WEBVTT NOTE This transcript was created on 2026-06-07 at 15:56:56 1 00:00:40.619 --> 00:00:57.000 Hello, dear listener, and welcome back to Flightthrough Entirety, the only Doctor Who podcast consisting of 2 tones of different frequencies presented separately to each ear, which elicits the sensation of a 3rd tone oscillating at the difference frequency of the 1st 2 tones. 2 00:00:57.119 --> 00:00:58.799 I'm Nathan. 3 00:00:58.859 --> 00:01:00.000 I'm Brendan. 4 00:01:00.060 --> 00:01:02.039 I'm Peter and I'm Simon. 5 00:01:02.159 --> 00:01:05.939 Well, we haven't had a haunted house around here since 2013. 6 00:01:06.239 --> 00:01:11.819 If you don't count those scenes in that episode in 2014, and so we're just about due for another one. 7 00:01:11.879 --> 00:01:15.120 David Suchet's not busy, so we'll get him in. 8 00:01:15.120 --> 00:01:17.760 And we've got some thrilling new audio technology. 9 00:01:17.819 --> 00:01:19.680 One of the sound guys wants to try out. 10 00:01:19.739 --> 00:01:25.319 So let's see what happens when we mix that all down as we discuss knock knock. 11 00:01:57.120 --> 00:01:59.280 I've got nothing. 12 00:02:02.459 --> 00:02:10.680 You know, it does concern me that people who say that Doctor Who's budget should be cut and you'd have every week a haunted house and it would be amazing. 13 00:02:10.740 --> 00:02:13.560 We might just be setting ourselves up for a whole season of knock knocks. 14 00:02:13.979 --> 00:02:22.259 What I actually found it doing quite a lot was reminding me of a much better Doctor Who story and that's ghost light. 15 00:02:22.319 --> 00:02:31.740 And so the exteriors of the house have a fake computer generated tower, sort of charting up from the middle of it. 16 00:02:31.740 --> 00:02:35.939 And then we had fake computer generated lightning for a lot of it, for atmosphere. 17 00:02:36.000 --> 00:02:40.319 The corridors, I think, were very, very similar with all of that dark wood and stuff. 18 00:02:40.379 --> 00:02:54.960 But somehow, a haunted house, I think, really lives or dies on atmosphere, and it's hard to tell because I haven't got any real concrete claims to make, but I just didn't feel the atmosphere here at all. 19 00:02:55.139 --> 00:02:57.360 I did feel atmosphere. 20 00:02:57.419 --> 00:03:08.219 It's one of those times where it all looks fine on paper, everyone's going through the motions and doing what they're supposed to do, but it's just, and it's not terrible. 21 00:03:08.280 --> 00:03:09.360 No, no, no, no. 22 00:03:09.419 --> 00:03:09.900 It's fine. 23 00:03:09.960 --> 00:03:11.039 Yeah, it's fine. 24 00:03:11.099 --> 00:03:13.860 And I think that's the problem with this. 25 00:03:13.860 --> 00:03:19.560 And I think the problem with much of this season, or at least much of what I've watched of it so far, is it's fine. 26 00:03:19.800 --> 00:03:28.379 I think it's in need of at least one or 2 more drafts and a bit more thinking as to the resolution and everything like that. you know what I mean? 27 00:03:28.439 --> 00:03:28.860 Yeah. 28 00:03:28.919 --> 00:03:30.840 The word that came to mind for me was vanilla. 29 00:03:30.900 --> 00:03:32.639 Yes, there was a vanilla. 30 00:03:32.699 --> 00:03:33.479 It doesn't. 31 00:03:33.539 --> 00:03:38.939 Yeah, Ghostlight has this delicious current of black humour running through it. 32 00:03:39.000 --> 00:03:41.340 Whereas this didn't, this felt quite lightweight. 33 00:03:41.400 --> 00:03:48.000 And I did kind of appreciate it for having a bit of a sitcom style setup, but I'm not sure that was the tone that we were going for. 34 00:03:48.060 --> 00:03:51.120 No, in fact, for me, that's the bit that worked. 35 00:03:51.180 --> 00:03:52.800 Let's talk about the beginning of it. 36 00:03:52.860 --> 00:03:54.599 I really, really liked the beginning. 37 00:03:54.659 --> 00:04:05.819 You know, the normal way to get someone to sleep in a haunted house in a sitcom is, of course, if your crazy aunt makes it a condition of inheriting in the world. you know what I mean? 38 00:04:05.879 --> 00:04:08.580 You have to stay the night in a haunted house first. 39 00:04:08.639 --> 00:04:18.000 And here, like, I just thought it was very sweet, the fact that now we have sort of Gen Z people or I've completely lost track. 40 00:04:18.060 --> 00:04:19.259 But what later were up to? 41 00:04:19.500 --> 00:04:25.620 Yeah, yeah, but lovely young people trying to rent a flat, and of course, that's impossible. 42 00:04:25.680 --> 00:04:31.139 And there's that wonderful line where one of them says Shireen possibly says, what do other people do? 43 00:04:31.139 --> 00:04:33.360 And Bill says, other people have money. 44 00:04:34.139 --> 00:04:42.240 And like that horrible real estate agent in the terrible suit who is showing them around these places. 45 00:04:42.240 --> 00:04:45.060 Rolling his eyes to see. 46 00:04:45.180 --> 00:04:46.500 Actually, that's the thing. 47 00:04:46.560 --> 00:04:48.720 It, not actually a haunted house story. 48 00:04:48.779 --> 00:04:50.339 It's trying to be an 80s horror film. 49 00:04:50.399 --> 00:04:51.600 Yeah, yeah, yeah. 50 00:04:51.660 --> 00:04:59.220 And there are actually a difference because Ghostlight has that Victorian, I mean, it is set in the Victorian era, but it's not just that it's got the flavour of a Victorian ghost story. 51 00:04:59.279 --> 00:05:04.560 Whereas this has got the flavour of those 80s nightmare on Elm Street type type things. 52 00:05:04.620 --> 00:05:05.639 I think that's what it's going for. 53 00:05:05.699 --> 00:05:17.040 Because for me, even though, yes, that earlier part, those early sequences where they're hunting for the flats are great and they're really well done, you then need to sort of adjust your idea of what the episode's going to be once they arrive at the house. 54 00:05:17.100 --> 00:05:22.680 And with 45 minutes, you just don't have enough time to change your idea of what's going to be happening. 55 00:05:22.740 --> 00:05:24.180 Yeah, I think that's it. 56 00:05:24.240 --> 00:05:26.579 There isn't enough time to build atmosphere. 57 00:05:26.639 --> 00:05:36.360 So we're doing a haunted house thing, but we're doing it in a traditional 45 minute episode that's just full of dialogue, full of people talking to one another. 58 00:05:36.420 --> 00:05:40.319 And so there just isn't enough time to build up tension, I think. 59 00:05:40.560 --> 00:05:46.259 But going back to the sitcom thing, I think the other thing that really works is the characters. 60 00:05:46.379 --> 00:05:51.720 Can I just say Shareen, Pavel, Harry, Felicity, and Paul. 61 00:05:51.779 --> 00:05:53.519 Yeah, she didn't think I could do that. 62 00:05:53.579 --> 00:05:55.620 No, I certainly can't. 63 00:05:55.680 --> 00:05:58.139 So I'm glad one of us stay... 64 00:05:58.199 --> 00:06:03.120 In fact, one of my favourite moments is Bill's trying to get the doctor to leave. 65 00:06:03.180 --> 00:06:10.860 And he says, no, no, I'm going to stay up with Simon and she just says, Harry. and Florence. 66 00:06:10.920 --> 00:06:12.360 Felicity. 67 00:06:12.420 --> 00:06:18.060 And like it's probably an editing thing, but the comic timing of it is absolutely perfect. 68 00:06:18.120 --> 00:06:20.040 Like I roared with laughter. 69 00:06:20.100 --> 00:06:26.100 And it kind of makes fun of the fact that they're sort of-ish red shirts in a way. 70 00:06:26.339 --> 00:06:29.939 But they are really, really well characterised. 71 00:06:30.000 --> 00:06:32.040 And it's not the writing. 72 00:06:32.100 --> 00:06:39.420 It's not that sort of Russell T. Davis characterisation where he gives a character a thing and then you kind of know them quite well. 73 00:06:39.480 --> 00:06:43.500 It's just getting a group of diverse and attractive young people. 74 00:06:43.560 --> 00:06:45.420 You know, they have different accents. 75 00:06:45.480 --> 00:06:48.060 Um, Harry, perfect diversity. 76 00:06:48.120 --> 00:06:48.959 Yeah, yeah, yeah. 77 00:06:49.019 --> 00:06:52.079 Harry's very northern, gorgeous. 78 00:06:52.139 --> 00:06:57.180 Paul is ridiculously tall, like absurdly comically tall. 79 00:06:57.240 --> 00:06:58.139 Expendable. 80 00:06:58.199 --> 00:06:59.160 Unexpendable. 81 00:06:59.220 --> 00:07:01.259 Like, they're really good. 82 00:07:01.319 --> 00:07:02.939 Like those characters are great. 83 00:07:03.000 --> 00:07:04.019 I really like them. 84 00:07:04.079 --> 00:07:04.920 Yeah, yeah. 85 00:07:05.519 --> 00:07:07.319 Yes, I could want to live in that house. 86 00:07:07.379 --> 00:07:08.100 Yeah, yeah. 87 00:07:08.160 --> 00:07:11.519 And you know, some of it's to do with the riceing, but I think a whole lot of it has to do with the casting. 