660
00:42:58.380 --> 00:43:01.019
And we've not diminished Karen, but Arthur is amazing.

661
00:43:01.079 --> 00:43:05.400
And we've had 2 years with them where the show has been focussed on their relationship.

662
00:43:05.460 --> 00:43:07.800
We're really invested in it and it's good.

663
00:43:07.800 --> 00:43:09.059
It works properly, I think.

664
00:43:09.119 --> 00:43:21.539
I think it's really interesting that the audience appreciation for this episode was 89, like one of the highest season openers ever, like in terms of audience, liking things.

665
00:43:21.599 --> 00:43:26.699
And when you look at it all, like it's Daleks and it's human Daleks and it's a whole heap of...

666
00:43:26.820 --> 00:43:27.780
And you can understand what's going on.

667
00:43:28.019 --> 00:43:30.539
If I may venture then.

668
00:43:30.599 --> 00:43:31.800
Yes.

669
00:43:31.860 --> 00:43:33.539
Yeah, you can understand what's going on.

670
00:43:33.539 --> 00:43:42.480
And the audience is obviously invested in this team, you know, and they obviously know that Jenna's coming and she gives them one a performance.

671
00:43:42.539 --> 00:43:45.119
It's just incredible that they like it even more than I like.

672
00:43:45.179 --> 00:43:49.380
Well, the average punzer wouldn't necessarily know that she's going to be the companion moving on, but the point is they love her.

673
00:43:49.440 --> 00:43:50.340
She's so brilliant, yeah.

674
00:43:50.400 --> 00:43:53.340
Can I be perhaps needlessly cruel?

675
00:43:53.400 --> 00:43:54.239
Yeah, please.

676
00:43:54.239 --> 00:43:56.460
There's no such thing as needlessly cruel, apparently.

677
00:43:56.519 --> 00:43:57.539
Only needlessly kind.

678
00:43:57.840 --> 00:44:01.019
Is anyone getting sick by now?

679
00:44:01.139 --> 00:44:03.840
of Nick Briggs' Dalek voices.

680
00:44:03.900 --> 00:44:05.219
Oh, wow.

681
00:44:05.519 --> 00:44:07.320
Controversial.

682
00:44:07.380 --> 00:44:10.920
Look, I think he starts brilliantly in the new series.

683
00:44:10.980 --> 00:44:20.280
He has a perfect undeniable understanding of Dalek inflections and all that happening on the kind of the various amateur things over the years, you know, back in the day.

684
00:44:20.340 --> 00:44:23.579
Well, he does Peter Hawkings and David Graham impersonations.

685
00:44:23.639 --> 00:44:24.659
Like, he got to sell.

686
00:44:24.719 --> 00:44:29.880
Yeah, and he's got he's able to do the, you know, the high fast one and then the loo-sloo one.

687
00:44:30.000 --> 00:44:31.320
He totally...

688
00:44:31.440 --> 00:44:40.079
But I wonder whether it's starting to become almost a parody of his own performance and a parody and a mocking of that style of thing.

689
00:44:40.139 --> 00:44:41.940
Is anyone feeling that?

690
00:44:42.000 --> 00:44:55.920
I kind of, even though, yeah, he does do the modulations, I'm kind of looking for a 2nd person to be doing the voices as well. and you get a bit more variety then, it's not just the fact that there's one voice, and I think that's important for consistency.

691
00:44:55.980 --> 00:45:01.199
But, you know, the funny thing about the new series is whilst we can have new doctors and new companions and new theme tunes and new everything.

692
00:45:01.260 --> 00:45:05.639
The 2 things we can't seem to have are new Dalek voices and new incidental music.

693
00:45:07.079 --> 00:45:09.000
Succession planning.

694
00:45:09.059 --> 00:45:10.559
There's no succession planning.

695
00:45:10.619 --> 00:45:12.300
It would be lovely to have somebody else doing it.

696
00:45:12.360 --> 00:45:15.059
I mean, this is why I could only give this story 7.8 out of 10.

697
00:45:15.300 --> 00:45:16.260
7.8.

