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This transcript was created on 2026-06-07 at 15:45:31

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Hello, dear listener, and welcome back to Flight Through Entirety, the only Doctor Who podcast too cheap to commission an electric guitar version of the theme tune this week.

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I'm Nathan.

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I'm James I'm Peter.

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And I'm Fraser.

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Well, last week we saw the consequences of the doctor's death.

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So this week we'll be asking ourselves the question, if it's not wrong to change the present, how can it be wrong to change the future or the past?

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Let's see if we can come up with an answer as we discuss before the flood.

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So, Fraser, you weren't here with us last week.

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And so, how did you find the first part of this story?

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It was really good.

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I remember watching it, you know, 1st time round enough.

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I remember the series night started with a really strong opening.

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It had, which is familiar, Magician's Apprentice, and then you came into under the lake and before the flood is the next 2 part, and I thought the 1st part was really, really strong.

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The story.

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Coming back to rewatch, again, thought exactly the same.

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It's just classic based under siege, isn't it?

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You know, you've got your cast of characters.

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You've got a really claustrophobic, intense setting, gets warriors of the deep done right underwater sea base, but it's damp.

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It's rusty, you know, you can feel that moisture in the air, which is what worries the deepest is sadly missing.

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And then the ghosts coming in is tremendous fun as well with, you know, just how spooky they are, the shimmer around the edges, the missing eyes is just really quite terrifying for a family show.

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You can see why this one went out a little bit later than the 7 o'clock slot.

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And that just kind of builds up to that, that brilliant cliffhanger of, you know, the doctor's gone back in time and then what do you see out the window, but the doctor's ghost and in comes the credits and you just say, all right, how are you going to get out of this one?

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It's absolutely classic, isn't it?

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We were really positive about the cliffhanger.

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And one of the things we said last week, too, was that it's really fun to see Capaldi doing all of this stuff.

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Capaldi did have a sort of base under siege with last Christmas, but that was all sort of ridiculous and made up plus Santa.

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So this is his proper 1st base under siege and so he gets to be dismissive of whoever's in charge and all of that sort of thing.

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You know, he comes in like he owns the place.

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It's really fun to watch and you can see that he's really enjoying it.

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He's having a wheel of a team, isn't he?

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He's absolutely loving himself in this one.

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And I think that's, that's, that's a bit of a difference between, you know, his 2nd series in his 1st series is how much more fun his doctor seems to be having since he was 80, he seems to be kind of, you know, he's a little bit tortured.

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He's a little bit, am I a good man?

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You know, why am I doing all of this?

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When you get into series 9, he's cut loose a lot more and you obviously have that scene with him where he is bouncing off the walls of that control room until the rest of the crew have to point out actually someone just died.

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Our friend just died and he has to get these cards out.

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So there's that element of his performance in here, which is really enjoyable.

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I think too, the way that this starts is really good.

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So we get the traditional kind of previously on, but then we're somewhere else, and we're somewhere that we haven't seen before, and we don't get a reprise as such.

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We just get the previously on and then suddenly we're in 1980 in the village.

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And I'm not hugely sold on the village in a sense.

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I don't think it's that fascinating a place, but I don't mind the Soviet era propaganda posters.

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I think that just about sells it.

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No, absolutely.

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I think it's a really interesting idea, but they don't do anything with it, really.

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It's just a backdrop.

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There's nothing which is integral to the story.

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And it could have been really fascinating.

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Having said that, I do think I was a little bit underwhelmed by...

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Under the lake, I'm more whelmed by this episode.

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Oh, I think it's actually, because we do change location because there is more happening in the story and we are cutting back to the base, I feel like it's more of a traditional doctor episode, whereas last week's episode, as I said, then it felt like we were going through the motions a little bit, this is actually going off on a slightly more interesting tangent.

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It does that Moffat thing where the 2nd part of a two-parter has to pivot and do something significantly different.

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So, you know, changes location, changes the gear of the story, turns everything on its head, which keeps things interesting, I think.

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So he introduces 2 new elements.

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So we get to see the village, which we had seen submerged out the window at the beginning of last week.

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And then we get this time paradox thing.

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And that is sort of hinted at, it's gestured at at the end of last week, but it really comes in here.

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So that opening, so you remember the opening of listen, right?

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And the doctor is talking to himself, and he's really genuinely talking to himself, he's in the TARDIS.

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He's going a bit bonkers and he's starting to talk to himself and he's starting to theorise about why people talk to themselves.

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And the normal answer to a question like that is because this is a soliloquy and, you know, you're in a show and we need to know what you're thinking.

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But there's a real reason he doesn't have a companion this week.

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That's right That's right.

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And so there's a real reason for it because he's going a bit mental and he is talking to himself and he's theorising about why people talk to themselves.

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Here we don't have that.

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This doesn't happen.

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Like, spoiler alert, none of it happens, right?

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It's a TV show.

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But this doesn't happen.

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Like, but it actually works really well because I think the doctor's a great lecturer.

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And so having him deliver a lecture to us is really great.

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But I found myself surprised that we made such heavy weather of the actual paradox.

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It's like there's this new and interesting thing, a time paradox.

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It's like, have you seen doctor?

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I do like the line where he says, it's the bootstrap paradox.

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Google it.

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Like I thought that was brilliant.

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Like, that was really...

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That was really great.

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But essentially, I think at least one of Matt Smith's fezes is a bootstrap paradox fez that doesn't have any actual origin.

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It's a hat strap.

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That's right.

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I think that time crash is a bootstrap paradox where the 10th doctor remembers how to solve the thing because when he was the 5th doctor.

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He listened to the 10th doctor talking about how to solve the thing.

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And so that solution doesn't come from anywhere.

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And I think, too, the predestination paradox that we have here, which is the doctor is definitely, definitely dead.

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And how do we get out of this is what season 6 is it all about?

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And get solved really quite kind of deftly in a funny way at the end of season 6 where the doctor just...

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No, no, that seriously.

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So, you know, the doctor almost forgets that he has to solve the problem of the death at Lake Salencio.

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And so he sticks his head around the corner just after speaking to the test elector and says, oh, actually, wait, there is one thing I can get you to do.

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And then he solves that problem.

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And so the essence of not changing time is changing what everything means.

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So what you see still happens, but it means something different and that's how you change time.

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So the box doesn't have the Fisher King in it.

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It's got the doctor in it.

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And I think maybe we probably predicted that in episode one if we had our wits about us.

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I mean, I would say yes.

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Yeah, let's say yes.

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It sounds smart. say yes. on the cutting room floor.

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I think the Oakland's really good. because it goes from that cliffhanger and it does that very moffety thing a bit doesn't resolve the cliffhanger within the 1st couple of minutes.

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Because you can't you can't resolve this cliffhanger. you know, the cliffhanger is the doctor's dead.

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You know, yeah, we don't get the resolution of the cliffhang until the very end of the episode.

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So we need to come in with something different.

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So what they do is the spell out how they're going to get out of it.

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Yes.

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And that's the clever bit.

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I want to take you back to when you did flatline.

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And Stephen B talked about the film, the prestige, the Christopher Nolan film, the prestige, um, for the benefit of anyone listening that didn't catch that episode or hasn't seen the film.

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It basically is a magic act in 3 parts and at the very start of the film.

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Michael Kane spells out what the magic act is.

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It's got 3 parts.

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It's got the 1st part, which is the pledge, which is where the magician says to you, this is the magic act I'm going to do.

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The 2nd part is then the turn where the magician does the magic act, does exactly what they said they're going to do, but then the 3rd part is where the real magic happens, which is the prestige, which is the unexpected, you know, what you didn't see coming.

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So, in the film, the example is a disappearing bird in a cage, the magician gets up, says, I'm going to make this burden, this cage disappear, that's the pledge.

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The turn is, the cage collapses, disappears.

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Everyone claps everyone applauds, but then the magician brings the bird back, makes the bird reappear.

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So that's kind of what struck me about this. that opening, you know, called open of Peter Capaldi explaining as the doctor explaining the bootstrap paradox.

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That's the pledge.

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So that's sort of Toby Witow saying, this is what I'm going to do.

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You know, I'm telling you this because this is how it's going to get resolved.

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We have then, you know, if we, again, have our wits about us.

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We'll be watching this episode, then waiting for this to play out, thinking where is the bootstrap paradox going to be in this, and if we get to it at the end, if we get to the point where the doctor pops out and, you know, we totally predicted it or absolutely surprised, then that's fantastic.

