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This transcript was created on 2026-06-07 at 15:21:48

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Hello, dear listener, and welcome back to Flight Through Entirety, the only Doctor Who podcast that pays for its yearly holidays on Ackerton with used pizza boxes and empty wine bottles.

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I'm Nathan.

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I'm Brendan.

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I'm Todd, and I'm Peter.

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Well, the doctor is taking his new friend Clara off on her 1st big space adventure as part of his ongoing application process to become her official stalker.

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It's the end of the world's new Earth, Planet of the Ude, and the Beast Below, all rolled into one.

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Welcome to the Rings of Ackerton.

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I don't hate this.

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I don't hate this at all.

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I don't think I hate it either.

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Um, it still has some of the problems.

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It had for me in 2013, but I enjoyed it a lot more this time.

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I actually think it's really strong and I loathed it.

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Yeah. 2013 and it wasn't on this rewatch.

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It was on a previous one that I actually thought, no, this is really good.

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And I love the way it sort of links in with the last episode, which also I thought was pretty weak 1st time through, but now I like both of these, like 7.5 to 8 for that one and this one definitely an 8 for me.

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Sorry, I'm getting it all my hearts.

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But no, I really like these as a one-two punch at the beginning.

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I think there's some really great character work for Clara.

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Yep.

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You know, the whole leaf thing between the 2 episodes and all the great intelligence last episode and the woman in the shop giving her the message.

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And I think Matt's great in both of these too.

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I have a few problems with it, I think.

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And one of them, I think you'll be astonished to learn, is something to do with Matt's performance, but I think this is better than I thought it was initially as well.

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El Sandra says, in her review of this episode, or maybe the previous one, that series 7 B is generally good, but there's one episode in which it falls down and that one episode is basically different for everyone.

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And I do think, yeah, I do think that Rings of Ackerton is not widely liked.

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No, it is exceptionally maligned and I can't quite work out why because even though I think it is a little bit thin and lightweight in a lot of ways, I don't know how you could vehemently not like it.

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I mean, to give you some context to that, I did the 1st 50 years, Paul, forgot 2 magazine.

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And this came in the bottom 10 stories.

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From memory, it was like number 233 out of 241 and that just beggars belief.

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It is simply not that bad.

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What do you think the problem might be?

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Well, on my initial watch?

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Todd Alert was like small children, small children who sing, like doubly so.

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And, you know, last week we had some child actors in as well.

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Oh, tell us about that.

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Probably couldn't find them.

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They're back.

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They're back for the best episode of the season.

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Nightmare of Silver.

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God, that's a terrible.

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So that's interesting for another time.

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But for me, I was clouded by the fact that there was this child actor and we're having singing to resolve things and that just put me off and I was just over it.

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But I actually think this thing's very beautiful.

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Yeah.

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And I think she's actually a very good little actress.

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You know who she is, don't you?

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No, no.

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She is Amelia Jones, who is the lead in last year's Oscar winning film coda.

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Oh, well, I'm really glad she's had success because I think she's wonderful as well.

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She's really good and she's also a nice singer.

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Yeah, I think she'd been acting since she was eight.

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But she's continued to work, unlike some of our favourite child actors from the Moffatt era.

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I think she is really strong as well.

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I wonder, though, whether the problem is that this isn't science fiction in any real sense of the word, and it does seem to come from someone new to the show.

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It does a whole heap of things that Doctor Who doesn't normally do.

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And so maybe it's the weird fantasy element of it that put people off.

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Two things put me off on the 1st viewing.

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It's very strangely paced.

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Like, it's it's kind of top heavy and then not much happens in the middle and then it's a result. kind of peters out in the middle and then at the end.

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Yeah, and the other thing that put me off at the time. was, and you see, this is so stupid and I was going to say, oh, this is an example of immaturity.

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I was 30, dear listener.

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So was Mary.

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I thought the creature in the glass cage was a draconian and it wasn't a draconian and that made me really cross.

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Wow, which is just stupid.

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It's just stupid, but it even looks like it's wearing draconian stuff.

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All right, grandad.

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Don't look askant sitting there on your throne behind glass.

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Eyes can be seen mouth computing.

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I went into it this time, not expecting to dislike it, but just knowing I disliked it last time, and I thought, I'm not going to focus on those elements I didn't like.

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I'm just going to sort of let it wash over me.

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And there's just something so charming about it.

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It's like, the doctor often says, you know, I don't go looking for trouble.

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I don't go looking for trouble.

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I travel to see things.

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And this is a story that actually goes, no, for the 1st 15 minutes, the doctor is just here because this is a lovely, beautiful place to be and he wants to show Clara something nice.

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And I think that is, It's responsible for the weird pacing, but it's also a really great change of pace.

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I wonder if the reason it's so poorly received is because it comes between Bells of St.

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John, which we said last week. is very slight, but very confident and brisk, and enjoyable, and Cold War, which I know a lot of people have problems with, and I can understand.

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But at the same time, has an nice warrior and an all-star cast, like has got Cunningham and David Warner and Tobias Menzies, Prince Charles.

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Prince Charles.

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It's the 2 Prince Philips.

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Yes.

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But I think for that reason and the fact that it's a bit weird, people judge it harsher.

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I think it would be a production thing as well because coming with the fantasy element, it's very green screen heavy and Doctor Who is not usually that.

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And so it has kind of shades of the Phantom menace to us, and I think it might turn off a few people.

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But I like it.

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I really like the fact that it's trying to be alien. and charmingly so.

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It's got that Star Wars cantina kind of vibe.

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And, you know, it reminds you of every Star Trek Voyager marketplace that they that they ever visited.

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It's really interesting better you talk about Star Wars because, yes, that it's got the cantina.

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But I also think, you know, when they're in that arena and sitting down, It's sort of like the attack of the clones, like, yeah, going to watch something.

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Yeah, or Tsung, can't say, with Jerry Ryan beating the crap out of the rock in Voyager.

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I don't think I've watched that.

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You should.

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But if we go back to the beginning, The beginning is the doctor seeing how Clara's parents met with the leaf and the fact that he's almost run over by a car.

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Shades of rose and yeah.

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And then the doctor's really creepily watching on Clara.

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Yeah.

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Yeah, and that is a little bit of a problem.

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And Moffat doesn't want, look, he gets to introduce, what, 3 companions, right?

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And it's only by the 3rd go that he's confident enough to just say he or she is.

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This is the new companion.

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She's going to come into the Tartars and say it's bigger on the...

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Yeah, yeah, yeah.

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Whereas here he's got this huge kind of structure around the appearance of Clara in that she's appeared twice before there's a mystery about her.

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And so what we get is the doctor sort of creepily going back and investigating her backstory.

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How can she possibly just be Clara Oswald from 2013, age 24?

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What's kind of going on there?

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And I don't much like the fact that it's the 2nd companion in a row that he meets as a child.

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And in fact, the prequel scene thing is entirely that, isn't it?

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Yeah, the thing is, from a narrative point of view, he's coming off the back of paranoia with Amy and Rory and how they were used against him.

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But taken in isolation.

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And that's the thing.

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This is a reset for the series.

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Amy and Rory are never mentioned in these 1st 2 episodes.

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So if you come to this new, you're absolutely like, why is he doing this?

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Yeah.

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You know, um, I think Matt Smith being Matt Smith offsets some of the sinister element of it?

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like when he gets hit in the head with the ball and jumps into a Venusian karate stance.

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But at the same time, it is a repeat of what we've had before.

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We do get one big benefit from it, though, which is Clara's hot short dad.

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Yeah, he is hot, isn't he?

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It's a shame he won't be back for time of the doctor for some reason.

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Yeah.

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I think... homophobic.

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I think that it is Moffat doing the thing where instead of just having a flashback, so we're giving Clara some backstory.

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We're getting to know who she is in one sense.

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And given that this is the way the episode's going to resolve itself.

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We kind of need it.

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But we sort of just need it so that we know her better.

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But because we have a time machine, we can make the flashbacks not be flashbacks at all.

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We could just have the doctor going back into the past and experiencing them in real time.

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And it's clearly what he's doing between dropping her off at the end of Bells of St.

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John and picking her up again at 7 PM the following day.

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And another thing that I like about it is that we see Clara actually really looking forward to seeing him again, and she's sitting on the stairs waiting for him to arrive, whereas previously she'd sort of rather cooly dismissed him at the end of the episode.

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It's that modern day online romance thing where you have to be cool.

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And so even though you really want to hear from someone again or go out for a date.

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Don't text them too soon.

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And so, you know, the sort of you present an artifice to the world, but really you're kind of keen on it.

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Yeah.

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But I do think, like, you know, as much as, you know, we can bring that up as being a bit of a point, I do think that it's great that this is continuing her character of development.

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I mean, the next 2 episodes, which were filmed before these, are just so generic and don't link to anything in the season.

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I think they really suffer because of it.

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Whereas this, I think it actually helps the ending or with the whole leaf thing really brings this story together when it could have just collapsed in upon itself.

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I think, too, that what they've done too is crafter story kind of around this leaf.

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So it's a story where... should have been rubber.

148
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Oh my god, a single leaf fell and a Clara grew.

149
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But we go to a planet where sentimental value is value.

150
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And there's some sort of hand wavy thing, but essentially it's kind of magic, isn't it?

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Yeah.

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The thing is, I don't mind that.

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Like Doctor Who has done psychometry before with Professor Clegg, for instance, in Implanted the Spiders.

