WEBVTT

NOTE
This transcript was created on 2026-05-04 at 16:02:57

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Hello, dear listeners, and welcome back to Flight Through Entirety

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the only Doctor Who podcast who's been arrested in New York for

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carrying a sausage sandwich.

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I'm Brendan.

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I'm Nathan.

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I'm Todd.

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And we are heading off to the roll right stones, which are quite

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deadly because they are the stones of blood.

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So, it's the 100 story.

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So, congratulations.

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We've actually talked our way through 99 stories, and this will be

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our 100th one.

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So happy birthday to ask.

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Yes, and just like Tom Baker in this, we're not getting a cake on

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top.

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No, they were going to have a cake, weren't they?

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And it was vetoed.

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Yeah, as being too self-congratulatory, which is probably fair

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enough.

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Yeah, yeah.

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The other visual gag was going to be, they were going to give the

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doctor a present, which was an identical scarf to the one he

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already had, and he'd go, oh, it's wonderful.

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It's just what I always wanted and it was going to be the stump

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scarf.

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This is a bit of a strange story, isn't it?

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It's our 1st story by David Fisher. wonderful.

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Yeah, and he'll go on to contribute to the program over the next

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couple of years.

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He'll do Androids of Tara.

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Well, in fact, next story.

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He writes 8 episodes in a row.

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He'll do creature from the pit next year in the leisure high of

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the year after that.

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And he is the man that wrote the Gamble with Time, which became

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the City of Death.

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Yeah that's right.

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And of course, did somebody mention the Fumarsi?

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Terrific.

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It's really hard not to see this script as a kind of commentary on

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or reaction against the Hinchcliffe era.

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Much like last season.

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I think this is more proof that the Graham Williams era does

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horror better than Philip Hinchcliffe.

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What we have here is like a criminal from the past who is

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masquerading as a god.

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I've got my hands in my head.

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I never see these things till Nathan starts...

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Yeah, yeah, yeah.

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Start talking, listeners.

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You can't unsee it, can you?

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But yeah, criminal from the past.

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A criminal from the past, and then we get a sort of strange Gothic

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building, like Fetch Priory last season, we get the big whore

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which is a beautiful location, by the way.

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I just think it looks, it was absolutely spectacular.

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And we've got a priest and there's a coven of worshippers and all

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of that sort of thing.

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And it seems like just it's not going to be a very good retread of

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a Graham Williams era thing.

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Certainly, DeFreeze, the head of the coven is pretty terrible.

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So, what?

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Yeah, I think he's shockingly bad.

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I think he's fantastic.

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Oh, he's wonderful.

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This is my favourite story of the key to time.

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Is it?

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I can certainly understand.

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I can see that.

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But what they do is they do the sort of Hinchcliffe thing and then

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just throw it away unexpectedly halfway through and decide to do

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something more fun instead.

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And I think it's really terrific and it works really well as a

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sort of commentary on the Hinchcliffe era.

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Yeah, sure.

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Fine. that's how you want to see it in your head.

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I just sit back, relax, and I enjoy.

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And well, there's so much to enjoy, isn't there?

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I mean, I'm kind of with you, Todd, in that I quite like

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DeFreeze.

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And I think what's so great about DeFreeze is he's set up to be

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the villain, but of course he isn't the villain.

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The villain is Cesare, who we will come back to, because 1st of

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all, we need to comment on.

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Professor Amelia Rumford and Vivian Faye.

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See, this is a story with a tiny, tiny guest cast, isn't it?

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In fact, it's basically just those 2 women.

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You get DeFreeze and Martha who are sort of horribly healed in

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episode two.

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You get the Magara who don't come along until, what, episode

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three?

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You get the campers who are just in one scene.

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So it's basically all rests on the shoulders of those two.

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And normally I don't like it when there's a small regular cast.

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Like I just tend to think that's, you know, tie semi complained

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about pyramids of Mars, for instance.

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But when the 2 characters are so wonderfully fun, it's really

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really hard to object.

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So you've got Vivian Faye, who is Susan Engel, and she's just arch

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and wonderful and funny and hilarious.

