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This transcript was created on 2026-06-07 at 15:22:15

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Hello, dear listener, and welcome back to Flight Through Entirety, the only Doctor Who podcast that's read with the blood of humanity.

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We really should go and have a bath.

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I'm Nathan.

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I'm Brendan.

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I'm Mark.

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And I'm Jack.

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Well, it's 1983.

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Margaret Thatcher has just been reelected, Ultravox's 1st breakup is still 4 years away, and somewhere in BBC Television Centre, Peter, Mark, and Janitor shooting the final episode of Warriors of the Deep.

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So have we learnt anything about how to make top quality Doctor Who in the last 30 years, let's find out as we discuss Cold War.

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So, I have a feeling that this is very, very, very early on in Jenna Coleman's career in Doctor Who.

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Is this the 1st episode she shoots or the 2nd?

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It's certainly long before snowman, is that right?

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Yeah, that's right.

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So this is the 2nd episode she shoots.

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So they have just shot Hyde, and during production of this, Matt was rushing off to shoot pickups for Hyde, and also rushing off to do additional dialogue recording for the power of 3 with Karen and Arthur.

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Oh my god.

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So while this is going on, he's working with all his companions on various things because the complete history doesn't go into detail on this particular entry, but it is because of the massive restructuring needed for the power of 3 because Stephen Burkoff is mad.

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He refused to do his job.

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Yeah, as we have mentioned earlier this year.

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And on Bonfinger.

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Douglas McKinnon was having to do some work as well, wasn't he, on the power of 3 while he was working on this as well?

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Oh, okay.

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Because he did both of those.

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Is that true?

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Yeah.

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Yeah.

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And that's part of the reason they waited until now to do those ADR pickups.

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Okay. as well as assessing the damage, basically, because in TV, you know, once you realise something isn't working, you don't necessarily immediately order a pickup, you figure out how much of it isn't working to know how much you have to reshoot.

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That temporal displacement for Matt Smith feels very appropriate for this episode, given the presence of Tobias Menzies in this episode.

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It's like Matt Smith's career, past, present, and future, and very, very far in the future and the crown happening all at once.

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Yeah, yeah.

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So we have the 2 Prince Phillips.

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And we have Prince Charles getting killed before the opening credits by Scaldak.

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I wanted to call him Maldak.

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No, no.

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Is that a character from Vengeance on Faros?

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Yeah, yeah.

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Yeah, he's the one who is the lead cannibal in Torchwood after that.

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Oh, okay.

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Owen Teal.

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That's delightful So how do we feel about Jenna, this episode?

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Well, what really struck me about this episode is that it feels, at least Clara on the page still feels like Clara Oswald being written to like an audition brief, essentially, which is that we want an actor who can keep up pace with Matt Smith in the dialogue department.

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So, you know, there are lots of scenes where, um, you know, particularly at the beginning when the uh, submarine is sinking, you have all these like snappy little back and forth between Jenna and Matt and it doesn't really change throughout the episode.

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And, um, so it feels like Jenna's Coleman's been given the singular objective of keeping up pace with Matt Smith throughout the episode, which, as it turns out, because Jenna Coleman is a wonderful actor, she does with great aplomb.

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It's interesting for her character arg that this is the story where she gets to grip with how to handle fear, given where she ends up, where she's very fearless and reckless, that, you know, it's the tips from the older character about how he handles fear by singing and things like that.

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She's very afraid in this one.

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And I think it's probably a counterpoint of the people who find her a bit too smug and fearless a lot of the time.

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This, you know, when she sees the dead bodies and she says, well, this, this suddenly got very real, didn't it, that it isn't just like a jolly romp.

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But what I remembered when I watched it, again, was after the Rings of Akitan went out the week before, Paul Cornell tweeted, hello, the new Sarah Jane.

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And then when you watch this episode, that's really reinforced because she goes through 2 sort of big Sarah Jane moments where she questions how they can understand Russian in this case.

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And she also says, well, we know the world didn't end in 1983.

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Is it?

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Why is it cool?

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So, so why does it matter what we do?

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And that sort of reinforced, you know, the idea that that, you know, maybe they're going for a modern day Sarah Jane with Clara?

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I think that there is a kind of thing where she is really generic.

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You remember when Bob Holmes 1st writes for Perry and the 6th doctor in the 2 doctors, Perry's like frighteningly generic, I think, there's not very much to her beyond her performance.

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And that's often what the classic series does.

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And it's a little bit unusual for the new series that has really, very strongly defined characters to have someone kind of be as generic as Jenna.

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And like, I think she does do one or 2 things that are unusual.

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I think the way she volunteers to speak to the ice warrior when neither the captain nor the doctor can get away with doing it and she kind of volunteers and goes in and does it and even sort of takes over.

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She's being directed, isn't she, by Matt, but she, you know, does some of her own things.

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And then the other striking thing that she does is the doctor says, stay here.

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And she sort of says, yeah, all right.

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And then he goes, no, no, really actually stay here.

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Yeah, sure, like whatever.

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And so she doesn't, you know, but she's, even that is defining her against the companion role.

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She is very, very definitely the new companion here.

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It's interesting because throughout the drafts of this script, she slowly becomes more involved in the plot.

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So for Mark Gatis's original write-up, 1st of all, she was still Beryl, the Victorian governess.

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And so there was going to be a lot of sort of things of, you know, Beryl would have a clever moment where she figures out that the Cold War is possibly a result of action in the Crimea in her time.

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She's like, well, if the Crimea situation blows up, that could lead to this.

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But it was things like the doctor was the one who went to talk to Scaldak.

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Beryl was left alone in a room to protect her, but then the ice warrior comes in like with Victoria.

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And it was sort of with each subsequent draft.

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She was given more to do.

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So yeah, I think part of the reason Gator's kind of right, so generically, is it all he had to go on with Jenna's audition tape?

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Because when he was writing, she hadn't filmed anything yet.

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And it seems like a lot of the action she's given such as talking to Skaldak came about with discussions with Stephen Moffat and later with General Louise Coleman herself.

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Like apparently at the read-through is when the decision was made that she would talk to Scaldak.

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Like, it was already on the cards, but they're like, Matt, Jenner, what do you think?

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Who should do this?

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And Jenna said, well, well, I'm up for it.

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Matt said, well, she should do it because she's only just started.

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And I like that this is the 1st time that she admits that she's scared because as much as what's gone on in the last 2 episodes, you know, in Bells of St.

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John, she's in London.

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In Rings of Acha 10.

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She only faces real physical danger when she rushes into it.

