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NOTE
This transcript was created on 2026-06-07 at 16:23:27

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Hello, dear listeners, and welcome back to Flight Through Entirety, the only Doctor Who podcast who knows exactly what a counter jamming frequency projector looks like.

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I'm Brendan.

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I'm Nathan.

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I'm Todd.

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And we are heading onto the planet Xanak for the pirate planet.

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Well, this is my fourth favourite story in the key to time season.

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And that's not a bad thing.

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I really enjoy the first four stories a lot.

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I just, the other three around this own, I like a little bit more.

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But, you know, we have to thank Anthony Reid. for bringing Douglas Adams to the table, to television, in the documentary that's on the DVD with this.

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He says that Douglas had great ideas.

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They just needed to be put into a structure, and here I think he generally does succeed.

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I think one of the greatest things about Douglas's work, and one of his greatest limitations, is the fact that the ideas that he presents are so big and overarching, that sometimes I think the technology at the time doesn't quite match what is required to visually interpret things, and certainly a few aspects in this story.

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But I generally like this story quite a lot.

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It's a really just a terribly funny script, isn't it?

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Yeah, it really is.

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And, you know, there are a few things that he minds for comedy all the way through.

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So, there's all of these sort of absurd names for the various minerals that they're mining, you know, William and Magronite 15 and PJ X18 and all of that sort of thing.

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And all the planets had sort of silly, silly names, you know, Xanax and Calufracs.

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And then there's all the techno babble as well.

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You know, that's probably just an old macromat field integrator or something.

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And all of that, which will sort of carry on next year when he takes over a script and all of it just adds a kind of lightness of tone to the whole proceedings, which is a little bit deceptive, really, given.

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Yeah, it's quite, it's quite dark in terms of content.

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When you get when you get to the actual concept of the story and what's happening.

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Again, a lot like the last story, death in this story is isn't just swept onto the rug when the doctor explains to Chemus and Romana what's going on.

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Chemist actually takes a moment and gets really upset about, you know, what's been happening.

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So this planet.

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So we've got this high concept, which is a planet that a hollow planet that materialises around other planets and mines them.

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And it's a ridiculous high concept premise.

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But as you say, it becomes real when we're told that it has been materialising around populated planets and killing, like literally 100s of 1000000s of people.

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What's an old guy's name?

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Oh, oh, Balaton.

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We do need to talk about the performances.

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Well, let's start, let's start with, we've got a nice Tartar scene, I think, at the beginning of the story, which I quite like, and the doctor talks about 523 years operating the TARDIS, so we've got a bit of a time frame to things.

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I don't know whether that's quite true.

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No, it'll be contradicted in by Drax in the Armageddon fact, it's quite soon.

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And I love the fact that they put the 1st segment of the key to time in an old bridge.

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I mean, that's always a great thing to see.

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The limbo cupboard.

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So they have that room, don't they?

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That black room.

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The black room.

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With the old style fridge.

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Yeah.

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And it is called the limbo room.

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That's what it said, that's what it's called in the script.

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Oh okay.

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I believe Graham Williams' concept was, you know, if the TARDIS is infinite and infinitely adjustable because we've seen so many different console rooms. then you don't actually need a corridor leading to a specific place.

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As soon as you walk out the door, the TARTAS will scan your brain and put what you want on the other side of the door.

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You know, they never explain it, because why would the doctor have to explain that to Ramana?

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She knows all about Tartases.

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But I love it.

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And we see a couple of times this season, they go through that door, and there's a different thing on the other side.

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Yes, yes.

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There's a wardrobe at one point, isn't there?

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Tahiti.

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We'll come back to that.

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I love that.

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And of course, Mary gets to wear her lovely pink jacket, white outfit, very sort of bucks fizz, whatever it happens to be, I think.

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It is very period, isn't it?

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Yeah, I love it on her.

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I think Mel takes a bit of inspiration many years later for her little pink and white number, but, you know, I'm sure we'll discuss that sometime along the track.

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Again, Romana is trying to dematerialise the TARDIS, and at the same time, is, Xanak materialises around califracts, and it is, and so we get the doctor having to bump his lip and explain all of the, um, Tom's, um, dog attack attack.

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Yep.

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And then, of course, you get the rent a crowd.

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We get BBC Rent a crowd.

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There's 8 people in that crowd, I counted.

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Oh, and they're so overjoyed.

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Sorry, I wasn't sure when to enthuse.

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Yeah, Zanak is actually populated by some pretty terrible actors actually.

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So there's Balaton, who's the grandfather, who is just appallingly stilted in his delivery.

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There's his daughter Mueller, which is just the worst name of anyone ever.

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Like, is she a mule or does she mule a lot?

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Do you know what I mean?

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She does get a very good comedy moment and it does involve him as well, but I think it's all down to her.

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Like, what was it?

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My father wasn't killed by the man he adds.

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No, he was shot by the captain's guards to save him from the mint.

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She's the one who delivers the immortal line.

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Why?

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Why?

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Why?

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Why?

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Why?

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But I think she makes up for it with...

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You mean they pinned him to the wall with good vibrations?

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No, she's terrible.

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Preylix is terrible.

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Yeah.

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Yeah.

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Keemus isn't bad.

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And of course, he was Mr. Louise Jameson at the time.

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David Warwick.

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Oh, okay.

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Yes, and he's been in the new series.

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Yes, he was the police commissioner reporting that the ghosts were harmless.

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Oh, no, wait, stay in your homes, is that by a side map?

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Yeah, excellent.

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Yes, that's one of the things I will say about this is those performances.

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Do sort of let the side down a bit.

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I mean, it's nice to have another woman in the car doing something, you know, who's not an evil crone or whatever it happens to be.

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I think that's quite good.

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I do laugh at the grandfather and the fact that he's quite willing to take all these riches and I don't want to know what's going on, just putting his head in the sand, so to speak, as long as he gets what he wants.