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That's what it's done and then have the final scene where he kind of like really spells it out and brings us back to that that cold open with the um playing Beethoven's 5th on the guitar again that brings it into a nice loop.

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So that really struck me as, you know, this is Toby, which I was trying to do a magic trick on us.

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In fact, it turns out there's 2 different things going on here, isn't there?

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And the one that is front and centre is how does the doctor get out of this, the doctor's dead.

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We see the consequences of his death at the end of the previous episode.

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When we go back in to this episode.

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We're somewhere where that's not known yet.

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And so the doctor doesn't know about any of that stuff and he has to be told by Clara that his ghost has arrived over the phone.

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And it's very clear that he has no plan.

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Don't you think?

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But he reacts as if he's about to die, even when he busts the shoulder of his coat and says, all right, well, I have to go and speak to the Fisher King now, he's reacting straightforwardly.

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He's not hiding anything from us.

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He hasn't got a solution yet.

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He's doing it on the hop business.

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It not a master plan.

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No, no.

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But then it turns out he has done some clever stuff, which we weren't properly privy to.

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And you remember he goes in and tells the Fisher King.

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Oh, no, I erased the thing and now it's never going to happen.

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You know, I erased all of the things.

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And that's not, in fact, what he does.

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That's not the trick.

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And the trick is that he moves the suspended animation thing.

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He blows up the dam using the other power cell and so on.

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So he's just getting the future to happen.

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And then it looks like at some point that we don't see before he gets into the, before he gets into the, oh.

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Actually, so before he gets into the sarcophagus thing, into the suspended animation thing, he does all the programming.

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So he programs the sonic sunglasses to connect to the base's Wi-Fi and create a Dr. Ghost hologram which behaves in certain way.

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And I wonder whether he's getting inklings of that idea when he tells Clara that he has to know exactly what it is that the ghost is doing.

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Yeah, maybe.

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When does he have time to do this unless he's doing it whilst he's talking to the Fisher King?

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Well, doesn't he just, but doesn't he just hop into the thing, do all his programming and then press the suspend animation button and then wake up?

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I just assumed that like...

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He's actually in the box where the Fisher King comes back.

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Why not?

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I mean, he's got half an hour, hasn't he?

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Because the tortoise hops back in time, so he's got kind of half an hour.

161
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The, the, do the sort of back to the future 2 thing of, you know, going back and re-seeing the events, which they can't interfere with. and then... which they do on Father's Day as well.

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Yes.

163
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Yeah, yeah.

164
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Actually, did did O'Donnell hear Bennett the 1st time?

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Yes.

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Because there is a moment.

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I went back and had a look.

168
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There is a moment where she looks off to the side, but it is not highlighted at all with us.

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Right, right.

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Because that shot of her is so beautiful.

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I mean, she I think she's really great in this episode.

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Like I think she comes to life.

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She was pretty good in the 1st episode, but I think she really comes to life in this episode.

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And there's a beautiful shot of her from Bennett's point of view where like there's some, you know, behind her head and she looks stunning and stuff and that's what sort of inspires him to get up and save her.

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She's reading the business card of the Tiboolian and...

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She's, and it's, yeah, it's just, you know, this is, this person, you know, living their best life.

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She is the fan of the doctor.

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She is now involved in one of the doctor's adventures.

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She's kind of, you know, got, you know, another 5 minutes left to live, unfortunately, but she is just living our best life at the moment and that's what Bennett says, isn't it?

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She's quite Ozgoody, isn't she?

181
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Yes.

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Yeah, with that fangurling thing, and she knows a lot more about the doctor.

183
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Like, she name checks Rose and Martha and Amy.

184
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Man.

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Yeah, and there's that, there's a kill the moon reference.

186
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What about the killer reference?

187
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It's also a tortured and Sarah Jane Adventures reference as well.

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The Arcatinians, the ones that liberate the Tavolians and then enslave them.

189
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Are the weird fishy aliens with the floating tendrils of hair from like Greeks bearing gifts and invasion of the bane.

190
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Well, he writes Greeks bearing gifts, doesn't he?

191
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Like, we'd have rights there.

192
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Yes, he does.

193
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Yeah, yeah.

194
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Yes, okay.

195
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So he's reusing them.

196
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He's reusing the Devolians, obviously, from the god complex.

197
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Actually, find the Tvolians quite annoying.

198
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Yeah, I mean, it's a way of getting a comedian in, isn't it?

199
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We get a comedian in, you know, like...

200
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Is David Wallace comedian?

201
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Well, I know David Williams, but I don't know this guy.

202
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Paul Kay?

203
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I don't actually know who he is.

204
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Suppork here made his name as a comedian in the UK in the sort of mid to the late 90s.

205
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He was a bit of an LEG type character, um, called Dennis Pennis, who would, um, rolling with laughter.

206
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But the routine would basically be, as Dennis Pennessy would be the sort of like ginger American character with a microphone who would go up to, you know, celebrities on the red carpet, but, you know, film premiers and more and ask them, you know, pretty offensive, you know, questions for, for the sake of laughs, a classic example, as he went up to Steve Martin and said, so Steve Martin, why are you not funny anymore?

207
00:16:54.899 --> 00:16:58.559
when he was kind of, wow.

208
00:16:58.620 --> 00:17:00.659
Dangerous territory for media, yeah.

209
00:17:00.720 --> 00:17:06.779
Yeah, so it's kind of like shock jock humour for, you know, the sort of AliG age.

210
00:17:07.019 --> 00:17:10.980
Dennis didn't last very long, but that's really how we made his name.

211
00:17:11.039 --> 00:17:14.519
He then obviously moved on into acting more serious roles.

212
00:17:14.579 --> 00:17:18.480
Most recently, he's been seeing as Thorus of Mia in Game of Thrones.

213
00:17:19.140 --> 00:17:20.640
Oh, okay.

214
00:17:20.640 --> 00:17:24.180
The sort of red priest who keeps bringing Dondarien back to life.

215
00:17:24.240 --> 00:17:31.680
So he's had, he has bad more, more sort of serious acting ones, but he was primarily a comedian when he 1st started out.

216
00:17:41.880 --> 00:17:44.519
I have a couple of observations about this.

217
00:17:44.579 --> 00:17:46.619
I think tackling a bootstrap paradox.

218
00:17:46.680 --> 00:17:56.880
It's probably a good thing for Doctor Who to do, but as we've pointed out, it has been done previously as a joke by Moffat in kind of time crash and a little bit in series 6 as well.

219
00:17:56.940 --> 00:18:00.599
And so I'm not quite sure why it merited having a whole episode about it.

220
00:18:00.660 --> 00:18:03.660
I don't mind it, but it's actually not that interesting, I find.

221
00:18:03.720 --> 00:18:08.880
I mean, I think that's what I found the problem with this story a little bit last week.

222
00:18:09.000 --> 00:18:19.200
So last week the mystery was ghosts, and although that produced some scares and some atmosphere and some solid Doctor Who stuff, it wasn't groundbreaking.

223
00:18:19.259 --> 00:18:27.000
And then this week where it's the paradox thing, that seems sort of well worn ground as well.

224
00:18:27.059 --> 00:18:47.940
And so this kind of lacks the big idea that some of his other scripts have, like the God complex, or like a town called Mercy, where there is a really strong central idea, I'm just not quite sure what that strong idea is here.

225
00:18:48.000 --> 00:18:57.900
And I think it is a lot of Doctor Who stuff done well, but it doesn't have the edge, I think, to say the Impossible Planet has.

226
00:18:58.619 --> 00:18:59.759
Yeah, I guess that's it.

227
00:18:59.819 --> 00:19:03.059
Although, the ice warriors, the ice warriors.

228
00:19:03.180 --> 00:19:04.680
That's great.

229
00:19:04.799 --> 00:19:05.220
Shut up.

230
00:19:05.279 --> 00:19:05.700
It is.

231
00:19:05.759 --> 00:19:06.180
It's great.

232
00:19:06.240 --> 00:19:07.500
It is.

233
00:19:07.619 --> 00:19:08.160
It is.

234
00:19:08.160 --> 00:19:08.759
Probably great.

235
00:19:08.940 --> 00:19:13.619
For me, I don't think the story was necessarily the bootstrop paradox.