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Something I do have a little bit of a problem with watching through this time is the doctor is wearing Amy's specs.

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And then when they go to get the space bike, he's like, oh, no, I don't have anything of sentimental value to give away.

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And I don't think it's a conscious character moment, but I do kind of go, at the same time, is this the doctor going, okay, how far are you willing to go in travels?

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Like, you can't, the universe isn't a free ride kind of thing.

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But I think if that were deliberate, it would have been cooled out.

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And it does, it does mean we get the lovely moment where she gets the ring back at the end.

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I was saying there's probably a practical reason to that in that he probably wears them in hide or something like that.

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Yeah.

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Can we talk about his costume?

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Because this is the 1st time that he's fully in the new costume.

164
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Yeah, with the Westcoat.

165
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Yeah, so we see him choose the purple coat thing.

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Purple.

167
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I actually have to say that I don't mind it and I think he looks pretty good.

168
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It's a shame that that sort of knee length kind of jacket thing is just 80s Doctor Who doctors all basically have that until...

169
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It's the tele movies idea of what the doctor should address.

170
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Yeah, it really is.

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And I think here, where suddenly he has a waistcoat and a watch chain and stuff like that, this is when it just gets stupid.

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I think it becomes a Doctor Who costume and I dislike it.

173
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Reminds me of Willy Wonka.

174
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Yeah, yeah, yeah.

175
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And, and, you know, also, I think Tom had a short coat in his 1st series and then he got the longer coats.

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It's a change and it's a costume.

177
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Yeah, right, totally nature.

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Yeah, I mean, no one would wear what Matt wears in real life in seasons 5 and six, but once they would have.

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And that kind of works, you know, when we get the doctor come up in the 1960s in 1963, he's wearing kind of Edwardian clothes.

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And so having a doctor in 2010 where sort of clothes from the 1950s works as well, I think.

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But it's also the kind of character is because you would see that series 56 outfit, but kind of on a slightly eccentric university boffin.

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You know, that's kind of style that they would go for.

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It works for the character, but this, I'm just not sure what this is.

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I quite like it, but I agree it's over designed.

185
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And I think really, it looks much more real without the waistcoat last week.

186
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Yeah.

187
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They add the waistcoat this week and it just, it heightens it too much.

188
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Is it Coco Chanel who said before you leave the house, look in the mirror and take off one thing?

189
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Yeah, it's usually my pants.

190
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I was wondering about that ankle.

191
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Your underpants?

192
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Look you're modelling right now.

193
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He's basic instincting us as we speak.

194
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But yeah, that's the thing.

195
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It's like, I like it as a costume and I like it as a design, but it's also very, very heightened.

196
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And I also feel that this console room, which I know has been discussed a couple of episodes ago, I know pretty much everyone loves this and it's their favourite of the new series.

197
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I think it's better later on when they make modifications, but even then, I think the console room is also too designed and too precise.

198
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But I know I'm in the minority of that.

199
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Yes, Brendan.

200
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Yeah, I like the Whittaker console room.

201
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What do I know?

202
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Do you also like the opening credits and dodo?

203
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Yes.

204
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And also new dodo.

205
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Lauren Cornelius doing a great job.

206
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But it kind of works because it works on Matt Smith.

207
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You know what I mean?

208
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But I totally agree.

209
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It is a costume.

210
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And I think what we needed, He doesn't, like, he changes the shirt and bow tie every week.

211
00:17:36.420 --> 00:17:46.500
But I think maybe what we needed is the same cut of coat, but one or 2 different colours because, you know, as soon as Tenant gets his blue suit, his costuming becomes a lot more interesting.

212
00:17:46.559 --> 00:17:50.279
And, you know, he always varied it with like tie, no tie, et cetera.

213
00:17:50.339 --> 00:17:57.420
Matt had had different tweed coats and then he had the green great coat, which I know not everyone liked, but it was something different.

214
00:17:57.839 --> 00:18:01.799
This, he, it's just too much the same all the way through.

215
00:18:01.859 --> 00:18:04.259
They're not changing enough each week.

216
00:18:04.319 --> 00:18:06.240
Purple just don't work for me.

217
00:18:06.299 --> 00:18:07.200
Yeah.

218
00:18:07.259 --> 00:18:10.799
I'm kind of getting a Colin Baker vibe from it.

219
00:18:10.859 --> 00:18:24.839
And it's another one of those occasions where you think if only Colin had been allowed to wear something a little bit more like this where it is weird, it is still a costume, but it's not quite as horrific as what he was forced to wear for his time on the show.

220
00:18:24.900 --> 00:18:26.279
You keep looking at me.

221
00:18:26.339 --> 00:18:31.140
Well, it's because you came here dressed in Colin Baker's outfit and I'm trying to be polite about it.

222
00:18:32.640 --> 00:18:34.559
At the hair.

223
00:18:36.240 --> 00:18:37.920
No, no, no.

224
00:18:37.980 --> 00:18:39.420
I'm totally fine with these comments.

225
00:18:40.740 --> 00:18:42.900
You look fabulous.

226
00:18:49.140 --> 00:18:51.779
I have to say, I really like Doreen.

227
00:18:51.839 --> 00:18:53.099
Lovely smile.

228
00:18:54.119 --> 00:18:57.539
Yeah, adore in the moped Wrangler.

229
00:18:58.019 --> 00:19:00.359
I've got that written down.

230
00:19:00.359 --> 00:19:04.799
Oh, I called it the moped renter, but it...

231
00:19:04.859 --> 00:19:09.599
I like a little barking, like et cetera, with carvinista, and they could bark at each other to their heart's content.

232
00:19:09.660 --> 00:19:16.680
My favourite thing about the name is that in the credits, there's an apostrophe because it's a space name.

233
00:19:16.799 --> 00:19:18.779
Because it is...

234
00:19:18.779 --> 00:19:21.480
Like the hoofaloo.

235
00:19:22.200 --> 00:19:31.259
But I just like the fact that it's the whole marketplace and you get to see all sorts of different alien designs and we've seen that a couple of times.

236
00:19:31.319 --> 00:19:31.799
Yeah.

237
00:19:31.859 --> 00:19:37.680
Well, I think, you know, obviously the end of the world is the kind of locus classicus of that.

238
00:19:37.740 --> 00:19:42.779
You take her to an alien place but make it really properly alien.

239
00:19:42.839 --> 00:19:47.819
And he rattles off a list of alien names which I can't remember.

240
00:19:47.880 --> 00:19:51.720
I like the pan Babylonians, that's one of my favourite ones, I think.

241
00:19:51.779 --> 00:19:57.000
They're Babylonians, and they're not very picky about who they're going to have sex with. is the idea.

242
00:19:57.180 --> 00:19:59.460
I like the Hooveloo.

243
00:19:59.519 --> 00:20:02.640
Yeah, it's like a list of your house cleaning tasks.

244
00:20:05.460 --> 00:20:07.559
I like the blue fruit.

245
00:20:07.619 --> 00:20:09.720
I would have a norm on that Bluefruit.

246
00:20:09.779 --> 00:20:11.039
It looks nice, doesn't it?

247
00:20:11.099 --> 00:20:11.519
Yeah, yeah.

248
00:20:11.579 --> 00:20:13.200
Clara doesn't like it, but the doctor clearly does.

249
00:20:13.259 --> 00:20:22.380
See, it just isn't quite as good as the beef slushy in the long game, which is, I guess, the other time that we do this.

250
00:20:22.440 --> 00:20:24.599
And let's not forget the start of turn left.

251
00:20:24.660 --> 00:20:25.500
Yeah.

252
00:20:25.559 --> 00:20:26.880
Yeah, yeah.

253
00:20:26.940 --> 00:20:27.299
Yeah, yeah.

254
00:20:27.359 --> 00:20:34.920
I think what really works about the bluefruit for me is Clara sort of biting into it and smiling and going, and then going, hmm.

255
00:20:34.920 --> 00:20:37.140
That's something that the stools lady would say.

256
00:20:37.319 --> 00:20:39.180
Greatest show, yeah.

257
00:20:39.240 --> 00:20:42.779
And that leads us to a great bit where the doctor wanders off.

258
00:20:42.900 --> 00:20:44.220
Yeah, yeah.

259
00:20:44.279 --> 00:20:45.779
Clara's like, what?

260
00:20:45.779 --> 00:20:48.779
And then she gets embroiled in the adventure.

261
00:20:48.839 --> 00:20:53.640
But nothing terrible happens, like she doesn't get knocked out like Amy does or something like that.

262
00:20:53.700 --> 00:20:55.680
And then when the doctor finds... beckoned into a tent.

263
00:20:55.740 --> 00:20:57.180
Red hair.

264
00:20:59.039 --> 00:21:00.839
Big guys.

265
00:21:00.900 --> 00:21:03.000
Do you want to see the snake in my globe?

266
00:21:04.319 --> 00:21:06.839
I flutter my fingers.

267
00:21:08.339 --> 00:21:15.779
It's lovely that, you know, Clara's 1st intervention on an alien world doesn't lead to something horrible happening.

268
00:21:15.839 --> 00:21:21.779
It doesn't lead to her getting locked up and it like things start to go wrong, but the plot very clearly says, no, no, no.

269
00:21:21.839 --> 00:21:23.279
Clara didn't do anything wrong.

270
00:21:23.339 --> 00:21:25.019
Mary didn't do anything wrong.

