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This transcript was created on 2026-06-07 at 16:23:33

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Hello, dear listeners, and welcome back to Flight through Entirety, the only Doctor Who podcast which never suffers from scringes, no matter how cold it may be.

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I'm Brendan.

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I'm Nathan.

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And I'm Romana Voltana.

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Or Todd.

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We might just have to call you Fred.

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We are heading into the key to time season now.

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Robert Holmes is back on writing duties for the Rebos operation.

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Are you sure you pronounce that correctly, Brendan?

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No, so I went for both in one.

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I started saying ribos, and then I switched to Reebos.

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Shall we just call it rhubois?

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Like the tea?

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Is that how you pronounce that?

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We have Graham Williams' 1st full season that he's commissioned from start to finish.

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And straight away, it's very different from other seasons because the doctor is sent on a mission by the White Guardian.

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So, it's been observed before that the doctor gradually outgrows his bosses.

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So, you know, he works for unit and he's outgrown unit, and he has that speech at the beginning of Pyramids of Mars, where he declares that he's not interested in sort of running around after them anymore.

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And then the time lords, and he's now been to the time lords planet, and they've been completely shorn of mystery, and so he's outgrown them.

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And so he's got a new set of bosses, the Guardians.

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What do you think of them?

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I've got to say, the 1st scene with Cyril Luckam sort of sitting in the city in the wicker chair on the kind of top of the pops bush landscape.

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Uh, he's great.

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I really, really like him.

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And the wonderful thing is, he has so much menace. just in his performance, like that whole thing of, you know, what will happen to me if I refuse nothing at all.

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Ever.

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No, he's just the right mix of camp and threatening.

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What I find most interesting is the whole genesis of the idea of the Guardians.

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Graham Williams, coming into Doctor Who was a producer, felt that it was very irresponsible to have a hero who did not have some kind of heroic mission to accomplish and had no responsibility.

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You know, could just run around doing whatever they liked and weren't answerable to anyone.

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So he was actually going to try to have some sort of overarching responsibility for the doctor in his 1st season, but they were so up against it as we discussed a few weeks ago with a horror of fang rock being a replacement script and underworld and the invasion of time.

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Oh, God, that he didn't have time to implement it for that, but he decided to implement it for this season.

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So this is part of his pitch to become producer.

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Yeah, yeah.

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Give the doctor a mission.

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But it's interesting, like you've got these guardians and the key to time, and I always think about, well, then, well, who created the key to time, and is it just some little game that they like to play between themselves, or is there somebody above them?

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Yeah, the whole I think the whole thing's a bit stupid.

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I mean, the Armageddon factor calls it Guardian technology, the key to time.

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So it's something that the Guardians created.

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But to keep themselves in check.

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Well, I suppose.

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It is very strange.

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And certainly the fake out in that beginning scene is that it's God. don't you think?

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Oh, yeah, yeah, yeah.

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It's meant to be God.

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God, and God is now calling on the doctor to do a mission for him and there's, you know, the heavenly light flooding in and organ music and that kind of thing.

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It's the scene that Holmes has now done twice before, where the doctor is briefed on his mission.

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Previously, it's been the Time Lord.

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So in Terror of the Autons, and then again, in Genesis of the Daleks, which, you know, Holmes was script editing.

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You know, we get a big info dump.

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Yeah, yeah, yeah.

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And the doctor gets sent on a mission.

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And the mission is kind of crummy, I think.

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Really?

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We will talk about it as we go along, I think.

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And the whole thing is sort of brought up horribly short by, you know, a disastrous final story to the season.

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And a massive rejection of the whole idea of going on a mission, the very, very last scene of the season is the doctor.

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Well, we're getting ahead of ourselves.

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We are getting ahead of ourselves.

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But there is a very, very definite rejection of the whole idea of going on a mission.

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And fortunately, the mission doesn't particularly impact the stories all that much.

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No, no, it really doesn't.

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And I want to come back to that as well when we get to season 18.

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So if I forget, please remind me.

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Also worth mentioning at this point is Ian Marty's novelisation.

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I listened to it read by John Leeson, I believe. read by John Leeson, that's right.

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I'll do anything for the podcast and it's really good.

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Yeah, yeah.

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I particularly love, because, of course, the TV story just starts with the doctors built canine Mark 2, who, contrary to expectations, looks exactly the same as the original one, because that's why we just saw a box at the end of the last story, because Matt Irvin and Ian Scoon said, oh, we'll redesign it, and Graham Williams thought they meant the outside, but they just meant the innards.

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It is much quieter.

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It is much quieter, much, much quieter, and a bit nimbler.

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Although there are lots of scenes where the doctor and Oman are running and there's no way that...

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Yeah.

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There's a lot of scenes where they'll start with canine in front of the group and they'll stop and have their conversation and then they'll have to run.

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So canine only has to go about a metre and they still outrun him.

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But Ian Marty's version of that is the doctor's built canine sort of far away from the Godsole room and then comes to the Godzilla Room to test the dog whistle, but he doesn't realise the dog whistles ultrasonic.

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So he almost passes out blowing into the dog whistle for 5 minutes straight, trying to get it to make a noise and canine comes in and essentially says, I can hear you.

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And of course then...

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Mary Tam turns up.

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What do we think of Mary?

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We've actually met Mary, which is kind of exciting, and that will play into the podcast from time to time, particularly when we talk about her outfits, I think.

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I did allude to that in my introduction, calling her Romana Voltana.

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That's a little convention anecdote, which I'll probably drop in at some point.

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But, you know, she turns up with this bun hedge, which always reminds me of Dana Troy in season one of Star Trek, The Next Generation, and I think looks absolutely awful.

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But then in the very next scene, the hair's down, and she's got the brush and doing it.

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It's just so glamorous and wonderful.

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So she's a reaction to Leila, isn't she?

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Yeah, Sand.

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So, Leila was, there was a kind of sort of patronising subtext to Leila, where she was being civilised by the doctor, which was sort of slightly offensive, really.

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But here, she's the doctor's equal, and he's better than him in some respects.

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Yeah, absolutely.

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Initially, they did consider bringing Rodan back.

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Which is, you know, not surprising since, you know, there's some of those scenes, of course, have already discussed, that there's a rapport there when she's inside the Tartars, but in the invasion of time, yeah.

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You can see that she's a prototype remark.