236
00:19:13.680 --> 00:19:18.720
I think the paradox was just the way of tying ends up at the end.

237
00:19:19.259 --> 00:19:46.019
I always think back to the episode of The Simpsons, which is the Lord of the Flies parody, where the school bus crashes, the kids end up on an island, it all goes, Lord of the Flies are about to eat Milhouse or Martin Prince or someone, and Bart stops them, and then you have this pan back at the very end of the episode, pans back from this island, and James Hill, Jones voice comes in and says, well, the children all learned a valuable lesson here today, and oh, I don't know.

238
00:19:46.079 --> 00:19:47.640
Let's just say that we're rescued by.

239
00:19:47.700 --> 00:19:49.259
Oh, I don't know, let's say Moe.

240
00:19:49.319 --> 00:19:50.940
It's just that.

241
00:19:50.940 --> 00:19:58.859
It's the idea that, you know, the final resolution isn't really quite as important as what's happened beforehand.

242
00:19:58.920 --> 00:20:12.359
So that, again, struck me as this is, you know, the bootstrap paradox bit is how it's solved at the end, you know, you go through this whole story thinking, well, are they ghosts, or they're not ghosts, and it's never really properly answered.

243
00:20:12.420 --> 00:20:23.940
It's just electromagnetic projections and technobabble and, you know, you never really get a good sense of, you know, how how is the Fisher King made ghosts, essentially.

244
00:20:24.000 --> 00:20:24.900
It's just...

245
00:20:24.900 --> 00:20:31.440
I think I said last week that the explanation had the word souls in it, and so it didn't really constitute an explanation.

246
00:20:31.500 --> 00:20:34.140
It was really just saying the same thing in different words.

247
00:20:34.200 --> 00:20:43.200
It's like he turned people's souls into electromagnetic kind of things that can pick up metal and like whatever.

248
00:20:43.259 --> 00:20:51.779
Like it was never really going to be very good, which is why it's not a great central mystery in episode one.

249
00:20:51.960 --> 00:20:58.319
And then here, it's not so much the bootstrap paradox as the doctor's reluctance to change time.

250
00:20:58.319 --> 00:21:04.619
And he doesn't want to do it and the Fisher King makes fun of him for still kind of obeying those rules.

251
00:21:04.680 --> 00:21:08.039
Clara tells him off and says just break the rules.

252
00:21:08.099 --> 00:21:08.880
It doesn't matter.

253
00:21:08.940 --> 00:21:22.619
And he even kind of does this feint to the fisher king where he says, yeah, I erased the inside of your hearse and now none of this is going to have happened.

254
00:21:22.680 --> 00:21:45.660
And I always have a problem with these things, which is the idea that there are moral rules that govern time travel seems like nonsense to me, that you can do a thing in the present day, but if you travel back in time a year and do the same thing that's wrong.

255
00:21:45.720 --> 00:21:46.619
And I don't get that.

256
00:21:46.680 --> 00:21:51.299
Like, I just, that doesn't land for me in any kind of real sense.

257
00:21:51.359 --> 00:22:01.259
And so, for instance, with Waters of Mars, which I think is a brilliant story, it's like, why does the doctor not just go, I don't care about the rules of time?

258
00:22:01.319 --> 00:22:07.740
I'm going to save these people because what I always do is ignore the rules in order to save people.

259
00:22:07.799 --> 00:22:10.140
And that's what we love about the doctor.

260
00:22:10.200 --> 00:22:12.960
That's what Bob Holmes kind of creates, I think.

261
00:22:13.019 --> 00:22:15.059
So that is the thing.

262
00:22:15.119 --> 00:22:24.059
I think that that's kind of the central, like when we're having conversations about stuff that's mostly what we're having conversations about in this episode.

263
00:22:24.119 --> 00:22:31.799
So I think that there is a kind of ingenious way of solving it, but it's, we just told it in a way, you know, we just told it.

264
00:22:31.859 --> 00:22:40.140
And suddenly the base has the ability to project holograms outside the windows for some reason, like whatever.

265
00:22:40.200 --> 00:22:43.019
Like it doesn't matter. you know, I guess.

266
00:22:43.079 --> 00:22:46.559
But we have whatever we need for that to sort of kind of work.

267
00:22:46.619 --> 00:22:59.339
But it's nowhere near as clever as, you know, river looking into the doctor's eye in the wedding of river song and seeing a tiny doctor wave back at her because he's solved the problem undetectably.

268
00:22:59.400 --> 00:23:03.299
So it doesn't look like time's been changed at all and everything's fine.

269
00:23:04.019 --> 00:23:07.380
It's less fun, I think, than that.

270
00:23:07.440 --> 00:23:09.000
Nathan, all true.

271
00:23:09.000 --> 00:23:13.859
And also to Fraser's points about the fact that bootstrap paradox is just a means to an end.

272
00:23:13.980 --> 00:23:24.240
I think that's the problem if you're introducing a bootstrap paradox, then you've got to commit to it, which is why we then have the scene at the beginning where you have to explain it and suddenly it becomes bigger than what it is.

273
00:23:24.299 --> 00:23:28.079
And so the episode becomes about the bootstrap paradox and that's not very interesting.

274
00:23:28.140 --> 00:23:31.079
So it's not what the episode's about.

275
00:23:31.140 --> 00:23:37.019
But it's kind of one unanswered question at the end of the episode, and I like those.

276
00:23:37.079 --> 00:23:37.680
Yes.

277
00:23:37.740 --> 00:23:46.019
But it's not actually clearly shown to be a bootstrap paradox in the episode itself. that you don't see enough of it.

278
00:23:46.079 --> 00:23:50.099
So they have to lampshade at the beginning and the end to say, well, this is how we solved it.

279
00:23:50.160 --> 00:23:51.539
And that's tell, don't show.

280
00:23:51.599 --> 00:23:56.220
I mean, you're not actually, it's like, oh, we did something clever.

281
00:23:56.279 --> 00:23:56.940
We didn't show you it.

282
00:23:57.000 --> 00:23:59.339
We just told you we did something clever at the end.

283
00:23:59.400 --> 00:24:04.920
Yeah, because he explains, no, I did all of that stuff because you told me that I had done it.

284
00:24:04.980 --> 00:24:07.380
And so why did I originally do it?

285
00:24:07.740 --> 00:24:11.579
Well there's none of that because we've got this causality loop thing happening.

286
00:24:11.640 --> 00:24:13.859
And so there's no 1st cause to any of this.

287
00:24:13.920 --> 00:24:17.940
It's no, I went back and bribed the architect first.

288
00:24:18.000 --> 00:24:24.720
Yes, but like I said, we did it in time crash and it was for a throwaway gag.

289
00:24:24.779 --> 00:24:29.519
Maybe bootstrap paradoxes, I like other time, things they're only good for cheap tricks.

290
00:24:29.579 --> 00:24:32.700
Like the doctor says in Smith and Jones.

291
00:24:32.700 --> 00:24:34.740
Ambassadors of death.

292
00:24:47.339 --> 00:24:49.680
I want to talk about the Fisher King.

293
00:24:49.799 --> 00:24:54.539
El Sandafar, noted critic of Doctor Who calls it the bone vervoid.

294
00:24:54.599 --> 00:24:59.400
James is bursting to say something rude and unbroadcastable about it.

295
00:24:59.460 --> 00:25:01.140
I call it the fishwife king.

296
00:25:01.380 --> 00:25:08.519
So is the Fisher King the latest in the long tradition of Doctor Who Monsters that in some way resemble human genitalia?

297
00:25:08.579 --> 00:25:14.160
Yep, you're not getting that as a title this week, James, but I can't, because Fraser's here.

298
00:25:14.220 --> 00:25:16.140
Do you want me to see her that lane then you don't?

299
00:25:16.200 --> 00:25:19.920
Yeah, you can take the latest example of blah, blah, blah.

300
00:25:19.980 --> 00:25:20.640
Yeah, yeah.

301
00:25:20.700 --> 00:25:23.519
I mean, we'd love to see the Erato meets the Fisher King.

302
00:25:23.579 --> 00:25:25.319
Yo, no, I don't think we would.

303
00:25:25.619 --> 00:25:29.880
So, again, it's quite good when it's offscreen.

304
00:25:29.880 --> 00:25:34.500
And like hilariously, it gets 3 credits, right?