88 00:07:11.579 --> 00:07:14.279 They're so immediate and it's just cast really well. 89 00:07:14.339 --> 00:07:16.680 They all inhabit those characters with just like one or 2 beats. 90 00:07:16.740 --> 00:07:18.000 Yeah, yeah. 91 00:07:18.060 --> 00:07:22.199 That's part of the thing of, yes, it is kind of a sitcom setup. 92 00:07:22.259 --> 00:07:26.459 But also going back to that point about it also being an 80s horror film. 93 00:07:26.519 --> 00:07:32.399 The thing with teens in 80s horror film is at least half of them are in some way unlikeable. 94 00:07:32.459 --> 00:07:37.019 So you're kind of going, oh, yeah, they're going to bite it now. 95 00:07:37.079 --> 00:07:39.000 And none of these people are unlikeable. 96 00:07:39.060 --> 00:07:42.240 So you automatically lose that fun part of a horror film. 97 00:07:42.360 --> 00:07:43.259 Yeah. 98 00:07:43.259 --> 00:07:45.480 Where you're cheering for someone to die. 99 00:07:45.540 --> 00:07:45.720 Yeah. 100 00:07:45.779 --> 00:07:46.500 Exactly. 101 00:07:46.560 --> 00:07:49.379 There are 2 obvious horror references for me in this. 102 00:07:49.439 --> 00:07:58.079 And one is the evil dead when Felicity runs outside and is overtaken by a tree and obviously it doesn't go full evil dead. 103 00:07:58.139 --> 00:08:01.740 And for those of you who haven't seen it, I'm not going to go into detail because it's quite disturbing. 104 00:08:01.800 --> 00:08:07.980 Um, then I think at the end there's also some very clear comparisons to Psycho. 105 00:08:08.040 --> 00:08:09.959 Well, very clear comparison. 106 00:08:10.079 --> 00:08:10.439 Psycho. 107 00:08:10.500 --> 00:08:11.399 Yeah, so I was going to bring that up. 108 00:08:11.459 --> 00:08:12.300 Yeah, yeah. 109 00:08:15.360 --> 00:08:17.939 Yeah, I mean, all of that stuff is terrifically fun. 110 00:08:18.000 --> 00:08:24.000 They're fun to watch, you know, and and I think Bill and the doctor work really well in this context too. 111 00:08:24.060 --> 00:08:34.620 And, you know, we've talked about Bill kind of undermining the show with the sort of genre aware questions that she asks. 112 00:08:34.679 --> 00:08:36.779 And so here we get the Time Lord reveal. 113 00:08:36.840 --> 00:08:44.759 Like it's episode 4 and we get the 1st mention of the Time Lords and stuff and she reacts properly to the Revelation that they're called Time Lords because that's stupid. 114 00:08:44.759 --> 00:08:47.580 And with Terrence Dix having a bad day, I think. 115 00:08:47.639 --> 00:08:50.100 Well, no, it's just a different era. 116 00:08:50.159 --> 00:09:03.779 It's just the fact that there's an awful lot of I just love watching all the pearl clutching in the modern era when it's brought up that he's a time lord because all the people, especially the people making the program, have this kind of aversion to the, oh my god, he's a lord. that means he can't be one of us. 117 00:09:03.840 --> 00:09:04.919 Yeah, I was terrible. 118 00:09:04.980 --> 00:09:06.120 I got these lord, he's on it. 119 00:09:06.179 --> 00:09:08.279 That means he won't be relatable and stuff like that. 120 00:09:08.340 --> 00:09:12.360 But they always have to go through some kind of charade excuse about it. 121 00:09:12.419 --> 00:09:22.139 In fact, I think, you know, in a very, very bad episode, the caretaker describing the doctor as aristocratic, I thought works really quite well. 122 00:09:22.200 --> 00:09:23.340 Do you know what I mean? 123 00:09:23.399 --> 00:09:25.799 Like it's a good critique of the way he sends people to their deaths. 124 00:09:25.860 --> 00:09:29.220 Then, you know, it's not fair or whatever, but it actually works. 125 00:09:29.279 --> 00:09:34.019 Here, it is just sort of mocking the kind of slight silliness of the law, I think. 126 00:09:34.080 --> 00:09:34.740 Yeah. 127 00:09:34.799 --> 00:09:35.820 Yeah. 128 00:09:35.879 --> 00:09:43.500 And I love his, you know, know, we don't have big hats, but we mostly have big hats too. 129 00:09:43.559 --> 00:09:47.519 I like your reference to pearl clutching, a fair amount of that happens in this episode. 130 00:09:47.639 --> 00:09:48.299 Yes, exactly. 131 00:09:48.299 --> 00:09:52.379 In fact, we talked about sitcom. 132 00:09:52.440 --> 00:10:03.960 I think a lot of the comedy moments in this episode come from Peter Capaldi and the doctor, because the doctor placed in this situation with a bunch of young people house sharing is like putting him into an alien society. 133 00:10:04.019 --> 00:10:10.379 He does not know what to deal with and who to relate to and how to come across as normal in that situation. 134 00:10:10.379 --> 00:10:12.720 But again, it's a bit like the lodger action. 135 00:10:12.779 --> 00:10:13.919 A little bit like the lodger. 136 00:10:13.980 --> 00:10:14.460 Yeah, yeah. 137 00:10:14.519 --> 00:10:16.440 And all of that works really well. 138 00:10:16.500 --> 00:10:27.960 Moffat in one of the sort of additional bits of video that was released at the same time, he says that what he wanted to do was have the TARDIS be used for a normal thing. 139 00:10:28.019 --> 00:10:36.240 And so Bill calls the doctor and says, can you help me move into this house and he materialises around all of her stuff and then sort of drops it off. 140 00:10:36.299 --> 00:10:46.559 And it just reminds me of what I think is a genius moment in time of the doctor where Clara wants to use the TARDIS because she hasn't cooked the turkey into. 141 00:10:46.620 --> 00:10:52.740 And so she needs a time machine so that she can get it right. cooked by the time wins or something. 142 00:10:54.240 --> 00:10:56.940 And so all of that's really fun. 143 00:10:57.000 --> 00:11:02.039 You know, he's kind of a bit right when he says he doesn't look old enough to be her grandfather. 144 00:11:02.159 --> 00:11:06.059 It's part of Moffat's weird preoccupation with Capaldi's age. 145 00:11:06.120 --> 00:11:09.960 We saw it all the way back in deep breath where he kept talking about how old he was. 146 00:11:10.019 --> 00:11:10.980 He's not that old. 147 00:11:11.039 --> 00:11:13.740 It's like they regret it at the moment they cast him or something. 148 00:11:13.799 --> 00:11:16.139 Yeah, see that making excuses for us. 149 00:11:16.259 --> 00:11:18.000 I mean, Kapold is 57 here. 150 00:11:18.059 --> 00:11:20.639 He is Pearl Mackey's dad, not her grandad. 151 00:11:20.759 --> 00:11:21.539 Yeah, yeah. 152 00:11:21.600 --> 00:11:23.039 Yeah, well, Pearl Mackey's 29. 153 00:11:23.220 --> 00:11:23.940 Right. 154 00:11:24.000 --> 00:11:26.100 But I think she's playing it younger. 155 00:11:26.159 --> 00:11:33.419 But what's fun is, of course, putting Capaldi's doctor on the back foot, given that he's so imperious and so in command. 156 00:11:33.419 --> 00:11:36.179 And, you know, it's like putting pertry on the back foot. 157 00:11:36.240 --> 00:11:37.860 It just works terrifically well. 158 00:11:37.919 --> 00:11:39.360 Love them for the same reason. 159 00:11:39.419 --> 00:11:40.019 Yeah, yeah, yeah. 160 00:11:40.139 --> 00:11:44.940 But it's sort of nice too that the doctor doesn't get that all these young people might just want to spend time away from this old person. 161 00:11:45.000 --> 00:11:45.840 Yeah, yeah. 162 00:11:45.899 --> 00:12:02.940 And remember when he gets when he gets Bill's phone and Bill is desperately trying to hide the fact that she likes little Mix, who do the song at the very opening thing, and she's trying to hide it and saying, it's Spotify, it's probably just random, and he goes, no, no, there's a whole playlist here. 163 00:12:03.600 --> 00:12:09.899 He's actively embarrassing her by mistake just by not quite being able to read the signals. 164 00:12:10.259 --> 00:12:18.480 And that brilliant moment where he crunches on the cracker and everything pauses for 3 seconds for him to be really awkward eating it. 165 00:12:18.539 --> 00:12:19.559 Yeah, yeah. 166 00:12:19.620 --> 00:12:22.139 He tries to crunch on it quietly, doesn't he? 167 00:12:22.200 --> 00:12:27.899 I think it's in the middle of the landlord's speech, but all of that stuff is really just tremendously good. 168 00:12:27.960 --> 00:12:33.059 It's a little bit again, like the sushi in Dr. Mysterio, which was so awesome. 169 00:12:33.120 --> 00:12:34.980 I mean, I'm doing a bit of a tod. 170 00:12:35.039 --> 00:12:35.820 Now that we're talking about it. 171 00:12:35.879 --> 00:12:37.679 I think I do like it a bit more than I thought I did. 172 00:12:37.740 --> 00:12:39.299 No, it's perfectly fun. 173 00:12:39.360 --> 00:12:40.320 That's why I say it's fine. 174 00:12:40.379 --> 00:12:41.039 I don't want to say this. 175 00:12:41.100 --> 00:12:41.940 This is not a bad episode. 