271
00:21:25.079 --> 00:21:29.039
It's this bastard over here who's messing things up for everyone.

272
00:21:29.099 --> 00:21:34.980
And I think it's so lovely when the doctor finds her again, she doesn't gush about, oh, you know, I helped the kid and da da da.

273
00:21:35.039 --> 00:21:37.799
She's like, no, I'm just having fun and enjoying the sights.

274
00:21:37.799 --> 00:21:41.819
And I think he sort of looks at her like, okay, no, something's happened, but you're good.

275
00:21:41.880 --> 00:21:42.359
It's all good.

276
00:21:42.420 --> 00:21:44.519
Let's go watch the song.

277
00:21:44.579 --> 00:21:48.480
I love the fact that the doctor originally came here with his granddaughter.

278
00:21:48.539 --> 00:21:49.440
Yeah.

279
00:21:49.500 --> 00:21:51.960
Why is that mentioned?

280
00:21:52.019 --> 00:21:55.680
I mean, I know it's to make Clara Boggle for a second.

281
00:21:55.740 --> 00:22:01.200
You know, this is a 30-year-old who apparently has a granddaughter, but the other... into Essex.

282
00:22:03.900 --> 00:22:11.819
I mean, the other grandfather in the episode is the grandfather, like that horrible mummy thing in the in the glass case.

283
00:22:11.880 --> 00:22:12.779
Yeah.

284
00:22:12.839 --> 00:22:17.099
Well, I think there is an effort there of juxtaposition.

285
00:22:17.160 --> 00:22:23.099
And it's played on in the climax in that the doctor gives, you know what I mean?

286
00:22:23.160 --> 00:22:28.140
And there are times when the doctor is selfish and doesn't take other people into account because he's not a perfect character.

287
00:22:28.200 --> 00:22:30.779
But the doctor is basically a giver.

288
00:22:30.839 --> 00:22:34.500
He gives people these experiences where all the other grandfather does his take.

289
00:22:34.559 --> 00:22:35.940
Yeah, yeah.

290
00:22:35.940 --> 00:22:47.160
I felt really wistful with that mention because there's something which the black and white years never did, which I wish they had, which was like, take the characters to a truly alien world with marketplace and things like that.

291
00:22:47.220 --> 00:22:54.960
You can just imagine the doctor and Vicky poking around a place like this while Ian and Barber off, I don't know, getting sold into slavery.

292
00:22:55.019 --> 00:22:57.299
And it was a real like, I wish that we'd seen that.

293
00:22:57.359 --> 00:22:58.019
And so, yeah.

294
00:22:58.079 --> 00:23:10.140
I will say, though, Marco Polo sort of does that because something that David Whitaker said was that for Ian and Barbara, the past is as alien as an alien world.

295
00:23:10.200 --> 00:23:14.940
But yeah, I totally agree with you there, Peter, because there's an element in the heart and malaria, because you have longer stories.

296
00:23:15.000 --> 00:23:19.980
You often have periods where the characters, like in the Romans, are just living in the time.

297
00:23:20.039 --> 00:23:22.200
And that's what this seems to be.

298
00:23:22.259 --> 00:23:25.559
And I think the mention of Susan is both because it's the 50th anniversary.

299
00:23:25.619 --> 00:23:26.880
Oh, yeah, we're going to mention that.

300
00:23:26.940 --> 00:23:35.759
But it's motivated by the fact that the doctor is talking about this place so affectionately that Clara is like, oh, you've been here before.

301
00:23:35.759 --> 00:23:41.579
And I hear that and I immediately go, okay, we're going to get another awkward gridlock moment.

302
00:23:41.640 --> 00:23:46.440
But instead, Clara's just like, oh, you've brought me to somewhere you know is great.

303
00:23:46.500 --> 00:23:51.119
And it just, it makes me love this pairing immediately.

304
00:23:51.119 --> 00:23:56.220
Like, they're both on the same frequency of, let's do something fun.

305
00:23:56.279 --> 00:24:01.500
And we've had that line immediately previously where the doctor's like, where do you want to go?

306
00:24:01.559 --> 00:24:06.480
And Clara says, you know that thing where you asked for your favourite book and you suddenly forget every book you ever read?

307
00:24:06.539 --> 00:24:07.259
No, no idea.

308
00:24:07.440 --> 00:24:10.559
It's so, it's so sweet.

309
00:24:10.619 --> 00:24:18.779
I think if Richard were here, you know, he would be comparing it to Carrie Granton, Catherine Hepburn or Spencer Tracy and Catherine Hepburn.

310
00:24:18.839 --> 00:24:23.819
You know, they have that rapid fire thing between them, Matt and Jenner. really gel very quickly.

311
00:24:23.880 --> 00:24:26.400
And also that's such an easy thing to answer.

312
00:24:26.460 --> 00:24:27.900
Doctor Who Planet of the Daleks.

313
00:24:28.740 --> 00:24:30.119
Yeah.

314
00:24:30.839 --> 00:24:40.200
I think they missed a trick with the whole Susan connection by not having Clara at the end screaming, going, no, grandfather, no.

315
00:24:50.039 --> 00:25:04.680
But it is quite nice because it's a fantastical situation, but in those scenes with Clara and Mary, Jenna is great and she's really playing it just like a normal person who's come across child in distress and reaching out to them.

316
00:25:04.740 --> 00:25:06.299
There's no kind of space acting involved.

317
00:25:06.359 --> 00:25:12.539
But she's had 3 episodes in a row where she's had to be with small children at some point.

318
00:25:12.599 --> 00:25:18.960
You know, she's a master at acting with them and helping their performances or some of them anyway.

319
00:25:19.019 --> 00:25:27.299
It is very strange because we very definitely seem to be wanting to position Clara as someone who is very caring.

320
00:25:27.359 --> 00:25:42.960
And I don't know whether I've just got a false impression, but I think that she is much more brittle and much less like that in her last 2 seasons, but maybe it's because I haven't rewatched them recently.

321
00:25:43.019 --> 00:25:48.180
Well, I think, though, the ongoing plot does attempt to explain why that is.

322
00:25:48.240 --> 00:25:52.140
But yeah, I think early on, we are we are setting up for that.

323
00:25:52.200 --> 00:25:59.099
And something I really like about it is, you know, we've had the flashback, we know what's happened to Clara's mother, Ellie.

324
00:25:59.160 --> 00:26:04.440
But the story never says Clara looks after children because this happened to her.

325
00:26:04.500 --> 00:26:10.859
I think that's definitely the conclusion we're meant to draw as the audience, but it's not crammed down our throats.

326
00:26:10.920 --> 00:26:13.259
It's organic character development.

327
00:26:13.319 --> 00:26:22.380
And something that I don't think is ever commented on is Ellie dies on the 2nd day that Rose takes place.

328
00:26:22.440 --> 00:26:25.859
So it's highly likely that Ellie was killed by an auton.

329
00:26:25.920 --> 00:26:33.599
Yeah, I mean, I kind of want her not to have died for space reasons, obviously. because lots of people died on that day.

330
00:26:33.660 --> 00:26:34.140
Do you know what I mean?

331
00:26:34.200 --> 00:26:35.279
And weren't...

332
00:26:35.279 --> 00:26:35.940
Yeah, totally.

333
00:26:35.940 --> 00:26:37.259
When dresses or whatever.

334
00:26:37.319 --> 00:26:39.960
But that date was also chosen by the production team.

335
00:26:40.319 --> 00:26:45.779
You know, and I only noticed it this time around because I went, oh, yeah, it's 2005. when the new series came back.

336
00:26:45.839 --> 00:26:50.400
Oh yeah, it's March, which is when it's the 5th and I'm going to Doctor Who Wikia now.

337
00:26:50.460 --> 00:26:55.019
But yeah, Jenna has such warmth in her performance there.

338
00:26:55.079 --> 00:27:01.859
And even when it looks like she was wrong and, you know, singing the song was a bad idea.

339
00:27:01.920 --> 00:27:09.180
And even when Mary attacks her, her instinct is, no, Mary, I know you're scared, I'm going to protect you.

340
00:27:09.240 --> 00:27:15.180
It's really well done and it's done without big speechifying or explaining character motivation.

341
00:27:15.240 --> 00:27:16.920
Is Moffat doing a thing here?

342
00:27:16.980 --> 00:27:25.920
Because we talked in the last podcast about the fact that the great intelligence, it's thing is corrupting children and turning into things.

343
00:27:25.980 --> 00:27:32.400
So is Moffat playing that against the fact that Clara has this really maternal role and bond with children?

344
00:27:32.460 --> 00:27:34.200
Yeah, maybe.

345
00:27:34.259 --> 00:27:41.220
Maybe there, I mean, Moffat, you know, the Moffat era is the 1st era of Doctor Who ever to regularly bring children into it.

346
00:27:41.279 --> 00:27:43.440
You know, it is a Moffat thing.

347
00:27:43.500 --> 00:27:51.420
There aren't many children in Doctor Who before then. and there haven't been many children subsequent to that either.

348
00:27:51.480 --> 00:27:59.099
And, you know, for Moffatt, Doctor Who is the thing that you are slightly scared of that you watch as a child.

349
00:27:59.220 --> 00:28:06.240
And Mothat might be the only producer, stroke showrunner who has young children. time, didn't you?

350
00:28:06.299 --> 00:28:07.019
Yeah, yeah, yeah.

351
00:28:22.079 --> 00:28:24.000
Can we talk about the setting?

