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NOTE
This transcript was created on 2026-06-07 at 16:20:19

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Hello, dear listeners, and welcome back to Flight Through Entirety.

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The only Doctor Who podcast whose hosts are a result of the Hillbracken cloning technique.

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I'm Brendan.

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I'm Nathan.

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I'm a lovely prawn bisque for this.

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And food with you, isn't it?

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And we're headed deep into the asteroid belt, breaking out like a plague of locusts for the invisible enemy.

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Richard, you've been saddled with this prawn.

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Mmm, yum, yum.

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So where do we start off with this one?

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Oh, I'm very excited.

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The fish people are back.

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We've got the underwater menace.

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We've refound the episode.

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They're wearing exactly the same makeup.

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Contact has been made.

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I left my dictionary at home, so I won't be able to spell check myself for this episode, but it turns out neither could any of the design people.

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Have you seen how they spell the signage on this story?

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It's worth watching.

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And yet...

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I like exit with eggs. with eggs in it.

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Yes, yes.

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It feels a bit red and stimpy, doesn't it?

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There's a lot of Frudian jokes underneath all of this.

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So is it a Shavian thing where we've where we've adopted phonetic spelling and...

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So far in the future that we can just direct and lighten film and script anything anyway we want to.

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The reason this story, I feel maybe not the most successful of all Doctor Who stories of all time?

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Yeah, possibly.

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We're assuming that, you know, the listeners has watched it.

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And if you haven't, oh, you don't need to. can just listen to us.

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A bit quicker.

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And we've got a higher budget, actually.

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You know, when I say that Doctor Who really works when it's trying to do other things.

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Well, this is where I'm proven disastrously wrong.

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Doctor Who works, I feel, when it does other literary or filmic tropes.

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Was that the word?

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I think that might be a word.

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Chin chin.

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But it doesn't work where it rips off other looks or other styles or tries to be another someone else's success.

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Now, Brendan, you were talking about the S word, I believe, this one and that would be George Lucas.

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Oh, okay.

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Star Wars.

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Star Wars.

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But this story is filmed in April 77.

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So all the spaceship shots and the inclusion of a new companion, if you want to call him that, which we'll get to, um, you would feel is aping the success.

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It's not.

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It's actually nodding to Kubrick and to, of course, Jerry Anderson.

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Sylvia Atson with Space 1979.

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Star Wars was in production, so people were seeing pictures and whatnot.

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So certainly there may have been some influence there.

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But yes, it didn't come out for several months after December.

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It wasn't predicted to be the success that it was going to be, unless you were a complete fanboy and picking up copies of Starlog, which was the magazine to go to in the 70s that it wasn't in the popular imagination.

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So, and yet this thing has the biggest model effect, shooting time of the whole history of Doctor Who.

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It's spent more money on it.

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Apparently, since the space pirates will actually get an even bigger one with a story called Underworld later on in the season, which is just terrific for lots and lots of good reasons.

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I'm looking forward to that one.

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The model work is spectacular.

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Is it though?

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No, it's terrible.

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It's so bad.

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I love model work and as you can see around our lovely withdrawing room.

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There are quite a few models here, but no.

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Look, I think it's no, it really doesn't work and it really should.

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And don't let Matt Irvin ever design anything because his spaceships look like toilet rolls with washing up bottles glued to the front of them.

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So the Titan base is just about acceptable, I think.

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The model is all right.

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The spaceships really look cheap and terrible.

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There's one scene.

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They're expensive models.

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The movement?

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There's one scene in episode one where the spaceship lands and it goes down this sort of cardboard corridor, which just looks like zen and bass, you know, with sort of very low property values.

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And then we get the we get the Bio Foundation, which is like a papier mache rock.

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And it comes with a landing pad.

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It comes pre-crashed into.

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It comes pretty crashed into.

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Because the 1st shot.

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Yeah, that's right.

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It's really terrible.

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And the spaceship hitting the bi our foundation thing in episode 2 is awful.

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I think the models are just universally terrible.

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And I have very few good things to say about underworld later in the season, but the models for underworld are better than they are here.

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This is true.

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I really like the Titan shuttle because, in my mind anyway, It's aping the look of the space shuttle.

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Which was a very, very new idea in 1977.

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I think it was...

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That's true.

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Oh, there was the Dino Saw, which had been actually around since the very early 70s and there's a test vehicle of that in the opening credits sold the $6000000 man.

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Oh, right.

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It looks like a fat space shuttle, the Titan shit, which when you think about the way design goes forward, 1st you come up with your basic technological vehicle design, then it actually gets bigger, but then it becomes more streamlined.

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So I certainly see what they were going for there.

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Yeah, I agree some of the model work isn't so good, especially the crash into the thing where they've obviously just put it on a piece of string and spun it on the string and thrown it towards the camera.

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Yeah, pretty much.

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But at the same time, it's very quick and you get that wonderful nose cone view where they put the camera on the front of the ship and you see the asteroid spinning as the ship rushes towards it. that's very effective.

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Blake 7, isn't it?

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Yes, but well, and Blake 7 was in its was in its early stages at this point.

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Chris Boucher's last script is about to appear because he's going to go off and rewrite Terry Nations notes on the backs of envelopes.

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And why we have no more David Maloney.

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Yeah.

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Have you ever heard of an artist called Roger Dean?

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Just passing an image to the fellow podcast casters.

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Oh, yeah.

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Dear listener, which...

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Yeah, yeah.

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And then that's something called lighthouse.

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But he did a lot of...

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Mouse House from Hitchhiking.

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Here's the most hikers, but those little square windows.

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It does look a lot like the Bayau Foundation.

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Yeah, so we'll stick that up there.

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You know, this was borrowing a lot from Prog Rock and there were some really interesting SF ideas around in the 70s. 70s were a good time to be reading SF.

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So this always felt kind of the 2D poor man's version of what was actually happening outside and Doctor Who shouldn't do that.

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It should reference, but it shouldn't ape.

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So that's kind of my feeling of why it's not working.

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But the ideas behind this are really interesting.

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We haven't got to the prawn yet.

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But the notion of a buy our foundation.

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Jared O'Neill was someone that was kind of contracted to NASA.

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The notions of asteroids as colossal arcologies.

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You were aware of that word arcology.

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It's like an enclosed community.

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Exactly.

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It's giant things if you've ever watched Thunderbirds 2086.

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Brendan, you'll recall that was actually Techno Voyager, the Japanese 80s show that ITC rebranded and broadcast as an animated Thunderbirds in the 80s. anyway, their big island base was called the Arcology.