305
00:25:34.559 --> 00:25:40.619
So you know how we get voice of Alpha Centauri is Zan Churchman.

306
00:25:40.680 --> 00:25:42.539
Body of Alva Centauri is what?

307
00:25:42.599 --> 00:25:43.500
Stuart Fell.

308
00:25:43.559 --> 00:25:46.500
Here we get voice of the Fisher King.

309
00:25:46.559 --> 00:26:06.480
The Fisher King is played by a massively tall person, someone called Neil Fingleton, who is the tallest person ever recorded in Britain, and then the tallest person in Europe, and he died, tragically, from being tall, he had a heart attack and died at the age of 37.

310
00:26:06.720 --> 00:26:12.000
And then the person who took over from him was in a cut scene in.

311
00:26:12.180 --> 00:26:13.259
Can you hear me?

312
00:26:13.259 --> 00:26:17.700
playing another Doctor Who monster, the guy who took over as tallest person in England.

313
00:26:17.759 --> 00:26:22.259
So if you're the tallest person in England, we should mention this to Cy, possibly.

314
00:26:22.319 --> 00:26:27.299
If you're the tallest person in England, you have a fair chance.

315
00:26:27.539 --> 00:26:29.819
I didn't mention it to Brendan because I thought...

316
00:26:29.880 --> 00:26:36.720
If you're the tallest person in England, you have a fair chance of becoming a Doctor Who monster.

317
00:26:36.779 --> 00:26:52.740
But the voice is Peter Serafinowitz, and then separately credited is the roar of the Fish King. who is Corey Taylor, who was for a while the lead singer of Slipknot.

318
00:26:52.980 --> 00:26:56.819
So he does the raw.

319
00:26:56.880 --> 00:27:00.599
It's sad that we were missing Fisher King movement by Rosalind.

320
00:27:00.660 --> 00:27:01.619
De Winter, yeah, yeah.

321
00:27:01.859 --> 00:27:22.740
So it's Peter Serafinoitz as the voice, and last week we had the incredible Colin McFarlane, who was the voice of the host in Voyage of the Damned, and now doesn't get to do anything besides whisper those words over and over again in this episode.

322
00:27:22.799 --> 00:27:40.559
And you've got Peter Serafinowitz, who was, of course, Darth Mall in the 2 lines that Darth Mall gets in The Phantom Menace and is terribly funny and hilarious and just got, he's just got an incredible voice.

323
00:27:40.619 --> 00:27:41.880
He's fantastic.

324
00:27:41.940 --> 00:27:44.220
He's another comedian as well.

325
00:27:44.279 --> 00:27:52.980
Again, he started out his career as a comedian comedy writer before moving on to, you know, more CVC actor and roles.

326
00:27:53.039 --> 00:27:57.119
I know investors the tick from the Amazon series.

327
00:27:57.180 --> 00:28:01.079
Yes, of course. which is he's absolutely pitch perfect in.

328
00:28:01.380 --> 00:28:05.339
I mean, I would say the Fisher King is more funny, strange than funny.

329
00:28:05.400 --> 00:28:05.940
Ha ha.

330
00:28:06.000 --> 00:28:08.400
He was also in that episode of black books, wasn't he?

331
00:28:08.460 --> 00:28:09.660
Yes, he was in black.

332
00:28:09.720 --> 00:28:11.880
Was it was it him in that episode of Black?

333
00:28:11.940 --> 00:28:12.720
Yes, yes.

334
00:28:12.839 --> 00:28:15.900
He's reading the shipping news in the episode of Black books.

335
00:28:15.960 --> 00:28:31.859
Is he the person responsible for that fake series of science videos called Look Around You, which occasionally people at my school put on in class and just wait and see how long it is before the children realise that this is absolutely ridiculous?

336
00:28:31.920 --> 00:28:34.200
And there's a film about water and stuff like that.

337
00:28:34.259 --> 00:28:35.519
It's absolutely hilarious.

338
00:28:35.579 --> 00:28:48.240
And of course, he's Brian Butterfield, who is famous for the Brian Butterfield diet, which I will lead to in the show notes, and you should all watch immediately because it's absolutely superb.

339
00:28:48.299 --> 00:28:51.180
Yes, you know they mean 2 seasons of look around you.

340
00:28:51.240 --> 00:28:52.500
Oh, yeah, okay.

341
00:28:52.559 --> 00:28:53.519
And it is him, isn't it?

342
00:28:53.579 --> 00:28:54.660
It is him, yes.

343
00:28:54.720 --> 00:28:55.019
Yes.

344
00:28:55.079 --> 00:28:55.980
It is him. yeah.

345
00:28:56.039 --> 00:28:56.339
No.

346
00:28:56.400 --> 00:28:58.619
It's like, yeah, he's one of the leads in it.

347
00:28:58.680 --> 00:28:59.940
It's really funny.

348
00:29:00.000 --> 00:29:01.859
I mean it's properly brilliant, I think.

349
00:29:01.920 --> 00:29:12.900
I mean, talking about latest in the long line of the Fisher King is the latest in the long line of Doctor Who monsters who look fine when they're in the shadows, well, you take them out and put them on location and shoot them in wide shot.

350
00:29:12.960 --> 00:29:13.740
They just look ridiculous.

351
00:29:13.799 --> 00:29:20.339
Yeah, that that shot of him sort of stumbling out of the church is hoodwobbling.

352
00:29:20.400 --> 00:29:21.779
Yeah, is not great, is it?

353
00:29:21.839 --> 00:29:24.900
And he's a bit of a nothing monster, isn't he?

354
00:29:24.960 --> 00:29:34.140
Like, he's called a fisher king and you kind of expect it to have some kind of mythological King Arthur thing happening, but not really.

355
00:29:34.200 --> 00:29:40.619
And so he gets off some zingers at the doctor, you know, and the time lords and stuff.

356
00:29:40.680 --> 00:29:43.440
But he's a little bit nothing, I think.

357
00:29:43.500 --> 00:29:49.920
He's a bit like Tim Shaw in that he sort of thinks he's a big villain, but he's small fry compared to all the doctor.

358
00:29:49.980 --> 00:29:50.759
Yeah, maybe that's it.

359
00:29:50.819 --> 00:29:51.599
Maybe that's it.

360
00:29:51.660 --> 00:30:03.660
I think the issue with the Pisha King really is one of the strengths of this story for me is the way that it does have the 1st part which is set in one location and the 2nd part going back in time.

361
00:30:03.720 --> 00:30:13.140
I mean, that's the real interesting part of the story is when we go back in time to see what's led to these events that are happening, you know, saying the before the now, as it were.

362
00:30:13.200 --> 00:30:30.420
And that's a real strength, but also it's a bit of a weakness because it means that we don't actually get to be introduced to the Fisher King until about, you know, 3rd of the way through the 2nd part, so most of the story's gone before we're even introduced to this character who is supposed to be a big bad, the big evil.

363
00:30:30.420 --> 00:30:36.539
And so he comes across as a bit of a nothing because there's no chance to give him any sort of backstory.

364
00:30:36.599 --> 00:30:45.900
All we get is from Prentice, you know, that the Fisher King enslaved our world, then someone else came and enslaved us, which were more thankful for and so on and so forth.

365
00:30:45.960 --> 00:30:49.079
So you don't get any sense of menace or danger from.

366
00:30:49.140 --> 00:30:55.740
Yes, he kills Puo O'Donnell, but that's the only, you know, on screen death, we say, you know, he kills 2 characters.

367
00:30:55.799 --> 00:31:00.180
There's nothing else there because we don't have the time to give them anything else there.

368
00:31:00.660 --> 00:31:16.019
In terms of stomping up to the ship, yeah, that is, you know, a weak shot, you know, it does remind me of what would happen if one of the vervoids became one of the dominators, then all that costume. watch the hell out of that.

369
00:31:17.940 --> 00:31:28.680
But at the same time, when it comes to his final end, the final shot of the Fisher King with him stood in front of the oncoming flood with his arms outstretched.

370
00:31:28.740 --> 00:31:30.960
It's pretty correct in that kind of fate with his role.

371
00:31:31.019 --> 00:31:34.980
I thought that was a brilliant shot. as a white show of this episode.

372
00:31:37.380 --> 00:31:40.259
That was a really effective shot for me.

373
00:31:40.380 --> 00:31:46.319
He sort of, I did want to go, whee. got pulled out of shot.