352
00:28:24.059 --> 00:28:36.660
I sometimes wonder whether part of the antipathy towards this show is that if you're a big kind of space science fiction, the setting is preposterous.

353
00:28:36.720 --> 00:28:39.180
So Ackerton is a son.

354
00:28:39.240 --> 00:28:45.180
See, this is where I was confused because it's referred to as a sun at the beginning, but then it's referred to as a gas giant.

355
00:28:45.240 --> 00:28:47.220
But maybe it's a binary star system.

356
00:28:47.339 --> 00:28:50.279
It's a gas giant with a frowny face in eyes.

357
00:28:50.339 --> 00:28:58.259
So you've got the rings, which is like a, you know, like a disc of kind of, you know, asteroids.

358
00:28:58.259 --> 00:29:04.740
And we see 2 of the 7 asteroids or worlds or planets and they get referred to as planets.

359
00:29:04.799 --> 00:29:08.759
Yeah, but they're not spherical or spheroid.

360
00:29:08.819 --> 00:29:13.079
And in fact, the marketplace seems to be built on top.

361
00:29:13.140 --> 00:29:28.380
In fact, you know, on both planets, we seem to be building on top of the asteroid, as if down was kind of still working and we get these planets that we can see from one planet to another one, sound appears to carry from one planet to the other one.

362
00:29:28.440 --> 00:29:31.799
The moped appears to go from planet to planet in like 3 seconds.

363
00:29:31.859 --> 00:29:35.880
Yeah, so I'm sort of waving my hand in the corner and having a conniption.

364
00:29:35.940 --> 00:29:36.900
Yes, that's the thing.

365
00:29:36.960 --> 00:29:38.039
That's the problem I have with it.

366
00:29:38.099 --> 00:29:42.359
It's like they sort of viewing everything that seems to be going on with grandfather over there and what goes in between.

367
00:29:42.480 --> 00:29:47.759
And I can never work out if it's like from here to the end of this room or from here to like 2 suburbs away.

368
00:29:47.819 --> 00:29:48.240
Yeah.

369
00:29:48.240 --> 00:29:56.640
And so, that's one part of the episode where I kind of think, oh, that's a bit unrealistic, like, yeah, that there's not clear how all that happened.

370
00:29:56.759 --> 00:30:01.680
And I can understand why it raises people's ire because Doctor Who has never got its science wrong before.

371
00:30:02.279 --> 00:30:04.200
Yeah exactly right.

372
00:30:04.259 --> 00:30:06.779
I never will again.

373
00:30:07.079 --> 00:30:13.500
I think that there is a really, really proper effort to put something super weird on the screen.

374
00:30:13.559 --> 00:30:15.240
That's kind of why I like it.

375
00:30:15.299 --> 00:30:16.079
Yeah, me too.

376
00:30:16.140 --> 00:30:18.359
But you see, he wrote this after.

377
00:30:18.359 --> 00:30:32.039
The other episode, which he does later in the season, is tied, which they liked, and then they got him to do some reason. as that can be, but that also tries to do something a bit different from what you expect.

378
00:30:32.099 --> 00:30:34.259
And so I think that's sort of similar here.

379
00:30:34.319 --> 00:30:34.980
Yeah.

380
00:30:34.980 --> 00:30:42.599
The concept of this episode came about because Marcus Wilson, I can't remember if he's producer or co-exec at this point.

381
00:30:42.660 --> 00:30:56.039
No, I think I think just producer, but he pointed out to Stephen Moffatt, look, in the 1st half of this series, we had our American shoot and our Spanish shoot, we don't have a budget for an international shoot in this half, but we still want something visually spectacular.

382
00:30:56.099 --> 00:31:01.079
What if we created something on the scale of an international shoot as a science fiction setting?

383
00:31:01.140 --> 00:31:06.000
So it's like, right, we're going to have this marketplace and we're going to have this pyramid and we're going to have more aliens than we've ever had before.

384
00:31:06.059 --> 00:31:10.619
And the alien design work is one of the really successful things.

385
00:31:10.680 --> 00:31:15.839
Like I only spotted one of them that was a reuse of an alien from earlier in the series.

386
00:31:15.960 --> 00:31:19.680
And they did, they did say, oh, we can have Jadoon and we can have this and we can have that.

387
00:31:19.740 --> 00:31:26.039
And Stephen Moffat actually said, no, if we're going to do this, let's not make it look like we've just raided the costume cupboard.

388
00:31:26.099 --> 00:31:26.460
Yeah.

389
00:31:26.460 --> 00:31:32.700
You know, and pretty much that went down to, okay, in that case, we're not having Jadoon and Hoyks and Slovine.

390
00:31:32.759 --> 00:31:33.299
Yeah.

391
00:31:33.299 --> 00:31:37.559
Although I think that one of the brothers hot pylene or something is...

392
00:31:37.619 --> 00:31:45.299
And I think someone has mugged some half, stolen, stolen their breathing things, left them to drown.

393
00:31:45.299 --> 00:31:51.240
When they were mugged, they tried to call out for help and it was...

394
00:31:51.240 --> 00:31:55.380
Poor half key.

395
00:31:56.579 --> 00:32:01.140
It's kind of like there are moments where the marketplace looks really cheap.

396
00:32:01.200 --> 00:32:02.339
Yeah, yeah.

397
00:32:02.400 --> 00:32:04.079
Hey, but it's Doctor Who.

398
00:32:04.140 --> 00:32:05.700
The set looks really terrible.

399
00:32:06.119 --> 00:32:17.640
I think a lot of it looks good and I kind of go, no, I would rather you look cheap when you're trying to be ambitious than be cheap because you think it's going to look bad anyway.

400
00:32:17.700 --> 00:32:18.779
Yeah, you know.

401
00:32:18.839 --> 00:32:19.259
Yeah.

402
00:32:19.259 --> 00:32:26.400
Do you think some of the, I think some of the green screen is not the best. like whether it be on the moped going between the planets or whatever.

403
00:32:26.460 --> 00:32:31.319
Or where Mary is being dragged by that force field across to the grandfather's planet.

404
00:32:31.380 --> 00:32:34.740
Which, of course, then undermines the whole distance between things.

405
00:32:34.799 --> 00:32:35.759
Yeah, yeah, yeah.

406
00:32:35.819 --> 00:32:42.119
And it's like the problem with Chromickey and the classic series and that some of it actually really is good, which only highlights the bits that aren't.

407
00:32:42.240 --> 00:32:42.720
Yeah.

408
00:32:42.779 --> 00:32:44.759
But again, I think I would agree with you.

409
00:32:44.819 --> 00:32:55.259
Rather than do the 90 Star Trek thing of, let's just not show anything too interesting because that would be expensive, we get, we don't care.

410
00:32:55.319 --> 00:32:59.039
Let's try and see what we can do and some of it falls flat.

411
00:32:59.099 --> 00:33:00.720
But they deserve praise.

412
00:33:00.779 --> 00:33:01.259
Yeah.

413
00:33:01.319 --> 00:33:12.059
I think I think they deserve praise for being like that rather than then coming, cutting back and saying, well, we just did this and this happened, you know, without actually seeing it, you know, like 90 Star Trek voyager, it does.

414
00:33:12.119 --> 00:33:15.539
Yeah, it's kind of like with the mopeds.

415
00:33:15.599 --> 00:33:23.700
That came about because as part of this idea, Marcus Wilson said to Neil Cross, you know what we've never done in Doctor Who?

416
00:33:23.759 --> 00:33:28.920
We've never done something as good as the speeder bike chase in Return of the Jedi.

417
00:33:28.980 --> 00:33:29.880
It never will.

418
00:33:30.299 --> 00:33:32.940
Yeah, it's like, you still haven't, mate.

419
00:33:33.000 --> 00:33:35.039
That's the genesis of the idea.

420
00:33:35.099 --> 00:33:39.900
And I think it's one of those things where by the time it comes for them to do it.

421
00:33:39.960 --> 00:33:48.000
They've kind of forgotten the original intent and they're just doing it because it's there instead of just going, you know what?

422
00:33:48.059 --> 00:33:55.019
Let's have a transmat cubicle over here and save the money to do this other shot here.

423
00:33:55.079 --> 00:34:02.700
But at the same time, it's like the speed of bike stuff is sorry, the moped stuff is not as bad as I remember it then.

424
00:34:02.759 --> 00:34:03.119
Yeah.

425
00:34:03.119 --> 00:34:19.679
The really dodgy bit of green screen for me is when the doctor's trying to unlock the door and he's standing about 3 or 4 metres away from Clara because the camera is focussed on him, which means she's out of focus, which means you get that CSO fuzziness around her head because there's no clean edge.

426
00:34:19.800 --> 00:34:20.579
Yeah.

427
00:34:20.579 --> 00:34:23.219
And I'm just like, that's green screen 101.

428
00:34:23.340 --> 00:34:24.420
You've gotta have a clean edge.

429
00:34:24.480 --> 00:34:28.440
You got to have everything on the same plane or you shoot in multiple things.

430
00:34:28.559 --> 00:34:33.659
In a way, I'm more critical of that than I am of the speed of bike because that's something simple.

431
00:34:33.719 --> 00:34:34.260
Yeah.

432
00:34:34.260 --> 00:34:45.360
I mean, look, the speed of bike is more interesting and having it go between planets rather than just from this mountain to the nearby mountain is also more interesting.