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It was a big octahedron.

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The kind of thing that Todd floats around in when he calls questions out.

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Yeah, Palo Solari was the Italian architect who came up with a notion of that.

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And the idea was that it was a cities, cities that could be self-fulfilling and self-powered and have a whole Hermetic community, either on Earth or in space.

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And they, you know, this was something that we were talking about and the concept for the next stage of mankind.

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We forget how venturesome, our thinking was in this time.

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There was a lot of optimism around, as well as also a lot of fear being preempted by Robert Ehrlich's book.

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Of course, we've talked about the population bomb and the films like Soylent Green, that were a few years before that talked about overpopulation, strangling mankind.

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We needed to move out.

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The asteroid belt were seen as a logical place because there'd be a lot of opportunities for mining there and even people believed that frozen, the ice in moons contained oxygen.

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All these ideas were going around anyway.

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So there's lots of really nice concepts behind this, but my goodness, you've got to trudge to find them, haven't you?

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Well, in fact, I think that there's, I think there's a problem.

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This is Bob Baker and Dave Martin, and as usual, have another drink listener, yeah.

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It's just full of ideas that they dredge up, play with the 10 minutes and then throw away.

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Do you know what I mean?

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And so the cloning is, you know, just a perfect example.

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Oh, I'm going to finish up with the cloning because the cloning is the massive thing for me on this story and why it works and maybe why it really colossally fails.

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But it's right.

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Like you're saying, I don't think, I think reason Bob Baker and Dave Martha's stories work when they work is that they have a brilliant designer behind them to coalesce it all and make you feel as if you're actually in a prog rock album from the 70s.

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Look at Claws of Axos.

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It was beautiful at the time and I think it's still stunning to look at now and distracts you.

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You just get overwhelmed by the sensorialness of everything.

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But this one, maybe design isn't really up there on this story.

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So this is Barry Newbury as the designer and he's actually been really good.

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I think he's great.

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You really like it?

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Mask of Mandragara. you know, is terrific, but he can't overcome the budget restrictions for this one.

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And so the set is terrible.

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Is that why he's moved the TARDIS console room into the back of a butcher's fan?

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so tiny, isn't it?

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It's a butcher's man.

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It's white.

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It's cold, it's cramped, and there's a big old Liner pork hanging up there.

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I'm sorry, Tom.

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And yeah, of course, yeah, we no longer have the wooden console room because apparently it was warped in storage, but also visually the console wasn't interesting to look at.

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So the old console's been refurbished.

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It was actually, I mean, we've heard those stories and it's possibly true, but they could have just rebuilt a couple of flats.

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It was really that Graham Williams wanted to return to the gleaming white sensation of spaciness.

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He wanted to go into space and he didn't want, and he didn't want to be identified with his cliff in any way.

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Which is understandable.

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You know, you're a new person.

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I'm a certain way, but I quite like this console room as well.

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I prefer it when it's refined in the 80s and we get a bit more adornment on the walls. but I especially like Leila's reaction to it.

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Oh, God, I can't swing a mini skirt in here.

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A leather strap.

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We've never been in here.

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You've never been in here before.

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So it is it is the console room that we're stuck with for the rest of the run of the original series, essentially.

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They'll replace the they replace the console itself.

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But...

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Well, I think when they eventually replace the console, the walls are also new.

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I think the scanner piece stays.

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So that scanner piece is refurbished.

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Yeah, the round also look the way they do for the rest of the run of the show and so on.

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I think Titan-based, there's an attempt to make it sort of Ken Adamish by having some exposed rock and at ceilings and stuff.

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But it, it's not very good.

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And, and, and the bio foundation, like a lot of plain white walls, which are less boring than I remember because there's an, you know, again, an attempt to put columns and things in there, but he's just got no money and he can't hide that.

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And so the design looks terrible.

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Yeah, I think the Bio Foundation, it's too neat and it's too pristine.

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It's just, yeah, just. boring.

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Yeah, it's really cool.

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And that's why Doctor Who always relies on the magnetic quality of its supporting cast to draw those disparate elements together and make a cohesive whole.

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And then we end up with this story.

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Are there any actors in this at all that really shine for you?

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No, none of them.

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Michael Sheard, do you know?

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Who is terrible, although he's really enjoying himself as a villain in episode three.

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He lifts it a little bit.

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You've got Frederick Jeager, who was Jano in the savages and who was Sorenson, who's really good, who's a proper actor, and here he just puts on a stupid accent and larks about.

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He terrible.

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This is a theme of the Williams...

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Yeah, yeah.

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It's a theme of the Williams era where people think it's supposed to be funny or for children or whatever and they do silly voices and they ruin it.

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Spoiler alert will get more of that in nightmare of Eden.

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So he's terrible.

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You know, there's really no one else.

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There's those terrible people on Titan base who are being relieved who are kind of swiftly massacred.

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So to speak.

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And remember, they're having a Titan.

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You're welcome to it.

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They're having the world's most listless and desultory party, you know, in the history of the solar system.

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But they say, come in, get your gear off.

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Do you remember?

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It's like...

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They're a swinging...

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Well, you know what?

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It's the 51st century and they're 51st century guys.

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Thank you.

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You're talking about Jack.

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They've gotten bored with each other, you see.

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Do you really reckon?

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I think they've actually all had horrible exposure to Zigma radiation.

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And they've all gone horribly wrong.

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What did the doctor say about it?

219
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It's humanity?

220
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Blind alley.

221
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Yeah, humanity ends up its own scientific fundament of the 51st century and this story proves that.

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Yeah, so the guest cast are terrible.

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It's directed.

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It's directed by...

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It's very rushed directing, it feels...

226
00:13:56.940 --> 00:13:57.840
Derek Flatt.

227
00:13:57.899 --> 00:14:01.080
Derek Goodwin, who never worked before or again on the program.

228
00:14:01.139 --> 00:14:05.039
But did do a behind the scenes guy, and then he moved into this one.

229
00:14:05.100 --> 00:14:08.039
He points his wife as the receptionist nurse.

230
00:14:08.159 --> 00:14:09.120
Yeah, yeah, no.

231
00:14:09.120 --> 00:14:13.019
He's most famous for directing a bunch of episodes of on the buses.

232
00:14:13.080 --> 00:14:14.039
Do you know what I mean?

233
00:14:14.159 --> 00:14:20.279
Like he's not... wouldn't Blakey have been great as the Michael Shoot character?

