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NOTE
This transcript was created on 2026-06-07 at 16:21:47

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Hello, dear listeners, and welcome back to Flightthrough Entirety, the only Doctor Who podcast coming to you live from the 5th planet.

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I'm Brendan.

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I'm Nathan.

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What's the Fendal's obsession with Ingrid Pitt, then?

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That's right.

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We are on Chris Boucher's final story for the series.

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It's image of the Fender.

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All the Island of Fandor, if you're the Doctor Who Appreciation Society with a bad phone line.

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This is an interesting one because I said last week that I didn't have a copy of The Invisible Enemy as a child.

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I did have a copy of Image of the Fendal as a child, but it's a bit weird because it was on the end of my copy of the 5 doctors.

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And also it was unlabelled.

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So I didn't know it was there until I was about 10 years old.

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Oh my god.

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I was older than 10.

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The 5 dogs just went out.

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I remember watching.

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I was younger than 10 when the 5 doctors, actually, when the 5 doctors went out...

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No, I was alive.

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I was born in October 83.

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Now, I'm just going to ask Todd to open us up with a comment here.

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Don't say open us up.

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Oh, look, I've just bought my shopping list with me.

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I'm going to make a souffl today.

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It's called the Faux Hinchcliffe Home Souffle.

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So let's see what's on my shopping list.

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A Victorian country mansion, a cupboard, a glowing skull, a mad scientist, a woman with sixth sense, an invisible enemy.

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Oh, I'm supposed to have a Philip Hinchcliffe, but I can only come up with a Graham Williams, and it does say here on the packaging that I've got a Robert Holmes, but I believe that it's actually Anthony Reed.

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Oh, yes, and we'll also throw in Chris Boucher, writing for his companion, Elila.

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It's gonna be a roaring success.

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Well, actually, I think there's too many elements going on in this story to make it a roaring success.

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I actually find it's like a souffle that rises and you think, Well, it looks great, it smells great, it's going to taste great.

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But it just, for me, isn't all there.

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Episode three in particular, guys, what did the doctor and Leila do?

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Nothing.

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All right, well, I'm feeling a bit peaky.

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I think I need to go outside and catch some rays of the sun, and I think I need a good steaming as well.

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Now, I wonder where can I go for that?

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Okay, so I'm going to take Todd's first point first there.

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And I do think that this feels like a hangover from the Hinchcliffe era.

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It's got so many elements that Hinchcliffe would love to use.

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It's even got Stargrove's estate, which was the house of Marcus and Lawrence Garman.

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Happiest couple.

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George and Ira Gushman.

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And Mar Tyler's cottage, who is Mrs. Pooh from...

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To the Manor.

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To the Manor.

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Oh, right.

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Oh, is she?

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Yeah, yeah, yeah.

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I've never read that connection.

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I see something dark.

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See something, yes.

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That was just Penelope case.

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Her cottage is, of course, Lawrence Garman's hunting lodge.

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So, you know, the whole estate's being used again.

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But I'm going to go for something very contentious here.

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I think the Williams era does horror far, far better than the Hinchcliffe era.

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It does moody very, very well, doesn't it?

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And on that point, I'd just like to know what Muck Jagger's home and contents insurance must be now because isn't that 2 years in a row, the place is burnt down?

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I think his mum was living there.

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Yeah, he was.

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His mum was living in the 1st one.

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What you and Todd haven't identified is the other commonality, which is that the villain isn't just, you know, like a crazy murderous oyster or a giant prawn.

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There's a seafood theme, isn't there?

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Yes, there is.

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It's an evil from the dawn of time.

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It's, you know, death, you know, turned into a monster.

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It's David Tennant's prop from his Hamlet.

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It's love crafty.

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Do you know what I mean?

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Because we don't mention Lovecraft enough.

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It is pure Lovecraft stuff.

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It's one of the Titans.

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Yes, yes.

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So this is beautiful.

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This, can we just say, isn't it nice?

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Where does this story come from?

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Propped up in the middle of the season?

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Like a lovely nasturtium amongst all the toadstools.

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It's really, it might not smell good, but it got a lot of colour and movement.

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So why do you say that it's done better in the Williams era than it was by Hinchcliffe?

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Well, I've had to think a lot about that.

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And I think it comes back to something we were constantly saying about Hinchcliffe.

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With Hinchcliffe, we don't care about supporting characters.

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Yeah.

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Where there might be one story we care about, like Vira or Lawrence Scarman or Guy Crayford.

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You know, you do feel...

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I didn't care about Guy Crowford.

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Giuliano and his friend can never remember it.

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Giuliano and Marco.

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Yeah.

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Whereas in this, you've got Adam Colby, you've got Max Stale, you've got Dr. Fendleman, you've got Mar Tyler, you've got Jack Tyler.

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They are all...

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Interestingly, they're all interestingly drawn characters.

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Even the security guard Mitchell who gets killed in the kitchen.

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He only gets about 5 lines, but they really cement his character as his job's worth security.

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That's Bouchung.

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Is that voucher, though, because he gave us robots of dare.

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I think it is voucher.

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But I also think that the horror in this is really well offset by the comedy.

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And robots have had some comedic moments, but it didn't have as much comedy as this, but the comedy here doesn't undermine the horror that we're facing.

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And a big part of that is the character of Adam Colby.

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He's so funny.

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He's so funny.

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He's set up to not die, right from the beginning, you can't not like him.

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And George Spenton Foster, the director, really gets that these things are British character actors standing around on a set talking out to each other.

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Yes.

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That's when Doctor Who's at its best.

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So.

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Yeah, and I mean, something that a lot of people credit as a source for this is, of course, Quace Madison, the Pitt, which have the notion of ancient aliens coming to Earth and influencing humankind indirectly.

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But I think another very strong influence, also by Nigel Neil, is the stone tape.

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Oh, I've heard of this.

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Tell us about this.

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So the stone tape was a telemovie with Jane Asher.

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Oh, she's lovely.

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Lovely cakes.

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The concept is you have a group of scientists.

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A group of scientists go to a haunted castle.

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And in this story, Fendelman says the woods are meant to be haunted.

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A group of scientists go to a haunted castle because one of the scientists has a theory that there's no such thing as ghosts.

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What happens is psychic impressions are recorded onto a building.

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And that's why it's called the stone tape because he's trying to pretty much discover steady state hard drives.

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They can hear this eerie scream and what have you.

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And I won't spoil the twist in the end, but the scream is not what they were expecting it to be.

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It's the kind of tone that films like paranormal activity try to capture.

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But I don't think they capture it anywhere near as well.

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This is 1972 production.

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Is it good?

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It's very good.

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It's very good.

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It sounds sapphire and steelish.

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It's a bit sapphire and steel is to bit Doctor Who, it's a bit equator mass.

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Is it on oneself tube?

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It might be on one self-tube?

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I'll look for it.

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I'll put a link.

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I see that.

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I was thinking, I really liked that you say that because I was actually thinking it was Chris Belcher just showing us how utterly clever he really is, and dragging out the nasal juices of all the nonsense that we've had with Von Danniken.

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We talked about mid times before the chariots of the gods and also, um, lampooning the Desmomoris stuff with, um, you know, explaining out, Desmomoris is really big with a naked ape at the time, that book.

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Do remember that one?

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What was that thing, man watching?

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No, what was it called?

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Yeah, yep, yep, yep.

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He was on Parkinson all the time when we were kids and just talking about, you know, of how our ancestors ancestors survived through complex social systems and through humour and through exchange.

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But Chris Boucher just throws all of that up in the air and says, well, it could just be this version, and this makes just as much sense.

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I think he's really taking a piss out of the 70s with this.

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It's really nicely underplayed, but the understory of it has gravitas and has a whole weight to it.

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But unlike bob and day.

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If you don't need to throw them all up in the air and point the ideas, you can just suggest that they're there and let the audience ruminate on that while the actors go about being dazzling and charming and in the place of style, Max style.

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Really menacing.

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Some really nice counterpoints.

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And of course, want to vent them, a mother cumberbatch is just delightful.

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And obviously that Pilates was big in the 70s as well because she manages to get herself right up off the floor in all her Ingrid Pippa slap later on in the story, doesn't it?