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Yeah.

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In this situation.

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She's been plonked in it, and she's got no choice but to face it.

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So it's kind of building up the danger towards the character.

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And with what you said, Mark, about sort of her later risky behaviour, there is actually a deleted line where the doctor asks, you know, how are you after dealing with the scaldax situation?

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And she basically says that was terrifying and I felt so alive.

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And I kind of read that.

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I'm like, 0 my god, that's faced the Raven 3 years early, that is.

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And it's not the, it's actually not the only thing that was dropped from this that will be recycled in series nine, but I'll come back to that later.

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I have to say that I think that this might be the point where I kind of lose it with the standalone movie style premises for the series.

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And I think that they were, you know, they were very clearly a reaction against the very complex plotting in series 6 and to a lesser extent in series 5.

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And I think because we were working towards the 50th anniversary thing and because we were splitting the season over 2 years.

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He just decided to kind of pull back a little bit.

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And that worked very well, I think, in the 1st half of the season, because there is an arc, and the arc is about Rory and Amy kind of growing out of the doctor, like growing away from him, and that relationship changing.

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Here, you've got a character who has a mystery to her.

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We've seen her twice already, but because that's a kind of red herring, you know, Moffatt likes to leave the answers to his mysteries lying in plain sight.

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And next week will be told by Jessica Rain that in fact, you know, she is just a normal person.

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And so there's a real kind of genericness and a real kind of reluctance to pin her down with any sort of particular characteristics.

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And so, you know, I think that that is a throwback to the classic series, and it is, I think, why Cornell called her, the Sarah Jane for the Modern era, or something, because Sarah Jane has a three-line bio, but basically is Elizabeth Slayton's performance.

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And I'm not complaining.

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I love Jenna's performance generally.

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You know, I think she's really great and I like her in this, but I just find this a little bit less satisfying because it goes for 40 minutes and then doesn't go anywhere.

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I'm watching the wrong show.

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Am I watching the wrong show?

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I think the, probably, probably works well in season 7B as well because the, the sort of arc because it was broadcast in the 50th anniversary year is to have sort of the rings of Aka 10, It's got some 1st doctor callbacks, doesn't it?

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where it's the 1st time he mentions being a grandfather for a long time.

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It's quite heavy on the exploration earlier on in the episode, which is like Hart and all, then this has got the HAD system, the Ice Warriors, the base under siege.

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And next week we've got a scientific advisor and a metabolist crystal and a country house.

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And it sort of goes on like that way, each episode is a little of a mild homage to each one.

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So having maybe a more 20th century style companion fits with that for the time being as well in some way.

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Yeah.

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I suppose what occurs to me about, because, you know, the whole gimmick of series 7 as a whole is that it's like movie of the week kind of thing.

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Um, uh, and I feel what occurs to me in the transition between series 7 A and series 7 B is that you go from, in series 7 A, of like movie of the week.

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And I think here, because maybe it's because it's in 2013, and, you know, it's got the whole anniversary year kind of feel to it.

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It goes from being movie of the week to the most movie version of this particular type of Doctor Who story.

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In this case, the most movie version of a base under siege story, of a Trouton based under siege, complete with ice warriors and everything.

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Yeah.

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Yeah.

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And like, I think it does a reasonably good job of that.

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Yeah, yeah, it's it's incredibly entertaining.

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When I arrived here tonight, 1st thing I said to Nathan was, I'm 3 for 3 on enjoying this episode a lot more than I did last time.

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The Todd experience.

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Tod experience.

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Good God, Cold War.

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You know, I'm going to have to grow my hair out.

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Yeah, it's breathless and nonstop and sort of looking back on it.

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I can't think of that many major time jumps, you know, it's things like, oh, I'll go in and talk to him.

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No, no, absolutely not.

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You're not doing that, Clara standing in front of an open door.

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Yeah, of course.

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There's no kind of, okay, this is what we're going to do, slow fade, and they've set up like the bucket of feathers above the door, kind of booby trap nonsense.

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And even though it is playing on old tropes.

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Hi, Simon, it wears them very much on its sleeve.

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So, you know, the monster in the ice as well as being the ice warriors, it's the thing from another world.

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Yeah.

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Hunt for Red October. is present throughout.

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You've got the base under siege.

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But instead of the intransigent base commander, you've got the intransigent base subcommander.

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Yeah, yeah.

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You know, um, uh, like Zukov is understandably suspicious of the doctor, but as soon as there's enough evidence to go, oh, actually, no, this guy's probably telling the truth, like, okay, you know how to get us out of this.

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Get us out of this.

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Whereas, um, Steppishin is like, not suspicious all the way through, et cetera, et cetera.

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I'd forgotten he dies off screen.

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I thought he was kind of with the ice warrior at the end going, no, no, we're going to blow up the world together.

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And it's one area where I think the breakneck pace sort of falls apart because he just kind of disappears.

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But also in his little in his little wallet, he's got a photo of presumably his girlfriend and a photo of Lenin.

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The 2 loves of his life.

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That's nice.

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Isn't that sweet?

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We don't know which is which.

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Like in what way, but that's fine.

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There you go.

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I like to think it's Lenin.

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That's a better story My dearly departed Lenin.

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So you might have expected Zukov to be the one that died as well, because he is the reasonable one that the doctor can communicate with and be replaced by Steppishin, who he's going to have a much harder time convincing.

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So it's that is a slight sort of difference to the formula as well, isn't it?

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But the quality of those actors as well, that they've got Liam Cunningham and Tobias.

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Is it Bias Menzies, yeah.

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I think it's Menzies.

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Sometimes you see Menzes is pronounced Mingus, isn't it?

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But I don't know if that's a Celtic thing or something like that.

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And they've seen...

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Yeah, I don't know how he pronounced.

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I'm just thinking of Australian Prime Ministers here.

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So I don't know.

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Yeah, yeah.

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We had a very long-term Australian Prime Minister in a second.

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La longest.

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It was a very long time.

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Very long time.

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For me, this was before I saw Liam Cunningham and Tobias Menzies in Game of Thrones.

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Right.

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And Liam Cunningham plays one of my favourite characters in Game of Thrones, who is a sea captain.

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So it's interesting to have him here doing that as well.

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Something I felt a little disappointed by watching this a 2nd time in Stargate in season four, 1st episode.

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It opens with a sequence on board a Russian submarine done entirely in Russian and not translated, no subtitles or anything, and then they get attacked by a monster and that's the last you see of them.

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And I'm kind of like, it would have been really interesting to have those opening scenes with the Russians going through the drill in Russian until the Tartar arrives.