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Yeah, yeah, yeah, absolutely.

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In a way, I'm glad they didn't because I think Mary's much better, but there was nothing wrong. with the performance in that I think it is significant, and I have a lot of respect to Anthony Reid in scripted, bringing back Robert Holmes to introduce a brand new companion.

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He's been there for every major introduction for the 1970s, whether scripting it, or whether it be script editor for all the companions.

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All of the companions had been introduced in the first story of the season except for Leila, but that was even billed as the first story of the season.

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And I think it is something that's significant.

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You know, in the 1970s, beginning of the season, new companion people end, the new series does the same thing.

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The '80s breaks that, you know?

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And that might have some sort of impact, which we discussed later on.

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And this is the last major time that a brand new companion is introduced by homes.

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Next year, we do get a new actress playing Romana, but it's still Romana, you know?

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And she was introduced in the previous series. this is really the last time that this sort of happens.

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And, I mean, what's especially amazing about Robert Holmes writing for this season is you have Robert Holmes writing for this season.

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You have Douglas Adams, who is new to professional writing at the point he writes the Pirate Planet.

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You've got David Fisher and you've got...

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Oh, God.

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Bob Baker and Dave Martin.

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That's right.

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So, really?

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In terms of writers, because Bob Baker and Dave Martin, they're essentially one writer. producing one piece.

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There's 2 experienced writers this season and 2 writers completely new to Doctor One completely new to television.

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You know, it's quite, it's quite a bold season in that regard.

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So it is very important to get homes in to kick off the whole thing, because we have this very new structure of the doctor having a mission.

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We got a new companion, and we've got a whole bunch of inexperienced people coming in.

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We've got Tom, who's becoming increasingly disenfranchised with the role, and we'll talk more during the Armageddon factor about the fact that this was almost Tom's last season.

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Was?

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It was.

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He was really not happy with the way things were underground Williams, but we're getting ahead of ourselves.

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Let's get back to Rebos.

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Can we talk more about Mary?

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Oh, yeah.

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Yeah, we can.

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I think we just need to rename this podcast, the Mary Tam half hour. frankly.

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You know, Louise was a really actorly performance.

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Do you know what I mean?

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And I thought that like her quality as a companion varied according to who was writing, and she was very frequently written for very badly.

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But it was a very, very, sort of strong actorly performance, and sunmakers in particular, I think, you know, she really shines and horrifying rock, and there are a few others.

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Mary's performance isn't really an acting performance, particularly, I think.

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And, and, you know, it's long being said that Tom is a performer rather than an actor, and he's compelling.

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Like there's that's no slight to Tom.

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He's, you know, he lights up the screen, you know, and relentlessly plays everyone else off the screen when he's there.

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I think Mary's kind of responding to that.

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I gather she is actually a good actor, but there's not really much evidence of that in the stories themselves.

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And so what she tends to bring is a sort of ironic distance to the whole proceeding.

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Yeah, yeah.

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I've always viewed it as, and unlike the 2 of you, I never had the pleasure of meeting Mary Tam, but I've always felt like seeing her in interviews and whatnot.

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Mary Tam is not playing Romana.

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Mary Tam is playing Mary Tam and Romana becomes Mary Tam because of Mary Tam's force of will.

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You know, she's always reminded me a bit of Mary Tyler Moore in that way, who brought a lot of herself to her characters.

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Yeah, I think we're just seeing Mary Tam on screen, but I don't have a problem with that.

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No, no, because she's so fun to watch.

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She's wonderful and that's something that this season has, is that it is just incredibly fun up until nearly the last moment.

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Well, even so, I think, I think Mary and Tom are the 2 who keep it kicking along.

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Yeah, even when it's struggling, you know, their rapport is just wonderful.

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I just I just love her throughout this entire thing.

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I was really, really surprised at how much I actually adore the performance that she gives.

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It is really enjoyable, isn't it?

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She's a bit stilted in the 1st few Tartar scenes, but then once she gets out into reboss itself.

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I think she, or the next recording block, she begins to loosen up and I think has a bit more fun with it.

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But I just love some of the stuff that Romana comes out with, it just tickles my fancy, especially when she said she was willing to be impressed with a doctor.

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And Tom's reaction is this indeed.

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And the way he says it's like, he's never said that word or anything like that ever before.

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I just think it's Tom Baker shining through.

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Like we talked about ages ago about, you know, the doctor becoming poetry and pertury becoming the doctor, and I kind of feel that there's moments certainly now during this season, and it was coming through last year, that that's happening to Tom a lot more.

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And that one moment in the times when she says that and he reacts.

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I just crack up every single time.

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Well, I suppose from a character point of view, you know, Sarah obviously looked up to the doctor greatly.

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Perhaps not idolised him, but certainly would sort of stand back and bask.

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And she would also make apologies and concessions for him.

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Like, oh, sometimes he talks to himself because he's the only one who knows what he's talking about.

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Leila, of course, was in awe of him because he was God to her tribe, you know, and eventually she got round to the fact that, okay, he's not a god, but he's still very impressive.

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You are a timelord.

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Yeah, she does start to take the Mick out of a bit, but still, she's really, really impressed by him.

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So for Romana to say, I was almost ready to be impressed.

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This is the 1st time in this incarnation where someone's just gone, yeah, I'm not buying it.

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I'm not buying it.

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Sorry, love.

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All of that hilarious sort of psychoanalysis that she's subjective to, which is, you know, very homes, you know, Whitty Holmes dialogue is really, really fun and turns the tables.

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It doesn't really last.

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You know what I mean?

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They do become like a great team together and they get to share exposition and they get to work together and things and all of that really works.

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But I like the fact that it doesn't become nasty or narky.

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Yes, yes.

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When it could potentially have gone down that road.

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Yeah.

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Yeah.

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No, they're not oppositional.

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They do get on quite well.

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I mean, there's no real warmth or anything like that between them in the way that there was with Tom and Lear's.

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But that doesn't matter.

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You know, I think they're all just a little bit too detached at this point in the program.

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Yeah, there's there's a mutual, a mutual respect, I suppose.

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The comparison that Tom and Mary always made was Spencer Tracy and Catherine Hepburn.

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And there's a there's a little bit of that.

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You know, I think we're back to one of our pert we episodes, which is you're not Catherine Hepburn.

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But you can still see where they are getting that idea.