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I think it would have been quite nice at the other end of the story perhaps to see some sort of... some development. realisation of and remorse as to that sort of thing.

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But I kind of think it's a bit like maybe the British Empire and what they did to so many countries around the world.

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I mean, it's like capitalism, really.

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Do you know what I mean?

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Like all of us listening to this podcast on our, you know, expensive devices and things.

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All of us as consumers are, you know, in some way complicit in, you know, the exploitation and suffering experience by people elsewhere in the world.

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And we would just prefer not to think about that too much.

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And that's what this planet is.

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You know, it's a planet of consumption, a planet that eats other planets, but no one on the planet can see a problem, and no one on the planet actually wants to think about it too much.

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And the whole economy of the planet makes no sense.

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The doctor realises it straight away.

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But, as Balaton says, we just don't ask questions about it, because, you know, the answers to those questions are too terrible.

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So there is a kind of real intent, I think, behind the, you know, silly, sci fi, high concept of the premise.

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I quite like pralix.

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I actually think he does quite a good job, and certainly with the setup of the Mentiads, so you think that they're actually evil, and you get them knocking out the doctor at the end of the episode, so you're thinking that, you know, that's a real problem, but of course it's quite the opposite, as we come to discover.

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I love all the stuff with the doctor and Romana, when they 1st arrive in the square, and the doctor's having no luck with the local residents, and it's up to the wonderful Mary Tam, Romana to...

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It's actually canine.

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It's an idea. doesn't canine.

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It's prettier than you master.

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Is she?

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But the fact that Romana gets...

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Oh, yes, and she's so jovial and would you like a jelly baby and all of that and the doctor's there trying to, you know, butt in, but of course, getting nowhere.

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I just sit there.

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The whimsy of it all just tickles my fancy.

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I just love it.

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Where did you get those?

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Same place as you, your pocket.

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I love the doctor saying, has anyone seen a planet?

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You know, he describes it about so big or blade spheroids. you know?

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Like all of that is just terrifically funny and we'll get more of that sort of stuff next year.

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Then, of course, we go up the mountain to the bridge.

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The bridge.

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And we've got the pirate captain, Mr. Fibidly.

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A number of guards who wear those, one of those...

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Helmets are terrible, aren't they?

139
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I believe they're versions of, they're not the original, but they seem to be versions of an ice Lord helmet.

140
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Well, they look like the Blake 7 helmet, actually.

141
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They're very now, aren't they?

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They're very 1978.

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So you can have any, the same person playing the same guard because you actually can't see their eyes and that sort of thing over and over again just to save a bit of money if you need to.

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Yes, unfortunately, we don't have Terry Walsh anymore.

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He's not a guard.

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Oh, we will.

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Yes, we will.

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Oh, yeah, yeah. but he's not in this.

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All right, so we're on the bridge and we've got the captain, Mr. Fibberly and the nurse.

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You said last week in the last episode that you didn't enjoy the pirate captain's performance when you were a kid.

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What do you think about it now?

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When I started to watch this, I just think, oh, this is so over the top.

153
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This is so annoying.

154
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But as the story went along.

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And I always forget the big twist in the fact that his performance is that big because he's actually doing something else to stop Queen Xangxia.

156
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I always forget it.

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And so then, in retrospect, I go, well, actually that's really good.

158
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And I still feel that now.

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I think it's a good performance.

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But I, it's so big.

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And then he's got his demented Leo Sayer next to him, right?

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And as a kid, I thought, this is a demented Leo Sayer.

163
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And if you don't know who that is, young people go and look him up on the internet.

164
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And get off Todd's lawn. 1970s pop star.

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And I really, really loathe that character even more as a child.

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Now I think it's a really great performance.

167
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And again, it's a comedy double act and certainly with his death at the end and it's, you know, very heartbreaking and sort of, you know, it's a lovely character moment.

168
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I think they're actually really wonderful in this.

169
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I actually would have liked to have seen a little bit more light and shade in Bruce Purchase's performance.

170
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We're going to see this happening more and more, and it's something that Douglas Adams talked about, which is the moment that you put humour in a script, actors take the opportunity to kind of do funny voices and ham it up.

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And here, very much the humour in the script, and the high concept, and the robot parrot, and all of that sort of stuff, is all there to distract you from the fact that something really terrible is happening.

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And that shift, that tonal shift is really exemplified in the pirate captain's performance.

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So he's a blustering over the top, Doctor Who villain, who has, you know, a great line in sort of hilarious imprecations.

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I like by the left frontal lobe of the Sky Demon, for instance.

175
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But when it's revealed that it is a long game, that it's just a ploy and he's trying to throw Queen Zangxia off the scent, it's a shame that we don't get to see what he's really like.

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He does dial it back a bit, but it never becomes real, and I think that's a mistake.

177
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I think a big problem of it is.

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Sort of when he turns on Xangxia, he just kind of says, I'll be free of you, you hag.

179
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And then she kills him.

180
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And it's like, I would have liked the longest speech there, which would have emphasised.

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I've been waiting years for this and you thought I was just a fool, blah, blah, blah.

182
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And that would have actually made his death a bit more palpable because halfway through that speech, you'd go, he's actually kind of a good guy.

183
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You know, he's about to be redeemed.

184
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He's about to be.

185
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Oh he's dead.

186
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Instead, we just get...

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Oh, be free of you, you hag.

188
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Wait, what?

189
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Oh, he's...

190
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Oh, oh, he was on the okay.

191
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I think that's a really good point that you both made.

192
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Like, if you'd had the opportunity to rein it down and actually see the real person.

193
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It would have made it a real performance, whether it's it becomes this just over-the-top thing, which is kind of what I was saying.

194
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Yeah.

195
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Yeah, the script, the script wants that to be a definite performance.