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Yeah, she must have great abs.

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I tell you.

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Well, it's all fun.

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Lana from Archer, isn't she?

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Her great abs are all from supporting her 2 wonderful wigs in this story.

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Do you know why she's wearing that dark wig?

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I do, but do tell us?

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No, no, you're tourist is not my story.

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Okay.

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The reason she is wearing that dark wig is because she is naturally blonde, as we saw... as we saw in UFO.

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And Gene Rock in the faceless ones.

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And as we'll later see in time of the run, yeah.

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Did you realise her real hair?

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Her 3 Doctor Who stories are 1967, 1977 and 1987.

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And 2 of them have Donald Pickering in them.

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Two of them have...

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Yes, exactly.

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But the reason she has that wig is that Graham Williams said no one would take a pretty blonde scientist seriously will have to make you a brunette.

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Oh, God.

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Do you think he'd been talking to Barry Letts and Terence Dixon?

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about women scientists with blonde hair?

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So, you know, well done, Graham, for having speaking women roles in the last 3 stories?

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For a change.

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There are more girls, yeah.

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Yeah, if he had have said, you know what, we had a blonde woman 2 stories ago and she was our main female guest cast.

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That's still a bit ropey, but you'd kind of go, Adelaide, yeah.

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You know, yeah, there's no danger to anyone that they'll confuse.

181
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Wait, why is Adelaide back?

182
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Yeah, you know, you're not going to confuse Annette Woodlet with Wanda Bentham.

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I think just in case we weren't sure, the 70s really was the 70s. long ago.

184
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But thankfully, it doesn't spoil the fact that she is an excellent character and portrayed so well and the humanity in her performance is so touching.

185
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And when she starts to freak out about what's happening to her.

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Freaking eight.

187
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You know, compared to Mac Style, who knows what's going on or thinks he does, and is looking forward to the power of it.

188
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She doesn't want any of that power.

189
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She knows what's happening to her and she doesn't want it.

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And it's so human and it makes it so sad what happens to her in the end.

191
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In fact, that's one of the things that I don't like about this.

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There are a few.

193
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I think the story has a few flaws, but I think maybe chief among them is the way that Wanda Anthem is treated.

194
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And it makes style is a great cartoon villain.

195
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And I think he's a terrific actor.

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You know, he's sort of terribly handsome and all that sort of thing.

197
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But he, like, he's a creeper.

198
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Do you know what I mean?

199
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He drugs women and chains them up.

200
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It's like watching the Cosby show in White Beach.

201
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It really is.

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He's horrible.

203
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That's not the episode.

204
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Well, okay, but there are other...

205
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Other episode titles are available.

206
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How about blank sections for cow inserts?

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Did you notice in that, sorry to do this to Segway, but this has a lot of nice OB, and there's a lot of, the extra footage, if you've watched it on the DVDs, there are of Leila, raising her kneecaps off because this is for general listening in cow fields, in Huddersstock, or wherever she is, Huddersfield, or whatever.

208
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And Tom just mooning about, but there's a lot of points where they're just standing about waiting for a cow to walk past.

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So and there is actually a line in the camera scripts, blank sections for cow inserts.

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I just wish we'd had more of that.

211
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Now, something else Todd has said in his little bubble is, of course, that the doctor and Leila do very little in this story.

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I do find myself very surprised, of course, because the doctor and Leila have very little bearing in the plot in the 1st 2 episodes.

213
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That's why it's good.

214
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And then in the 3rd episode, they bugger off in the TARDIS to go try and check out the 5th planet and discover it's in a time loop and come back.

215
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So the doctor and Leila don't really do anything useful within the plot until halfway through episode three.

216
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And yet this is still so much better than when that happens with Colin Baker.

217
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But why is that?

218
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Not to go forward, but to go back.

219
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Do you know, sorry, do you know why I feel that's really great is because it hearkens back to Billy and Barbara and Susan and Ian that we are not organic to the plot, we've jumped in, and these things, terrible things are going to happen, whether we were here or not.

220
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And it's real, we don't know.

221
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It's touch and go.

222
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I really don't like it when the story is integral to the doctor and the doctor's movements and my least favourite doctor whose stories are when it's about the doctor.

223
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You magician's apprentices.

224
00:13:51.659 --> 00:13:52.080
Exactly.

225
00:13:52.080 --> 00:13:54.539
Q episode one of season 9 of the new series.

226
00:13:54.659 --> 00:13:57.419
I just find when it's about the doctor, it's really tedious.

227
00:13:57.480 --> 00:14:01.620
The more he's removed from it, the more the threat is tangible.

228
00:14:01.679 --> 00:14:03.419
Who lets him out of the cupboard?

229
00:14:03.539 --> 00:14:05.820
It's cut from the scene now.

230
00:14:05.879 --> 00:14:08.039
It was, I think it was Theo, do you remember?

231
00:14:08.100 --> 00:14:09.419
No.

232
00:14:09.419 --> 00:14:10.440
Theo goes looking for him.

233
00:14:10.500 --> 00:14:12.120
Fear goes looking for him.

234
00:14:12.120 --> 00:14:14.279
I don't think he's let out. think it's Max?

235
00:14:14.340 --> 00:14:18.779
I think it's Max because Theo goes looking for him and then stumbles across the Sonic Time scanner.

236
00:14:18.840 --> 00:14:21.000
When she's still in that closet.

237
00:14:21.240 --> 00:14:30.960
When she is in the Sonic Times scanner, Max comes in and says something to the she says I was looking for that man and Max says he's gone.

238
00:14:31.019 --> 00:14:36.960
How does he know he's, because Max has already had the conversation, I'm the doctor can't be any danger to our plans.

239
00:14:37.019 --> 00:14:37.980
So he lets him know.

240
00:14:38.159 --> 00:14:39.480
So why does he want to let him go though?

241
00:14:39.539 --> 00:14:41.639
Because he can't be any danger to our plans?

242
00:14:41.700 --> 00:14:42.600
Why not?

243
00:14:42.600 --> 00:14:49.200
If he's the thing is, if he's let go and he's running around and he gets caught again, that's even more of a distraction for Max to then get on with what he's doing.

244
00:14:49.259 --> 00:14:50.759
That's logical, yeah.

245
00:14:50.820 --> 00:14:56.279
I actually just thought that he's kicking the door and all of that sort of thing just sort of eventually dislodges it.

246
00:14:56.340 --> 00:15:02.519
I mean, it's a sort of gag about the fact that you hear the lock go, you know, and suddenly he can get out.

247
00:15:02.580 --> 00:15:06.299
I wasn't reading it as someone has had secretly let him out.

248
00:15:06.360 --> 00:15:07.799
Fair enough.

249
00:15:07.860 --> 00:15:10.139
And there are jokes at his expense there.

250
00:15:10.200 --> 00:15:10.740
Isn't there?

251
00:15:11.039 --> 00:15:21.360
We segue from Leila talking about his great wisdom and a kind of gentleness. segue to him locked in a cupboard, kicking the door furiously, you know, like a giant idiot.

252
00:15:21.480 --> 00:15:24.779
The episode 3 thing, I think, is a bit of a problem.

253
00:15:24.840 --> 00:15:36.480
And I think it's something that will come up again with stones of blood where we go for a Gothic horror thing and then we segue into a science fiction thing as if we kind of bottle out at the last moment.

254
00:15:37.080 --> 00:15:42.779
And here, I think a lot of effort and energy is spent in explaining the Fendal.

255
00:15:42.840 --> 00:15:44.759
So the Fandali's death itself.

256
00:15:44.820 --> 00:15:45.779
It eats death.

257
00:15:45.840 --> 00:15:50.940
You know, like, it is a horror from, you know, the prehistory of the universe.

258
00:15:51.059 --> 00:16:05.879
But we spend episode 3 establishing that it comes from the 5th planet, which is the planet between Mars and Jupiter that breaks up to form the asteroid belt, and that the time lords destroyed it or time looped it or whatever the hell they did.

259
00:16:06.000 --> 00:16:07.620
How can it be an asteroid?

260
00:16:07.679 --> 00:16:12.659
No, no, but I mean, I think that that is what they say. that is the question.

261
00:16:12.720 --> 00:16:13.440
It's 2 things at once.

