WEBVTT

NOTE
This transcript was created on 2026-05-04 at 14:09:39

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Hello, dear listener, and welcome back to Flight to Entirety, the

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only Doctor Who podcast that until 30 minutes ago thought those

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chonky robot boys were actually robots.

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Well, I did anyway.

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I'm Nathan.

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I'm Brendan.

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I'm James.

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And I'm Stacy.

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Well, we're back in the past this week doing what the past does

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best, being a rich, well realised backdrop for some top quality

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Doctor Who skylarking.

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It's the doctor and a bunch of comedy Vikings versus some big

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stupid monsters with lots of teeth.

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So let's see who wins, who loses, and who's stupid enough to take

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odds on the outcome in The Girl Who Died.

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I'm having a little bit of a Todd experience with this one, I have

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to say.

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I said earlier that series 9 was my least well-known bit of Doctor

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Who and the one that I'd kind of never gone back to.

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And watching this and next week's episode.

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I think this is extremely good, Doctor Who, and that next week's

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is kind of in quite a different way.

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What's been your story with series 9, Stacy?

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Yeah, I had a similar thing at the beginning that I sort of

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watched it and couldn't really keep it in my head, and then when I

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was writing who was the doctor too, we had to kind of watch

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everything, and I think I was living in Cameroun at the time, and

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I've got the DVDs, and I'm trying to like get through Doctor Who

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and I got no internet, and I got to this, and I was like, this is

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this is really good.

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Like, what is this gem?

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Like, this is this is amazing.

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I feel broadly the same about series 9.

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I think that like it rewards repeated viewings.

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So it was maybe a bit weak, sort of the 1st round, but there's so

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many layers in there.

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Like, I miss the hybrid stuff. you know, they say, 0 my gosh, a

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hybrid, like they're, you know, driving a Prius every week.

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And I didn't even notice until like the end.

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I was like, oh, yeah, there's a hybrid around, you know, that

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stuff.

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So stuff is layered, but I think more subtly than probably it

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should be.

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So that's, you know, terrible for 1st time viewers, great for long

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term viewers.

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So, you know, Y for fans, I guess.

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I absolutely adore this story particularly.

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I just, I find it's my Uber Doctor Who.

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Like it is just absolutely everything I want from Doctor Who is

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right here in this one single story.

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And it seems very much designed that way, doesn't it?

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It's a Doctor Who story where Clara, in particular, is aware of

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the tropes that constitute a Doctor Who story and where the doctor

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is as well, and she's the one noticing the beats as they happen.

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You know, the doctor doesn't have a plan.

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He's doing a thing that's not going to work and that isn't

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consistent with his character, then he has an aha moment which she

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actually spots happening.

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And then it becomes the Doctor Who that we love, which is we beat

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the monsters by being nicer and sillier than them.

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And having a worse special effect.

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It's amazing.

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There's that beautiful moment, speaking of that, where, you know

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he's he's given up his, you know, he's got, we just have to leave

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like, you know, these people are going to die.

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And then they're talking and he's listening to the baby crying and

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then baby stops crying and he's decided to stay.

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But I think it's a bit after he's decided to leave.

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What he has decided to do is lead them into a battle and give them

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a glorious death and that's the best that he can do.

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And then when he hears the baby, Clara.

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That's when Clara put her hand to his face.

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Is that what you're talking about?

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Yeah, because there is a point where he's going to leave when he's

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in the meeting with the villagers and then he kind of decides to

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stay when he hears the baby as well.

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I kind of feel like it runs, it runs through some, like, very

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doctor who he tropes, right?

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like, you know, the beginning of Doctor Who, you know, is

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basically like, there's pacifists and we have to like stand up and

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fight, right?

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That sort of like the bar legs.

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And then you get to Patrick Trotton era, and it's like, you know

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evil must be flawed, right?

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And so it's kind of like, you know, the doctor's 1st approach is

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like, you should all just run away.

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And that doesn't work.

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So he's like, okay, now we're going to stand and fight.

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And that doesn't work either.

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And what they're looking for is what you're saying. like, there's

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a moment where it's going to be this unexpected 3rd way.

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Like, we're not going to do the expected thing.

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And Clara knows that's coming and the doctor knows it's going to

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happen even though he has no idea what it's going to be.

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And you're right. there's that moment, you can see it, and it's

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like, it's really shutting behind the curtain, how Doctor Who

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works, I think.

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And it does something that a few other scripts in this era do

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where the opening teas is setting up the premise of the episode

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because they've just liberated some other planet, and, you know

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Clara's been in the spider mines for too long and she's got a love

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bug that's going to suck her brain out through her face, et cetera

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et cetera.

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Um, and Clara raises the question, what happens to people after we

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save them?

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And the doctor's like, well, you know, I can't do everything.

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I can just give people a chance.

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And then this story, the overarching story sort of explores how

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that works when you take away the TARDIS, you take away the sonic

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sunglasses and all you have is the local technology, local

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knowledge, and people at your disposal and can, you know, can that

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still work, which is, Yeah, it is doctor in microcosm. you know

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saving the universe with a kettle and some string.

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Yeah.

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What's funny is it reminds me of Frontios.

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Remember?

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Frontios has this thing, which is never kind of mentioned before

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and never comes up again, that the doctor shouldn't be interfering

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in Frontios because it's, you know, on the boundaries of our

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knowledge.

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It's far, far in the future, and he can't interfere because

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whatever he does will have massive ramifications.

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And then he interferes anyway and just tells them not to tell

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anyone.

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And so here the problem is it's not the usual sort of fixed point

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in time or any of that sort of nonsense.

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The idea is that he can only do things he says that cause ripples

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rather than causing big waves.

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And so that's initially why he wants to leave.

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Remember, that's how he couches what happens if the Maya gets

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beaten in battle by the villagers, that that causes enough ways to

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potentially change history.

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And it just sort of turns out that making fun of the Maya is

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fine.

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And they'll just sort of go away with their tails between their

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legs and we're okay.

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Um, so here where we're doing that, we're looking at what the

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doctor normally does and what the consequences are. in a way that

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we probably haven't done since the specials.

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And I think this does a better job of that, perhaps than the

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specials.

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Yeah, I think that opening teaser is, like you say, it's this

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little microcosm of Doctor Who story that happens in like 2

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minutes.

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And I love that it kind of, it makes the point that like we just

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leave it hanging.

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It's like, no, we solve the problem today.

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Yeah, they can come back.

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Like, you know, they're always going to come back.

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This is not a I wiped them from the universe because they come

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back anywhere even when he does that.

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So it's kind of like, this is it.

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It's kind of like, yeah, I feel like it's like Tom Baker and

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Santara Experiment being like, not today, thank you.

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And it's kind of like, that's Doctor Who, right?

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It's like, yeah, you know, if you try again, I'll stop you next

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time too.

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I'm getting some incredible Tom Baker vibes from Capaldi in this

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episode as well.

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Like really, really strong, I think.

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So this season seems to be examining who the doctor is.

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And so we go back and relitigate the Daleks and genesis of the

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Daleks in the 1st 2 parter.

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In the 2nd 2 part, we see the doctor in sort of Patrick Trouton

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style, base under siege.

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It doesn't really go much beyond that, I think, but it at least

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gets us seeing the doctor do very doctor-ish things and Capaldi

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doing them in particular.

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But here I think there's a real proper analysis of what the doctor

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does and how he beats his enemies.

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It's that weird thing that almost breaks the show, isn't it?

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Where Clara says you always win.

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You always win, and that's what you're good at, win, you know, go

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and win because that's what you do best.

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But I think, I think it's how he wins.

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That's the important thing that that's established.

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And it's a sort of homesy thing, isn't it?

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The we win by being more fun than the villains.

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Yeah, I mean, I find it interesting that that, I mean, it's like

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yes, the doctor always wins, but there's usually like a cost paid

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right?

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And even in the previous story, right?

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It's like, you know, like basically like O'Donnell, you know, dies

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along the way, and this is very tragic and so on, but it's sort of

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like, well, that's just how Doctor Who is.

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You can't really do anything about that.

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And this time around, they spend a lot of time establishing all

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the trips in Doctor Who, and then they go and break the rules.

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And it's really clear that last 6 minutes.

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They're like, oh, we're throwing it all out.

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We have shown you piece by piece, how it all works, and then we're

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going to throw the whole thing away, and we are breaking the rules

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and we are keeping the guest character alive this time, and we're

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going to see what happens now.

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It's disaster.

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I mean, it even breaks the episode itself.

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The episode is called The Girl Who Died.

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And the couple goes, well, I don't care what the episode title

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is.

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She's not going to die.

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And in a way as well.

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This...

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A shield is deaf and Clara's death are bound very closely

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together.

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And so Sheldon will appear in 4 episodes this season, 3 or four

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right?

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And in the 3rd episode, like we see her going through the future

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don't we?

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We finally see her at the very end of the universe and she's still

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with us.

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But doing this tuition does lead to Clarence Dare.

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And um, something else that is interesting about that for me is, of

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course, the doctor here is motivated by um, Lofty's crying baby.

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And when, when um, we do see a shilder again in the modern day and

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the moments leading up to Clara's death and the doctor is railing

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against that and saying that his, I think he uses the phrase reign

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of terror, actually, like my reign of terror, no, no bounds, and

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Clara's response is, your reign of terror will stop at the 1st

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crying child.

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And, you know, it was only watching this a 2nd time that I kind of

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got that link.

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And it's actually why things like things in the day of the doctor

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with Clara often asked me if I dream and it's like, well, that has

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not.

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No, she hasn't.

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She hasn't asked you that once.

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And it's like, I love it when the production team can weave this

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stuff through in just sort of natural moments and then pick up on

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it later.

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And it's important in this episode, but it is such a devastatingly

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clever line in the later episode as well.

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And I do remember like at the time this went out, and of course

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Maisie Williams, hugely popular in Game of Thrones, there were

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people who were very critical of her performance in this, and I

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didn't get that at the time, and I don't get it now.

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I think she is brilliant and subtle and witty and likeable.

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And I think everyone just wanted to run like running around with a

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sword and stabbing things like she does in Game of Thrones.

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But it's like she's an actor.

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She can do other things.

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Yeah, but I think I think partly the backlashes because of that

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but also that's a very deliberate choice.

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The character is a different character every time you see her.

244
00:12:22.620 --> 00:12:24.720
Here, she is a child.

245
00:12:24.779 --> 00:12:29.820
She is a teenager and she is innocent and afraid.