374
00:31:46.380 --> 00:31:48.119
But it was pretty great.

375
00:31:48.180 --> 00:31:51.000
And it is sort of epic like with the crashing waters and stuff.

376
00:31:51.059 --> 00:32:00.059
I still don't know where all the water comes from and why that lake is now so deep when that dam is so short.

377
00:32:00.119 --> 00:32:07.259
The water's so deep that you have to build a base all the way under there. rather than just kind of like put boats there or something like that.

378
00:32:07.319 --> 00:32:12.420
I actually have to say that was one of my issues with this story and I don't get a defined sense of place.

379
00:32:12.480 --> 00:32:21.180
We know that the drum is in that lake, but I never get when they go back in time, the idea that that's the same place that the drum is there right there in future time.

380
00:32:21.240 --> 00:32:25.440
They do show you the kind of flooded village in one shot out the window.

381
00:32:25.500 --> 00:32:36.839
See, we generally, unanimously, I have to say, because Simon's not here, didn't think very much of the ganga's two-parter.

382
00:32:36.900 --> 00:32:38.759
That's putting it kindly.

383
00:32:38.819 --> 00:32:39.299
Well.

384
00:32:39.359 --> 00:32:48.960
But I thought that the, that, that place, again, we had no real sense of where that place was or why or why they were mining for acid or any of that.

385
00:32:49.019 --> 00:32:55.380
But there was a kind of a weirdness about that place that didn't make it a standard base under siege.

386
00:32:55.440 --> 00:32:59.940
And then the decision to shoot it in sort of various castles and stone buildings and stuff like that.

387
00:33:00.000 --> 00:33:06.059
Like it was a murky looking episode and stuff, but it did lend an edge to it.

388
00:33:06.119 --> 00:33:08.220
Here, here.

389
00:33:08.279 --> 00:33:14.039
I think the corridors, as you said at the beginning, phraser, like that base, I think, looks properly good.

390
00:33:14.160 --> 00:33:28.380
And I said last week that, you know, money and technology and stuff has come on and it looks better in lots of ways than even than the base on the Impossible Planet.

391
00:33:28.440 --> 00:33:32.339
But it doesn't, like, it just doesn't make any sense.

392
00:33:32.460 --> 00:33:49.500
Like they're drilling for oil in 2119 for a start and I do like the doctor's reaction to learning that Richard Pritchard was an oil company guy, like he just sort of tosses the oil thing away.

393
00:33:49.559 --> 00:33:50.279
Oil, okay.

394
00:33:50.339 --> 00:33:52.920
And, you know, throws his business card away.

395
00:33:53.940 --> 00:33:55.980
Yeah, yeah, yeah.

396
00:33:56.039 --> 00:34:03.480
But like, why are they building a underwater base in a fairly shallow lake somewhere in Scotland?

397
00:34:03.539 --> 00:34:05.759
Like I just, who knows?

398
00:34:05.819 --> 00:34:06.119
whatever.

399
00:34:06.180 --> 00:34:09.840
What's what's the, the version of Space Reasons then?

400
00:34:09.900 --> 00:34:11.039
Scottish reason?

401
00:34:11.039 --> 00:34:11.880
Scottish reason?

402
00:34:22.440 --> 00:34:30.780
We said last week that, well, I said last week, people disagreed with me that I didn't think the direction was very strong on this episode, and I think that's the same this week.

403
00:34:30.840 --> 00:34:32.519
I think it's let down in a number of ways.

404
00:34:32.579 --> 00:34:43.679
And I think that it would have been more interesting to have had that town, that military town and all of its bits, like they go into an office at one and there's like a dummy behind a desk and posters up.

405
00:34:43.739 --> 00:34:51.840
The camera doesn't dwell on them in any way, whereas actually you would have been placed more in the environment if it had been set up properly on screen, whereas it's just there in long shot in the background.

406
00:34:51.900 --> 00:34:54.059
And that's why it feels a little bit murky.

407
00:34:54.119 --> 00:34:54.840
The whole thing does.

408
00:34:54.900 --> 00:34:58.800
Part of the problem too is that that sort of comes out of nowhere.

409
00:34:58.860 --> 00:35:03.179
So it's a town in Scotland that was made up to look like a Russian town.

410
00:35:03.239 --> 00:35:09.420
We do know that that's the sort of thing that did happen during the Cold War.

411
00:35:09.480 --> 00:35:14.940
Maybe 1980s too late for it, but that does seem to be the sort of thing that was going on.

412
00:35:15.059 --> 00:35:19.320
And it is shot at Ministry of Defence facility.

413
00:35:19.440 --> 00:35:21.480
Do you remember the town of Christmas?

414
00:35:21.539 --> 00:35:23.099
Wasn't the town of Christmas shot?

415
00:35:23.159 --> 00:35:24.239
in a location.

416
00:35:24.300 --> 00:35:25.380
What's it called?

417
00:35:25.380 --> 00:35:26.340
Phubia town.

418
00:35:26.400 --> 00:35:27.119
What's?

419
00:35:27.480 --> 00:35:30.420
Phibia, fighting in built up areas.

420
00:35:30.480 --> 00:35:31.260
Right, okay.

421
00:35:31.320 --> 00:35:31.559
Yeah.

422
00:35:31.619 --> 00:35:34.980
So it was a training thing, the town of Christmas on the planet of Christmas.

423
00:35:35.039 --> 00:35:37.320
Fubar is far beyond all repair.

424
00:35:37.380 --> 00:35:39.719
It was fine, but the doctor was not.

425
00:35:39.780 --> 00:35:45.059
I think the location, you're all right, doc, it isn't used most effectively.

426
00:35:45.119 --> 00:35:48.239
You kind of think, well, why does it need to be a Scottish village?

427
00:35:48.300 --> 00:35:50.880
Why does it need to be a Scottish village pretend to be a Soviet village?

428
00:35:50.940 --> 00:35:53.219
Why can't it just be a Soviet village or why can't it be?

429
00:35:53.280 --> 00:35:54.360
Any of the others?

430
00:35:54.420 --> 00:35:56.219
I don't think it necessarily takes anything away.

431
00:35:56.280 --> 00:35:58.679
But it doesn't necessarily add anything either.

432
00:35:58.739 --> 00:36:00.719
It's just kind of there.

433
00:36:00.780 --> 00:36:02.219
It feels like it should be an interesting setting.

434
00:36:02.280 --> 00:36:03.480
Yeah, it's not quite.

435
00:36:03.539 --> 00:36:04.320
It could be.

436
00:36:04.380 --> 00:36:05.159
That the thing, isn't it?

437
00:36:05.219 --> 00:36:27.719
I think there is, you know, a lot of elements of this that could be a little bit more interesting if maybe's, you know, we had a little bit more time or if it wasn't quite, you know, spread across 2 episodes in the way that it was, again, you know, kind of strengths and weaknesses about them and that, you know, we could have had a whole episode just set in this village and, you know, rather than having to cut backwards and forwards between the base and earn another story.

438
00:36:27.780 --> 00:36:35.519
Even it been like properly before the flood, in a sense that there's something else going on where it's not already abandoned.

439
00:36:35.880 --> 00:36:39.480
Yeah, like it's abandoned before it gets flooded.

440
00:36:39.480 --> 00:36:41.400
Maybe, who knows?

441
00:36:41.460 --> 00:36:54.000
I mean, it's clearly not a Russian village because not all of the people on the base in 2119. you know, all of the people in the base in 2119 are British.

442
00:36:54.059 --> 00:36:59.940
And so, you know, we're not going to do Cold War again.

443
00:37:00.179 --> 00:37:03.840
So, so I guess it has to be in Scotland.

444
00:37:03.900 --> 00:37:10.139
It looks, I mean, you know, like the location is a good location, but I think maybe you're right.

445
00:37:10.199 --> 00:37:11.639
Maybe the director lets it down.

446
00:37:11.699 --> 00:37:19.320
You kind of think that he had Saul Metstein, the previous episode, and then Nick Haran, the episode before that.

447
00:37:19.380 --> 00:37:34.800
He has been very lucky to get some incredible directors and some great actors, you know, cast in his previous scripts, and here he's been a little bit less lucky, and so the whole thing looks a bit too nondescript, I think.

448
00:37:34.920 --> 00:37:38.579
I think also the whole of this series so far has been given a very heavy grade.