262
00:16:13.500 --> 00:16:23.159
And then you get the giant that big bit of dialogue between Colby and the doctor talking about evolution taking a blind alley on the 5th planet and there's this and all of these sorts of things.

263
00:16:23.220 --> 00:16:24.240
Which is entirely plausible.

264
00:16:24.299 --> 00:16:29.100
But he offers all of these theories and then says, oh, it could just be one giant coincidence.

265
00:16:29.220 --> 00:16:30.059
Do you know what I mean?

266
00:16:30.120 --> 00:16:36.240
That's what I mean about Boucher taking the Mickey out of the entire 70s conspiracy stuff.

267
00:16:36.299 --> 00:16:36.840
Yeah, yeah.

268
00:16:36.899 --> 00:16:40.259
But it seems like wasted time.

269
00:16:40.740 --> 00:16:43.200
But is that how people would discuss it?

270
00:16:43.259 --> 00:16:44.820
I just think it's more naturalistic.

271
00:16:44.879 --> 00:16:48.840
It gives so much flesh to these characters that I really am interested.

272
00:16:48.840 --> 00:16:58.259
And no one dies not to preempt if you haven't seen it, do listener, but no one dies as horridly as Fendelman himself in the final scenes.

273
00:16:58.320 --> 00:16:59.399
He's not necessarily bad.

274
00:16:59.460 --> 00:17:03.480
He's just narcissistic and a bit, you know, monodirectional and linear.

275
00:17:03.600 --> 00:17:09.539
In fact, I actually think the story tries to make us think he's the villain initially because he has the accent.

276
00:17:09.599 --> 00:17:10.859
He's called Fendelman.

277
00:17:10.980 --> 00:17:11.700
You doing the accent?

278
00:17:11.759 --> 00:17:13.980
Yeah, same doings, the accent, Adam.

279
00:17:14.099 --> 00:17:15.539
He's got moustache.

280
00:17:15.599 --> 00:17:18.960
Yeah, he's got the giant Dennis Lil moustache.

281
00:17:19.019 --> 00:17:21.240
The trademark, Dennis Lil Moustache.

282
00:17:21.299 --> 00:17:23.039
He's in survivors.

283
00:17:23.099 --> 00:17:33.660
I don't know if you've seen Survivors, but Survivors is the 70s Terry Nation thing where everyone's wiped out by a virus except for a bunch of white middle class people in England.

284
00:17:33.720 --> 00:17:38.220
In about episode 4 or 5 of the 1st season of Survivors.

285
00:17:38.279 --> 00:17:48.180
They come across a colony of people, which is run by Dennis Lil, and Dennis Lil has decided to repopulate the entire Earth single handedly.

286
00:17:48.240 --> 00:17:52.920
So he lives in a colony with a whole bunch of women whom he's having sex with and stuff.

287
00:17:52.980 --> 00:18:04.799
And then later they get him back and sort of rehabilitate him so that he can take over when Watt's his face from Warriors of the Deep leaves the show and he has to Ingrid it.

288
00:18:04.799 --> 00:18:06.960
And he has to take over as the lead of the show.

289
00:18:07.019 --> 00:18:08.579
Why am I saying all of this?

290
00:18:08.640 --> 00:18:10.680
I'm sure I was thinking about something.

291
00:18:10.740 --> 00:18:11.940
I think I was distracted.

292
00:18:12.000 --> 00:18:14.039
I was distracted by Dennisville's moustache.

293
00:18:14.099 --> 00:18:17.160
So survivors is kind of like The Walking Dead without zombies.

294
00:18:17.220 --> 00:18:18.900
Otherwise known as the Walking Dead series 2.

295
00:18:19.079 --> 00:18:20.819
Well, it's kind of the walking.

296
00:18:20.880 --> 00:18:22.319
Yeah, in fact, it is a lot like that.

297
00:18:22.380 --> 00:18:25.019
They raise, they have a farm, you know, they raise things.

298
00:18:25.079 --> 00:18:26.160
There's no real tension.

299
00:18:26.220 --> 00:18:27.240
Are they Amish?

300
00:18:27.299 --> 00:18:27.900
No.

301
00:18:27.960 --> 00:18:30.180
No, it's not a very good series.

302
00:18:30.240 --> 00:18:31.559
I haven't watched it.

303
00:18:31.619 --> 00:18:33.720
No, no, I'm scared of zombies.

304
00:18:33.779 --> 00:18:34.859
I can't watch Walking Dead too.

305
00:18:34.920 --> 00:18:43.079
So Dennis Lil is presented as our villain, but then, of course, style takes over.

306
00:18:43.079 --> 00:18:46.980
And he's Boaz from Day of the Daleks.

307
00:18:47.039 --> 00:18:49.079
Yes, he's Scott Fredericks.

308
00:18:49.140 --> 00:18:49.980
Feather Boers.

309
00:18:50.039 --> 00:18:51.839
And as we called him.

310
00:18:51.900 --> 00:18:54.660
And he's rather handsome, it has to be said.

311
00:18:54.720 --> 00:18:59.339
Malcolm McDowell's psycho stab you in the back of the head with a knitting needle handsome way.

312
00:18:59.400 --> 00:19:01.259
That's off my Friday night.

313
00:19:01.440 --> 00:19:15.299
He's Carnell in Blake 7 in the episode of Blake 7 called Weapon, which is by Chris Boucher, and he plays a psycho strategist who's able to predict other people's behaviour.

314
00:19:15.359 --> 00:19:18.420
And I believe it's also directed by George Spenton Foster.

315
00:19:18.480 --> 00:19:21.539
Well, that's why I spent in Foster doesn't direct again, does he?

316
00:19:21.599 --> 00:19:23.039
Does he direct again here, please?

317
00:19:23.099 --> 00:19:24.539
He's back on for Ryboss operation.

318
00:19:24.660 --> 00:19:27.539
That's right, but then after that, he's Blake 7.

319
00:19:27.599 --> 00:19:27.900
Yeah.

320
00:19:27.960 --> 00:19:34.559
So Carnell is brought back by Chris Boucher to be in the Caldor City audios, remember?

321
00:19:34.619 --> 00:19:39.660
He's a character in the big Finnish audios that are sort of sequels to Robots of Death.

322
00:19:40.019 --> 00:19:42.900
So it's all a rich tapestry, really.

323
00:19:42.960 --> 00:19:46.500
It is a lovely, rich bouillabaise, really, isn't it?

324
00:19:46.559 --> 00:19:49.140
Back onto the theme.

325
00:19:49.259 --> 00:19:52.440
Food theme of the... seafood.

326
00:19:52.559 --> 00:19:53.519
Hmm.

327
00:19:53.759 --> 00:20:04.319
Now, despite the fact that the doctor and Leila don't get much to do in the first two episodes, the doctor and Leila, for the 1st one, are the subject of the 1st 2 cliffhangers.

328
00:20:04.380 --> 00:20:08.579
And the 1st cliffhanger is completely mental because it's just...

329
00:20:08.579 --> 00:20:11.880
It seems to just have half its footage cut out of it.

330
00:20:11.940 --> 00:20:12.660
And it does.

331
00:20:12.720 --> 00:20:16.980
It does, yeah, because Tom in the Woods, we're meant to see him slowly becoming stuck.

332
00:20:17.039 --> 00:20:22.680
Instead, he's walking along, we cut to Leila, poking ahead around a door or not as we discover next week.

333
00:20:22.740 --> 00:20:24.539
Thank you, perils of Pauline style.

334
00:20:24.599 --> 00:20:25.980
It's a real sheet.

335
00:20:26.039 --> 00:20:26.400
Yes, it is.

336
00:20:26.759 --> 00:20:31.259
But then we cut back to the doctor just standing there and completely stock still.

337
00:20:31.319 --> 00:20:34.079
And that would work if when the hiker had been attacked.

338
00:20:34.140 --> 00:20:37.440
He'd just been standing there stock still, but instead he was screaming.

339
00:20:37.500 --> 00:20:39.059
So it's kind...

340
00:20:39.059 --> 00:20:45.240
As just a cliffhanger, if you just watch it, it's absolutely fine, but the buildup comes out of nowhere.