176 00:12:42.000 --> 00:12:44.639 No, I'm just not saying it's not a great episode. 177 00:12:44.700 --> 00:12:45.600 Yeah, vanilla. 178 00:12:45.659 --> 00:12:46.559 Vanilla. 179 00:12:46.620 --> 00:12:46.860 Yeah. 180 00:12:46.919 --> 00:12:50.700 Yeah, I think perhaps is trying to do too many things at once. 181 00:12:50.759 --> 00:13:05.159 And so provides a perfectly entertaining 50 minutes of all of them, but it's, you know, it's not a great horror episode of Doctor Who, and it's not a great comedy episode of Doctor Who, but it is perfectly fine. 182 00:13:05.220 --> 00:13:09.120 Like, it's gone up a little bit in my estimation, like Smile did a couple of weeks ago. 183 00:13:09.179 --> 00:13:16.860 I think another big problem is watching again, it's like, I don't have a good idea of the geography of the house. 184 00:13:16.919 --> 00:13:34.620 And like when you get stuff like Psycho and Halloween that rely on, you know, being in this one location, you do end up with a good idea of where the rooms are and okay, if she's in here, then the killer's there and et cetera, et cetera, et cetera. 185 00:13:34.679 --> 00:13:51.360 And I don't know if that's careless direction or if it's deliberate to try and be unnerving, but instead it just takes me out of it a bit because I find myself thinking, oh, so Bill's saying go up from here, but I thought we were on the 2nd floor and you can't go up to the tower. 186 00:13:51.419 --> 00:13:52.320 Where is the tower? 187 00:13:52.379 --> 00:13:54.480 And at one point, Bill's like, the tower must be over here. 188 00:13:54.539 --> 00:13:55.799 It's like, okay. 189 00:13:55.860 --> 00:14:04.019 It's interesting that you say that you don't quite know where you are in the house because I didn't really actively think that this, but there was sort of like that passive thought at the back of my mind at times. 190 00:14:04.080 --> 00:14:06.480 Like, are we supposed to, is the house actually rearranging itself? 191 00:14:06.480 --> 00:14:09.120 Um, in that, in that... 192 00:14:09.179 --> 00:14:09.600 Exactly. 193 00:14:09.720 --> 00:14:10.679 Yeah, yeah, yeah. 194 00:14:10.740 --> 00:14:11.700 For example. 195 00:14:13.740 --> 00:14:18.480 And yeah, so I just, unfortunately, I don't think it's deliberate. 196 00:14:18.539 --> 00:14:20.940 I think it's just the fact that they haven't worked it out. 197 00:14:21.000 --> 00:14:27.419 And I think it doesn't help the fact that different parts of the house look like they're completely different locations, which they are. 198 00:14:27.480 --> 00:14:27.720 Right. 199 00:14:27.779 --> 00:14:28.019 Yeah. 200 00:14:28.080 --> 00:14:28.919 And I think that's the problem. 201 00:14:28.980 --> 00:14:32.879 They look too much like they're completely different place. 2 locations in a set, isn't it? 202 00:14:32.940 --> 00:14:33.600 Oh, is it? 203 00:14:34.500 --> 00:14:39.840 And you've got the one of the locations is the Wester Drumland's house from Blink, apparently. 204 00:14:39.899 --> 00:14:43.139 It's next door to it because apparently... 205 00:14:43.259 --> 00:14:44.340 Yeah, I looked this up when I watched it. 206 00:14:44.399 --> 00:14:49.919 The, um, it's so it's like a 70-tached Gothic mansion and the blink was the other half of it. 207 00:14:49.980 --> 00:14:51.120 Yeah. 208 00:14:51.120 --> 00:14:59.460 But I think that they actually, the seller in blink was a set, but I think they use the seller in the blink house for knock knock. 209 00:15:00.539 --> 00:15:03.059 Yeah, it's all very incestuous. 210 00:15:03.120 --> 00:15:05.879 But I think that doesn't help the idea of internal geography. 211 00:15:05.940 --> 00:15:12.539 But the thing about location is always a thing in those films like Brendan was saying, you need to know where the characters are and where they're going to escape to. 212 00:15:12.600 --> 00:15:15.120 So there's that moment of, no, don't go through that door. 213 00:15:15.179 --> 00:15:21.659 That's only the stairs to the cellar. you know, And so it helps to build anticipation, whereas here they could just be wandering around on different sets. 214 00:15:21.720 --> 00:15:22.559 Exactly. 215 00:15:22.620 --> 00:15:23.460 And they are, yeah. 216 00:15:23.580 --> 00:15:35.039 The other thing that doesn't work too, is that there is this gimmick that the ward is alive, which I think is really good, and it's a great idea, but they never actually make it happen. 217 00:15:35.100 --> 00:15:47.039 So there's a few scenes where, for instance, the doctor notices that a door has sealed itself shut, like the wood has grown over, but they've made no attempt to make it look like that in any way. 218 00:15:47.100 --> 00:15:48.000 They've done nothing. 219 00:15:48.059 --> 00:15:49.799 They've just sort of had the door. 220 00:15:49.860 --> 00:15:50.759 And then. 221 00:15:50.820 --> 00:15:51.299 No, no, no. 222 00:15:51.360 --> 00:15:59.639 You can see that the side is all like where the and where the gap would be is kind of like filled in, like like with, you know, bog filler or something. 223 00:15:59.700 --> 00:16:01.379 It just doesn't quite work, I think. 224 00:16:01.440 --> 00:16:04.259 And the same with the closing shutters and stuff like that. 225 00:16:04.320 --> 00:16:11.820 There's a good scene, I think, outside when Felicity's running away and she runs past and all of the shutters of the doors closed by themselves. 226 00:16:11.879 --> 00:16:12.899 I think that's really good. 227 00:16:12.960 --> 00:16:22.500 But I think, you know, making the wood grow and do things like there's just not quite enough money to sell it, I think. 228 00:16:22.559 --> 00:16:25.320 They have to be too sparing with their effect shots. 229 00:16:25.379 --> 00:16:26.399 Yeah, I think so. 230 00:16:26.460 --> 00:16:29.460 And then there's the effect shots of the bugs. 231 00:16:29.519 --> 00:16:31.440 Yeah, and it's very very CGI. 232 00:16:31.500 --> 00:16:32.399 It's very bad. 233 00:16:32.519 --> 00:16:34.620 I mean, wood lice from space. 234 00:16:34.679 --> 00:16:36.539 It a step up or down from the tractors. 235 00:16:38.399 --> 00:16:41.220 I don't think it's necessarily a money thing. 236 00:16:41.279 --> 00:16:49.980 I think just sometimes there are ways of doing these effects and sometimes like the CGI when you're building a creature in CGI and I think I just think some people are a bit better at it than other people. 237 00:16:50.039 --> 00:16:53.820 And maybe some creatures are easier to achieve than others. 238 00:16:53.879 --> 00:17:00.899 And I think the regularity of like a wood giant wood lice maybe makes it look too CGI because it all looks a bit too perfect. 239 00:17:00.960 --> 00:17:02.460 I think the action. 240 00:17:02.460 --> 00:17:03.360 And there's no slime and goo. 241 00:17:03.419 --> 00:17:04.740 There needs to be kind of some slime and goo. 242 00:17:04.920 --> 00:17:06.960 I think in close-up they actually look fine. 243 00:17:07.019 --> 00:17:08.160 Oh yeah, yeah, yeah. 244 00:17:08.220 --> 00:17:10.619 No, it's yeah, it's not swarms of them that look terrible. 245 00:17:10.680 --> 00:17:15.779 Yeah, but it's also it's also the way they're overlaid on whatever it is. that's what I'm saying There's something wrong. 246 00:17:15.839 --> 00:17:16.500 There's just something wrong. 247 00:17:16.559 --> 00:17:25.920 It's like those scenes from the mummy, like the early CGI scenes back in 2000 or the 90s whenever the original mummy was with those scarab Beatles kind of going over everyone and it never looks rice. 248 00:17:25.980 --> 00:17:27.779 It just looks like it's been built in a computer. 249 00:17:27.839 --> 00:17:29.099 Yeah, yeah, yeah. 250 00:17:29.160 --> 00:17:31.319 But, you know, we're spoiled. 251 00:17:31.380 --> 00:17:32.460 Yes, yeah. 252 00:17:32.519 --> 00:17:33.059 That's true. 253 00:17:33.119 --> 00:17:41.039 And of course, where it will come to it, but where Doctor Who gets it right is in, say, Eliza, where it melts out with live action and a real person, and that looks great. 254 00:17:41.220 --> 00:17:43.140 I suppose it does. 255 00:17:44.579 --> 00:17:55.319 I think we're even just spoiled by last week because last week did create that world in a really vivid way where you couldn't see the seams. 256 00:17:55.380 --> 00:17:57.660 Yes, it looked very, very good. 257 00:17:57.839 --> 00:17:59.519 I wonder why. 258 00:17:59.579 --> 00:18:06.299 And even the week before, actually, where we dropped that Spanish museum into the middle of a Bali. 259 00:18:06.359 --> 00:18:06.960 Oh, that looks great. 260 00:18:06.960 --> 00:18:08.039 It looked just incredible. 