246
00:12:29.879 --> 00:12:35.340
And then when you see her next week, you know, she, it's been what

247
00:12:35.340 --> 00:12:41.700
800 years, and she can't remember her past or what it was to love

248
00:12:41.700 --> 00:12:45.899
or or have, you know, human emotion, basically.

249
00:12:45.960 --> 00:12:50.039
And then when you meet her again later in the season, she's become

250
00:12:50.039 --> 00:12:55.919
something else again, in response to what the doctor's done to

251
00:12:55.919 --> 00:12:56.100
her.

252
00:12:56.159 --> 00:13:01.320
Like, it's a really actually quite a strong progression through

253
00:13:01.320 --> 00:13:03.899
those different characters for her, I think.

254
00:13:03.960 --> 00:13:06.720
Well, I think they play that out in the final scene, right?

255
00:13:06.779 --> 00:13:09.120
When you see her face, you know, the background spinning around

256
00:13:09.120 --> 00:13:13.200
she gets from sort of happy to angry to determine, and it just

257
00:13:13.200 --> 00:13:13.919
looks on her face.

258
00:13:13.980 --> 00:13:16.320
Like the face is not cutting away there.

259
00:13:16.379 --> 00:13:19.200
Yeah, it's really good, isn't it?

260
00:13:19.259 --> 00:13:21.360
Because we're going around her.

261
00:13:21.480 --> 00:13:24.059
Like we're going around her with the background.

262
00:13:24.120 --> 00:13:25.799
And the 1st time we see her, she's happy.

263
00:13:25.860 --> 00:13:28.740
Then we go around her back and then we see her and she's sadder

264
00:13:28.740 --> 00:13:32.639
and then the camera just goes straight on her face and doesn't let

265
00:13:32.639 --> 00:13:38.039
go and that's where we see a real change in her expression.

266
00:13:38.100 --> 00:13:39.360
Yeah, she kind of hardens.

267
00:13:39.419 --> 00:13:40.440
Yeah.

268
00:13:40.500 --> 00:13:43.139
And then we get, and then we get to be continued.

269
00:13:43.200 --> 00:13:48.539
So that sets her up as something really quite terrifying and we

270
00:13:48.539 --> 00:13:49.980
don't quite know why.

271
00:13:50.039 --> 00:13:54.179
But I think the thing that she does is she tracks the doctor.

272
00:13:54.240 --> 00:13:59.639
And so next week, we will see how much like the doctor she is.

273
00:13:59.700 --> 00:14:06.240
And then, um, and then the following time, in Face the Raven, she

274
00:14:06.240 --> 00:14:10.980
has devoted herself to staying behind to help the people that the

275
00:14:10.980 --> 00:14:14.940
doctor leaves behind when he, um, runs off at the end of an

276
00:14:14.940 --> 00:14:15.360
episode.

277
00:14:15.360 --> 00:14:18.840
And, and you know the moment, there's a moment where he's got his

278
00:14:18.840 --> 00:14:22.139
2000 year diary in this and he's been looking up the mire.

279
00:14:22.200 --> 00:14:27.480
And I just couldn't help thinking of Ashildi's journal of me's

280
00:14:27.480 --> 00:14:28.919
journal, the following episode.

281
00:14:28.980 --> 00:14:33.480
You know, both of them have been alive for so long that they have

282
00:14:33.480 --> 00:14:37.799
to rely on written words on a page in order to just remind

283
00:14:37.799 --> 00:14:40.320
themselves of what's been happening.

284
00:14:40.379 --> 00:14:45.000
And that's kind of the 1st hint of that here, but we won't see it

285
00:14:45.000 --> 00:14:46.080
pay off till next week.

286
00:14:46.139 --> 00:14:48.840
Well, he gives it that look at the beginning, right?

287
00:14:48.899 --> 00:14:51.960
When he enters the village and he catches and he's, you can tell

288
00:14:51.960 --> 00:14:54.600
he's like, I know, I know this person from somewhere and it's so

289
00:14:54.600 --> 00:14:58.320
obvious he's recognised her from his life, but he hasn't quite

290
00:14:58.320 --> 00:14:58.980
clued in.

291
00:14:59.039 --> 00:15:02.580
And then he's like, I know you from somewhere, and then he let at

292
00:15:02.580 --> 00:15:03.779
the end, he's realised why he knows her.

293
00:15:03.779 --> 00:15:08.820
There's a moment too, where he's talking with Clara and says

294
00:15:08.820 --> 00:15:13.440
something about immortality and then a shilde breaks into the

295
00:15:13.440 --> 00:15:13.980
conversation.

296
00:15:14.039 --> 00:15:15.539
Yeah, yeah.

297
00:15:15.600 --> 00:15:18.600
And so it's that thing.

298
00:15:18.600 --> 00:15:19.980
And I think it's a very moffity thing.

299
00:15:20.039 --> 00:15:22.919
Like, I think this is a very Matheson script, but it's a very

300
00:15:22.919 --> 00:15:26.100
moffety thing to do that sort of throwaway idea that premonition

301
00:15:26.100 --> 00:15:28.259
is just remembering things in the wrong order.

302
00:15:28.320 --> 00:15:30.840
There's no that Moffat didn't write that.

303
00:15:30.899 --> 00:15:33.240
And so he's just remembered things backwards.

304
00:15:33.299 --> 00:15:36.659
Her becoming immortal, has repercussions into the past as well as

305
00:15:36.659 --> 00:15:38.399
into the into the future.

306
00:15:38.519 --> 00:15:43.320
And I think that's really just excellent.

307
00:15:43.379 --> 00:15:46.860
And, and I mean, why does he save her?

308
00:15:46.860 --> 00:15:49.919
And it seems to me that he saves her because he's thinking of

309
00:15:49.919 --> 00:15:50.580
Clara.

310
00:15:50.639 --> 00:15:52.379
He says that, doesn't he?

311
00:15:52.440 --> 00:15:55.860
That look on your face and the anger and kindness and there's

312
00:15:55.860 --> 00:15:59.399
going to be a day where, you know, even remembering them hurts me

313
00:15:59.399 --> 00:16:01.080
so much. barely breathe.

314
00:16:01.139 --> 00:16:04.019
And that's why he saved her.

315
00:16:04.860 --> 00:16:11.580
Like, a show is a storyteller, a writer, and the Moffat thing is

316
00:16:11.580 --> 00:16:13.919
isn't it, to say, we're telling a story.

317
00:16:13.980 --> 00:16:16.200
Actually, no, that story is not good enough.

318
00:16:16.259 --> 00:16:18.899
Let's tell another one and it happens twice here.

319
00:16:18.960 --> 00:16:22.200
You know, the story is, the doctor trains them all up and they

320
00:16:22.200 --> 00:16:26.100
horribly defeat the Maya in some terrible way, like, because it's

321
00:16:26.100 --> 00:16:27.240
never going to be, they all get killed.

322
00:16:27.299 --> 00:16:28.620
That's not going to happen to Doctor Who story.

323
00:16:28.679 --> 00:16:31.980
But like they fight the Maya and then for some stupid reason they

324
00:16:31.980 --> 00:16:32.279
win.

325
00:16:32.340 --> 00:16:34.320
Then we go, no, actually forget that.

326
00:16:34.440 --> 00:16:36.960
Let's do the story where they make fun of the Maya.

327
00:16:37.019 --> 00:16:42.899
And Shilda does what the story title promises dies for the sake of

328
00:16:42.899 --> 00:16:44.519
the town that she loves.

329
00:16:44.580 --> 00:16:47.039
And then we go actually, no, no, let's not do that.

330
00:16:47.100 --> 00:16:51.120
Let's let her live because Clara, I think.

331
00:16:51.539 --> 00:16:56.519
The story did have an interesting development in regards to that.

332
00:16:56.580 --> 00:17:02.580
It was originally called Valkyrie, and the idea was that the Maya

333
00:17:02.580 --> 00:17:07.740
would actually abduct all the women in the village to crossbreed

334
00:17:07.740 --> 00:17:09.539
with them, thus creating hybrids.

335
00:17:10.200 --> 00:17:16.019
And yeah, yeah, there was a there was a collective squirm just

336
00:17:16.019 --> 00:17:16.319
there.

337
00:17:16.380 --> 00:17:20.519
And reading between the lines and the complete history.

338
00:17:20.700 --> 00:17:24.960
Moffat went, um, one, Jamie, I think you've gone a bit literal on

339
00:17:24.960 --> 00:17:28.380
the hybrid thing and to also just no.

340
00:17:28.859 --> 00:17:33.359
So that then became flipped on its head. because they started

341
00:17:33.359 --> 00:17:37.500
discussing doing a dad's army story with like, you know, the

342
00:17:37.500 --> 00:17:38.400
Vikings left behind.

343
00:17:38.460 --> 00:17:40.799
It's like, okay, well, for that, they need to abduct the men and

344
00:17:40.799 --> 00:17:45.480
they need, you know, Odin needs to drink a shot of testosterone

345
00:17:45.480 --> 00:17:49.019
and adrenaline, which is just like...

346
00:17:49.079 --> 00:17:50.640
And nothing sucks.

347
00:17:50.759 --> 00:17:55.259
It was at that point, like, it had a number of working titles.

348
00:17:55.319 --> 00:17:57.180
The 1st one was Valkyrie.

349
00:17:57.240 --> 00:18:00.119
The 2nd was The All Fathers Army.

350
00:18:00.180 --> 00:18:01.619
Oh no.

351
00:18:03.180 --> 00:18:06.059
And then it became Ragnarok.

352
00:18:06.660 --> 00:18:08.940
That's been a working title before.

353
00:18:09.000 --> 00:18:13.500
Yeah, which that version of the script is much closer, but there's

354
00:18:13.500 --> 00:18:18.059
still a few differences where instead of using the emergency

355
00:18:18.059 --> 00:18:21.119
medical kit, the doctor takes her to Khan.

356
00:18:21.180 --> 00:18:22.859
Oh okay.

357
00:18:24.420 --> 00:18:27.119
We could always do with more Claire Higgins.

358
00:18:27.180 --> 00:18:28.259
Yes.

359
00:18:28.980 --> 00:18:33.059
Yeah, I find this really interesting because I think fundamentally

360
00:18:33.059 --> 00:18:35.339
the episode is about storytelling, right?