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I don't think they're trying to emulate it.

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I think they're just trying to go for the same pitch it at the same kind of level.

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Yeah, something sophisticated, a little bit oppositional.

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Do you know what I mean?

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funny.

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Can I ask a question?

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What did you think of this story as a kid when you 1st saw it?

197
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I wasn't a huge fan, actually. that's your experience as well isn't it?

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It's totally my experience.

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I was like with the previous season.

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There's stories that I just would forget about.

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And in this, I just remembered Romana in the big white fluffy thing, the shrivenzal, and that pit that it's in that they have to escape from.

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I remember that shrieking woman making predictions and everything else.

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I remember that boring guy, what's his name, Binroe, and some guy who looked like somebody off play school.

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And that's all I really remembered.

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And I just was underwhelmed by it.

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It was a story that I never really thought much about and it just sort of washed over me and whenever I saw it.

207
00:15:26.639 --> 00:15:31.379
But now I think it's spectacular and maybe the best one of the season.

208
00:15:31.440 --> 00:15:44.700
And I can see why why it's not very kid friendly because it is that Bob Holmes thing where you have one kind of crummy monster just to remind you that it's Doctor Who. you know, this week, the role of the giant rat will be played by the Shrivenzaal.

209
00:15:44.759 --> 00:15:48.539
But mostly it's about interactions between people.

210
00:15:48.600 --> 00:15:49.139
Yeah, yeah.

211
00:15:49.200 --> 00:15:50.940
But the people are all great.

212
00:15:51.000 --> 00:15:54.179
See, I always loved this one as a child.

213
00:15:54.299 --> 00:15:56.580
This was one of my go tos. as a kid.

214
00:15:56.940 --> 00:15:59.759
He's got better taste than us, I think, clearly.

215
00:15:59.820 --> 00:16:08.340
You see, for me, the key to time season is very strange, because as a kid, I only had the reboss operation, the Pirate Planet, and Stones of Blood.

216
00:16:08.399 --> 00:16:09.600
They're the best three.

217
00:16:09.659 --> 00:16:12.539
The last three, I didn't see until I was about 19.

218
00:16:12.720 --> 00:16:16.259
Right. which will become significant when we get to those.

219
00:16:16.320 --> 00:16:19.500
But yeah, this was one that I constantly loved watching.

220
00:16:19.559 --> 00:16:25.679
And the Shrivenzar didn't particularly scare me, but I didn't think it was particularly crap.

221
00:16:25.740 --> 00:16:27.240
I think it's much better than the giant rat.

222
00:16:27.299 --> 00:16:27.899
Oh, yeah, it is.

223
00:16:27.899 --> 00:16:33.240
You know, it helps that there's 2 operators inside it, so it doesn't just look like someone on all 4s.

224
00:16:33.299 --> 00:16:34.080
It's cute.

225
00:16:34.139 --> 00:16:35.279
I think it's cute.

226
00:16:35.340 --> 00:16:36.600
And I love a pet chew.

227
00:16:36.659 --> 00:16:39.299
I think Stuart Fell was the back end, right?

228
00:16:39.360 --> 00:16:40.740
And he says...

229
00:16:40.740 --> 00:16:43.080
He was always losing the task, wasn't he?

230
00:16:43.139 --> 00:16:47.039
He says that there were no air holes in it.

231
00:16:47.100 --> 00:16:49.980
So the only way you could get oxygen was when the mouth opened.

232
00:16:50.700 --> 00:16:57.659
So not only is he on some guy's rear end, he's getting no air. as well.

233
00:16:57.720 --> 00:17:00.000
And when he does get the air, it has to go past the other guy.

234
00:17:00.059 --> 00:17:01.259
Oh, dear.

235
00:17:01.320 --> 00:17:03.960
But yeah, it was the characters in this.

236
00:17:04.019 --> 00:17:11.160
And especially Unstorf and Garron, who were the 2 I really, really enjoyed watching.

237
00:17:11.220 --> 00:17:16.380
So I've got Nigel Plaskett, who's Anstoffen, Ian Cuthbertson as Garrett.

238
00:17:16.440 --> 00:17:21.599
I think we were required by law to call this Holmesey and Double Act. Yes, right.

239
00:17:21.660 --> 00:17:22.500
Even though I'm not.

240
00:17:22.500 --> 00:17:23.880
There's 2 homes and double X in this.

241
00:17:23.940 --> 00:17:27.180
Because we've got the Grafin Decay and Sholac as well.

242
00:17:27.240 --> 00:17:30.420
Do you know incredibly homoerotic double act?

243
00:17:30.480 --> 00:17:32.339
Rod didn't even notice that.

244
00:17:32.400 --> 00:17:37.319
The graph in decay, I think, is an absolutely spectacular performance.

245
00:17:37.440 --> 00:17:39.299
I think he is incredible.

246
00:17:39.359 --> 00:17:46.380
This is Paul Seed, who will go on to direct the 1st 2 series of House of Cards, the British House of Cards.

247
00:17:46.440 --> 00:17:49.799
And it's his dog that bites Tom in the face.

248
00:17:49.859 --> 00:17:54.720
So can we talk about that just very briefly and then circle back round to Paul Seed?

249
00:17:54.779 --> 00:18:00.000
Tom has these horrible wounds on his face that are really, really visible in a lot of scenes.

250
00:18:00.119 --> 00:18:02.279
And they look terrible, don't they?

251
00:18:02.339 --> 00:18:04.680
And I think they're probably trying to cover them up with makeup.

252
00:18:04.740 --> 00:18:05.400
Yeah they are.

253
00:18:05.460 --> 00:18:09.599
And there are some publicity pictures where he's got a big black sticking plaster.

254
00:18:09.660 --> 00:18:22.799
And what happened was, they're at the pub, and Paul Seed has a dog, and someone tells Tom that don't do this particular thing, 'cause the dog reacts, and it'll bite you.

255
00:18:22.859 --> 00:18:26.279
And so, of course, Tom does that thing, that reacts and bites his face.

256
00:18:26.339 --> 00:18:35.160
Yeah, I think what it was is Paul Seed said, oh, he's got this trick, watch, and picked up a little sausage and put the sausage in his mouth, and the dog jumped up and bites the other half of the sausage.

257
00:18:35.220 --> 00:18:39.660
And now, of course, that's okay when you own the dog, you know where to put the sausage and what have you.

