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NOTE
This transcript was created on 2026-06-07 at 16:14:35

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Hello and welcome back to Flight Through Entirety, the only Doctor Who podcast, which leaves cupcakes and sparkling wines where we tread.

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We find that good.

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I'm Brendan.

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I'm Nathan I'm really looking forward to seeing what happens to all the lovely characters in this story.

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I'm so, so glad to meet them.

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Well, I know it's going to end well.

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I understand their surname was originally Stark, which means we're off to, well, off to visit Mick Jagger, actually.

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That's actually Mick Jagger's mum.

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Yeah, he owned Stargrove, but it was his mum was living there.

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I'd like to think that she and the butler, the little bloke who later appeared as the bloke who owned Magpie as Ron Cook, the bloke who owned. not, but I just think of the actor as being the same as Ron Cuckoo played Parker in the Thunderbirds form and Mr. Magpie in the Idiot Plant is, in fact, just make him do for Mick Jagger's mum. don't know what's going on.

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It's Pyramids of Mars.

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I like to do extensive research, obviously, so I checked out the DWM 1st 50 years poll.

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Do you remember that?

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They ran a poll.

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Oh, yeah, yeah, yeah. where everyone had to sort of rank in order, all their favourite stories, and this story came 8 in that poll.

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It's an absolute stone cold classic that everyone really likes.

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And I actually just don't think it's very good.

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And I wanted to really look into why that is.

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Do you remember a 100 years ago when we did the Aztecs and you actually managed to convince me that it actually might be quite enjoyable?

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historical without a sontara lurking.

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Yeah, it can actually be good.

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This is a historical, but it's a pseudo-historical.

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It has a monster and all of that sort of thing.

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And I'm just struggling to think, why is it, do you think that this comes eight?

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Why is it so perennially?

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I can tell you, because it's not about Doctor Who and Doctor Who's successful.

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It's never about itself.

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It's about things we're already familiar, ish.

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And it just expounds upon it and reinforces.

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I would actually say they're not prototypes that we admire.

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They're actually visceral spinal cord things that we know and we really love.

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But isn't it just sort of rehashing the sort of fairly terrible hammer horror film?

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Absolutely.

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On the surface, absolutely.

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And no, no, not universal, because Universal was always set in places like Bulgaria or Bulgaria, wherever they film Chitty Chitty Bang Bang.

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But this one, the reason it's said in England is, of course, Hammer was always filmed on the offset at Pinewood, never in the major studios in the cabin, the cabin in the woods. on the offset.

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And so they had all that woodsy stuff around it.

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But this, again, and yes, I'm going to hammer the same damn point again.

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Sorry, listener.

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But this is Edwardian, spy fiction, shitters, and all the rest of it, you know, the Riddle of the Sands, all those kids where it always comes back to Edwardian home counties, and it really works because the threat is in the backyard.

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And they are trampling on the cabbages of Alice's parents.

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This is Lewis Carroll, this is our children's stories.

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They're stomping through the same gardens that Edith Nesbitt had Tom and the Secret Garden just next door.

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So, an arts back to that, thread of children's literature.

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Yeah, and ontologically disturbing.

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Why the hell do they ever come back to England?

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Why?

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And when did Sutic ever have a Bunnings set up?

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And then his pyramid?

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This is what I think he's been...

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No, let's concentrate on the pros.

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We can talk about the...

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Can I have a tetrahedral garden shed just like?

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Because that's all I want.

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Just before we move on to that, Nathan, I'd like to answer your question as well, as to why does this so perennial?

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Yeah.

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We discussed last week how Planet of Evil has various influences, Robert Louis Stevenson, Jekyll and Hyde, Forbidden Planet, which was itself influenced by The Tempest, and the thing from another world, being the 3 big influencers.

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And we also discussed how it doesn't really do anything new with those ideas.

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Where Pyramids of Mars really succeeds is, you know, it takes the movie idea of the mummy and undead and what have you.

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But arranges them in a new configuration.

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And then gives us the original God that none of those films ever had. that really ramps up.

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This is the most powerful force the doctor has and indeed will ever encounter.

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Apart from as Ireland, Kronos.

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Yes, because Sutik is more powerful than all of them.

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Yeah, exactly.

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Zal and Kronoffs are a bit crap, as you said yourself.

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Sorry to quote.

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But even the impossible planet, that monster whom we assume is another splinter of the self of Soutek, also voiced by Gobriel Wolf, it's intimated that Soutek is a pandimensional being in some regards.

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Yeah, absolutely.

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And also at the end of this story, spoiler alert, he's sent to the end of time, and we don't know how far in future, the impossible planet Satan Pit is.

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But I'm just going to say one more thing about influences.

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I think an influence on this, a lot of people may not know about, but in Australia at least, they've recently been released on DVD and Blu-ray, I believe, for the 1st time.

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The abominable Dr. Fibes and Dr. Fibes rises again. 2 horror films featuring Vincent Price, and especially the 2nd one is heavily influenced by Egyptology.

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Have either of you heard of these films?

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I've heard of them Well, the Abominable Doctor...

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I've seen the 2nd one, yeah.

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The 1st one is the premise.

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Vincent Price is a man who was in a car accident.

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His wife died on the operating table.

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So he sets about very poetically killing the rest of the surgery team.

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It's actually a black comedy and also features Peter Jeffries, who we'll very famously appear on Doctor Who Later, appeared in the Macraterra as well.

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Dr. Fires rises again.

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He's still trying to revive his dead wife and travels to Egypt.

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He travels to Egypt to use the powers of the god of death.

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And what?

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Well, what will happen much later when we get the missing adventures giving us a sequel to Pyramids of Mars.

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We have Soutek trying to revive.

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It's like the story of Rod Stewart, isn't it?

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Just marrying younger women.

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Yeah, yeah, and trying to revive his own face.

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Anyway, Nathan, what were you going to say next?

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Well, like, I don't know that it's really sufficient to have plundered a whole heap of sort of crummy old B-grade films.

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Do you know what I mean?

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Like it needs to be a good story sort of by itself.

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I think that the winner of that poll was Day of the Doctor, and obviously it was, but, you know, nostalgia because it had been very recently shown.

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Yeah, yeah, yeah.

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And it'll fall, you know what I mean?

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But it doesn't win the poll because it's got a sort of a huge playlist of films that it's plundered particularly.

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Like I did try and think because like I want to be sort of reasonably sympathetic about it.

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And so let's do a checklist.

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Do you know what I mean?

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Like I think the sets look spectacular, the Egypt set's not great, but if you're going to set something in the Edwardian era, the BBC sets and costumes are just going to look great, you know, like I think that they're going to look good, so the house looks great.

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You know, everyone's outfit looks great, the pseudo-historical thing in this era is something that we can do.

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This is the 1st time we've travelled back.

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I think the 20th century, earlier in the 20th century, at the end of Dalek's master plan, you know, for an episode, we go to Hollywood.

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You know, we've got Michael Sheard, who I think is lovely.

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Actually, I'm sorry, I'm going to have to contradict you.

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Ooh.

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It's the 1st time we've travelled back to 20th century...

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Yes.

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Anyway, back onto Michael Sheard, who is, as always, wonderful.