698
00:45:16.380 --> 00:45:18.239
Where did it lose the .2?

699
00:45:18.300 --> 00:45:20.460
Well, 7.8 to 8 out of 10.

700
00:45:20.699 --> 00:45:23.280
Right. 78 out of 100.

701
00:45:24.179 --> 00:45:26.340
No, I think it's good.

702
00:45:26.400 --> 00:45:27.179
I think it's good.

703
00:45:27.239 --> 00:45:27.900
But I do agree with you.

704
00:45:27.960 --> 00:45:33.420
Like, we do get to a point where it's sort of like, we need a 2nd voice in there just for difference, I think.

705
00:45:33.480 --> 00:45:37.139
I think the thing that Nicks Briggs, Nicks Briggs.

706
00:45:37.199 --> 00:45:38.460
Nick's Brigg.

707
00:45:38.579 --> 00:45:40.019
The thing.

708
00:45:41.099 --> 00:45:43.619
Briggs very proud of that, Nick.

709
00:45:43.920 --> 00:45:46.199
He's very proud of that.

710
00:45:46.260 --> 00:45:49.139
The thing that Nick Briggs brings to it.

711
00:45:49.440 --> 00:45:51.000
Chap with wings.

712
00:45:51.059 --> 00:46:01.860
Yeah. is, is that he does the dialect voices perfectly and then makes them express emotions, which they have never done before.

713
00:46:01.920 --> 00:46:03.900
And so in Dalek.

714
00:46:03.960 --> 00:46:07.559
Well, I mean, they've done hysterical and panicky idiot and stuff.

715
00:46:07.619 --> 00:46:13.619
But, you know, the way that that performance in Dalek is a proper acting performance.

716
00:46:14.400 --> 00:46:21.599
And so by now, year, you know, 7 or whatever, it's the same old thing.

717
00:46:21.659 --> 00:46:24.360
Oh, Nick is being sad, Dalek, we've heard this a lot before.

718
00:46:24.420 --> 00:46:25.739
Yeah, maybe it's that.

719
00:46:25.800 --> 00:46:30.059
But I also wonder whether his performance is becoming too...

720
00:46:30.059 --> 00:46:31.079
Not by rote.

721
00:46:31.139 --> 00:46:32.219
It's not too rote.

722
00:46:32.280 --> 00:46:34.619
It's just too parody.

723
00:46:34.679 --> 00:46:37.559
Could you have had Jenna perform those lines?

724
00:46:37.619 --> 00:46:41.340
Well, that would have been interesting.

725
00:46:41.400 --> 00:46:43.260
I mean, we have had a female...

726
00:46:43.260 --> 00:46:43.980
With a voice treatment.

727
00:46:44.099 --> 00:46:51.840
With a voice treatment. interesting to see how that sounded, that might make it too obvious, but we only hear the voice, don't we, after we know that it's Clara?

728
00:46:52.380 --> 00:46:53.219
Oh, I see what you mean.

729
00:46:53.280 --> 00:46:54.420
Yes, yes, yes, yes.

730
00:46:54.480 --> 00:46:55.079
Yes, yes.

731
00:46:55.139 --> 00:47:10.199
But also in Stephen's writing, maybe that's why he introduces these human like daleks to have different voices for just to break it up a bit rather than just having dialects, having the human people be dalek like and those emotions just to give a bit of variation.

732
00:47:10.260 --> 00:47:18.900
Oh, yeah, that's why, you know, the best Dalek stories always have the human surrogates, whether it's, you know, Nider and Davros or Lytton or the robo man.

733
00:47:18.960 --> 00:47:21.840
I mean, I think there are just so many great things about the episode.

734
00:47:21.900 --> 00:47:24.780
Jenna in particular and the overall plot revealing her to be a Dalek.

735
00:47:24.840 --> 00:47:25.980
It's not just that, though.

736
00:47:26.039 --> 00:47:28.380
I think it's the production style, as Nathan was said earlier.

737
00:47:28.440 --> 00:47:31.380
All the regulars are on form, which they always are.

738
00:47:31.440 --> 00:47:33.179
This team, I found.