261 00:18:08.099 --> 00:18:08.819 Yeah, you know. 262 00:18:09.480 --> 00:18:12.359 But if we're watching Doctor Who for this movie. 263 00:18:12.420 --> 00:18:14.039 Yes, you shouldn't be watching Doctor Who. 264 00:18:14.099 --> 00:18:14.700 Even now. 265 00:18:27.900 --> 00:18:30.420 Can we talk about David Soucher? 266 00:18:30.480 --> 00:18:32.339 Are we up to are we upset? 267 00:18:32.400 --> 00:18:33.059 Yeah. 268 00:18:33.599 --> 00:18:35.759 Great piece of casting. 269 00:18:35.819 --> 00:18:39.960 Obviously, you know, one of those actors. why has it taken this long for him to be in Doctor Who kind of thing. 270 00:18:40.079 --> 00:18:45.180 But I want to sort of say how great he is in this kind of role. 271 00:18:45.240 --> 00:18:50.519 And it suits his Poirot acting as well because it's a heightened kind of acting. 272 00:18:50.579 --> 00:18:51.900 It's not over the top. 273 00:18:51.960 --> 00:18:53.940 There is a difference between heightened and over the top. 274 00:18:53.940 --> 00:19:02.220 And I think David Souchey delivers what I would call a perfect Doctor Who performance in here with that level of a heightened performance. 275 00:19:02.279 --> 00:19:04.799 It's understated heightened performance. 276 00:19:04.859 --> 00:19:07.140 Like, he underplays everything. 277 00:19:07.200 --> 00:19:11.819 Not a single line is. he's obviously so much of a better with the exception of Capaldi. 278 00:19:11.880 --> 00:19:14.640 He's a better actor than any of them that are there. 279 00:19:14.700 --> 00:19:28.079 And it may partly be because he's, you know, decades older than the rest of the cars, but he's delivering his lines in a way where the lines are meant to be heard rather than in a way where the lines are just meant to pass the time so we can get to the next line. 280 00:19:28.140 --> 00:19:33.420 But, you know, part of that, I think, is that he has to look old-fashioned. 281 00:19:33.539 --> 00:19:34.500 Of course, no, exactly. 282 00:19:34.559 --> 00:19:36.180 So he doesn't know who the Prime Minister is. 283 00:19:36.299 --> 00:19:37.500 He's wearing an old-fashioned suit. 284 00:19:37.559 --> 00:19:38.400 He gets on that, yeah. 285 00:19:38.400 --> 00:19:42.720 And he's doing sort of old-fashioned presentational style of acting as well. 286 00:19:42.779 --> 00:19:43.200 Exactly. 287 00:19:43.259 --> 00:19:44.160 Yeah, and that's what I love. 288 00:19:44.279 --> 00:19:45.779 And that's why I think it's perfect for you to hear. 289 00:19:45.839 --> 00:19:46.380 I knew you would love it. 290 00:19:46.440 --> 00:19:48.599 And I do too, because it's a very classic series performance. 291 00:19:48.660 --> 00:19:50.039 That's what I was trying to say. 292 00:19:50.099 --> 00:19:56.519 Actually, it really helps because he's, you know, we often talk about Doctor Who doesn't work when not all of the cast are on the same page. 293 00:19:56.579 --> 00:20:06.059 I don't think the cast here are on the same page and it's deliberate because all of Bill's friends are presenting with those very modern style performances and he's doing an old-fashioned documentary. 294 00:20:06.119 --> 00:20:09.119 Yeah, but that works because he's not, it wouldn't work if one of the kids was doing separation. 295 00:20:09.180 --> 00:20:09.480 Yeah. 296 00:20:09.480 --> 00:20:14.400 But again, it's the way television performance is done. has changed over the decades. 297 00:20:14.400 --> 00:20:21.599 And this David Souche performance is a throwback to that, but I actually think the Doctor Who, even in the modern era, works when we have actors delivery. 298 00:20:21.660 --> 00:20:29.099 Certainly when they're the villains delivering that style of performance rather than the hammy over the top style, which is what's so often they fall into the trap of doing. 299 00:20:29.160 --> 00:20:30.480 It's great, isn't it? 300 00:20:30.539 --> 00:20:34.799 Because he, like, I am not super familiar with the Poirot. 301 00:20:35.039 --> 00:20:35.880 No, I definitely watched it. 302 00:20:35.940 --> 00:20:37.500 I have watched some. 303 00:20:37.559 --> 00:20:48.720 I remember a thing called Blot on the Landscape from the 1980s, which was dramatisation of a Tom Sharp novel starring Geraldine James and he was the eponymous blot. 304 00:20:48.779 --> 00:20:52.259 And so that's where I knew him from... 305 00:20:52.319 --> 00:20:55.140 Yeah, a lot on the landscape in the 1980s, Terror of the Verbals. 306 00:20:55.200 --> 00:20:57.119 No, that's great. 307 00:20:57.119 --> 00:20:59.279 That's just one of several blocks. 308 00:20:59.279 --> 00:21:02.160 Don't single out that. 309 00:21:02.220 --> 00:21:03.299 That's it. 310 00:21:03.359 --> 00:21:04.140 I'm out. 311 00:21:04.380 --> 00:21:06.660 That body's in that. 312 00:21:06.779 --> 00:21:07.140 Exactly. 313 00:21:07.140 --> 00:21:09.779 The best thing about it. absolutely. 314 00:21:09.839 --> 00:21:10.980 That's not an exaggeration. 315 00:21:10.980 --> 00:21:12.599 Absolute truth. 316 00:21:13.019 --> 00:21:22.559 But there's a warmth to him, like every so often, that smile is so genuinely warm and it is fake. 317 00:21:22.619 --> 00:21:25.380 Like it is to lure them in, but it works perfectly well. 318 00:21:25.440 --> 00:21:27.539 But also the mood shifts, you know, don't go up to the tower. 319 00:21:27.660 --> 00:21:34.500 Yeah, that's that, again, and it's done with the cuts too, as he turns around, the visual cut. speaks to me. 320 00:21:34.559 --> 00:21:39.000 Even that suit is the same colour as the wall panelling. 321 00:21:39.059 --> 00:21:40.799 When he 1st appears inside the house. 322 00:21:40.859 --> 00:21:49.740 It looks like he's emerged from the wall because he's kind of disappearing into the wall because his suit's exactly the same colour. like Homer coming out of the hedge. 323 00:21:49.799 --> 00:21:50.339 Yeah, exactly. 324 00:21:51.599 --> 00:21:54.299 Yeah, no, I think he's extremely good. 325 00:21:54.359 --> 00:21:55.680 I do think he is really great. 326 00:21:55.799 --> 00:21:58.799 I do want to give props to the actor who plays Harry though. 327 00:21:58.859 --> 00:22:00.000 Colin Ryan. 328 00:22:00.000 --> 00:22:02.099 Oh, he sounds good. 329 00:22:02.160 --> 00:22:02.880 He's so good. 330 00:22:02.940 --> 00:22:08.220 And he is filling the role, which I think is lacking in the modern era of the pseudo companion. 331 00:22:08.339 --> 00:22:14.519 Temporary companion. temporary companion, which we just see so little of with these single episode stories and he does it so, so well. 332 00:22:14.579 --> 00:22:16.500 And I do get upset when he gets eaten. 333 00:22:16.559 --> 00:22:23.640 He gets scared so convinced. like he does a proper Doctor Who scared companion act. 334 00:22:23.700 --> 00:22:24.960 Yes. in the best way. 335 00:22:25.019 --> 00:22:34.920 He has that great reaction shot where they're all sitting in the living room and there's noises from the kitchen and it's behind him and he just looks around the chair with this sort of scared look on his face. just amazing. 336 00:22:34.980 --> 00:22:36.599 It's got great big eyes acting. 337 00:22:36.660 --> 00:22:44.579 Friend of the podcast, Corey McMahon texted me after this episode went to air and said, we've been lacking a twink companion for Doctor Who. 338 00:22:44.640 --> 00:22:45.660 He said, we've had Russell. 339 00:22:45.720 --> 00:22:46.859 Why didn't we have a twink community? 340 00:22:46.920 --> 00:22:48.180 That's what Adrick was supposed to be. 341 00:22:48.599 --> 00:22:51.660 Patrick's bum was always too big to be a twink. 342 00:22:51.720 --> 00:22:54.599 But the closest I can think of would be Adam. 343 00:22:54.660 --> 00:22:55.319 Adam, yes. 344 00:22:55.380 --> 00:22:56.220 Adam was definitely. 345 00:22:56.220 --> 00:23:03.119 And so there was some stuff where they wanted Harry to be Harry Sullivan's grandson. 346 00:23:03.240 --> 00:23:06.599 And he does mention his grandfather, who just doesn't mention him by name. 347 00:23:06.660 --> 00:23:11.819 His grandfather's boyfriend who tries to steal part of the Great Wall of China. 348 00:23:11.880 --> 00:23:20.819 Yeah, Harry's enjoying his retirement, having committed a war crime by inventing that pathogen to target the Zigon. 349 00:23:20.880 --> 00:23:21.720 Zygons. 350 00:23:21.779 --> 00:23:22.259 Yeah. 351 00:23:22.319 --> 00:23:24.960 Was that the hush hush thing he was doing at Port and Down? 352 00:23:25.019 --> 00:23:26.339 Yeah, that's right. 