361
00:18:35.400 --> 00:18:39.059
And it's about, you know, like you've got like a shilder who is

362
00:18:39.059 --> 00:18:43.680
the storyteller, but then also you puncture the Myra's story of

363
00:18:43.680 --> 00:18:46.920
like how fierce they are. and so on with like a really terrible

364
00:18:46.920 --> 00:18:50.460
story. like, um, and I love that they kind of like they take like

365
00:18:50.460 --> 00:18:53.579
this new series effect, like this, this disguising a classic

366
00:18:53.579 --> 00:18:54.299
series effect.

367
00:18:54.420 --> 00:18:56.220
Like, I just feel like that's such great things.

368
00:18:56.279 --> 00:18:58.619
And it kind of says, yeah, Doctor Who works really well, but it's

369
00:18:58.619 --> 00:19:02.220
kind of like, you know, classic series storytelling and and like

370
00:19:02.220 --> 00:19:03.299
you know, just how powerful that is.

371
00:19:03.359 --> 00:19:04.680
And I just, I absolutely adore this.

372
00:19:04.740 --> 00:19:11.160
And every episode so far has been about telling stories.

373
00:19:11.220 --> 00:19:13.859
Like magician's apprentice and which is familiar is all about the

374
00:19:13.859 --> 00:19:18.480
function of the companions and the villains and also the doctor

375
00:19:18.480 --> 00:19:24.359
teaching Davros the idea of mercy through a parable of himself

376
00:19:24.359 --> 00:19:25.200
which is kind of weird.

377
00:19:25.259 --> 00:19:30.000
Then you've got the Fisher King who gets into your brain using the

378
00:19:30.000 --> 00:19:32.759
written word and makes you tell his story.

379
00:19:32.880 --> 00:19:35.640
And the doctor even says to the fisher king last week. is where

380
00:19:35.640 --> 00:19:36.539
your story ends.

381
00:19:36.599 --> 00:19:43.259
So yeah, it's been very literary and analytical of Doctor Who so

382
00:19:43.259 --> 00:19:44.460
far this season.

383
00:19:44.519 --> 00:19:48.539
And I do remember at the time I kind of thinking, I wonder, you

384
00:19:48.539 --> 00:19:52.799
know, what the people who don't own the Doctor Who Cookbook by

385
00:19:52.799 --> 00:19:55.200
Gary Downey are making of all this.

386
00:19:55.619 --> 00:19:57.599
But I've said this before.

387
00:19:57.660 --> 00:19:59.880
I then go, I don't care because I'm enjoying that.

388
00:19:59.940 --> 00:20:01.559
Let us have this one.

389
00:20:01.740 --> 00:20:04.200
Like we can have this season.

390
00:20:14.519 --> 00:20:21.059
Right, so um, Odin, who is played very, very well by David

391
00:20:21.059 --> 00:20:21.839
Schofield.

392
00:20:21.900 --> 00:20:25.920
No criticism to David Schofield was originally cast with another

393
00:20:25.920 --> 00:20:30.000
actor, and it's exactly who you, it's exactly who you think.

394
00:20:30.480 --> 00:20:32.220
God bless it.

395
00:20:32.700 --> 00:20:34.440
Oh, wow.

396
00:20:34.440 --> 00:20:35.519
Correct.

397
00:20:35.579 --> 00:20:39.960
Unfortunately, shortly before filming, he collapsed on stage as

398
00:20:39.960 --> 00:20:43.680
King Lear and was diagnosed with a heart condition and it's like

399
00:20:43.680 --> 00:20:47.160
maybe don't maybe don't work for a bit.

400
00:20:47.220 --> 00:20:48.359
Yes.

401
00:20:48.420 --> 00:20:50.220
So it was to be Brian Blessed.

402
00:20:50.279 --> 00:20:52.559
Maisie Williams was cast first.

403
00:20:52.619 --> 00:20:56.339
She was the main guest star, but then it's like, oh, we're doing a

404
00:20:56.339 --> 00:20:57.059
story with Odin.

405
00:20:57.119 --> 00:20:59.039
We need someone a bit like Brian Blessed.

406
00:20:59.099 --> 00:21:01.559
Has anybody asked Brian Blessed?

407
00:21:01.859 --> 00:21:06.960
That thing where he appears in the sky in the Monty Python and the

408
00:21:06.960 --> 00:21:09.059
Holy Grail sort of cloud.

409
00:21:09.119 --> 00:21:11.099
He's so great.

410
00:21:11.160 --> 00:21:12.480
It's so surprising.

411
00:21:12.599 --> 00:21:14.279
I mean...

412
00:21:14.339 --> 00:21:18.059
Matheson stuff has been funny before, but this is really, really

413
00:21:18.059 --> 00:21:18.779
good.

414
00:21:18.839 --> 00:21:22.380
So, you know, like the yo-yo is the doctor's way of kind of

415
00:21:22.380 --> 00:21:24.240
impressing them with technology.

416
00:21:24.299 --> 00:21:26.220
And like Clara's seen it before.

417
00:21:26.279 --> 00:21:28.319
It's like, oh, it's not the yo-yo is it?

418
00:21:28.380 --> 00:21:30.720
And then he does the voice.

419
00:21:30.779 --> 00:21:35.279
And then, like, when the big Odin appears in the sky and he tries

420
00:21:35.279 --> 00:21:37.680
something with the yo-yo and it fails.

421
00:21:37.980 --> 00:21:41.339
He goes, it's meant to do that. and he like, he's being Odin

422
00:21:41.339 --> 00:21:41.880
voice.

423
00:21:41.940 --> 00:21:46.440
Like, it's it's so wonderfully brilliant and he's so wonderfully

424
00:21:46.440 --> 00:21:49.740
crap and that's kind of the thing about Doctor Who.

425
00:21:49.799 --> 00:21:54.539
You know, like his own his own special effects are a yo-yo.

426
00:21:54.599 --> 00:22:00.240
You know, it's so homespun and so crummy compared to what the Maya

427
00:22:00.240 --> 00:22:00.839
can come up with.

428
00:22:00.960 --> 00:22:02.880
Literally held together with a piece of string.

429
00:22:03.000 --> 00:22:03.839
Yes.

430
00:22:05.039 --> 00:22:08.220
But that is such a great visual.

431
00:22:08.279 --> 00:22:10.859
It's so superbly funny and brilliant.

432
00:22:10.920 --> 00:22:14.579
All that business that he does is one of the reasons why he's my

433
00:22:14.579 --> 00:22:15.240
favourite doctor.

434
00:22:16.140 --> 00:22:18.660
And he's a very Tom thing.

435
00:22:18.720 --> 00:22:21.960
Like, he's channelling Tom all the time here, I think, and doing

436
00:22:21.960 --> 00:22:24.180
Tom's voice from time to time and stuff.

437
00:22:24.240 --> 00:22:28.559
Like, he just gets what works as the doctrine, what the role is

438
00:22:28.619 --> 00:22:32.279
given that this is a show about that, he's kind of the perfect

439
00:22:32.279 --> 00:22:33.180
person to do it.

440
00:22:33.240 --> 00:22:37.500
I mean, we said it's literally, this is like a short story.

441
00:22:37.619 --> 00:22:43.079
Simon often complains that the new series of Doctor Who produces

442
00:22:43.079 --> 00:22:47.160
sort of 45 minute episodes that are just compressed for partters

443
00:22:47.160 --> 00:22:48.779
but this isn't that, is it?

444
00:22:48.839 --> 00:22:50.039
This is like a short story.

445
00:22:50.099 --> 00:22:51.960
It takes place over one night.

446
00:22:52.079 --> 00:22:53.819
The doctor sort of turns up.

447
00:22:53.880 --> 00:22:59.039
There's a problem and he solves it in a very doctor-ish way.

448
00:22:59.099 --> 00:23:01.440
And I think next week is that as well.

449
00:23:01.500 --> 00:23:04.500
Like the scale of the story, the complexity of the story.

450
00:23:04.559 --> 00:23:08.640
And the fact that it is about something more than just the action

451
00:23:08.640 --> 00:23:14.400
makes it, I think, a perfect new series structure for these 2

452
00:23:14.400 --> 00:23:14.940
episodes.

453
00:23:15.059 --> 00:23:18.180
Yeah, I think I think even even though they have it to be

454
00:23:18.180 --> 00:23:20.700
continued and they have the parallel titles, they don't feel like

455
00:23:20.700 --> 00:23:24.240
two palves of a two-parter, and I mean, you had very different

456
00:23:24.240 --> 00:23:27.059
kind of halves of a two-parter in the under the lake, two-parter

457
00:23:27.059 --> 00:23:30.359
only because of the time jump, but like this feels like 2 separate

458
00:23:30.359 --> 00:23:32.519
stories that have a linking theme and a linking kind of

459
00:23:32.519 --> 00:23:33.000
character.

460
00:23:33.180 --> 00:23:36.960
Tom Spillsbury made a comment about this when we're talking about

461
00:23:36.960 --> 00:23:39.660
the season in one of the Dalek episodes at the beginning of the

462
00:23:39.660 --> 00:23:40.019
season.

463
00:23:40.079 --> 00:23:44.819
It would have been much more interesting if these hadn't been a

464
00:23:44.819 --> 00:23:45.480
two-parter.

465
00:23:45.539 --> 00:23:51.359
If this story had occurred, maybe where it is, and then part 2 had

466
00:23:51.359 --> 00:23:54.000
occurred after the Zygon 2 parter.

467
00:23:54.059 --> 00:23:59.039
So you leave her doing her own thing, you come back and see the

468
00:23:59.039 --> 00:24:02.339
impact instead of immediately coming back to the character.

469
00:24:02.460 --> 00:24:06.420
Yeah, yeah, I've I've long held that opinion as well.

470
00:24:06.480 --> 00:24:09.900
And, you know, she could have even had a cameo in the Zygon 2

471
00:24:09.900 --> 00:24:10.380
parter.

472
00:24:10.440 --> 00:24:12.539
Like, um, like Billy Piper.

473
00:24:13.319 --> 00:24:15.599
Yeah, like Billy Piper in Partners in Crime.

474
00:24:15.660 --> 00:24:16.980
You just go, hold on, what?

475
00:24:17.039 --> 00:24:21.480
And then, you know, you go, you go back to her story with Sam

476
00:24:21.480 --> 00:24:22.079
Swift.

477
00:24:22.140 --> 00:24:26.640
Do you know, I actually tend to disagree, and I'll tell you why.

478
00:24:26.700 --> 00:24:30.839
I think that what happens next week is that we see a very

479
00:24:30.839 --> 00:24:32.220
different type of Doctor Who.