341
00:20:45.299 --> 00:20:50.099
The 2nd cliffhanger also comes out of nowhere, but it's a great what the hell moment.

342
00:20:50.160 --> 00:20:51.480
Remind me.

343
00:20:51.539 --> 00:20:53.819
It's the doctor putting his hand on the skull.

344
00:20:53.880 --> 00:20:59.039
And we have heard a reference that it's like the skull was full of energy.

345
00:20:59.099 --> 00:21:10.920
But instead of being told, if you touch the skull, it will drain your life energy, we kind of realise when the doctor puts his hand on it, and it hangs on that moment longer than usual, which has a few effects.

346
00:21:10.980 --> 00:21:12.480
First of all, it gives us time to twig.

347
00:21:12.539 --> 00:21:14.819
That's how it absorbs energy through touch.

348
00:21:14.940 --> 00:21:27.539
But 2nd of all, and this would become increasingly rarer as Tom's attitude to the role became bigger and bigger and bigger, as we'll see in the next few series, we see the doctor genuinely in pain and genuinely terrified by what's happening.

349
00:21:27.599 --> 00:21:30.599
Well, that was a feature of the Hingecliffia as well.

350
00:21:30.660 --> 00:21:36.000
Tom and Payne is a very frequent thing and that goes away as he becomes kind of inviolate.

351
00:21:36.119 --> 00:21:37.019
Yeah.

352
00:21:37.079 --> 00:21:45.900
And it does give us a great, a great reprise and a great solution where Leila kicks the chair out from under him and he lands on top of her.

353
00:21:45.960 --> 00:21:49.559
And yeah, in any other show, that'd be a moment of sexual tension.

354
00:21:49.619 --> 00:21:52.380
But in this, it's Leila says, you are very heavy.

355
00:21:53.460 --> 00:21:56.279
Hey, did I did I just save your life?

356
00:21:56.339 --> 00:21:57.240
It's so cute.

357
00:21:57.299 --> 00:21:58.319
It's great.

358
00:21:58.380 --> 00:22:01.380
Well, it's nice to have Leila written by Chris Boucher again.

359
00:22:01.440 --> 00:22:02.339
He gets her.

360
00:22:02.400 --> 00:22:03.420
She's not an idiot.

361
00:22:03.480 --> 00:22:04.079
She's different.

362
00:22:04.140 --> 00:22:05.400
Do you know what I mean?

363
00:22:05.460 --> 00:22:08.339
Do they throw those lines in themselves in rehearsal?

364
00:22:08.700 --> 00:22:10.380
Quite possibly.

365
00:22:10.440 --> 00:22:15.240
But at the same time, Chris Boucher is just really, really, really good with character.

366
00:22:15.299 --> 00:22:22.380
And funny dialogue and particularly bitchy dialogue between characters who aren't getting on, you know, he's really good.

367
00:22:22.440 --> 00:22:24.240
Mother Tyler, the highlight.

368
00:22:24.299 --> 00:22:25.019
I was really missing.

369
00:22:25.019 --> 00:22:27.599
I'm expecting Sylvia Coleridge at any moment.

370
00:22:27.599 --> 00:22:29.339
She got busting in painting.

371
00:22:30.180 --> 00:22:33.900
But there's, you don't need Amelia Ducar because you have...

372
00:22:33.900 --> 00:22:34.740
You have Martai?

373
00:22:34.799 --> 00:22:35.940
You have Bonnie Tyler, yeah.

374
00:22:36.000 --> 00:22:36.180
Yeah.

375
00:22:36.240 --> 00:22:38.099
No, she's actually Martha Tyler.

376
00:22:38.160 --> 00:22:43.559
So she's a weird combination of the 1st 2 companions of the new series.

377
00:22:43.619 --> 00:22:47.279
Does Rose Tyler have an Uncle Jack, possibly?

378
00:22:47.279 --> 00:22:48.480
Uncle Jack Tyler.

379
00:22:48.539 --> 00:22:50.339
We may never know.

380
00:22:50.400 --> 00:22:54.960
Something which this story is kind of missing is Dudley Simpson.

381
00:22:55.019 --> 00:22:57.960
The 1st 2 episodes only have 6 minutes of music between them.

382
00:22:58.140 --> 00:22:59.579
It's very Graham Williams.

383
00:22:59.640 --> 00:23:02.700
We haven't mentioned how the scoring has changed so much. since.

384
00:23:02.759 --> 00:23:17.279
You know, we had all that meticulous and quite expensive use of scoring directly for scenes that culminated, of course, in seeing Dudley on stage at the old Bournbush in Weng Chaiang.

385
00:23:17.339 --> 00:23:19.799
But now, yeah, it's very sparse, isn't it?

386
00:23:19.859 --> 00:23:21.119
And it's mostly Foley.

387
00:23:21.180 --> 00:23:26.880
It's Mo, he's going back to the sound effects people, so you get the woo-woo noise of the washing machine fend doll maker.

388
00:23:26.940 --> 00:23:28.980
And I like it for that.

389
00:23:29.039 --> 00:23:30.960
I like that the score is held off.

390
00:23:31.019 --> 00:23:35.759
Do you know, I actually think the Dudley has a pretty good year this year, and he writes some formatic stuff.

391
00:23:35.819 --> 00:23:38.339
I even think that he's OK in underworld.

392
00:23:38.400 --> 00:23:41.640
I think he's really good in sun makers.

393
00:23:41.819 --> 00:23:51.539
I think this is the season where the fourth doctor's theme really becomes a thing, you know, like, we got...

394
00:23:51.720 --> 00:23:58.079
But I think it really comes to the fore, I think, in season 16 and 17, but it's used here more often.

395
00:23:58.140 --> 00:24:00.420
I think he does a pretty good job.

396
00:24:00.480 --> 00:24:06.660
I have to agree with you, really, especially with Underworld, which we'll talk about in a couple of weeks time.

397
00:24:06.839 --> 00:24:25.680
But where I think the music is so good here is because it's so sparse at the beginning, that emphasises the horror and the eeriness of the situation, because, you know, say brain of Morbius, really, it's okay to be scared because you've got bum, bum, bum, bum, bum, all the way through.

398
00:24:25.740 --> 00:24:32.759
Whereas here, the music doesn't really start to take hold until fear transforms into the fendoline.

399
00:24:32.819 --> 00:24:37.559
And even then, it's sort of magical and I dream of genie, but with a really sinister undercurrent.

400
00:24:37.619 --> 00:24:40.799
It's the music from the Blake 7 episode duel.

401
00:24:40.859 --> 00:24:43.019
Remember that, don't you think?

402
00:24:43.079 --> 00:24:53.700
It's that ethereal sort of female voice thing when Thea does her sort of raising up and turning into a sort of gold helga sort of thing.

403
00:24:53.759 --> 00:24:55.980
I am going to go backwards in the story just for a moment.

404
00:24:56.039 --> 00:24:58.799
And this is just about a personal experience I had with this story.

405
00:24:58.859 --> 00:25:02.640
As I mentioned earlier, it was on the end of a tape which had the 5 doctors.

406
00:25:02.700 --> 00:25:04.980
It wasn't written on the label, so I didn't know it was there for ages.

407
00:25:05.099 --> 00:25:07.500
I just discovered it late one night on the tape.

408
00:25:07.559 --> 00:25:13.200
I let the 5 doctors credits run through and sort of halfway through the credits, it cut to image of the fend up.

409
00:25:13.259 --> 00:25:17.640
Now, of course this was in the era of videotape, dear listeners.

410
00:25:17.700 --> 00:25:24.779
I'm sure many of you would remember that It's much like cuniform tablets, only it doesn't quite have the durability.

411
00:25:24.960 --> 00:25:27.420
Well, this is a very good point.

412
00:25:27.480 --> 00:25:31.140
And something you had to use to do with videotapes was adjust the tracking.

413
00:25:31.319 --> 00:25:33.539
Do you remember adjusting tracking?

414
00:25:33.599 --> 00:25:34.380
Yes.

415
00:25:35.339 --> 00:25:42.059
Yeah, and of course, if there was any sort of, say, physical dust or a blemish on the tape.

416
00:25:42.119 --> 00:25:44.400
If a bird flew overhand.