196
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Do you know what I mean?

197
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And it's brilliant in that it gives you the opportunity to have a fun overtop Doctor Who villain without completely throwing away the justification for it.

198
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We should talk about Xangxia as well.

199
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Which one?

200
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Well, the nurse appears on screen at the bridge in part two.

201
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And she just gradually gets more and more important, and she's really menacing, and you can't say why, exactly.

202
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Yeah, yeah, she's just got that stillness and quietness.

203
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I loved her as a kid.

204
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It's the one thing of this story I really, really loved, and I still love the fact that, in the background, And then suddenly, it's like, well, why is she there?

205
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And you know how she wears that little control box thing on her hip?

206
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I wanted one of those.

207
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And I love the fact that she could control things and then, you know, the memory cheats.

208
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I thought that when she got shot, she actually appeared over the A frame bridge, which, of course, is back, you know, after Underworld and the Robots of Death and Planet of Evil.

209
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But I thought she actually appeared there, but of course she just flickers in and out in that one spot.

210
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I love Rosalind Lloyd's performance.

211
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I love the split up the side of the skirt when she's standing on the A frame leading up to the plank.

212
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And I just love her performance.

213
00:14:15.419 --> 00:14:16.799
I just think it's fantastic.

214
00:14:16.860 --> 00:14:18.600
She's a great villain, actually.

215
00:14:18.659 --> 00:14:21.720
And she does sort of come out of nowhere, and I think it is very clever.

216
00:14:21.779 --> 00:14:26.519
And again, it is a complex plot, and one of the things that Douglas Adams does.

217
00:14:26.580 --> 00:14:28.320
And apparently this had been paired back.

218
00:14:28.379 --> 00:14:29.519
It used to be more complex.

219
00:14:29.639 --> 00:14:35.820
But he's very good at very tight plotting, and he doesn't leave any loose ends.

220
00:14:35.940 --> 00:14:42.120
And anything that appears to be, like, a weird continuity thing actually ends up getting an explanation.

221
00:14:42.240 --> 00:14:48.659
And so here, there are three reasons for Xanax to be doing the piracy thing.

222
00:14:48.720 --> 00:14:53.220
Initially, we think it's just to create wealth and riches.

223
00:14:53.279 --> 00:15:06.779
Then we discover that the captain is making a thing out of the planets remains in order to disrupt the time dams that are keeping Queen's Anxia alive and thereby kill her.

224
00:15:06.840 --> 00:15:15.480
And then we discover that it's actually the power being consumed by the time dams, that Queen Zanksia is doing it all, to stay alive.

225
00:15:15.600 --> 00:15:19.679
And create herself a new body in the form of the Rosalind Lloyd.

226
00:15:19.799 --> 00:15:20.399
Xxia.

227
00:15:20.460 --> 00:15:21.059
Yeah.

228
00:15:21.120 --> 00:15:22.379
Can you explain it to me?

229
00:15:22.440 --> 00:15:29.460
Because, like, she's creating this new body, which the doctor picks up what appears to be some sort of camera to create his fake self. right?

230
00:15:29.519 --> 00:15:38.100
And so I'd assume that she would need multiple cameras in the control room to sort of create this stable sort of version of herself.

231
00:15:38.159 --> 00:15:40.980
This is what I, this is, this is where item could sort of get it.

232
00:15:41.039 --> 00:15:45.840
And so the doctor has to project his fake self to jump off the literal cliffhanger, right?

233
00:15:45.899 --> 00:15:51.000
But then if somebody was to stand in front of it, Surely that would disrupt the signal and it wouldn't be there.

234
00:15:51.059 --> 00:16:00.480
Well, yeah, I don't, I think it's, you know, as far advanced from what we would see as a projector, as what we see as a projector is to a kinoscope.

235
00:16:00.600 --> 00:16:03.240
Yeah, I think magic.

236
00:16:03.299 --> 00:16:05.039
Yes, it's a magic box.

237
00:16:05.039 --> 00:16:06.120
It's a magic.

238
00:16:06.179 --> 00:16:07.799
It doesn't quite work in my head.

239
00:16:07.860 --> 00:16:10.620
Like the pirate captain's performance, right?

240
00:16:10.679 --> 00:16:12.419
And like a few other visual effects.

241
00:16:12.480 --> 00:16:21.659
Like, you know, they have a really good go at the flying car, which I would, again, in my, if you're listening to last week's, you know, I have got the movie series in my head.

242
00:16:21.720 --> 00:16:23.159
So they could do that a lot better.

243
00:16:23.220 --> 00:16:28.620
I love Romana's whole whimsy at the whole car and the whole flying and everything, you know.

244
00:16:28.679 --> 00:16:30.779
Didn't she have one herself or something?

245
00:16:30.840 --> 00:16:33.779
She had one, she got one for a 100, no, for her 70th birth.

246
00:16:33.899 --> 00:16:34.620
Yeah, something that.

247
00:16:34.679 --> 00:16:38.700
And we've got the when the whole bridge does explode.

248
00:16:38.759 --> 00:16:42.600
Like the explosion is so big that the whole city underneath should surely be wiped out.

249
00:16:42.659 --> 00:16:55.200
You know, we've got one of the worst special effects ever, which is with the spanner hitting the engines and you've got the faces of the doctor and the mentiads and it's just, that's just awful.

250
00:16:55.259 --> 00:16:57.179
It's just, it just doesn't work.

251
00:16:57.240 --> 00:17:04.680
And this is little things like that, those little things that, for me, just sort of paired this back just a little bit from the other 3 stories around it.

252
00:17:04.740 --> 00:17:07.380
And then we've got a parent.

253
00:17:07.440 --> 00:17:13.380
A parent that apparently, I never realised as a kid, it was actually emanating yellow urine.

254
00:17:13.380 --> 00:17:15.000
You know, I never realised.