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She has an instant rapport with Romana, I think, with a sort of

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bond over her low opinion of what men are like.

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But she's so smooth.

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Straight away, you know there's something not right, and I like

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that.

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Like, as a kid, I just thought, not just a little bit too sickly

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sweet and nice.

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It's just something not quite right about you.

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Do you know what she reminds me of?

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She reminds me of that character in K9 and company.

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Remember?

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Juno Baker.

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Juno Baker, who's kind of hits on hits on Sarah, and looks like

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she's about to invite her to one of their swingers evenings.

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You know what I mean?

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So she's a little bit like that.

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And certainly...

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Yes, that the sort of leering ways she refers to sausage

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sandwiches.

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You know what I mean?

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Or there's that thing where Amelia Rumford is, you know, offers to

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allow Romana to ride on the back of her bike and...

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It'll be a new experience for you.

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There's no need to be afraid.

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Yes, that's exactly right.

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Oh, I just love her performance.

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And I can't believe like, I can't envision anybody else playing

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that role.

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But Anna Blackman was offered that role.

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And she did not take it because she wanted Professor Rumford's

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wrong.

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Yeah, yeah, yeah.

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She wrote back.

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I read the script.

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But I think Bea Lehman will be having all the fun.

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Well, that was a big mistake because she'll have fun 7 or 8 years

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later.

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Which is a really terrible story.

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Yeah.

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I love the voice.

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Interestingly enough, just Avengers connection.

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Susan Engel auditioned to replace Diana Rigg.

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Oh wow.

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And the mute footage of her auditioning with I believe it was

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Moray Lang standing in the steed.

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It was either Moray Lang or John Woodvine, both stood in for steed

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during those auditions, but she does audition for it.

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So you only see her physical performance, but she's still got that

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sort of look that Vivian Faye does.

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If any listeners who want to try and find that.

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It's on the UK edition of the Avengers series 6.

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I just love her sausage sandwiches.

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Like I love sausage sandwiches.

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Like as a kid, with tomato sauce, just fantastic.

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Bit of onion.

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And no, I won't go that far.

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But I just remember we used to play Doctor Who charades.

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And one of my clues in one of our, I don't know, silly objects was

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Vivian Faye sausage sandwiches, just tickled my fancy that much.

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I mean that's ridiculous.

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But, hey, what, hey.

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It's like a good name for a trivia.

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It's a good name for pub trivia team, isn't it?

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Yeah, yeah, sausage sandwiches.

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Fantastic.

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And of course, then we've got Amelia Rumford.

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Again, she is just terrific.

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This is her last performance and she's terribly old.

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Gosh, I didn't realise, yeah.

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I think this is the last thing that she's in.

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She struggles a little bit with the dialogue at the beginning, I

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think, and that just comes across as her being an old lady

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though.

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I think that's right.

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I bet she, because she's an academic and she gets to sort of

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rehearse these academic rivalries and past comments on various

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professors like that fool Lidwell Morgan and talking about

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treatises and, you know, the surveys and things of the 9

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travellers and stuff.

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Survey of Dr. Borlays.

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And you can see her kind of reaching into a memory for the

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dialogue.

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But she's really, really funny and appealing and she's really

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lively.

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And, you know, there's a great moment.

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I think it's probably an episode 2 or 3 where she wants to go and

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capture one of the Ogre for the sake of science, you know.

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With a trump should.

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I've never heard an Evelyn Smythe, big finish audio.

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Is everyone as old as Amelia?

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Evelyn is younger than Amelia, but and far sharper, but the same

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kind of wit and the same kind of no time for pomposity, you know

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very sort of down to earth and what have you.

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Because she's not as she's not as fussy as Amelia, but yeah, she's

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very much cut from the same cloth.

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Because Amelia works really well with the doctor, the doctor is so

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big and so compelling to watch, but she really kind of outperforms

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him.

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She really is able to stand up to his sort of scenery chewing and

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get herself seen.

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I love the humour that I think David Fisher brings into the

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script.

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But again, I mean, how much it's David, how much it's Anthony Reed

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on the same page.