258
00:18:39.720 --> 00:18:41.160
But Tom go...

259
00:18:41.220 --> 00:18:42.059
Stop it.

260
00:18:42.660 --> 00:18:51.240
But Tom then does it, and I don't know if he positioned the sausage wrongly, but yeah, the dog jumped up and bit his lip as well as the sausage.

261
00:18:51.359 --> 00:18:54.720
I don't think it's as obvious in this story that the lips bit.

262
00:18:54.779 --> 00:19:01.799
It's actually Pirate Planet because he bumps the doctor bumps his face at the beginning of the pirate planet and then it sort of like, well, it was still healing then.

263
00:19:01.859 --> 00:19:02.400
That's the thing.

264
00:19:02.519 --> 00:19:08.460
I think I'd heard that the covering it up with makeup was upsetting Tom, that it was hurting and things.

265
00:19:08.519 --> 00:19:12.900
And so they wrote that into pirate planets so that they didn't have to cover it up with makeup.

266
00:19:12.960 --> 00:19:15.480
Yeah. which is, you know, it's understandable.

267
00:19:16.980 --> 00:19:22.259
You might as well, if it's an open wound, you might as well cover it with dirt if you're covering it in makeup.

268
00:19:22.319 --> 00:19:23.279
Not pleasant.

269
00:19:23.339 --> 00:19:26.160
Paul scene is phenomenal, right?

270
00:19:26.220 --> 00:19:31.319
This is one of the discoveries that I've made watching this story many years later.

271
00:19:31.380 --> 00:19:34.200
This is my equal 2nd favourite of the season.

272
00:19:34.259 --> 00:19:36.900
And I think it is extremely well crafted.

273
00:19:36.960 --> 00:19:41.579
I have to give it to anybody who can go, for a cliffhanger, go, Sherlock.

274
00:19:41.640 --> 00:19:44.880
No one makes a fool of the gruff binder key and lives.

275
00:19:46.920 --> 00:19:48.779
I just love that ending.

276
00:19:48.839 --> 00:19:54.420
There's not a moment of humour or self awareness in the performance at all.

277
00:19:54.539 --> 00:19:56.099
It's played completely straight.

278
00:19:56.160 --> 00:19:59.880
The graph indicate is clearly an absolute idiot.

279
00:19:59.940 --> 00:20:05.880
He's been deposed from the Lavivian throne because his people absolutely hated him.

280
00:20:05.940 --> 00:20:06.960
But he has...

281
00:20:06.960 --> 00:20:08.160
Even though he is by right.

282
00:20:08.220 --> 00:20:11.160
That's right. has no self-awareness.

283
00:20:11.220 --> 00:20:16.259
He's constantly he's constant obsession is that he's being made a fool of.

284
00:20:16.319 --> 00:20:20.039
And the narrative makes a fool of him the entire way.

285
00:20:20.339 --> 00:20:22.619
And he just plays it.

286
00:20:22.680 --> 00:20:25.019
There's not a hint of camp or anything.

287
00:20:25.079 --> 00:20:33.599
Even at the very end when he's, you know, we bring up the background noise of battles that he's imagining as he goes off to get blowed up.

288
00:20:33.660 --> 00:20:35.759
It's actually quite moving.

289
00:20:35.819 --> 00:20:45.420
You feel for him in those last few minutes, like from when Sherlock dies and his reaction to that, you, you, you kind of, you almost sympathise with him.

290
00:20:45.480 --> 00:20:53.279
You know, you don't agree with what he was doing, but you think, my God, you actually think that you are right and just in what you're doing.

291
00:20:53.339 --> 00:20:58.440
It's terrific, and I don't think we've ever seen anything quite like it in Doctor Who before.

292
00:20:58.500 --> 00:21:03.779
Yeah, I mean, especially not because, of course, by this stage, Graham Williams has seen Star Wars.

293
00:21:03.839 --> 00:21:04.799
Yeah.

294
00:21:04.799 --> 00:21:13.259
As we discussed a couple of weeks ago, Star Wars came out in the gap between the Sunmakers and Underworld.

295
00:21:13.319 --> 00:21:17.279
Underworld was the 1st Doctor Who that people saw after Star Wars.

296
00:21:17.339 --> 00:21:19.319
And lots of people saw it too.

297
00:21:19.380 --> 00:21:22.079
I mean, that story's got the highest rated episode of that season.

298
00:21:23.880 --> 00:21:31.559
So yeah, Graham Williams, for this season, deliberately decided we need to focus on character because we can't match the special effects.

299
00:21:31.619 --> 00:21:35.460
And with last season, there were lots of spaceship special effects.

300
00:21:35.519 --> 00:21:44.220
You know, you had the Titan shuttle, you had the R1 city, uh, you had the Varden ship, uh, over Gallifrey, and they weren't terrible models.

301
00:21:44.279 --> 00:21:45.539
No, no, they were quite good models.

302
00:21:45.599 --> 00:21:55.980
But even now with Reebos operation, despite the fact that you have 2 spaceships landing, you have Garon spaceship, and you have the graph indicated spaceship, they've elected, we're not going to show those.

303
00:21:55.980 --> 00:22:02.579
Instead, we're going to build really great sets, have really great costumes and really good performances and a cracking script.

304
00:22:02.640 --> 00:22:05.519
And it's like, okay, you know, this is what Doctor Who does well.

305
00:22:05.579 --> 00:22:07.559
And that's what I really like about this.

306
00:22:07.619 --> 00:22:14.220
It's the fact that it's very homes in that he sets it in a few different locations, right?

307
00:22:14.279 --> 00:22:16.559
But you don't necessarily see the outside of things.

308
00:22:16.619 --> 00:22:20.579
And as a kid, I used to kind of visualise this whole season as a series of movies.

309
00:22:20.640 --> 00:22:32.160
So you would see this, the ships coming into the north that you would see this decaying city with the catacombs and all that sort of thing, which we don't get to see, obviously, in this for budgetary reasons.

310
00:22:32.220 --> 00:22:35.700
And I like the fact that it is outdoors, but it's set indoors and they can do that.

311
00:22:35.759 --> 00:22:40.559
It gives this season the 1st 5 stories because there's so much location work in the next four.

312
00:22:40.619 --> 00:22:43.799
It feels like it's outside and it's bigger and they're using the budget really well.