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Yeah, so Michael Sheard...

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He's had his best in this one.

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Yeah, yeah, he's terribly good.

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And you know what?

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Michael Sheard, he sometimes comes in for a bit of ribbing in fan circles.

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But in this, he plays a very sympathetic, I think, well-rounded character.

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And, you know, the tragedy of the character is something we very palpably feel, but I'll come back to that later.

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I think that's really good.

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You've got 2 great villains.

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I think Marcus Scarman and Tom Boker.

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He's always a feeling.

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We always just take him as right.

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But he's got like this sort of craggy face and terrible teeth and like a terrific voice, you know, and the pale makeup and stuff.

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Like, I think he's terribly good.

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I think Soutec, you know, even though he sort of sits in a chair for 3 episodes and doesn't actually do anything, he's got that incredible crisp, terrifying, slightly camp voice, which, you know, Russell, obviously, as we've said, has as well.

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Yes, we trust him.

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It is like visiting a very elderly relative in the hospice, all that power, but all repressed.

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So you know, you know how powerful they have been.

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How do you kill?

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I can have you destitute.

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The fact that it's... more powerful.

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There are some great memorable moments.

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Like, I think the Cliffhanger to episode one.

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Do you remember the cliffhanger to episode one?

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I am the servant of Su take, he needs no other Russell Reed?

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And that wonderful scream from Ibrahim Namin.

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Yeah, yeah, yeah.

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So I think that's great.

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I think Tom and Sarah at the absolute top of their game, you know, just terrific, that opening scene where Tom just basically says farewell to unit and Sarah mocks him and there's all that stuff about, you know, so long as Albert didn't wear the dress and things.

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Like apparently all thrown in in rehearsals.

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The script was actually much lighter, being by Lewis Gilbert.

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You know, you know the backstory of the script, don't you?

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Yeah, so it is it's credited as what?

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Lewis?

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Stephen Harris, yeah.

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But it's actually Lewis Gilbert, who...

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Sorry, Lewis Gilbert is a director of Bond films.

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Have we mentioned James Bond before?

150
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Oh, I don't know.

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We have bondfinger.com.

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Living on.

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This is uncanny, isn't it?

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Lewis Griefer had written the episode The General of the Prisoner, which was about mind control through machines.

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He's a really good writer.

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And he was doing really well in other shows. mostly cop thrillers.

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And he was quite ported by the BBC for these convoluted and complex plots, which work really well in crime dramas.

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But as Hinchcliffe in his notes quickly said, doesn't work so well in Doctor Who.

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The story was much more hammer.

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It was set in the British Museum.

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The mummies were taking over the British Museum, and there was a vessel, there was one of those canopic jars, which held seeds, which were going to refloriate Mars itself.

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Yes.

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Which is kind of lovely and Irish, isn't it?

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It sounds terribly camp, doesn't it?

165
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Well, it just sounds a bit mad and silly, really.

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But the only thing they kept of the original script was the title.

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There was nothing else that really applied.

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But the idea was that they would reuse the story itself.

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Grief is script is good, and they would use it another time, slightly differently.

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Obviously, they just didn't get around to it, sadly.

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Oh, hello, big finish.

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Can we talk about the cons?

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Can we talk about the reasons why I just think...

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Perhaps before we do, I'd like to say, again, and I really like what you were saying there, and it made me think of something else of why this story...

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Yeah, of why the story works.

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You've got the thing with the 2 brothers. and how Marcus and Lawrence.

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There are archetypes here that go much, much further back and are much stronger and more powerful than a script or 4 episodes can give.

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That's why this story is remembered.

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For me, it's, there's so many levels of narrative within this that are actually about our own lives and about the history of our culture.

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The repressive power of the already precarious Victorian Empire, in its Edwardian Twilight, is mirrored in the impeccunity, and in the impetence of Sutek himself.

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Sutic is actually Queen Victoria, still alive.

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Her puppet, which is her son, Edward, is Mark Scarman, mincing about, and having it off with Lily Langtree, or, indeed, whoever that be, Ibraham Amin, or whoever it is.

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But there are actually lovely mirrors of the culture of England at the time and the culture of Britain, in the '70s, with the power strikes, and we've really lost the empire, and the whole thing is crumbling.

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British Leyland is in ruins, the coal miners are on strike.

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We're on a three day power week.

186
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OK, that's been resolved.

187
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But Britain's been through a really awful, awful time in 1975.

188
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Let's remember when we were great?

189
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Actually, no, we weren't that great.

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There's the sense of that imminent collapse of the Great War that's just coming up.

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So this is a perfect timing, 1911, 1912, that final Indian summer.

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And this script really nails it, and I don't even know if it's conscious.

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I'd like to think it is.

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But there's also the restlessness, and the impetus to resume lost power, but the guilt that comes with that, knowing that power was built on the suffering and enslavement of others, in this case, of native cultures.

195
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And then there's, on top of the self confessed goodness of the comfortably ignorant protagonists, everyone in this is a lovely, charming, fairy tale English person.

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Jolly hockey sticks.

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Thank you, right down to wearing their lovely three piece tweeds, or their lovely linens, if they're over in the tropical areas.

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And also, for instance, Lawrence Scarman knows about Eddie the Poacher or whatever his name is.

199
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And Tom, yes, Clemence.

200
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Sorry, do you know who plays Clemence, by the way?

201
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Can I?

202
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Yeah.

203
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Is this a Tovi reference?

204
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It's it's Roberta Toby's father.

205
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It really is.

206
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It really is.

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He'd do anything to get away from that daughter.

208
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But that's the thing.

209
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The Scarmans know about him.

210
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They don't mind that he's on their land poaching because that's part of the social structure.

211
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And you're going to have a poacher.

212
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And because he's white and English pig binge, Josh.

213
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I mean, that's really.

214
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But you know what confrounds or what co-ops all of that is this confronting of the animus of their own colonial greed.

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That animus is Sutic.

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And I feel that that's why they all have to die.

217
00:14:19.320 --> 00:14:26.460
There's actually the point of we need to take responsibility for our colonialism, our racism, and our exploitation.

218
00:14:26.519 --> 00:14:29.759
Sutech has to just take responsibility, and so does every white character.

219
00:14:29.879 --> 00:14:35.580
This is a very powerful story about Britain's empire.

220
00:14:35.639 --> 00:14:45.419
And the colonialism is there from the very first scene where Scarman breaks into the tomb and then tells off his Egyptian, his Egyptian, superstitious sandwiches.

221
00:14:45.480 --> 00:14:47.279
Superstitious savages, thank you.

222
00:14:47.340 --> 00:14:50.639
Yeah, and they're speaking their own language, but he's shouting after them in English.

223
00:14:50.700 --> 00:14:54.059
If you shout it loudly and clearly, everyone will understand.

224
00:14:54.120 --> 00:14:55.259
Yeah, exactly.

225
00:14:55.440 --> 00:14:57.419
But what happens though?

226
00:14:57.480 --> 00:14:58.200
What happens?

227
00:14:58.259 --> 00:15:06.840
The, quote unquote, natives, quote unquote, superstitious savages who run away don't get killed and have their bodies.