353 00:23:26.519 --> 00:23:30.420 So, yes, that was in the script for a very long time. 354 00:23:30.480 --> 00:23:38.099 It was actually mainly dropped from writer Mike Bartlett's perspective because this is, to date, his only Doctor Who. 355 00:23:38.160 --> 00:23:50.160 He's most famous for creating and writing Dr. Foster with Saran Jones, but he was a huge Doctor Who fan and his youth and Harry was his favourite companion and he sort of went during the drafting process. 356 00:23:50.279 --> 00:24:01.619 He's like, okay, but how many people out there also remember Harry Sullivan, and is it just going to sort of bog down that scene where young Harry's also called Harry Sullivan? 357 00:24:01.619 --> 00:24:07.500 And what was going to happen was when the doctor's listing the names at the end, he would say, oh, Pavlo Ivanov and da da da. 358 00:24:07.559 --> 00:24:07.980 And Harry. 359 00:24:08.039 --> 00:24:09.119 Oh, Bill, Bill. 360 00:24:09.420 --> 00:24:10.079 Oh, it's awful. 361 00:24:10.140 --> 00:24:10.799 I don't know his name. 362 00:24:10.920 --> 00:24:11.579 Sullivan. 363 00:24:11.640 --> 00:24:12.420 Harry Sullivan? 364 00:24:12.480 --> 00:24:19.740 You know, then it's also happening in this big dramatic scene that we get the name drop of someone, the general public may not remember. 365 00:24:19.799 --> 00:24:21.660 So he just went, I'm just gonna... 366 00:24:21.720 --> 00:24:23.099 I'll tell the fans I did it. 367 00:24:23.099 --> 00:24:27.359 Yes, I think all that would have interfered with the flow. such as it is. 368 00:24:27.420 --> 00:24:30.299 Yes, now that you say that all sounds like a lot less fun than I thought. 369 00:24:31.079 --> 00:24:33.599 But you know, Harry Sullivan was. 370 00:24:33.660 --> 00:24:36.539 That doesn't necessarily go against what we knew about Harry. 371 00:24:36.599 --> 00:24:40.500 It's one thing taking a character who's been established and sort of turning them into an entirely different thing. 372 00:24:40.559 --> 00:24:48.000 But Harry's sexuality was never stated in the show and his relationship with Sarah was very much kind of brother and sister, best friends. 373 00:24:48.119 --> 00:24:48.900 Yeah. 374 00:24:48.960 --> 00:24:56.940 I, I think the, the Port and Downs thing was terrible, like making Harry, the creator of a pathogen to explode Zygons. 375 00:24:57.000 --> 00:24:58.920 I thought was should have been cut. 376 00:24:58.980 --> 00:25:01.019 That's awful because that violates his character. 377 00:25:01.079 --> 00:25:01.920 Yeah, yeah. 378 00:25:01.980 --> 00:25:03.299 Yeah. 379 00:25:03.359 --> 00:25:04.799 Thanks, Brandon. 380 00:25:05.220 --> 00:25:07.140 I didn't hear that. 381 00:25:09.480 --> 00:25:13.559 If I could say something about David Souche as well. 382 00:25:13.619 --> 00:25:17.339 Because I've seen all of his Poirots. 383 00:25:17.400 --> 00:25:23.339 And of course, one of the early ones, wasp's nest features a young Peter Capaldi in clown makeup. 384 00:25:23.400 --> 00:25:24.359 Oh my goodness. 385 00:25:24.420 --> 00:25:27.720 And they'd worked together on one other thing as well. 386 00:25:27.779 --> 00:25:33.000 And apparently sort of between shots, they were they were chatting about their mutual lover photography. 387 00:25:33.059 --> 00:25:34.140 Okay. 388 00:25:34.140 --> 00:25:37.380 David and Peter, which is lovely and very sweet. 389 00:25:37.440 --> 00:25:42.539 I also wanted to mention Suchet's 1st brush with Poirot isn't Poirot. 390 00:25:42.599 --> 00:25:46.619 He plays Detective Japp in one of the Peter Houstonov films 13 at dinner. 391 00:25:46.680 --> 00:25:47.339 Oh, really? 392 00:25:47.339 --> 00:25:51.420 Which he has stated is the worst performance of his career. 393 00:25:51.720 --> 00:25:54.420 Probably someone else's best performance. 394 00:26:11.940 --> 00:26:26.700 We touched on the resolution, and Brandon, you mentioned it before, you know, the psycho reference, which I couldn't help but thinking when I was watching it again yesterday, but I still think overall, and I think that this is where, apart from other niggling things where it does get let down. 395 00:26:26.759 --> 00:26:32.339 I just think it's a great concept for a story, which is still looking for its resolution. 396 00:26:32.460 --> 00:26:35.339 They just needed to sort of think about it a bit more. 397 00:26:35.400 --> 00:26:40.799 I mean, why is it only every 20 years that David Suchet needs to tempt a bunch of young kids. 398 00:26:40.859 --> 00:26:45.359 That's when the house runs out of... runs out of... young person energy. 399 00:26:45.420 --> 00:26:49.140 Yeah, even so, it's just, I don't know. 400 00:26:49.200 --> 00:26:54.000 It's like, oh, here's this great explanation we've come up with for this and it doesn't sit right with me. 401 00:26:54.059 --> 00:26:56.700 I actually think that scene is actively terrible. 402 00:26:56.759 --> 00:26:57.720 Actively terrible. 403 00:26:57.779 --> 00:26:57.960 Yeah. 404 00:26:58.019 --> 00:26:58.799 Oh, shockingly bad. 405 00:26:58.859 --> 00:27:01.319 And I think I think part of it is just trying to be polite. 406 00:27:01.380 --> 00:27:01.859 No, no. 407 00:27:01.859 --> 00:27:06.420 I think part of the problem is... 408 00:27:06.539 --> 00:27:12.900 I'm not trying I think part of the problem is that it's just massively overwrought. 409 00:27:12.960 --> 00:27:19.920 Like, just, like, we're all looking into each other's eyes and crying and blah, blah, blah, blah, blah, and I just sort of thought that that was kind of terrible. 410 00:27:19.980 --> 00:27:23.160 It's layering on stakes and emotion, which hasn't really earned. 411 00:27:23.220 --> 00:27:23.519 No. 412 00:27:23.579 --> 00:27:24.660 I also have never a fan. 413 00:27:24.660 --> 00:27:25.380 The twist is dumb. 414 00:27:25.440 --> 00:27:26.160 Who cares? 415 00:27:26.279 --> 00:27:27.839 Well, yeah, yeah. 416 00:27:27.900 --> 00:27:30.059 He's actually here... 417 00:27:30.119 --> 00:27:30.539 So what? 418 00:27:30.599 --> 00:27:31.380 So, yeah. 419 00:27:31.440 --> 00:27:31.799 Oh, great. 420 00:27:31.859 --> 00:27:32.099 Okay. 421 00:27:32.160 --> 00:27:42.180 But also it's that thing of, I'm never a huge fan of when the villain, the monster, whatever it is, suddenly decides that, oh yes, I'm actually evil and this is a bad idea, so I'll just kind of destroy myself right now. 422 00:27:42.240 --> 00:27:46.680 Yeah, so I mean, what the twist enables is the resolution. 423 00:27:46.740 --> 00:27:50.640 So the twist enables the twist air quotes. 424 00:27:50.700 --> 00:27:59.279 Yeah, the twist makes it clear to Eliza that she's in charge, that she doesn't have to go along with what the landlord is doing. 425 00:27:59.339 --> 00:28:01.319 And so she puts a stop to it. 426 00:28:01.380 --> 00:28:04.980 And like that kind of works, I guess. 427 00:28:05.039 --> 00:28:11.640 And the way the twist is revealed is good, you know, Bill goes, actually, that makes no sense. 428 00:28:11.700 --> 00:28:14.519 The version of the story you've come up with, Doctor, is ridiculous. 429 00:28:14.579 --> 00:28:15.779 No one behaves like that. 430 00:28:15.839 --> 00:28:21.660 And then we get the truth and all of that sort of fine, but there's such low stakes to it. 431 00:28:21.720 --> 00:28:24.779 Like, I can see why it's there, but it is sort of dumb. 432 00:28:24.839 --> 00:28:28.500 And I think too, like it's Doctor Who. 433 00:28:28.500 --> 00:28:32.759 And I think Eliza looks amazing. 434 00:28:32.819 --> 00:28:34.500 Like there's live action. 435 00:28:34.559 --> 00:28:37.799 There's some kind of, it's not just live action. 436 00:28:37.859 --> 00:28:39.720 There is some makeup, isn't there? 437 00:28:39.779 --> 00:28:42.299 Yeah, I think I think it's mostly makeup. 438 00:28:42.359 --> 00:28:48.180 And then, um, they, the, I think the big CG component might be the eyes. 439 00:28:48.240 --> 00:28:48.539 Right. 440 00:28:48.599 --> 00:28:49.140 Right. 441 00:28:49.200 --> 00:28:55.740 I mean, I think it looks, it looks great, you know, like her hair looks like wood shavings and stuff like that. 442 00:28:55.799 --> 00:29:06.299 I think it's a great costume, but there is something slightly ridiculous about David Suchet staring into her face when she's covered in rubber and welling up and stuff. 443 00:29:06.359 --> 00:29:08.220 I just couldn't buy it. 444 00:29:08.279 --> 00:29:09.599 It was just a little bit too stupid. 445 00:29:09.660 --> 00:29:16.500 But also, you don't revert. we don't revert to our childhood cells when we're talking to our mothers. 446 00:29:16.559 --> 00:29:17.220 No. 447 00:29:17.279 --> 00:29:18.420 Do you know what I mean? 448 00:29:18.480 --> 00:29:22.079 You're still, he still lived for however many decades he's lived. 449 00:29:22.140 --> 00:29:23.339 Yeah, yeah. 450 00:29:23.400 --> 00:29:27.839 I think I think the idea is that they, he's, and that's the other thing. 