234
00:14:20.340 --> 00:14:21.960
Yeah, so he's terrible.

235
00:14:22.019 --> 00:14:24.899
Everything's directed really flatly and uninterestingly.

236
00:14:24.960 --> 00:14:28.200
You want to hear something interesting about Derek Goodwin.

237
00:14:28.320 --> 00:14:30.480
He had a third nipple.

238
00:14:30.539 --> 00:14:32.460
I'm sorry, I've clicked on the wrong name.

239
00:14:32.519 --> 00:14:38.700
I was going to say, every story he's worked, Tom, was by Bob Baker and Dave Martin, and then I realised I was looking at the Wikipedia entry for Dave Martin.

240
00:14:38.820 --> 00:14:43.740
I have a lot to say about the actual underlying point of this story.

241
00:14:43.799 --> 00:14:45.120
Should we get to canine?

242
00:14:45.179 --> 00:14:51.240
Or are we still on, or are we still on Paul Leela, who's commented on us being a bit of a mongrel in this?

243
00:14:51.299 --> 00:14:53.039
Well, she's she's terrible.

244
00:14:53.100 --> 00:14:54.419
And again, is she?

245
00:14:54.480 --> 00:14:55.080
Yeah, yeah.

246
00:14:55.139 --> 00:14:56.700
So, Leila varies.

247
00:14:56.759 --> 00:15:03.899
Like I'm not saying the acting is terrible, but both her and Tom seem to be phoning it in a bit this week.

248
00:15:03.960 --> 00:15:07.080
She's suffering a bit of the granddaughter complex in this one.

249
00:15:07.139 --> 00:15:10.139
Have you know, she's displaying Susan, like, powers.

250
00:15:10.200 --> 00:15:17.460
She is able to sense the virus, even from within the TARDIS, and she seems to be time sensitive too about recognition of...

251
00:15:17.519 --> 00:15:18.720
She can pilot the TARDIS.

252
00:15:18.779 --> 00:15:20.639
Yeah, what's that?

253
00:15:20.879 --> 00:15:28.559
I think they've thought they're writing for Carol Anne Ford, which is probably why you're saying the character goes nowhere and she's ill served throughout the story.

254
00:15:28.620 --> 00:15:30.779
She gets very little to do.

255
00:15:30.779 --> 00:15:32.519
And she's stupid.

256
00:15:32.580 --> 00:15:33.840
And in fact, the doctor...

257
00:15:33.960 --> 00:15:36.360
Yeah, and this is what I don't like about how, thank you for bringing that up.

258
00:15:36.419 --> 00:15:39.000
This is what I don't like how Williams has taken.

259
00:15:39.059 --> 00:15:45.480
He seems to be kind of not so much as Tom, but there's a similar resentfulness to both of them as, you don't agree?

260
00:15:45.659 --> 00:15:50.580
I don't think he I don't think he likes having other people's characters in his show.

261
00:15:50.639 --> 00:15:55.080
No, later on in the season, she's really good and it really depends on who the writer is.

262
00:15:55.200 --> 00:15:59.519
So if it's homes or voucher, she's great.

263
00:15:59.580 --> 00:16:01.440
In this, she's an idiot.

264
00:16:01.559 --> 00:16:06.960
And in fact, Tom... an idiot too often this season, though, compared to how she how she was served.

265
00:16:07.019 --> 00:16:14.519
I mean, Tom theorises that the reason that she's immune to the virus is that she's not very bright, essentially.

266
00:16:14.580 --> 00:16:19.500
Well, the thing is, the line the doctor has given is that Leila is all intuition.

267
00:16:19.559 --> 00:16:21.960
He doesn't speculate as to her intelligence.

268
00:16:22.019 --> 00:16:27.299
He just kind of says, you know, whereas you or I would sit down and try and figure out the scientific formula.

269
00:16:27.360 --> 00:16:29.460
Leila functions on whether she likes it or not.

270
00:16:29.519 --> 00:16:31.200
Her feet, her feeling.

271
00:16:31.259 --> 00:16:37.200
And the doctor's interpretation of that seems very respectful of the fact that Leila is very different to him.

272
00:16:37.259 --> 00:16:42.120
It's Marius and then everyone else afterwards who says, oh, perhaps it's a matter of intelligence.

273
00:16:42.179 --> 00:16:48.539
And I think that was meant to be a very clever gag, but no one's told Tom that it's meant to be a gag.

274
00:16:48.600 --> 00:16:54.240
So he just plays the line as normal and it adds Bob Baker and Dave Martin again not picking up on something later on.

275
00:16:54.299 --> 00:16:56.759
In fact, that's not the reason, is it?

276
00:16:56.820 --> 00:17:02.460
It's her antibodies come from her ancestors.

277
00:17:02.519 --> 00:17:06.960
Come from her ancestors, but she gives them to her ancestors.

278
00:17:07.079 --> 00:17:12.299
And again, it's a really interesting time paradox concept that isn't really commented on.

279
00:17:12.420 --> 00:17:16.440
So much isn't commented on, though, in this one. much of it should be wonderful.

280
00:17:16.500 --> 00:17:18.180
It just really needs a bit of bob.

281
00:17:18.180 --> 00:17:19.859
I'm into it, don't you?

282
00:17:19.980 --> 00:17:21.059
And he was still working on it.

283
00:17:21.119 --> 00:17:22.740
Well, don't you feel it?

284
00:17:23.400 --> 00:17:25.799
Yes, I can't really tell him here at all.

285
00:17:25.859 --> 00:17:28.140
Should we get to the cloning or are we still going?

286
00:17:28.140 --> 00:17:29.039
No, we're talking about the cloning.

287
00:17:29.039 --> 00:17:30.180
Lovely canine.

288
00:17:30.240 --> 00:17:32.339
Yeah, let's go on canine first.

289
00:17:32.460 --> 00:17:35.220
Okay, so April 77, it was being filmed.

290
00:17:35.279 --> 00:17:39.240
Yeah, I know we've all said it a 100 times before, but, you know, Star Wars wasn't out.

291
00:17:39.299 --> 00:17:43.019
He wasn't based on R2D2.

292
00:17:43.200 --> 00:17:44.640
No, but there were all...

293
00:17:44.700 --> 00:17:46.799
Was it based on Muffet from Battle Circle accidentally?

294
00:17:46.859 --> 00:17:47.819
No, that's 2 years later.