228
00:15:07.740 --> 00:15:12.179
Are they actually the only other other than the doctor and Sarah, the only other people to survive?

229
00:15:12.240 --> 00:15:18.059
Yeah, I think they might be, you know, because they very sensibly go, oh, this is a bit of a dangerous situation.

230
00:15:18.120 --> 00:15:21.899
I'm going to bugger off. how much you're paying me. quite sensible.

231
00:15:21.960 --> 00:15:24.659
Look, Holmes, I think we've observed this before.

232
00:15:24.720 --> 00:15:28.139
Holmes has an interesting relationship with colonialism.

233
00:15:28.200 --> 00:15:35.220
He likes satirising it, but mostly because he likes satirising everything because he is really brutal and cynical.

234
00:15:35.279 --> 00:15:49.559
And we talked about the satire that he does of colonialism in Carnival of Monsters, where both on board the SS Bernice and in Inter Minor, There's, you know, exploitation going on that he's making fun of.

235
00:15:49.620 --> 00:15:55.080
But he's making fun of it, not because he's like an angry young man who wants to overthrow it.

236
00:15:55.139 --> 00:16:00.059
He does make fun of it in a way that still.

237
00:16:00.120 --> 00:16:02.100
That still appropriates it.

238
00:16:02.159 --> 00:16:09.600
So, for instance, I think Namin is a racist portrayal, and I think it's slightly uncomfortable.

239
00:16:09.659 --> 00:16:12.059
Like, I think he's cool in lots of ways.

240
00:16:12.120 --> 00:16:20.100
Holmes does satirise colonialism, but I don't think he does it from an angry, let's burn it down kind of way.

241
00:16:20.159 --> 00:16:32.159
And we're so going to see that at the end of next year, where I think Holmes really makes it quite clear that however much he might make fun of something. really loves it as well.

242
00:16:32.220 --> 00:16:37.379
And here there is this sort of lazy boy zone stereotyping of foreigners.

243
00:16:37.440 --> 00:16:39.960
Do you think we're choking the piss out of Terrence sticks?

244
00:16:40.019 --> 00:16:48.840
Because you look at how Terrence Dicks approaches colonialism, and you know that, and he's also come out in interviews saying he's all for it, and the British were the best thing to ever happen to India.

245
00:16:48.960 --> 00:16:51.000
But he's just doing that to be irritating.

246
00:16:51.120 --> 00:16:54.240
No, he believes that his family were in the army in India.

247
00:16:54.299 --> 00:16:56.820
Terristics is quite palpable on this point.

248
00:16:56.879 --> 00:16:58.559
He feels that it wasn't just cricket.

249
00:16:58.799 --> 00:17:02.580
British colonialism was a force for good entirely.

250
00:17:02.639 --> 00:17:06.059
He's even, you can even look up some of his interviews on that.

251
00:17:06.119 --> 00:17:07.920
I'm not getting this from anything other than the DVDs.

252
00:17:07.980 --> 00:17:09.420
This is what Dick said.

253
00:17:09.480 --> 00:17:13.140
And I think Holmes, because we know how smart Holmes is.

254
00:17:13.200 --> 00:17:16.319
Just as Richard Dawkins invented the term meme.

255
00:17:16.380 --> 00:17:27.000
I reckon that it's Robert Holmes, who invented the term meta, because Robert Holmes comes in onto every damn story he does and critiques it from a really high place.

256
00:17:27.059 --> 00:17:30.720
He's the queen of the spiders, and I'm sure he was called back more than once when he was alive.

257
00:17:30.779 --> 00:17:40.259
Truckling over his mountain and just giving all to everybody else's spiel and showing them up for what they are. in as dark a way as he can possibly do it.

258
00:17:40.319 --> 00:17:49.019
And Terrence Dix did always talk about, and still always talks about how much of an iconoclass that Robert Holmes was.

259
00:17:49.079 --> 00:17:59.819
There's a documentary on the 2 Doctors DVD, which is all about Robert Holmes, which, because of an appearance by Jimmy Savile on the DVD is currently out of print, you can't buy it new anymore.

260
00:17:59.880 --> 00:18:10.140
The final comment on the documentary on Rob Holmes comes from Terence Dixon, he said, you know, when we work together in the 70s, you would go out for long lunches to discuss ideas.

261
00:18:10.200 --> 00:18:11.880
But no one ever ate dessert.

262
00:18:11.940 --> 00:18:14.460
The dessert menu would come around.

263
00:18:14.519 --> 00:18:17.759
But, you know, no one who was cultured would ever eat dessert.

264
00:18:17.819 --> 00:18:19.920
It was the thing.

265
00:18:19.980 --> 00:18:21.839
They would put out the dessert menu but you wouldn't touch it.

266
00:18:21.900 --> 00:18:24.599
So you go around the table, Philip Hinchcliffe, no, no dessert.

267
00:18:24.660 --> 00:18:25.680
Barry, lets know, notice it.

268
00:18:25.799 --> 00:18:27.599
Terrence Dix, no, no, dessert.

269
00:18:27.660 --> 00:18:30.240
Robert Holmes, I'll have jam, Roly, Poly and custard.

270
00:18:30.299 --> 00:18:32.460
You know, Chance to prove the point.

271
00:18:32.519 --> 00:18:34.140
He's a monster. isn't he?

272
00:18:34.559 --> 00:18:36.660
And wine and cheese.

273
00:18:36.720 --> 00:18:37.980
Where's John Poo?

274
00:18:38.099 --> 00:18:40.380
Can I talk about the cons then?

275
00:18:40.440 --> 00:18:41.819
You know, like one of them?

276
00:18:42.299 --> 00:18:42.480
Yes.

277
00:18:42.539 --> 00:18:43.859
I think there are a lot of them.

278
00:18:43.980 --> 00:18:47.099
So for instance, let's start.

279
00:18:47.160 --> 00:18:50.339
You mentioned, you know, Bunnings.

280
00:18:50.400 --> 00:18:55.259
So the giant giant plot hole. it is possible to watch it.

281
00:18:55.319 --> 00:18:56.519
Look, I don't care about...

282
00:18:56.640 --> 00:18:57.839
You could pass an a siren through it.

283
00:18:58.380 --> 00:19:00.660
I don't care about plotholes. whatever.

284
00:19:00.720 --> 00:19:15.960
But pretty much the 2nd time that you watch it, you realise that Horrors has imprisoned his brother in the pyramid with a whole bunch of servo robots, everything he needs to make a giant missile, a lovely garden share.

285
00:19:16.019 --> 00:19:19.200
Some canopic jars full of force field things.

286
00:19:19.259 --> 00:19:24.779
He's got a lovely widescreen thing from which to watch what's going on sort of anywhere in the world.

287
00:19:24.839 --> 00:19:27.720
And a friendly helper behind the chair.

288
00:19:27.779 --> 00:19:28.799
We'll get to them.

289
00:19:28.859 --> 00:19:35.700
So it's a giant, like that's, and that's ludicrous and that's been observed many times, and maybe it doesn't matter, and this is Doctor Who.

290
00:19:35.759 --> 00:19:36.960
No, it's fantastically observed.

