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This transcript was created on 2026-06-07 at 16:05:21

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Hello, dear listener, and welcome back to Flight Through Entirety, the only Doctor Who podcast with an hour or so to kill on Christmas Day, and no real idea of what to do with it.

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I'm Nathan.

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I'm James.

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I'm Simon.

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And I'm a partially defrosted but very soggy emotional Christmas pudding for this one.

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Well, it's 709 episodes since the doctor regenerated for the 1st time, and he's going to be doing it again in about 57.5 minutes from now.

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So let's get on with it and discuss twice upon a time.

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Now, this is kind of an odd one, because Moffatt is riding with a particularly weird constraint, which is that really, this is an episode where nothing can possibly happen, because the original intention, I think, was for the doctor to regenerate at the end of the Doctor Falls and for the Moffatt era end there.

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But I think, and I could be wrong, I might put an updated version of this story in the show notes, if I am.

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But Chibnell didn't want to start his era with a Christmas special.

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And Moffatt thought that it would be a bad idea for Doctor Who not to have a Christmas special because the Christmas special slot was super important for the program.

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It was already reserved for it.

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Yeah, yeah, yeah.

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Yeah.

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And so he does an episode, but he does this very, very weird episode. and I think horse more common wise and no longer producing Christmas material.

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Nor is Lulu, and that's why we actually have a slot because all the other people we love are no longer here.

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Lulu is here It is actually a bit more common wise.

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It is a little bit.

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So what we have to do is we have to kind of fill this hour.

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And I think it's telling that not only does it start with this is a television program and here's William Hartnell turning into David Bradley in order to come onto our new television program.

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But then at the end of the episode, Hartnell gets put back into his television program and time freezes so that nothing can happen.

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And so this whole thing happens in this sort of weird frozen time in a couple of...

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There's quite a bit like a family Christmas here, I think.

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And so it does seem very thin.

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It is very, very clearly Moffat vamping for 60 minutes.

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Yes, I actually felt, because I didn't think I didn't dislike it, but I wasn't overly warm to it at the time.

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I really, really loved it this time because I think that watching it now with a distance.

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I think what it is is Moffatt's basically done the same thing that he does in time of the doctor because like time of the doctor.

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It's not really about anything and that nothing really consequential happens apart from the regeneration.

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And I think it just becomes this lovely, gentle study of the character of the doctor.

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I completely agree with you, Simon.

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I love this story because of that.

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It is very thin, not much happens, but it deals with some like real intense kind of questions about what this character's purpose is, you know, like he's considering suicide basically at the end of it.

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Like, I'm, you know, like, if you were able to regenerate your body when you're dying, choosing not to, like, that is basically contemplating suicide at Christmas. which is, it's a pretty big kind of thing to deal with.

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And, and it's, it's not within a really thoughtful way.

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Um, and in some ways, she, like, you know what it reminds me of, in future hindsight is the end of the 3rd 60th anniversary special is shooty helping David's doctor start to work through his trauma.

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This is kind of like that.

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It's him seeing himself at the end of his 1st life. contemplating not going on and then both deciding, yes, I won't give up.

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I find it really emotional.

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I think, in fact, the person who has the big character arc is probably the 1st doctor.

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Absolutely.

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And that's what's super interesting about it because we get the 1st doctor and I think Bradley does an amazingly good job, actually.

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The more I see him, the more I like his version of the 1st doctor.

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I mean, you know, Richard Herndle becomes the 1st doctor at a time when none of us have really seen the 1st doctor in action.

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Just 9 seconds of Darlic Invasion of it.

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Yes, actually.

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Whereas Bradley really gets him, I think.

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He does a really, really terrifically good job.

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Bradley also says, you know, like every jobbing actor of the generation, it's the Colin Baker syndrome.

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Oh, I watched from the 1st episode, loved it.

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Bill was marvellous.

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I think it actually treads the right line between parody and trying to just do his own version of the 1st doctor's performance.

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Yeah, yeah.

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Yeah, it's not just an imitation, his not Mike Yarwood or something doing a sort of comedy imitation of him.

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I think he's really good.

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But the differences between him and Capaldi's doctrine, I think the big moment is where the doctor says to the glass woman, earth is protected and the 1st doctor goes, like, what?

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By who?

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And then you get all of that stuff about the doctor of war and you get to see what the doctor becomes like in the future.

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And then that lovely moment at the end where he says, oh, so that's what it means to be a doctor.

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Yeah.

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Like you're there to try and help and make things better.

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And it's actually an understanding of how the program works that isn't always there, I think, because the 1st doctor isn't what the doctor eventually becomes.

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Until the very end of his era.

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Yeah, until the very end of his era.

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And it's a gradual thing, isn't it?

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Gradually he gets moved to the centre of the program.

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At the beginning, he's just the crazy old man who gets them into scrapes.

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And he isn't the doctor yet.

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And so Moffat creates an origin story for this doctor in a way, and there's a series of important moments where there's the doctor of war moment where it looks like he might actually decide not to go in that direction because the doctor's sort of terrible and frightening.

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You get Bill hugging him and telling him he's amazing, which I think is really important there.

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And then you get that bit at the end where he witnesses the doctor saving the German soldier and Archibald, the captain.

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And I think all of that is just truly great.

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And in a way, this is we take the 1st doctor out and we get the future of the program to kind of comment on him and then he gets sent back to become the hero that the doctor becomes, he's his own origin story.

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I think it's really good.

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It also reminds me a little bit of the day of the doctor as well. because you get a stand in for the classic series, doctors in the day of the doctor, in John Hertz, doctor, who is able to come in and comment on how stupid the 10th and 11th doctors are, how ridiculous they are.

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And we get bits of that, don't we?

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We get the sunglasses and the sonic screwdriver, the audio screwdriver.

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The kitchen for a French...

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Yeah.

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So he gets to sort of comment on that and it looks like he's not on board.

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I like where you're going with this, Nathan.

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We also get a culmination of Moffatt's entire era and why this season is probably my favourite because he talks about it's it's Dickens and all quiet on the Western Front.

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But it is in sentiment, and I feel that Moffat is a very deep man who has allowed himself to go, and it's gone through terrible things.

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And so did Mark Gatis, and I believe that this is like sort of paying to the 2nd unofficial story runner, Mark, and a lovely moment for him, and also a moment about remembrance and contemplation, and the feelings of loss that Christmas will bring around you.

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So, yes, there's gayety and tinsel and snowflakes.

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But, you know, as he says, this is cold to the touch.

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And holding that is painful and burns you.

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This is a burning story.

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And if you really do allow this to just sit and it's quite subsuming and moving in a way that there aren't many shows like Doctor Who that can do this.

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And it's not just, it's the gravity or density of mass, but it's also the gravitas of it.

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It's very nicely done.

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I'm looking back at this, I want to know what you will think at the end of this, but Stephen Moffat has really come out on a golden limb of skill, considering how quickly you have to do things and how we remember Mark wasn't available to help for Sherlock because of all the tragedies that were going on for him and then Stephen was having all of those awful problems as well going on personally and just to be able to pull all of this together.

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You tell me, but David Bradley and our lovely mate, lovely Pete, really are perfect.

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And I really would love speaking welcome and wise, a little Christmas special with just the 2 of them, playing silly buggers behind the curtains and doing actually just an hour of comedic routine and maybe some of those old sketches, because they'd be hilarious.

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And they can do the high and the low together.

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It gorgeous. really is.

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I mean, their reputation is that this episode was written in a terrible hurry and wasn't planned, et cetera, et cetera, et cetera.

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But I think like so many of the great Doctor Who stories, something wonderful has come out of that because he's done something that I think he's always been in the back of his mind and he's always been thinking about, and it actually is much better crafted than I think we thought it was back in the day, much better.

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Yes, I agree with you, Simon, it's that necessity to get something written in such a short period of time has kind of led to a bit of a gem in a way.

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You've got a great cast.

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It's a small cast.

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And they riff off each other.

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There's discussions of loss and love and friendship and what it means to be alive.

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I wholeheartedly disagree with the received fan wisdom that this is a bit crap.

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So I have to say that at the time, and I've talked about the circumstances under which I watched this before and I'm not going to do it again.

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Partly because it is, the doctor spending an hour deciding whether or not to kill himself at Christmas.

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I think that is kind of miserable.

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I buy it now.

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I like it better now, although I think it is the most undercooked part of the actual episode.

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Maybe we can talk about why.

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And also, I think by that point I was getting a bit weary of the doctor's kind of low-level self-hatred.

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And it's critiqued here a little bit by Bill, isn't it?

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You know, the doctor never realises that he's the person who goes around fixing the universe and making everything better, and he's spending all of this time in self-critique, and he never kind of ever properly learns it.

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And I do like Until his final speech, basically.

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Yeah, well, even the final speech.

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I mean, I just remember that moment of relief when Jody turned up and she sees herself in the screen and smiles and says, brilliant.

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And you just think, wow, you know, there's some real enthusiasm about being the doctor back. the end of the era of man pain.

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Yes, I think that's what I said at the time.

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Yeah, yeah, yeah.