480
00:24:32.279 --> 00:24:38.460
So this one is the classic Doctor Who episode that hits all those

481
00:24:38.460 --> 00:24:39.420
beads.

482
00:24:39.480 --> 00:24:45.180
And now we get a picture of the doctor, not as a sort of comedy

483
00:24:45.180 --> 00:24:50.220
hero, not as the hero of The Curse of Fatal Death, but as the

484
00:24:50.220 --> 00:24:54.599
character that both Russell and Stephen Moffatt kind of want him

485
00:24:54.599 --> 00:25:00.119
to be, which is this sort of tired, jaded person.

486
00:25:00.180 --> 00:25:04.619
And so we get, we get the fun doctor in one episode and then in

487
00:25:04.619 --> 00:25:09.420
the next episode we get a much more interesting and nuanced

488
00:25:09.420 --> 00:25:13.619
portrayal of what the doctor is, not just from the way he behaves

489
00:25:13.619 --> 00:25:18.359
in the story, but from the similarities between him and me.

490
00:25:18.420 --> 00:25:23.819
And so we do get to see her back later in the season, but I think

491
00:25:23.819 --> 00:25:28.500
that allowing us to forget about her for a bit in the middle of

492
00:25:28.500 --> 00:25:31.740
the season and then bringing her back for Face the Raven is the

493
00:25:31.740 --> 00:25:32.279
right choice.

494
00:25:32.279 --> 00:25:34.980
And I think that these 2 form a brilliant pair.

495
00:25:35.039 --> 00:25:38.460
And like some time has passed, hasn't it, between the two?

496
00:25:38.519 --> 00:25:44.279
Like the doctor has been and seen her somewhere else, like in a

497
00:25:44.279 --> 00:25:45.779
leper colony, it'll come up next week.

498
00:25:45.839 --> 00:25:48.900
He's actually visited her and looked at her from a distance to see

499
00:25:48.900 --> 00:25:50.880
how she's getting on at some point.

500
00:25:50.940 --> 00:25:56.579
So both for him and for her sometime has passed between these two

501
00:25:56.579 --> 00:25:59.279
but they're next to each other, I think, because they're, they're

502
00:25:59.279 --> 00:26:03.119
mirrors of one another or they're, there's a really salient

503
00:26:03.119 --> 00:26:06.779
contrast between them that says something about the doctor as a

504
00:26:06.779 --> 00:26:07.019
character.

505
00:26:07.140 --> 00:26:12.119
I think I think it makes a contrast much more stark having them

506
00:26:12.119 --> 00:26:15.119
right next to each other that like that so that impact would have

507
00:26:15.119 --> 00:26:15.839
been lost you.

508
00:26:15.900 --> 00:26:20.039
I suppose, but I like to play what if.

509
00:26:20.099 --> 00:26:20.880
Yeah, yeah.

510
00:26:20.940 --> 00:26:21.599
Oh, sure.

511
00:26:21.660 --> 00:26:21.900
Yeah.

512
00:26:21.960 --> 00:26:26.099
Yeah, I think I think the bit that really stands out to me is the

513
00:26:26.099 --> 00:26:28.740
bit when he looks in the in the water and sees his reflection.

514
00:26:28.799 --> 00:26:32.519
And I remember Moffatt saying like, oh, we're going to explain why

515
00:26:32.519 --> 00:26:35.519
you know, he looks like Peter Capaldi, who looks like, you know

516
00:26:35.519 --> 00:26:36.480
he's been in Doctor Who before.

517
00:26:36.480 --> 00:26:38.160
And I'm like, well, you don't need to do this.

518
00:26:38.220 --> 00:26:41.700
We didn't need to explain why the 6th doctor looked like that

519
00:26:41.700 --> 00:26:44.160
guard that like, you know, Peter Davidson wants that.

520
00:26:44.279 --> 00:26:45.960
Like, this is this, we don't need it.

521
00:26:46.019 --> 00:26:47.519
And then they put it in deep breaths.

522
00:26:47.519 --> 00:26:49.980
And in deep breaths, the doctor is like, who frowned this face for

523
00:26:49.980 --> 00:26:50.220
me?

524
00:26:50.279 --> 00:26:51.660
I'm like, oh, okay, that's fine.

525
00:26:51.720 --> 00:26:52.140
That's enough.

526
00:26:52.200 --> 00:26:55.380
You've acknowledged that, you know, you've met this face before or

527
00:26:55.380 --> 00:26:56.400
whatever, that's good enough.

528
00:26:56.460 --> 00:26:58.740
And I was really against them going for this.

529
00:26:58.799 --> 00:27:00.839
And then when they did it, I find it amazing.

530
00:27:00.900 --> 00:27:03.000
I actually, it makes me tear up every time.

531
00:27:03.059 --> 00:27:07.380
I think the idea that like, like, the doctor needs to hold himself

532
00:27:07.380 --> 00:27:09.660
to the mark and he's not actually strong enough.

533
00:27:09.720 --> 00:27:11.460
And so he's like, you know what, who was?

534
00:27:11.519 --> 00:27:12.359
The 10th doctor.

535
00:27:12.420 --> 00:27:13.380
He was way stronger than I was.

536
00:27:13.440 --> 00:27:16.079
So I'm just going to remind myself of that.

537
00:27:16.140 --> 00:27:19.200
And it's like, he also needs a companion who will just cut through

538
00:27:19.200 --> 00:27:20.099
and tell him what to do.

539
00:27:20.160 --> 00:27:21.299
And that's not Clara.

540
00:27:21.359 --> 00:27:21.960
It's Donna.

541
00:27:22.019 --> 00:27:25.140
And so he's just he's just drawing on this previous strength that

542
00:27:25.140 --> 00:27:25.680
he used to have.

543
00:27:25.740 --> 00:27:28.859
And I think that sort of we as viewers recognise as like, you know

544
00:27:28.859 --> 00:27:31.380
yeah, that was in a way Doctor Who, in its heyday.

545
00:27:31.440 --> 00:27:34.920
And so it's like, that's just such a, like the moment you see

546
00:27:34.920 --> 00:27:37.319
David Tennant reaching up the hand from the TARDIS in flashback

547
00:27:37.319 --> 00:27:39.779
you're like, oh, yeah, this is a much more confident doctor.

548
00:27:39.839 --> 00:27:42.660
Like, this doctor has been very uncertain that he, like, has to

549
00:27:42.660 --> 00:27:45.539
have his predecessor called Clara the Telephone in the 1st episode

550
00:27:45.539 --> 00:27:48.240
can kind of like set things straight because he's not really sure

551
00:27:48.240 --> 00:27:51.119
who he is or what he is, you know, he's a good man in the previous

552
00:27:51.119 --> 00:27:52.079
season and so forth.

553
00:27:52.200 --> 00:27:54.480
And he finally kind of gets that certainty here.

554
00:27:54.539 --> 00:27:56.819
And the 1st thing he does is he makes a terrible mistake.

555
00:27:56.940 --> 00:27:59.220
And he's like, I'm just gonna say the next person I see.

556
00:27:59.220 --> 00:28:00.359
And it's a bad idea.

557
00:28:00.420 --> 00:28:02.279
And even admits it in this episode.

558
00:28:02.339 --> 00:28:04.799
I find it really funny that he's like at the end when they get

559
00:28:04.799 --> 00:28:06.660
back to the Tartars, he's like, yeah, I was angry, I was

560
00:28:06.660 --> 00:28:07.019
emotional.

561
00:28:07.079 --> 00:28:09.119
And he's like, oh, yeah, no, I've done terrible thing.

562
00:28:09.180 --> 00:28:12.119
And like, oh, I thought they were just gonna like, you know, I'd

563
00:28:12.119 --> 00:28:14.039
be like, oh, no, I did the right thing for now, and we would learn

564
00:28:14.039 --> 00:28:16.980
consequences, but no, he's already figured them out, then they're

565
00:28:16.980 --> 00:28:17.279
not good.

566
00:28:17.339 --> 00:28:21.480
I have this thing, though, about those doctor rules, like the

567
00:28:21.480 --> 00:28:26.220
rules which the doctor is supposed to follow and he follows them

568
00:28:26.220 --> 00:28:29.039
by not saving people by not doing a good thing.

569
00:28:29.099 --> 00:28:33.420
And those rules seem to me to be the sort of thing that I want the

570
00:28:33.420 --> 00:28:34.259
doctor to break.

571
00:28:34.319 --> 00:28:39.180
And it's the reason that I'm not on board very much with waters of

572
00:28:39.180 --> 00:28:43.200
Mars because I think, the doctor did the right thing by saving

573
00:28:43.200 --> 00:28:44.400
those people on the bass.

574
00:28:44.640 --> 00:28:49.019
And here, like saving someone's life and you can save someone's

575
00:28:49.019 --> 00:28:50.400
life is absolutely a thing.

576
00:28:50.460 --> 00:28:54.720
Look at how central she was to that village.

577
00:28:54.720 --> 00:29:03.599
And, yeah, like, like, I want him to break those big giant rules

578
00:29:03.599 --> 00:29:08.460
in order to save people and we're there with chuckles, you know

579
00:29:08.460 --> 00:29:12.480
crying over her body and responding to her coming back to life.

580
00:29:12.480 --> 00:29:16.740
And there's no doubt in my mind that he does the right thing by

581
00:29:16.740 --> 00:29:17.880
making that happen.

582
00:29:18.000 --> 00:29:20.640
On that point with Waters of Mars.

583
00:29:20.700 --> 00:29:25.200
I think the difference is that in the waters of Mars, the doctor

584
00:29:25.200 --> 00:29:27.960
breaks the rules to prove that he can break the rules.

585
00:29:28.019 --> 00:29:29.640
It's to prove that he's in charge.

586
00:29:30.119 --> 00:29:35.460
The doctor here breaks the rules because of his affection and

587
00:29:35.460 --> 00:29:38.160
gratitude towards a shelder.

588
00:29:38.220 --> 00:29:41.819
And at the end, back in the Tartars when he's saying, I think I've

589
00:29:41.819 --> 00:29:42.299
made a mistake.

590
00:29:42.359 --> 00:29:46.079
I'm reminded of Jamie Matheson's earlier script, Mummy on the

591
00:29:46.079 --> 00:29:49.859
Orient Express, where he says to Clara at the end, sometimes the

592
00:29:49.859 --> 00:29:53.279
only choices you have are bad ones, but you still need to choose.