295
00:17:47.880 --> 00:17:49.440
No, it was a one year later.

296
00:17:49.500 --> 00:17:55.680
No, it's, there were the sci-fi robots in um, in silent running with Bruce Stern.

297
00:17:55.740 --> 00:17:59.220
There have been kids, Q robots in SF.

298
00:17:59.279 --> 00:18:04.079
Look, I like the idea that he was only going to be in it for one episode. for one story.

299
00:18:04.140 --> 00:18:12.000
And I really liked the idea of the Dobeman Pincer, Wizard of Oz outfit that they... actually originally designed.

300
00:18:12.059 --> 00:18:13.980
I'd love to see a picture of that.

301
00:18:14.039 --> 00:18:15.660
What they were going to dress a dog up as a robot.

302
00:18:15.720 --> 00:18:18.480
John Leeson was going to actually be in the costume.

303
00:18:18.480 --> 00:18:22.859
And, you know, he was doing the rehearsal on set and doing the Times Cross with Tom.

304
00:18:22.920 --> 00:18:28.319
I think we've talked before about how Moffat from Battlestar Galactica was a chimp in a dog costume.

305
00:18:28.440 --> 00:18:30.420
It was sometimes.

306
00:18:30.480 --> 00:18:31.980
Yeah, sometimes it was awesome.

307
00:18:32.039 --> 00:18:35.160
That's a very unkind thing to say about John Lee.

308
00:18:35.339 --> 00:18:38.700
And again, that comes 78, 79.

309
00:18:38.880 --> 00:18:42.059
So, yeah, it's, I don't know what to say about Kane.

310
00:18:42.119 --> 00:18:43.259
I actually loved him as a boy.

311
00:18:43.319 --> 00:18:48.960
I think he does too much and rescues the currier, but I like that he's Aurak light.

312
00:18:49.019 --> 00:18:51.240
I like that he's irascible and cranky.

313
00:18:51.299 --> 00:18:56.819
He becomes much more like that next in 2 years time, doesn't he, when they can't get John Leeson back.

314
00:18:56.880 --> 00:19:01.559
But his motor is really distractingly loud, really loud.

315
00:19:01.619 --> 00:19:04.559
It's not a great prop, is it, in retrospect?

316
00:19:04.619 --> 00:19:05.160
No.

317
00:19:05.220 --> 00:19:08.759
Well, you know that what his idea was to not have the bloke in it.

318
00:19:08.819 --> 00:19:09.839
It was John Nathan Turnham.

319
00:19:09.900 --> 00:19:10.380
Oh, right.

320
00:19:10.380 --> 00:19:11.700
And he came to regret it later.

321
00:19:11.759 --> 00:19:15.119
He said, no, no, we can spend more money on this and keep it as an ongoing thing.

322
00:19:15.119 --> 00:19:17.640
And then, of course, he had no money for stories later on.

323
00:19:17.700 --> 00:19:18.059
Yeah.

324
00:19:18.059 --> 00:19:24.660
Matt Ovine says that part of the problem was when he and I think it was Ian Scones were given the design brief.

325
00:19:24.720 --> 00:19:27.900
It's like, look, we only need this to work for 4 weeks, it can fall apart after that.

326
00:19:27.960 --> 00:19:30.240
And he has said since several times.

327
00:19:30.359 --> 00:19:36.480
If we had have known then that they were considering keeping it on, we would have constructed it very differently.

328
00:19:36.539 --> 00:19:47.460
We would have spent more money because we could argue that a bit would come out of the budget for this story and the next and the next and the next because, of course, canine was very expensive to produce and it all came out of the invisible enemy budget.

329
00:19:47.519 --> 00:19:50.519
But the budget runs out partly for that.

330
00:19:50.579 --> 00:19:58.740
I mean, don't they keep it to amortise the cost over the remaining stories of the season and then they have to rebuild the prop again anyway for the following year.

331
00:19:58.799 --> 00:20:01.079
Well, they had to rebuild it slightly for the sun makers.

332
00:20:01.140 --> 00:20:01.920
Right, yeah.

333
00:20:02.039 --> 00:20:07.680
Because he started as normal dogs with lamp posts, canine with cameras.

334
00:20:07.740 --> 00:20:10.319
Yeah, yeah, he used to run into the didn't he?

335
00:20:10.380 --> 00:20:12.480
And there is footage of that on the DVD.

336
00:20:12.539 --> 00:20:22.619
Oh, I'm going haywire, running off screen, and you just see the sort of back end of him and he runs into something and you hear a cameraman go, ah.

337
00:20:23.220 --> 00:20:28.079
Like, I think John Leeson is terrific and I think K9 is great.

338
00:20:28.140 --> 00:20:31.200
And you know, it just makes me happy.

339
00:20:31.259 --> 00:20:32.940
Now we're in the canine thing.

340
00:20:33.000 --> 00:20:38.819
I've watched all the way through season 15 now, of course. and I love him in it and I love Leila with him.

341
00:20:38.880 --> 00:20:41.519
They have an immediate rapport, aren't they?

342
00:20:41.579 --> 00:20:42.359
They really do.

343
00:20:42.420 --> 00:20:52.559
And you'll notice that canine goes into the TARDIS with Leila and an invasion of time coming up, not to spoil it, but he seems to still be Leila's dog, not the dog.

344
00:20:52.619 --> 00:20:53.819
Yeah, yeah, he's not the doctor's dog.

345
00:20:53.940 --> 00:20:54.420
Absolutely.

346
00:20:54.480 --> 00:20:55.559
Canine Mark one.

347
00:20:55.619 --> 00:20:56.400
It not the doctor's dog.

348
00:20:56.519 --> 00:20:59.759
And that's why he, spoiler alert, builds another one. right.

349
00:20:59.819 --> 00:21:03.539
Yes, he doesn't really seem to like the doctor anymore than the last one.

350
00:21:03.599 --> 00:21:05.400
That's not a bad thing.

351
00:21:05.460 --> 00:21:07.619
I think that's why canine really works for me.

352
00:21:07.680 --> 00:21:13.019
You need a foil to the doctors, I'm going to say, to Tom's arrogance, to the doctor's arrogance.

353
00:21:13.079 --> 00:21:22.380
Yeah, Leila can oppose him in the, you know, for humanity and for morality, but you need someone to approach him on intellect.

354
00:21:22.380 --> 00:21:30.299
And I think that's where my doctor, Tom was my doctor, falls down in the season that his irascibility is overweening.