451 00:29:27.900 --> 00:29:30.480 Like everyone's parents die. 452 00:29:30.539 --> 00:29:31.440 Do you know what I mean? 453 00:29:31.500 --> 00:29:34.200 Like, it's like, this is a thing that happens to everyone. 454 00:29:34.259 --> 00:29:39.900 And like people don't go on like decades on killing sprees as a result. 455 00:29:39.960 --> 00:29:41.099 It's terrible. 456 00:29:41.160 --> 00:29:42.960 That's the reference. right. 457 00:29:43.019 --> 00:29:52.319 But it's terrible and it's sad and then we get over it and it seems to me that it's sort of young people who haven't experienced any kind of particular loss writing a story like that. 458 00:29:52.380 --> 00:29:54.000 It just seems ridiculous. 459 00:29:54.059 --> 00:29:56.819 Like, look at, yes, you know, and Frankenstein as well. 460 00:29:56.880 --> 00:29:57.599 Do you know what I mean? 461 00:29:57.660 --> 00:30:02.400 Victor Frankenstein creates the monster who is also called Frankenstein. 462 00:30:02.460 --> 00:30:08.339 Don't acne. of the death of his mother. 463 00:30:08.400 --> 00:30:09.539 Do you know what I mean? 464 00:30:09.599 --> 00:30:11.460 I've seen the brain of Morbius. 465 00:30:11.519 --> 00:30:11.819 I know. 466 00:30:12.119 --> 00:30:19.380 So, so, you know, like, it's a thing, but it always just sits really, like, it's, I think it's stupid. 467 00:30:19.440 --> 00:30:24.119 But especially from the time you're talking about because, you know, it's basically what, the 30s? 468 00:30:24.119 --> 00:30:24.660 Yeah, yeah. 469 00:30:24.720 --> 00:30:27.900 I mean, it doesn't happen now as much. 470 00:30:27.960 --> 00:30:30.180 But back then, you know, people would just die. 471 00:30:30.240 --> 00:30:34.500 Like people could be 35 years old and get some kind of illness and die. 472 00:30:34.619 --> 00:30:37.859 Yeah, who had a big family and 2 would have died in childbirth. 473 00:30:37.920 --> 00:30:47.339 Yeah, and I mean, we're probably talking a bit slightly after that, I think, when this is it, but it's more to the point that being a child of that ear and having your mother die when you're still a child is not that unusual. 474 00:30:47.400 --> 00:30:48.599 No, no, no, no. 475 00:30:48.660 --> 00:30:49.619 Like, it happens now. 476 00:30:49.680 --> 00:30:50.759 It's happening. 477 00:30:50.759 --> 00:30:52.079 It does still happen. 478 00:30:52.140 --> 00:30:53.579 Yeah, yeah, yeah. 479 00:30:53.640 --> 00:30:55.259 But people get over it. 480 00:30:55.380 --> 00:30:57.599 And so I just find it hard to have... 481 00:30:57.599 --> 00:30:58.740 There's a lot of sympathy coming through. 482 00:30:58.799 --> 00:31:00.839 No, no, no, no. 483 00:31:00.839 --> 00:31:02.640 No, but I know what you mean. 484 00:31:02.700 --> 00:31:03.480 No, but I know what you mean. 485 00:31:03.539 --> 00:31:07.799 That's what I'm saying. just a bit unsatisfactory. looking for an explanation as to why this is all happening. 486 00:31:07.859 --> 00:31:12.900 That's right You've got to go in knowing how your story's going to end, and it feels like they created this situation, then try desperately. 487 00:31:12.960 --> 00:31:13.619 And then try to work out. 488 00:31:13.680 --> 00:31:14.940 How are we going to wrap this up? 489 00:31:15.000 --> 00:31:16.680 That's what I was taking vibes off. 490 00:31:16.740 --> 00:31:24.839 It's also the unsatisfactory nature of the landlord's character is I think he's presents as alien, the way that he kind of deals with things as alien, not human. 491 00:31:24.900 --> 00:31:26.940 Or at least possessed by aliens. 492 00:31:27.000 --> 00:31:27.299 Yes. 493 00:31:27.359 --> 00:31:28.079 Yeah, yeah. 494 00:31:28.140 --> 00:31:33.180 I mean, the doctor immediately clocks that he's not from the present, which I thought was pretty good. 495 00:31:33.240 --> 00:31:38.099 And I do, I do love the prime ministers that he mentioned, including Harriet Jones. 496 00:31:38.160 --> 00:31:40.200 Harriet Jones. 497 00:31:40.259 --> 00:31:46.799 But the other thing that really gives me the erits is this thing that everybody has to come back to life. 498 00:31:46.859 --> 00:31:47.880 Yeah. 499 00:31:47.880 --> 00:32:01.380 It just, you know, it had such a great cold open where, you know, a classic kind of opening sequence where the, well, like not quite the opening sequence, but where Parvel is killed, that's vintage Doctor Who. 500 00:32:01.440 --> 00:32:02.640 That's what we're here for. 501 00:32:02.700 --> 00:32:07.799 That's for that 1st scene scene before you cut to the Tartar scene or you cut to the Tartarus materialising where it is. 502 00:32:07.859 --> 00:32:09.900 You know, it's the scream that kind of goes to that. 503 00:32:09.960 --> 00:32:14.640 And I just can't we do it so that, okay, some of them die and then some of them survive. 504 00:32:14.700 --> 00:32:15.480 Absolutely. 505 00:32:15.539 --> 00:32:16.740 You want Harry to come back to life. 506 00:32:16.859 --> 00:32:17.640 That would have been terrible. 507 00:32:17.700 --> 00:32:19.319 No, but everybody else can die. 508 00:32:19.380 --> 00:32:19.740 Well. 509 00:32:19.799 --> 00:32:22.980 No, no, he hasn't died. he should be the one who actually doesn't die in the 1st place. 510 00:32:23.039 --> 00:32:24.660 I think just once they're absorbed, they should just die. 511 00:32:24.720 --> 00:32:25.079 Right. 512 00:32:25.079 --> 00:32:27.059 Like, I think it's a massive cheat. 513 00:32:27.119 --> 00:32:30.599 So we want to have deaths and we want it to be a horror film, but we don't want to actually kill anyone. 514 00:32:30.660 --> 00:32:31.500 What are they frightened of? 515 00:32:31.559 --> 00:32:36.180 Well, I think that Bill becomes a less convincing character if she's so traumatised. 516 00:32:36.240 --> 00:32:42.420 Like if all of her friends die in this flat share, then it's that question that we asked about Sarah. 517 00:32:42.480 --> 00:32:45.599 Why doesn't she just punch the doctor in the face and then leaves him forever? 518 00:32:46.799 --> 00:32:49.859 Yes, but I fundamentally disagree with that. 519 00:32:49.920 --> 00:32:52.500 As you're fond of saying, it's a television show. 520 00:32:52.559 --> 00:32:53.880 Oh, yeah, yeah, it's not actually real. 521 00:32:54.180 --> 00:33:04.740 I think if you're concerned about that aspect of it, then you have they're not all her friends, like she's close to 2 of them, but then the other 3 of them are their friends and she kind of knows them, but, you know, so she doesn't really care as much. 522 00:33:04.799 --> 00:33:07.980 But, you know, obviously in Doctor Who. 523 00:33:08.039 --> 00:33:12.180 Well, less so now, but you know, people die in Doctor Who. 524 00:33:12.240 --> 00:33:15.960 And the companion and the doctor just move on to the next episode where yet more people die. 525 00:33:16.019 --> 00:33:22.680 And then yet more people die in the next episode and it's just something that is part of the show and we shouldn't get hung up about how a real person would actually react. 526 00:33:22.799 --> 00:33:26.039 Yeah, I've seen Tegan in Resurrection of the Daleks. 527 00:33:26.099 --> 00:33:27.059 Well, yeah. 528 00:33:27.119 --> 00:33:36.779 Well, I do think, though, that it's different to turn up in a space based somewhere, like next week, and have people die compared to like Cherie. 529 00:33:36.839 --> 00:33:43.920 And like having Shareen die is great because it gives Pearl a great acting moment. 530 00:33:43.980 --> 00:33:50.579 Like, I think her reaction is really good and her reaction when the doctor comes in and she says what's happened to her and stuff. 531 00:33:50.640 --> 00:33:55.500 I think that's a great performance, but I would have hated those characters to die. 532 00:33:55.559 --> 00:33:59.339 And so I think that there's something misconceived about it. 533 00:33:59.400 --> 00:34:00.900 You need to do something different. 534 00:34:00.960 --> 00:34:02.220 It doesn't work as it stands. 535 00:34:02.279 --> 00:34:07.319 But that's what I'm saying is if you just have, there are 5 of them apart from Bill, you have 3 of them die. 536 00:34:07.380 --> 00:34:08.400 Yeah, yeah. 537 00:34:08.460 --> 00:34:10.500 Yeah, 2 of them die. one of them comes back to life. 538 00:34:10.559 --> 00:34:11.099 Do you know what I mean? 539 00:34:11.159 --> 00:34:12.360 And the other 2 don't. 540 00:34:12.420 --> 00:34:16.199 It's the fact that they all get eaten and then they all come back. 541 00:34:16.260 --> 00:34:17.519 It's just tiresome. 542 00:34:17.579 --> 00:34:24.179 I think it's that weird hangup that modern Doctor Who has that you can't show violence to children because they might be impacted by it. 543 00:34:24.179 --> 00:34:25.079 They might replicate it. 544 00:34:25.139 --> 00:34:27.480 They don't go out to find some wood lized. 