291
00:19:37.019 --> 00:19:59.160
Also, if we can jump to the final episode, how come both sound and vision can escape the spatial time vortex tunnel through which Sutek passes, in the end, when he zips him up for 7000 years, but not Sutek's thoughts themselves, we've seen that Sutek can crush physically a mind from halfway around the planet.

292
00:19:59.279 --> 00:20:05.220
But he can't do anything to the doctor when he's got when he's got the meal or washing machine control.

293
00:20:05.220 --> 00:20:08.819
Okay, so let's talk about that while we're talking about cons.

294
00:20:08.880 --> 00:20:10.319
Sanford calls this.

295
00:20:10.380 --> 00:20:10.859
Does it?

296
00:20:10.859 --> 00:20:13.920
The doctor flicks the kill Soutec Lever.

297
00:20:14.039 --> 00:20:16.440
Yeah. and Soo Tex Dead.

298
00:20:16.500 --> 00:20:19.259
And it really is incredibly perfunctory and not very interesting.

299
00:20:20.039 --> 00:20:22.259
The video effects are terrible.

300
00:20:22.319 --> 00:20:25.440
Suddenly, so he takes wearing a dress and has the jackal head and stuff.

301
00:20:25.500 --> 00:20:27.299
And like he looks terribly...

302
00:20:27.420 --> 00:20:28.680
We're back at the Golden Girls again.

303
00:20:29.640 --> 00:20:32.460
There's a minuscule guest cast.

304
00:20:32.759 --> 00:20:35.339
For the 2nd time in a row, they're all men.

305
00:20:35.400 --> 00:20:41.460
No one is very interesting as a character apart from, apart from...

306
00:20:41.519 --> 00:20:43.680
Well, you don't even see Lawrence really young.

307
00:20:43.680 --> 00:20:44.700
How good is Collins?

308
00:20:44.759 --> 00:20:46.559
Oh, I would, oh, he's fabulous.

309
00:20:46.619 --> 00:20:47.819
Collins is fabulous in there.

310
00:20:47.880 --> 00:20:48.960
And Dr. Warlock.

311
00:20:49.019 --> 00:20:50.160
I really like Dr. Warner.

312
00:20:50.220 --> 00:20:51.240
I love Dr. Warlock.

313
00:20:51.420 --> 00:20:58.019
Oh, he's so, he's so mean and when you, if Parker was not a puppet and a real, he would be Colin.

314
00:20:58.079 --> 00:21:01.019
But fortunately, he goes after work for Audrey Forbes, Hamilton.

315
00:21:01.740 --> 00:21:03.539
Yeah, that's right.

316
00:21:03.599 --> 00:21:04.859
It was just a flesh wound.

317
00:21:05.279 --> 00:21:06.000
Yeah, yeah, he's fine.

318
00:21:06.059 --> 00:21:12.000
So I don't think I actually don't think the characters are all that interesting, but whatever, there aren't that many of them and they're all killed.

319
00:21:12.059 --> 00:21:16.559
So for instance, by episode four, everyone is dead except the villains and the heroes.

320
00:21:16.680 --> 00:21:23.519
In a few months we're going to have a similar situation where we have, in this case, a mostly male guest cast who are all killed.

321
00:21:23.579 --> 00:21:25.920
But don't you think they're more interesting?

322
00:21:25.980 --> 00:21:27.960
No, I think that's more interesting.

323
00:21:28.380 --> 00:21:30.720
I think your seeds of doom, but you're not talking...

324
00:21:30.839 --> 00:21:32.220
No, we're talking about horror fang rock.

325
00:21:32.279 --> 00:21:37.500
The one exception, though, the one character who is more interesting in horror of Fang Rock is Adelaide.

326
00:21:37.619 --> 00:21:41.460
But I like the bitchiness between skin sale and Parmadale.

327
00:21:41.519 --> 00:21:44.400
I like Rico Thingo's character.

328
00:21:44.460 --> 00:21:46.019
It's like you slip sideways in time.

329
00:21:46.079 --> 00:21:46.680
Do you listen?

330
00:21:46.740 --> 00:21:49.680
No, no, no. talk about this next time, but I actually think they're better.

331
00:21:49.740 --> 00:21:55.859
I think the relationship between the brothers, which because of the nature of the script has to be carried entirely by Michael Shears.

332
00:21:55.980 --> 00:21:57.480
Yeah, because the other ones are dead.

333
00:21:57.599 --> 00:21:58.259
And doesn't he do it?

334
00:21:58.259 --> 00:22:03.000
well, it's his best role in that. that heartbreaking moment where he's trying to remind him with the photograph.

335
00:22:03.059 --> 00:22:05.519
That's that's proper drama.

336
00:22:05.579 --> 00:22:06.180
Yeah, yeah, yeah.

337
00:22:06.180 --> 00:22:22.559
You know, as much as I love the per era as much as I love Barry Letts and Terence Dick's take on Doctor Who, the only time you get that in their take on Doctor Who is when it's a regular cast member, you don't get that with a guest cast member until this point in colour Doctor Who.

338
00:22:22.619 --> 00:22:29.819
I just think it's so close to being just one worthwhile guest cast member and everyone else is kind of just there for plot reasons.

339
00:22:29.880 --> 00:22:32.819
Clements is a complete waste of time.

340
00:22:32.880 --> 00:22:36.960
He contributes nothing to the plot and just eats up whole...

341
00:22:37.019 --> 00:22:37.440
Yeah.

342
00:22:37.500 --> 00:22:43.859
Clemence is a unit grunt who gets blown up by an auton. yeah If he'd been his own daughter, he'd have been able to compete.

343
00:22:43.920 --> 00:22:45.299
Now he'd been in it.

344
00:22:45.359 --> 00:22:48.119
That would have been completely entirely army by herself.

345
00:22:48.180 --> 00:22:50.940
Episode 4 is terrible.

346
00:22:51.000 --> 00:23:00.480
And Holmes openly admits to ripping Terry Nation off in the script by having Sarah say, ooh, it reminds me of City of the Excelons.

347
00:23:00.539 --> 00:23:01.500
She's so right.

348
00:23:01.559 --> 00:23:03.180
Do you know what tribophysics actually is?

349
00:23:03.240 --> 00:23:05.759
It's to do with the movement of the human body?

350
00:23:05.819 --> 00:23:06.900
Even better than that.

351
00:23:06.960 --> 00:23:08.339
It's the study of lubrication.

352
00:23:08.400 --> 00:23:09.960
Oh, it's okay.

353
00:23:09.960 --> 00:23:11.400
He said in his most sepulchral.

354
00:23:11.460 --> 00:23:20.579
And can I say, dear listener, if you're keen, if you're keen, there is a journal of tribe of physics from the University of Adelaide to which you could subscribe right now.

355
00:23:20.640 --> 00:23:22.740
I'll put something in the show notes.

356
00:23:23.579 --> 00:23:37.680
I think this leads to a big con of most of this season in that it's either got 3 episodes of buildup and then a really poor final episode or it's got a poor 1st episode and builds to a really strong finish.

357
00:23:37.740 --> 00:23:47.640
That being said, I don't mind the last episode, but I think it is really saved by Tom and Liz goofing about and doing the Marx Brothers routine and what have you.