355
00:21:30.420 --> 00:21:38.160
It actually goes further than it needs to and kind of, there's contradiction with the, with the intention of the part.

356
00:21:38.220 --> 00:21:41.099
And I don't know that we actually end up disliking the doctor.

357
00:21:41.160 --> 00:21:43.019
I don't think I've ever gone that far.

358
00:21:43.079 --> 00:21:49.859
But, um, and, you know, you might argue that that irascibility is exactly what propelled the writing of the 6th doctor.

359
00:21:49.920 --> 00:21:52.200
People thought that that would be refreshing.

360
00:21:52.259 --> 00:21:54.480
But I don't know, how do you feel about it?

361
00:21:54.599 --> 00:22:01.799
Like we talked last week about how Tom being annoyed actually helped the performance in Horror of Fang Rock.

362
00:22:01.859 --> 00:22:03.960
Here, I think he's just phoning it in.

363
00:22:04.019 --> 00:22:05.460
I just don't think he's bothering.

364
00:22:05.579 --> 00:22:10.079
And I think both him and Louise. are not doing their best work.

365
00:22:10.500 --> 00:22:14.279
Tom also gets to spend a lot of time unconscious as well.

366
00:22:14.339 --> 00:22:15.180
Do you know what I mean?

367
00:22:15.240 --> 00:22:16.500
Wrong me about his own head.

368
00:22:16.559 --> 00:22:17.700
Yeah.

369
00:22:17.700 --> 00:22:19.859
Should we talk about the cloning?

370
00:22:19.920 --> 00:22:20.759
Science Subway.

371
00:22:20.819 --> 00:22:23.460
I love to talk about the cloning because this, for me, is why it didn't work.

372
00:22:23.519 --> 00:22:29.940
And even as a boy, I thought, hang on, they're saying 3922, was it the Kilbracken technique that we've developed cloning?

373
00:22:30.000 --> 00:22:31.740
Oh, they only last 10 minutes.

374
00:22:31.799 --> 00:22:36.059
How you could spawn a whole battle army in 10 minutes.

375
00:22:36.119 --> 00:22:38.339
He says, oh, you know, it's a sideshow.

376
00:22:38.400 --> 00:22:41.940
There's no use for medical, you know, we don't use in medic- medical treatments.

377
00:22:41.940 --> 00:22:49.380
Yet, you've got an enormous phone box there, which seems to the only reason is that you can reduce people down, put them into a room.

378
00:22:49.440 --> 00:22:53.519
Oh, no, the reducing people down is because the doctors are being out of the TARDS.

379
00:22:53.640 --> 00:22:57.059
TARDIS, you think, OK. So the cloning couldn't have been used for that, but there must have been...

380
00:22:57.059 --> 00:23:02.460
So, come on, it's ridiculous to say this is, this is, I definitely think it's sigma energy.

381
00:23:02.519 --> 00:23:04.500
They've all been crazy.

382
00:23:04.500 --> 00:23:06.480
All the sherbet sticks and sigma energy, yeah.

383
00:23:06.539 --> 00:23:08.819
So we're doing fantastic voyage, aren't we, essentially?

384
00:23:08.880 --> 00:23:16.380
And we're doing it 100 years before the broadcast of Into the Dalek from season eight, which did it very, very well.

385
00:23:16.440 --> 00:23:18.180
You did, actually.

386
00:23:18.240 --> 00:23:20.279
But this is not very good.

387
00:23:20.339 --> 00:23:25.920
And so it is one of those things where we're just throwing up yet another idea in abandoning it.

388
00:23:25.980 --> 00:23:33.299
It's mostly confined to episode three and they only last 10 minutes, but they do seem to last the entirety of episode three.

389
00:23:33.420 --> 00:23:34.619
You know what?

390
00:23:34.680 --> 00:23:38.700
The last time I watched it, I timed it?

391
00:23:38.759 --> 00:23:41.160
I timed how long the clones were on screen.

392
00:23:41.220 --> 00:23:43.200
Wow, you don't get out very much.

393
00:23:43.319 --> 00:23:45.059
I don't.

394
00:23:45.119 --> 00:23:48.539
But I timed how long they were on screen and it does tally.

395
00:23:48.599 --> 00:23:54.240
If we take it that the clone scenes are happening at the same time as the real world scenes either side of them.

396
00:23:54.299 --> 00:23:56.519
The timeline actually tallies.

397
00:23:56.579 --> 00:23:58.079
Timelines are my thing as we know.

398
00:23:58.140 --> 00:24:00.779
Well, I just thought it was, it was an attempt.

399
00:24:00.839 --> 00:24:08.400
You know, it's what Chris Chibnell does in Hungary Earth, where he just adds a bunch of countdowns in order to ramp up the 1010s.

400
00:24:08.460 --> 00:24:10.680
He said after he sang the theme to Casino Royale.

401
00:24:10.799 --> 00:24:11.519
Yeah, yeah, yeah.

402
00:24:11.579 --> 00:24:12.779
He was great in that too.

403
00:24:12.839 --> 00:24:13.799
Just terrific.

404
00:24:13.859 --> 00:24:19.259
There are some magical moments in the cloned sequences.

405
00:24:19.319 --> 00:24:28.799
The doctor and Leila yomping around the doctor's brain as silly as it is, Tom and Louise are obviously having a lot of fun and their humour and interplay with that is great.

406
00:24:28.859 --> 00:24:31.259
And we get 10 it's terrific fun, yeah.

407
00:24:31.319 --> 00:24:43.259
And we get that beautiful moment where, which is why, I think, at this point, they had definitely settled their differences, when they cross the mind brain interface and stare off into the void and they get the wind machine and Lilo says, where are we going, doctor?

408
00:24:43.319 --> 00:24:46.319
into the land of dreams and fantasies, Leila.

409
00:24:46.380 --> 00:24:48.480
And for me, that's the byline of the whole season.

410
00:24:48.539 --> 00:24:52.980
It would have been so great to take that somewhere as well.

411
00:24:53.039 --> 00:24:56.339
You know, like the going about the brain isn't naturalistic at all.

412
00:24:56.400 --> 00:24:57.119
Do you know what I mean?

413
00:24:57.180 --> 00:24:59.579
Like they're not crawling through arteries or anything like that.

414
00:24:59.640 --> 00:25:01.619
Yeah, yeah, yeah. and it's funny.

415
00:25:01.619 --> 00:25:06.779
I can even breathe I mean, maybe clones don't need to breathe, but, you know, there's no way they could at that score.