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There is a sort of thread of criticism here, which sees this as a real kind of betrayal of the character of the 1st doctor, and it is because of the sexism.

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I think it's hard to object to the jolly good smacked bottom line given that the 1st doctor actually does say that.

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Yes, but to someone who is, he's supposed to be his granddaughter.

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Not just some random woman he's barely met.

124
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That's right But, you know, the stuff about Polly cleaning the TARDIS and all of that sort of thing.

125
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Well, Barbara does say, is it in the web planet or the chase, and it says, one of these days, doctor, I'm going to have a jolly good spring cleaner around here.

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Yeah.

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And in essence, I think that what's happening here is, remember that the 1st doctor in this episode is plucked out of a place 709 episodes ago and he's put back into the television program at the end.

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He's a character from TV, and in a way, he's standing for the whole show, a version of the show where the doctor isn't the hero yet and a version of the show that is, however much we might not want it to be the case, kind of sexist.

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Yeah, pretty problematic in places.

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Yeah, yeah.

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That's why I don't have a problem with it because the character in the 60s is an old man who's a bit, you know, he's a bit close-minded, he's a bit sharp, he's a bit difficult with people.

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I don't really have a problem with the sexism because it kind of actually feels right that he would have those antiquated views.

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I, at the time, was a little bit grumpy about the portrayal of the 1st doctor because I, what I felt was that they were confusing, deliberately confusing, the actor with the character.

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And, you know, we heard stories about, you know, Bill leaving the driver out on the cold and so on because he's quote unquote, only the driver and all those sorts of stories that have come mainly from Anika.

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Yes.

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But watching it again now.

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It's not so much that I forgave that, but when I saw it all in a different light because as what you're saying, Nathan, a slight variation in what you're saying, the David Bradley doctor represents the show as it was how many years ago it was at the time.

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And so they're using that to reflect on the kind of things we watched on television, or others watched on television, and the way it treated women and so on.

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Now, fortunately, we don't get into any kind of other aspects, like race issues, for example, and it kind of, it's all just distilled into the idea of, well, women are around to do the cleaning, and women are nurses, not men, and all that kind of stuff that's there.

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I would actually go further than that.

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I would say that his character possibly stands in for all of television of that era.

142
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Not just...

143
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Well, no, exactly.

144
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I mean, but basically, remember, we are talking and you know, the actor playing the because Capaldi and Hartnell are roughly the same age, aren't they?

145
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Yeah, Kelty is older in this than Hartnell was.

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At the end of his run.

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At the end of his run?

148
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Yes, because they're the same age when he starts.

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Right.

150
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And of course, he's there a bit longer because of, yeah, production time.

151
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But Hartnell is born in, what, 19078, something like that.

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You know, he's lived through 2 world wars, et cetera, et cetera, you know, the shape of a country is very, very different.

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And that is kind of now reflected.

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You see that reflected in what they're giving it.

155
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But what I like is that I don't think it's too judgy about it.

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Like, I think I would have been more upset if they were trying to judge that character for it because you've got the Mark Gates's character, to kind of that he can kind of play off. and it's, oh, that's a fair and circular, oh, he has water. you know, that kind of thing. and we're laughing.

157
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And where, and where, and where, yes, and we're, and we're laughing at that.

158
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We're laughing at them a little bit, but it's gentle enough that I don't think it's saying how awful these people were.

159
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Yeah, we're not cancelling because of products because of their because they're just the products of their era.

160
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Yes, yeah.

161
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Agreed.

162
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And the show was a product of its era.

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And they lived through many Christmases of the black and white minstrels.

164
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Yes.

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Right up until the 80s.

166
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They suffered that generation.

167
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Of course, the other thing is that at Christmas, those kinds of conversations had with your elderly relatives all the time and having to tell them that they can't say this now and all of that is probably happening in the homes of the people watching it.

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The best, the best part of those interactions is the, is Bill, like revealing her sexuality to the man that, them being speechless because they're, these 2 old white men weren't quite old, but 2 old-fashioned white men who, it's wonderful.

169
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What is this heavy industrial strength lesbian is immortal?

170
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So she says that she's had plenty of experience with the uh, with the fairer sex, which is actually pretty great.

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And it's also a testament to how far the show has come as well.

172
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And all of that stuff is entirely.

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I think in the project of the episode, which is here, you know, at the end of a huge era of the show, let's reevaluate, you know, where it's come from and how we started.

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Do you reckon Leila actually hang back at the Capitol to hang out with Rodan?

175
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for sure I think we're redacting.

176
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The interesting thing, though, that I'm always a bit kind of unsure about how you should do a contemporary character expressing their sexuality to someone from the past because of the different moral codes of the era.

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I'm not 100% on board with the way it's done here, but at the same time, I think that the reaction that I see from David Bradley's doctor and Mark Gates is, is, is more kind of a, these things aren't talked about.

178
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It's comedy boggle reaction.

179
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It's a comedy boggle reaction.

180
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Exactly.

181
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It's just done for laughs.

182
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Yeah, yeah, yeah, yeah.

183
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No, it's not moral disapprobation or anything like that, which is funny. and it puts that doctor on the back foot.

184
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And but not in a terminal way.

185
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I mean, she is there at the end of the episode telling him how great he is and giving him that hug.

186
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When they're out on Villengard.

187
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The villain guard.

188
00:19:27.359 --> 00:19:30.960
Someone really needs to let shoot you know he's not pronouncing that, right?

189
00:19:31.019 --> 00:19:33.299
No, I think everyone else is pronouncing it incorrectly.

190
00:19:33.359 --> 00:19:33.839
Exactly.

191
00:19:33.960 --> 00:19:35.279
Spiriton.

192
00:19:35.339 --> 00:19:36.839
Yeah, exactly.

193
00:19:36.839 --> 00:19:37.920
Metabolist.

194
00:19:37.980 --> 00:19:44.279
Where she asks him, why did you run away, you know, what did you run to?

195
00:19:45.420 --> 00:19:52.859
And so I always I always looked at that and went, oh, but we just had that last season. with the whole hype thing, but it's not.

196
00:19:52.980 --> 00:19:54.779
It's not the same conversation.

197
00:19:54.839 --> 00:19:59.400
It's the hybrid is I was running away because I was scared of what I might become.

198
00:19:59.460 --> 00:20:02.460
And this conversation is, where were you going?

199
00:20:02.519 --> 00:20:04.140
Like, where did you run too?

200
00:20:04.200 --> 00:20:10.019
So, like, I was quite critical of that being so soon after another reason for leaving Gala.

201
00:20:10.079 --> 00:20:11.579
I kind of missed the point.

202
00:20:11.640 --> 00:20:13.980
No, this is a different conversation.

203
00:20:14.039 --> 00:20:27.900
Yeah, and it's a conversation about the difference between the 1st doctor and Capaldi's doctor, you know, the gradual transformation that that 1st doctor undergoes to become the star of the show.

204
00:20:27.960 --> 00:20:36.960
And then the hero of the program, you know, to the point where he's the person who holds that universe that he inhabits together.

205
00:20:37.019 --> 00:20:41.460
He's the one who ensures that good is rewarded and stuff.

206
00:20:41.579 --> 00:20:54.960
And, you know, that's kind of an overstatement and people kind of dislike the idea that the doctor's a superhero, but that's Bean Moffatt's take on the character because he inherits the show after 30 seasons or something, you know.

207
00:20:55.019 --> 00:20:58.980
Was anyone else thinking back to the literary antecedents?

208
00:20:59.039 --> 00:21:06.180
I was thinking of Burt Facy, you know, fortunate life, not in the incidents, but just in the tonality, and there's an innocence.

209
00:21:06.240 --> 00:21:13.200
There's a wonderful innocence to David Bradley's doctor, and again, which comes out as grandpa sexism and grandpa or the rest of it.

210
00:21:13.259 --> 00:21:18.059
I'm ignorant and innocence, both, you know, hold hands on that sudet and line.

211
00:21:18.119 --> 00:21:25.079
But there is just the sweetness, I feel, it's, Dickens is, it nails it for me.

212
00:21:25.140 --> 00:21:42.839
It's Moffatt looking at what Doctor Who has been all the years that he loved it and RTD loved it and everybody else and Mr. Chibnall, all loved it in their own ways and for different reasons, and this is, I feel Stephen saying, this is why it always worked because of the frailty.

213
00:21:42.900 --> 00:21:44.339
So you're talking about the superhero thing.

214
00:21:44.400 --> 00:21:46.200
He's played with those memes, hasn't he?

215
00:21:46.259 --> 00:21:53.220
And with Matt saying, well, I, the very 1st moment with a massive floating Kenny Everett space cadet eyeball.

216
00:21:53.279 --> 00:21:55.859
Well, I'm the doctor, so basically run.

217
00:21:55.920 --> 00:21:57.779
Yeah, in his best posh boy film.

218
00:21:57.839 --> 00:22:06.420
And I thought, I don't know that I want, but I get why you're doing that because of how Russell, in the end, had David Tennant's doctor had become so big, he had to fall.