449
00:37:38.639 --> 00:37:40.619
And so it all looks quite dingy.

450
00:37:40.679 --> 00:37:41.340
Oh, yeah.

451
00:37:41.400 --> 00:37:43.260
Magician's Apprentice did.

452
00:37:43.320 --> 00:37:47.280
The bass does and also on the location in the town does.

453
00:37:47.340 --> 00:37:50.280
But it wouldn't have taken a whole lot to just dwell on the details.

454
00:37:50.340 --> 00:37:55.860
Do you remember the curse of Fenwick when you go into Commander Millington's office and it's made up as a Nazi office?

455
00:37:55.980 --> 00:37:57.179
Is it Hitler's office?

456
00:37:57.239 --> 00:37:57.780
Yeah, yeah, yeah.

457
00:37:57.840 --> 00:38:03.960
And that's just an interesting detail, but it adds a lot to the storytelling, whereas here we don't even get that level of going into it.

458
00:38:04.019 --> 00:38:05.519
I don't mind it though.

459
00:38:05.579 --> 00:38:07.019
I don't mind this episode.

460
00:38:07.079 --> 00:38:09.119
It's just a bit nondescript.

461
00:38:09.179 --> 00:38:11.519
Yeah, I mean, I enjoyed this episode.

462
00:38:11.579 --> 00:38:13.260
I think it's one of the stronger ones.

463
00:38:13.260 --> 00:38:18.539
In terms of the direction, I think you are, right, that it's, there's nothing sings about the direction.

464
00:38:18.659 --> 00:38:21.059
I don't think there's anything necessarily poor about it.

465
00:38:21.119 --> 00:38:26.519
It's just, It is just a directed episode of Doctor Who.

466
00:38:26.639 --> 00:38:29.519
I think, you know, Daniel O'Hara, the director doesn't come back.

467
00:38:29.579 --> 00:38:33.480
There's nothing in this to suggest why you would actually want them to come back.

468
00:38:33.539 --> 00:38:35.460
Yeah, you don't want that on rotten tomatoes, do you?

469
00:38:35.519 --> 00:38:37.139
A directed episode of Doctor Who.

470
00:38:38.400 --> 00:38:42.599
I think we've touched on this already in the episode.

471
00:38:42.659 --> 00:38:45.119
Like, it doesn't do anything poorly.

472
00:38:45.179 --> 00:38:45.780
No.

473
00:38:45.780 --> 00:38:47.880
But, you know, it doesn't, it's not terrible.

474
00:38:47.940 --> 00:38:50.219
It's, it's, it's, it's workmanlike.

475
00:38:50.280 --> 00:38:55.199
It's a, it does a lot of Doctor Who type things well.

476
00:38:55.320 --> 00:38:57.420
But it doesn't stand out.

477
00:38:57.840 --> 00:39:13.980
So I have to make a confession that this is as far as I've got in my rewatching of series 9 and I am, I think, probably not going to get very far ahead of where we go.

478
00:39:14.039 --> 00:39:21.840
So I'm not in a position to say where this sort of sits in relation to the season as a whole.

479
00:39:21.900 --> 00:39:26.340
And I also am not really in a position to say what I think about the season as the whole.

480
00:39:26.400 --> 00:39:33.719
As I said, I haven't really gone back to this very much and it's the season of Doctor Who that I know least well, I think.

481
00:39:33.780 --> 00:39:40.079
That's okay, Nathan. that why we do retrospective Then I can bring out my polished opinions.

482
00:39:40.139 --> 00:39:52.679
But Todd, I think it's worth saying that Todd really rates this, and I can see why as well, because it is Doctor Who things that are very well done.

483
00:39:52.739 --> 00:39:56.579
And because he loves Peter Capoldi and he's right to do so.

484
00:39:56.639 --> 00:40:01.860
I think he enjoys Peter Capoldi doing these Doctor Who things.

485
00:40:01.980 --> 00:40:05.460
And that is a proper pleasure that the episode affords.

486
00:40:05.519 --> 00:40:08.159
And I can completely see why people do like this.

487
00:40:08.219 --> 00:40:09.539
I absolutely see that.

488
00:40:09.599 --> 00:40:15.480
I say it's working online, but I thoroughly enjoyed it mainly for those, for the same reasons as Todd.

489
00:40:15.539 --> 00:40:18.179
Like, it's Doctor Who done well with a good doctor.

490
00:40:18.239 --> 00:40:23.820
Like one, probably one of the better actors to ever, ever played this character.

491
00:40:23.880 --> 00:40:25.980
Yeah, same reason I like Time Lash.

492
00:40:26.039 --> 00:40:27.000
And he just gets it.

493
00:40:27.059 --> 00:40:28.320
He just gets Doctor Who.

494
00:40:28.380 --> 00:40:29.400
Exactly.

495
00:40:29.460 --> 00:40:31.199
No, that's exactly it.

496
00:40:31.260 --> 00:40:34.139
You know, it hits so many beats, doesn't it?

497
00:40:34.199 --> 00:40:36.960
You know, I've got a few continuity references in.

498
00:40:37.019 --> 00:40:42.780
You've got, you know, Peter Capaldi enjoying himself being the doctor and the doctor enjoying doing Doctor Who things.

499
00:40:42.840 --> 00:40:45.239
In terms of the series as a whole.

500
00:40:45.360 --> 00:40:55.380
I think, you know, one of the problems with the season why potentially people don't go back to revisit it is because it is a series of 2 partners.

501
00:40:55.440 --> 00:41:05.760
So, you know, if you want to watch and enjoy this episode, technically you have to watch the one beforehand and if you watch the one beforehand, then you feel, well, I've got to come back and watch this one as well.

502
00:41:05.820 --> 00:41:13.380
So, you know, in terms of dipping in and out as a rewatch, that kind of hampers it, you know, if I sit and I've go, well, you know, I'm not ready for bed yet.

503
00:41:13.440 --> 00:41:19.559
I'm going to put an episode of Doctor Who on, I wouldn't necessarily come to this series, and that's one of the reasons why.

504
00:41:19.619 --> 00:41:24.539
Where it sits in the series is interesting because it's very arc light.

505
00:41:24.599 --> 00:41:24.780
Yeah.

506
00:41:24.840 --> 00:41:31.260
The arc for the series being for better or worse, the hybrid, and there's no mention of the hybrid throughout.

507
00:41:31.320 --> 00:41:40.500
So that makes it a bit more accessible as is just a, as I want to enjoy by itself, and it does feel very much like a standalone episode.

508
00:41:40.559 --> 00:41:46.619
There is the theme, one of the themes of the series rather than an Arca theme is Clara becoming the doctor.

509
00:41:47.159 --> 00:41:56.820
And that is very evident in the 1st part under the lake where the doctor even, you know, points it out and says there's only room for one of me in this tortoise.

510
00:41:56.880 --> 00:41:58.079
And it's...

511
00:41:58.079 --> 00:42:00.000
It's kind of shoehorned in at the beginning of the episode.

512
00:42:00.059 --> 00:42:01.619
There's only one me.

513
00:42:01.679 --> 00:42:03.300
Yes. definitely.

514
00:42:03.360 --> 00:42:12.840
And in this episode, it's very obvious when Clara sends Lun out to get the phone, which allegedly they need, they don't actually need the phone anymore.

515
00:42:12.900 --> 00:42:18.840
I think everything's been done at that point, but, you know, she, we need this phone and we must contact the doctor, so you must go out and get it.

516
00:42:18.900 --> 00:42:24.360
And there's no argument and she literally says, you know, the doctors taught me how to make these decisions.

517
00:42:24.480 --> 00:42:33.659
We're seeing that very, very clearly the theme of this series, Chloe becoming the doctor and taking risks with hers own and other people's lives.

518
00:42:33.719 --> 00:42:36.360
It's a very flatline moment, isn't it?

519
00:42:36.420 --> 00:42:37.500
That moment.

520
00:42:37.559 --> 00:42:47.579
And just another mention of how pretty Lun is, because I just rewatched this episode just before recording and he is very sweet.

521
00:42:47.639 --> 00:42:49.679
I like his curly hair.

522
00:42:49.739 --> 00:42:52.079
Yeah, those eyebrows are pretty amazing as well.

523
00:42:52.619 --> 00:42:57.119
So it's actually funny, the Clara moment here, isn't it?