416
00:25:06.839 --> 00:25:08.579
There's all these other things that just make no sense.

417
00:25:08.640 --> 00:25:16.859
No, but it's Doctor Who, we don't care. exactly Well, the only way you can is that it's an alternate reality in some way or that is more of the Lewis Carroll through the rabbit hole.

418
00:25:16.920 --> 00:25:23.460
Well, it's the mind brain interface, I think, is the telling thing and they stare off into that void and there's all those columns and stuff.

419
00:25:23.519 --> 00:25:37.619
And so there's a kind of dualistic conception of it, the mind, the brain isn't purely organic, the mind isn't something the brain does, you know, they're separate entities that are kind of joined together and you could actually travel from one to the other.

420
00:25:37.680 --> 00:25:46.619
And I think all of that stuff is lovely and it gets like a scene, you know, and it's never developed. that's what Baker and Martin do.

421
00:25:46.680 --> 00:25:51.779
They don't, last year, we complained about hand fear where they had no ideas at all.

422
00:25:51.839 --> 00:25:59.400
Here they have a whole bunch of ideas, that they just dredge up, fling at the screen for 5 minutes and then abandon, you know?

423
00:25:59.460 --> 00:26:00.539
and so nothing gets developed.

424
00:26:00.599 --> 00:26:01.680
There's nothing satisfying.

425
00:26:01.740 --> 00:26:04.859
The invisible enemy doesn't seem to be about anything.

426
00:26:05.519 --> 00:26:10.619
Richard, do you think the story might have been better if the whole thing had been the fantastic voyage?

427
00:26:10.680 --> 00:26:20.460
Oh, because the case with so many Bob Baker and Dave Martin stories, Would it have been better if it had just been one of the 4 or 5 stories they're throwing up on screen, as Nathan's saying?

428
00:26:20.519 --> 00:26:23.460
I think it would have been a lot better with different writers involved.

429
00:26:23.579 --> 00:26:27.240
Different directors, maybe a different set designer.

430
00:26:27.299 --> 00:26:28.680
It's such an interesting question.

431
00:26:28.740 --> 00:26:30.059
What comes first?

432
00:26:30.180 --> 00:26:31.799
What actually makes the story work?

433
00:26:31.859 --> 00:26:32.940
Is it the direction?

434
00:26:32.940 --> 00:26:34.859
Is it the cast?

435
00:26:34.920 --> 00:26:36.480
Is it, the design?

436
00:26:36.539 --> 00:26:42.119
It's kind of cardo intuitive for me, but it seems to be that they work when everyone is working together.

437
00:26:42.180 --> 00:26:47.039
But then I haven't seen a story I haven't liked, that Paddy Russell has done.

438
00:26:47.099 --> 00:26:51.059
I haven't seen a story that I thought was unsuccessful that Dougie Canfield did.

439
00:26:51.119 --> 00:26:54.299
So maybe it does come down to direction in the end.

440
00:26:54.359 --> 00:26:58.140
As I say, you can none of these people, and this is the difference of 70s actors.

441
00:26:58.200 --> 00:27:07.559
They'd all been doing rep for at least a year, 18 months before they gone on to a show like this, which means they've played every single part of every tutoring play that was around that time.

442
00:27:07.619 --> 00:27:10.380
So they do have the range if they need to.

443
00:27:10.440 --> 00:27:12.539
They're just not given a chance to shine.

444
00:27:12.599 --> 00:27:14.819
And we've certainly seen these actors like Michael Shed.

445
00:27:14.880 --> 00:27:16.980
And Frederick Yeger.

446
00:27:17.039 --> 00:27:21.000
And Freddie Yega, who can be terrific and nuanced and, oh, my goodness.

447
00:27:21.059 --> 00:27:24.059
I think the fact that he's wearing a school protractor on his face, probably.

448
00:27:24.119 --> 00:27:24.900
Yeah, yeah.

449
00:27:24.960 --> 00:27:37.440
Well, I think it's a giant intersection of everyone having their worst possible day, combined with, you know, some crummy old Zen cars director who will never work on the show again.

450
00:27:37.740 --> 00:27:41.519
Like I just think it's a huge, it's a huge mess.

451
00:27:41.579 --> 00:27:43.259
And then there's the prawn off.

452
00:27:43.319 --> 00:27:46.440
Well, so this is a particularly horny prawn, isn't it?

453
00:27:46.500 --> 00:27:49.380
Because all it can talk about is the need to spawn.

454
00:27:49.440 --> 00:27:56.759
And this is a theme that comes in episode one where all of these men, they're very keen to breed.

455
00:27:56.819 --> 00:28:00.539
They're constantly talking about how they want to breed and then the prawn.

456
00:28:00.599 --> 00:28:02.279
He's gagging for it.

457
00:28:02.339 --> 00:28:08.039
I mean, you know, like, it's twitching in anxiety about the need to get off the entire time.

458
00:28:08.099 --> 00:28:12.299
Sullivan was still in these stories because you know, he'd be qualified to work on space sailors.

459
00:28:12.359 --> 00:28:14.579
They'll be very much...

460
00:28:14.700 --> 00:28:16.259
What I do like about this story.

461
00:28:16.319 --> 00:28:32.700
And I didn't notice it as a child, of course, is that the basic premise seems to be a moral balance between humanity and every other form of life, that humanity's burgeoning growth and diaspora is no different from the replication of a virus.

462
00:28:32.759 --> 00:28:35.700
And again, I'm back to Robert Erlich's population bomb theories.

463
00:28:35.759 --> 00:28:40.319
The virus is as much right to swarm and multiplies as the human species.

464
00:28:40.440 --> 00:28:48.720
And Tom, actually, there's an argument that they have. between the 2 of them, the doctor and the, I think it's one that's a melanoma, isn't it?

465
00:28:48.779 --> 00:28:51.299
That's stupid...

466
00:28:51.359 --> 00:28:52.200
Yeah, yeah, yeah.

467
00:28:52.200 --> 00:28:53.880
Cat poo effect that it does.

468
00:28:53.940 --> 00:28:59.160
So, but therefore the doctor has the right to dispose of the virus equally.

469
00:28:59.220 --> 00:29:00.480
You see where that moral argument goes?

470
00:29:00.539 --> 00:29:03.779
That's almost something thematic, isn't it?

471
00:29:03.839 --> 00:29:06.359
Like it's the time of humanity's great breakout.