417
00:25:44.460 --> 00:25:45.480
Yeah, that's right.

418
00:25:45.539 --> 00:25:54.839
It could actually mess up the heads, which were playing the tape, which is similar to, and I'm not trying to take the Mick here, but if there's those of you out here who've never used videotape.

419
00:25:54.900 --> 00:25:57.900
It would be similar to a smudge on a DVD disrupting the laser.

420
00:25:57.960 --> 00:26:01.799
But instead of just stopping, it could actually then damage the heads itself.

421
00:26:02.160 --> 00:26:04.799
And they would like plough their way through.

422
00:26:04.859 --> 00:26:08.160
I had videotapes that the heads would just chew their way through.

423
00:26:08.220 --> 00:26:08.880
Yeah, absolutely.

424
00:26:08.940 --> 00:26:16.140
Well, there was some kind of some kind, there was something stuck to a particular point in the tape.

425
00:26:16.200 --> 00:26:22.200
And if you played it at normal speed through that scene, uh, it would become a snowstorm.

426
00:26:22.259 --> 00:26:23.940
You have to clean your videotape heads with alcohol.

427
00:26:24.059 --> 00:26:27.599
If you fast forwarded through that scene, it was absolutely fine.

428
00:26:28.859 --> 00:26:37.920
The scene in question was when they are discussing how the pentagram got on the skull and it's really eerie and it's lighting their faces up.

429
00:26:37.980 --> 00:26:44.640
So when I'm watching that as a kid, as they're discussing how this thing can absorb your energy, the screen turns into static.

430
00:26:44.640 --> 00:26:53.099
And there's all this discussion and I'm watching this at about one AM during the school holidays by myself.

431
00:26:53.160 --> 00:26:55.019
And I'm terrified for 2 things.

432
00:26:55.079 --> 00:26:56.880
One, the story is terrifying too.

433
00:26:56.940 --> 00:26:59.759
Oh, I've got to get the video head cleaning tape.

434
00:27:00.660 --> 00:27:02.940
There are lots of indications.

435
00:27:03.000 --> 00:27:16.740
I don't know if you've done any history at school at that stage when you saw it, but I like that the Fendal in its human form looks like one of the bull leaping priestesses of Nossos of Troy.

436
00:27:17.099 --> 00:27:18.420
Really?

437
00:27:18.420 --> 00:27:19.079
Did they?

438
00:27:19.079 --> 00:27:21.539
They painted giant eyes on their eyelids.

439
00:27:21.599 --> 00:27:28.200
I was thinking, put the hair and the dress she's wearing is really harking back again to Time Monster, if you like the same antecedents.

440
00:27:28.259 --> 00:27:30.960
Was that why you were making cracks about Ingrid Pitt earlier?

441
00:27:31.019 --> 00:27:31.980
I was, yes.

442
00:27:32.039 --> 00:27:32.880
It's the same look.

443
00:27:32.940 --> 00:27:35.460
But without the painted eyelids.

444
00:27:35.519 --> 00:27:43.740
But the notion that the Fandal has been inculcating humanity throughout, it hasn't just woken up after 12000000 years.

445
00:27:43.799 --> 00:27:45.720
It's actually had an influence that entire period.

446
00:27:45.779 --> 00:27:49.740
But it mostly likes hammer horror and it plays your family.

447
00:27:49.799 --> 00:27:51.000
It really is, isn't it?

448
00:27:51.059 --> 00:27:54.960
Maybe, maybe Peter Cushing used to live above it. with Christopher...

449
00:27:54.960 --> 00:27:57.960
Peter Fendelman... right.

450
00:27:58.019 --> 00:28:00.180
Is there anyone in this that doesn't work?

451
00:28:00.240 --> 00:28:01.500
Is there anyone who?

452
00:28:01.559 --> 00:28:04.079
I don't think there's anyone in the cast.

453
00:28:04.140 --> 00:28:05.819
No, no, I think the casts are all really good.

454
00:28:05.880 --> 00:28:06.900
And the pacing is good.

455
00:28:06.960 --> 00:28:08.819
Yeah, I think the writing is lovely.

456
00:28:08.880 --> 00:28:16.740
I think there's, I think that there's exposition scenes, as I said before, in 3 and 4 that don't really work and aren't really necessary.

457
00:28:16.740 --> 00:28:26.759
And I think it's an attempt by Williams to move away from the kind of Gothic horror of the Hingecliffe thing and make it a bit more science-based.

458
00:28:26.880 --> 00:28:29.279
But I think the horror, I agree with Brendan.

459
00:28:29.339 --> 00:28:35.819
I think the horror actually works more here because it's implicit rather than the explicit horror of the Hinchcliffe here.

460
00:28:35.819 --> 00:28:44.640
And, of course, borrowing from Lovecraft, you can't go wrong if you're talking about horror from before, the vocal memory of human culture.

461
00:28:44.700 --> 00:28:45.720
Absolutely.

462
00:28:45.779 --> 00:28:49.259
The horror, instead of being given front and centre screen.

463
00:28:49.319 --> 00:29:02.160
It's what a lot of horror films do now in that they might be focussing on, say, Adam Colby, but really what's going on and the important thing to the plot is how Fear Ransom is reacting behind him.

464
00:29:02.279 --> 00:29:18.900
And doesn't she do it beautifully in a, in a, what should be a very passive role and being, you know, pretty much the Pauline character, perilously impaled on her own Pilates washboard, but she's actually, for me, really giving the impetus to it.

465
00:29:18.960 --> 00:29:20.339
She's the one that's showing the true horror.

466
00:29:20.400 --> 00:29:23.759
And Adam is actually kind of nicely as the audience figure.

467
00:29:23.819 --> 00:29:25.980
He's just sitting there, just standing there.

468
00:29:26.039 --> 00:29:28.380
You know, he and Tom were mates in rep.

469
00:29:28.500 --> 00:29:29.279
It comes across.

470
00:29:29.339 --> 00:29:33.359
Yeah, those actors had a rapport when they were both young men.

471
00:29:33.420 --> 00:29:37.980
We've got another story here which is similar to horror, fang rock in terms of the body count.

472
00:29:38.039 --> 00:29:41.279
You know, so many people we meet during the course of the story, die.

473
00:29:41.279 --> 00:29:47.339
But we do have people, as Richard observed, like Adam Colby is very definitely he's going to be alive.

474
00:29:47.400 --> 00:29:49.500
Mark Tyler, Jack Tyler.

475
00:29:49.559 --> 00:29:54.420
You'll notice that the recipe for the fruit muffins today has come from the doctors.

476
00:29:54.480 --> 00:29:58.740
I buried it for 2 weeks in my team in the garden before I served it, yeah.

477
00:29:58.799 --> 00:30:00.359
The cat didn't get to it.

478
00:30:00.660 --> 00:30:02.819
We asked 2 weeks ago.

479
00:30:02.880 --> 00:30:06.599
Could any of the characters have survived Horror of Fang Rock?

480
00:30:06.660 --> 00:30:14.220
And I think we kind of have an answer here in that, it's more effective in a way, because the deaths we have, and especially Thea's death, mean more.

481
00:30:14.279 --> 00:30:15.299
It's awful.

482
00:30:15.359 --> 00:30:21.240
And Matt, even Max's death, and we're meant to hate Max and the doctors say, I can't do anything for you.

483
00:30:21.299 --> 00:30:24.240
And Max asked for the gun and the doctor's like, don't be stupid.

484
00:30:24.299 --> 00:30:24.960
It won't do anything.

485
00:30:25.019 --> 00:30:26.460
He says, it's not for her.

486
00:30:26.519 --> 00:30:28.200
Do you know that was a compromise?

487
00:30:28.259 --> 00:30:31.920
They actually were going to show, they showed him putting the gun in the mouth.

488
00:30:32.039 --> 00:30:33.059
Yeah, that was in the script.

489
00:30:33.059 --> 00:30:37.559
And that was it. and this was a compromise between Graham and Williams and the heads of the BBC.

490
00:30:37.619 --> 00:30:38.880
So, well, I think...

491
00:30:38.880 --> 00:30:45.119
Same of the complains about that, but I think it would have been terrible to see him put the gun on. you don't need it?