358
00:23:47.700 --> 00:23:53.519
But at the same time, and this is coming back to something you were talking about last episode, Nathan, so I suppose we could lift it onto a con.

359
00:23:53.579 --> 00:24:04.619
We do have that moment where Sarah sort of chastises the doctrine says, look, a man's been murdered and you can just sit and the doctor points out, look, 4 men have been murdered.

360
00:24:04.680 --> 00:24:06.299
Five actually, if you're counted.

361
00:24:06.420 --> 00:24:07.799
It's got that count wrong though, hasn't it?

362
00:24:07.859 --> 00:24:08.400
It's actually six.

363
00:24:09.240 --> 00:24:19.380
But the main problem I have then is sort of 2 scenes later, Sarah dresses him up in the in the mummy outfit and says it must have been a nasty accident.

364
00:24:19.440 --> 00:24:20.940
I love that. such a funny joke.

365
00:24:21.000 --> 00:24:25.200
It is a funny joke, but it's like, you know, a couple of minutes ago you were distraught.

366
00:24:25.259 --> 00:24:28.619
And now and now it's that lack of empathy.

367
00:24:28.680 --> 00:24:29.579
I was talking about.

368
00:24:29.640 --> 00:24:31.740
But isn't that also how humans deal with trauma?

369
00:24:31.799 --> 00:24:34.200
I look at how I deal with work. the other way you can...

370
00:24:34.259 --> 00:24:38.819
And it's the same thing. you know, an hour later, you know, you might as well make a joke out of it because it's put in the past now.

371
00:24:38.880 --> 00:24:43.140
I like to think that Sarah is more real by the way she deals with those traumas.

372
00:24:43.200 --> 00:24:45.900
Well, I'm still alive, I might as well make a joke about it.

373
00:24:45.960 --> 00:24:50.160
Yellow's humour is really big in Hitchcliffe seasons, yeah.

374
00:24:50.220 --> 00:24:52.440
Can we put this in the in the pros column?

375
00:24:52.440 --> 00:24:56.880
Because I think that this is the 1st instance of a trope that...

376
00:24:57.000 --> 00:24:57.660
Sorry, what's that?

377
00:24:57.720 --> 00:24:59.099
Of a thing.

378
00:24:59.160 --> 00:25:09.180
This is the 1st instance of a thing that becomes a staple in Doctor Who and in particular in the new series where the doctor is sort of weird and alien because he sees the big picture.

379
00:25:09.240 --> 00:25:10.500
Yes, yes, that's true.

380
00:25:10.619 --> 00:25:16.680
And she, like the companion, whoever it is, is more emotional and more empathetic and stuff.

381
00:25:16.680 --> 00:25:19.740
And I think you get it in the new series right from the very beginning.

382
00:25:19.799 --> 00:25:28.619
And I think where in the unquiet dead, the doctor has an alien kind of viewpoint and rose has a very human viewpoint and they get into sort of conflict.

383
00:25:28.680 --> 00:25:32.220
And I think that here is really terrific and it's really well done.

384
00:25:32.279 --> 00:25:37.140
You know, Sarah yells at him and says, but you're not even human and then she catches herself.

385
00:25:37.200 --> 00:25:38.039
Yeah, yeah.

386
00:25:38.099 --> 00:25:40.380
And also that it's very interesting.

387
00:25:40.440 --> 00:25:53.400
I think that's very conscious later on the part of Mark Gatas because the 1st draft and the 1st quite a few drafts. of the Unquiet Dead featured a scene where the doctor showed Rose what the future would be like if it did change.

388
00:25:53.460 --> 00:25:56.579
See, let's put that in the pros column, too.

389
00:25:56.640 --> 00:25:59.039
That goes in the pros.

390
00:25:59.039 --> 00:26:00.839
That's one of my favourite moments from this.

391
00:26:00.900 --> 00:26:02.099
The universe.

392
00:26:02.160 --> 00:26:09.599
And it's copped flat from people like Sandover, because logically within the narrative, they say it's a lacuna, it makes no logical sense.

393
00:26:09.660 --> 00:26:11.940
It's a pause.

394
00:26:12.000 --> 00:26:13.859
Like, it is a pause in the plot.

395
00:26:13.920 --> 00:26:15.839
It's the time scanner.

396
00:26:15.900 --> 00:26:17.400
It's the space-time visualiser.

397
00:26:17.460 --> 00:26:18.180
Yeah, yeah, yeah.

398
00:26:18.240 --> 00:26:19.319
To me, it makes perfect sense.

399
00:26:19.380 --> 00:26:26.640
And it's the 1st time we've seen how tenuous the doctor's life and therefore our lives actually are because nothing is set in stone.

400
00:26:26.700 --> 00:26:31.440
It completely obliterates Billy's argument that history must be respected.

401
00:26:31.559 --> 00:26:32.880
Yeah, yeah, yeah, yeah.

402
00:26:32.940 --> 00:26:54.779
But I think it also, it also supports Billy's argument that history, if we look at underneath, because the first doctor sees history of sacrosancts, but we now see, because of the fourth doctor's action here, that history is actually as tenuous and febrile and in calamitous danger, as the wings of a butterfly under an Amazon rainfall.

403
00:26:54.900 --> 00:27:02.400
It's so delicate that the merest action can destroy the point at which you, my child, have come from.

404
00:27:02.460 --> 00:27:03.299
Yes.

405
00:27:03.420 --> 00:27:08.700
He's actually concerned for his companions, and in this case, his concern for the entire universe.

406
00:27:08.759 --> 00:27:17.819
But the first doctor genuinely understood that as other doctors under the new series have said, the present, the future, the past.

407
00:27:17.880 --> 00:27:19.079
It's all timey whimey.

408
00:27:19.140 --> 00:27:21.480
It's all in flux, and it can all be rewritten.

409
00:27:21.539 --> 00:27:24.480
The first doctor never revealed that information.

410
00:27:24.539 --> 00:27:34.200
It's only in his fourth incarnation that he feels confident enough with the relationship with his companion to actually show her the genuine threat of her own existence.

411
00:27:34.259 --> 00:27:43.319
And I think that's why, 'cause we've touched on this in previous broadcasts, why the hell, and it should be an inverted commas, why the hell does Sarah Jane keep climbing back into the TARDAS?

412
00:27:43.380 --> 00:27:45.420
She's, um, parsifile.

413
00:27:45.480 --> 00:27:58.140
She's the knight errant, marching out knowing that the task is almost insurmountable, but if she doesn't do it, the costs are irrevocable.

414
00:27:58.799 --> 00:28:00.599
You have to go out there to save the universe.

415
00:28:00.720 --> 00:28:05.880
And that has become a primary feature of the new series companion.

416
00:28:05.940 --> 00:28:11.460
Yeah, it's the only reason Sarah would get back into the TARDIS because she knows that if she's not there, everything could end.

417
00:28:11.519 --> 00:28:15.960
We're going to talk about this quite soon in two weeks' time.

418
00:28:16.019 --> 00:28:17.039
Fabulous.

419
00:28:17.099 --> 00:28:23.339
But I actually think that why she's doing it is contractual obligation and the writers haven't thought it through carefully.