255
00:17:15.059 --> 00:17:17.640
And I'm watching this and go, what the hell is this?

256
00:17:17.700 --> 00:17:19.319
It's brilliant.

257
00:17:19.380 --> 00:17:20.640
The parrot is fantastic.

258
00:17:20.700 --> 00:17:23.759
So it's called a polyphase Avatron, which is poly for sure.

259
00:17:23.819 --> 00:17:26.039
So again, that's a brilliant choice of names.

260
00:17:26.099 --> 00:17:36.420
And of course, canine ends up carrying it in his mouth somehow, which he doesn't sort of normally do, but he ends up having a fight with it, which is what we all wanted as children.

261
00:17:36.420 --> 00:17:37.319
Yeah, exactly.

262
00:17:37.380 --> 00:17:39.599
You know, like, it's great.

263
00:17:39.660 --> 00:17:41.579
You know, he doesn't have an eye patch.

264
00:17:41.640 --> 00:17:43.079
He's got an electronic eye patch.

265
00:17:43.140 --> 00:17:45.180
He doesn't have a hook, he's got an electronic arm.

266
00:17:45.240 --> 00:17:47.579
He doesn't have a parrot, he's got an electronic parrot.

267
00:17:47.640 --> 00:17:51.720
So I think all of that, all of that works terribly well.

268
00:17:51.779 --> 00:17:55.140
Yeah, I'm just saying, like, you know, I never realised like the colour of it.

269
00:17:55.259 --> 00:17:56.220
Yeah, it is urine, is it?

270
00:17:56.279 --> 00:17:59.099
But as a kid it was like, yes, I wanted to see the parrot versus canine.

271
00:17:59.160 --> 00:18:00.240
Yeah, yeah, they all did.

272
00:18:00.299 --> 00:18:01.680
That was the thing that wanted to be.

273
00:18:01.740 --> 00:18:06.059
I must say in this story that both chemists and Romana are very good shots with the gun.

274
00:18:06.180 --> 00:18:07.740
Yeah, Romana kills someone.

275
00:18:07.799 --> 00:18:09.720
Oh, I prefer to think that she's just stunned.

276
00:18:09.779 --> 00:18:11.160
No, she killed him.

277
00:18:11.400 --> 00:18:13.140
But yeah, yeah.

278
00:18:13.200 --> 00:18:17.400
Ramada has a sort of Daphne Zeniga in spaceballs moment of he shot my hair.

279
00:18:18.119 --> 00:18:20.759
And doesn't canine fly the car as well?

280
00:18:20.819 --> 00:18:22.440
Yeah, canine flies the car.

281
00:18:22.500 --> 00:18:22.980
Yeah, yeah.

282
00:18:23.039 --> 00:18:27.839
I mean, the car, which is absolutely positively not a copy of the Landspeeder in Star Wars.

283
00:18:27.960 --> 00:18:28.980
How dare you say such thing?

284
00:18:29.039 --> 00:18:30.420
No, we didn't just buy a toy.

285
00:18:30.480 --> 00:18:32.880
Is it actually a speedboat?

286
00:18:32.940 --> 00:18:36.420
Like I actually think it might be a speedboat that brought into the studio.

287
00:18:36.839 --> 00:18:38.759
Quite possibly, yeah.

288
00:18:38.819 --> 00:18:40.680
But, you know, the sort of red colouring.

289
00:18:40.740 --> 00:18:42.900
It doesn't leave much to the imagination.

290
00:18:42.960 --> 00:18:44.460
So behind the scenes info.

291
00:18:44.519 --> 00:18:49.859
Douglas Adams came up with the aircar because he hated scenes in corridors.

292
00:18:49.920 --> 00:18:57.299
And you'll notice that there are very few scenes of people just walking through a featureless white corridor, Terry Nation.

293
00:18:57.359 --> 00:19:02.339
There's the doctor and the mentiads occasionally in a corridor, but that's pretty much it.

294
00:19:02.400 --> 00:19:06.779
We do have the induction corridor where people wander through, but I'll come back to that at the moment.

295
00:19:06.839 --> 00:19:12.059
That's one of my favourite moments of this story where the doctor goes, talks about Newton's revenge.

296
00:19:12.119 --> 00:19:14.279
We shouldn't tamper with the laws of physics, should we, Romana?

297
00:19:14.400 --> 00:19:19.859
and they standing there and they go, it goes, click click, and the guards go, whoop, straight into the wall.

298
00:19:19.920 --> 00:19:21.180
I just crack up every single time.

299
00:19:21.240 --> 00:19:28.980
It's that it's that crazy and silliness that I do love in Douglas Adams slash Anthony Reed scripts.

300
00:19:29.039 --> 00:19:29.940
Yeah, well, that's the thing.

301
00:19:30.000 --> 00:19:32.160
It's Douglas Adams joke about corridors.

302
00:19:32.279 --> 00:19:34.680
He hates corridors so much that he makes one that kills you.

303
00:19:34.740 --> 00:19:38.039
Like the rotating knives in Monty Python.

304
00:19:38.099 --> 00:19:41.640
That's full of hitchhikers in jokes as well.

305
00:19:41.700 --> 00:19:47.039
You know, the 1st time the doctor's in the corridor, he says he'll never be cruel to an electron in a particle accelerator again.

306
00:19:47.099 --> 00:19:47.940
Yes, yeah.

307
00:19:48.000 --> 00:19:52.440
And that's, you know, I'll never be cruel to a gin and tonic again, is what Arthur Dent says.

308
00:19:52.500 --> 00:20:02.160
And, you know, he talks to the guards and talks about the violence and the long hours and what a boring job it must be, and some of the names of the planets and stuff.

309
00:20:02.220 --> 00:20:04.319
So it is full of hitchhikers references.