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I get, look, I get why they didn't.

187
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Well, they just didn't want to do Hunt for Red October, which is exactly what happens in Hunt for real.

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Yeah, that's a good point, actually.

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So they probably didn't want to do that.

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And I think too, it's actually kind of cute that perhaps we think about Clara speaking in Russian for the 1st time when she claims not to speak in Russian in that bit that you alluded to before, Mark, where she's sort of surprised by her ability to speak and understand Russian and doesn't quite believe that she's doing it.

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And I think we want to not hang a hat on it because of course the TARDIS disappears quite early on in the episode, but leaves them still completely able to understand and speak Russian.

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So I think that's one we just don't want to press too hard on, probably.

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Yeah, yeah.

194
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And also there was a cut line where while Clara is asking all these questions about why she can speak it points at Lee and Cunningham and says them, why does he have an accent?

195
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right.

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That's one of my favourite things, though, of course, is where they use sort of regional accents or different classes of accents in English to represent.

197
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Yeah, yeah, that's right.

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Yeah, he's actually like has Nanette ancestry or something.

199
00:18:00.960 --> 00:18:01.980
Yeah, you know.

200
00:18:02.039 --> 00:18:05.819
One of my favourite films is The Death of Stalin.

201
00:18:05.880 --> 00:18:38.400
Um, and I remember Armando Ianucci talking about um, why uh, he allowed this real diverse ensemble of British and American actors to play these Russian figures from history in their natural voices because he said to instruct them to speak in a generic Russian accent or all have one uniform accent doesn't really represent, you know, the Soviet Union, because the Soviet Union is a hugely diverse region with a lot of diverse acc and languages.

202
00:18:38.460 --> 00:18:49.619
So he thought that actually allowing all the actors to speak in their natural dialects is actually more truthful to Russia itself if you're doing an English translation of the whole Soviet Union.

203
00:18:49.680 --> 00:18:55.319
You just can't get actors to do that sort of cod Russian accent to represent me in Russian.

204
00:18:55.380 --> 00:18:56.460
Either, can you?

205
00:18:56.519 --> 00:18:57.599
I mean it's so stupid.

206
00:18:57.660 --> 00:19:04.019
And like, maybe we're just sort of surprised by it because it used to be the rule.

207
00:19:04.019 --> 00:19:12.180
Like, you just used to have it, just not to mention Bondfinger, but in an episode of Bondfinger, that we're going to record quite soon.

208
00:19:12.240 --> 00:19:22.680
There are all these English actors doing these outrageous French accents to represent conversations in French between French speaking people and it just looks stupid.

209
00:19:22.799 --> 00:19:26.279
So I think they make the right call.

210
00:19:26.279 --> 00:19:32.640
And, of course, part of the point of this episode is the just the massive overcasting.

211
00:19:32.700 --> 00:19:39.539
You know, you've got these incredibly great actors up against this wretched space lizard.

212
00:19:40.019 --> 00:19:44.039
And I just think that's one of the best things about it.

213
00:19:44.460 --> 00:19:57.720
I'd forgotten James Norton's in this as well, who's become a much bigger name since this episode went out to the extent that he's been talked about as a potential future bond as well. a relatively small part in this one.

214
00:19:57.779 --> 00:20:00.359
Yeah, he's the leading Grantchester, isn't he?

215
00:20:00.720 --> 00:20:02.400
Yeah, I think so.

216
00:20:02.460 --> 00:20:06.839
Happy Valley and you've been in a couple of movies and things as well since then.

217
00:20:07.559 --> 00:20:13.140
Because at 1st in the low lighting, I thought, no, no, he's way too young to be Jason Fleming.

218
00:20:13.200 --> 00:20:13.500
No.

219
00:20:14.039 --> 00:20:16.559
He does look a bit like Jason Fleming.

220
00:20:16.619 --> 00:20:34.319
One thing that I did, which, again, it kind of gets at my somewhat difficulty with the characterisation in this story, because I think it is all fairly surface level, if I'm honest, I think it is fair. fairly superficial characterisation.

221
00:20:34.380 --> 00:20:35.400
There's not much depth to it.

222
00:20:35.460 --> 00:20:48.839
But one thing I did kind of appreciate is that for a story that deals with, you know, you've got the archetypal base commander, you've got the archetypal sort of lieutenant, lieutenant who's a bit kind of, no, we...

223
00:20:48.900 --> 00:20:59.640
I did appreciate that it did stray away from the kind of cliche Russian Soviet villainous of that it could have gone for.

224
00:20:59.700 --> 00:21:07.740
I did actually quite like Liam Cunningham's speech about how, you know, they have a responsibility, not just they have a responsibility for the world.

225
00:21:07.740 --> 00:21:10.200
And, you know, that for humanity.

226
00:21:10.259 --> 00:21:15.180
And, you know, again, it's not to suggest that there's anything too revolutionary happening there.

227
00:21:15.240 --> 00:21:23.339
I did appreciate the gesture to, oh, you know, these are people, you know, they're not just purely archetypes.

228
00:21:23.400 --> 00:21:25.619
They love their children too, bread.

229
00:21:25.680 --> 00:21:26.519
Yeah.

230
00:21:41.579 --> 00:21:47.579
Can we talk about the big cast member whom we've only just mentioned, and that is David Warner?

231
00:21:47.640 --> 00:21:48.420
Yeah.

232
00:21:48.480 --> 00:21:51.720
Yeah, I mean, he was another surprise to me coming back.

233
00:21:51.779 --> 00:21:56.759
Like my memory. was that basically he just had a couple of jokes, you know.

234
00:21:56.880 --> 00:22:08.460
Yeah, we've wasted David Water and I said that a couple of weeks ago. actually. when I was referring to, you know, Celia Imory taking on the David Warner role, but actually having stuff to do.

235
00:22:08.940 --> 00:22:13.259
Is that what we're referring you to from now on, the David Water roll?

236
00:22:13.859 --> 00:22:15.779
David Waterroll.

237
00:22:15.960 --> 00:22:26.940
But the fascinating thing is watching it back, you know, he gets to lighten the mood in the teaser and introduce this idea that all of these people are people.

238
00:22:27.000 --> 00:22:28.319
Yeah, you know.

239
00:22:28.380 --> 00:22:37.559
And he forms a bit of a friendship with Clara and there's all those bits where he's trying to get her to relax about the situation.

240
00:22:37.619 --> 00:22:45.059
And that wonderful bit where you think that he's going to go rogue and kind of interrogate Clara and will have to be clobbered with a torch or something.