313
00:22:43.859 --> 00:22:48.119
Yeah, so I really like, you know, the use of the sets and that sort of thing.

314
00:22:48.180 --> 00:22:57.359
Although when Romana and the doctor are in the relic room and the graft indicays outside, like literally like 2 seconds away from them and they're having to hide and they're having like a 5 minute conversation.

315
00:22:57.420 --> 00:22:59.400
Like there's, you know, there's those...

316
00:22:59.400 --> 00:23:00.359
It's a bit stagey.

317
00:23:00.420 --> 00:23:01.680
Yes, it's staged that way.

318
00:23:01.740 --> 00:23:05.220
They hide behind those 2 little screens that could hide nobody in a 1000000 years.

319
00:23:05.279 --> 00:23:07.680
But, you know, that's minor little things.

320
00:23:07.740 --> 00:23:23.160
And like, you know, I always used to imagine that the concourse where they find Binro would have been much bigger, you know, had they done a big movie version of this and the whole relic room and getting into it would have been a much bigger sort of drama to get into, not as it seems to be.

321
00:23:23.940 --> 00:23:31.500
It's also weird because it's, I think, the only time that classic Doctor Who does a heist movie.

322
00:23:31.559 --> 00:23:40.859
It's a really unusual heist too, in our sense, because the very 1st scenes are putting a precious object into the relic room.

323
00:23:40.920 --> 00:23:42.119
Yeah, they're not stealing something.

324
00:23:42.180 --> 00:23:43.920
It's an anti-heist. an anti-heist.

325
00:23:44.039 --> 00:23:45.480
It's really clever in that way.

326
00:23:45.539 --> 00:23:52.859
So we should talk about Unstuff and Darren, and I absolutely loathed his performance as a child.

327
00:23:52.920 --> 00:23:54.480
I just hated it.

328
00:23:54.539 --> 00:23:55.619
It was so over the top.

329
00:23:55.680 --> 00:24:04.140
I just really just was turned off by the same way I really hated Jago, the same way I don't like the pirate captain.

330
00:24:04.200 --> 00:24:06.180
Like, I just hate these big overdrop performances.

331
00:24:06.240 --> 00:24:08.460
Now I think it's absolutely brilliant.

332
00:24:08.519 --> 00:24:11.220
They're really funny together, right?

333
00:24:11.279 --> 00:24:12.180
Oh, yeah, yeah.

334
00:24:12.240 --> 00:24:20.940
And Unstroft reminds me, the guy who plays him reminds me of a guy from Play School here in Australia on ABC TV.

335
00:24:21.000 --> 00:24:24.059
We used to have like Noni Hazelhurst and there was this other guy.

336
00:24:24.119 --> 00:24:27.960
I never remember his name, who was with her throughout a lot of the stuff as a kid.

337
00:24:28.019 --> 00:24:29.220
And I think he did it for about 20 years.

338
00:24:29.339 --> 00:24:31.500
Was he the one who ended up on neighbours?

339
00:24:31.619 --> 00:24:32.339
No.

340
00:24:32.400 --> 00:24:35.039
They all ended up on neighbours sooner or later.

341
00:24:35.160 --> 00:24:39.059
But he's just got that open, honest face, and I always used to get confused as a kid.

342
00:24:39.119 --> 00:24:41.880
I thought it was the guy from Play School, but of course it's not.

343
00:24:41.940 --> 00:24:45.000
And his performance, who plays and stuff?

344
00:24:45.059 --> 00:24:46.380
Nigel Plaskett.

345
00:24:46.440 --> 00:24:48.900
I think it's just a beautiful performance.

346
00:24:48.960 --> 00:24:50.700
Absolutely divine.

347
00:24:50.759 --> 00:24:55.079
And his scenes with Binroe, which as I said, as a kid, I found really boring.

348
00:24:55.140 --> 00:24:58.740
Now I just think they're the heart and soul of the 2nd part of the story.

349
00:24:58.799 --> 00:25:01.500
Yeah, I think so too. just amazing stuff.

350
00:25:01.559 --> 00:25:04.200
Yeah, it's amazing when you consider that at the end of this year.

351
00:25:04.619 --> 00:25:09.180
Bob Holmes disappears from the show for about five years.

352
00:25:09.240 --> 00:25:15.240
And yet, in this story, he writes a few really beautiful emotional scenes.

353
00:25:15.299 --> 00:25:20.880
You've got unstopping Ben Rowe talking, and especially the moment Unstoft tells Ben Rowe, you're actually right.

354
00:25:21.000 --> 00:25:24.180
And Unstock gains nothing from that.

355
00:25:24.299 --> 00:25:27.539
You know, there is honour amongst thieves.

356
00:25:27.599 --> 00:25:44.460
You've got unstopped reaction when Binro is killed, which is sort of one of the most human and real reactions we've had to death, especially Bob Holmes, who's quite, you know, known for just as Stephen Moffatt would put it, creating interesting characters and then melting them.

357
00:25:44.519 --> 00:25:49.440
You've got the aforementioned scene with the gruff Vindicay reacting to Sholak's death.

358
00:25:49.500 --> 00:26:00.839
You know, this is a story where death happens, like in all Doctor Who, but unlike a lot of Doctor Who, it doesn't go unremarked, you know, a couple a couple of guards are killed.

359
00:26:00.900 --> 00:26:02.940
Oh, can we talk about the guard captain?

360
00:26:03.000 --> 00:26:06.359
Prentice Hancock is back, ladies and gentlemen.

361
00:26:06.420 --> 00:26:11.460
I think giving him a really minor role with hardly any lines is the perfect thing to do.

362
00:26:11.519 --> 00:26:13.559
If you get a cast, apprentice Hancock.

363
00:26:13.619 --> 00:26:18.599
Put him in a fluffy hat, give him about 6 lines and then get on with your life, I think.

364
00:26:18.660 --> 00:26:23.640
And he's supposed to be like, the guard captain, it seems, that the whole city.

365
00:26:23.700 --> 00:26:33.539
Like, it's supposed to be quite a, like, that's what I get from the script is very subtle, but of course, it's a character with no character compared to the others, and he plays that to perfection.

366
00:26:33.599 --> 00:26:34.920
Yeah, yeah, absolutely.