310
00:20:04.380 --> 00:20:13.859
And the bit where Tom like knocks on the guard's helmet was completely unscripted and Mary's reaction, that Romana's reaction is Mary's reaction.

311
00:20:13.920 --> 00:20:19.619
She almost burst out laughing just because she wasn't expecting Tom to do that to the poor actor inside the helmet.

312
00:20:19.680 --> 00:20:25.140
The script itself. which is quite common for Dougal Sadence was far more complex to begin with.

313
00:20:25.200 --> 00:20:31.680
Zangxia was actually a time lord in the midst of his last regeneration and that's why he was slowing time down.

314
00:20:31.740 --> 00:20:38.700
And his next planet for the pirate planet to go around wasn't Earth.

315
00:20:38.759 --> 00:20:39.660
It was Gallifray.

316
00:20:39.839 --> 00:20:41.220
Oh, okay.

317
00:20:41.279 --> 00:20:42.720
I like the idea that it's Earth.

318
00:20:42.779 --> 00:20:44.940
I actually like to imagine it's Earth in 1978.

319
00:20:45.059 --> 00:20:46.140
Oh, yeah, yeah, yeah.

320
00:20:46.200 --> 00:20:47.279
It's contemporary.

321
00:20:47.339 --> 00:20:47.819
Yeah, yeah.

322
00:20:47.880 --> 00:20:51.180
Yeah, but I mean, the reason Graham Williams sort of said no to that was.

323
00:20:51.240 --> 00:20:53.700
Look, you know, we've just done a story endangering galafray.

324
00:20:53.759 --> 00:20:59.880
It'll be far more meaningful if it's endangering Earth, which is sort of what we would now consider a very Russell T. Davis thing.

325
00:20:59.940 --> 00:21:01.859
You know, it always has to come back to earth.

326
00:21:01.920 --> 00:21:03.180
It always has to relate to Earth.

327
00:21:03.240 --> 00:21:10.559
Graham McDonald, the head of cereals, called for the pirate planet to be scrapped.

328
00:21:10.619 --> 00:21:13.319
Because it was too silly or too silly.

329
00:21:13.380 --> 00:21:16.920
He didn't like the humour in the scripts and and Graham Williams.

330
00:21:16.980 --> 00:21:28.200
When it was being planned, had actually gone on a daily holiday and broken his leg, so he wasn't up to much, but he did contact Graham McDonald and said, look, you brought me onto this series because it was too violent.

331
00:21:28.259 --> 00:21:30.839
I had to replace the violence and the horror was something.

332
00:21:30.900 --> 00:21:31.799
That's why we have comedy.

333
00:21:31.859 --> 00:21:38.640
The comedy is not undermining the drama. helping to sell the drama, and you approved me having this year-long story arc.

334
00:21:38.700 --> 00:21:43.440
We don't have time to produce something else to go in the middle of a year-long story arc.

335
00:21:43.500 --> 00:21:49.980
If you scrap that, you're scrapping part of our year long story, which you said you really supported and liked.

336
00:21:50.039 --> 00:21:51.660
The comedy in this is fine.

337
00:21:51.720 --> 00:21:52.859
He's a new writer.

338
00:21:52.920 --> 00:21:55.019
We're not just going to put what you've read on the screen.

339
00:21:55.079 --> 00:21:55.980
We're going to edit it.

340
00:21:56.039 --> 00:21:56.819
Let us do our jobs.

341
00:21:56.880 --> 00:21:58.140
And he relented.

342
00:21:58.200 --> 00:22:03.059
So, yeah, a lot of people kind of see Graham Williams as this is the time when Doctor Who went wrong.

343
00:22:03.180 --> 00:22:07.559
But for the most part, we've really been enjoying Graham Williams influence.

344
00:22:07.559 --> 00:22:08.819
I certainly do.

345
00:22:08.880 --> 00:22:11.880
I mean, the problems we had last year with things like underworld.

346
00:22:11.940 --> 00:22:13.680
But this season is very strong.

347
00:22:13.740 --> 00:22:16.500
What it is is just fun.

348
00:22:16.559 --> 00:22:17.579
It's so fun.

349
00:22:17.640 --> 00:22:19.200
Yeah, yeah, it is so fun.

350
00:22:19.500 --> 00:22:24.599
Do either of you find, though, that now that we don't have a human companion?

351
00:22:24.660 --> 00:22:27.000
Are we losing the humanity of the show?

352
00:22:27.000 --> 00:22:28.980
Because that started to go out the window with Inchcliff.

353
00:22:29.039 --> 00:22:29.940
I think we got it back.

354
00:22:30.000 --> 00:22:32.640
I don't mind it.

355
00:22:32.700 --> 00:22:33.420
Do you know what I mean?

356
00:22:33.480 --> 00:22:36.539
Like, the fact is that she's really fun to watch.

357
00:22:36.539 --> 00:22:47.400
And, and like, you weren't really, you know, enjoying Joe because she was from the same planet as you, because secretly they're actually all from the same planet as you.

358
00:22:47.460 --> 00:22:49.079
Even the Alzarians.

359
00:22:49.140 --> 00:22:52.980
You were watching it because she was sort of fun and plucky and lovely.

360
00:22:53.039 --> 00:22:55.680
And I think Mary is a real pleasure to watch.

361
00:22:55.740 --> 00:23:09.539
And, and, and, you get the impression that they think the audience is smart and sophisticated enough to not need someone to have everything explained to them.

362
00:23:09.539 --> 00:23:11.099
That's a good point.

363
00:23:11.160 --> 00:23:15.960
But I also think that in that one sense, too, that the audience is smart and sophisticated.

364
00:23:16.019 --> 00:23:23.279
I just feel that we're now no longer aiming the show at eight to 12 year olds, right?

365
00:23:23.400 --> 00:23:26.579
I think we've shifted to it up, up.