241
00:22:45.059 --> 00:22:47.220
And he's just like, well, Ultravox state together.

242
00:22:47.279 --> 00:22:55.500
The thing is, like, I did remember that moment, but in my head, it's like Clara starts laughing and he doesn't understand why she's laughing because he's actually very serious.

243
00:22:55.559 --> 00:23:01.619
But no, you watch it again and he's like, no, that is totally to get you to focus on the hero now.

244
00:23:01.680 --> 00:23:06.660
And it's really well done in a way that I think only David Warner can bring that.

245
00:23:06.720 --> 00:23:10.319
And I do have something interesting about his casting.

246
00:23:10.380 --> 00:23:13.500
Because this was another idea that was dropped.

247
00:23:13.559 --> 00:23:25.140
So, like, the original script had the Russian sub going to a scientific research base, and David Warner was the only person left alive and brought back this Ice Warrior.

248
00:23:25.140 --> 00:23:31.380
The thing is, though, he was bringing it back because he'd already reported it to Moscow and they wanted the Ice Warrior.

249
00:23:31.440 --> 00:23:33.660
So he killed everyone else on board the base.

250
00:23:33.779 --> 00:23:35.400
So he's the villain, right?

251
00:23:35.460 --> 00:23:43.680
Mark Gator sends, um, well, he's writing the script because he knows David Warner asks him, hey, I want you in my Doctor Who story.

252
00:23:43.740 --> 00:23:46.619
It's this scientist who finds an iceware and Dave is like, oh yeah, great, great.

253
00:23:46.680 --> 00:23:49.559
And as the script went through, it like lost all these details.

254
00:23:49.619 --> 00:23:52.440
So it was going to be a British sub looking for them, lost that.

255
00:23:52.500 --> 00:23:56.099
And one of the details it lost was Grushenko being the villain.

256
00:23:56.099 --> 00:24:05.220
And then David gets the final script and comes up to Mark and he's like, oh, look, you know, this is a really great part and I'm really glad not to be playing a villain this time.

257
00:24:05.759 --> 00:24:13.740
So him being the villain is the thing I'm referring to earlier that Mark Gatas then recycles in Sleep No More.

258
00:24:13.799 --> 00:24:15.000
Ah, yeah.

259
00:24:15.000 --> 00:24:17.460
It's Rasmussen's plot in sleep no more.

260
00:24:17.519 --> 00:24:22.859
And I've just found that really interesting that obviously Mark Gatis has gone, oh, okay, not going to include that this time.

261
00:24:23.099 --> 00:24:24.779
File it away and do it here.

262
00:24:25.140 --> 00:24:33.119
That would have been quite a creepy ending for Sleep No More, where it's, you know, it's David Water, who's rubbing his eyes and they're disintegrating it to sand.

263
00:24:34.980 --> 00:24:42.480
There's one beautiful bit where Clara says, are we going to be okay or is everything going to be all right and he just reassures her.

264
00:24:42.539 --> 00:24:45.240
He just openly says, yes, everything's going to be fine.

265
00:24:45.299 --> 00:24:47.880
And it's like the doctor's job to normally do that.

266
00:24:47.940 --> 00:24:58.799
And usually this doctor at least will acknowledge that he's telling a lie, or that he's just kind of making it up, but he's so absolutely kind of sincere and heartfelt when he says it.

267
00:24:58.859 --> 00:25:01.500
I thought it was really kind of striking.

268
00:25:01.559 --> 00:25:02.519
Yeah, yeah.

269
00:25:02.579 --> 00:25:08.339
I mean, he's the one who's being threatened that, and Clara calls Scaldak off.

270
00:25:08.400 --> 00:25:14.039
Like, Scarlac's about to kill him and Clara kind of rescues him, which I think is pretty great.

271
00:25:14.099 --> 00:25:17.700
And we've already found out like a couple of scenes ago, what that entails.

272
00:25:17.940 --> 00:25:20.339
If Scaldac's going to kill you.

273
00:25:20.400 --> 00:25:21.119
Cut up.

274
00:25:21.180 --> 00:25:22.380
Yeah, it's not pleasant.

275
00:25:22.440 --> 00:25:22.980
Dismantled.

276
00:25:23.039 --> 00:25:23.220
Yeah.

277
00:25:23.279 --> 00:25:29.099
Can we talk about the Ice Warriors or the Ice Warrior?

278
00:25:29.160 --> 00:25:41.039
It's always been my feeling that they are supremely low effort villains, and I think it's Xander who says that they're robot lizards from Mars or something, for God's sake.

279
00:25:41.099 --> 00:25:44.099
I mean, it couldn't be less imaginative, probably.

280
00:25:44.519 --> 00:25:48.180
How do you feel they come across here though?

281
00:25:48.900 --> 00:26:00.779
I think it's interesting because yeah, you read the complete history and Stephen Moffat was resisting having the back, but for that reason, that they are a very stereotypical Doctor Who villain.

282
00:26:00.839 --> 00:26:02.940
They're sort of big green men from Mars, like you say.

283
00:26:03.000 --> 00:26:15.720
So it feels like to some extent, Margatus is working hard, as Rob Sheaman did with Dalek, to make them credible again, but to prove to Stephen Moffat that they can be a good recurring villain almost.

284
00:26:15.779 --> 00:26:21.779
So, uh, he really sort of, um, I mean, you get some of the, some of the beats from Dalek where it's chained up and things.

285
00:26:21.839 --> 00:26:26.279
But I think he does a really good job of bringing them back like that.

286
00:26:26.339 --> 00:26:34.500
And I think some of the dialogue, like the, by the moons and stuff like that, it stops just short of being Galaxy Quest, doesn't it work?

287
00:26:34.500 --> 00:26:41.940
while giving them a bit of colour and a bit of their own culture when he talks about the songs of the red sands and all that kind of stuff.

288
00:26:42.000 --> 00:26:44.339
It's a nice little bit of world building.

289
00:26:44.400 --> 00:26:53.880
And I think, again, there was some stuff cut where they talked about the final battle that he's on his way home from with that, which is in the book.

290
00:26:53.940 --> 00:26:56.940
The doctor, his lives and times.

291
00:26:57.000 --> 00:26:59.279
So I'd access some of that stuff.

292
00:26:59.339 --> 00:27:06.059
So it's in there and it talks about this battle where he's where he's with his daughter and he decapitates his opponent and all that kind of stuff.

293
00:27:06.119 --> 00:27:08.819
So, uh, yeah, it's, um, I think they do really well.