219
00:22:06.480 --> 00:22:18.299
So I do believe that perhaps, because Stephen Moffatt, although he's a gentle and kind man, he doesn't mind pointing things out and there's that, the writer, the writer's incision, the pen has a sharp point.

220
00:22:18.359 --> 00:22:25.319
So he might actually be playing with, well, Russell, you were doing this with the doctor, but I'm showing everybody that's only the surface underneath.

221
00:22:25.380 --> 00:22:28.200
There are just catacombs of frailty.

222
00:22:40.259 --> 00:22:43.680
The TARDIS console were in beautifully reconstruct.

223
00:22:43.740 --> 00:22:45.599
I mean, as we saw in adventure space and time, anyway.

224
00:22:45.660 --> 00:22:52.859
Just things like that, even though I think that the bend at the beginning is quite rubbish and wrong, but...

225
00:22:52.920 --> 00:22:54.420
Just too tall, I think.

226
00:22:54.480 --> 00:22:55.920
Well, just too tall and just too wrong.

227
00:22:55.980 --> 00:22:56.880
I just think he's wrong.

228
00:22:56.940 --> 00:23:06.299
It's, it's, I think for someone who only has to deliver 2 or 3 lines, you find someone who is much more the spitting image and you, and you save the performance in editing if you have to. you know.

229
00:23:06.359 --> 00:23:24.420
But I loved all that and that's the thing that sort of makes makes you very warm inside my favourite thing it was when we're on villain guard and we're in the 1st doctor's TARDIS, the way that the doors open just out onto the set, you know, from inside.

230
00:23:24.480 --> 00:23:26.759
And from the other side, it's all black on the inside.

231
00:23:27.000 --> 00:23:28.559
Yes, yes.

232
00:23:28.619 --> 00:23:31.380
Like looking in, it's just black.

233
00:23:32.099 --> 00:23:34.680
I'm pretty sure they've treated that.

234
00:23:34.680 --> 00:23:38.579
It's not just the shadows they've painted out. the box to make it as black as possible.

235
00:23:38.640 --> 00:23:39.480
Yeah, yeah.

236
00:23:39.480 --> 00:23:43.019
But I was watching it again last night with some friends.

237
00:23:43.019 --> 00:23:49.019
And the way that the TARDIS studio floor, like, merches into the area.

238
00:23:49.019 --> 00:23:49.559
It's wonderful.

239
00:23:49.619 --> 00:23:50.519
Yes, yes, yes, yes.

240
00:23:50.519 --> 00:23:55.140
Sam, scattered across the front, like, where does the box end from the outside beginning?

241
00:23:55.200 --> 00:23:57.900
It's like Joe leaving the Tartars to step out.

242
00:23:57.960 --> 00:23:58.799
Yeah, yeah, yeah.

243
00:23:58.859 --> 00:24:00.420
It's just tremendous.

244
00:24:00.539 --> 00:24:01.259
I love it so much.

245
00:24:01.319 --> 00:24:12.420
And I remember when the show came back thinking, oh, you know, giving it the white wooden door is a stroke of genius because that was always a kind of weird realism.

246
00:24:12.480 --> 00:24:14.099
Yes, we'll just pretend we're not seeing.

247
00:24:14.160 --> 00:24:15.359
Yeah, yeah, yeah, yeah.

248
00:24:15.420 --> 00:24:16.859
But yes, okay.

249
00:24:16.920 --> 00:24:20.160
Didn't Russell originally have it just black inside?

250
00:24:20.220 --> 00:24:24.180
And one of the other producers or something said, wait a minute, what's going on here?

251
00:24:24.240 --> 00:24:24.779
We can't have that.

252
00:24:24.839 --> 00:24:28.680
He said, oh, well, if that's just the way it is, because of course, that's the way it grew up. just the way it is.

253
00:24:28.740 --> 00:24:29.880
And they said, no, no, no, no, no.

254
00:24:29.940 --> 00:24:33.000
And so then they had to go back and fix their early shot in whatever...

255
00:24:33.420 --> 00:24:33.660
I think.

256
00:24:33.720 --> 00:24:34.200
Yeah, yeah.

257
00:24:34.259 --> 00:24:35.400
Yeah, and to row.

258
00:24:35.460 --> 00:24:39.900
Well, maybe... in World War III. because that was the first...

259
00:24:40.019 --> 00:24:40.619
Oh yes, of course.

260
00:24:40.680 --> 00:24:45.839
And they did that and then they fixed it from then on because this idea that you don't see inside.

261
00:24:45.900 --> 00:24:54.839
You just seem black. isn't it isn't it lamb shaded somewhere in the classic era where they say it's the crossing over the real world interface and everything.

262
00:24:54.900 --> 00:24:56.160
Support between dimensions.

263
00:24:56.220 --> 00:24:56.519
Yes.

264
00:24:56.519 --> 00:25:00.059
And David, we describes it beautifully in an adventure with the Daleks.

265
00:25:00.119 --> 00:25:09.240
Which is why also you don't get, you know, when you're always looking out from the classic year console room, virtually always, apart from the early time, you just see black as well.

266
00:25:09.299 --> 00:25:10.500
And it sort of, so it does work.

267
00:25:10.559 --> 00:25:12.660
It's an interstitial...

268
00:25:12.720 --> 00:25:16.319
So it only changes when your perception changes when you walk through it because Doctor Who.

269
00:25:16.380 --> 00:25:18.960
I think I remember them digging with it.

270
00:25:19.319 --> 00:25:19.740
I prefer that.

271
00:25:19.799 --> 00:25:24.839
I mean, they deal with it in the secondary console room, don't they, by just having it a black space.

272
00:25:24.960 --> 00:25:25.740
Yeah, yeah, yeah.

273
00:25:25.799 --> 00:25:27.599
Yeah, yeah, yeah. kind of go sideways.

274
00:25:27.660 --> 00:25:29.279
Yes, they go they go side.

275
00:25:29.339 --> 00:25:30.660
There's an antichamber.

276
00:25:30.720 --> 00:25:31.619
Yes, yes, yes.

277
00:25:31.680 --> 00:25:33.720
Walk into and then outsideways.

278
00:25:33.779 --> 00:25:36.059
So you can never actually see the outside.

279
00:25:36.119 --> 00:25:37.500
That's great was good.

280
00:25:37.559 --> 00:25:39.539
But that set is beautiful, isn't it?

281
00:25:39.599 --> 00:25:41.880
I mean, it's so good that recreation is great.

282
00:25:41.940 --> 00:25:47.519
I noticed the wall, the curator's wall is there, probably replacing a photographic blow up, something.

283
00:25:47.579 --> 00:25:49.680
But it looks great.

284
00:25:49.740 --> 00:25:52.559
It's wonderful to have the fault locator and all of that there.

285
00:25:52.619 --> 00:25:55.259
It really, really does look really good.

286
00:25:55.319 --> 00:25:58.319
And Moffatt's toyed with that a little bit.

287
00:25:58.380 --> 00:26:01.980
I think we probably had it at the end of series nine, didn't we?

288
00:26:02.039 --> 00:26:08.640
a similar set, but this is kind of the most extensive recreation cause it's taken from an adventure in space and time.

289
00:26:08.700 --> 00:26:16.380
While we're talking about resurrecting great obelisks of the past, wasn't Carol Anne Ford going to be in this episode?

290
00:26:16.440 --> 00:26:19.319
Wasn't there fan rooms of the thing?

291
00:26:19.380 --> 00:26:25.680
I mean, I know that Capaldi really wanted a scene with her a cameo with her and he and Stephen were talking about it.

292
00:26:25.740 --> 00:26:28.680
I think there was some chatting back in the day.

293
00:26:28.740 --> 00:26:31.380
Because, I mean, she does come back, doesn't she?

294
00:26:31.440 --> 00:26:34.380
She is briefly in an adventure in space and time.

295
00:26:34.440 --> 00:26:36.059
Dave, your dinner's on the table.

296
00:26:36.119 --> 00:26:36.720
Yeah, yeah.

297
00:26:36.779 --> 00:26:37.980
It's not quite...

298
00:26:38.039 --> 00:26:39.059
No, it's not quite the same thing.

299
00:26:39.420 --> 00:26:43.319
It's not her stepping through the ruins of 22nd century London.

300
00:26:43.380 --> 00:26:45.299
No. and still here.

301
00:26:45.359 --> 00:26:50.819
That is the photo of her in the pilot on Capoldi's desk in his office.

302
00:26:50.880 --> 00:26:52.859
So we've got her and River.

303
00:26:52.920 --> 00:27:00.420
Yeah, they haven't got around to picking her up, taking her back to the time where I'm probably killing her off yet in big finish.

304
00:27:00.599 --> 00:27:01.259
The war, Susan.

305
00:27:01.319 --> 00:27:03.000
The war season war season.

306
00:27:03.059 --> 00:27:05.099
It's not really the wars.

307
00:27:06.180 --> 00:27:08.279
Nothing would surprise me.

308
00:27:08.400 --> 00:27:10.019
It's called Susan's War.

309
00:27:10.259 --> 00:27:13.680
But like the war, Susan, was right there.