472
00:29:06.480 --> 00:29:11.279
It's nearly the time of the prawns great breakout, but it's not a very interesting moral.

473
00:29:11.339 --> 00:29:12.119
Do you know what I mean?

474
00:29:12.180 --> 00:29:13.140
But it is something.

475
00:29:13.200 --> 00:29:16.680
Someone's paying attention fitfully to the script.

476
00:29:16.740 --> 00:29:17.700
You would think so.

477
00:29:17.759 --> 00:29:27.420
But then later, the doctor states that the virus has to be stopped because it threatens the macro world of the humans, as much as the micro world of other viruses.

478
00:29:27.480 --> 00:29:30.299
So therefore, ethics has scale.

479
00:29:30.359 --> 00:29:32.519
And I just don't see how that can be a problem.

480
00:29:32.579 --> 00:29:34.559
Yeah, it breaks out of its sort of natural place.

481
00:29:34.619 --> 00:29:37.680
Which is the most stupid thing to do because it's now really easily bumped off.

482
00:29:37.740 --> 00:29:38.819
Yeah, yeah.

483
00:29:38.880 --> 00:29:39.599
Why did it do that?

484
00:29:39.720 --> 00:29:40.980
Because it's called hubris, I guess.

485
00:29:40.980 --> 00:29:41.819
It wants to be.

486
00:29:42.240 --> 00:29:45.059
I should have had it been its own star.

487
00:29:45.119 --> 00:29:49.259
I just love that it's wheeling around on it, the raw prawl.

488
00:29:49.319 --> 00:29:54.299
It gets the raw prawn award for my season, complete with its own mounting base and casters.

489
00:29:54.359 --> 00:29:56.160
And they have cast.

490
00:29:56.160 --> 00:29:57.779
It has cast.

491
00:29:57.839 --> 00:29:59.339
Oh, Yatick, my love, where are you?

492
00:29:59.400 --> 00:30:02.819
Well, of course, it's John Scott Martin inside it.

493
00:30:02.880 --> 00:30:05.819
I was hoping it was Stuart Furlow, indeed, Tony Starr.

494
00:30:05.880 --> 00:30:07.200
That would have made it very different.

495
00:30:07.319 --> 00:30:12.960
And has those Alpha Centauri arms too, where it has 3 arms on each side all linked together by string?

496
00:30:13.079 --> 00:30:18.539
So the actor who only has 2 arms or one arm on each side can operate them all.

497
00:30:18.599 --> 00:30:19.500
You know what I mean?

498
00:30:19.559 --> 00:30:20.279
That's right.

499
00:30:20.339 --> 00:30:22.500
Because the Alpha Centauri character was so successful.

500
00:30:22.500 --> 00:30:24.180
They already brought it back again.

501
00:30:24.240 --> 00:30:27.000
They reincarnated it as this one. yeah.

502
00:30:27.059 --> 00:30:29.460
I mean, is it so good?

503
00:30:29.519 --> 00:30:31.619
It's hilarious and funny.

504
00:30:31.680 --> 00:30:32.819
No, because it's not fun.

505
00:30:32.819 --> 00:30:33.960
It's not fun.

506
00:30:34.019 --> 00:30:35.039
I mean, it's a boy.

507
00:30:35.099 --> 00:30:37.140
Okay, because we were lucky we were their 1st time round.

508
00:30:37.200 --> 00:30:38.279
What did we think of it then?

509
00:30:38.759 --> 00:30:41.880
No, I can't remember having a strong opinion.

510
00:30:42.000 --> 00:30:42.599
I don't remember.

511
00:30:42.599 --> 00:30:51.299
The only thing I remember of this story is canine. and that I had to hurriedly go and build yet another TARDIS set, because they've reached, they've changed the console room.

512
00:30:51.359 --> 00:30:51.720
That's it.

513
00:30:51.839 --> 00:30:54.779
I didn't actually own the story as a child.

514
00:30:54.839 --> 00:30:56.160
I didn't see it until my teenage years.

515
00:30:56.220 --> 00:31:00.119
So I don't have childhood nostalgia for it, which you may notice.

516
00:31:00.180 --> 00:31:03.900
Usually I'm the 1st with a crap story to go, oh, isn't it wonderful and isn't it lovely?

517
00:31:03.960 --> 00:31:06.359
No, I'm very much aware of the limitations of this one.

518
00:31:06.420 --> 00:31:08.279
How did you feel when you 1st saw it now?

519
00:31:08.339 --> 00:31:09.779
You know, I still enjoyed it.

520
00:31:09.900 --> 00:31:13.259
But I saw a lot, a lot of problems.

521
00:31:13.319 --> 00:31:18.900
And actually, Todd's taking this as his queue to fly in for a moment and restate something he said last season.

522
00:31:18.960 --> 00:31:26.339
Well, guys, I stand by my statement that Bob Baker and Dave Martin write 2 pretty good episodes of Doctor Who a year.

523
00:31:26.400 --> 00:31:28.980
After that, well, it's anybody's business.

524
00:31:29.039 --> 00:31:33.240
And I must say this, I actually quite enjoy the 1st couple of episodes of this story.

525
00:31:33.299 --> 00:31:37.440
But in episode three, things just start to go horribly wrong.

526
00:31:37.500 --> 00:31:42.059
I actually don't have a problem with the prawn prop, which I think is really well realised.

527
00:31:42.119 --> 00:31:50.160
It's that stupid, black clothed, one clawed thing at the end of episode three, which I just think is absolutely diabolical.

528
00:31:50.279 --> 00:31:52.740
And how much noise does K9 make?

529
00:31:52.799 --> 00:31:55.259
Oh, look, that's all the time I've got time for.

530
00:31:55.319 --> 00:31:57.480
I've got to go outside and exercise leaking.

531
00:31:58.799 --> 00:32:00.720
So, guys...

532
00:32:00.779 --> 00:32:02.400
Todd's very generous giving them two.

533
00:32:03.359 --> 00:32:09.359
So, yeah, we have the first four episodes of eight that Bob Baker and Dave Martin write this year.

534
00:32:09.420 --> 00:32:10.859
And it occurs to me this story.

535
00:32:10.920 --> 00:32:14.099
It's a four-part story, but really, it's 4 one parts.

536
00:32:14.220 --> 00:32:19.619
You know, you've got the mystery of Titan Base and the doctor being taken over.

537
00:32:19.680 --> 00:32:21.660
That's one story and that's kind of dealt with.