294
00:27:08.819 --> 00:27:15.119
And then the idea of him running around naked killing people as well. is something we haven't seen before with them.

295
00:27:15.539 --> 00:27:17.519
No, that's true.

296
00:27:17.579 --> 00:27:22.859
Yeah, the the early script stuff where they say he moves as fast as a gecko.

297
00:27:22.920 --> 00:27:26.220
You don't really get that, but you do get the sense of how much faster he is.

298
00:27:26.279 --> 00:27:28.200
He's slow and lumbering in his armour.

299
00:27:28.259 --> 00:27:32.220
But when he flies past Clara, he's a different type of threat.

300
00:27:32.279 --> 00:27:32.819
He's fast.

301
00:27:32.880 --> 00:27:35.099
He can sort of hide in the ducts and things.

302
00:27:35.160 --> 00:27:38.039
So it's, uh, yeah, I think they do a real good job with it.

303
00:27:38.099 --> 00:27:52.079
I think that there is a real kind of attempt to rehabilitate those stupid costumes from the 60s because one of the things about them was you could never tell where the lizard ended and the armour began.

304
00:27:52.079 --> 00:27:54.779
And, you know, they were fluffy.

305
00:27:54.839 --> 00:27:56.940
They had like fluffy bums and stuff like that.

306
00:27:57.000 --> 00:28:03.359
And you could never, you know, like it was all a bit unclear and clearly no one in the production team really cared.

307
00:28:03.420 --> 00:28:09.660
And here Gatis wants to kind of make him a bit more credible.

308
00:28:09.720 --> 00:28:21.900
And I think, like, I think the fingers are pretty great, you know, like while Skaldax talking, and the voice, like it's some Nicholas Briggs again, doing a scary monster voice, and it sounds great.

309
00:28:21.960 --> 00:28:23.339
He sounds so good.

310
00:28:23.400 --> 00:28:34.980
Yeah, and I know that, um, I seem to remember, because as Mark's already pointed out, Stephen Moffatt was initially, because I know, I, from what I remember, Mark Gatis was very enthusiastic about bringing the ice warriors back.

311
00:28:34.980 --> 00:28:37.319
Um, and Stephen Moffatt was very resistant.

312
00:28:37.380 --> 00:28:43.500
I believe he said something to the effect of the ice Warriors are what non-fans think of as bad Doctor Who monsters.

313
00:28:43.559 --> 00:28:45.900
Um, and, and...

314
00:28:45.900 --> 00:28:47.400
That's the most amazing reason for that.

315
00:28:48.720 --> 00:29:00.119
And one of the things, and I do think it's interesting because I believe one of the things he singled in on was the voice because they have that kind of whispery kind of, I will get you, doctor, kind of voice to them.

316
00:29:00.180 --> 00:29:01.619
And that is one of the things they change.

317
00:29:01.680 --> 00:29:05.099
They give them this kind of deeper growl to them.

318
00:29:05.220 --> 00:29:16.440
But similarly with the armour as well, which, you know, is in the classic series, is this very stiff, rigid kind of, I can't remember what it's made out of.

319
00:29:16.500 --> 00:29:18.720
It's like kind of it's fibre.

320
00:29:18.779 --> 00:29:21.059
It's fibre, like a massive hunk of fibre glass.

321
00:29:21.180 --> 00:29:22.980
It was made by a boat killer.

322
00:29:23.579 --> 00:29:32.579
But I did think it was interesting from, uh, because, you know, they don't up, you know, they update the design, but they kind of, they don't reimagine it.

323
00:29:32.640 --> 00:29:36.180
They don't reinvent it in in the same way.

324
00:29:36.240 --> 00:29:40.319
I don't know, they reinvent the macra, I guess, to go for another Trouton villain.

325
00:29:40.380 --> 00:29:54.240
But in this script, rather than run away from the run away from the suit, I suppose, there is a specific beat when, you know, the ice warrior leaves its suit.

326
00:29:54.240 --> 00:30:02.759
And there's a lot of emphasis put on how shameful that is for an ice warrior to leave the crummy Doctor Who costume.

327
00:30:02.819 --> 00:30:07.859
It's like, this is the greatest shame you could possibly commit an ice warrior culture.

328
00:30:07.920 --> 00:30:09.059
It's to live.

329
00:30:09.059 --> 00:30:12.960
Which I thought I did find interesting.

330
00:30:13.019 --> 00:30:21.599
And, you know, you see this later in the year in the 50th anniversary where, admittedly, this is a bit of a better monster design with the Zygons.

331
00:30:21.660 --> 00:30:24.480
They similarly don't feel the need to radically reinvent it.

332
00:30:24.539 --> 00:30:28.559
They can just kind of embrace it and just use more modern materials to update it.

333
00:30:28.680 --> 00:30:33.480
It's nice that the, because this is, presumably, the oldest ice warrior that we've seen.

334
00:30:33.539 --> 00:30:41.460
And he obviously waxes, whereas the later ones, they become a lot more body positive and they will just have that fur grow out of them.

335
00:30:41.519 --> 00:30:44.579
So it's nice to see that growth, yeah.

336
00:30:44.640 --> 00:30:45.299
Yeah.

337
00:30:45.359 --> 00:30:47.700
I mean, Neil Gordon did say with his redesign.

338
00:30:47.759 --> 00:30:50.099
Yeah, I'm not so sure about the child bearing hips.

339
00:30:50.160 --> 00:30:51.779
Get rid of those.

340
00:30:51.839 --> 00:30:53.160
Yeah, yeah.

341
00:30:53.220 --> 00:31:04.799
But I think part of what makes this such a success is both because Moffat had been objecting to the idea for so long and he and Mark Gatus are so close as colleagues.

342
00:31:04.859 --> 00:31:10.619
Mark has clearly made a note of the things Stephen doesn't like and it's like, okay, we're going to find out what's in the suit.

343
00:31:10.680 --> 00:31:16.200
And we're going to make sure that, okay, they're not just lumbering and you can get away from them with a brisk walk.

344
00:31:16.259 --> 00:31:17.640
Like, it's a deadly machine.

345
00:31:17.700 --> 00:31:21.960
And the hands are going to be more dextrous.

346
00:31:22.019 --> 00:31:23.160
All these little things.

347
00:31:23.220 --> 00:31:34.380
I think the other thing that made success to a success is that the spinoff media, the novels and big finish, had built up ice warrior culture so much.

348
00:31:34.440 --> 00:31:42.059
But there's not much specifically that I can say, you know, Mark Gatis nicked that from the judgement of IsCar or whatever.