492
00:30:45.180 --> 00:30:51.539
Also, I'm really glad to see that Williams isn't actually compromising on what made Doctor Who so popular in the last few years.

493
00:30:51.599 --> 00:30:52.440
He knows.

494
00:30:52.500 --> 00:30:55.200
He's had a bit of shrift.

495
00:30:55.259 --> 00:31:08.519
I'm not sure where the popular continuum of fandom opinion is, he got a lovely reprise in the 90s when people like Paul Canell and Kate Orman were just, you know, going back to the reason he loved Graham Williams.

496
00:31:08.579 --> 00:31:23.279
Well, the reason I love Graham Williams is, and he does it in this one as well, he always talks about books, and as a young boy, I liked that there was a Bob Holmes thing, that the doctor gave us the meaning of a new word in each story, and he would mention books, and this is the one where I read a lot.

497
00:31:23.339 --> 00:31:33.720
And I still use that line at work when people ask a question and it absolutely silences everyone to this day, but because I can't believe I'm doing such a twat impersonation.

498
00:31:34.140 --> 00:31:36.599
Just speaking of, I read a lot.

499
00:31:36.720 --> 00:31:39.839
I once had a boss who didn't know who Martin Luther King was.

500
00:31:39.900 --> 00:31:41.519
Ah.

501
00:31:41.519 --> 00:31:43.799
Wankaw.

502
00:31:44.400 --> 00:31:46.500
No, absolutely.

503
00:31:46.559 --> 00:31:50.220
I think you really played the Harlem Globetrotters, didn't you?

504
00:31:50.339 --> 00:31:56.519
Graham Williams came into the program with the instruction to reduce the quotient of horror.

505
00:31:56.579 --> 00:31:59.039
And I don't think he does at this point.

506
00:31:59.160 --> 00:32:00.240
No, he doesn't.

507
00:32:00.240 --> 00:32:04.079
Horror Fang Rock, as the title suggests, was a horror.

508
00:32:04.140 --> 00:32:05.940
This is a horror.

509
00:32:06.000 --> 00:32:13.319
What he's done is he has made the characterisation more real and that means that the characters have light as well as dark.

510
00:32:13.380 --> 00:32:17.700
I think the problem with the Hinchcliffe era was not so much the horror.

511
00:32:17.759 --> 00:32:20.220
It was the lack of light in the stories.

512
00:32:21.240 --> 00:32:24.660
Yeah, I, oh, that it's sustensible.

513
00:32:24.720 --> 00:32:28.200
I like this, again, I like this one because it's implicit.

514
00:32:28.259 --> 00:32:32.160
It feels far more like a literature.

515
00:32:32.220 --> 00:32:36.660
It feels far more like Lovecraft in the written version than it.

516
00:32:36.720 --> 00:32:39.900
It's not very filmic. in the way that it implies horror.

517
00:32:39.960 --> 00:32:40.319
You disagree?

518
00:32:40.380 --> 00:32:47.880
Well, I just think Lovecraft is actually has some great ideas, but is a truly, truly terrible right. and a brutal racist.

519
00:32:47.940 --> 00:32:48.779
Do you know what I mean?

520
00:32:48.900 --> 00:32:50.700
Well, he's obviously...

521
00:32:50.759 --> 00:32:52.980
Yeah, I agree with the other races and his implicit.

522
00:32:53.039 --> 00:32:59.220
He actually makes very good drama, the audio drama, the BBC do quite a few radio versions of...

523
00:32:59.279 --> 00:33:02.279
Yeah, but that way you don't have to actually read his pro.

524
00:33:02.339 --> 00:33:05.700
In the mountains of madness has just been repeated again on BBC 4.

525
00:33:05.880 --> 00:33:06.480
It's really well done.

526
00:33:06.539 --> 00:33:08.759
Yeah, they're great ideas.

527
00:33:08.819 --> 00:33:14.519
And certainly Hinchcliffe plunders them relentlessly, and this is kind of the last hurrah of that approach.

528
00:33:14.579 --> 00:33:23.099
And I actually wonder whether despite, you know, William's innovations, that approach to Doctor Who has now played out.

529
00:33:23.339 --> 00:33:26.579
Yeah, and we will see less of the horror.

530
00:33:26.640 --> 00:33:31.680
We get sort of one horror story next year and then in William's final year.

531
00:33:31.740 --> 00:33:38.099
We don't really, we get some horror horror aspects in stories, but we don't get another horror story after.

532
00:33:38.160 --> 00:33:45.240
Well, in fact, next year's horror story does what this one does, which is take a quick left turn into science fiction in episode three.

533
00:33:45.359 --> 00:33:46.380
Do you know what I mean?

534
00:33:46.440 --> 00:33:48.779
And it becomes something different from what we expected.

535
00:33:48.900 --> 00:33:51.839
And I would argue as much as I love that story.

536
00:33:51.960 --> 00:33:54.779
It's not anywhere near as effective as image of the fender.

537
00:33:54.900 --> 00:33:56.339
Yeah, no, I think that's probably true.

538
00:33:56.400 --> 00:33:59.099
I love both of them, though, I have to say.

539
00:33:59.160 --> 00:34:02.940
Before we finish up, I'd just like to discuss the interplay between the 2 regulars.

540
00:34:03.059 --> 00:34:07.019
So I think Tom and Louise are getting on much better now.

541
00:34:07.079 --> 00:34:08.940
They had some rapport.

542
00:34:09.000 --> 00:34:10.800
They have some comedic dialogue.

543
00:34:10.860 --> 00:34:14.880
Louise has that horrible haircut because of an overzealous BBC.

544
00:34:14.880 --> 00:34:15.659
Oh my goodness.

545
00:34:15.659 --> 00:34:16.679
BBC hairdresser.

546
00:34:16.739 --> 00:34:24.659
Did Todd not leave a question about this because Todd has been bitching for weeks about how awful Leila's costume is and how terrible her hair is?

547
00:34:24.719 --> 00:34:25.860
Well, that's the thing.

548
00:34:25.980 --> 00:34:32.219
He did actually include that it is recording, but I decided not to include it because he's been talking about it so much.

549
00:34:32.280 --> 00:34:34.800
I figured long term listeners would understand.

550
00:34:34.860 --> 00:34:36.480
Might be terrible.

551
00:34:36.539 --> 00:34:40.139
Mine's a big disappointment is that the intention for the character.

552
00:34:40.199 --> 00:34:50.460
Maybe Boucher puts that into this one, but, you know, maybe it was more a Hinchcliffe thing, is that Leela was going to progress along the lines of Eliza Doolittle.

553
00:34:50.519 --> 00:34:55.800
And she would never wear the skins again after Weng Chiang, when she changes.

554
00:34:55.860 --> 00:35:00.420
It was, it was, and they carried that forward a little with horrifying, right?

555
00:35:00.480 --> 00:35:01.800
She's wearing an outfit.

556
00:35:01.860 --> 00:35:06.480
But then they've gone back to dumbing her down and then treating her like an idiot sometimes.

557
00:35:06.539 --> 00:35:08.039
It doesn't happen to her in this story.

558
00:35:08.400 --> 00:35:21.059
But you haven't heard our talents of Wing Shayang episode yet, but I actually object strongly to her being put in that dress because she turns into a sort of simpering girly, you know, and so...

559
00:35:21.059 --> 00:35:22.739
She's got a rat at her nethers.

560
00:35:22.800 --> 00:35:25.139
No, no, that's when she's in her undies later.

561
00:35:25.199 --> 00:35:26.159
I know.

562
00:35:26.219 --> 00:35:28.380
Well, she's dressed as the artful dog, yeah.

563
00:35:28.440 --> 00:35:29.219
She's dressed as a boy.

564
00:35:29.219 --> 00:35:30.960
In those velvets.

565
00:35:31.019 --> 00:35:32.460
No, he doesn't win Cheyenne.

566
00:35:32.579 --> 00:35:35.699
When Lightfoot chooses a guy in for her, yes.

567
00:35:35.760 --> 00:35:43.139
When Rex Harrison and Colonel Pickering go out and buy her address and put her in it and then she smiles like a proper girl.

568
00:35:43.199 --> 00:35:47.880
Like, I don't think the journey from huntress to a woman.