524
00:42:57.179 --> 00:43:01.980
Because it isn't just the Clara sending Lund to go and get the phone, which is great.

525
00:43:02.039 --> 00:43:03.239
It's played really well.

526
00:43:03.300 --> 00:43:07.559
Like, um, Cass's reaction, all of that stuff is really, really terrific.

527
00:43:07.619 --> 00:43:12.059
I think it's a proper solid B plot thing for them to be doing.

528
00:43:12.119 --> 00:43:13.320
And I think it works really well.

529
00:43:13.440 --> 00:43:19.920
You know, there's that thing where she starts to appear dependent on the doctor.

530
00:43:19.980 --> 00:43:26.039
And there was that thing in episode one, wasn't it, where he says you need a hobby or you need a relationship?

531
00:43:26.099 --> 00:43:27.840
It can't just be me.

532
00:43:27.900 --> 00:43:31.500
And then when she's faced with the prospect of the doctor dying.

533
00:43:31.619 --> 00:43:37.860
She says, you can't make yourself essential to me or something like that and then die.

534
00:43:37.920 --> 00:43:45.480
And so it's not just, it's not just that she's becoming the doctor, but that they're becoming weirdly codependent.

535
00:43:45.539 --> 00:43:54.480
Remember that the doctor admits to Bennett, that the thing that's making him change time is to save Clara.

536
00:43:54.539 --> 00:43:57.239
He's not going to do that to save O'Donnell.

537
00:43:57.300 --> 00:43:58.980
He's not going to do it to save himself.

538
00:43:59.039 --> 00:44:00.539
He's doing it to save Clara.

539
00:44:00.599 --> 00:44:14.460
And I think that that theme is inextricable from the arc, I think, because I can't remember where we land with the hybrid, but there's every chance the hybrid is the doctor and Clara, isn't it?

540
00:44:14.519 --> 00:44:15.360
I don't know.

541
00:44:15.420 --> 00:44:16.260
I can't even remember.

542
00:44:16.320 --> 00:44:20.880
Don't think anyone ever knows who the hybrid is, to be honest.

543
00:44:38.940 --> 00:44:48.059
All right, it is part two of a two part story, and so, traditionally, we have the peaks of the week.

544
00:44:48.119 --> 00:44:48.480
James.

545
00:44:48.659 --> 00:44:56.940
So if you like time travel and paradoxes, I don't think you can go past Dirk Gently Celestic Detective Agency.

546
00:44:57.000 --> 00:45:00.960
Which one Well, the original...

547
00:45:01.019 --> 00:45:02.159
Yeah, the book, the book.

548
00:45:02.219 --> 00:45:02.519
Sorry.

549
00:45:02.579 --> 00:45:07.679
Yes, the book, not one of the many loose reinterpretations.

550
00:45:07.739 --> 00:45:08.940
So the radio play is good.

551
00:45:09.000 --> 00:45:09.960
Yeah, yeah, yeah.

552
00:45:10.019 --> 00:45:10.260
Yeah.

553
00:45:10.320 --> 00:45:11.760
Like, I think that's done very well.

554
00:45:11.820 --> 00:45:19.500
It's Dirk Mags. you know, the same production team behind the later hitchhikers radio plays.

555
00:45:19.559 --> 00:45:24.420
Yes, no, Duck Gently is one of my favourite Adam's books.

556
00:45:24.539 --> 00:45:27.420
It's really good. and it's good.

557
00:45:27.420 --> 00:45:28.619
Part shutter.

558
00:45:28.679 --> 00:45:30.000
Yeah, part city of there.

559
00:45:30.059 --> 00:45:30.659
City of yeah.

560
00:45:30.659 --> 00:45:30.900
Yeah.

561
00:45:30.960 --> 00:45:32.039
Ball Douglas Adams.

562
00:45:32.099 --> 00:45:34.440
It's really great Yes, great stuff.

563
00:45:34.559 --> 00:45:36.119
100% Douglas Adams.

564
00:45:36.179 --> 00:45:38.280
What about you, Peter?

565
00:45:38.340 --> 00:45:59.460
Well, for my part, if you like hard hitting sci-fi and bootstrap paradoxes, you can't go past the sex and the city sequel and just like that, which is... which I actually really enjoy, but is an instructive lesson for how to make every dramatic decision in a series incorrectly.

566
00:45:59.519 --> 00:46:01.139
Go and watch it.

567
00:46:02.639 --> 00:46:04.920
I have and you're right.

568
00:46:04.980 --> 00:46:06.239
Are there robots in it?

569
00:46:06.300 --> 00:46:11.039
I mean, sometimes I think Charlotte, but, you know, remains to be seen.

570
00:46:11.880 --> 00:46:16.199
So my pick of the week is a podcast.

571
00:46:16.260 --> 00:46:39.179
It's called Strong Songs, and in it, a musician called Kirk Hamilton looks at a sort of famous song or an important song and does a musical analysis of it, talks about its history, talks about what is it that makes it great as far as music and performance and instrumentation and things are concerned.

572
00:46:39.420 --> 00:46:44.579
Today, I listen to an episode on killing me softly.

573
00:46:44.639 --> 00:46:57.059
And he looked at 3 versions of that, um, including the one from sort of the 1990s by the Fugees, um, but a few different versions.

574
00:46:57.119 --> 00:47:06.480
There's a wonderful one where he looks at the 2 Dolly Parton versions of I Will Always Love You, followed by the Whitney Houston version, which is incredible.

575
00:47:06.539 --> 00:47:08.820
If you're a genre fan.

576
00:47:08.880 --> 00:47:23.460
He does an episode on the music of Andor, which is an extraordinary TV series where music plays an important role in the actual narrative and his analysis of its music is incredible.

577
00:47:23.519 --> 00:47:29.699
And before the release of Tears of the Kingdom, he did a whole thing on the music of Zelda, which was great as well.

578
00:47:29.760 --> 00:47:31.500
So it's called Strong Songs.

579
00:47:31.559 --> 00:47:32.280
It's a podcast.

580
00:47:32.340 --> 00:47:35.460
He is so enthusiastic and so in love with his subject.

581
00:47:35.519 --> 00:47:38.039
It's such a beautifully produced podcast.

582
00:47:38.099 --> 00:47:40.079
I can't recommend it highly enough.

583
00:47:40.139 --> 00:47:41.219
It's really something.

584
00:47:41.280 --> 00:47:44.039
Well, he's hoping it does an episode on variations on a theme.

585
00:47:47.099 --> 00:47:47.699
Fraser.

586
00:47:47.760 --> 00:47:48.960
What's your pick the week?

587
00:47:49.019 --> 00:47:56.460
Well, if it's musicals you're after, then my pick of the week is the Star Trek series, Strange New Worlds.

588
00:47:57.480 --> 00:48:03.059
I just sat the other day and discovered I've actually got a Paramount Plus subscription.

589
00:48:03.119 --> 00:48:07.320
I don't know how long I've had it for, or where it's come from, or who's actually paying for it?

590
00:48:07.380 --> 00:48:16.500
Me and my wife, but it turned up there on Prime, so I've been bingeing strange new worlds for the last week or so, and I'm absolutely thoroughly enjoying that.

591
00:48:16.559 --> 00:48:18.420
I'm about halfway through series 2 now.

592
00:48:18.480 --> 00:48:21.239
I know the musical episode is coming up, but I'm not quite there yet.

593
00:48:21.300 --> 00:48:28.079
Um, but it's, you know, you talk about like, hitting Doctor Who beats, but this is, this is all the Star Trek beats.

594
00:48:28.139 --> 00:48:30.119
This is everything you want from a Star Trek.

595
00:48:30.179 --> 00:48:33.059
It's, you know, going out and exploring.

596
00:48:33.119 --> 00:48:36.119
It's, you know, it's got all those episodes you want.

597
00:48:36.179 --> 00:48:38.760
They've got the space valuers, they've got the travelling back in time.

598
00:48:38.820 --> 00:48:43.860
They've got the wishes come true and fantasy comes alive on the ships.

599
00:48:43.920 --> 00:48:45.059
You've got everything you want in there.

600
00:48:45.119 --> 00:48:50.340
You've got tons of law thrown in the back, not that one, but like...

601
00:48:50.400 --> 00:48:57.360
You know, you've got, you know, everything that you know is going to come up into Star Trek, which is coming up.