349
00:31:42.119 --> 00:32:03.900
Basically, the only thing he takes as a whole concept is the cast system, which Gary Russell introduced in legacy, but he takes the sort of ideas and the spirit that people have come up with in these spinoff media and goes, okay, well, we've kind of got a culture that's been developed for them. that, you know, they're highly, they're highly honourable.

350
00:32:03.960 --> 00:32:08.339
They have this code where if you don't attack them, they won't attack you.

351
00:32:08.400 --> 00:32:12.059
Like they're not conquerors out for resources or anything like that.

352
00:32:12.119 --> 00:32:19.799
You know, it's it's all about the style of fighting and whether they see you as a worthy warrior or something to protect.

353
00:32:19.920 --> 00:32:25.859
I think that's what kind of makes it because a don't like or a cyberman will kill you just because you're there.

354
00:32:25.920 --> 00:32:26.819
Yeah.

355
00:32:26.819 --> 00:32:29.579
And Silurian will kill you because this is their planet.

356
00:32:29.640 --> 00:32:38.039
Whereas the ice warrior will only kill you if you stick a cattle prod, um, uh, the geckoes have koackers.

357
00:32:38.039 --> 00:32:40.740
The greatest events to like...

358
00:32:42.779 --> 00:32:44.640
Down to the left.

359
00:32:46.980 --> 00:32:49.619
What do we think of the CG head?

360
00:32:49.980 --> 00:32:55.440
Um, I remember being okay with it in 2013.

361
00:32:55.740 --> 00:33:06.059
I think I, I, I'm not sure how I feel about it now, but that's maybe, maybe it's unfair to kind of hold that to, you know, a post Disney.

362
00:33:06.119 --> 00:33:07.440
Okay, fine.

363
00:33:07.500 --> 00:33:08.700
You know what I mean?

364
00:33:08.759 --> 00:33:09.720
Like, it's fine.

365
00:33:09.960 --> 00:33:33.839
Yeah, I mean, I have to say that Russell always had a thing about mouths, you know, the oud have a big kind of bundle of tentacles and stuff because then they can speak without them having to animate their mouths and he'd obviously been bitten by his experiences with the savine way back in the that very 1st shooting block.

366
00:33:33.900 --> 00:33:35.400
So this is the 1st time.

367
00:33:35.460 --> 00:33:43.680
I think they've attempted to do a CG monster and try to synchronise the speech with it and I don't think it's very successful.

368
00:33:43.740 --> 00:33:44.640
I have to say.

369
00:33:44.700 --> 00:33:45.720
It does look a bit crap.

370
00:33:45.779 --> 00:33:53.700
Yeah, I think the problem that it, like, like full props too, is it, it's the milk, is it the milk that are doing the animation at this point?

371
00:33:53.759 --> 00:34:01.680
Um, like, full props to them for, you know, attempting to do a fully realised CGI alien face.

372
00:34:01.740 --> 00:34:22.320
I think the one of the big problems it runs into is that in that final moment, there is supposed to be this kind of tension between what Skaldax choice is going to be when he returns to the ice warrior ship and the animation of his face is incredibly stiff.

373
00:34:22.380 --> 00:34:28.260
So there is absolutely no indication of any nuance between what his decision is going to be.

374
00:34:28.860 --> 00:34:42.179
So I think part of the reason why I was also a bit kind of, ah, is because the reveal comes at a moment where Skaldak is supposed to be having this big change of heart and you literally cannot see it on that CG rubber face.

375
00:34:42.239 --> 00:34:43.500
Yeah.

376
00:34:43.559 --> 00:34:52.019
Yeah, it's a it's a noble attempt because they even go to the trouble for that speech of motion capturing Nick Briggs to power the animation rig.

377
00:34:52.079 --> 00:34:52.440
Yeah.

378
00:34:52.500 --> 00:35:00.480
But during the shoot of the scene where it's grabbed David Warner and you can kind of see it through the smoke.

379
00:35:00.599 --> 00:35:03.300
They initially shot that with a facial puppet.

380
00:35:03.360 --> 00:35:08.280
But then Milk said, actually, we think we can do this CG.

381
00:35:08.340 --> 00:35:08.820
Right, okay.

382
00:35:08.880 --> 00:35:16.199
So I haven't been able to find anything about where they thought the puppet was unsatisfactory and that's why and that's why they dropped it.

383
00:35:16.260 --> 00:35:30.119
But having seen, for instance, 90s Godzilla films, where they made a twice human size Godzilla head and torso, which was a, which was a rod and hydraulic operated puppet.

384
00:35:30.179 --> 00:35:35.579
And they use that for close-ups, and that gets amazing emotion out of a giant lizard.

385
00:35:36.179 --> 00:35:40.019
And that is a feature film, but it's not a Hollywood feature film.

386
00:35:40.079 --> 00:35:42.239
Maybe the puppet was like that.

387
00:35:42.300 --> 00:35:43.019
I don't know.

388
00:35:43.079 --> 00:35:45.599
I'd be very interested in seeing the footage of the pub.

389
00:35:45.659 --> 00:35:51.659
It's telling that the CG model never comes back in the Empress of Mars.

390
00:35:51.719 --> 00:35:52.079
Yeah.

391
00:35:52.199 --> 00:35:52.679
Yeah.

392
00:35:52.679 --> 00:35:53.039
Yeah.

393
00:35:53.099 --> 00:35:53.579
Yes.

394
00:35:53.639 --> 00:36:06.539
I do think the CGI is also partially harmed from the fact that you go from, you alternate between very obviously rubber hands to a very obviously CGI phase.

395
00:36:06.599 --> 00:36:14.940
I think I think that kind of whiplash between very practical to very digital kind of affects it as well.

396
00:36:15.000 --> 00:36:16.199
Not seamless.

397
00:36:16.260 --> 00:36:16.800
Yeah, yeah.

398
00:36:16.980 --> 00:36:20.460
I do like the way that when the helmet comes back over the face.

399
00:36:20.519 --> 00:36:21.900
It sort of tugs at it a little bit.

400
00:36:21.900 --> 00:36:35.280
Like it's like it's very tight and it sort of, you know, it's like when you if you take something off that's too tight and it sort of pulls your face up a bit and then that's quite well done and it helps to sell it a little bit, I think. imagine if you were standing in your work shoes for 5000 years.

401
00:36:39.360 --> 00:36:42.420
It's a bit like the speeder bikes last week.

402
00:36:42.480 --> 00:36:46.139
It's kind of like, oh, well, that didn't quite work, but I'm glad you tried.