420
00:28:23.400 --> 00:28:34.980
And I think she's a bit into it. in a rather Midlands dirty sort of way that she kind of, you know, she kind of likes a bit of the spank, but it's like, oh, God, I hate Brain of Morbius.

421
00:28:35.039 --> 00:28:35.640
Are we up to that yet?

422
00:28:35.700 --> 00:28:36.420
No, not yet.

423
00:28:36.480 --> 00:28:38.279
We've still got one more to get through.

424
00:28:38.400 --> 00:28:40.079
Nathan, do you have any more cons for us?

425
00:28:40.140 --> 00:28:48.059
You know, I mean, they're all just sort of stupid little things, but I do think that what I've said is enough to just make me think.

426
00:28:48.539 --> 00:28:53.339
Why on earth is this in the top 10 best Doctor Who stories ever.

427
00:28:53.400 --> 00:28:55.920
I don't think it's even the best story of the season.

428
00:28:55.980 --> 00:28:59.940
I think that's probably Brain of Morbius, actually, Richard.

429
00:29:00.359 --> 00:29:02.160
Stay tuned.

430
00:29:02.220 --> 00:29:15.180
But and it's all it's all confused by the fact that like you, Richard, I watch this show, you know, once a year during the 70s, if not more frequently, because they would just repeat this.

431
00:29:15.240 --> 00:29:17.160
It was on all the time, listener.

432
00:29:17.220 --> 00:29:17.460
Yeah.

433
00:29:17.519 --> 00:29:26.579
So this is the stuff that I know really well and I actually find myself watching through season 13 that I like it much, much less than I expected.

434
00:29:26.640 --> 00:29:27.359
And you know what?

435
00:29:27.420 --> 00:29:28.079
I have to agree with you.

436
00:29:28.140 --> 00:29:36.420
It's not as good as I remember season 13, although this story is even better than I remember because of things I've already talked about and something I want to allude to in a minute.

437
00:29:36.480 --> 00:29:36.779
Go on.

438
00:29:36.900 --> 00:29:45.660
See, I think with this one, because this is one of the most horrific of the Hinchcliffe Holmes horror stories.

439
00:29:45.720 --> 00:29:52.200
Horror films are always less effective the more you watch them because you know where the scares are coming from.

440
00:29:52.259 --> 00:29:54.059
You know where the surprises are coming from.

441
00:29:54.119 --> 00:29:54.660
Like a joke.

442
00:29:54.720 --> 00:29:55.440
Like a joke.

443
00:29:55.500 --> 00:30:03.119
What makes the story effective or what is then left that has to make the story effective is the script and the acting and the casting.

444
00:30:03.180 --> 00:30:10.259
And I do get your point, Nathan, that the guest characters, a lot of them are there just to sort of get killed off.

445
00:30:10.319 --> 00:30:13.680
But they are still interesting characters.

446
00:30:13.740 --> 00:30:15.059
They do still have relationships.

447
00:30:15.119 --> 00:30:17.400
They come on, they play their part, they die beautifully.

448
00:30:17.759 --> 00:30:20.579
The doctor and Sarah are very good together.

449
00:30:20.640 --> 00:30:22.079
There's lots of witty moments in the script.

450
00:30:22.140 --> 00:30:28.319
It's so well directed by Patty Russell, who, uh, that scene we were talking about earlier with the future decimated Earth.

451
00:30:28.380 --> 00:30:33.059
Philip Hinchcliffe wanted to show the Tahnest landing on the Decimated Earth, and then the doors open and then we see it.

452
00:30:33.119 --> 00:30:38.160
And Patty Russell said, no, it has to be seen the same time Sarah sees it. because she's our audience.

453
00:30:38.220 --> 00:30:40.619
Patty Russell. really understands this show.

454
00:30:40.680 --> 00:30:43.319
How interesting that she and Tom did not get on.

455
00:30:43.380 --> 00:30:54.059
Well, apparently they didn't to start with, but then when Tom realised that she was there to do a job and she meant business and damn well get on with it.

456
00:30:54.119 --> 00:31:01.079
He actually developed a great deal of respect for her and called her sir, which, of course, now that's very, that's very uncomfortably safe.

457
00:31:01.140 --> 00:31:07.259
Tom had to be corralled like an enormous bulk in these and what a shame that's a soon to go.

458
00:31:07.319 --> 00:31:12.119
We do know the story that Paddy made him dress up in one of those terrible mummy costumes.

459
00:31:12.180 --> 00:31:13.680
Because he was such an arse.

460
00:31:13.740 --> 00:31:16.200
Yeah, it was.

461
00:31:16.200 --> 00:31:16.859
Yeah, it was.

462
00:31:16.920 --> 00:31:23.759
And of course, you know, Liz Laden had a bit of a problem with her because Liz Jenner Rad said, where would Sarah learn to fire a rifle?

463
00:31:23.819 --> 00:31:26.339
And she's like, it's in the script, darling.

464
00:31:26.400 --> 00:31:27.720
You're from Liverpool.

465
00:31:27.779 --> 00:31:28.980
It's really rough.

466
00:31:29.039 --> 00:31:32.880
You know, you've spent a year and a half working on and off with the military.

467
00:31:32.940 --> 00:31:36.839
Yeah, exactly. where the hell are you going to learn mediaeval Latin?

468
00:31:37.019 --> 00:31:37.980
Oh no, that's Barry Letts.

469
00:31:38.039 --> 00:31:39.779
But, you know, there's lots of things, Sarah.

470
00:31:39.839 --> 00:31:41.460
I mean, we can go through and point out if you want to.

471
00:31:41.519 --> 00:31:44.759
There's lots of things Sarah has obviously learned in the in-betweeny stories.

472
00:31:44.819 --> 00:31:45.839
No I have no problem.

473
00:31:45.900 --> 00:31:48.299
And here's someone who doesn't need a hand on his cushion.

474
00:31:48.359 --> 00:31:49.079
It's Todd.

475
00:31:49.140 --> 00:31:50.700
Brilliant.

476
00:31:50.819 --> 00:31:53.880
Is he going to read these questions off the auto cue each time?

477
00:31:57.779 --> 00:32:06.299
I bring Sutek's gift of questions to you all. 1980 or not 1980.

478
00:32:06.480 --> 00:32:09.119
It's not a continuity problem yet.

479
00:32:09.180 --> 00:32:12.480
Do you think people just need to build a bridge and get over it?

480
00:32:12.539 --> 00:32:21.000
I remember as a kid that 1980, or coming into 1980 was a really big deal, much like the year 2000.

481
00:32:21.240 --> 00:32:27.420
Personally, I just think that Sarah has been overdramatic and rounding up tonight, 1980.

482
00:32:27.539 --> 00:32:32.400
Sure, she could have said almost 1980, but I don't have a problem with it.

483
00:32:32.460 --> 00:32:42.839
But then I always think that Doctor Who is set at the time it's recorded not 2 or 3 years in the future, like the production team.

484
00:32:42.900 --> 00:32:44.400
Do you guys have a problem with it?

485
00:32:44.460 --> 00:32:48.599
Oh, look, I've just got some chunk mail.

486
00:32:48.720 --> 00:32:50.880
Sick if you're a time bubble.

487
00:32:51.000 --> 00:32:53.640
Come try our new space shells.