310
00:27:15.299 --> 00:27:20.519
Maybe, maybe when she eventually...

311
00:27:20.519 --> 00:27:21.480
That could be the war, Susan.

312
00:27:21.539 --> 00:27:32.460
Yeah Were we wondering what had happened to Rusty?

313
00:27:32.519 --> 00:27:34.079
Oh.

314
00:27:34.140 --> 00:27:35.759
No, no.

315
00:27:36.480 --> 00:27:39.180
I can't even remember what Rusty was.

316
00:27:39.299 --> 00:27:41.039
Rusty was the Dalek from Into the Dark.

317
00:27:41.099 --> 00:27:42.180
Oh, that's right.

318
00:27:42.240 --> 00:27:45.420
That was a sequence, which I Having only watched it yesterday.

319
00:27:45.480 --> 00:27:46.920
I've now completely forgotten again.

320
00:27:46.980 --> 00:27:55.559
You know, when you open up the old box of decorations before you put them on the tree and there's always one or 2 that you'd made at school for mum more.

321
00:27:55.619 --> 00:27:57.000
I don't care.

322
00:27:57.240 --> 00:27:59.220
Do we still love it?

323
00:27:59.279 --> 00:28:00.240
Do we?

324
00:28:00.299 --> 00:28:02.519
I don't know.

325
00:28:02.519 --> 00:28:03.480
We'll just leave it there.

326
00:28:03.539 --> 00:28:05.099
It's incredibly thin, right?

327
00:28:05.160 --> 00:28:05.579
isn't it?

328
00:28:05.640 --> 00:28:07.680
Because we start off in Antarctica.

329
00:28:07.740 --> 00:28:15.660
We end up in that room, the Chamber of the Dead, which looks like the lightning temple in Tears of the Kingdom.

330
00:28:15.720 --> 00:28:16.799
It does, doesn't it?

331
00:28:16.799 --> 00:28:27.480
And then we are on Villengard to find out who those people are, like who the testimony is.

332
00:28:27.539 --> 00:28:32.819
We very quickly find that out from Rusty and then we just sort of fap around for a while.

333
00:28:32.880 --> 00:28:34.500
We go back to, you know, we drop.

334
00:28:34.559 --> 00:28:36.240
That is an unkind.

335
00:28:36.299 --> 00:28:38.400
Well, I mean, it's vamping in a sense.

336
00:28:38.460 --> 00:28:39.539
It is super thin.

337
00:28:39.599 --> 00:28:43.019
Like it is incredibly thin kind of plot wise.

338
00:28:43.079 --> 00:28:55.140
And I think the thing that Richard alluded to, and maybe that the dialogue starts to refer to at the end, is that there's a frozen wasteland and 2 battlefield.

339
00:28:55.200 --> 00:29:01.680
You know, there's nowhere comfortable or Christmassy or anything in it.

340
00:29:01.799 --> 00:29:04.140
All 3 of them are kind of harrowing playing.

341
00:29:04.200 --> 00:29:11.279
Yes, there's no lovely light reflecting from beautiful Christmas decorations, tree with some snow glistening on the window sill.

342
00:29:11.339 --> 00:29:12.720
That's right, sure.

343
00:29:12.779 --> 00:29:22.920
But then you also have one of one of the most sort of meaningful moments in sort of early 20th century wartime history, the Christmas armistices.

344
00:29:22.980 --> 00:29:55.680
And I can forgive it slack of comfort for showing that moment and that humankinders can overcome differences for that moment in time is that there's something really beautiful about showing that moment in a show which is just talked about war and death and and you know, what it is to be a good person and and and I can forgive the fact that it's not a comfortable little Christmas special because it does something meaningful with Christmas.

345
00:29:55.740 --> 00:29:56.519
Yeah.

346
00:29:56.519 --> 00:29:59.400
I was going to ask, is it Christmasy enough?

347
00:29:59.460 --> 00:30:01.980
I was actually going to wonder when I was watching it.

348
00:30:02.039 --> 00:30:04.859
I couldn't remember whether this was the 1st New Year's special.

349
00:30:04.859 --> 00:30:06.900
And then, of course, oh, no, it's the Christmas Armises.

350
00:30:06.960 --> 00:30:10.859
Of course it's Christmas because it's the least, probably the least Christmassy of any of the Christmas specials.

351
00:30:10.920 --> 00:30:24.779
I think it was great that they did the Christmas armistice, the kind of thing that we would hear about when we were kids, and I'd be curious to know whether it's the kind of thing that kids now find out about because it is that, you know, that extra distance ago, this remarkable moment in time.

352
00:30:24.839 --> 00:30:30.240
I was thinking of the novels we had to read at school, like Bert Facey, who died when I was in year age.

353
00:30:30.299 --> 00:30:31.980
I mean, you were a bit younger.

354
00:30:32.039 --> 00:30:32.819
Yeah, unfortunately.

355
00:30:32.880 --> 00:30:35.039
Yeah, he lived till 82.

356
00:30:35.220 --> 00:30:38.759
Yes, I mean, we remember World War I veterans. marching down.

357
00:30:38.759 --> 00:30:42.480
Yeah, and the indifference, actually, of our generation.

358
00:30:42.539 --> 00:30:50.339
Because that was, yes, that was the era when the post in the aftermath of Vietnam when we didn't appreciate these people in the same way that we do once again now.

359
00:30:50.400 --> 00:30:58.980
But the interesting thing with the Christmas Armistice, which is actually terribly upsetting is after they've played their football and they've tended to their wounded and they've shaken hands and probably exchanged stuff.

360
00:30:59.039 --> 00:31:06.660
They then wave at each other and go back to their trenches because tomorrow they're going to start killing each other again, which is actually probably the most tragic part of the whole thing.

361
00:31:06.720 --> 00:31:08.460
And a presage to the new era.

362
00:31:08.519 --> 00:31:16.200
So it is a thing that breaks out on the Western Front in various different places that Christmas because it's the 1st Christmas.

363
00:31:16.259 --> 00:31:18.420
No one has experienced.

364
00:31:18.420 --> 00:31:19.500
It's supposed to be over bakers.

365
00:31:19.559 --> 00:31:22.440
Yeah, no one has Well, in fact, Archibald says that.

366
00:31:22.500 --> 00:31:29.880
No one has yet experienced the full horror of 1915 where things get really very nice.

367
00:31:29.940 --> 00:31:38.579
And the people in command are furious about the Christmas armistice and give very strict orders that it's not to happen again.

368
00:31:38.700 --> 00:31:39.539
Right.

369
00:31:39.539 --> 00:31:43.500
And because people make accommodations, do you know what I mean?

370
00:31:43.559 --> 00:31:52.440
They're there for months just sitting there opposite one another and eventually people have kind of arrangements where, you know, they don't fire on each other when they're exercising or whatever.

371
00:31:52.500 --> 00:31:58.680
Like just little informal arrangements arise as a way of kind of just living in those circumstances.

372
00:31:58.740 --> 00:32:07.079
And the thing is that the Christmas armistice is the thing that the doctor uses to save Archibald.

373
00:32:07.079 --> 00:32:08.700
And there's a wonderful moment.

374
00:32:08.759 --> 00:32:14.279
There's a really crap moment where we hear the singing and Archibald goes, is that singing?

375
00:32:14.279 --> 00:32:16.920
You can't tell?

376
00:32:16.980 --> 00:32:26.220
Like, but there's a moment when the singing breaks out and you get a shot of Capoldi looking really shifty because he's engineered this.

377
00:32:26.279 --> 00:32:27.599
He sent him back.

378
00:32:27.779 --> 00:32:31.319
No, he sent Archibald back a few hours later.

379
00:32:31.380 --> 00:32:36.720
So instead of dying at that moment, his death is interrupted by the outbreak of the Christmas.

380
00:32:36.779 --> 00:32:39.720
So we just assume that the German soldier's been frozen for that period.

381
00:32:39.779 --> 00:32:40.259
Who cares?

382
00:32:40.319 --> 00:32:41.640
Yeah, yeah, yeah. right.

383
00:32:41.700 --> 00:32:47.940
And so he says something, you know, if I've got my timing right, you know, he actually...

384
00:32:48.000 --> 00:32:55.200
That's why he volunteered to take Archibald back rather than letting testimony do it so that he can save him.

385
00:32:55.259 --> 00:33:02.400
And it's saving those 2 men that persuades the 1st doctor that being the doctor is the right thing to do.

386
00:33:02.460 --> 00:33:04.380
And he's not changing history.

387
00:33:04.440 --> 00:33:05.880
He is a beard.

388
00:33:05.940 --> 00:33:06.779
No, no, no.

389
00:33:06.779 --> 00:33:18.420
In that, like, Joe, he's not making the history of 70s Doctor Who happen because he's already had his sons, which means that...

390
00:33:18.420 --> 00:33:19.799
Oh, yeah, if he had died.

391
00:33:19.859 --> 00:33:22.740
In terms of, sorry, Archibald having...

392
00:33:22.799 --> 00:33:24.539
Yeah, like he's not altering history that greatly.