739
00:47:33.239 --> 00:47:38.039
But there are just those few things that annoy me and I think they annoy me more because everything else is so good.

740
00:47:38.099 --> 00:47:42.000
You know, I don't like the idea of the palm of the Daleks.

741
00:47:42.059 --> 00:47:42.599
It just for show.

742
00:47:42.659 --> 00:47:43.739
It just doesn't make any sense.

743
00:47:43.800 --> 00:47:44.760
It's just a bit stupid.

744
00:47:44.820 --> 00:47:50.579
The ice stalk's popping out of people's head, as I've said, is I find it just almost unforgivably embarrassing.

745
00:47:51.780 --> 00:47:57.780
But, you know, whatever, you know, there are always things that one regrets about a Doctor Who episode.

746
00:47:57.840 --> 00:48:07.079
Overall, I think it's an excellent, and Todd, what you're saying about the audience appreciation, I think it does indicate this is what people want and I think they should have it. great.

747
00:48:07.139 --> 00:48:08.579
It's a really solid episode.

748
00:48:08.639 --> 00:48:19.260
And like you, I have niggly things like the whole Amy and Rory relationship is, and that structure forced upon us is the one thing that, for me, even now.

749
00:48:19.320 --> 00:48:26.099
Like, I sit there going, okay, I get it, but it's just that little thing that takes away everything else. is just wonderful generally.

750
00:48:26.159 --> 00:48:27.840
I disagree with you about the eye stalks.

751
00:48:27.900 --> 00:48:29.159
I just like to see that. they're awesome.

752
00:48:29.219 --> 00:48:29.940
More of those.

753
00:48:31.320 --> 00:48:34.559
I think it's sort of criminally underrated.

754
00:48:34.619 --> 00:48:35.699
I think people don't like it.

755
00:48:35.760 --> 00:48:38.280
I don't. you think they don't like it or they just don't remember it?

756
00:48:38.340 --> 00:48:40.800
Well, no, I think that there are people who actively don't like it.

757
00:48:40.860 --> 00:48:46.019
But I actually think that it's really sort of solid and scary and entertaining.

758
00:48:46.139 --> 00:48:46.980
Does a good job.

759
00:48:47.039 --> 00:48:48.000
Very solid piece of television.

760
00:48:48.059 --> 00:48:48.300
Yeah.

761
00:48:48.360 --> 00:48:49.500
I agree.

762
00:48:49.559 --> 00:48:59.340
It's a very good opener for the season and it asks more questions than it answers, but not in a way that excludes us from the narrative.

763
00:48:59.400 --> 00:49:02.159
It just invites us to enjoy it more.

764
00:49:02.400 --> 00:49:07.320
And it's lovely at the end when Jenna turns to the camera and just says, and remember.

765
00:49:07.380 --> 00:49:08.639
Yeah, so good.

766
00:49:08.699 --> 00:49:11.699
I really wanted her to be doing her own Dalek voice, though.

767
00:49:11.760 --> 00:49:13.139
I thought what an end.

768
00:49:13.199 --> 00:49:18.059
Not only do you die horribly in the realisation that your life is artificial, but your voice is by Nick Briggs.

769
00:49:43.739 --> 00:49:47.579
Well, hey, listener, that's all we have time for this week.

770
00:49:47.639 --> 00:49:53.280
We'll be back next week for a genocidal Silurian romp in dinosaurs on a spaceship.

771
00:49:53.340 --> 00:50:12.900
In the meantime, you can find us wherever you get your podcasts, and you can keep up with us at Flightthrough Entirety on Facebook, at FTE Podcast on Twitter, and on our website, FlightthroughEntirety.com, where you'll find links to our other podcasts, Bondfinger, Jody Interterterra, maximum power, and untitled Star Trek project.

772
00:50:13.199 --> 00:50:19.139
Until next time, remember that you can't make a souffle if you've forgotten to bring your egg whisk.

773
00:50:19.199 --> 00:50:21.360
Thank you very much for listening and good night.

774
00:50:21.420 --> 00:50:22.440
See you soon.

775
00:50:22.500 --> 00:50:25.500
Bye for now eggs. eggs.