403
00:36:46.199 --> 00:36:47.280
Yeah, yeah, yeah.

404
00:36:47.340 --> 00:36:48.539
Look, no one died, right?

405
00:36:48.599 --> 00:36:50.579
It's a bad Doctor Who effect.

406
00:36:52.079 --> 00:37:03.719
A shout out, by the way, to Spencer Wilding, who is the physical form of Scaldak in the suit, and he's previously been the minor tour in the God complex.

407
00:37:03.840 --> 00:37:05.099
Oh, we like him.

408
00:37:05.099 --> 00:37:08.219
And the Wooden King in Doctor the Widow on the Wardrobe.

409
00:37:08.280 --> 00:37:09.480
Oh, I like him.

410
00:37:09.539 --> 00:37:10.860
Yeah, yeah, yeah.

411
00:37:11.340 --> 00:37:23.460
But Nicholas Briggs was actually doing a theatre show at the time and recorded his lines in his dressing room, sent them down to Cardiff, and they played into the studio for Spencer to mime to.

412
00:37:23.519 --> 00:37:24.239
Oh, wow.

413
00:37:24.300 --> 00:37:24.539
Okay.

414
00:37:24.599 --> 00:37:32.159
So, you know, it is an acting performance and he has to get into that bloody suit, however many hours at a time.

415
00:37:32.219 --> 00:37:32.940
You know what I mean?

416
00:37:33.000 --> 00:37:34.800
Big shout out.

417
00:37:34.860 --> 00:37:45.179
I think he comes back for the Ice Warriors in Time of the Doctor and Empress of Mars as well because the suit is also made from his body cast.

418
00:37:45.239 --> 00:37:46.619
So you put another actor.

419
00:37:46.679 --> 00:37:47.579
It's not gonna fit as well.

420
00:37:47.639 --> 00:37:50.159
Actually, it doesn't quite fit, does it?

421
00:37:50.219 --> 00:37:50.760
The mouth's too high.

422
00:37:50.880 --> 00:37:52.320
But anyway, I digress.

423
00:37:52.739 --> 00:38:03.480
The suit itself was at the doctor experience for a while and it does look incredibly impressive in the flesh as well, as it were, is a cool, imposing looking thing.

424
00:38:03.539 --> 00:38:20.639
I do think there is a somewhat interesting, more something I realised in hindsight after Margatus went on to write the Empress of Mars, which I do think is probably the better ice warrior Margator story of the two.

425
00:38:20.699 --> 00:38:40.380
I do think there is a, in hindsight, I do think there is an, an interesting tension in the script wanting to do the Dalek style where reintroducing a kind of slightly odd Doctor Who monster and make it kind of gripping and terrifying and you have this claustrophobic setting.

426
00:38:40.440 --> 00:38:43.679
You have the companion going in and confronting the monster.

427
00:38:43.739 --> 00:38:49.199
You have the monster, the reveal of what the monster is underneath the metallic. you have all that kind of stuff.

428
00:38:49.260 --> 00:38:57.599
The tension that Gaitas has is that he wants to do that, but I think he also wants to embrace the weirdness of the ice warriors as well.

429
00:38:57.599 --> 00:39:06.599
Because, you know, I think some of the best writing is when you've got Skaldak reminiscing about the songs of the snow, of the red snow or whatever it is.

430
00:39:06.659 --> 00:39:10.139
And it's like strange and kind of weird.

431
00:39:10.199 --> 00:39:33.239
And certainly I think when you get to Empress of Mars, You've got Margators fully embracing the kind of oddness of the ice Warriors, and specifically the oddness of the ice Warriors in the Paladin stories, which makes them much more vivid characters as opposed to here where they are kind of introduced as kind of militaristic Doctor Who monster.

432
00:39:33.719 --> 00:39:37.800
How many have there been in 50 years at this point?

433
00:39:37.860 --> 00:40:01.679
Um, I wonder if part of the problem is that the brief that we've been given, which is an exciting film of a particular genre in 42 minutes or so means that we end up with a story that isn't actually about anything.

434
00:40:01.739 --> 00:40:17.159
And there is such low hanging fruit with the idea of Cold War, and we certainly do talk about Cold War and mutually assured destruction, and it is the mutually assured destruction thing that kind of wins the day.

435
00:40:17.219 --> 00:40:21.539
But it seems very muddy to me in some ways.

436
00:40:21.539 --> 00:40:26.639
And I can't see a very, like, there's not a very clear parallel drawn.

437
00:40:26.699 --> 00:40:27.179
I don't think.

438
00:40:27.300 --> 00:40:31.619
For me, that parallel is drawn with Kreshenko.

439
00:40:31.679 --> 00:40:42.840
Because Grushenko is clearly a scientist loyal to his own culture because he wants to bring this discovery home for the good of the Soviet Union.

440
00:40:42.900 --> 00:40:51.300
But at the same time, he's listening to Ultravox and Duran Duran and appreciating the culture of the West without judging it, without dismissing it.

441
00:40:51.360 --> 00:41:07.440
And so you have a character in there who is spared, by the way, because he is an understanding sympathetic character, and because he's saying all these people are human, and that lets Clara say to Scaldak, look, you know, where people, your people, just stop.

442
00:41:07.440 --> 00:41:19.139
Because I think what the plot fails to interact with is when Scaldak's got his finger on the bottom, the doctor says, well, look, I've got a red button as well, with a red light on his Sonic Screwdriver.

443
00:41:19.139 --> 00:41:22.800
And Clara never says to him, would you really have done that.

444
00:41:22.860 --> 00:41:26.699
But then again, you know, it's the trolly problem of Skaldate's going to destroy the planet.

445
00:41:26.760 --> 00:41:30.840
The doctor's like, well, I'm just going to destroy this small group of people on a submarine.

446
00:41:30.900 --> 00:41:35.099
And, you know, you got 2 vics standing over in the transporter.

447
00:41:35.159 --> 00:41:40.500
But I love the idea that there is the trolly problem and then Scaldax trolly problem.

448
00:41:40.559 --> 00:41:43.739
I like that we've got a philosophical variant here.

449
00:41:45.239 --> 00:41:47.760
My trolley's got nukes.

450
00:41:48.599 --> 00:42:01.800
But yeah, it's like, I often feel that Gator scripts aren't very deep, but I think with this one, he is at least trying to draw a parallel between the real Cold War and the Cold War happening here.

451
00:42:01.860 --> 00:42:10.980
And in a way, I think possibly too much gets cut out because there's so many little cuts here and we end up at 41 minutes with the credits and next time trailer.