593
00:29:53.460 --> 00:29:59.940
You know, Jamie Matheson, I think, only writes 4 or 5 scripts, but

594
00:29:59.940 --> 00:30:05.220
he comes in and immediately slams down, this is who I think the

595
00:30:05.220 --> 00:30:09.119
doctor is, and that is internally consistent across all of his

596
00:30:09.119 --> 00:30:09.420
work.

597
00:30:09.480 --> 00:30:13.380
I was having lunch this week with friend of the podcast, Anson, who

598
00:30:13.380 --> 00:30:16.920
said he wished that Jamie Matheson had taken over from producer of

599
00:30:16.920 --> 00:30:17.640
Stephen Moffat.

600
00:30:17.759 --> 00:30:19.619
He's like, I'm not saying that is a negative thing to Chris

601
00:30:19.619 --> 00:30:20.400
Chipnall.

602
00:30:20.460 --> 00:30:21.420
I enjoy bits of that.

603
00:30:21.539 --> 00:30:24.059
Actually, funny thing, he was saying, I rewatched the power of the

604
00:30:24.059 --> 00:30:26.880
doctor recently and I had, what do you call it?

605
00:30:26.940 --> 00:30:29.099
I had my Brad moment and I'm like, the Todd experience.

606
00:30:29.160 --> 00:30:32.819
He said, yes, I had a to experience. a spread moment.

607
00:30:33.779 --> 00:30:35.640
Sorry, Todd.

608
00:30:35.700 --> 00:30:37.500
He got one letter right.

609
00:30:37.559 --> 00:30:42.960
But yeah, it is this thing of the choices you may have a bad and

610
00:30:42.960 --> 00:30:46.920
you may regret them, but you make the choice that is right in the

611
00:30:46.920 --> 00:30:47.220
moment.

612
00:30:47.400 --> 00:30:50.640
You see, I think it's more complicated than that.

613
00:30:50.700 --> 00:30:54.299
I think he saves a shielder because he's terrified of losing Clara

614
00:30:54.359 --> 00:30:56.160
he basically says that.

615
00:30:56.220 --> 00:30:59.700
And I think David Tennant's doctor saves the people in waters of

616
00:30:59.700 --> 00:31:03.180
Mars because he can't bear listening to them suffer and, you know

617
00:31:03.180 --> 00:31:05.880
he's walking away from the base trying to do the right thing and

618
00:31:05.880 --> 00:31:09.660
he hears over their audio people screaming and crying and

619
00:31:09.660 --> 00:31:14.039
terrified and he can't just, you know, like, he's not just doing

620
00:31:14.039 --> 00:31:15.180
it to Big None himself.

621
00:31:15.240 --> 00:31:18.539
He's doing it because of the kindness and compassion that

622
00:31:18.539 --> 00:31:20.220
characterise him as a character.

623
00:31:20.279 --> 00:31:23.160
Can you explain that to Time Lord Victorious?

624
00:31:23.940 --> 00:31:26.160
Well, that's the thing though.

625
00:31:26.220 --> 00:31:29.819
When he gets back to Earth, it's about, well, I broke the rules

626
00:31:29.819 --> 00:31:32.279
and I have the power and I saved you little people.

627
00:31:32.339 --> 00:31:36.359
Yeah, I think when he goes back, it's to help people and then the

628
00:31:36.359 --> 00:31:38.160
idea is that the power corrupts him.

629
00:31:38.220 --> 00:31:41.339
And yeah, it's like, okay, so yeah, the power to switch the trolly

630
00:31:41.339 --> 00:31:44.880
onto the track that has no one on it is that's going to corrupt

631
00:31:44.880 --> 00:31:45.119
you.

632
00:31:45.180 --> 00:31:45.359
No.

633
00:31:45.599 --> 00:31:49.259
It's switching the trolly onto the track with the people is going

634
00:31:49.259 --> 00:31:49.740
to corrupt you.

635
00:31:49.799 --> 00:31:51.779
So you know what?

636
00:31:51.839 --> 00:31:55.079
Matheson's next and last story is.

637
00:31:55.140 --> 00:31:56.279
Oxygen.

638
00:31:56.339 --> 00:31:56.579
Yes.

639
00:31:57.000 --> 00:31:59.460
He has a good track record.

640
00:31:59.519 --> 00:32:00.299
He's really good.

641
00:32:00.420 --> 00:32:01.859
Four for four.

642
00:32:01.920 --> 00:32:05.460
Yeah, I mean, the doctor has this scene where he's shouting at the

643
00:32:05.460 --> 00:32:09.660
time lords, which is such a incongruous scene in New Who, that, you

644
00:32:09.660 --> 00:32:12.359
know, you see this in classic who in, like, Attack of the Cybern

645
00:32:12.359 --> 00:32:14.640
or whatever, and you start shouting at the sky being like, oh, I

646
00:32:14.640 --> 00:32:17.220
see, it's you. you know, and this time he's like, and if you have

647
00:32:17.220 --> 00:32:20.519
a problem with that, like, you know, like, yeah, yeah.

648
00:32:20.579 --> 00:32:21.839
So good.

649
00:32:21.960 --> 00:32:22.619
It's so good.

650
00:32:22.740 --> 00:32:25.440
He's just superb in this.

651
00:32:25.500 --> 00:32:28.859
Like a show that's about who the doctor is as a character has to

652
00:32:28.859 --> 00:32:32.819
have Capoldi is the lead because he's just the doctor in a way

653
00:32:32.819 --> 00:32:35.759
that maybe almost no one else is, I think.

654
00:32:48.299 --> 00:32:54.000
Also, at the time, there was a bit of criticism of following one

655
00:32:54.000 --> 00:32:59.160
character through time, as in a shilder, but this pair of episodes

656
00:32:59.160 --> 00:33:01.619
makes me think of the arc.

657
00:33:01.680 --> 00:33:02.039
Yeah.

658
00:33:02.039 --> 00:33:06.359
You know, and even though like there are, there are dodgy aspects

659
00:33:06.359 --> 00:33:10.140
to the arc, it's often held up as, with the classic series, one of

660
00:33:10.140 --> 00:33:13.619
the few times we do something time travel-y with time travel.

661
00:33:14.099 --> 00:33:19.079
And, you know, I think it's such an interesting idea, especially

662
00:33:19.079 --> 00:33:23.640
we've been discussing since fear of a Welsh planet that it's hard

663
00:33:23.640 --> 00:33:26.339
to do a story with a time travel show.

664
00:33:26.400 --> 00:33:28.200
Yeah, yeah.

665
00:33:28.259 --> 00:33:32.700
But to then be able to do one over 1000s of years because you have

666
00:33:32.700 --> 00:33:37.200
another immortal character, it immediately opens up the universe.

667
00:33:37.259 --> 00:33:40.500
And it's kind of a shame that maybe they haven't considered it

668
00:33:40.500 --> 00:33:42.539
maybe she hasn't been available, but I would have loved to see

669
00:33:42.539 --> 00:33:46.259
Maisie Williams give us a few appearances here and there over the

670
00:33:46.259 --> 00:33:46.740
years.

671
00:33:46.799 --> 00:33:50.039
They should just have her in the background every time we go to

672
00:33:50.039 --> 00:33:51.420
Earth and she's just standing around.

673
00:33:51.480 --> 00:33:54.720
You should just done lots of pickup shots to slot into episodes

674
00:33:54.720 --> 00:33:55.799
all over the place.

675
00:33:55.859 --> 00:34:00.359
I'm still waiting for the inevitable 4 box sets from Big Finnish

676
00:34:00.359 --> 00:34:01.079
Clara and me.

677
00:34:01.140 --> 00:34:02.279
Yeah, yes.

678
00:34:02.339 --> 00:34:02.579
Yeah.

679
00:34:02.579 --> 00:34:07.859
It seems like it was set up just for that, doesn't it?

680
00:34:08.519 --> 00:34:12.239
Some of the criticism you talk about, I think, is partly like they

681
00:34:12.239 --> 00:34:14.880
were going to the well a bit often about like, you know, immortal

682
00:34:14.880 --> 00:34:17.159
beings who are going to be around at the end of time or whatever

683
00:34:17.159 --> 00:34:19.380
and, you know, you've got Captain Jack, and then you've got like

684
00:34:19.380 --> 00:34:21.239
you know, like Orson Pink, you know, at the end of time.

685
00:34:21.300 --> 00:34:23.219
Like, there's a lot of people turning up at the end of time.

686
00:34:23.219 --> 00:34:26.039
And, you know, the doctor gets to the end of the home, will it be

687
00:34:26.039 --> 00:34:26.280
this week?

688
00:34:26.340 --> 00:34:27.480
And oh, it's leading me this time.

689
00:34:27.539 --> 00:34:30.239
And, you know, it's like, there was quite a bit of that floating

690
00:34:30.239 --> 00:34:30.539
around.

691
00:34:30.599 --> 00:34:33.900
And I think with hindsight, it actually feels like probably it's

692
00:34:33.900 --> 00:34:35.940
more of a riff that Moffatt was interested in.

693
00:34:36.000 --> 00:34:39.000
But at the time it just felt like, okay, well, which of the many

694
00:34:39.000 --> 00:34:40.860
characters is going to turn up at the end of the universe this

695
00:34:40.860 --> 00:34:41.159
week?

696
00:34:41.219 --> 00:34:44.159
Well, it's like when you die and like aliens are falling over

697
00:34:44.159 --> 00:34:47.159
themselves to kind of, you know, kind of harvest your soul or

698
00:34:47.159 --> 00:34:47.519
whatever.

699
00:34:47.579 --> 00:34:48.420
Is it missy?

700
00:34:48.480 --> 00:34:50.280
Is it the people from Twice Upon a Time?

701
00:34:50.340 --> 00:34:52.139
Is it the people from Demons of the Punjab?

702
00:34:52.199 --> 00:34:56.760
You know, they're all there trying to kind of record the event, I

703
00:34:56.760 --> 00:34:56.880
think.

704
00:34:56.940 --> 00:35:00.179
Is it the people who bring Harry Kim back from the dead or is it

705
00:35:00.179 --> 00:35:03.119
the people who bring Harry Kim's not girlfriend back from the

706
00:35:03.119 --> 00:35:03.360
dead?

707
00:35:04.440 --> 00:35:07.619
I love it when Voyager gets to the point where it starts copying

708
00:35:07.619 --> 00:35:08.280
itself.

709
00:35:08.340 --> 00:35:09.659
Sorry, different podcast.