433
00:34:45.420 --> 00:34:52.739
And so, look, I mean, the effects often don't come off at all, but, you know, it's Doctor Who.

434
00:34:53.159 --> 00:34:58.980
It's interesting how the Sonic's used here too. against those soldiers with the blue energy and all that sort of thing.

435
00:34:59.039 --> 00:35:01.380
It's much more of a weapon type thing.

436
00:35:01.440 --> 00:35:13.920
I love the fact that it seems like it's costing Matt physical effort to hold the Sonic up under the door and that's actually really funny. like that's an actually sort of fun beer.

437
00:35:13.980 --> 00:35:15.840
Yeah, it's a good moment, I think.

438
00:35:15.900 --> 00:35:16.559
Yeah, yeah.

439
00:35:16.619 --> 00:35:18.599
Yeah, withholding back the vigil.

440
00:35:18.659 --> 00:35:24.119
There was a scripted explanation that was cut basically because it was an exposition speech during a fight.

441
00:35:24.239 --> 00:35:25.679
Yeah, like we're not going to do that.

442
00:35:25.739 --> 00:35:30.420
And that is the vigil, they've got those grill like mouths because they're speakers.

443
00:35:30.480 --> 00:35:31.860
They're attacking with sonic energy.

444
00:35:31.920 --> 00:35:37.139
Ergo, the Sonic can counteract that and the doctor says, it's like noise cancelling headphones.

445
00:35:37.139 --> 00:35:41.579
And Clara says, what a noise cancelling. doesn't know about tech.

446
00:35:41.699 --> 00:35:43.559
We'll start with Clara.

447
00:35:43.619 --> 00:35:44.340
What's the Internet?

448
00:35:44.400 --> 00:35:46.440
Voice cancelling headphones.

449
00:35:46.500 --> 00:35:48.480
Yeah, she's very non-techy.

450
00:35:48.599 --> 00:35:49.920
Brandon, that's brilliant.

451
00:35:49.980 --> 00:35:52.079
That's just improved this story.

452
00:35:52.139 --> 00:35:53.820
And the thing is, the effects.

453
00:35:53.880 --> 00:35:55.860
Once I read that, I thought about the effect.

454
00:35:55.920 --> 00:35:58.559
It's like, yeah, he's absolutely making a bubble around.

455
00:35:58.619 --> 00:36:07.079
And he does comment with the door that it's based on an audio lock, which for a culture based around song makes sense.

456
00:36:07.139 --> 00:36:13.320
And later, Mary, you know, remembers a song about a secret passageway and that opens the secret passageway.

457
00:36:13.380 --> 00:36:18.000
And that's the kind of alien thought logic that you get way back in the web planet.

458
00:36:18.059 --> 00:36:20.039
A silent wall.

459
00:36:20.099 --> 00:36:23.340
We must make mouths in it with our guns so it will speak more light.

460
00:36:23.400 --> 00:36:35.639
You know, and for me, that that beauty and effort to imagine what a different culture would emphasise and make important makes up for the deficiencies in this episode.

461
00:36:35.699 --> 00:36:40.679
This kind of is a bit where planetish in that there's some imagination happening.

462
00:36:40.739 --> 00:36:42.360
And I'm all on board for that.

463
00:36:42.420 --> 00:36:50.400
But you mentioned the singing, and I think that is another major reason why people don't like it because people don't come to Dot 2 for singing in general.

464
00:36:50.460 --> 00:36:57.599
I do quite like it because I think it's done quite nicely and I think it's an imaginative idea, but the episode is heavily focussed on it.

465
00:36:57.659 --> 00:37:07.019
I like that, though, because it does sort of work well with the rest of the sort of fantasy environment and it is literally magic, isn't it?

466
00:37:07.079 --> 00:37:09.239
You aren't to certain words in certain patterns.

467
00:37:09.300 --> 00:37:12.239
You do a ritual that you can't make a mistake in.

468
00:37:12.300 --> 00:37:17.159
All of those things are features of magic and religious ritual.

469
00:37:17.219 --> 00:37:22.679
And I think that it works really well too, because the music is great.

470
00:37:22.739 --> 00:37:30.119
And it means something to me retrospectively because it's the music that's used during Matt's regeneration.

471
00:37:30.119 --> 00:37:32.760
And that makes me very sad.

472
00:37:32.940 --> 00:37:34.980
So it has resonance.

473
00:37:35.039 --> 00:37:38.760
First time through, I just gave up with the singing.

474
00:37:38.820 --> 00:37:39.780
I was going, oh, please.

475
00:37:39.840 --> 00:37:42.000
But I really agree with you.

476
00:37:42.059 --> 00:37:45.840
I really think it's beautiful and I don't love the way it's actually used now.

477
00:37:45.900 --> 00:38:03.960
Do you remember that exchange in a Christmas carol, where the doctor gives space reasons why the shark is carved by Catherine Jenkins seeing and the fish start biting him to make him stop doing it because the real reason is the sharks love the singing.

478
00:38:04.019 --> 00:38:12.960
And here, I just think the worst thing that you could possibly do is space reasons to explain away how the singing works.

479
00:38:13.019 --> 00:38:15.059
The singing works because it's magic.

480
00:38:15.119 --> 00:38:29.280
The singing works because it's a bunch of people together, all doing something and it's meant to placate this sort of horrible thing and it works because we've all joined together despite our different backgrounds and stuff like that.

481
00:38:29.340 --> 00:38:35.579
We've all brought something to sacrifice, and that has an effect on the monster, which is also magical.

482
00:38:35.639 --> 00:38:36.239
Yeah.

483
00:38:36.300 --> 00:38:48.900
And it ties in with the concept of sentimental value as currency because all of these people are singing with sentiment.

484
00:38:49.019 --> 00:38:53.159
You know, they're singing because they love the grandfather, you know what I mean?

485
00:38:53.280 --> 00:38:58.440
And they think that this is what the grandfather wants.

486
00:38:58.440 --> 00:39:07.440
And both Moffatt and RTD to this point had both been critical of religion, but also praising religion, like in gridlock.

487
00:39:07.500 --> 00:39:08.400
Yeah, yeah, yeah.

488
00:39:08.460 --> 00:39:08.820
You know?

489
00:39:08.880 --> 00:39:14.880
And so I think what it sort of makes clear is, you know, Doctor Who is not anti-religion.

490
00:39:14.940 --> 00:39:23.760
And sometimes people pick up on stories like this or, you know, the whole plot with the silence and kind of point to Doctor Who and, you know, Doctor Who's saying religion is bad.

491
00:39:23.820 --> 00:39:24.840
It's like, no, no, no.

492
00:39:24.900 --> 00:39:28.800
You know, Doctor Who is saying it's a pile of good things and a pile of bad things.

493
00:39:28.800 --> 00:39:30.300
And when it's good, it's beautiful.

494
00:39:30.360 --> 00:39:45.360
Do you remember that exchange where the doctor says to Clara, they think that this is where all life in the universe came from, and she kind of pins him, tries to pin him down on whether it's true or not.

495
00:39:45.420 --> 00:39:47.340
And he says it's a lovely story.

496
00:39:47.400 --> 00:39:52.800
And so that does introduce the idea of like religion as a source of truth or not.

497
00:39:52.860 --> 00:40:05.400
Yeah And, you know, when they're over with the creature, we think, is the grandfather at the time. and the tenor is still desperately singing to try and put him to sleep and the doctor sort of sits down in front of him.

498
00:40:05.460 --> 00:40:11.579
And the subtext of the conversation is basically like, you didn't do anything wrong, but you can't do anything now.

499
00:40:11.639 --> 00:40:12.360
I've got this.

500
00:40:12.420 --> 00:40:13.739
You're okay.

501
00:40:13.800 --> 00:40:21.360
And he, you know, he doesn't do it by destroying the guy's belief, he doesn't do it by tearing him down and saying, you know, you're a stupid idiot.

502
00:40:21.420 --> 00:40:26.940
He respects the effort and belief that this guy has put into his life.

503
00:40:27.000 --> 00:40:31.260
And it's it's not his fault that he's been lied to and deceived.

504
00:40:31.320 --> 00:40:31.679
Yeah.

505
00:40:31.679 --> 00:40:34.019
And it's not his fault that he's believed the lie.

506
00:40:34.079 --> 00:40:36.900
The doctor's just like, no, I will handle this.

507
00:40:36.960 --> 00:40:38.820
You know, you get out of here to save yourself.

508
00:40:38.880 --> 00:40:42.360
And it's really a lovely and sweet moment.

509
00:40:42.960 --> 00:40:46.980
It's like so much of this episode, I think it goes against expectations.

510
00:40:47.039 --> 00:40:54.239
You know, there are stories where we have, you know, evil gods or things that aren't gods and the doctor decries them and what have you.

511
00:40:54.300 --> 00:40:59.579
But here, I think he recognises the differences this guy's motivation is pure.

512
00:40:59.639 --> 00:41:06.000
I actually cried watching that little moment this time because this guy basically has no character, you know.

513
00:41:06.059 --> 00:41:11.400
His whole life is this, and it's all we see him doing, and it's been destroyed.

514
00:41:11.460 --> 00:41:16.980
And in just a few lines between them, there's acknowledgement, there's respect, there's acceptance.

515
00:41:17.039 --> 00:41:20.820
Yeah, this story is a lot cleverer than I gave it credit for going in.