545 00:34:27.659 --> 00:34:35.159 I mean, you can't have Mr. Sin stabbing somebody because that might, you know, that might traumatise people, whereas you can show someone being blown up by a laser. 546 00:34:35.219 --> 00:34:38.099 I think it's you don't want to show, and I don't agree with this. 547 00:34:38.159 --> 00:34:48.420 I think that they didn't want to show Bill's lovely friends being killed and not brought back to life, whereas next week in oxygen, a bunch of people in space and space suits is fine because kids don't relate to that. 548 00:34:48.480 --> 00:34:49.800 I think that's what the thinking is. 549 00:34:49.860 --> 00:34:51.420 I don't agree with it, but I think that's what it is. 550 00:34:51.480 --> 00:34:54.719 That's definitely what it is. and I think that's it's pulling its ridiculous. 551 00:34:54.840 --> 00:34:55.440 Yeah, it's stupid. 552 00:34:55.500 --> 00:34:58.739 I think not traumatising Beale is worth doing. 553 00:34:58.800 --> 00:35:00.539 I think that that's the problem. 554 00:35:00.599 --> 00:35:07.920 I think that there's no way that Bill doesn't leave after that experience if it happens to her friends and that's the problem. 555 00:35:08.280 --> 00:35:09.960 When she goes somewhere else, it's fine. 556 00:35:10.019 --> 00:35:14.820 Even when that little kid gets eaten by tiny last week. 557 00:35:15.000 --> 00:35:22.199 Do you know what I think it would actually really work quite well as is actually a companion introduction story. 558 00:35:22.260 --> 00:35:24.059 Ah, okay, yeah, yeah, yeah. 559 00:35:24.119 --> 00:35:26.579 And she's the survivor of the share house. 560 00:35:26.639 --> 00:35:29.460 Either she's the one of the survivors. the Vicky. 561 00:35:29.699 --> 00:35:31.079 Yeah. 562 00:35:31.079 --> 00:35:36.239 Not the parallel I was reaching. 563 00:35:36.300 --> 00:35:37.619 Great, yes. 564 00:35:37.860 --> 00:35:40.380 Sandy the Woodlouse. 565 00:35:40.739 --> 00:35:50.280 So you may be relieved to know that it was originally far worse, and everyone the house had ever consumed was going to come back to life in the early draft. 566 00:35:50.460 --> 00:35:52.920 And then it's like, how is she getting managing from them? 567 00:35:52.980 --> 00:35:53.340 Yeah, exactly. 568 00:35:53.340 --> 00:35:55.139 Anything consumed by Eliza. 569 00:35:55.260 --> 00:35:59.280 Yeah, and yeah, and then the doctor just says, don't worry, everyone, I'll take you home in the TARDIS. 570 00:35:59.340 --> 00:36:02.460 I'd like to dance around on the pavement outside saying everybody... 571 00:36:02.579 --> 00:36:03.360 Well that worked once. 572 00:36:03.420 --> 00:36:03.900 Yes. 573 00:36:03.900 --> 00:36:11.639 I mean, we actually saw Eliza absorb the energy when Shareen gets... 574 00:36:11.639 --> 00:36:13.440 Yes, she gets exhilarated. 575 00:36:13.500 --> 00:36:14.820 Yeah, so we saw that happen. 576 00:36:14.880 --> 00:36:15.420 Yes. 577 00:36:15.420 --> 00:36:22.980 And like we did have that dialogue from the landlord about how powerful was in the walls that he existed in the house. 578 00:36:23.039 --> 00:36:25.260 And so it sort of sells it. 579 00:36:25.320 --> 00:36:27.059 But how does this work? 580 00:36:27.119 --> 00:36:28.440 Parvel, let's just say Parvel. 581 00:36:28.500 --> 00:36:34.380 Parvel is absorbed into the wall and then the wall, the house is what feeds, feeds Liza. 582 00:36:34.440 --> 00:36:39.659 Or is it the fact that the lice then take it from the wall and then like crawl into a mouth. 583 00:36:39.719 --> 00:36:40.559 I mean, I don't know. 584 00:36:41.099 --> 00:36:49.619 I don't know, you're right. doesn't really matter, but it's like, so is it the house that's absorbing people or is it the lice that's eating people and feeding that energy to Eliza? 585 00:36:49.679 --> 00:36:52.800 I know it doesn't really matter, but it's the kind of thing you think of. 586 00:36:52.860 --> 00:36:54.480 If you're thinking of it when you're watching the episode. 587 00:36:54.539 --> 00:36:56.039 They've got a problem. 588 00:36:56.099 --> 00:37:06.539 There is a line, I think, where it said that the house is basically made up of the lice at this point, and of course, yeah, when the house... 589 00:37:06.599 --> 00:37:07.500 Yeah, the wood is the lies. 590 00:37:07.559 --> 00:37:11.820 And then, of course, the house collapses, you know, when the light is destroyed. 591 00:37:13.139 --> 00:37:15.239 How are they destroyed? 592 00:37:15.300 --> 00:37:16.320 I don't. 593 00:37:17.340 --> 00:37:23.159 This is something that material was filmed for, I presume the CG wasn't done for it. 594 00:37:23.280 --> 00:37:47.460 So in the original ending, we cut to a few weeks later and cut back to the house, and it's basically the same shape, but in a better state of repair, and the 6 of them are living there again, and the doctor explains that Eliza and the landlord are now in the walls, but they're at peace because they've accepted their fate. 595 00:37:47.460 --> 00:38:00.840 And Bill's like, yeah, well, Paul dropped his keys down the grate last week, and then they were sitting on the And, you know, all these things keep happening and the doctor's like, if a house can turn against you, it can also look after you. 596 00:38:00.900 --> 00:38:02.820 That's why some places feel comfortable. 597 00:38:02.880 --> 00:38:08.159 Maybe I'm wrong and the Dyads are originally all here from Earth. 598 00:38:08.159 --> 00:38:11.579 And they decided, no, we need to see more about the vault. 599 00:38:11.639 --> 00:38:23.639 So we'll cut that and put in stuff around the vault and just say, it's okay, Bill, you go back to your foster mother who, in a deleted scene, has already... 600 00:38:23.699 --> 00:38:26.099 Yeah, her room before she moves to the gym. 601 00:38:26.460 --> 00:38:31.199 Well, I mean, I think I think we've been saved that kind of happily ever after ending, actually. 602 00:38:31.320 --> 00:38:35.760 Well, I actually do like all 6 of them there going, what the hell are we going to do? 603 00:38:35.820 --> 00:38:37.139 It's just quite fun. 604 00:38:50.880 --> 00:38:57.539 Just going back to that thing that Bill would leave if they all died, and fine, OK, if we're going to live in that universe, that's a thing. 605 00:38:57.599 --> 00:39:06.599 But the universe we are living in, though, now is a very different universe to the one that Sarah Jane was living in because Bill is still living on Earth. 606 00:39:06.599 --> 00:39:12.480 And she just goes on trips with a doctor from time to time because a doctor and Nardo are guarding the vault. 607 00:39:12.539 --> 00:39:16.500 So it's not that classic series thing where they're just going from place to place to place to place. 608 00:39:16.559 --> 00:39:19.079 And then every now and again having tear of the zygons or something. 609 00:39:19.139 --> 00:39:19.920 Do you know what I mean? 610 00:39:19.980 --> 00:39:20.280 Yeah. 611 00:39:20.280 --> 00:39:22.019 So it's a bit different. 612 00:39:22.079 --> 00:39:24.179 Yeah, like a so it's sort of like the purple era. 613 00:39:24.239 --> 00:39:29.340 But you well, yes, but I don't get the impression that Joe Grant is living in a shared house somewhere. 614 00:39:29.400 --> 00:39:29.820 No. 615 00:39:29.880 --> 00:39:32.159 She's they're all living on barracks. 616 00:39:32.219 --> 00:39:33.059 Oh do you think? 617 00:39:33.119 --> 00:39:33.840 I think so yes. 618 00:39:33.900 --> 00:39:34.800 He's got a lovely flat. 619 00:39:34.860 --> 00:39:37.380 Yeah, lovely flat Kensington. 620 00:39:38.039 --> 00:39:39.780 Uncle's money. 621 00:39:40.920 --> 00:39:43.739 Let's talk about the final vault scene. 622 00:39:43.860 --> 00:39:51.900 This is not the 1st time this will happen, and Eaters of Lied gets its ending kind of written by Moffat. 623 00:39:51.960 --> 00:39:53.940 This scene's clearly written by Moffat, I think. 624 00:39:54.000 --> 00:39:56.940 And I think the thing that really... almost like the next episode started. 625 00:39:57.059 --> 00:39:59.280 Yeah, yeah, yeah, in the 80s, you know. 626 00:39:59.280 --> 00:40:02.519 I was thinking of the 60s, actually. 627 00:40:02.579 --> 00:40:03.420 Okay, yes. 628 00:40:03.480 --> 00:40:05.519 Yeah, it's like we're being inside something. 629 00:40:05.579 --> 00:40:07.619 What's the end of Aztecs? 630 00:40:07.920 --> 00:40:09.960 So we're on top of something? 631 00:40:10.079 --> 00:40:11.460 Or inside something? 632 00:40:11.579 --> 00:40:12.599 Exactly. 633 00:40:12.659 --> 00:40:13.559 Thank you very question. 