393
00:33:24.599 --> 00:33:26.279
Archipur will just die slightly later.

394
00:33:26.339 --> 00:33:36.359
Fortunately, there wasn't a line in invasion of the dinosaurs where the brigadier talks about his his grandfather who died in the father who died in the trenches the day before Christmas 19th.

395
00:33:36.539 --> 00:33:39.059
So part 2 of this is boom.

396
00:33:40.319 --> 00:33:43.019
Oh, no, it is just beautifully done.

397
00:33:43.079 --> 00:33:47.099
I think I think it's lovely and I think not having a too Christmassy one.

398
00:33:47.160 --> 00:33:50.759
I think you get the spirit of Christmas without the visuals of Christmas.

399
00:33:50.880 --> 00:33:54.299
I feel it's the truth of Christmas, as we were saying earlier, is what it's like.

400
00:33:54.359 --> 00:33:58.740
But it's also that Doctor Who comes every year at Christmas.

401
00:33:58.799 --> 00:34:00.240
Doctor Who is like Santa.

402
00:34:00.359 --> 00:34:06.420
And in the curse of Fatal Death, Emma says that the doctor is like Santa Claus.

403
00:34:06.480 --> 00:34:08.820
And we now have the doctor arriving.

404
00:34:08.820 --> 00:34:12.300
Every Christmas, I think, you know, since 2005, this is 2017.

405
00:34:12.480 --> 00:34:13.980
Even when there hasn't been a proper season.

406
00:34:14.039 --> 00:34:15.960
Yeah, there's always been a Christmas special.

407
00:34:16.079 --> 00:34:19.199
And we've had the doctor equated to Santa.

408
00:34:19.260 --> 00:34:21.059
I think I was going to ask you, Simon.

409
00:34:21.119 --> 00:34:27.119
My favourite 2 Christmas specials, I would say, are a Christmas Carol, which I think is absolutely brilliant.

410
00:34:27.179 --> 00:34:28.860
And last Christmas, I think.

411
00:34:29.159 --> 00:34:34.920
And they're both incredibly Christmassy. so much so that last Christmas has Santa in it.

412
00:34:34.980 --> 00:34:38.639
But Santa and the doctor are equated in all sorts of ways.

413
00:34:38.699 --> 00:34:51.000
Even Moffatt's 1st regular episode doesn't Moffatt have the doctor go back in time and give Rose a red bicycle when she's 6 for Christmas.

414
00:34:51.059 --> 00:34:52.980
So he's Santa.

415
00:34:53.039 --> 00:34:56.400
Just it's a throwaway line of dialogue in the empty child, I think.

416
00:34:56.460 --> 00:34:59.880
And so the doctor is always Santa.

417
00:34:59.940 --> 00:35:04.739
And so here is the doctor saving Archibald on Christmas Day.

418
00:35:04.800 --> 00:35:07.199
The brigadier's uncle allegedly.

419
00:35:07.260 --> 00:35:12.059
Well, I think maybe it's complicated because there's some spinoff material.

420
00:35:13.019 --> 00:35:16.320
Estate was getting mountain thingy about it or something at the time.

421
00:35:16.380 --> 00:35:18.119
He was going to be the grandfather, you know.

422
00:35:18.179 --> 00:35:25.559
Mark Godas talked about how tearing up in the screw reading the script, realising this, I'm actually playing the grandfather of the brig, but anyway.

423
00:35:25.619 --> 00:35:27.119
Well, I mean, he is.

424
00:35:27.179 --> 00:35:31.679
There's nothing in dialogue that suggests he is, and it's the obvious thing to decide.

425
00:35:31.739 --> 00:35:43.619
There is some spinoff material that suggests that there was all sorts of adultery going on and blah, blah, blah, and that he's both his uncle and his father and all sorts of things that we don't really want to know and that don't care.

426
00:35:43.679 --> 00:35:44.159
And don't count.

427
00:35:44.219 --> 00:35:44.699
Exactly.

428
00:35:47.760 --> 00:35:48.599
More important.

429
00:35:58.199 --> 00:36:14.519
The other thing I noticed watching it this time round is just after the sequence where, you know, Archibald to say, blah, blah, blah, and we're obviously now moving to the final part of the episode, which we all know is going to be regeneration, et cetera, generation of both of them, and it's great that we see the heart on one too.

430
00:36:14.579 --> 00:36:17.519
But, I actually got this real case of Andrew Zani feel.

431
00:36:17.579 --> 00:36:25.079
And I know there isn't some Davison Moffatt's favourite classic series, doctor. an ear and so on.

432
00:36:25.139 --> 00:36:27.179
And I got this wonderful.

433
00:36:27.239 --> 00:36:33.300
I mean, 1st for a start, you get this wonderful in the music, this wonderful echo of Spiegel and Spiegel, uh, which is, it's Arbo pet piece.

434
00:36:33.360 --> 00:36:33.900
Did you hear that as well?

435
00:36:33.960 --> 00:36:34.380
Richard?

436
00:36:34.440 --> 00:36:37.440
Yes, it's very it's quite clearly quoting it.

437
00:36:37.500 --> 00:36:40.980
And that actually means mirror in the mirror.

438
00:36:41.039 --> 00:36:44.940
And it actually works really well because it's when the doctor, the 2 doctors are sort of talking to each other.

439
00:36:45.000 --> 00:36:47.039
You know, they're the 2 doctors in the mirrors.

440
00:36:47.099 --> 00:36:54.179
As a Louis Borker's line that a putt pert is also a fan of Borkers in the dream of the man who was dreaming the dreamt man woke.

441
00:36:54.239 --> 00:36:55.920
It's the beginning of the circular ruins.

442
00:36:55.980 --> 00:37:03.480
There's a whole lot of lovely Argentine, Spanish, you know, magic realism, in pets, work, and the subtleties of it.

443
00:37:03.599 --> 00:37:17.760
But it's almost the mirror thing, like there's a sort of certain through the looking glass nature of when you're comparing the 1st doctor with the contemporary doctor in terms of and all the things we've talked about before in terms of how the program, how life, how the world has changed.

444
00:37:17.880 --> 00:37:19.559
People have television, don't you?

445
00:37:19.980 --> 00:37:23.579
For example. have changed during that time.

446
00:37:23.639 --> 00:37:32.400
But it reminds me then of caves because when you've got Clara appearing and Najol appearing and so on and all that.

447
00:37:32.460 --> 00:37:36.000
There's this whole don't die doctor thing.

448
00:37:36.059 --> 00:37:42.480
Uh, you know, you mustn't die part of like the K's regeneration sequence and it just really, really reminded me of that.

449
00:37:42.539 --> 00:37:44.639
I don't know whether I'm stretching it.

450
00:37:44.699 --> 00:37:45.719
No, not at all.

451
00:37:45.780 --> 00:37:49.380
No, I did not realise that until you just said it.

452
00:37:49.440 --> 00:37:51.239
Yeah, it is, isn't it?

453
00:37:51.239 --> 00:37:54.119
3D. Yeah, into 3D, not floating heads version.

454
00:37:54.119 --> 00:37:57.539
You know, interactive equivalent of those scenes.

455
00:37:57.599 --> 00:38:04.019
And the great thing is that we've established because of testimony, even though, yes, this is not, in some ways, this is not really Bill.

456
00:38:04.079 --> 00:38:06.420
And the episode actually deals with this.

457
00:38:06.480 --> 00:38:13.019
It actually is Bill because it's the complete distillation of all her memories, all her everything, just recreated in this body.

458
00:38:13.079 --> 00:38:14.820
So what's the difference between that?

459
00:38:14.820 --> 00:38:16.679
And Bill a 2nd before she died.

460
00:38:16.739 --> 00:38:20.880
And it actually kind of deals with that, like, was there actually a difference between these 2 things?

461
00:38:20.880 --> 00:38:22.440
And the doctor is able to accept her as that?

462
00:38:22.500 --> 00:38:24.719
And then and then decide that he's going to accept.

463
00:38:24.780 --> 00:38:27.599
Finally, stop putting off the inevitable.

464
00:38:27.659 --> 00:38:38.340
Do you think that the Fajarians, Missy and Testimony, like, take little tickets so that they know what order to process the people on the point of death?

465
00:38:38.400 --> 00:38:43.260
I think like Santa Claus being able to deliver all those presents in a single ego.

466
00:38:43.320 --> 00:38:45.360
Sometimes magic can just happen.

467
00:38:46.559 --> 00:38:48.659
It is great, isn't it?

468
00:38:48.719 --> 00:38:56.159
And I do think that there's a sort of generosity in kind of fixing the doctor's memory about Clara. kind of nice.

469
00:38:56.219 --> 00:38:58.619
It's like that kind of, yeah, that was a stupid idea.

470
00:38:59.099 --> 00:39:06.000
It's like, I mean, we were made to, we were forced to wait for a while before Catherine Tate gets her memories back.

471
00:39:06.059 --> 00:39:06.719
Yes of the doctor.

472
00:39:06.780 --> 00:39:08.039
And again, that was a bad idea.

473
00:39:08.519 --> 00:39:13.440
It's wonderful hearing Capoldi say Clara again, which is just awesome.