452
00:42:11.039 --> 00:42:15.480
It's like maybe put some of that back in and let us get to know the characters a bit more.

453
00:42:15.539 --> 00:42:17.280
I think that's a good point.

454
00:42:17.579 --> 00:42:28.920
And I kind of think that articulates a bit better what I was trying to say about, you know, how there is this attempt to characterise the people on the Russian submarine, as not Russians, but other just other people.

455
00:42:28.980 --> 00:42:31.739
I think that I do think that gets much.

456
00:42:31.800 --> 00:42:49.019
I think, as you say, Nathan, it gets muddied a little bit because a lot of the big moments which tap into the themes of a Cold War story, you know, the fingers on the button kind of thing, you know, nuclear Armageddon, uh, to, uh, all that kind of stuff.

457
00:42:49.079 --> 00:43:04.199
It feels like it's just tipping the hat to that kind of ideological tension and tipping its hat to the idea of a Cold War rather than engaging with that in any kind of substantial way, which is a little disappointing when you have a story that is literally called Cold War.

458
00:43:04.260 --> 00:43:13.260
Um, but I do, I do think there is, uh, there is a nuance that I gatus probably would have benefitted from teasing out a little bit more.

459
00:43:13.500 --> 00:43:19.739
It would have been interesting to push the doctor because we know in the original version of the timeline.

460
00:43:19.800 --> 00:43:21.840
The war doctor did detonate the moment.

461
00:43:21.960 --> 00:43:25.079
The ninth doctor couldn't do it in the parting of the ways.

462
00:43:25.139 --> 00:43:27.420
He says, you know, coward every time.

463
00:43:27.480 --> 00:43:30.900
So the 11th doctor, would he have gone through with it?

464
00:43:30.960 --> 00:43:41.400
If, you know, uh, if pushed, you know, what, what decision would have been made, it would have been interesting, uh, had the ice warrior ship not arrived to see which way that would have gone.

465
00:43:41.460 --> 00:43:48.119
Not that he would have blown them all up, but what, you know, if forced to kind of rationalise that decision, I suppose.

466
00:43:48.179 --> 00:43:52.139
But maybe that's what gets Clara thinking about it so that she intervenes in day of the doctor.

467
00:43:52.500 --> 00:43:56.340
Yeah, would have been great if, you know, we had like a title card.

468
00:43:56.400 --> 00:43:59.519
It's like introducing the War Lenin turning up right at the end.

469
00:44:28.860 --> 00:44:32.940
Well, dear listener, that's all we have time for this week.

470
00:44:33.000 --> 00:44:39.059
We'll be back next week to see what image of the Fender looks like in 2013, with Hyde.

471
00:44:39.599 --> 00:44:59.280
In the meantime, you can find us wherever you get your podcasts, and you can keep up with us at Flightthrough Entirety on Facebook, at FDE podcast on Twitter, and on our website, FlightthroughEntirety.com, where you'll find links to our other podcasts, Bondfinger, Jody Interterterra, maximum power, and untitled Star Trek project.

472
00:44:59.880 --> 00:45:02.280
Mark, where can people find you?

473
00:45:02.400 --> 00:45:06.360
So I'm on Twitter as at Quark McMullis.

474
00:45:06.420 --> 00:45:11.159
You can find me on the Trap One podcast and occasionally on the aforementioned maximum power.

475
00:45:11.280 --> 00:45:13.920
And Jack, where can people find you?

476
00:45:14.159 --> 00:45:20.159
As I am very fond of saying, if people are so inclined, you can follow me on Twitter at Shack Janahan.

477
00:45:20.219 --> 00:45:22.619
I nearly said.com there for some reason.

478
00:45:22.679 --> 00:45:23.940
That is not a separate website.

479
00:45:24.000 --> 00:45:35.880
Um, and you can also follow myself and Joe Ford, uh, whose name is very familiar, uh, at uh, podcast, the Naimon be Praised, which can be found at at Naimon Podcast.

480
00:45:35.940 --> 00:45:43.199
Until next time, remember that it's never a good idea to start melting that block of ice before the opening credits kick in.

481
00:45:43.260 --> 00:45:45.840
Thank you very much for listening, and good night.

482
00:45:45.900 --> 00:45:46.739
Good night.

483
00:45:46.800 --> 00:45:47.579
Goodbye.

484
00:45:47.639 --> 00:45:48.599
Good night.

485
00:45:52.559 --> 00:46:00.480
That was Flight through Entirety, starring Nathan Bottomley, Brendan Jones, Mark McManison, Jack Shanahan. theme arrangement by Cameron Lamb.

486
00:46:00.539 --> 00:46:06.300
This episode, Fluffy Bums, was recorded on the 12th of July 2022 and released on the 18th of September.

487
00:46:09.360 --> 00:46:14.519
David Warner died at the age of 80 just a fortnight after we recorded this episode.

488
00:46:14.579 --> 00:46:26.880
So remember sometimes during the week to pour one out for Chancellor Gorkon, the unbound doctor, Lord Asloc, Professor Grasenko, and Jordan Perry in Teenage Mutant Ninja Turtles 2, The Secret of the Ooze.

489
00:46:29.940 --> 00:46:32.760
Just hold this hold the thought for a second.

490
00:46:35.820 --> 00:46:37.679
We're going to have to wind up.

491
00:46:37.739 --> 00:46:41.280
Um, I thought the other one wasn't due until 830.

492
00:46:41.400 --> 00:46:42.539
No, no, 8.15.

493
00:46:42.719 --> 00:46:43.739
Oh, I beg your pardon.

494
00:46:46.800 --> 00:46:49.440
They're just talking on the other thread, just to say.

495
00:46:50.820 --> 00:46:52.260
Okay.

496
00:46:52.320 --> 00:46:54.000
I think we need an out.

497
00:46:54.059 --> 00:46:57.719
I think I have a thing, because I think we've done everything, haven't we?

498
00:46:57.900 --> 00:46:59.880
At some point...

499
00:46:59.880 --> 00:47:11.099
I think probably in Hyde, we will end up talking about Matt's performance a bit because I think there's not very much to say and I didn't think there was much to say about this, to be honest, but here we are.

500
00:47:11.159 --> 00:47:12.360
I think we've done very well.

501
00:47:13.199 --> 00:47:15.420
We talk about hads.

502
00:47:15.780 --> 00:47:19.500
We did mention the hats as a trout and throwback.

503
00:47:19.559 --> 00:47:20.219
I think that's okay.

504
00:47:20.280 --> 00:47:26.340
I wonder if part of the problem is...