366
00:23:26.640 --> 00:23:33.240
And I think that's going to come and bite the show in the bum in a couple of years time, when ratings do suddenly take a dive.

367
00:23:33.299 --> 00:23:34.799
Like we're not renewing that younger audience.

368
00:23:34.859 --> 00:23:45.180
We've got the next, we've got an audience that we, that we, that might have been around with John in the 10th season and in his last years are now getting older and they're going to move on and go out with their friends and that sort of thing.

369
00:23:45.240 --> 00:23:48.779
And we're not we're already seeing ratings beginning to erode.

370
00:23:48.839 --> 00:23:50.160
Um, this season.

371
00:23:50.220 --> 00:23:53.099
There's only 2 episodes in the entire season, over 10 million.

372
00:23:53.099 --> 00:23:53.700
Right.

373
00:23:53.759 --> 00:23:56.220
So there is a shrinkage happening.

374
00:23:56.279 --> 00:24:02.880
And we talk about the fact that canines is for the kids and there's childish things going on, but it's really not that childish.

375
00:24:02.940 --> 00:24:06.000
And I think it is aiming for a different audience.

376
00:24:06.059 --> 00:24:08.759
Let's compare it to season 12, right?

377
00:24:08.819 --> 00:24:11.579
Season 12 is, you know, the beginning of the Hinchcliffe here.

378
00:24:11.640 --> 00:24:12.599
Tom's 1st year.

379
00:24:12.660 --> 00:24:20.099
And at the time we talked about how kind of horrifying it was and suggested maybe it was a bit too scary for children.

380
00:24:20.160 --> 00:24:25.559
But the stories are overwhelmingly, aliens in monster suits.

381
00:24:25.619 --> 00:24:26.519
Do you know what I mean?

382
00:24:26.640 --> 00:24:30.960
Like in Daleks and Cybermen, and all of those traditional Doctor Who aliens?

383
00:24:31.019 --> 00:24:35.400
There are no traditional Doctor Who aliens this season at all.

384
00:24:35.460 --> 00:24:37.200
Do you know what I mean?

385
00:24:37.259 --> 00:24:39.119
The Tyran would beast doesn't count, Todd.

386
00:24:39.299 --> 00:24:41.579
No, I was thinking of Kroll actually.

387
00:24:41.640 --> 00:24:46.259
Yeah, yeah, but I mean, Proll isn't a man in a suit or a race of aliens or anything like that.

388
00:24:46.319 --> 00:24:48.059
The stories are about people.

389
00:24:48.119 --> 00:24:49.019
Yeah.

390
00:24:49.019 --> 00:24:49.559
Yeah.

391
00:24:49.619 --> 00:24:52.559
And so so I can kind of see that.

392
00:24:52.619 --> 00:24:57.180
But nevertheless, I think the show is really fun to watch and maybe, maybe you're right.

393
00:24:57.240 --> 00:25:01.319
Maybe it is pitched a little bit older than it has been in the past.

394
00:25:01.380 --> 00:25:03.900
Yeah, I'm not saying I don't enjoy it.

395
00:25:03.960 --> 00:25:08.099
Like, I've enjoyed watching this story, you know, and I think there's a lot of fun elements.

396
00:25:08.160 --> 00:25:15.660
I think that as we've discussed, there's some elements that, for me, just don't quite work at the same level as a few of the stories around it.

397
00:25:15.720 --> 00:25:20.759
But I think, you know, kudos to Anthony Reid for getting Douglas Adams in and making this story work.

398
00:25:20.819 --> 00:25:31.619
Vai Delmar is, of course, the old Queen Zangxia sitting in the chair, who has such great things as David Warwick standing right next to her and saying, Well, that old hag.

399
00:25:31.799 --> 00:25:33.359
Can she hear me?

400
00:25:33.420 --> 00:25:36.299
And, of course, got paid an extra fee.

401
00:25:36.779 --> 00:25:42.900
Because they asked her, will you remove your false teeth to look particularly emaciated?

402
00:25:43.019 --> 00:25:45.000
And she said, yes, but only if you pay me more money.

403
00:25:45.059 --> 00:25:52.380
I'm only appearing on television, in a chair, not doing anything with my teeth out, if you pay me more, and they did.

404
00:25:52.500 --> 00:25:54.480
They paid her an extra fee.

405
00:25:54.539 --> 00:25:58.500
I hope they paid Binroe more for having his forced teeth out the previous story.

406
00:25:58.859 --> 00:26:01.859
I think, though, that was his suggestion.

407
00:26:01.980 --> 00:26:06.539
A couple of years ago, I was an extra on rescue special ops.

408
00:26:06.720 --> 00:26:08.700
Yeah, that was fun.

409
00:26:08.819 --> 00:26:20.460
And a friend of mine, Adam, got me into that and we were sitting in the makeup chairs and the makeup girls were great because we were part of a Mardi Gras float that had overturned.

410
00:26:20.519 --> 00:26:22.200
So everyone had to have different injuries.

411
00:26:22.259 --> 00:26:24.119
So the makeup girls were saying, what injury would you like?

412
00:26:24.180 --> 00:26:26.880
And so they gave me this head wound.

413
00:26:26.940 --> 00:26:29.940
So like half my face was covered in blood.

414
00:26:30.000 --> 00:26:33.960
And Adam, they said to him, well, what kind of injury would you like?

415
00:26:34.019 --> 00:26:35.700
And he said, well, how about you do something with this?

416
00:26:35.759 --> 00:26:37.380
And his 2 front teeth?

417
00:26:37.440 --> 00:26:37.920
on the top?

418
00:26:37.980 --> 00:26:40.920
He had lost a few years previously and he just pulled out the prosthetic.

419
00:26:40.920 --> 00:26:42.900
And the make-up girl said, oh, God, yes, I can do that.

420
00:26:42.960 --> 00:26:43.440
I can do that.