569
00:35:48.420 --> 00:35:48.960
But she's a girl.

570
00:35:49.019 --> 00:35:50.340
I mean, you know, this is the thing.

571
00:35:50.400 --> 00:35:52.440
This is an all boy cast.

572
00:35:52.559 --> 00:35:54.300
Girls like dress frocking up.

573
00:35:54.360 --> 00:35:55.679
They do, and so do quite a few boys.

574
00:35:55.739 --> 00:35:58.860
I think I need to look too far. this tabletop.

575
00:35:58.920 --> 00:36:00.780
Pate biscuit indeed.

576
00:36:00.840 --> 00:36:08.219
This is, you know, it's, she, I think that was actually really charming that she was still able to to play along with the girly stuff.

577
00:36:08.280 --> 00:36:09.420
She's a woman.

578
00:36:09.480 --> 00:36:11.880
She's allowed to frock up and be feminine.

579
00:36:11.940 --> 00:36:14.280
I mean, she's not all the other things aren't as valid.

580
00:36:14.340 --> 00:36:15.960
Anyway, we've kind of done this.

581
00:36:16.019 --> 00:36:17.460
Yeah, yeah.

582
00:36:17.519 --> 00:36:19.019
Oh, it's fresh for me anyway.

583
00:36:19.079 --> 00:36:20.760
Head back about 3 weeks too.

584
00:36:20.820 --> 00:36:22.320
If you'd like to hear that conversation again.

585
00:36:22.380 --> 00:36:31.019
Well, I still, it's still pertinent to this, to the exposition of Lita's character as we're going along, because I feel she's hitting the brakes too often.

586
00:36:31.079 --> 00:36:36.360
She doesn't know this story, but she has in the one previous to this one, and I think she will in the next one.

587
00:36:36.599 --> 00:36:40.019
I think that Baker and Martin write her poorly.

588
00:36:40.139 --> 00:36:42.179
I think Boucher does a good job.

589
00:36:42.239 --> 00:36:50.579
I think Bob Holmes's initial stab at the character in Talons of Wing Chang is terrible, but that he does a great job of her in Sunmakers.

590
00:36:50.639 --> 00:36:56.039
I think Terence, to my surprise, does a good job of her, you know. he does.

591
00:36:56.099 --> 00:36:56.699
Yeah, yeah.

592
00:36:56.820 --> 00:37:03.480
But she is a character who really, because she's so high concept, she kind of lives and dies on the writing.

593
00:37:03.539 --> 00:37:09.659
It's not the normal thing where you invent a very thin character and just rely on the actor to create the character.

594
00:37:09.780 --> 00:37:17.519
This is a high concept character of the kind that we'll get later on, and it does depend very strongly on how it's being written, I think.

595
00:37:17.579 --> 00:37:25.260
It's the ultimate polar opposite to the doctor, which is why there's nowhere else that can go, and it's the legacy of Liz Sledden.

596
00:37:25.320 --> 00:37:30.300
There's nowhere else they can go preempting the next season, but the direction they go in.

597
00:37:30.360 --> 00:37:30.719
Yeah.

598
00:37:30.719 --> 00:37:42.780
What I love about Leila is her character has evolved. which is partially due to the writing, but mainly due to Louise's performance and Tom Louise, I don't know if Tom was cooperating at this stage, was he?

599
00:37:42.840 --> 00:37:47.460
But something that is in evidence here, as was in evidence in horror of fang rock.

600
00:37:47.519 --> 00:37:51.059
Of course, Leila accepts science now and she tries to understand science.

601
00:37:51.119 --> 00:37:53.159
So, you know, when the doctor says Sonic time scan.

602
00:37:53.219 --> 00:37:59.099
She remembers it and she knows that's the problem and she expects everyone else to know it because you understand science, aren't you?

603
00:37:59.159 --> 00:38:05.460
But there's that great bit where she's very respectful of Mart Heiler's old traditions and talks about how important they are.

604
00:38:05.519 --> 00:38:07.019
She's great in that scene.

605
00:38:07.079 --> 00:38:10.800
She also understands psychology because when Jack says, what happened, Ma?

606
00:38:10.860 --> 00:38:11.519
Don't ask her that.

607
00:38:11.579 --> 00:38:13.800
It's because she does not want to remember that she's like this.

608
00:38:14.460 --> 00:38:17.280
She's really strong and clever in this.

609
00:38:17.340 --> 00:38:19.440
She keeps a foot in both her worlds.

610
00:38:19.500 --> 00:38:24.000
In her traditional world, which, of course, has got her to the point where she is today, you know.

611
00:38:24.179 --> 00:38:31.619
So she doesn't throw out the old ways, but as she says in horror of Fang Rock, there are better ways in science.

612
00:38:31.739 --> 00:38:33.119
Should we talk about Hyde?

613
00:38:33.179 --> 00:38:34.380
Yes, please.

614
00:38:34.440 --> 00:38:37.320
Hyde is series 7.

615
00:38:37.500 --> 00:38:46.320
It's Matt Smith and Jenna Coleman, and it's very, very closely a kind of retread of this, isn't it?

616
00:38:46.380 --> 00:38:47.940
It's set in the same period.

617
00:38:48.059 --> 00:38:50.760
It's set in a haunted priory.

618
00:38:50.820 --> 00:39:00.960
It has a female character who is kind of psychic and in touch with the alien threat, as we think it is.

619
00:39:01.079 --> 00:39:10.860
It has a whole section in Act 4, where they faff about and the TARD is kind of wasting time and finding out what's going on.

620
00:39:11.280 --> 00:39:14.519
And it does that sort of traditional horror thing.

621
00:39:14.639 --> 00:39:22.980
And I think it's very definitely a kind of lift or a retread of image of the fendile.

622
00:39:23.039 --> 00:39:24.960
See, I'd never picked up on that.

623
00:39:25.019 --> 00:39:29.400
Now that you come to mention it, yes, I do see it, but I had never picked up on that at the time.

624
00:39:29.460 --> 00:39:41.159
It even has a very sort of strong look, you know, it seems very much like it in the way that it looks and the way that it goes from straightforward horror into something a bit more science fiction later.

625
00:39:41.280 --> 00:39:45.239
And yeah, even the doctor and Clara just kind of walk into the house.

626
00:39:45.360 --> 00:39:46.139
It's like, hi.

627
00:39:46.199 --> 00:39:48.960
But all I can think of with that story.

628
00:39:49.019 --> 00:39:50.760
And I quite enjoyed that one.

629
00:39:50.820 --> 00:39:52.139
There were ones of series 7.

630
00:39:52.199 --> 00:39:53.519
I didn't enjoy, but I quite enjoyed that one.

631
00:39:53.579 --> 00:39:59.880
All I can think of that story is, of course, you have Jessica Rain, who would go on to be Verity Lambert in an adventure in space and time.

632
00:39:59.940 --> 00:40:08.159
You've got Doug Ray Scott, who was the 1st choice for Wolverine in the X-Men films, which he turned down and the role went to Hugh Jackman.

633
00:40:08.219 --> 00:40:09.659
Do you know what he turned it down to do?

634
00:40:09.719 --> 00:40:11.880
Mission Impossible 2.

635
00:40:12.059 --> 00:40:13.739
Oh, dear.

636
00:40:13.739 --> 00:40:15.480
He might have already been contracted to it.

637
00:40:15.539 --> 00:40:16.800
Let's give him the benefit of the doubt.

638
00:40:16.860 --> 00:40:19.679
No, he no, he was cast with Wolverine and got it.

639
00:40:19.739 --> 00:40:27.539
He was cast Wolverine and got the other offer and thought that would be a bigger, fairly imbued, the level of bitterness that we saw in Hyde. a very good performance.

640
00:40:27.599 --> 00:40:30.119
Can we talk finally about the fender?

641
00:40:30.179 --> 00:40:32.760
Oh, when it kind of finally arises because I actually...

642
00:40:32.760 --> 00:40:34.260
Can we talk about why it's got frills?

643
00:40:34.320 --> 00:40:37.679
Cheap frills and how veins. you mean the...

644
00:40:37.739 --> 00:40:39.000
Do you mean the fender lane?

645
00:40:39.059 --> 00:40:40.500
That's the word.