538
00:32:21.720 --> 00:32:25.319
And then you've got the doctor being treated in hospital while the virus spreads and that's the 2nd story.

539
00:32:25.380 --> 00:32:26.940
Then you've got fantastic voyage.

540
00:32:27.000 --> 00:32:32.880
Then you've got the more typical Doctor Who monster thing, where it's the doctor versus the monster who wants to take over humanity.

541
00:32:33.599 --> 00:32:36.660
I mean, that is a problem with the story, isn't it?

542
00:32:36.720 --> 00:32:38.579
But it can't settle on what it's about.

543
00:32:38.640 --> 00:32:41.819
Is this the last year that they work on the program?

544
00:32:41.880 --> 00:32:43.980
No, they're back for the key to time.

545
00:32:44.039 --> 00:32:45.900
What wonder do they do in that?

546
00:32:45.960 --> 00:32:47.220
Armageddon factor.

547
00:32:47.279 --> 00:32:49.200
God, they're so terrible.

548
00:32:49.259 --> 00:32:50.759
They were terrible.

549
00:32:50.819 --> 00:32:51.660
Who's hiring?

550
00:32:51.720 --> 00:32:58.140
Williams trusted them with that one because they've, you know, they've got such great tenure.

551
00:32:58.200 --> 00:32:58.920
But I mean, we can cheat.

552
00:32:58.980 --> 00:33:02.519
They're really bad and they used to be good.

553
00:33:02.519 --> 00:33:04.740
Like a Midlands Hall, quick and cheap.

554
00:33:04.799 --> 00:33:16.079
But they've done hand of fear, and invisible enemy, and underworld, and the Armageddon factor, and then got to be contestants for the worst stories about...

555
00:33:16.140 --> 00:33:17.759
You did it here first.

556
00:33:17.759 --> 00:33:19.440
You know, they are bad.

557
00:33:19.500 --> 00:33:22.500
Like, I, you know, like I bitched about them before this.

558
00:33:22.559 --> 00:33:28.799
I just don't think I'd realised the full scale of their incompetence and utter utter evil.

559
00:33:29.880 --> 00:33:34.440
Is this the 1st time Nathan and I have actually sat on the same side of the table on this?

560
00:33:34.500 --> 00:33:42.599
As a boy, I kind of, I did enjoy these because this is how I was writing my fanfic.

561
00:33:42.660 --> 00:33:45.059
However, I was 10.

562
00:33:45.779 --> 00:33:49.440
And that's really all I can say in its defence.

563
00:33:49.500 --> 00:33:54.240
So, yeah, I think Nathan and I are sitting on the same sofa of reasonable comfort for this one.

564
00:33:55.140 --> 00:33:56.819
How about you?

565
00:33:59.880 --> 00:34:09.480
Oh, look, yeah, guys, for once we found a story that we all agree is bad, because quite often we will all agree that a story is good, especially if it had Barbara in it.

566
00:34:09.539 --> 00:34:21.599
But, um, yeah, this is one that, as much as I love the Williams era, and I do adore the Williams, I think this is, I think this is the biggest misfire of the 70s so far.

567
00:34:21.719 --> 00:34:22.440
Really?

568
00:34:22.500 --> 00:34:23.880
Well, so far.

569
00:34:24.360 --> 00:34:25.679
Yeah.

570
00:34:25.679 --> 00:34:26.639
They're still underworld.

571
00:34:27.000 --> 00:34:29.039
And you know how much I didn't like them.

572
00:34:29.099 --> 00:34:31.380
Mutants like Bob Baker and Dave Martin.

573
00:34:31.440 --> 00:34:32.340
Which, see, I did like that.

574
00:34:32.400 --> 00:34:33.300
Yeah, I liked it too.

575
00:34:33.360 --> 00:34:37.679
I like Axos. terrible in many ways.

576
00:34:37.739 --> 00:34:39.780
Well, but Axos is just a disco I want to hang out.

577
00:34:39.900 --> 00:34:40.920
Yeah, yeah, yeah.

578
00:34:40.980 --> 00:34:45.300
Plus both of those have really quite relevant and well-stated social commentary.

579
00:34:45.360 --> 00:34:47.280
Yeah, they do, especially mutants.

580
00:34:47.340 --> 00:34:49.139
I think that was really fresh It still is.

581
00:34:49.199 --> 00:34:51.179
This has a giant prawn on a skateboard.

582
00:34:51.239 --> 00:34:53.880
Which should be everything you've ever wanted.

583
00:34:53.940 --> 00:34:54.900
Sounds delicious.

584
00:35:08.460 --> 00:35:13.860
Unfortunately, or perhaps, thankfully, that's all the time we have to spend at the Baiowl Foundation.

585
00:35:13.980 --> 00:35:17.639
I have so much more today. about how much I hate this story.

586
00:35:17.820 --> 00:35:22.440
Please switch over to ABC 2 for Nathan's extended analysis.

587
00:35:22.500 --> 00:35:31.260
Don't forget, you can find us online at flatthroughentirety.com, flight through entirety on Facebook and iTunes and at FTE podcast on Twitter.

588
00:35:31.320 --> 00:35:38.940
Next Saturday, we release our commentary on Bondfinger for Thunderball, which is possibly the invisible enemy of James Bond films.

589
00:35:39.000 --> 00:35:44.820
So you can check that out on Bondfinger.com, Bondfinger on Facebook and iTunes and Bondfinger cast on Twitter.

590
00:35:44.940 --> 00:35:51.840
So until we see you for Bondfinger or for Doctor Who, may all your prawns not try to take you over with a deadly virus.

591
00:35:51.900 --> 00:35:53.219
Thank you very much and good night.

592
00:35:53.280 --> 00:35:53.940
Good night.

593
00:35:54.059 --> 00:35:56.039
I'll just chuck a virus on the Barbie.

594
00:35:56.099 --> 00:35:56.579
See you soon.

595
00:35:59.639 --> 00:36:04.199
That words flight to entirety, Nathan Bottomley, Brendan Jones and Richard Stone.

596
00:36:04.320 --> 00:36:09.960
This episode, Ren and Stinky, was recorded on the 27th of September 2015.

597
00:36:10.199 --> 00:36:13.559
The next episode will be released on November the 8th.

598
00:36:13.619 --> 00:36:16.320
The scales may have fallen from our eyes on this one.

599
00:36:16.440 --> 00:36:18.360
If they were ever on there to begin with.

600
00:36:28.440 --> 00:36:31.860
Fish people, did we mention that's gone fish people?