474
00:39:13.559 --> 00:39:33.719
It does make me sad, though, that like I was sad when Matt Smith left, because I think both of them are brilliant doctors who both deserved more episodes, and my understanding is that they would have done more episodes, had more episodes, that we suffer.

475
00:39:33.780 --> 00:39:36.179
So basically each of them should have had a 4th season.

476
00:39:36.239 --> 00:39:39.960
But also, particularly Capaldi, should have had another companion.

477
00:39:40.079 --> 00:39:44.099
Like, it's just so sad when you've, even, you know, Davison's only around for 3 years.

478
00:39:44.159 --> 00:39:49.380
Lots of doctors are running around for 3 years, but you've got more people, more floating heads around the regenerating doctor.

479
00:39:49.440 --> 00:39:49.920
Do you know what I mean?

480
00:39:49.980 --> 00:39:54.480
And you sort of think, God, it's just really the people that are just here. a bit sparse, isn't it?

481
00:39:54.539 --> 00:39:54.840
Yeah.

482
00:39:54.960 --> 00:40:00.900
There's that, but then you have the beauty of, and we've talked about this in earlier episodes this season.

483
00:40:00.960 --> 00:40:13.980
The beauty of the cast in this season that we've just had with Capoldi, Pearl Mackey, Matt Lucas, and Cherl Gomez is one of the strongest casts this show has ever had.

484
00:40:14.039 --> 00:40:18.900
And it's really lovely getting Matt Lucas turned up at the end.

485
00:40:19.320 --> 00:40:19.679
He counts.

486
00:40:19.739 --> 00:40:20.880
Yeah, blah, blah, blah.

487
00:40:20.940 --> 00:40:23.340
Yeah, like Michelle Gomez should, frankly, turn.

488
00:40:23.579 --> 00:40:24.840
And the invisible hair thing.

489
00:40:24.900 --> 00:40:32.280
Like, you know, he has all of those silly lines about, like, changing his body or he was blue for a while.

490
00:40:32.280 --> 00:40:42.119
Like, just sort of strange lines about his physicality all the way through the season and now here, finally, it's canon that he has hair, but it's invisible, which I just think is great.

491
00:40:42.179 --> 00:40:50.699
And we also talked about the cuddle thing, which he did before, which is an improvised line by Matt Lucas originally, and now it makes it into the script, which is really cool.

492
00:40:50.760 --> 00:40:52.980
Does anyone else actually know where Nardle came from?

493
00:40:53.039 --> 00:40:55.079
I've watched this all this thing at least twice.

494
00:40:55.139 --> 00:40:55.619
No idea.

495
00:40:55.679 --> 00:40:57.539
He was the husbands of River Song.

496
00:40:57.599 --> 00:40:58.500
Yes, but he just appeared.

497
00:40:58.559 --> 00:40:59.099
Yes, yeah.

498
00:40:59.159 --> 00:40:59.639
He just appears.

499
00:40:59.699 --> 00:41:00.780
It is...

500
00:41:00.840 --> 00:41:02.039
It's like Mel.

501
00:41:03.119 --> 00:41:06.599
He's the Mel we we had all the time.

502
00:41:06.719 --> 00:41:13.920
It's just in the wrong place of the wrong time and gets, you know, eaten by a giant red robot.

503
00:41:13.980 --> 00:41:17.519
And that's reconstituted because we want him back in the show.

504
00:41:17.579 --> 00:41:18.239
Exactly.

505
00:41:18.300 --> 00:41:19.019
Like, yeah.

506
00:41:19.079 --> 00:41:21.599
I kind of love that you don't see that.

507
00:41:21.659 --> 00:41:22.260
He's just back.

508
00:41:22.320 --> 00:41:23.460
He was like, oh, I put you back together.

509
00:41:23.519 --> 00:41:25.199
It would be a crime if you did see it.

510
00:41:25.260 --> 00:41:28.800
Yeah, it makes him a strange sort of marginal figure, doesn't it?

511
00:41:28.920 --> 00:41:29.880
A jolly cyber thing.

512
00:41:29.940 --> 00:41:30.659
Yeah, yeah.

513
00:41:30.719 --> 00:41:40.199
So he only really properly becomes a companion during the course of series 10 and then here, he's definitely a companion because he's there in the farewell sequence.

514
00:41:40.260 --> 00:41:43.739
What about once he gets into the TARDIS, though?

515
00:41:43.800 --> 00:41:45.840
I think it's great.

516
00:41:45.900 --> 00:41:46.860
Okay.

517
00:41:46.920 --> 00:41:51.059
And I know that I don't know whether this is still regarded.

518
00:41:51.119 --> 00:41:57.179
Now as man explaining, but I remember back at the time, there was some critique of the speeches being mansplaining.

519
00:41:57.239 --> 00:41:59.219
I think that was always a joke.

520
00:41:59.280 --> 00:42:02.280
Like, I do think that the mansplaining thing was always a joke.

521
00:42:02.340 --> 00:42:03.480
Yeah, yeah, yeah.

522
00:42:03.840 --> 00:42:09.360
No, because I remember the original thing, the original thing of it.

523
00:42:09.420 --> 00:42:11.699
I think I think it was clearly a joke.

524
00:42:11.760 --> 00:42:14.820
And then people might have taken it more seriously.

525
00:42:14.880 --> 00:42:21.119
Well, including people in this room, because you were all in the pub with us, you know, 8 years ago and however, it was just saying pity about all the man's planning at the end.

526
00:42:21.179 --> 00:42:23.039
Very serious look on your face.

527
00:42:23.159 --> 00:42:26.880
I think that that speech is bad and kind of boring.

528
00:42:26.940 --> 00:42:28.679
Well, we've seen it all before.

529
00:42:28.739 --> 00:42:38.039
And I think part of the problem is it's the end of Zion inversion where we learn that Capoli can just take half an episode and just talk, right?

530
00:42:38.099 --> 00:42:39.900
until we get him to do it again.

531
00:42:39.960 --> 00:42:42.480
Yeah, it's leaning into that.

532
00:42:42.539 --> 00:42:43.679
It's saying, yes, he can do this.

533
00:42:43.739 --> 00:42:45.239
This is how we're going to end this doctor.

534
00:42:45.300 --> 00:42:47.880
Yes, my take on that.

535
00:42:47.940 --> 00:42:49.019
Is it?

536
00:42:49.019 --> 00:42:50.460
I don't think it is mansplating.

537
00:42:50.519 --> 00:42:53.880
I think it can be seen as man explaining.

538
00:42:53.940 --> 00:43:04.920
I think the objects of it are a little problematic when you're getting your 1st female doctor to have an old white man basically saying, hey, doctor, I'm going to explain to how to be me.

539
00:43:04.980 --> 00:43:07.199
The optics of that are not great.

540
00:43:07.260 --> 00:43:10.679
The same as the optics of having having the TARDIS blow up and throw her out.

541
00:43:10.739 --> 00:43:13.619
I know they do that at the end of every regeneration up until this point.

542
00:43:13.679 --> 00:43:14.940
So why is it different?

543
00:43:15.000 --> 00:43:15.719
Why is that the problem?

544
00:43:15.780 --> 00:43:17.940
And it does not throw her out.

545
00:43:18.000 --> 00:43:22.380
There was crap in the media following that about women drivers.

546
00:43:22.440 --> 00:43:28.679
But I mean, the 1st thing Capoldi says is to Clara, do you know how to drive this?

547
00:43:28.739 --> 00:43:29.639
Yeah, no, no.

548
00:43:29.639 --> 00:43:31.980
No, do you know how to fly distinct?

549
00:43:32.039 --> 00:43:32.699
Yeah, yeah, yeah.

550
00:43:32.760 --> 00:43:35.940
They should have been aware of the way that could be taken.

551
00:43:36.000 --> 00:43:37.320
Yeah, maybe doing something different.

552
00:43:37.380 --> 00:43:41.940
I don't think we need to appease those who just need to be outraged about stuff.

553
00:43:42.000 --> 00:43:51.300
And so I'm sure people can see it as mansplaining and I'm not saying that they're idiots, but let's just say that I think that it's a stretch, a real stretch.

554
00:43:51.360 --> 00:43:55.679
You're really trying hard to be offended by this is what I think by grandpa.

555
00:43:55.860 --> 00:44:01.199
Yes, Capaldi is a late middle-aged white-haired man.

556
00:44:01.260 --> 00:44:02.400
I'm right.

557
00:44:02.460 --> 00:44:04.019
Yes, yes, exactly.

558
00:44:04.079 --> 00:44:09.960
But he is, who's only basically the same age as 3 of us in this room, vaguely at the time of filming this.

559
00:44:10.019 --> 00:44:11.579
Oh, God, I am the doctor.

560
00:44:12.480 --> 00:44:18.840
But he does not present as an old man in any other way.

561
00:44:18.900 --> 00:44:19.920
No, no, right?

562
00:44:19.980 --> 00:44:21.360
He's just physically like that.

563
00:44:21.420 --> 00:44:28.139
Secondly, the speech is wrapping up where we started with the Capaldi era, which is am I a good man?