646
00:40:40.559 --> 00:40:40.860
Yes.

647
00:40:40.920 --> 00:40:46.920
It was actually John Nathan Turner who asked for the cheap frills to be able to because he said it reminded him of something.

648
00:40:47.820 --> 00:40:49.559
That he had it home.

649
00:40:49.619 --> 00:40:53.400
I think maybe he needs some cream then, if that reminds me of something.

650
00:40:53.460 --> 00:40:58.260
I know, really, without the paint and without, because a lot of that paint was added and without the neck pieces.

651
00:40:58.320 --> 00:41:02.940
That is just Doctor Who's response to anything that's remotely phallic, isn't it?

652
00:41:03.000 --> 00:41:03.659
Put a cloak on it.

653
00:41:03.719 --> 00:41:05.820
Yes, it'll be it'll be fine.

654
00:41:05.880 --> 00:41:07.980
The resolution isn't that great.

655
00:41:08.039 --> 00:41:10.980
And that's that's another flaw that this story has.

656
00:41:11.039 --> 00:41:17.760
So the moment that we discover that the fandoline are vulnerable to rock salt, we can just kind of kill them sort of fairly easily.

657
00:41:17.820 --> 00:41:23.880
Oh, they've got some horrible ace and gold coins moments, haven't we?

658
00:41:23.940 --> 00:41:25.980
Yeah, it's that's, I mean, that's not that great.

659
00:41:26.099 --> 00:41:36.119
And then when fear appears as the Fendal core, all she really does is sort of roll back and mix into various scenes, wave her arms around and then disappear.

660
00:41:36.179 --> 00:41:37.380
Yeah, yeah, you know what I mean?

661
00:41:37.559 --> 00:41:42.360
And if you look at her, she'll turn you into a fendoline.

662
00:41:42.360 --> 00:41:48.659
I actually think is the... they're so cute. you get in the action figure pack.

663
00:41:48.719 --> 00:41:56.880
You get a cute puppet fendoline, a full-sized fendoline and a Leila, and a skull on a plinth, and the skull is translucent.

664
00:41:56.940 --> 00:41:57.659
Wow.

665
00:41:57.719 --> 00:41:58.980
So you can die.

666
00:41:59.039 --> 00:42:00.960
I want a puppet fenderling so badly.

667
00:42:01.019 --> 00:42:18.480
They're so cute But, you know, they don't kind of do anything and then and then the doctor sort of talks and this is going to be a problem in a few stories this year where it's all just resolved by the doctor saying he's going to do something technical, then he explodes the whole kind of, uh, you know, priory and stuff and it's all over.

668
00:42:18.539 --> 00:42:22.380
And I think that that's a little bit too easy and a little bit too uninteresting.

669
00:42:22.440 --> 00:42:31.500
And the resolutions like this really should hinge on some kind of character moment or some kind of clever plot moment.

670
00:42:31.559 --> 00:42:35.699
But instead we just sort of talk our way out of it and there's a big explosion.

671
00:42:35.760 --> 00:42:39.480
Yeah, we've had that for the last 3 stories now.

672
00:42:39.539 --> 00:42:43.260
And possibly going back even further.

673
00:42:43.320 --> 00:42:45.719
Well, no, talent of waiting trying doesn't end with an explosion.

674
00:42:45.780 --> 00:42:52.860
But yeah, horror of fang rock, invisible enemy, and image of the fend, I'll all end with, oh, and then it exploded.

675
00:42:52.920 --> 00:42:54.360
Thankfully next week we won't have that.

676
00:42:54.420 --> 00:42:55.559
Sorry, Richard, did you?

677
00:42:55.679 --> 00:42:59.099
No, I was going to say, that's what Doctor Who always does. and that's...

678
00:42:59.099 --> 00:43:01.139
The big end. explosion.

679
00:43:01.199 --> 00:43:03.059
Well, also they're talking our way out of it.

680
00:43:03.119 --> 00:43:07.559
It's getting action figures are just, it's my dinner with Andre, action figure assortment.

681
00:43:07.619 --> 00:43:09.059
But I don't mean talk at each other.

682
00:43:09.119 --> 00:43:15.900
I don't mean cleverly talking our way out of it by doing some character thing or persuading someone of something or anything like that.

683
00:43:15.960 --> 00:43:20.460
I think it's just, we'll connect the bliz bloss to the biz bang bong and...

684
00:43:20.579 --> 00:43:21.599
That is what Doctor Who does.

685
00:43:21.659 --> 00:43:23.820
And you're right, it is a bit Adam West Batman.

686
00:43:23.880 --> 00:43:26.099
It's too crummy and just not very interesting.

687
00:43:26.159 --> 00:43:28.079
It's connected into Dick Grayson.

688
00:43:28.079 --> 00:43:28.679
Yeah, yeah, yeah.

689
00:43:28.739 --> 00:43:30.360
Reverse the polarity and...

690
00:43:30.360 --> 00:43:31.139
Dick Grayson.

691
00:43:31.199 --> 00:43:31.800
Yeah, yeah, yeah.

692
00:43:31.860 --> 00:43:35.219
That comes back to your cloaking suggestion, doesn't it?

693
00:43:35.280 --> 00:43:38.039
That if anything's a bit dick grossing, you just throw it.

694
00:43:38.099 --> 00:43:42.719
Do you think that's why Paul McGann refers to the chameleon circuit is the cloaking device of the TV movie?

695
00:43:42.900 --> 00:43:45.000
Let's try to throw it over the entire production.

696
00:43:45.059 --> 00:43:46.260
More of that later.

697
00:43:46.440 --> 00:43:49.139
I would just like to comment on the ending.

698
00:43:49.199 --> 00:43:58.260
We get some lovely, low, low key comedy between Tom and Louise about gendering canine and gendering machines and what have you, which pays off from an earlier scene.

699
00:43:58.320 --> 00:44:03.599
What I really love is Adam Colby, who's the last surviving member of the scientific expedition.

700
00:44:03.659 --> 00:44:06.539
The house has been exploded, so he's going to have a horrible time with the police.

701
00:44:06.599 --> 00:44:07.619
What does he do?

702
00:44:07.679 --> 00:44:10.380
Sits down for a cup of tea with Ma and Jack Tyler.

703
00:44:10.440 --> 00:44:11.400
Bless.

704
00:44:23.460 --> 00:44:30.179
Well done, listener. time to deactivate the time scanner, because that's all the time we have for the image of the Fendal.

705
00:44:30.239 --> 00:44:37.739
Don't forget, you can find us online at flatthroughentirety.com, flat through entirety on Facebook and iTunes and FTE podcast on Twitter.

706
00:44:37.800 --> 00:44:42.539
We also now have 4 James Bond commentaries available on Bondfield.

707
00:44:42.599 --> 00:44:43.199
Oh, that was quick.

708
00:44:43.260 --> 00:44:50.159
Yes, for Dr. No, Goldfinger from Russia with Love and Thunderball, but not necessarily in that order.

709
00:44:51.059 --> 00:44:57.539
And you can find those on Bondfinger.com, Bondfinger on Facebook and iTunes and Bondfinger cast on Twitter.

710
00:44:57.539 --> 00:45:03.420
Until we see you next time for one of those, may all your x-rays not reveal a pentagram on the back of your skull.

711
00:45:03.480 --> 00:45:03.719
Good night.

712
00:45:03.780 --> 00:45:04.320
Good night.

713
00:45:04.380 --> 00:45:04.980
Good then.

714
00:45:06.599 --> 00:45:12.000
That was Flat Your Entirety with Nathan Bottomley, Brendan Jones, and Richard Stone.

715
00:45:12.059 --> 00:45:17.159
This episode, remotely Phallic, was recorded on the 27th of September 2015.

716
00:45:17.340 --> 00:45:19.739
The next episode will be released on November 15.

717
00:45:20.219 --> 00:45:28.019
Once again, Doctor Who is oddly prescient, predicting a woman with huge hair who sucks the life out of everything, 18 months before she became Prime Minister.

718
00:45:31.079 --> 00:45:37.440
You can find us online at flatthroughentirety.com, flight through entirety on face tits.

719
00:45:37.679 --> 00:45:39.780
That's staying in.