602
00:48:57.420 --> 00:49:19.920
But more than that, it's actually a really well put together. show the story talent can be a little bit breakneck at times, you kind of like, oh, straighten up story and was telling it and we're not actually going to pause, but there is still sort of like loads of character work and loads of stuff the characters are or I'm starting to come to really enjoy some of the characters, the new characters as well.

603
00:49:19.980 --> 00:49:21.059
So that's my recommendation.

604
00:49:21.119 --> 00:49:25.619
If you haven't done it already, if you start rec fun. out and explore strange new worlds.

605
00:49:25.679 --> 00:49:29.159
How I wish we'd gotten a musical from Star Trek Voyager.

606
00:49:30.239 --> 00:49:32.340
The 3 Roberts.

607
00:49:32.400 --> 00:49:38.699
Yeah, the 3 Roberts, a close harmony group of the best Robert, the medium Robert, and the worst Robert.

608
00:49:38.760 --> 00:49:39.960
It would be really something.

609
00:49:40.019 --> 00:49:41.159
Neelix's solo.

610
00:50:08.219 --> 00:50:11.159
Well, Melissa, that's all the time we have for this week.

611
00:50:11.219 --> 00:50:16.199
We'll be back next week for some comedy Viking hygienes in The Girl Who Died.

612
00:50:16.679 --> 00:50:34.199
In the meantime, you can find us wherever you get your podcasts, and you can keep up with us on our website, FlightthroughEntirety.com, where you'll find all our social media links, as well as links to our other podcasts, Bondfinger, Jody InterTera, Maximum Power, and Untitled Star Trek project.

613
00:50:34.260 --> 00:50:39.059
Until next time, remember that Saturday is treat day.

614
00:50:39.119 --> 00:50:41.699
Thank you very much for listening and good night.

615
00:50:41.760 --> 00:50:42.719
Good night.

616
00:50:42.780 --> 00:50:43.559
Good night.

617
00:50:43.619 --> 00:50:44.400
Good night.

618
00:50:50.460 --> 00:50:55.380
That was this flight through entirety, starring Nathan Bottomley, Fraser, Gregory, Peter Griffiths, and James Selwood.

619
00:50:55.440 --> 00:50:57.599
Theme arrangement by Cameron Lamb.

620
00:50:57.659 --> 00:51:03.960
This episode, Scottish Reasons, was recorded on the 13th of August 2023 and released on the 8th of October.

621
00:51:04.860 --> 00:51:10.920
The lake in this story might seem unrealistically deep, but the next time you watch Battlefield.

622
00:51:10.980 --> 00:51:16.980
Remember that Dos Marie pool in Cornwall, where the lady of the lake came from, is three metres deep at most.

623
00:51:17.039 --> 00:51:20.280
Team, educational and entertaining.

624
00:51:26.340 --> 00:51:27.780
That's brilliant.

625
00:51:27.840 --> 00:51:28.380
Do you know what?

626
00:51:28.440 --> 00:51:30.539
That was my bigger than work.

627
00:51:30.539 --> 00:51:39.480
The, um, the, um, uh, uh, the which is familiar because I think it's incredible.

628
00:51:39.539 --> 00:51:47.159
I think we should remind everyone every 2 weeks on Flattery Tiny that they should be watching straight 2 worlds because they think it's incredible.

629
00:51:47.219 --> 00:51:48.360
It's so good.

630
00:51:48.420 --> 00:51:49.199
I love it so much.

631
00:51:49.260 --> 00:51:53.039
Hey, Doctor Who fans, go and watch Star Trek instead.

632
00:51:53.099 --> 00:51:54.539
What was the episode before that?

633
00:51:54.599 --> 00:51:55.800
Was that a comedy one?

634
00:51:55.980 --> 00:52:01.920
Before that was Spock sex comedy, the annual Spock sex comedy?

635
00:52:01.980 --> 00:52:07.920
No, the one before that episode was where, ah, I can't remember her name takes over the ship.

636
00:52:07.980 --> 00:52:09.539
Oh, Serene School.

637
00:52:09.539 --> 00:52:11.460
Yeah, she's amazing. far out.

638
00:52:11.519 --> 00:52:20.579
Yeah, it's just kind of like such a pivot from like, in general, genre and tone from one episode, because I've been watching, I watch it about 2 and 8.

639
00:52:20.639 --> 00:52:25.679
The 1st series like binged 2 and a go and it was just like, this is a bit whiplash, but you know what?

640
00:52:25.739 --> 00:52:29.039
It's absolutely... everything.

641
00:52:29.099 --> 00:52:30.900
Yeah, that's what you want.

642
00:52:30.960 --> 00:52:34.559
It's just so refreshing to have a Star Trek again that is just episodic.

643
00:52:35.519 --> 00:52:37.500
You know, that you can't just...

644
00:52:37.559 --> 00:52:40.500
Yeah, the thing about Strangely Road is that the characters are so immediate as well.

645
00:52:40.559 --> 00:52:43.019
Yeah, like and know all of them from the off.

646
00:52:43.079 --> 00:52:44.820
They're so relaxed.

647
00:52:44.880 --> 00:52:49.139
Like they're so well played and so relaxed and so real.

648
00:52:49.260 --> 00:52:52.320
They inhabit, they inhabit their characters really well, don't they?

649
00:52:52.380 --> 00:53:08.280
You know, the thing, this is my theory, that everyone has such PTSD from series one and 2 of Star Trek, the Next Generation, that they decide that they raise the floor by just saying we're going to do this every week.

650
00:53:08.280 --> 00:53:12.900
And they don't raise the ceiling like, oh, maybe they do.

651
00:53:12.960 --> 00:53:24.719
There's some pretty great episodes there, but there's a sameness to Star Trek the Next Generation, which I think that Strangely Worlds is such a better version of Star Trek than that.

652
00:53:25.500 --> 00:53:27.420
Just because it does everything.

653
00:53:27.719 --> 00:53:39.960
I mean, there was a bit of an issue in as much as that there's only 10 episodes long, so you have to kind of, you've got half of the length of like a, a DSNA, the next generation says you've got like squish everything.

654
00:53:40.079 --> 00:53:40.739
Not even that.

655
00:53:40.800 --> 00:53:43.440
It's like less than half because they're like 26 episodes long.

656
00:53:43.500 --> 00:53:51.239
Yeah, I want episodes like the price. don't we get them Oh, did you see, you haven't seen the lower decks trailer?

657
00:53:51.300 --> 00:53:52.019
No.

658
00:53:52.079 --> 00:54:00.000
So the lower decks trailer for season two, there's a scene in the price where Beverly and Deanna are in...

659
00:54:00.000 --> 00:54:04.079
As a limb doing in the in the gym doing jazz size in these outfits.

660
00:54:04.139 --> 00:54:22.019
And there's a scene in the in the lower deck series 4 trailer where Shacks and Ransom are wearing exactly the same things, sitting opposite one another, doing splits, literally wearing the same outfits, the same colour, everything.

661
00:54:22.079 --> 00:54:24.480
Like it's absolutely 100% that.

662
00:54:24.539 --> 00:54:28.139
Oh, are you watching Lower Decks, Fraser?

663
00:54:28.199 --> 00:54:28.980
I've not.

664
00:54:29.039 --> 00:54:29.579
I've not.

665
00:54:29.639 --> 00:54:32.099
I've watched the 1st episode.

666
00:54:32.099 --> 00:54:34.079
Oh, this is a bit.

667
00:54:34.139 --> 00:54:36.300
No, I was with you, Fraser.

668
00:54:36.360 --> 00:54:38.219
This is a bit like keep going.

669
00:54:38.280 --> 00:54:41.760
Star Trek was Family Guy, which was a bit of a...

670
00:54:41.820 --> 00:54:44.039
But it's actually properly Star Trek.

671
00:54:44.099 --> 00:54:46.440
Like it has real proper Star Trek.

672
00:54:46.500 --> 00:54:50.579
Things like it makes fun of Star Trek, but it does proper Star Trek episodes in a way.

673
00:54:50.639 --> 00:54:53.219
And wait till you see them come on board.

674
00:54:53.280 --> 00:55:03.659
I was going to say, I'm going to have to because I know there's a crossover episode. coming up and cutting up with a couple of nights time for us, so I'm going to have to get into it before...

675
00:55:03.659 --> 00:55:07.199
When are they going to their Deep Space 9 crossover, lower Dax, lower Dax.