367
00:26:34.980 --> 00:26:39.240
I mean, poor Prentice, how the mighty have fallen, because last time he was in Doctor Who.

368
00:26:39.359 --> 00:26:42.839
He was almost playing the lead villain in Planet of Evil.

369
00:26:42.960 --> 00:26:43.799
Yeah.

370
00:26:43.799 --> 00:26:48.539
And that was when his style was rising and, you know, he was in space 1999.

371
00:26:48.779 --> 00:26:53.579
Now by this time, space 1999 is not only off the air, but he didn't get brought back for the 2nd season.

372
00:26:53.759 --> 00:26:58.200
Yeah, and he's back down to playing guard captain.

373
00:26:58.259 --> 00:27:00.119
I quite liked him in space 1999.

374
00:27:00.299 --> 00:27:02.039
But I must admit, I haven't watched for many years.

375
00:27:02.099 --> 00:27:03.839
Oh, you should. hilarious.

376
00:27:04.140 --> 00:27:12.480
I actually find this script a bit Star Trek, in the fact that these guys are visiting a world that has lesser technology than their own.

377
00:27:12.599 --> 00:27:15.000
And level 3 society?

378
00:27:15.000 --> 00:27:16.319
Yeah, level 3 society.

379
00:27:16.380 --> 00:27:21.779
They all fly into the north, they've come from the north and they have to have their passes and that sort of thing.

380
00:27:21.839 --> 00:27:24.240
It's just something that I kind of noted.

381
00:27:24.299 --> 00:27:27.420
Like, it tickles my fancy when, oh, yes, you're from the north.

382
00:27:27.480 --> 00:27:31.859
There's a reasonable attempt to build a world and you always get that from Bob Holmes.

383
00:27:31.920 --> 00:27:37.319
You get the feeling that there are things and places beyond what you see on screen.

384
00:27:37.380 --> 00:27:46.920
So you've got the greatest Serenic Empire and the Magellanic Mining Corporation, and you've got the city of Sher and the tundra and merchants from the north and all of that kind of thing.

385
00:27:46.980 --> 00:27:55.500
He always creates a world, and there's lots of place names, and things like that, which I think works terribly well, and he does it sort of every year.

386
00:27:55.619 --> 00:28:00.240
It just feels really desolate and isolated, and it looks great.

387
00:28:00.299 --> 00:28:01.500
It just looks spectacular.

388
00:28:01.559 --> 00:28:03.599
Now, we must talk about the seeker.

389
00:28:03.660 --> 00:28:06.059
The seeker, played by Anne Turand.

390
00:28:06.119 --> 00:28:11.160
I mean, it's great that there's another, there's a female character who in the 2nd half of the story, thanks, Bob.

391
00:28:11.220 --> 00:28:14.279
Yeah, he doesn't do a good job of that this year, does he?

392
00:28:14.339 --> 00:28:19.259
This is his only female guest character. character in 8 episodes this year.

393
00:28:19.380 --> 00:28:25.980
Thankfully, the rest of the stories have very strong parts for women and very strong actresses playing them.

394
00:28:26.039 --> 00:28:33.420
She's weird to see her in that she actually can predict the future and can find things. like she's always correct.

395
00:28:33.480 --> 00:28:36.240
Yes, yeah. when people don't believe her.

396
00:28:36.539 --> 00:28:44.700
And, you know, the new series, in the end of time, where that seeker woman, and I'm just there going, have they just ripped that off?

397
00:28:44.759 --> 00:28:45.660
You know what?

398
00:28:45.660 --> 00:28:46.559
The reboss operation?

399
00:28:46.619 --> 00:28:47.279
It's Russell.

400
00:28:47.339 --> 00:28:48.299
So I'm sure they have.

401
00:28:48.359 --> 00:28:52.859
I mean, this is Russell who, in his 1st year went, oh, we're not going to have loads of continuity.

402
00:28:52.920 --> 00:28:54.240
We're not going to have loads of continuity.

403
00:28:54.299 --> 00:28:57.240
My father would have fed me to the venom.

404
00:28:57.299 --> 00:28:57.779
Yeah, yeah, yeah.

405
00:28:57.779 --> 00:29:00.059
The face of Beau from the iceop galaxy.

406
00:29:00.119 --> 00:29:01.440
Yeah, that was deliberate.

407
00:29:01.500 --> 00:29:02.279
Thanks, Russell.

408
00:29:02.400 --> 00:29:04.019
Yeah, I think she's wonderful.

409
00:29:04.079 --> 00:29:06.420
And it is so interesting, Todd.

410
00:29:06.480 --> 00:29:07.259
You're right.

411
00:29:07.319 --> 00:29:14.940
That, despite the fact that, yes, she is this superstitious bone shaker, as she's called.

412
00:29:15.000 --> 00:29:17.880
All of her predictions are absolutely right.

413
00:29:18.119 --> 00:29:22.619
And I quite like, she never really meets the doctor.

414
00:29:22.680 --> 00:29:28.799
So he doesn't have a chance like he did with Mark Tyler last season to kind of say, oh yes, you were born.

415
00:29:28.859 --> 00:29:30.900
You're a time fisher, and that's why you can have visions.

416
00:29:30.960 --> 00:29:34.680
I like that there's no explanation for it and it's not really remarked upon.

417
00:29:34.740 --> 00:29:44.940
Because on the one hand, you've got the discussion between Onstop and Binroe about science versus religion, really. you know, because Ben Rose Galileo, basically.

418
00:29:45.000 --> 00:29:52.079
But on the other hand, you have this religious slash magical ceremony that works and yields results.

419
00:29:52.140 --> 00:29:57.240
Do you know, I actually think there's more to that conversation than science versus religion?

420
00:29:57.299 --> 00:30:01.019
And this is something that Xander talks about as well.

421
00:30:01.079 --> 00:30:06.359
I think it's Bob Holmes attacking the premise of the season long arc.

422
00:30:06.420 --> 00:30:21.119
So we go from this big introduction, and there's a huge galactic problem, and there's 2 opposing forces, these two warring gods, you know, the white and black guardian, who, you know, are in conflict, and they're both searching for the key to time.

423
00:30:21.240 --> 00:30:28.140
And for a second, the doctor suspects that maybe Garin is an agent of the Black Guardian, although that's dropped pretty quickly.