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Like, you know, you're talking about, you know, when the doctor's

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tied up on the stone going to be sacrificed and she she shoes

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everybody away and she comes, what are you doing there?

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Why, you know, and pulls a knife on him.

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I don't mean to cut him free, but still, so she pulls that next to

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his face.

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And all the and all the stuff she gets to do with K 9.

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I just think...

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Yeah, she's a great double act with K9 actually.

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A real success of David Fisher's scripts, and he'll do it again in

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all his scripts, is whereas Holmes would give you the double act

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of other characters.

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So the master and Farrell or Jago and Lightfoot together or um

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Scarman and Su Tech.

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David Fisher's double acts is pairing up a guest cast member with

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one of the regulars.

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So you've got the doctor and Professor Romford, you've got Romana

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and Vivian Faye, then you've got Professor Romford and K9.

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Because, of course, you know, once your characters are established

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it's sometimes hard to find new things to do with them.

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Tom and Mary are great at finding new ways to read lines with each

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other, of course.

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But instead, if you mix them up with other people and get to see

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them reacting strangely, especially with the doctor and Romana

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both being aliens.

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And I suppose the spoiler alert, Vivian being an alien as well.

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The only sort of real human main character we have is Professor

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Romford.

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And that's the thing.

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She is so human compared to the doctor's aliens and compared to

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his grandiosity.

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And she brings him down without even trying.

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I think that's another difference between her and Evelyn.

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Evelyn like sort of tries to bring the 6 doctor down when he's

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being a bit bompous.

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Whereas Professor Rumford, she will brings him down just because

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she's fabulous in talking about sausage sandwiches and bringing

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Romana a thermos of tea because men are so unreliable, which

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brings me to another great thing David Fisher does.

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All of his stories have strong, well drawn roles for women, which

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is something that has been really sorely missing in the last few

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years of Doctor Who.

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So here we have Professor Romford and Vivian Faye.

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Even Martha as well, you know, because DeFreeze tries to send her

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away, but she very much knows her mind and, you know, I won't

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leave you, but earlier on, no, I won't do this.

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It's murder.

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You know, she speaks up for herself.

253
00:11:00.000 --> 00:11:03.659
She's so bad I'm not going to leave you.

254
00:11:03.720 --> 00:11:05.940
Yeah, she's terrible, but it's a great chance.

255
00:11:06.000 --> 00:11:08.399
She might be terrible, but the one thing I did notice in this is

256
00:11:08.399 --> 00:11:11.519
that, you know, she's willing to speak up and say, look, we've

257
00:11:11.519 --> 00:11:13.139
sacrificed chickens or whatever it is before.

258
00:11:13.200 --> 00:11:17.220
This is going too far and so I actually, she brings a bit of

259
00:11:17.220 --> 00:11:19.919
humanity to that sort of stuff that's going on.

260
00:11:19.980 --> 00:11:23.399
So actually, you know, I have a lot more sympathy for her

261
00:11:23.399 --> 00:11:26.580
performance this time around than I have had previously.

262
00:11:26.639 --> 00:11:29.639
Then we get the campers.

263
00:11:29.700 --> 00:11:33.059
We get Pat and I don't think he's...

264
00:11:33.120 --> 00:11:33.840
He doesn't get a name.

265
00:11:33.899 --> 00:11:34.860
He'll be back.

266
00:11:34.919 --> 00:11:36.840
She's in Dragonfire.

267
00:11:36.899 --> 00:11:38.039
Well, she's dead in this.

268
00:11:38.159 --> 00:11:43.679
As a kid, as a kid, I just kind of thought, oh, well, yeah, he's a

269
00:11:43.679 --> 00:11:46.799
bit better than, but it did freak me out as a kid, like, you know

270
00:11:46.799 --> 00:11:49.500
these campers quite innocently, then like just die.

271
00:11:49.559 --> 00:11:52.740
And it's happened last year with that poor guy in the woods and

272
00:11:52.740 --> 00:11:53.940
image of the fend dial.

273
00:11:54.000 --> 00:11:56.159
That really did get to me.

274
00:11:56.159 --> 00:11:58.440
It's the skeleton hand.