516
00:41:20.880 --> 00:41:23.579
And also, it's not any kind of singing.

517
00:41:23.639 --> 00:41:28.260
I mean, they're not all getting together and singing love in the 1st degree drama.

518
00:41:28.380 --> 00:41:29.940
It's a hymn, a long song.

519
00:41:30.000 --> 00:41:31.679
And so it sort of plays into that.

520
00:41:31.739 --> 00:41:34.139
And I think it's quite beautiful, actually.

521
00:41:34.980 --> 00:41:42.539
Like, I'm an atheist, but I sometimes, jealousy is not the right word.

522
00:41:42.840 --> 00:41:48.599
But I sometimes wish I had...

523
00:41:48.599 --> 00:41:49.679
The certainty.

524
00:41:49.739 --> 00:42:02.639
The sort of quiet faith and serenity that I see, for instance, that my grandmother's had who were religious, you know, and I, it's not, it's something I've decided not to pursue because I know I wouldn't really be believing in it.

525
00:42:02.699 --> 00:42:08.820
But I think this story highlights that that is possible and that is a net positive.

526
00:42:09.179 --> 00:42:13.440
But it does it without, it does it without judgement.

527
00:42:13.500 --> 00:42:15.420
It doesn't say it's a good thing or a bad thing.

528
00:42:15.480 --> 00:42:17.760
It says it's a good thing for these people and it works for these people.

529
00:42:17.820 --> 00:42:20.519
Yeah, I mean, it's like gridlock, isn't it?

530
00:42:20.639 --> 00:42:24.059
It is like gridlock, which has prophecies and all sorts of things that come true.

531
00:42:24.119 --> 00:42:26.639
It has the people singing a Christian hymn together.

532
00:42:26.699 --> 00:42:35.760
And the doctor's reaction is, you know, this is just here to prevent you from doing anything about the situation that you find yourself in.

533
00:42:35.820 --> 00:42:45.840
But Martha's response is that this is kind of an expression of human solidarity that these people use to sustain themselves.

534
00:42:45.900 --> 00:43:01.260
And so the religious trappings of this, and the fact that it all works via magic, I think, kind of raises those questions without sort of properly answering them, and that's a good thing.

535
00:43:01.320 --> 00:43:06.239
Also, the trappings of religion can have their own social effect, even without the religion.

536
00:43:06.300 --> 00:43:16.739
So people gain together who never go to church, but go to church on Christmas Eve to enjoy the carols and the hymns and that, that can have its own cohesive effect and there's nothing more social.

537
00:43:16.800 --> 00:43:19.380
You know, the great social activities, people singing together.

538
00:43:30.480 --> 00:43:32.820
Can we talk about the end?

539
00:43:32.880 --> 00:43:35.099
So the climax.

540
00:43:35.159 --> 00:43:35.579
Is that all right?

541
00:43:35.639 --> 00:43:36.780
Oh, so did you want to...

542
00:43:37.619 --> 00:43:40.199
No, I'm just enjoying this discussion of religion.

543
00:43:40.260 --> 00:43:42.179
I think it's really interesting.

544
00:43:42.239 --> 00:43:57.059
I'm always reminded of Major Kira on Deep Space 9 and that performance and the way that character was crafted by none of visitor and the writers, in that she had that absolute faith and certainty in that grounding in that character over those 7 years.

545
00:43:57.119 --> 00:43:59.039
That's a performance that I always look to.

546
00:43:59.099 --> 00:44:01.019
But the stuff you were saying, Brendan, yeah.

547
00:44:01.079 --> 00:44:02.639
It's quite affecting.

548
00:44:02.699 --> 00:44:08.159
I think there's a lot here that you can miss if you just take it at surface level.

549
00:44:08.219 --> 00:44:16.559
But let's go on to the actual climax of this whole thing, which is giving Matt Smith a huge speech.

550
00:44:16.559 --> 00:44:21.480
I don't like his delivery of this speech at all.

551
00:44:21.539 --> 00:44:26.039
And I guess, what are we trying to do?

552
00:44:26.099 --> 00:44:33.480
Are we trying to recreate the speech from the Pandoraca opens, which I think is a remarkable performance.

553
00:44:33.539 --> 00:44:35.340
Like it's really quite extraordinary.

554
00:44:35.400 --> 00:44:38.519
It's rainy, there's flashing lights ahead.

555
00:44:38.579 --> 00:44:40.739
He's got this big microphone thing.

556
00:44:40.800 --> 00:44:47.400
He's talking as if he's addressing a massive crowd of people and he does it in all sorts of surprising ways.

557
00:44:47.460 --> 00:44:49.860
And I think it works really well.

558
00:44:49.920 --> 00:44:53.219
It's because it's in Pandora Opens.

559
00:44:53.280 --> 00:44:59.579
It's a dramatic speech, which is given a grandstanding delivery by Matt, and this is a grandstanding speech.

560
00:44:59.639 --> 00:45:00.480
Yeah, yeah.

561
00:45:00.539 --> 00:45:08.579
Also, I think that, you know, the Pandora speech is so incredibly well directed as well with all those shots from above and stuff like that.

562
00:45:08.639 --> 00:45:11.280
Here, he's like on a studio set.

563
00:45:11.340 --> 00:45:18.119
It's much more constrained and the speech, I think, is a bit crummy.

564
00:45:18.179 --> 00:45:23.880
Like it is a little bit kind of, I don't know, it's philosophical.

565
00:45:23.940 --> 00:45:28.139
It's hard to know how a character would, like, what does he want?

566
00:45:28.199 --> 00:45:29.760
you know, like it's, I don't know.

567
00:45:29.820 --> 00:45:31.380
In the Pandorica speech, right?

568
00:45:31.440 --> 00:45:39.900
He's desperate to scare these people off despite the fact that he has no plan and no weapons and these are all of his enemies and stuff.

569
00:45:39.960 --> 00:45:42.360
So there's a character thing to do.

570
00:45:42.420 --> 00:45:49.559
Here, he's just kind of saying a lot of platitudes and I just don't think he pulls it off.

571
00:45:49.619 --> 00:45:54.840
He's saying it so that, you know, ultimately it will fail, so that Clara will come.

572
00:45:54.900 --> 00:45:55.860
That's the reason why.

573
00:45:55.920 --> 00:45:58.500
And that makes the speech fail.

574
00:45:58.559 --> 00:46:06.780
But we've talked about this, Nathan, the fact that we're now at the point where the writers are writing moments for Matt.

575
00:46:06.840 --> 00:46:11.099
And so here's a big speech for him rather than the Pandorica, where site yet unseen.

576
00:46:11.159 --> 00:46:12.000
Yeah, yeah.

577
00:46:12.000 --> 00:46:25.679
And I just think that also without his team of River Amy and Rory in this 2nd half of the season, they're trying to give Matt these moments to sort of carry the episode.

578
00:46:25.800 --> 00:46:37.260
I think he works so much better when he's got the Paternoster game with him because he's not having, like, he can bounce off different things and come up with different things and it's much more organic when it's just him and Clara.

579
00:46:37.320 --> 00:46:38.039
Yeah.

580
00:46:38.039 --> 00:46:43.679
Then he has to carry the workload and then just making it about his performance and what he can do.

581
00:46:43.739 --> 00:46:46.619
Oh, this is a Matt Smith thing, whether he's twirling around or whatever.

582
00:46:46.679 --> 00:46:50.039
And I think, and I don't say this in a horrible way.

583
00:46:50.099 --> 00:46:56.880
But this is the moment for me that Matt begins to go off the boil in terms of what comes next.

584
00:46:56.940 --> 00:47:01.079
I just think I kind of begin to go, oh, it's a Matt Smith thing.

585
00:47:01.139 --> 00:47:06.539
Matt Smith thing in episodes coming up because he has to carry much more of the action because there's only the 2 of them.

586
00:47:06.599 --> 00:47:09.599
I'm not saying that's a bad thing because I think Matt's brilliant.

587
00:47:09.659 --> 00:47:11.219
But back to this.

588
00:47:11.280 --> 00:47:13.440
This is, I totally agree with you.

589
00:47:13.500 --> 00:47:14.400
It doesn't quite work.

590
00:47:14.460 --> 00:47:21.659
Yeah, I think this is the moment for me as well, where I start to think he's not pulling it off.

591
00:47:21.719 --> 00:47:23.760
And I don't think it's entirely Matt's fault.

592
00:47:23.820 --> 00:47:25.440
I don't think it's a good speech.

593
00:47:25.559 --> 00:47:28.619
It's just the fact he doesn't have Amy and Rory and River.

594
00:47:28.679 --> 00:47:31.019
That sort of was the nucleus of his performance.

595
00:47:31.079 --> 00:47:33.480
And now he's having to he's having to strike out on his own.

596
00:47:33.539 --> 00:47:35.039
But it's what you were saying, Nathan.

597
00:47:35.159 --> 00:47:36.420
I don't think the writings all that good.

598
00:47:36.480 --> 00:47:39.539
It feels a bit fan servicey, this kind of speech.

599
00:47:39.599 --> 00:47:41.039
Oh yeah, he's talking about that bit.

600
00:47:41.099 --> 00:47:42.539
They should have just gone further.

601
00:47:42.599 --> 00:47:47.820
You know, I've walked in universes where Stephen and Dodo acted like simpletons while playing hopscotch.

602
00:47:48.360 --> 00:47:50.099
Stuff like that.

603
00:47:50.159 --> 00:47:51.780
But it all felt a bit lame.