776
00:50:29.460 --> 00:50:35.159
That was Flight 3 Entirety, starring Todd Bealby, Nathan Bottomley, Simon, Moore and Richard Stone.

777
00:50:35.219 --> 00:50:37.500
Theme arrangement by Cameron Lamb.

778
00:50:37.559 --> 00:50:44.159
This episode, unblocking the sync, was recorded on the 13th of March, 2022 and released on the 10th of April.

779
00:50:44.280 --> 00:51:05.340
To commemorate Doctor Who's Series 7 premiere, FTE Enterprises is releasing a totally non-infringing angry robot playsuit, consisting of a tricycle, a bowler hat, an egg whisk, and a sink plunger, together with a lifetime supply of cream of tartar, available Christmas 2022 for kids of all ages, so long as the warehouse doesn't burn down.

780
00:51:06.420 --> 00:51:10.860
Well, a lot has happened since the last episode of Flight for Entirety.

781
00:51:10.920 --> 00:51:14.880
Simon and his husband have discovered that they count...

782
00:51:14.880 --> 00:51:16.260
Tag.

783
00:51:16.320 --> 00:51:16.920
Sorry.

784
00:51:17.400 --> 00:51:20.159
I wish they you...

785
00:51:20.219 --> 00:51:24.360
I actually can conceive children instead of cannot.

786
00:51:25.920 --> 00:51:27.300
Sorry.

787
00:51:30.360 --> 00:51:33.420
A lot has happened since the last episode of Flight through Entirety.

788
00:51:33.480 --> 00:51:40.619
Simon and his husband have discovered that they cannot conceive children, and both Todd and Richard aren't speaking to me for some reason.

789
00:51:40.679 --> 00:51:44.159
Is this the sort of thing that Doctor Who can fix?

790
00:51:44.219 --> 00:51:48.360
Let's find out as we visit the asylum of the Daleks.

791
00:51:48.719 --> 00:51:50.519
Is that all right?

792
00:51:50.579 --> 00:51:51.659
It's gorgeous.

793
00:51:51.719 --> 00:51:53.219
Marigold.

794
00:51:53.219 --> 00:51:54.719
Yeah, yeah, yeah, yeah.

795
00:51:54.780 --> 00:51:58.500
You've had a lovely cadence and a slight sibilance at the end, which I actually enjoy.

796
00:51:58.860 --> 00:52:02.099
Just a very slight...

797
00:52:02.099 --> 00:52:05.280
Just worried where you were heading until I realised where you were heading.

798
00:52:05.340 --> 00:52:05.639
Yeah.

799
00:52:05.639 --> 00:52:08.519
And Todd and Rich and I thought, no, no, Ash won't like this.

800
00:52:09.059 --> 00:52:13.980
They could have sat Todd and his husband, but, um, All right.

801
00:52:14.039 --> 00:52:15.659
How do we start this?

802
00:52:16.679 --> 00:52:20.099
I'm really disturbed by this Ronald McDonald.

803
00:52:20.099 --> 00:52:21.960
Handler, by thing in front of me.

804
00:52:22.440 --> 00:52:24.360
It's a shrine.

805
00:52:24.420 --> 00:52:26.219
Well, there's a Sesame Street over there.

806
00:52:26.280 --> 00:52:27.000
So many things.

807
00:52:27.059 --> 00:52:29.639
Big bird. many physical objects.

808
00:52:30.239 --> 00:52:34.559
What I really want is the total destruction of all spatial objects.

809
00:52:35.940 --> 00:52:39.119
I'm like swarming as you.

810
00:52:41.699 --> 00:52:44.219
Does the doctor know you're out this later?

811
00:52:44.280 --> 00:52:47.940
It sounds like 60s doctor who died.

812
00:52:48.059 --> 00:52:48.719
He does.

813
00:52:48.780 --> 00:52:51.239
You must destroy all living matter.

814
00:52:55.980 --> 00:53:00.840
So we're back for what is a bit of a weird year of Doctor Who, I think.

815
00:53:00.900 --> 00:53:02.400
Yes, the weirdest, perhaps.