564
00:44:28.199 --> 00:44:40.380
And what it's saying is, following his entire run, you know, having lived through his entire run and also having lived through this particular episode, he's finally, finally accepted the fact that, yes, he is a good man.

565
00:44:40.440 --> 00:44:47.579
And, you know, in the same way that you have all those wonderful minds like, you know, I don't want to go or I'll always remember when the doctor was me.

566
00:44:47.639 --> 00:44:53.940
Each of those modern era doctors, particularly gets, and Eccleston as well, you know, it was really great and you know what?

567
00:44:54.000 --> 00:44:58.079
So was I. They all get a chance to say, farewell me.

568
00:44:58.139 --> 00:44:58.860
I was brilliant.

569
00:44:58.980 --> 00:44:59.880
It wasn't this fun.

570
00:44:59.940 --> 00:45:02.039
Good luck to whoever I'm about to be.

571
00:45:02.099 --> 00:45:05.159
And even Jody, I mean, what does Jody say at the end of hers?

572
00:45:05.219 --> 00:45:10.920
She says, right then, doctor, whoever I'm going to be, tag your it.

573
00:45:10.980 --> 00:45:11.400
Exactly.

574
00:45:11.460 --> 00:45:22.619
The other thing about this speech is, and whilst I do agree that sometimes these speeches, I do find rather tiresome, I think the best example is in the Zydon inversion, 100%, those kind of speeches.

575
00:45:22.679 --> 00:45:31.739
But in the 21st century, the doctor every now and again does that thing where he or she talks about the meaning of life, the universe and everything, in the way that Capaldi is going on now.

576
00:45:31.800 --> 00:45:44.519
The other thing why I think this episode, this sequence works on its own terms, is because it wraps up the whole season that we've just had, where Missy is being trying to be rehabilitated in the vault.

577
00:45:44.519 --> 00:45:54.659
And the moral of that story is that you're not inherently good or inherently evil, good and evil, that's a choice you make, and Missy is capable of make, and was finally capable of making that choice.

578
00:45:54.719 --> 00:45:59.760
So that's also what Capaldi is basically talking about here is, you know, the doctor, who am I?

579
00:45:59.820 --> 00:46:11.760
I am this wonderful person and I'm making sure that my next iteration of this myself remembers all that rather than going through another regenerative cycle, saying, am I a good person, et cetera.

580
00:46:11.820 --> 00:46:16.320
I think for it to be mansplaining, it needs to be patronising, and I don't think it's patronising.

581
00:46:16.380 --> 00:46:20.400
That's usually also the other the other thing about it.

582
00:46:20.460 --> 00:46:23.099
I think that's a really nice way of looking at it.

583
00:46:23.159 --> 00:46:24.119
It's him.

584
00:46:24.119 --> 00:46:27.000
And again, I hadn't, I'm having the tot experience.

585
00:46:27.480 --> 00:46:30.960
I hadn't considered that either, that it's not him.

586
00:46:30.960 --> 00:46:34.019
And I didn't think it was mainsplaining either.

587
00:46:34.079 --> 00:46:47.460
There was just talk of it at the time that he is telling himself how to be himself because he spent so much of this life questioning whether he's a good person.

588
00:46:48.239 --> 00:47:01.619
I think, though, that the real role of it is, you know, Moffatt saying who the doctor is, and I think by this point in the script, he's run out of new ways of doing that.

589
00:47:01.619 --> 00:47:18.179
And I also, yeah, I can also see Capoli kind of desperately trying to inject interest into the script because it's not that interesting, a speech because it is just, he says a lot of things and there's no real through line.

590
00:47:18.239 --> 00:47:19.500
It's not really about anything.

591
00:47:19.559 --> 00:47:24.360
That moment where Capoldi, you know, tries to tell the line about pairs.

592
00:47:24.420 --> 00:47:30.599
You know, he's suddenly excited about having to deliver the line about pears and then he falls over and tries to say things.

593
00:47:30.659 --> 00:47:32.519
It's kind of like, we've had all of this.

594
00:47:32.579 --> 00:47:34.320
The whole episode's been about this.

595
00:47:34.380 --> 00:47:37.019
We don't need a final speech.

596
00:47:37.079 --> 00:47:38.760
Let's just do the regeneration.

597
00:47:38.820 --> 00:47:43.860
And I think that's one of the things I struggle with. like, I don't necessarily have a problem with the speech.

598
00:47:43.920 --> 00:47:46.739
I think the speech is just goes on a little too long.

599
00:47:46.800 --> 00:47:51.000
And he's throwing himself drunkenly around the set because.

600
00:47:51.000 --> 00:47:52.199
Well, he's trying to hold it all back.

601
00:47:52.260 --> 00:47:53.280
Yeah.

602
00:47:53.280 --> 00:48:01.920
Yeah, like, and I get that in the story sense, but it's just, like, just so that don't ever tell anybody your name except for children.

603
00:48:03.480 --> 00:48:04.860
Yeah.

604
00:48:04.980 --> 00:48:07.199
Yeah, obviously, yes.

605
00:48:07.320 --> 00:48:15.480
But basically, I've kind of, by the time I've gotten to this point in 21st century Doctor Who, I'm kind of accepting that there's going to be...

606
00:48:15.480 --> 00:48:17.579
That's what we have to have.

607
00:48:17.639 --> 00:48:31.019
And if you imagine, I mean, one of the things that I think I think I've mentioned before is I'm kind of sick of the thing of, you know, the doctor spending, you know, all this time regenerating and like, you know, we kind of got it with David Tennant's doctor, we kind of got it here again as well.

608
00:48:31.079 --> 00:48:35.820
It's just that thing of, oh, for God's sake, just have them fall from a radio telescope and die.

609
00:48:36.599 --> 00:48:43.619
If they didn't keep holding it in, it wouldn't blow the Tartars up when they finally let go.

610
00:48:43.679 --> 00:48:45.300
That's the problem, exactly.

611
00:48:45.360 --> 00:48:49.260
I just got the line from a, from a silly fabulous.

612
00:48:49.320 --> 00:48:51.300
Oh, for God's sake, just die.

613
00:48:51.780 --> 00:48:53.820
There is something from that.

614
00:48:53.880 --> 00:48:59.460
But look, I accepting all of that, accepting the limitations that or at least the constraints.

615
00:48:59.519 --> 00:49:03.539
I think it's perfectly fun and wraps up the year and what the year has been doing.

616
00:49:03.599 --> 00:49:13.320
And when the new doctor arrives, there's 2 things that I really, really like, and the 1st one is that we see Capoldi's ring, fall from her.

617
00:49:13.320 --> 00:49:15.179
Lovely, lovely.

618
00:49:15.239 --> 00:49:16.679
And we did see it.

619
00:49:16.860 --> 00:49:19.380
Did we see it with David Bradley regenerating?

620
00:49:19.440 --> 00:49:21.300
We didn't, but it does happen, doesn't it?

621
00:49:21.360 --> 00:49:22.380
The ring falls off.

622
00:49:22.440 --> 00:49:25.079
The ring falls off in power of the Dala. doesn't it?

623
00:49:25.139 --> 00:49:26.099
The ring falls off in power.

624
00:49:26.159 --> 00:49:26.579
Yeah, yeah, yeah.

625
00:49:26.639 --> 00:49:35.400
Oh, no, well, the ring has already fallen off and Ben gives it back to him to say if you were the real man in this ring, which is a completely idiotic line, obviously. leaving that to one side.

626
00:49:35.460 --> 00:49:43.199
But, and Capaldi's ring, like, it was just about the 1st thing that we saw of that doctor in that special introducing...

627
00:49:43.199 --> 00:49:47.579
Because it had 12th doctor. real wedding ring, which his wife wasn't going to allow him to take off.

628
00:49:47.639 --> 00:49:52.320
Well, I think that he didn't want to have to take it on and off and have to remember whether it was on or off.

629
00:49:52.380 --> 00:49:55.980
There's that and also, you know, it's my wedding ring. don't want to take that.

630
00:49:56.039 --> 00:49:56.400
That's right.

631
00:49:56.639 --> 00:50:02.760
But they made, they made a... a thing to cover... to make it kind of look like Hardmal's ring.

632
00:50:02.820 --> 00:50:03.360
Yes, exactly.

633
00:50:03.420 --> 00:50:10.260
But I mean, it was the 1st thing we saw because before we heard the announcement, we actually saw Capoldi's hand.

634
00:50:10.260 --> 00:50:13.199
We saw that shot of his hand, remember?

635
00:50:13.260 --> 00:50:17.280
And it's like, that was the moment where we all went, oh, goodness me, it is Kabaldi.

636
00:50:17.340 --> 00:50:18.119
Yes, yeah, yeah.

637
00:50:18.179 --> 00:50:19.380
That's the moment we knew.

638
00:50:19.440 --> 00:50:21.719
And he had the wedding ring on.

639
00:50:21.780 --> 00:50:23.340
And so that's associated with him.

640
00:50:23.400 --> 00:50:27.960
It's like Matt Smith dropping the bow tie at the very end.