604
00:47:51.840 --> 00:47:52.800
Yeah, yeah.

605
00:47:52.860 --> 00:47:55.860
I think it needed it needed precision.

606
00:47:55.920 --> 00:47:59.460
Like, I walked in universes where the laws and physics had gone mad.

607
00:47:59.519 --> 00:48:02.760
No, I've walked in universes where the earth died in flame.

608
00:48:03.000 --> 00:48:04.380
Yeah.

609
00:48:04.380 --> 00:48:10.619
Perhaps what it needed was that Stephen Muffin needed to come in and actually rewrite this heavily and I don't think that's necessarily happened.

610
00:48:10.739 --> 00:48:11.280
Yeah.

611
00:48:11.340 --> 00:48:12.780
It was almost worse.

612
00:48:12.840 --> 00:48:14.219
Oh, yeah.

613
00:48:14.219 --> 00:48:15.539
It was almost worse.

614
00:48:15.659 --> 00:48:17.400
Something about Stephen and Dodo.

615
00:48:17.460 --> 00:48:18.239
No?

616
00:48:18.239 --> 00:48:19.380
Not the speech.

617
00:48:19.440 --> 00:48:21.420
The speech was the same in the draft.

618
00:48:21.539 --> 00:48:23.519
In the draft, it worked.

619
00:48:23.519 --> 00:48:26.340
In the draft, that destroyed Akaten.

620
00:48:26.400 --> 00:48:30.780
And it was Stephen Moffat who said, no, this is Clara's 1st trip.

621
00:48:30.840 --> 00:48:33.420
Clara needs to be integral to the solution.

622
00:48:33.480 --> 00:48:38.039
And the leaf had already been invented as part of the thing.

623
00:48:38.099 --> 00:48:41.579
And the whole thing with the leaf was Clara wouldn't give it up.

624
00:48:41.639 --> 00:48:43.139
So it gave away the ring instead.

625
00:48:43.199 --> 00:48:49.800
But she still had the leaf at the end. you know, and then Stephen Moffatt said to Neil.

626
00:48:49.860 --> 00:48:55.260
It's like, what if it looks like it works, but then Clara has to come over and use the leaf and explain what the leaf is.

627
00:48:55.320 --> 00:48:58.260
And he's like, of course, why didn't I think of that?

628
00:48:58.320 --> 00:48:59.219
And we get that.

629
00:48:59.280 --> 00:49:00.900
And that's the successful part of the ending.

630
00:49:00.960 --> 00:49:01.679
Yeah.

631
00:49:01.739 --> 00:49:02.039
Yeah.

632
00:49:02.099 --> 00:49:03.900
It really is the beast below, isn't it?

633
00:49:03.960 --> 00:49:07.139
Because Amy has the same function at the end.

634
00:49:07.199 --> 00:49:09.480
But without the doctor being a bloody moron.

635
00:49:10.019 --> 00:49:11.880
But yes, yes.

636
00:49:11.940 --> 00:49:17.460
And I think that's why I like it more than the beast below because it's not, oh, that's big cool.

637
00:49:18.119 --> 00:49:26.519
See, my problem with the beast below is Amy's solution is clever, but it's diminished by the fact that the doctor can't see the obvious.

638
00:49:26.639 --> 00:49:31.860
Whereas here, with everything we know, what the doctor has suggested should work.

639
00:49:31.860 --> 00:49:37.079
And it doesn't because the creature is infinite.

640
00:49:37.139 --> 00:49:45.480
But you know, the doctor thinks, oh, I can engorge it and make it explode, but it's like, no, no, no, your experiences are still finite.

641
00:49:45.480 --> 00:49:47.880
And Clara provides the infinite.

642
00:49:47.940 --> 00:49:55.559
And so the doctor's failure is a noble heroic failure rather than a failure of failing to understand the situation.

643
00:49:55.619 --> 00:50:01.079
But we're told that it eats your soul and that your soul is made up of stories.

644
00:50:01.139 --> 00:50:07.440
And so we feed it on things that have sentimental value and stuff like that because they're our stories.

645
00:50:07.500 --> 00:50:08.940
That's what our soul is about.

646
00:50:09.000 --> 00:50:11.579
And we're all very scared of it.

647
00:50:11.639 --> 00:50:16.079
But Matt gives his big speech and then what, he's fine?

648
00:50:16.199 --> 00:50:18.480
Well, he is time lord.

649
00:50:18.539 --> 00:50:20.159
But do you know what I mean?

650
00:50:20.340 --> 00:50:24.300
They're selling us some danger here that just never eventuates.

651
00:50:24.360 --> 00:50:29.219
He gives his big speech and then, you know, Jenna comes on and says, you know, move out of the way.

652
00:50:29.280 --> 00:50:30.059
I'll fix this.

653
00:50:30.119 --> 00:50:32.280
And she gives a better speech too.

654
00:50:32.340 --> 00:50:36.119
You're right, Todd, in that because this speech has to fail.

655
00:50:36.179 --> 00:50:38.340
It's not the climax of the episode, right?

656
00:50:38.400 --> 00:50:40.559
So he can't give a better speech than her.

657
00:50:40.619 --> 00:50:53.460
She has to give a better speech and perhaps it needs to be more heartfelt as well because it's about all of the things that never happened, all of the days that her mother never got to experience.

658
00:50:53.820 --> 00:51:00.960
And so it makes you wonder why they don't just keep grandfather in check by basically reciting their life stories.

659
00:51:01.019 --> 00:51:02.400
That's all it needs to.

660
00:51:02.519 --> 00:51:11.039
And like this is not the sort of thing that is going to hold up to even sort of fairly gentle scrutiny, I think.

661
00:51:11.280 --> 00:51:15.780
But like as far as the story goes.

662
00:51:15.960 --> 00:51:17.880
It's not clear what's at stake.

663
00:51:17.940 --> 00:51:25.380
Is Matt sacrificing his life for the sake of everyone else and Clara comes in and stops him from doing that.

664
00:51:25.980 --> 00:51:31.260
But no one seems to be under threat at all.

665
00:51:31.320 --> 00:51:35.639
It's just not clear what danger grandfather poses.

666
00:51:35.699 --> 00:51:37.559
Can you fry something for me?

667
00:51:37.619 --> 00:51:42.659
Like when they do dispense with grandfather, does that mean that whole son's gone and so...

668
00:51:42.719 --> 00:51:43.559
Yeah, I wanted that too.

669
00:51:43.619 --> 00:51:46.440
The whole system just collapses and nobody can live there.

670
00:51:46.500 --> 00:51:49.380
Please, the laws of unintended concerts.

671
00:51:49.559 --> 00:51:51.900
It does disappear, doesn't it?

672
00:51:51.960 --> 00:51:52.980
And it is completely dark.

673
00:51:53.099 --> 00:51:53.760
Yeah.

674
00:51:53.820 --> 00:51:58.739
And from what I can see, it was never considered a problem in the scripting state.

675
00:51:58.800 --> 00:52:04.559
It's not like there's a missing scene with the doctor saying, well, you know, he just took over the sun.

676
00:52:04.619 --> 00:52:06.659
It's a normal son that he was living on.

677
00:52:06.719 --> 00:52:10.019
It's like, no, it's gone and we just go back to London.

678
00:52:10.199 --> 00:52:13.380
No more days sunbathing for Dory.

679
00:52:13.920 --> 00:52:16.380
Do you remember that thing where?

680
00:52:16.440 --> 00:52:20.880
You know, the doctor tries to go, oh, you know, I've seen bigger.

681
00:52:20.940 --> 00:52:23.099
And Clara goes, what, really?

682
00:52:23.159 --> 00:52:24.719
He said, no, this is massive.

683
00:52:25.320 --> 00:52:28.199
That was brilliant. is really great.

684
00:52:28.260 --> 00:52:31.980
I mean, I think it has to be a gas giant, isn't it?

685
00:52:32.039 --> 00:52:32.880
It's got rings.

686
00:52:33.000 --> 00:52:33.960
Yeah, that makes sense.

687
00:52:33.960 --> 00:52:34.800
So it goes away.

688
00:52:34.860 --> 00:52:41.579
It's still like, you know, like gravitational collapse, but we're absolutely asking the wrong questions about the thing, I think.

689
00:52:41.639 --> 00:52:44.219
I think, but I do think it is worth asking.

690
00:52:44.280 --> 00:52:47.159
We don't know what threat's being posed here, like what the problem is.

691
00:52:47.219 --> 00:52:48.659
There is word peril.

692
00:52:48.719 --> 00:52:56.280
Mary says that grandfather will get out and feed on the souls of the 7 planets and then go forward through the universe and that's what one of the old songs says.

693
00:52:56.340 --> 00:52:57.119
Yeah.

694
00:52:57.119 --> 00:53:02.159
But, you know, I think it's while the vigil are going, and while the song's going...

695
00:53:02.219 --> 00:53:03.659
So it's a bit hard to hit.

696
00:53:03.719 --> 00:53:12.480
And this is why people don't like it because the stakes are not defined and so it feels a bit silly and it's all being held in check by singing and so it feels a bit silly.

697
00:53:12.539 --> 00:53:16.920
It's all shot against green screen and so it feels a bit silly, et cetera.

698
00:53:16.980 --> 00:53:18.000
But it's not.

699
00:53:18.059 --> 00:53:18.420
I like it.