710
00:35:09.719 --> 00:35:12.300
I think what I want to really know is like, does the Maya

711
00:35:12.300 --> 00:35:13.619
technology last till the end of time?

712
00:35:13.679 --> 00:35:18.000
I mean, the Maya create this immortal being.

713
00:35:18.059 --> 00:35:20.280
Well, but aren't they using it all themselves all the time?

714
00:35:20.340 --> 00:35:20.940
I, you know.

715
00:35:21.539 --> 00:35:22.920
Why aren't there a lot of Maya kind of?

716
00:35:22.920 --> 00:35:26.639
You know, like hanging around in that scene with the dogs are

717
00:35:26.639 --> 00:35:28.139
amazing at the very end, you would think.

718
00:35:28.500 --> 00:35:33.659
One thing that I think is worth mentioning is how doctor-ish Clara

719
00:35:33.659 --> 00:35:38.219
is, and I think it links in with what you were saying, Stacy, where

720
00:35:38.219 --> 00:35:42.360
Donna was there to push back against the doctor, but Clara can't

721
00:35:42.360 --> 00:35:48.119
do that because she is so much like the doctor.

722
00:35:48.179 --> 00:35:54.360
And it's that scene with her talking the Maya into leaving at the

723
00:35:54.360 --> 00:35:58.139
very beginning, which I think is just extraordinary.

724
00:35:58.199 --> 00:36:01.500
And there's even a moment where Amaya walks past her really

725
00:36:01.500 --> 00:36:05.519
quickly, like really close and she sort of gets out of the way and

726
00:36:05.519 --> 00:36:07.739
she goes, oh, hello, as if she's Tom.

727
00:36:07.800 --> 00:36:10.860
You know, like it's the it's the most amazing thing.

728
00:36:10.980 --> 00:36:14.820
And so, and so Maisie gets to be her companion and do the silly

729
00:36:14.820 --> 00:36:17.880
thing while she's talking the aliens away.

730
00:36:17.940 --> 00:36:21.780
Like she nearly is the doctor enough to solve this problem at the

731
00:36:21.780 --> 00:36:22.199
very beginning.

732
00:36:22.260 --> 00:36:25.619
It basically works except for a shoulder, right?

733
00:36:25.679 --> 00:36:27.719
Which is kind of like the season as a whole.

734
00:36:27.780 --> 00:36:31.980
It's like...

735
00:36:31.980 --> 00:36:35.519
It's like sort of an inverted version of the demons where, you

736
00:36:35.519 --> 00:36:39.659
know, Joe jumping in front and saying, no, like actually solves

737
00:36:39.659 --> 00:36:40.380
the problem.

738
00:36:40.440 --> 00:36:43.739
Whereas the time lord's standing there going, oh, but no, no, you

739
00:36:43.739 --> 00:36:44.340
really shouldn't.

740
00:36:44.400 --> 00:36:46.440
You really shouldn't wipe out this planet because it's nice and da

741
00:36:46.440 --> 00:36:49.320
da da and Joe's and the demon's like, no, I'm going to wipe it

742
00:36:49.320 --> 00:36:49.500
out.

743
00:36:49.559 --> 00:36:51.000
And Joe Jobs.

744
00:36:51.119 --> 00:36:51.480
Oh, no.

745
00:36:51.539 --> 00:36:53.519
So we've kind of got the subversion of that where usually the

746
00:36:53.519 --> 00:36:56.579
companion steps in like with a leaf, for instance, in Rings of

747
00:36:56.579 --> 00:37:01.019
Back of 10 and solves the problem that the alien god can't solve.

748
00:37:01.079 --> 00:37:05.340
But this time, the human and very understandable reaction of a

749
00:37:05.340 --> 00:37:08.460
shelder who's just seen a lot of her friends die is actually what

750
00:37:08.460 --> 00:37:10.019
creates the episode's problem.

751
00:37:10.079 --> 00:37:12.000
It's so good, isn't it?

752
00:37:12.059 --> 00:37:13.079
It's so good.

753
00:37:13.139 --> 00:37:18.360
And you kind of forget that it very, very quickly establishes how

754
00:37:18.360 --> 00:37:23.400
fond she is of those warriors and how fond they are of her with

755
00:37:23.400 --> 00:37:26.460
them arriving back and they've all arrived back.

756
00:37:26.519 --> 00:37:28.619
No one has died, you know, at the beginning of the episode

757
00:37:28.619 --> 00:37:32.460
bringing the doctor and Clara back, and then they're killed, and

758
00:37:32.460 --> 00:37:34.380
like, she's still a child.

759
00:37:34.440 --> 00:37:36.119
She's not Aria Stark.

760
00:37:36.179 --> 00:37:40.320
I mean, she is a frightened girl, but like she's so, she's so

761
00:37:40.320 --> 00:37:43.019
fierce and so fantastic at that moment.

762
00:37:43.079 --> 00:37:46.800
And I think the other really, really good acting moment she gets

763
00:37:46.800 --> 00:37:52.440
is that speech and it's a backstory exposition speech about who

764
00:37:52.440 --> 00:37:54.780
she is and why the village matters to her.

765
00:37:54.960 --> 00:38:02.280
And she just delivers it like she's thinking it up as she's going

766
00:38:02.280 --> 00:38:02.760
along.

767
00:38:02.820 --> 00:38:04.079
It's so well done.

768
00:38:04.139 --> 00:38:06.239
She absolutely nails it.

769
00:38:06.300 --> 00:38:12.900
Like, she's an outsider and a nerd and someone who's into

770
00:38:12.900 --> 00:38:18.900
storytelling, someone who doesn't conform to gender norms either.

771
00:38:19.199 --> 00:38:25.980
She's an outsider and she knows that wherever else she goes that

772
00:38:25.980 --> 00:38:29.340
isn't this village, she's going to be an outsider.

773
00:38:29.400 --> 00:38:31.920
She's not gonna get the love and protection that she gets here.

774
00:38:31.980 --> 00:38:36.960
And I think too, that portraying a past, a village, like just a

775
00:38:36.960 --> 00:38:39.420
little village full of silly Vikings and stuff.

776
00:38:39.480 --> 00:38:43.800
You know, that those Vikings are people who, who love her.

777
00:38:43.860 --> 00:38:47.340
Like it's so, it's so clear and so well done.

778
00:38:47.460 --> 00:38:50.579
It's interesting what you say about her not conforming to gender

779
00:38:50.579 --> 00:38:54.780
norms because in one version of the script, she was married to the

780
00:38:54.780 --> 00:38:56.760
village carpenter.

781
00:38:56.820 --> 00:38:57.480
Right.

782
00:38:57.480 --> 00:39:00.000
And he was her front.

783
00:39:00.059 --> 00:39:03.239
Like she was the one that was actually doing all the carpentry.

784
00:39:04.380 --> 00:39:07.440
And he was just the storefront.

785
00:39:07.500 --> 00:39:10.139
Everybody thought he was the carpenter, but it was actually her

786
00:39:10.139 --> 00:39:11.460
doing it behind the scenes.

787
00:39:11.519 --> 00:39:15.539
That's awesome Yeah, I think there's something really beautiful

788
00:39:15.539 --> 00:39:16.619
about it, I think.

789
00:39:16.679 --> 00:39:17.460
Yeah.

790
00:39:17.519 --> 00:39:23.639
And I think also, we often look back in history and assume that

791
00:39:23.639 --> 00:39:29.340
gender roles would have been what they were in our cultures around

792
00:39:29.340 --> 00:39:32.940
the 19th century, but it's not necessarily true.

793
00:39:33.059 --> 00:39:36.659
And there's lots of evidence that in Viking settlements.

794
00:39:36.719 --> 00:39:43.980
There is a lot more equity and a lot more sharing of gender roles

795
00:39:43.980 --> 00:39:45.780
and tasks than we might have thought.

796
00:39:45.840 --> 00:39:49.320
So I really kind of appreciate that, you know, she does have that

797
00:39:49.320 --> 00:39:53.760
comment, but at the same time, no one in the village treats her

798
00:39:53.760 --> 00:39:57.480
storytelling as silly or stupid and it's actually, it's actually

799
00:39:57.480 --> 00:39:59.280
really respected or the puppetry.

800
00:39:59.340 --> 00:40:02.760
And then, and then, you know, when Lofty's baby's crying, it's

801
00:40:02.760 --> 00:40:08.280
lofty comforting the baby, which, you know, we would assume that.

802
00:40:08.340 --> 00:40:11.219
Stealing, why has lofty stolen a baby?

803
00:40:11.280 --> 00:40:13.019
That's so doctored?

804
00:40:13.079 --> 00:40:14.400
Like, that's an almost Matt Smith.

805
00:40:14.519 --> 00:40:15.059
Dr. Fing?

806
00:40:15.119 --> 00:40:17.519
just like I can't possibly understand what sort of human

807
00:40:17.519 --> 00:40:20.579
interactions. you know, happen around a baby.

808
00:40:20.699 --> 00:40:23.099
So he's stealing it clearly.

809
00:40:23.159 --> 00:40:23.639
Yeah.

810
00:40:23.699 --> 00:40:28.199
And, and, you know, chuckles comforting a shoulder and assuming

811
00:40:28.199 --> 00:40:29.699
the doctor is going to make fun of him.

812
00:40:29.699 --> 00:40:32.880
When actually the doctor's just a little bit uncomfortable with

813
00:40:32.880 --> 00:40:38.340
such a genuine and raw expression of emotion, like earlier when he

814
00:40:38.340 --> 00:40:41.099
realises Clara is alive, he runs up and gives her a thumbs up and

815
00:40:41.099 --> 00:40:43.619
says, you know, I'm still not good with the hugging.

816
00:40:43.679 --> 00:40:46.559
Oh, never mind, you know, scoops her up and what have you.

817
00:40:46.619 --> 00:40:51.719
I think there is a lot going on here to kind of, we, I think we've

818
00:40:51.719 --> 00:40:52.320
spoken about before.

819
00:40:52.440 --> 00:40:58.739
You know, the past is kind of represented as us, you know, um, sort

820
00:40:58.739 --> 00:41:00.480
of theme park historical. thats it.

821
00:41:00.539 --> 00:41:01.500
Thanks, Pete.

822
00:41:01.980 --> 00:41:06.239
But it's kind of also like, well, actually, no, if you, you know

823
00:41:06.239 --> 00:41:09.539
if you look back in history, the social roles were more complex

824
00:41:09.539 --> 00:41:10.920
than we often give them credit for.