421
00:26:43.500 --> 00:26:44.940
But for now, put them back in, put them back in.

422
00:26:45.480 --> 00:26:50.099
So he just had this blood. coming down from his mouth.

423
00:26:50.160 --> 00:26:54.480
It was quite graphic, and we were, like, we were one, we were one minute of the episode.

424
00:26:54.539 --> 00:26:55.859
We were the pre-title sequence.

425
00:26:56.039 --> 00:27:01.740
And there was this drag queen suspended above a thing in Fox Studios.

426
00:27:01.799 --> 00:27:04.619
Nothing to do with the pirate planet, just to do with false teeth, really.

427
00:27:05.160 --> 00:27:09.900
I never realised that the captain's boots are huge platforms.

428
00:27:09.960 --> 00:27:12.059
Did you did you say that when you were watching it?

429
00:27:12.119 --> 00:27:13.680
They're really quite cool.

430
00:27:13.740 --> 00:27:17.700
Yeah, they only show they only show them, I think, once when he's making the doctor pick something up.

431
00:27:17.759 --> 00:27:28.259
But yeah, at one point, after the doctor's gone off the plank and you got him standing up there next to Rosalind Lloyd and Mr. Fibbly, who are both quite short anyway, really emphasises his height.

432
00:27:28.319 --> 00:27:29.099
Yeah.

433
00:27:29.160 --> 00:27:35.880
But I do like the fact that this story integrates that you've got location work, you know, you see them...

434
00:27:35.940 --> 00:27:38.700
In fact, there's an old mine and everything there's building.

435
00:27:38.759 --> 00:27:46.799
Yeah, to go down and seek califracts into the mine and then and then Muller, Muller, whatever her name is, walking along with K9 and the mentiads.

436
00:27:46.859 --> 00:27:49.019
It's just nice to have some location work in there.

437
00:27:49.079 --> 00:27:52.140
In fact, can we talk very quickly about the end?

438
00:27:52.200 --> 00:28:02.279
I'm a huge fan of the end of this story, partly because they decide to blow the bridge up just with dynamite.

439
00:28:02.339 --> 00:28:14.339
You know, there's, like, no, like, there's a big wire that they're playing out and then a box with a plunger handle and everything, and I think that that's a fantastic way to go if you're going to have your episode for explosion.

440
00:28:14.400 --> 00:28:18.839
Let's just have it an explosion rather than an implosion or anything, sort of particularly silly.

441
00:28:18.960 --> 00:28:24.000
Yeah, the computer is computer, far too much computer stuff and therefore it has to explode.

442
00:28:24.059 --> 00:28:24.420
Yeah.

443
00:28:24.539 --> 00:28:30.119
But the other thing I like is that they just take getting califrancs as red.

444
00:28:30.180 --> 00:28:40.680
So we don't actually get the scene, this story where you put the tracer on the thing and it turns into the key to time thing where you hold that over until, you know, next week.

445
00:28:40.799 --> 00:28:49.079
And it's just the doctor and Romana waving goodbye and they're heading off to get the 2nd segment, which they'll eventually get.

446
00:28:49.140 --> 00:28:55.920
And I think I think the season does a good job of not allowing the key to time thing to deform the stories.

447
00:28:55.980 --> 00:29:01.619
But also, too, I mean, could you imagine on their budget trying to make that happen with the whole planet?

448
00:29:01.680 --> 00:29:04.200
I'm still going, smart move.

449
00:29:04.680 --> 00:29:14.700
And something that's quite nice about not the very end, but when the doctor kind of says, well, I dropped the planets into the hyperspatial force shield and fling them off into the vortex ready for us to pick up later.

450
00:29:14.759 --> 00:29:21.839
And Romana says something winds off, yes, that's quite impressive, which throws back to I was almost ready to be impressed.

451
00:29:21.960 --> 00:29:37.019
Do you know, for me, actually, that's one of the weaknesses of the story is that the resolution is the doctor and Romana standing in the TARDIS talking a whole bunch of techno babble while a terrible special effect takes place on the screen.

452
00:29:37.140 --> 00:29:43.140
And it doesn't seem to be anything that the characters do beyond kind of pushing buttons and stuff like that.

453
00:29:43.200 --> 00:29:47.400
And that does happen a little bit too often, this era.

454
00:29:47.519 --> 00:29:50.519
It certainly was a huge flaw in some of the stories last year.

455
00:29:50.579 --> 00:29:57.000
But it is something that we do get a bit of, and it's something that Bob Holmes is going to make terrible fun of later in the season.

456
00:29:57.180 --> 00:30:05.640
But just before we go, there's two things I want to mention about the sort of climax of the story, with the doctor and Romana being mirrorlond to death in the TARDIS.

457
00:30:05.700 --> 00:30:11.160
That's another moment which I think is particularly well acted, because you've got the doctor doing the psychic thing.

458
00:30:11.220 --> 00:30:14.819
So Romana's piloting the TARDIS and shouting out at me, no, you can't do that.

459
00:30:14.880 --> 00:30:15.420
We'll blow up.

460
00:30:15.480 --> 00:30:19.019
And, you know, so, but accepts that it's the heroic thing to do.

461
00:30:19.619 --> 00:30:24.779
This is also the scene which has given rise to Spannagate.

462
00:30:24.839 --> 00:30:26.700
Have you heard of Spannagate?

463
00:30:26.759 --> 00:30:27.299
No.

464
00:30:27.299 --> 00:30:30.000
Kita Time has had 2 DVD releases.

465
00:30:30.059 --> 00:30:35.579
It was released 1st in America, I think, in 2001, when the Dr. DVD range was starting in America.

466
00:30:35.640 --> 00:30:40.079
Warner Home Video, who released it over there, wanted a full season box set to be able to release.

467
00:30:40.140 --> 00:30:42.539
So it was very basically cleaned up.