700
00:53:18.480 --> 00:53:22.860
I like it too, but it's what Russell says about Zog monsters on the planet Zog.

701
00:53:22.920 --> 00:53:24.780
Yeah, Dog Monster, isn't she?

702
00:53:24.840 --> 00:53:26.340
And the thing is...

703
00:53:26.340 --> 00:53:32.280
I think you can get away with it occasionally.

704
00:53:32.340 --> 00:53:34.739
And I think we do get away with here.

705
00:53:34.800 --> 00:53:38.039
The 1st half has the same confidence as last week.

706
00:53:38.099 --> 00:53:47.219
It's like, yep, we are putting 20 different aliens on screen for you and you're going to enjoy it and that one has lights in his face and this one barks and rents out mopeds.

707
00:53:48.239 --> 00:53:53.880
Actually, it reminds me a bit of snake dance and we, you know, we made a snake dance joke earlier.

708
00:53:53.940 --> 00:53:54.960
Do you know what it reminds me?

709
00:53:55.019 --> 00:53:55.739
Oh, Dragonfire.

710
00:53:55.800 --> 00:53:56.280
Yes.

711
00:53:56.340 --> 00:53:57.059
Yeah, yeah, yeah, yeah.

712
00:53:57.119 --> 00:54:03.599
It's it's a criticism we made of Eric Saywood back in the day was that he wanted everything to be really sensible.

713
00:54:03.659 --> 00:54:12.960
And it was like, even Christopher Hamilton Bidmead, who was like, I don't want silliness and I want science, still writes, let's materialise the TARDIS and underwater and open the door. right.

714
00:54:13.019 --> 00:54:16.139
Let's get out of a time loop by acting it out.

715
00:54:16.199 --> 00:54:17.460
Yeah, yeah.

716
00:54:17.519 --> 00:54:22.500
Those are brilliant big bonkers ideas, which is what Doctor Who needs, and that's what we have here.

717
00:54:22.619 --> 00:54:26.099
And, you know, with the whole, so are they all dead now?

718
00:54:26.159 --> 00:54:28.199
It's like, nah, something happened and they're fine.

719
00:54:28.320 --> 00:54:34.320
You know, we know they're fine or else it's a matter of, oh, they wanted me to have my ring back.

720
00:54:34.440 --> 00:54:36.659
Yes, because they're all dead, Clara.

721
00:54:36.780 --> 00:54:39.659
We blew up a sun, Morty.

722
00:54:40.619 --> 00:54:45.420
I think getting the ring back from all of them is a beautiful moment.

723
00:54:45.480 --> 00:54:46.139
Yes.

724
00:54:46.139 --> 00:54:49.860
Maybe that's the rings of Akatown.

725
00:54:50.400 --> 00:54:52.199
Or the keys of marinace.

726
00:54:52.260 --> 00:54:54.239
Or the hats of the archi man drive.

727
00:54:54.300 --> 00:54:58.920
I like the fact that this is the 2nd episode in a road that's concerned with ringing the title.

728
00:55:00.119 --> 00:55:02.639
What will next week then?

729
00:55:03.059 --> 00:55:06.239
It's so nice to all Matt's little moment with the beano.

730
00:55:06.300 --> 00:55:07.260
Yeah, yeah.

731
00:55:07.260 --> 00:55:10.860
That remind me of Delta and the Bannerman with Murray.

732
00:55:10.920 --> 00:55:11.400
Yes.

733
00:55:11.460 --> 00:55:12.000
Yeah, yeah.

734
00:55:12.059 --> 00:55:16.139
I've got the dog 2 magazine, 1981 summer special, by the way.

735
00:55:16.199 --> 00:55:17.460
I should have been reading.

736
00:55:17.940 --> 00:55:21.900
It's got a profile of this new producer, JNT.

737
00:55:21.960 --> 00:55:26.340
And I think an examination of the other rooms in the Tartars.

738
00:55:26.400 --> 00:55:27.420
Oh my god.

739
00:55:27.539 --> 00:55:29.400
Nothing's changed.

740
00:55:30.360 --> 00:55:34.260
At the end, does Clara realised that the doctor was at the grave?

741
00:55:34.320 --> 00:55:34.860
Yes.

742
00:55:34.920 --> 00:55:35.400
Yeah, yeah.

743
00:55:35.460 --> 00:55:36.659
Does it make her suspicious?

744
00:55:36.719 --> 00:55:38.039
I can't remember.

745
00:55:38.099 --> 00:55:38.760
I just wrote it down.

746
00:55:38.820 --> 00:55:39.420
Yeah.

747
00:55:39.480 --> 00:55:46.019
She asks him about it and he says you remind me of someone I, someone I lost, someone who died.

748
00:55:46.079 --> 00:55:49.980
And her response is, well, no, I'm Clara.

749
00:55:50.039 --> 00:55:52.380
If I'm travelling, I'm not a replacement.

750
00:55:52.440 --> 00:55:53.820
And he's like, no, no, no.

751
00:55:53.880 --> 00:55:55.619
It's, look, it's fine.

752
00:55:55.679 --> 00:55:57.539
It's just that that's, I had to check.

753
00:55:57.599 --> 00:55:58.860
And she's like, okay.

754
00:55:58.920 --> 00:56:05.039
So it's actually a refreshing moment because, yeah, he didn't tell Amy about the flesh pregnancy thing.

755
00:56:05.099 --> 00:56:12.539
He didn't tell Amy that her house didn't make sense, but here he's questioned up front and he goes, you know, this is the situation.

756
00:56:12.599 --> 00:56:20.099
And he does basically tell her everything he currently. knows about it, except that she was in another time, but Clara can probably guess at that.

757
00:56:20.699 --> 00:56:30.780
I think, though, it is at this point made very clear to the doctor that Clara is just a normal person.

758
00:56:30.900 --> 00:56:32.880
He's seen her childhood, he's seen the funeral.

759
00:56:32.940 --> 00:56:35.940
He's met her, he's heard her speak.

760
00:56:36.000 --> 00:56:45.480
She tells him that she's not those other people or that other person, who he remembers, but he still sort of persists.

761
00:56:45.539 --> 00:56:50.639
And so it's another one of the Moffatt hiding the resolution in plain sight things.

762
00:56:50.699 --> 00:56:57.840
Turns out she's just completely normal and in no way impossible and it's just in the season finale.

763
00:56:57.900 --> 00:56:58.860
She does something remarkable.

764
00:56:58.920 --> 00:57:00.900
Yeah, but it's just her.

765
00:57:22.980 --> 00:57:26.340
Well, dear listener, that's all we have time for this week.

766
00:57:26.460 --> 00:57:30.960
We'll be back next week for the best of Ultravox in Cold War.

767
00:57:31.019 --> 00:57:49.139
In the meantime, you can find us wherever you get your podcasts, and you can keep up with us at Flightthrough Entirety on Facebook at FDE podcast on Twitter, and on our website, FlightthroughEntirety.com, where you'll find links to our other podcasts, Bondfinger, Jody InterTara, maximum power, and untitled Star Trek project.

768
00:57:49.260 --> 00:57:56.280
Until next time, remember to respect the Todd experience, because one day, it might just happen to you.

769
00:57:56.340 --> 00:57:59.099
Thank you very much for listening and good night.

770
00:57:59.159 --> 00:57:59.880
Good night.

771
00:57:59.940 --> 00:58:01.019
See you soon.

772
00:58:01.079 --> 00:58:01.980
Good night.

773
00:58:08.039 --> 00:58:15.480
That was Flight Through Entirety, sir, and Todd Bealby, Nathan Bottomley, Peter Griffith, and Brendan Jones, theme arrangement by Cameron Lamb.

774
00:58:15.539 --> 00:58:22.199
This episode, there's an apostrophe, was recorded on the 29th of May 2022 and released on the 11th of September.

775
00:58:25.260 --> 00:58:29.820
We all enjoyed the Rings of Ackerson, but due to its eccentric ideas about planetary physics.

776
00:58:29.880 --> 00:58:34.679
Please don't mention it to American astrophysicist and Notorious internet pedant Neil DeGrasse Tyson.

777
00:58:34.739 --> 00:58:36.840
Seriously, we'll never hear the end of it.

778
00:58:42.960 --> 00:58:45.659
But the doctor is basically a giver.

779
00:58:45.719 --> 00:58:49.500
He gives people these experiences where all the other grandfather does his take.

780
00:58:49.619 --> 00:58:50.699
Yeah, yeah.

781
00:58:50.699 --> 00:58:52.500
And they're both impossibly old.

782
00:58:52.559 --> 00:58:54.300
So he's a giver, not a taker.

783
00:58:54.360 --> 00:58:58.199
He's a given on a taker. that's right God, we're filthy today.

784
00:58:58.619 --> 00:59:00.539
We.

785
00:59:00.539 --> 00:59:03.840
Just wait until you hear what he said about Celia Emery.

786
00:59:03.900 --> 00:59:08.039
And if Nathan had to cut it, that could be...

787
00:59:08.039 --> 00:59:10.139
She was fantastic in that scene at the end.

788
00:59:10.199 --> 00:59:11.400
Yeah.

789
00:59:11.400 --> 00:59:12.179
It's a little girl.

790
00:59:12.239 --> 00:59:12.900
Just heartbreaking.

791
00:59:12.960 --> 00:59:14.159
They should have cast her as merry.

792
00:59:17.460 --> 00:59:20.579
I felt really wistful with that mention.