488
00:32:53.700 --> 00:33:00.660
They'll leave you feeling like a whole brand new U. Yours sincerely, Mr Stigren.

489
00:33:00.720 --> 00:33:02.819
Hmm, I must go and see what that's all about.

490
00:33:03.000 --> 00:33:10.200
This is going to be a slightly longer than usual flight through entirety because I have been hinting this for a long time.

491
00:33:10.799 --> 00:33:14.759
You finally get treated to my unit dating theory.

492
00:33:14.880 --> 00:33:16.740
Da da da da.

493
00:33:16.859 --> 00:33:20.279
I love the music queue and there needs to have been the music queue right there.

494
00:33:20.339 --> 00:33:21.599
So, pretty much.

495
00:33:21.660 --> 00:33:23.160
How did you just Up until now.

496
00:33:23.220 --> 00:33:23.579
I know.

497
00:33:23.640 --> 00:33:24.599
I'm so talented.

498
00:33:24.660 --> 00:33:29.279
We get the confirmation that Sarah is from 1980.

499
00:33:29.460 --> 00:33:32.640
Now, she's talking about the time she most recently left Earth.

500
00:33:32.700 --> 00:33:35.339
So let's call that robot Tear of the Zygons.

501
00:33:35.640 --> 00:33:40.319
Working backwards from there, that means...

502
00:33:40.319 --> 00:33:42.299
I'd like to say it's actually Time Warrior.

503
00:33:42.359 --> 00:33:43.859
She's from 1980.

504
00:33:43.980 --> 00:33:46.440
She meets the doctor in 1980.

505
00:33:46.619 --> 00:33:57.480
Well, I was going to put season 11 in 1979, so she travels off with him full time in 1980, but saying that's 1980 as well still works. 1978, we have season 10.

506
00:33:57.779 --> 00:34:04.500
That's when Guy Crayford vanishes, who we will meet in the next story because Sarah mentions I was here on a story 2 years ago.

507
00:34:04.559 --> 00:34:13.559
So that would have been contemporaneous with Joe's last year. 1977 in season nine, 1976 is season eight, 1975, is season seven.

508
00:34:13.619 --> 00:34:16.199
Now from here, I'm going to go back to the start of the unit timeline.

509
00:34:16.260 --> 00:34:21.719
Start of the unit timeline is 1935, the abominable snowman.

510
00:34:21.960 --> 00:34:24.420
So we had the abominable snowmen.

511
00:34:24.480 --> 00:34:30.659
When we next see Professor Travers in the web of fear, he says that it's been...

512
00:34:30.719 --> 00:34:35.880
Well, he says 40, but I make it 35 just because, yeah, he's rounding up.

513
00:34:35.940 --> 00:34:38.400
He's an archeologist, he's got no idea about maths.

514
00:34:38.460 --> 00:34:39.179
Of course not.

515
00:34:39.239 --> 00:34:50.519
Okay, so 1935 is the abominable snowman. 1970 is the web of fear. 1974 is the invasion because the brigadier says it's been 4 years since I last.

516
00:34:50.579 --> 00:34:54.539
Isn't it cited that it's 75 somewhere, either in the novel or the script.

517
00:34:54.599 --> 00:34:56.880
It's a fabulous novel, by the way, by...

518
00:34:56.940 --> 00:34:58.199
We are only getting what's on tally.

519
00:34:58.260 --> 00:34:59.519
Again, not the series exercise.

520
00:34:59.579 --> 00:35:12.659
Season 7 then therefore takes place in 1975 because the brigadier in Robot says, and sorry, in Planet of the Spider says, last time he went off missing, he was away for months.

521
00:35:12.719 --> 00:35:15.360
And when he came back, he had a new face.

522
00:35:15.420 --> 00:35:17.820
So I'm taking that as the year changeover.

523
00:35:17.880 --> 00:35:20.880
So that gives us Sarah Janers from 1980.

524
00:35:21.059 --> 00:35:24.059
The problem then becomes later on.

525
00:35:24.119 --> 00:35:25.559
Morden undead.

526
00:35:25.619 --> 00:35:26.340
Morden undead.

527
00:35:27.360 --> 00:35:30.780
The brigadier states that he left the army in 1977. and his mind was wiped.

528
00:35:30.840 --> 00:35:31.679
And hello.

529
00:35:31.739 --> 00:35:37.139
Mrs. Thatcher was not Prime Minister when the Zygons were forming their incursion on some quarry.

530
00:35:37.199 --> 00:35:37.860
Ah, but they were.

531
00:35:37.920 --> 00:35:39.960
She was because that's said in 1980.

532
00:35:40.139 --> 00:35:42.300
In the original timeline.

533
00:35:42.360 --> 00:35:44.099
1980. in the original timeline.

534
00:35:44.219 --> 00:35:47.880
Okay, come on, come on. to deal with Morden, auntie.

535
00:35:47.940 --> 00:35:48.840
I am about to.

536
00:35:48.900 --> 00:35:50.820
Now, have another drink, listener.

537
00:35:51.300 --> 00:35:53.519
The reason I am bringing this up.

538
00:35:53.579 --> 00:35:55.800
I'm just passing Richard the Wang.

539
00:35:55.860 --> 00:35:56.760
He's gonna need it.

540
00:35:56.820 --> 00:36:06.360
The reason I'm bringing this up in Pyramid of Miles is because at the end of the story, The doctor sends Sutek down a time corridor to the end of the universe.

541
00:36:06.420 --> 00:36:07.559
I wish you could do that with cats.

542
00:36:08.639 --> 00:36:15.719
The doctor has already stated that it takes a being of Sutec's unlimited power to destroy the future.

543
00:36:15.780 --> 00:36:17.639
Completely, yes, yes.

544
00:36:17.699 --> 00:36:21.420
Now, the thing is, he's not just saying there Soutech can change timelines.

545
00:36:21.480 --> 00:36:31.079
He's saying Soutec has an effect on timelines beyond... the time space continuum itself, but certainly the reality of time as we perceive it.

546
00:36:31.139 --> 00:36:37.800
So if you're standing on a train platform, too close, you're over the yellow line, you're right next to it and a train whizzes past you, what happens?

547
00:36:38.579 --> 00:36:41.400
There's this tug of air as you go past.

548
00:36:41.519 --> 00:36:50.940
It is my conjecture that as Soutek is moving forward through time, he pulls time out of shape, he pulls time backwards 5 years.

549
00:36:51.000 --> 00:36:52.920
He's travelling from 1911.

550
00:36:53.099 --> 00:36:55.980
So that gives us abominable snowmen in 1930.

551
00:36:56.280 --> 00:36:58.380
Weather fear in 1965.

552
00:36:58.619 --> 00:37:01.199
The invasion in 1969.

553
00:37:01.380 --> 00:37:05.760
The Pertwi era takes place from 1970 to 1974.

554
00:37:06.000 --> 00:37:18.900
Robot tear up the zygons, android invasion and seeds of doom, android invasion seeds of doom are now in the new timeline, so that's 1975, meaning the brig can retire in 1977, Benton can retire in 1979.

555
00:37:19.139 --> 00:37:26.699
And when Sarah returns home Finally, we learn in canine and company that Lavinia hasn't seen her in years.