825
00:41:10.980 --> 00:41:14.460
Yeah, I think it's also that moment it's hinted that like both the

826
00:41:14.460 --> 00:41:17.159
doctor and Clara have a bit of a crush on his shoulder. like early

827
00:41:17.159 --> 00:41:17.519
on.

828
00:41:17.579 --> 00:41:19.380
And you're just like, oh, fine, your forearm.

829
00:41:19.500 --> 00:41:22.559
Yeah, I feel like this is the only time I think you really see

830
00:41:22.559 --> 00:41:25.739
this kind of interest in somebody from Peter Cavaldi's doctor.

831
00:41:25.860 --> 00:41:27.719
And it's like, wait, what?

832
00:41:27.780 --> 00:41:28.619
Did that just really happen?

833
00:41:28.679 --> 00:41:31.139
He's normally very asexual in his presentation.

834
00:41:31.199 --> 00:41:34.679
And so I love this moment and it's just, yeah, they're both into

835
00:41:34.679 --> 00:41:34.920
her.

836
00:41:35.400 --> 00:41:41.099
But I mean, I didn't necessarily read it as a sexual per se, but

837
00:41:41.099 --> 00:41:43.860
just that they were, you know, they wanted to make their

838
00:41:43.860 --> 00:41:44.400
companion.

839
00:41:44.460 --> 00:41:46.199
I think it's sexual.

840
00:41:46.260 --> 00:41:49.019
I think it's meant to be sexual. with Clara.

841
00:41:49.079 --> 00:41:52.260
I'm not sure about the doctor because the doctor and he could just

842
00:41:52.260 --> 00:41:55.679
be, you know, it could be the intention that he's kind of covering

843
00:41:55.679 --> 00:41:58.800
it up, but he just says, you know, you humans you're obsessed with

844
00:41:58.800 --> 00:42:00.119
this, you know.

845
00:42:00.179 --> 00:42:01.559
Yeah.

846
00:42:01.619 --> 00:42:04.860
And again, it's that sort of weird my hobby's you thing as well

847
00:42:04.860 --> 00:42:06.539
which would get a little Clara too.

848
00:42:07.139 --> 00:42:09.480
But that's a great.

849
00:42:09.539 --> 00:42:11.159
I mean that is a great moment.

850
00:42:11.280 --> 00:42:14.460
And I just think, you know, that's going to continue next week

851
00:42:14.460 --> 00:42:14.820
isn't it?

852
00:42:14.880 --> 00:42:18.360
where she's going to present as a man for some of the time and

853
00:42:18.360 --> 00:42:22.860
then frock up as a woman, you know, in a very kind of girly

854
00:42:22.860 --> 00:42:25.980
womanly way at times as well.

855
00:42:26.039 --> 00:42:30.000
And because she's read Malcolm Gladwell and has practised sounding

856
00:42:30.000 --> 00:42:34.139
like a man for 10,000 hours or something, she can do it

857
00:42:34.139 --> 00:42:34.679
perfectly.

858
00:42:42.059 --> 00:42:46.860
I'd like to say one more thing about casting, because in the role

859
00:42:46.860 --> 00:42:51.000
of Heidi, as the doctor nicknames a particular Viking with braided

860
00:42:51.000 --> 00:42:54.719
beard, we have Barnaby K, who would later go on to play

861
00:42:54.719 --> 00:42:55.679
Wallander.

862
00:42:55.739 --> 00:42:58.139
So the one who's not Kenneth Branner.

863
00:42:58.199 --> 00:42:59.639
Oh okay.

864
00:42:59.699 --> 00:43:00.480
Yeah.

865
00:43:00.599 --> 00:43:02.579
Oh, they've got a Dane in or something, have they?

866
00:43:02.639 --> 00:43:03.960
Of that descent, yes.

867
00:43:04.019 --> 00:43:04.559
Right.

868
00:43:06.659 --> 00:43:11.699
In real life, he's married to Nicola Walker.

869
00:43:11.760 --> 00:43:12.780
Oh my god.

870
00:43:12.840 --> 00:43:15.059
That house must be amazing.

871
00:43:15.119 --> 00:43:19.019
Yeah, Livchenka in Big Finish and just an amazing actress in many

872
00:43:19.019 --> 00:43:19.980
many, many other things.

873
00:43:20.039 --> 00:43:23.760
And of course, we've got Ian Conningham as chuckles, and I don't

874
00:43:23.760 --> 00:43:25.260
know what else he's done, but I'd like to see more.

875
00:43:25.320 --> 00:43:26.639
Yeah, me too.

876
00:43:28.019 --> 00:43:32.039
Well, I think my last outstanding question is, why are there South

877
00:43:32.039 --> 00:43:33.659
American eels in a Viking village?

878
00:43:35.099 --> 00:43:37.019
It's kind of there.

879
00:43:37.079 --> 00:43:38.880
Also, I looked it up.

880
00:43:39.000 --> 00:43:43.019
I think the eels produced like 860 volts and they produced like

881
00:43:43.019 --> 00:43:45.239
one amp here for like 2 milliseconds.

882
00:43:45.300 --> 00:43:47.219
Like, it is not going to do what they think it's doing.

883
00:43:47.280 --> 00:43:49.860
Like eels are not that good at conducting.

884
00:43:49.920 --> 00:43:53.579
Is there a line of dialogue where it's like get that stuff from

885
00:43:53.579 --> 00:43:57.780
Clara's spacesuit, which will amplify the thing or something like

886
00:43:57.780 --> 00:43:58.139
that?

887
00:43:58.199 --> 00:44:01.260
Clearly he's looked at least at the Wikipedia page and has decided

888
00:44:01.260 --> 00:44:05.940
there has to be some hand wavy science fiction magic reason why it

889
00:44:05.940 --> 00:44:07.320
actually electrocutes people.

890
00:44:07.380 --> 00:44:08.280
It is great.

891
00:44:08.340 --> 00:44:12.000
So I have to say that that resolution is really, really terrific

892
00:44:12.000 --> 00:44:14.159
because it's so simple.

893
00:44:14.280 --> 00:44:18.360
And when the doctor hits upon it, he looks like such a madman as

894
00:44:18.360 --> 00:44:21.780
well, which is absolutely on points and in character.

895
00:44:21.840 --> 00:44:23.340
But it's that thing.

896
00:44:23.400 --> 00:44:25.079
Like he hears a thing.

897
00:44:25.139 --> 00:44:29.940
He works out that it's eels and right from there he's worked out.

898
00:44:30.000 --> 00:44:33.420
Nope, we can win now and he's absolutely nailed it at that

899
00:44:33.420 --> 00:44:33.719
moment.

900
00:44:33.780 --> 00:44:35.699
But I love that it turns on eels.

901
00:44:35.760 --> 00:44:39.480
And partly, I think, because Stephen Moffin is a big fan of the

902
00:44:39.480 --> 00:44:41.219
word fish as well.

903
00:44:42.480 --> 00:44:44.820
He thinks it's hilarious.

904
00:44:44.880 --> 00:44:47.340
And I think eels is a pretty hilarious word too.

905
00:44:47.519 --> 00:44:52.079
I do also like how they're very dramatically aware eels because

906
00:44:52.079 --> 00:44:55.500
when he turns to the craze and says, why did nobody tell me we

907
00:44:55.500 --> 00:44:56.280
have eels?

908
00:44:56.340 --> 00:44:57.300
They all bite up.

909
00:44:58.800 --> 00:45:01.320
It's like, hi, here we are.

910
00:45:01.380 --> 00:45:03.780
It heals with jazz hands.

911
00:45:05.519 --> 00:45:09.659
There is one more thing I'd like to mention before we go.

912
00:45:10.199 --> 00:45:15.239
So, Ed Basiljet, the director.

913
00:45:15.300 --> 00:45:16.800
This is not his 1st career.

914
00:45:16.860 --> 00:45:18.119
No.

915
00:45:18.119 --> 00:45:19.559
He was previously a musician.

916
00:45:19.619 --> 00:45:20.820
Yes.

917
00:45:20.880 --> 00:45:22.860
He will go on just before you say this.

918
00:45:22.920 --> 00:45:26.940
He'll go on and do next week's episode and he also does the return

919
00:45:26.940 --> 00:45:28.079
of Dr. Mysterio.

920
00:45:28.139 --> 00:45:29.099
Yes.

921
00:45:29.159 --> 00:45:29.880
Yes, that's right.

922
00:45:30.000 --> 00:45:34.320
But way back in the 80s, he was the lead guitarist in a group

923
00:45:34.320 --> 00:45:37.800
called The Vapours, who particularly Australian listeners may

924
00:45:37.800 --> 00:45:40.500
recognise for their hit song Turning Japanese.

925
00:45:40.559 --> 00:45:41.579
Oh.

926
00:45:42.780 --> 00:45:44.760
That takes me back.

927
00:45:44.760 --> 00:45:48.719
Which, okay. but yes. really is.

928
00:45:48.780 --> 00:45:50.639
That was sort of formative, wasn't it?

929
00:45:50.699 --> 00:45:53.519
Like that was that was our time, I think.

930
00:45:53.579 --> 00:45:55.380
I remember that incredibly well.

931
00:45:55.440 --> 00:45:59.579
So I, and like presumably he was in the film clip for that, because

932
00:45:59.579 --> 00:46:02.880
I think the film clip had the meaner, didn't it?

933
00:46:02.940 --> 00:46:08.099
So we may have seen him during our youth, I think, on a telly.

934
00:46:08.159 --> 00:46:08.880
It's pretty amazing.

935
00:46:08.940 --> 00:46:14.760
That's awesome He is also on the board of governors of Coal Hill

936
00:46:14.760 --> 00:46:18.840
Academy as well, because he does direct 3 episodes of class.

937
00:46:18.900 --> 00:46:20.760
Maybe the 1st three.

938
00:46:45.420 --> 00:46:48.659
Well, listen, that's all the time we've had for this week.

939
00:46:48.719 --> 00:46:52.619
We'll be back next week for some ennui, lassitude, and general

940
00:46:52.619 --> 00:46:55.860
world weariness in The Woman Who Lived.

941
00:46:55.920 --> 00:46:59.639
In the meantime, you can find us wherever you get your podcasts

942
00:46:59.639 --> 00:47:03.659
and you can keep up with us on our website, flightthroughentirety

943
00:47:01.800 --> 00:47:06.719
com, where you'll find all our social media links, as well as

944
00:47:06.719 --> 00:47:11.159
links to our other podcasts, Bondfinger, Jody Interterra, maximum

945
00:47:11.159 --> 00:47:14.340
power, and untitled Star Trek project.