424
00:30:28.200 --> 00:30:45.420
But the other group of people who believe that their world is a battleground over which, you know, warring gods are fighting, the people of Rebos, who believe that there are gods, you know, the ice gods and the sun gods are fighting over Rebos.

425
00:30:45.539 --> 00:30:53.220
And that view, the view, the warring god's view is associated with superstition and is roundly rejected by the story.

426
00:30:53.279 --> 00:31:06.660
So when you get Binro saying he doesn't believe in the ice gods and the sun gods, you get unstuff explaining that the reality is, you know, just a physical reality, there are no gods.

427
00:31:06.779 --> 00:31:10.500
But the whole premise of the arc is that there are gods.

428
00:31:10.619 --> 00:31:24.059
And even by telling a story, you know, there's this huge war in heaven, but we go to Rebos for a story about two con men trying to sell a planet to an idiot, kind of dictator.

429
00:31:24.180 --> 00:31:26.160
The scale is incredibly small.

430
00:31:26.220 --> 00:31:29.460
Nothing's under threat, nothing very much as at stake.

431
00:31:29.519 --> 00:31:34.079
I think it's a rejection of the idea of the epic basis of the story.

432
00:31:34.200 --> 00:31:36.059
Hmm.

433
00:31:36.119 --> 00:31:44.039
There's a couple of things that Garan talks about this instrument being Japanese, because it doesn't work, which is a bit racist in itself.

434
00:31:44.160 --> 00:31:56.220
It's also kind of weirdly out of date because, you know, those people who are our age think of the Japanese as being incredibly great at consumer electronics.

435
00:31:56.220 --> 00:31:56.579
Yeah, yeah.

436
00:31:56.640 --> 00:32:04.019
But people of homes as vintage thought that they're, you know, the made in Japan was a sign of sort of shoddy manufacturer.

437
00:32:04.079 --> 00:32:09.119
And then, of course, he sells the Sydney Harbour Bridge. and the Opera House.

438
00:32:09.299 --> 00:32:11.099
Well, no, he refused to sell the opera house.

439
00:32:11.160 --> 00:32:13.079
He couldn't let that part of our cultural heritage.

440
00:32:13.140 --> 00:32:14.579
It makes you an Arab.

441
00:32:14.640 --> 00:32:15.180
Yeah, yeah.

442
00:32:15.240 --> 00:32:17.220
Came after me with a machine gun.

443
00:32:17.279 --> 00:32:19.920
Well, that's that's a line.

444
00:32:19.980 --> 00:32:20.819
Oh, line. the line.

445
00:32:20.880 --> 00:32:22.079
More interesting in that.

446
00:32:22.140 --> 00:32:26.460
The reason he's selling the Sydney Harbour Bridge is because in the original script, he's Australian.

447
00:32:26.519 --> 00:32:30.900
So he's a massive Australian racist, which is a little close to home.

448
00:32:30.960 --> 00:32:34.140
It's fun accents with both unstopping, Karen.

449
00:32:34.200 --> 00:32:35.400
Like, its accents all the way.

450
00:32:35.460 --> 00:32:47.579
Karen's got his incredibly ludicrously fake posh accent, which he uses with a graph and with a doctor. and then he's got his sort of ridiculous cockney accent that he uses with unstov.

451
00:32:47.640 --> 00:32:49.619
And that's sort of terribly funny.

452
00:32:49.680 --> 00:32:52.319
But I would have loved to have heard him do an Australian accent.

453
00:32:52.319 --> 00:32:53.279
That would have been terrific.

454
00:32:53.339 --> 00:32:54.240
Yeah, yeah.

455
00:32:54.299 --> 00:32:55.920
I like the use of canine in this story.

456
00:32:55.980 --> 00:32:58.740
Especially when he destroys rocks.

457
00:32:58.799 --> 00:33:01.440
It's not that pathetic little like laser beans.

458
00:33:01.500 --> 00:33:05.160
You actually get a wide beam and it just disappears and that sort of thing.

459
00:33:05.339 --> 00:33:07.920
Yeah, I actually quite like his use in this story.

460
00:33:07.980 --> 00:33:09.539
Yeah, it's quite effective.

461
00:33:09.599 --> 00:33:12.599
And he gets a fair bit of character in it as well.

462
00:33:12.660 --> 00:33:17.039
Like, when Garren disappears and Romana's like, why didn't you tell me?

463
00:33:17.099 --> 00:33:18.599
Because you didn't.

464
00:33:18.660 --> 00:33:21.059
You're very irritating. start sulking.

465
00:33:21.119 --> 00:33:23.099
She actually says you're a very irritating computer.

466
00:33:23.160 --> 00:33:26.339
And I get the impression that Romana doesn't know what a dog is.

467
00:33:26.400 --> 00:33:27.660
Do you know what I mean?

468
00:33:27.720 --> 00:33:31.920
Yeah, and she just is responding to it as if it's as if he's a computer.

469
00:33:31.980 --> 00:33:38.519
Yeah, and of course, one last thing about Mary before we go on because Rod loves Mary Tam as well.

470
00:33:38.579 --> 00:33:47.400
You know, in a way, it took him about 2 or 3 stories to accept that lower ward was even on the screen next season because she's not Mary Tam.

471
00:33:47.640 --> 00:33:51.779
His description of Mary Tam in the story is Romana's eyebrows could raise the Titanic.

472
00:33:51.839 --> 00:34:06.839
I love the fact that she's is a bit clueless about the key to time, like the actual segments, like she assumed that it was the crown, not the scringe stone, or the Jethrick, and this happens for a few stories, but she doesn't quite work out what it actually is.

473
00:34:06.900 --> 00:34:09.300
Yeah, because she's thinking it'll be the obvious thing.

474
00:34:09.300 --> 00:34:13.139
When, you know, if you're going to disguise something, don't make it the obvious thing.

475
00:34:13.199 --> 00:34:15.960
Indiana Jones in the last crusade, you know, that's the cup of a carpenter.

476
00:34:16.019 --> 00:34:24.539
Now, the doctor blows up the graft in decay or Robert Holmes allows that to happen within the script.

477
00:34:24.599 --> 00:34:26.639
Do you think that's a problem?

478
00:34:26.699 --> 00:34:27.360
No.

479
00:34:27.420 --> 00:34:34.139
See, yeah, I don't think it's a problem because it juxtaposes really well with the sort of fun jolly adventure we've been having.