556
00:37:26.760 --> 00:37:30.480
It's because she's lying low because she knows she's in the wrong timeline.

557
00:37:30.539 --> 00:37:31.679
Brilliant.

558
00:37:31.739 --> 00:37:33.179
You heard it here first, listener.

559
00:37:33.300 --> 00:37:35.639
I think that might have really happened actually.

560
00:37:35.699 --> 00:37:37.440
That universe.

561
00:37:37.440 --> 00:37:39.719
This podcast has rebooted timey wimey.

562
00:37:39.780 --> 00:37:45.239
And there's one more piece of evidence, which I will mention in the Android invasion next week.

563
00:37:45.360 --> 00:37:47.579
Do you know what I reckon?

564
00:37:47.699 --> 00:37:49.260
That's the only thing that's going to keep me listening.

565
00:37:49.320 --> 00:37:50.039
Yeah it is.

566
00:37:50.099 --> 00:37:52.500
Do you know what I reckon is the best thing about this story again?

567
00:37:52.559 --> 00:37:53.940
in the day call.

568
00:37:54.719 --> 00:37:59.820
It's not just Sutex, Sutex's little outfit, which is up a Nile, by the way.

569
00:37:59.880 --> 00:38:03.300
And we won't, if we want to get into the whole hagiography.

570
00:38:03.360 --> 00:38:05.699
Is it hagiography for the history of gods?

571
00:38:05.760 --> 00:38:06.539
No, that's saints.

572
00:38:06.780 --> 00:38:12.539
Anyway, Sutex headpiece does reflect up on aisle, but look, he's sitting there.

573
00:38:12.599 --> 00:38:15.239
It's been 6,300 years.

574
00:38:15.300 --> 00:38:16.920
It's a disgrace.

575
00:38:16.980 --> 00:38:21.840
I can hear him just sitting there in this place. is so mardy.

576
00:38:21.900 --> 00:38:23.400
I am so over it.

577
00:38:23.519 --> 00:38:25.079
Hang on, hang on about.

578
00:38:25.139 --> 00:38:27.000
There's these new decorators.

579
00:38:27.059 --> 00:38:27.840
What are they called again?

580
00:38:27.900 --> 00:38:30.179
Boner organic crystallographers.

581
00:38:30.239 --> 00:38:31.440
They've just moved in.

582
00:38:31.500 --> 00:38:33.239
Because we were still 700 years ago.

583
00:38:33.300 --> 00:38:34.440
This works with your timeline.

584
00:38:34.559 --> 00:38:37.440
I'll get Broton and his lovely friend, the caper in.

585
00:38:37.440 --> 00:38:38.760
It wasn't EYE does.

586
00:38:38.880 --> 00:38:39.300
Anyway.

587
00:38:39.420 --> 00:38:40.440
And you'll get these.

588
00:38:40.500 --> 00:38:43.739
Anyway, if he comes in, you can hear, brother, go...

589
00:38:43.800 --> 00:38:49.139
And we go, ooh, what you need, a bit of Dinachrom thrust all over this place.

590
00:38:49.199 --> 00:38:49.800
Bit of colour.

591
00:38:49.860 --> 00:38:54.119
Because have you noticed that the walls of Sutek's tomb are exactly the same?

592
00:38:54.179 --> 00:39:00.179
as the walls of the Zygon spaceship, the actual effects, the painting effects?

593
00:39:00.239 --> 00:39:01.800
We notice these things, do, listener?

594
00:39:01.860 --> 00:39:02.940
So you don't have to.

595
00:39:03.059 --> 00:39:10.679
And you can hear, you can hear him, he's coming in with the cave with all red beard and all glory, saying, oh, oh, isn't it dreadful?

596
00:39:10.800 --> 00:39:12.000
And he's like, oh, Mr...

597
00:39:12.000 --> 00:39:13.320
Mr. Tutek, what are your needs?

598
00:39:13.380 --> 00:39:14.280
What you need?

599
00:39:14.400 --> 00:39:16.980
A triage of errands up your dado.

600
00:39:17.039 --> 00:39:20.340
Or the cable could run up a nice flock for you.

601
00:39:20.519 --> 00:39:23.219
Anyway, laying about and make suggestions.

602
00:39:23.340 --> 00:39:27.900
We could do the whole place up as a pizza marinari, your luck and calamari. anyway.

603
00:39:27.960 --> 00:39:32.579
Because the city says, no, but I came a bit taken with the ginger beard.

604
00:39:32.639 --> 00:39:38.159
And that's why there's a hand behind 2 texture plump in his cushion.

605
00:39:38.219 --> 00:39:45.659
Because it's the cable from all those 100s of years ago going, staying on and doing the job. anyway, that's what I think happened.

606
00:39:58.920 --> 00:40:04.320
Dear listeners, after that trip up and down several timelines, we just ran up a quick one for you.

607
00:40:04.380 --> 00:40:07.139
That's all the time we have for Pyramids of Mars.

608
00:40:07.199 --> 00:40:12.900
We'll be back next week to talk about, possibly the best story of the season, according to Nathan, the Android invasion.

609
00:40:12.960 --> 00:40:18.420
But until then, may all your cushions not stick to your bottom and require a hand to remove them.

610
00:40:18.480 --> 00:40:26.460
Please find us on Facebook and iTunes under Flightthrough Entirety, FTE podcast on Twitter and FlightthroughEntirety.com.

611
00:40:26.519 --> 00:40:27.539
Thank you very much for listening.

612
00:40:27.599 --> 00:40:28.500
Review us and good night.

613
00:40:28.559 --> 00:40:29.400
Good night.

614
00:40:29.460 --> 00:40:32.460
Oh, denials, not just a river in Egypt, is it?

615
00:40:32.519 --> 00:40:33.000
Good night.

616
00:40:36.420 --> 00:40:39.119
That was flight to entirety.

617
00:40:39.179 --> 00:40:41.820
Nathan Beverly, Brendan Jones and Richard Stone.

618
00:40:41.880 --> 00:40:46.320
This episode, he's always a villain, was recorded on July 5th.

619
00:40:46.380 --> 00:40:49.199
The next episode will be released on August 16th.

620
00:40:49.320 --> 00:40:51.420
I know how Su Tech feels.

621
00:40:51.480 --> 00:40:57.119
The last time I had Sweaty Joe Knight, I woke up stuck to a chair wearing a rubber dress in Egypt as well.

622
00:41:04.920 --> 00:41:07.139
No, we've already done that.

623
00:41:07.380 --> 00:41:11.159
That's the tag. already done.

624
00:41:12.840 --> 00:41:14.639
That's great.

625
00:41:15.059 --> 00:41:17.219
That's so good.

626
00:41:17.280 --> 00:41:19.320
Even this at the end of the season.

627
00:41:19.380 --> 00:41:20.460
Just leave that in.

628
00:41:20.519 --> 00:41:23.820
If only someone had said that to Hinchcliffe and Holmes.

629
00:41:25.500 --> 00:41:27.960
Doctor Fimes rises again.

630
00:41:28.019 --> 00:41:30.300
He's still trying to...

631
00:41:30.300 --> 00:41:33.360
Grow up, Richard.