946
00:47:14.400 --> 00:47:18.360
Until next time, remember that we're past the Big Bang and

947
00:47:18.360 --> 00:47:22.440
dinosaurs now and well into the mounting sense of futility stage.

948
00:47:22.500 --> 00:47:25.559
So relax and enjoy the ride.

949
00:47:25.619 --> 00:47:27.659
Thank you very much for listening and good night.

950
00:47:27.719 --> 00:47:28.920
Good night.

951
00:47:28.980 --> 00:47:30.780
See you soon Bye.

952
00:47:36.840 --> 00:47:38.400
That was Flight Through Entirety.

953
00:47:38.460 --> 00:47:41.099
Sorry, Nathan Botterley, Brendan Jones, James Selwood and Stacy

954
00:47:41.099 --> 00:47:41.519
Smith.

955
00:47:41.579 --> 00:47:43.980
Theme arrangement by Cameron Lam.

956
00:47:44.039 --> 00:47:47.940
This episode, eels with jazz hands, was recorded on the 27th of

957
00:47:47.940 --> 00:47:50.820
August 2023 and released on the 15th of October.

958
00:47:51.780 --> 00:47:56.219
As is now well known, the girl who died forms the 2nd part of a

959
00:47:56.219 --> 00:47:59.880
trilogy, alongside the girl who waited, and next year's shooting

960
00:47:59.880 --> 00:48:02.880
Gantware episode, the girl who was just not as well dressed as the

961
00:48:02.880 --> 00:48:06.239
doctor. starring Millie Gibson as Ruby Sunday.

962
00:48:12.300 --> 00:48:16.619
Because he does direct three episodes of Class, maybe the first

963
00:48:16.619 --> 00:48:17.099
three.

964
00:48:18.000 --> 00:48:19.980
I don't know what that is.

965
00:48:20.099 --> 00:48:21.719
Never heard of it.

966
00:48:21.840 --> 00:48:23.639
You didn't miss much.

967
00:48:25.679 --> 00:48:29.159
I actually kind of liked fast.

968
00:48:29.159 --> 00:48:31.559
I love the class novels.

969
00:48:31.619 --> 00:48:34.679
They wrote 3 novels and I found them in Indonesia and I read them

970
00:48:34.679 --> 00:48:36.000
and they're like, these are really good.

971
00:48:36.059 --> 00:48:39.179
Like, that show could have worked. big Finnish audios are quite

972
00:48:39.179 --> 00:48:39.539
good too.

973
00:48:39.599 --> 00:48:44.820
Yeah, no, look, on big finish. they work really well Who's who's

974
00:48:44.820 --> 00:48:46.559
Quill in Big Finish now?

975
00:48:46.619 --> 00:48:47.159
Someone different.

976
00:48:47.219 --> 00:48:48.000
They recast.

977
00:48:48.119 --> 00:48:49.980
Devla Cohen.

978
00:48:50.099 --> 00:48:50.940
Oh, my God.

979
00:48:51.000 --> 00:48:51.659
Yeah, yeah.

980
00:48:51.780 --> 00:48:56.340
Yeah, the Kitty Angel. and the 1st Phoebe in Good Night

981
00:48:56.340 --> 00:48:56.699
sweetheart.

982
00:48:56.760 --> 00:49:00.000
Wait, isn't Devlico and also Mrs. Watts a face?

983
00:49:00.000 --> 00:49:00.719
From...

984
00:49:00.719 --> 00:49:00.960
Yes.

985
00:49:00.960 --> 00:49:01.920
From the Cybermen.

986
00:49:01.980 --> 00:49:04.079
Cybermen, terrible Cybermen, Christmas special.

987
00:49:04.139 --> 00:49:05.519
Yeah, that one.

988
00:49:05.519 --> 00:49:07.019
Yeah, it was great.

989
00:49:07.019 --> 00:49:10.440
I thought you meant the next doctor, that terrible announcement

990
00:49:10.440 --> 00:49:14.400
video with Peter Capaldi.

991
00:49:14.460 --> 00:49:17.099
All I saw was he's had hands.

992
00:49:17.159 --> 00:49:19.619
Like you see his hands and he's wearing a wedding ring and I just

993
00:49:19.619 --> 00:49:22.019
went, oh my god, he's old and straight.

994
00:49:23.820 --> 00:49:25.739
Oh, it's okay.

995
00:49:25.800 --> 00:49:27.000
Peter Capaldi.

996
00:49:29.880 --> 00:49:35.760
I reckon we probably, we may, in some form or other, and I'm going

997
00:49:35.760 --> 00:49:39.179
to be vague in case he sends up as a...

998
00:49:39.179 --> 00:49:42.420
I think, yeah, I think we may do class at some point in the

999
00:49:42.420 --> 00:49:42.780
future.

1000
00:49:42.900 --> 00:49:43.619
Oh, I see, right.

1001
00:49:43.679 --> 00:49:44.099
Right, right.

1002
00:49:44.159 --> 00:49:44.880
Yeah.

1003
00:49:44.940 --> 00:49:46.260
Like, maybe, maybe.

1004
00:49:46.320 --> 00:49:46.860
I don't know.

1005
00:49:46.980 --> 00:49:50.579
It has inspired me to watch the 2nd episode.

1006
00:49:50.760 --> 00:49:54.239
Oh, the 2nd episode is really violent.

1007
00:49:54.300 --> 00:49:56.699
It's wonderful. incredibly glory.

1008
00:49:56.820 --> 00:49:57.960
That's the thing.

1009
00:49:57.960 --> 00:49:59.400
I didn't not...

1010
00:49:59.519 --> 00:50:03.360
I was kind of like, I watched the 1st episode. yeah, that's fine

1011
00:50:03.420 --> 00:50:07.619
and then just didn't watch the rest It wasn't anything of I'm not

1012
00:50:07.619 --> 00:50:07.980
watching this.

1013
00:50:08.039 --> 00:50:11.219
It's like the Simpsons spinoff showcase, right?

1014
00:50:11.280 --> 00:50:16.800
Where in the 1st one, Homer turns up to visit Chief Wickham.

1015
00:50:16.800 --> 00:50:19.679
And it's something like, I can't wait to see what adventures

1016
00:50:19.679 --> 00:50:24.659
you'll have in this exciting new kind of setup or something, this

1017
00:50:24.659 --> 00:50:26.940
exciting new kind of milieu.

1018
00:50:27.059 --> 00:50:29.820
And that's what Capaldi does at the end of the episode.

1019
00:50:30.300 --> 00:50:32.400
First episode of Glass.

1020
00:50:32.460 --> 00:50:36.780
It's just like, here I am, have a leg and I can't wait to see what

1021
00:50:36.780 --> 00:50:38.280
exciting the adventures you have.

1022
00:50:38.519 --> 00:50:40.980
Ram's hot anyway as well.

1023
00:50:41.039 --> 00:50:42.420
I thought I'd mention that.

1024
00:50:42.420 --> 00:50:43.260
Smoking hot.

1025
00:50:43.380 --> 00:50:47.400
I did just realise, though, that I've actually seen more of K9

1026
00:50:47.400 --> 00:50:48.780
than I have seen in class.

1027
00:50:48.840 --> 00:50:54.179
So maybe maybe don't put that in the episode given that you're a

1028
00:50:54.179 --> 00:50:55.800
school teacher and he's supposed to be a teenager.

1029
00:50:55.860 --> 00:50:57.840
Oh, he's not a teenager.

1030
00:50:57.900 --> 00:51:00.179
Oh, no, no, the actors not a teenager.

1031
00:51:00.239 --> 00:51:01.980
He's a teenager.

1032
00:51:02.219 --> 00:51:05.099
He's a TV teenager. what 40.

1033
00:51:05.219 --> 00:51:12.420
So I accidentally outed myself as being 64 years old by accident

1034
00:51:12.420 --> 00:51:18.119
on an episode of Until Star Trek Project, because I can't do that

1035
00:51:18.119 --> 00:51:21.239
the arithmetic that you do with decades.

1036
00:51:21.300 --> 00:51:24.239
You know how normally you go, oh, 1990.

1037
00:51:24.420 --> 00:51:28.500
Oh, okay, so that's 20 years ago, you know, like you do that just

1038
00:51:28.500 --> 00:51:29.099
all the time.

1039
00:51:29.159 --> 00:51:31.559
Like it just doesn't seem possible.

1040
00:51:31.619 --> 00:51:37.679
You know, so I overcompensated and said I was 31 in 1990 when, when

1041
00:51:37.679 --> 00:51:42.300
um, when the Wesley was in Remember Me or whatever it is, whatever

1042
00:51:42.300 --> 00:51:42.900
we were doing.

1043
00:51:42.960 --> 00:51:43.739
I can't even remember.

1044
00:51:43.800 --> 00:51:44.940
Might have been, remember me.

1045
00:51:45.059 --> 00:51:47.579
And Joe was saying how hot he was, and I was saying I was a bit

1046
00:51:47.579 --> 00:51:53.820
old for that at 31, and then Peter said, actually, you know...

1047
00:51:53.820 --> 00:51:56.639
And what I did.

1048
00:51:56.699 --> 00:51:59.340
This is the magic of everything, Stacy.

1049
00:51:59.400 --> 00:52:02.400
I went back and re-recorded myself.

1050
00:52:02.519 --> 00:52:09.780
Saying that line, the edit point happens during the word 1990, just

1051
00:52:09.780 --> 00:52:13.320
to make it seamless.

1052
00:52:13.320 --> 00:52:16.920
And so now if you download that episode, I say the right day, the

1053
00:52:16.920 --> 00:52:17.400
right thing.

1054
00:52:17.460 --> 00:52:20.219
So that's a thing that I can do.

1055
00:52:20.340 --> 00:52:25.679
You could do James's voice as well, so I can just change all of

1056
00:52:25.679 --> 00:52:26.099
his lines.

1057
00:52:26.219 --> 00:52:31.500
You could have hated a story. where you just get your age wrong

1058
00:52:31.500 --> 00:52:33.539
every episode and no one can pin you down.

1059
00:52:33.599 --> 00:52:36.900
This is why I always wonder when I'm listening to episodes, why

1060
00:52:36.900 --> 00:52:37.559
I'm not on them.

1061
00:52:37.619 --> 00:52:38.219
Yeah