634 00:40:14.699 --> 00:40:25.800 It is very cute. and I do think the way that the doctor sells it by telling Missy, it's a story about a house inhabited by wood lice and lots of young people getting. 635 00:40:25.860 --> 00:40:27.659 Yes, yes, that's get eaten. 636 00:40:27.719 --> 00:40:28.679 It's even better. 637 00:40:28.739 --> 00:40:30.599 I think that's actually when you sort of know. 638 00:40:30.659 --> 00:40:31.559 Oh, it's definitely missy. 639 00:40:32.519 --> 00:40:34.139 I think so. 640 00:40:35.940 --> 00:40:43.440 That's right, because the Hoovians show was having their speculation each week about what's in the vault and I think we were going, no, it's just missing. 641 00:40:43.500 --> 00:40:44.280 It's just missing. 642 00:40:44.340 --> 00:40:46.019 It's a pteraleptol. 643 00:40:46.079 --> 00:40:49.980 Yeah, it's funny because I wanted the door to open and there stands a sea double. 644 00:40:51.239 --> 00:40:53.519 I'm blacking like seven. 645 00:40:55.019 --> 00:40:56.519 Exactly. 646 00:41:20.579 --> 00:41:23.639 Well, David, sir, that's all the time we had for this week. 647 00:41:23.699 --> 00:41:30.360 We'll be back next week to help the proletariat seize the means of production in space in oxygen. 648 00:41:30.719 --> 00:41:48.659 In the meantime, you can find us wherever you get your podcasts, and you can keep up with us on our website, flightthroughentirety.com, where you'll find our social media links, as well as links to all of our other podcasts, including our other Doctor Who podcasts, 500-year diary, and the 2nd grade and bountiful human empire. 649 00:41:49.199 --> 00:41:55.739 Until next time, remember that you can't really process your grief in a healthy way by killing a whole bunch of people. 650 00:41:55.800 --> 00:41:58.320 Thank you very much for listening and good night. 651 00:41:58.380 --> 00:42:00.059 Spoil sport. 652 00:42:00.119 --> 00:42:00.480 Good night. 653 00:42:00.539 --> 00:42:02.039 Yeah, clearly you'd never tried it. 654 00:42:02.099 --> 00:42:02.519 Good night. 655 00:42:02.579 --> 00:42:03.300 Bye-bye. 656 00:42:11.460 --> 00:42:17.519 That was Flight Through Entirety, starring Nathan Bottomley, Peter Griffith, Brendan Jones, and Simon Moore. 657 00:42:17.579 --> 00:42:19.800 Theme arrangement by Cameron Lamb. 658 00:42:19.860 --> 00:42:26.280 This episode, Pearl Clutching was recorded on the 25th of August 2024 and released on the 6th of October. 659 00:42:27.119 --> 00:42:40.139 If you've been affected by any of the issues raised in this program, not to worry, it's still October, and there's plenty of time for you to order your mother a great big tub of polyurethane gloss for Christmas. 660 00:42:46.920 --> 00:42:49.440 I wonder whether that's the tag. 661 00:42:49.500 --> 00:42:49.980 What do you think? 662 00:42:50.039 --> 00:42:52.380 Did you already have a tag where we were telling you off? 663 00:42:52.440 --> 00:42:58.320 No, but I think that the missy that like it needs to end with, oh, you know, it's just obviously just missing. 664 00:43:01.079 --> 00:43:03.239 I do like her piano playing. 665 00:43:03.239 --> 00:43:06.780 Yeah, that's awesome too. when she finds out that... 666 00:43:06.780 --> 00:43:08.519 And I really like the fact that Parvel likes classical music. 667 00:43:08.579 --> 00:43:08.880 Yeah. 668 00:43:08.880 --> 00:43:09.840 And the wood lights. 669 00:43:09.900 --> 00:43:14.159 But it has to be, can I say, it has to be someone with an Eastern European name to like classical music. 670 00:43:14.159 --> 00:43:16.440 Otherwise, they'd be... intolerable. 671 00:43:16.500 --> 00:43:16.980 Exactly. 672 00:43:18.719 --> 00:43:20.159 Exactly. 673 00:43:23.219 --> 00:43:29.940 Actually, I have found the music from the teaser and that's going to be our... 674 00:43:30.000 --> 00:43:32.400 It's a real song, I realise. 675 00:43:32.760 --> 00:43:34.800 No, no, no, no. 676 00:43:34.860 --> 00:43:35.760 Oh, you mean with parble? 677 00:43:35.820 --> 00:43:37.559 Yeah, yeah, yeah, it is a real piece of music. 678 00:43:37.619 --> 00:43:39.480 Yeah, yeah, yeah, yeah. 679 00:43:39.539 --> 00:43:41.699 No, the song from the beginning is Little Mix. 680 00:43:41.760 --> 00:43:43.980 It's the people that Bill is embarrassed. 681 00:43:43.980 --> 00:43:45.420 Oh, right, I don't. 682 00:43:45.480 --> 00:43:46.860 I don't know who that is. 683 00:43:46.920 --> 00:43:49.739 I don't either. popping into music. 684 00:43:49.800 --> 00:43:52.320 That makes just a bunch of young people who get killed. 685 00:43:52.380 --> 00:43:53.340 Exactly. 686 00:43:53.340 --> 00:43:55.500 Well, what do you think? 687 00:43:55.559 --> 00:43:56.460 How long have we gone for? 688 00:43:57.239 --> 00:43:59.159 Do you know 51? 689 00:43:59.219 --> 00:44:00.239 I think we've gone for long enough. 690 00:44:00.300 --> 00:44:06.599 Do you remember back in the day, like our episode on 42 is literally 42 minutes and 0 seconds long? 691 00:44:06.659 --> 00:44:07.559 That was deliberate. 692 00:44:07.619 --> 00:44:11.460 Yeah, I know, but it was conceivable that we do a 42 minute episode. 693 00:44:11.519 --> 00:44:14.460 Yes, whereas now then, some might say... 694 00:44:14.519 --> 00:44:17.519 Some might say that 42 was 42 minutes too long. 695 00:44:17.579 --> 00:44:18.420 Yeah, terrible. 696 00:44:20.039 --> 00:44:24.539 Could I just mention something that can go back in the horror discussion? 697 00:44:24.599 --> 00:44:25.019 Yeah. 698 00:44:25.019 --> 00:44:26.940 Oh, my God. 699 00:44:27.840 --> 00:44:28.739 The noise in the walls. 700 00:44:31.800 --> 00:44:40.380 There is one other horror film that may be being somewhat emulated here, but perhaps not consciously or even desirably. 701 00:44:40.440 --> 00:44:45.659 Has anyone ever heard of the film Deathbed, The Bed That Eats? 702 00:44:45.780 --> 00:44:47.699 I confess I have not. 703 00:44:47.760 --> 00:44:48.239 No. 704 00:44:48.300 --> 00:44:50.099 I've stayed in some hotels which... 705 00:44:51.840 --> 00:44:56.099 So it's a 1977 horror film. 706 00:44:56.159 --> 00:45:01.679 And I'll just read you the start of the plot summary from Wikipedia. 707 00:45:01.739 --> 00:45:08.159 In 1897, a demon fell in love with a woman and conjured up a bed onto which on which to make love to her. 708 00:45:08.219 --> 00:45:14.579 The woman died, and in his grief the demon wept tears of blood, which fell on the bed and brought it to life. 709 00:45:14.579 --> 00:45:24.900 When the demon is awake, the bed's evil runs rampant, as it physically eats human beings every 10 years, when the demon sleeps, and it is left dormant until it awakes once more. 710 00:45:24.960 --> 00:45:34.500 Only one man, an artist, was spared, as the bed condemned him to immortality behind a painting, where he must forever witness the bed, taking victims. 711 00:45:34.559 --> 00:45:43.679 And then there's 4 vignettes in the film, which contrived to get various people to fall asleep on this bed, after which they are eaten. 712 00:45:43.739 --> 00:45:44.880 So it doesn't chase you. 713 00:45:44.940 --> 00:45:46.980 Like, it doesn't chase you down the corridor or anything. 714 00:45:47.039 --> 00:45:48.599 No you have to get onto it. 715 00:45:48.659 --> 00:45:50.760 Goodness, I must watch that film, never. 716 00:45:52.619 --> 00:45:55.860 It's, I've seen it. really bad. 717 00:45:55.920 --> 00:45:57.840 You astound me. 718 00:46:00.900 --> 00:46:01.800 Oh, dear. 719 00:46:01.800 --> 00:46:06.719 I think that takes us out to the next... 720 00:46:06.900 --> 00:46:08.519 That's perfect. 721 00:46:08.699 --> 00:46:10.199 All right. 722 00:46:10.260 --> 00:46:11.099 Well, we might wind up. 723 00:46:11.159 --> 00:46:12.900 I'll go for one of my patented quick weed. 724 00:46:12.900 --> 00:46:15.119 I just had a message... saying she's arrived at the station. 725 00:46:15.179 --> 00:46:17.039 Okay, so you go and pick her up. 726 00:46:17.099 --> 00:46:17.699 I'll let you out. 727 00:46:17.760 --> 00:46:21.119 I'll do a wee, we'll do a whole thing, and then we have Cade at the at the thing. 728 00:46:21.179 --> 00:46:21.420 Okay. 729 00:46:21.420 --> 00:46:21.780 All right. 730 00:46:21.840 --> 00:46:22.440 Thank you, Brandon. 731 00:46:22.500 --> 00:46:23.340 I'm going to Bradstock. 732 00:46:23.699 --> 00:46:24.179 Thank you, chat. 733 00:46:24.239 --> 00:46:24.960 Send me the suit. 734 00:46:25.019 --> 00:46:25.559 Send me the audio. 735 00:46:25.619 --> 00:46:26.760 I will. 736 00:46:26.820 --> 00:46:27.420 Okay. 737 00:46:27.480 --> 00:46:28.079 All right. 738 00:46:28.139 --> 00:46:28.800 See you, sweetheart. 739 00:46:28.860 --> 00:46:29.219 Bye. 740 00:46:29.340 --> 00:46:29.820 Bye.