468
00:30:42.599 --> 00:30:44.579
It came with comedy, wasn't it?

469
00:30:44.640 --> 00:30:45.480
Vanilla.

470
00:30:45.539 --> 00:30:46.440
It did have commentaries, though.

471
00:30:46.500 --> 00:30:52.500
So commentaries on each story with Tom on 3 of them, Mary on 4, I think, et cetera, et cetera.

472
00:30:52.619 --> 00:30:54.359
This story didn't have either of them.

473
00:30:54.359 --> 00:30:58.079
It had Bruce Purchase and Pennant Roberts, the director, and it was also the only story.

474
00:30:58.079 --> 00:30:58.920
It was special features.

475
00:30:58.980 --> 00:31:01.380
It just had the raw film trims of the exterior footage.

476
00:31:01.440 --> 00:31:08.880
Now, when it came time to be released properly as part of the range with full-blown special features and what have you, they had all the film trimmings, of course.

477
00:31:08.940 --> 00:31:15.240
And when they had the film trimmings, they recreate as much as possible, any effects done on film.

478
00:31:15.359 --> 00:31:19.380
So for that scene with the doctor and prolix superimposed.

479
00:31:19.440 --> 00:31:22.859
Yeah, the scene you really don't like, and the floating spanner.

480
00:31:22.920 --> 00:31:24.240
They had to recreate that.

481
00:31:24.299 --> 00:31:31.500
Now, in the original version, the spanner after it hits, the explosion goes off and about half a 2nd later the spanner disappears.

482
00:31:31.559 --> 00:31:34.920
Oh, and they added a spanner that flies off.

483
00:31:34.980 --> 00:31:36.000
Yeah, pretty much.

484
00:31:36.059 --> 00:31:42.059
They took the original spanner, they had it hit, and when the explosion goes off, the spanner spins and flies off.

485
00:31:42.119 --> 00:31:43.980
It lasts the same amount of time.

486
00:31:44.039 --> 00:31:45.960
It's about half a 2nd but it doesn't just disappear.

487
00:31:46.140 --> 00:31:52.140
So Steve Robertson, the restoration team revealed that they'd done that as part of their, as part of their website.

488
00:31:52.200 --> 00:31:54.299
They had a website they updated with the notes.

489
00:31:54.359 --> 00:31:57.420
The internet went insane.

490
00:31:57.480 --> 00:32:00.240
And it became known as Spanagate.

491
00:32:00.299 --> 00:32:11.579
All these people like, no, you must present it as an alternate option like you do for all the other special effects, and Steve Roberts was coming in and saying, you want us to have an alternate option for a half 2nd clip.

492
00:32:11.640 --> 00:32:12.960
No, we're not doing that.

493
00:32:13.019 --> 00:32:14.160
Okay, then put it back the way.

494
00:32:14.220 --> 00:32:15.720
Well, no, it's gone off for duplication.

495
00:32:15.779 --> 00:32:17.160
Live with it people.

496
00:32:17.220 --> 00:32:18.180
What's wrong with you?

497
00:32:18.240 --> 00:32:31.259
But to this day, when, sort of, some of the new series DVDs, for instance, some of the, like, comic relief things, what have come out with the wrong music or the wrong sound effects.

498
00:32:31.319 --> 00:32:33.599
People always refer back to Spanagate.

499
00:32:34.140 --> 00:32:40.140
So, are you saying to me that the version I just watched actually has this spinning spinner and it's not supposed to.

500
00:32:40.200 --> 00:32:41.220
Yeah, that's right.

501
00:32:41.279 --> 00:32:42.539
Oh my goodness.

502
00:32:42.599 --> 00:32:43.319
I feel cheated.

503
00:32:43.380 --> 00:32:46.140
Yes, I'm going to post something to the internet.

504
00:33:01.440 --> 00:33:08.279
I've asked you, listeners, that's all the time we have for the Pirate Planet, but do join us next week for the stones of blood.

505
00:33:08.339 --> 00:33:15.539
You can find us online at flightsthroughentirety.com, flight through entirety on Facebook and iTunes and FTE podcast on Twitter.

506
00:33:15.599 --> 00:33:17.460
Don't forget, bondfinger.com.

507
00:33:17.519 --> 00:33:25.500
You can download all of our James Bond commentaries, and you can find us as Bond Fingercast on Twitter and Bond Finger on Facebook and iTunes.

508
00:33:25.559 --> 00:33:30.420
Until next week, may your polarphase Avatron not make a yellow laser mess on the floor.

509
00:33:30.480 --> 00:33:32.460
I'm Brendan, thank you very much and good night.

510
00:33:32.519 --> 00:33:32.940
Good night.

511
00:33:33.000 --> 00:33:33.779
See you soon.

512
00:33:36.839 --> 00:33:41.519
That was Flight Through Entirety with Todd Beelby, Nathan Boffley, and Brendan Jones.

513
00:33:42.539 --> 00:33:47.099
This episode, Bucks Fizz, was recorded on the 4th of October.

514
00:33:47.220 --> 00:33:50.099
The next episode will be released on December 20th.

515
00:33:51.180 --> 00:33:55.980
You may find our podcast crude, but we hope that was immensely satisfying.

516
00:34:00.240 --> 00:34:02.579
Where's the toilet still going?

517
00:34:03.299 --> 00:34:05.519
Do you want me to go and deal with it?

518
00:34:05.579 --> 00:34:07.740
Oh, just sort of, um, press the button halfway down.

519
00:34:07.799 --> 00:34:08.039
Yeah.

520
00:34:09.360 --> 00:34:11.460
Not actually, it's not coming through.

521
00:34:11.519 --> 00:34:12.780
The mic's, which is good, but yeah.

522
00:34:12.780 --> 00:34:17.820
It's all happening, dear listeners.

523
00:34:19.320 --> 00:34:21.239
See, now I can hear it.