480
00:34:34.199 --> 00:34:41.940
Yet we're having this fun, jolly adventure, but we then have this really villainous psychopathic character in there.

481
00:34:42.000 --> 00:34:54.300
And it's something I wrote about in you and who contact has been made because in the 90s, when I was just getting into fandom, of course, that's when the new adventures were about.

482
00:34:54.360 --> 00:35:01.440
And I hadn't read many of them, but I really objected to the sort of coldness and the callousness of the doctor in some of them.

483
00:35:01.500 --> 00:35:08.340
John Anderson, I think, was running a panel at a convention and had this role play.

484
00:35:08.400 --> 00:35:13.980
So I was the doctor, Alex Gibbs and Bruce Greenwood, where my 2 companions who were tied to a nuclear bomb.

485
00:35:14.039 --> 00:35:17.219
And as the doctor I had the option to let them die or kill the villain.

486
00:35:17.760 --> 00:35:20.280
And that's You let them die?

487
00:35:20.340 --> 00:35:21.420
You know what?

488
00:35:21.480 --> 00:35:29.760
I can't, all I can remember about it was every time I tried to speak, Alex or Bruce would just go, help, help, help.

489
00:35:29.820 --> 00:35:38.219
But no, it raises the point that sometimes the doctor has to do really quite. questionable things to get out of this situation.

490
00:35:38.280 --> 00:35:43.139
And in this situation, Yeah, it's not like he's brought the bomb with him.

491
00:35:43.199 --> 00:35:46.019
It's not like he's gone, oh, I've got a grenade in my pocket.

492
00:35:46.079 --> 00:35:46.860
I love that at you.

493
00:35:46.920 --> 00:35:49.920
It's a matter of, the graph has put the bomb on the doctor.

494
00:35:49.980 --> 00:35:51.539
It's like, well I've got 2 options here.

495
00:35:51.960 --> 00:35:55.320
Blow myself up or switch, blow him up.

496
00:35:55.380 --> 00:36:01.980
And the thing is, the graph vindicate is going to go back out on the surface and start killing people and wage, wage further war.

497
00:36:02.039 --> 00:36:03.960
So it's like, what do I do?

498
00:36:04.019 --> 00:36:04.500
Yeah.

499
00:36:04.559 --> 00:36:08.219
After he's done it, the doctor doesn't sort of smile into the camera or anything.

500
00:36:08.280 --> 00:36:11.340
You see, it's not like he stabs him in the head either.

501
00:36:11.400 --> 00:36:12.360
Do you know what I mean?

502
00:36:12.420 --> 00:36:16.860
Like he does a comedy bit of sleight of hand, which is, you know, happens again.

503
00:36:16.920 --> 00:36:26.159
There's a callback to it, right, at the very end when they're swapping the Jethric, which is one of the most valuable substances in the universe.

504
00:36:26.219 --> 00:36:27.059
Yes.

505
00:36:27.059 --> 00:36:28.500
Take a drink.

506
00:36:28.559 --> 00:36:30.000
The many.

507
00:36:30.059 --> 00:36:31.739
This year's Argonite.

508
00:36:31.800 --> 00:36:34.920
It's not quite the doctor killing someone.

509
00:36:34.980 --> 00:36:41.219
It's a doctor doing a sort of comedy magic trick that just ends up causing the villain to fall into his own trap.

510
00:36:41.280 --> 00:36:42.539
That's what the doctor does.

511
00:36:42.599 --> 00:36:46.380
Yeah, you know, it's trapping the Daleks in mirrors in the 5 doctors.

512
00:36:46.440 --> 00:36:49.199
It's reflecting the Borad's power being back at him.

513
00:36:49.260 --> 00:36:54.480
You know, it's giving the villain a chance to just leave and the villain dozens.

514
00:36:54.539 --> 00:36:56.340
I was like, okay, this is what I got to do.

515
00:36:56.460 --> 00:37:01.860
I think there are far more objectionable things that the doctor does coming up and even in the new series.

516
00:37:21.000 --> 00:37:26.880
Well, it's four of the Croquenols well, so that's all the time we have for the Ryeboss operation.

517
00:37:27.000 --> 00:37:30.420
Or the reboss operation, whatever, Nathan.

518
00:37:30.539 --> 00:37:34.980
Please come back and join us next week for the Pirate Planet.

519
00:37:35.039 --> 00:37:41.820
Don't forget, you can find us online at Flightthrough Entirety.com, flight through Entirety on Facebook and iTunes or FTE podcast on Twitter.

520
00:37:41.880 --> 00:37:47.099
Currently available on Bondfinger at our 1st 5 commentaries covering up two.

521
00:37:47.159 --> 00:37:48.300
You only live twice.

522
00:37:48.360 --> 00:37:54.480
You can also find that Bondfinger cast on Twitter, Bondfinger on Facebook and iTunes.

523
00:37:54.539 --> 00:37:59.400
Until we see you next week, May, all your shrivenzals be able to breathe out their back end.

524
00:37:59.460 --> 00:38:00.539
Thank you very much and good night.

525
00:38:00.599 --> 00:38:01.260
Good night.

526
00:38:01.320 --> 00:38:01.980
See you soon.

527
00:38:05.039 --> 00:38:09.239
That was Flatter Entirety with Todd BLB, Nathan Bottomley and Brendan Jones.

528
00:38:09.599 --> 00:38:15.480
This episode, he positioned the sausage wrongly, was recorded on Sunday the 4th of October.

529
00:38:15.539 --> 00:38:19.019
The next episode will be released on December 13th.

530
00:38:19.980 --> 00:38:24.480
I'll bet that before you heard this podcast, you were even willing to be impressed.

531
00:38:28.619 --> 00:38:33.420
I quite like them in space 1999, but I must admit, I haven't watched it for many years.

532
00:38:34.079 --> 00:38:34.500
Oh, you should.

533
00:38:34.559 --> 00:38:35.219
It's hilarious.

534
00:38:35.820 --> 00:38:37.980
I'll edit this part out.

535
00:38:38.039 --> 00:38:48.659
But um, network on air until the end of today, uh, so the UK company releasing it, it's £10 for the 1st series on Blu-ray.

536
00:38:48.719 --> 00:38:50.460
Okay, I'm not going to come by.

537
00:38:50.519 --> 00:38:51.539
Okay.