641
00:50:27.960 --> 00:50:31.619
And it does hard back to the 1st doctor's regeneration as well.

642
00:50:31.679 --> 00:50:32.519
I thought that was really great.

643
00:50:32.579 --> 00:50:35.340
It's a great way to summarising this is an entirely different facility.

644
00:50:35.460 --> 00:50:36.179
It's really good.

645
00:50:36.239 --> 00:50:42.539
And then the other one, which I thought was good, was that we don't see the doctor's face until she sees it.

646
00:50:42.599 --> 00:50:43.320
Oh yeah.

647
00:50:43.320 --> 00:50:44.579
So she sees it first.

648
00:50:44.639 --> 00:50:52.139
We're not allowed to see it. see her eyes and her hair and stuff, but we only see her face once she's seen it 1st and gets to react to it.

649
00:50:52.199 --> 00:50:53.699
And it's great.

650
00:50:53.760 --> 00:50:56.579
It's sort of summarising it, you know, finally the doctors were, oh, brilliant, you know.

651
00:50:56.639 --> 00:50:57.239
Yeah, yeah.

652
00:50:57.300 --> 00:51:00.599
I finally got the girl gig after all this time.

653
00:51:00.659 --> 00:51:01.739
It's just really lovely.

654
00:51:01.800 --> 00:51:05.039
And I think she plays those moments beautifully.

655
00:51:05.099 --> 00:51:05.820
Now, can I ask?

656
00:51:05.880 --> 00:51:09.300
Because I believe this happened at the end of the ITD era.

657
00:51:09.360 --> 00:51:13.679
Does Chipnell come in and direct this last sequence and is a different music, et cetera?

658
00:51:13.739 --> 00:51:14.820
Or is it still still still Murray?

659
00:51:14.880 --> 00:51:16.500
It's still Murray, isn't it?

660
00:51:16.559 --> 00:51:20.099
But he clearly decides what happens.

661
00:51:20.159 --> 00:51:28.079
Like, it's Chibnall's decision to have her fallout of the TARDIS. and to see her heading sort of, there's a city in the background.

662
00:51:28.139 --> 00:51:29.219
Sheffield.

663
00:51:29.219 --> 00:51:31.199
Yeah, she's heading towards Sheffield, I guess.

664
00:51:31.260 --> 00:51:31.860
Oh, God.

665
00:51:32.340 --> 00:51:36.119
Plummeting towards Sheffield, I believe is the expression.

666
00:52:00.179 --> 00:52:03.179
Well, that's all the time we have for this Christmas.

667
00:52:03.239 --> 00:52:13.079
We'll be back on New Year's Day to say goodbye to Peter Capoldi and Stephen Moffat and au revoir to flight through entirety in the Capoldi Moffat retrospective.

668
00:52:13.320 --> 00:52:31.500
In the meantime, you can find us wherever you get your podcasts and you can keep up with us on our website, flythroughentirety.com, where you'll find our social media links, as well as links to all of our other podcasts, including our other Doctor Who podcasts, 500-year diary, and the 2nd great and bountiful Human Empire.

669
00:52:31.559 --> 00:52:35.159
Until next time, sleep in heavenly peace.

670
00:52:35.219 --> 00:52:37.739
Thank you very much for listening and good night.

671
00:52:37.860 --> 00:52:40.139
The moment has been prepared for.

672
00:52:40.199 --> 00:52:41.039
Good then.

673
00:52:47.099 --> 00:52:55.739
That was Flight 3 Entirety, starring Nathan Bottomley, Simon Moore, James Selwood, and Richard Stone, theme arrangement by Cameron Lamb.

674
00:52:55.800 --> 00:53:02.159
This episode, plummeting towards Sheffield, was recorded on the 24th of November 2024 and released on Christmas Day.

675
00:53:05.219 --> 00:53:16.679
In just a couple of days, we'll be talking about the 2024 Christmas special, Joy to the World on the 2nd great and bountiful Human Empire, which is available wherever good podcasts can be found.

676
00:53:16.739 --> 00:53:21.239
We'll see you then, and of course, in the meantime, Merry Christmas.

677
00:53:22.500 --> 00:53:29.219
I think that's probably it If you care what the media's saying, you should fight something better to do.

678
00:53:29.280 --> 00:53:32.880
No, no, I didn't care what the media was saying at the time.

679
00:53:32.940 --> 00:53:35.820
I was like, oh, maybe, maybe...

680
00:53:35.820 --> 00:53:37.260
Yeah, because I could have done something different.

681
00:53:37.320 --> 00:53:44.099
I think that's what, what, it's, that's what, yeah, because shaded that to me is that you did the same thing again.

682
00:53:44.159 --> 00:53:46.079
It's Matt Smith.

683
00:53:46.139 --> 00:53:52.679
Well, you have Matt Smith hanging from the TARDIS, you know, like we are just doing that. like stop, stop regenerating.

684
00:53:52.739 --> 00:53:53.820
And you know, they learned their lesson.

685
00:53:53.880 --> 00:53:55.440
She doesn't regenerate at the end.

686
00:53:55.500 --> 00:53:57.900
No, no, she doesn't regenerate inside the table.

687
00:53:57.960 --> 00:54:00.480
They're outside the TARDIS. nevertheless, nevertheless.

688
00:54:01.320 --> 00:54:03.300
And it just changes whilst...

689
00:54:03.300 --> 00:54:08.699
And her clothes change as well, which is, I think, a worse scene than anything you might think is wrong with this.

690
00:54:08.760 --> 00:54:10.139
I think that's the greatest sin.

691
00:54:10.199 --> 00:54:15.480
No, no, but like the reason is that we don't have David wearing that horrible outfit for any time.

692
00:54:15.539 --> 00:54:20.219
Yes, I know, but that's, that's, I think, made for bad reasons and I don't think that's.

693
00:54:20.460 --> 00:54:23.159
That's the reason. good reason, I think.

694
00:54:23.760 --> 00:54:24.659
Well, that's production fees.

695
00:54:24.719 --> 00:54:28.500
Look, no, like, I mean, one of the reasons that...

696
00:54:28.500 --> 00:54:29.340
David Tennant...

697
00:54:29.400 --> 00:54:29.820
Yes, I know.

698
00:54:29.880 --> 00:54:33.300
Okay, so it happened once before, but that was...

699
00:54:33.360 --> 00:54:43.260
Actually, claims that the reason he did that was so that people wouldn't mock him being in drag.

700
00:54:43.260 --> 00:54:45.960
But I mean, that's ridiculous. to be in that outfit.

701
00:54:46.079 --> 00:54:48.840
I know, I know, but I think it's just a horrible outfit.

702
00:54:48.900 --> 00:54:50.219
He just didn't want David.

703
00:54:50.280 --> 00:54:50.579
No, exactly.

704
00:54:50.699 --> 00:54:52.619
But it's...

705
00:54:52.619 --> 00:54:56.039
And he didn't have time to do a wardrobe scene or anything like that.

706
00:54:56.099 --> 00:54:58.320
Like all of that stuff. like all of that.

707
00:54:58.380 --> 00:55:01.019
They have time to do a whole lot of other crap. they do a wardrobe.

708
00:55:01.079 --> 00:55:04.079
Or maybe they didn't have to, they didn't have the costume.

709
00:55:04.800 --> 00:55:05.940
They may not have had the costume.

710
00:55:06.000 --> 00:55:07.559
Because it's a different production company.

711
00:55:07.619 --> 00:55:08.159
Yeah, yeah.

712
00:55:08.159 --> 00:55:10.139
The only thing that they...

713
00:55:10.139 --> 00:55:13.079
It doesn't so tenant's not actually there when they film the...

714
00:55:13.199 --> 00:55:14.340
Oh, no, no, no.

715
00:55:14.400 --> 00:55:15.300
Oh, they do it all again.

716
00:55:15.420 --> 00:55:17.099
No, it was done like a year later.

717
00:55:17.460 --> 00:55:19.500
Yeah, yeah, they're nowhere near.

718
00:55:19.559 --> 00:55:23.280
Like, it's not like Matt and David going in the thing and then out.

719
00:55:23.340 --> 00:55:24.239
It's completely different.

720
00:55:24.360 --> 00:55:27.239
That's, no wonder the whole thing was a sh then back.

721
00:55:27.300 --> 00:55:28.440
I just bleep that.

722
00:55:28.500 --> 00:55:29.219
No, no, no.

723
00:55:29.940 --> 00:55:32.219
Yeah, yeah, that's what Styer's robot is for.

724
00:55:33.119 --> 00:55:35.460
That's a bleeping noise.

725
00:55:36.179 --> 00:55:46.260
I mean, surely you could just have him go into the police box at the end and then come out and children in need wearing his outfit.

726
00:55:46.320 --> 00:55:47.820
No, no, you don't.

727
00:55:47.820 --> 00:55:49.619
In a Poirot outfit.

728
00:55:49.679 --> 00:55:56.639
Anyway, anyway, it was Neil Patrick Harris did it because for fashion reasons.

729
00:55:56.760 --> 00:55:57.659
Fine.