275
00:11:58.440 --> 00:12:02.100
It's the skeleton hand and the screaming and the fade to red.

276
00:12:02.159 --> 00:12:03.059
Yeah, yeah.

277
00:12:03.120 --> 00:12:07.740
Again, I think it's an example of the Williams era doing horror

278
00:12:07.740 --> 00:12:10.320
really well and going with the less is more approach.

279
00:12:10.379 --> 00:12:13.679
You know, you don't you don't need to see their gut spilling out

280
00:12:13.679 --> 00:12:14.580
or anything like that.

281
00:12:14.639 --> 00:12:17.580
You get it from the performances.

282
00:12:17.639 --> 00:12:20.039
Well, a pity they couldn't have done that with K9 after he's

283
00:12:20.039 --> 00:12:21.779
attached because you get all of that ticket tank.

284
00:12:21.840 --> 00:12:23.100
And steel wool.

285
00:12:23.159 --> 00:12:24.179
They're still wool wet.

286
00:12:24.240 --> 00:12:27.240
I mean, it's so unconvincing, and it's so great when Romana goes

287
00:12:27.240 --> 00:12:31.679
back to the Tartars with him to have whatever looks like a beta

288
00:12:31.679 --> 00:12:35.759
from an electronic whisk, like as she's prodding into, you know

289
00:12:35.759 --> 00:12:38.879
prodding into K9, you think, you know, I kind of think, oh, they

290
00:12:38.879 --> 00:12:39.960
could have done a bit better with that.

291
00:12:40.019 --> 00:12:44.460
What they couldn't have done any better with is the giant toppling

292
00:12:44.460 --> 00:12:51.480
fibreglass rocks that they decide to use as our enemy aliens for

293
00:12:51.480 --> 00:12:52.080
this week.

294
00:12:52.139 --> 00:12:55.559
They're really, really incredibly bad.

295
00:12:55.620 --> 00:12:57.960
No, I disagree as well.

296
00:12:58.019 --> 00:13:02.220
I find them actually quite stunning and I actually get was really

297
00:13:02.220 --> 00:13:04.500
frightened as a kid and I really think they look wonderful.

298
00:13:04.620 --> 00:13:05.460
Do you?

299
00:13:05.460 --> 00:13:09.179
And I, you know, it makes no sense that rocks move like that, but

300
00:13:09.179 --> 00:13:10.740
of course, they're not really rocks.

301
00:13:10.740 --> 00:13:11.879
They're ovary.

302
00:13:11.940 --> 00:13:15.179
And, you know, so I just imagine they sort of levitate very

303
00:13:15.179 --> 00:13:17.580
slightly, but some sort of rationing along. actually think they're

304
00:13:17.580 --> 00:13:17.940
fantastic.

305
00:13:18.000 --> 00:13:18.779
Yeah, yeah.

306
00:13:18.840 --> 00:13:19.559
I really, really like them.

307
00:13:19.620 --> 00:13:21.840
I always think they look like they're about to fall over.

308
00:13:21.899 --> 00:13:25.379
Not for a 2nd they look like that they're actually made of rock.

309
00:13:25.440 --> 00:13:28.080
You know, they're like big fibreglass things.

310
00:13:28.139 --> 00:13:31.679
I think they have great sound design. you know what I mean?

311
00:13:31.740 --> 00:13:35.220
I think they're glowing yellow rocks is mental.

312
00:13:35.460 --> 00:13:38.340
Maybe, but I disagree with you.

313
00:13:38.399 --> 00:13:40.080
I found them terrifying as a child.

314
00:13:40.139 --> 00:13:42.600
And I think part of it is the sound design, that sort of

315
00:13:42.600 --> 00:13:43.080
heartbeat.

316
00:13:43.139 --> 00:13:47.460
But it's also, as the doctor says, And I think even before the

317
00:13:47.460 --> 00:13:50.460
doctor says this line, you realise it as a viewer, perhaps not

318
00:13:50.460 --> 00:13:52.320
consciously, how do you kill a stone?

319
00:13:52.620 --> 00:13:54.659
And that's the thing.

320
00:13:54.720 --> 00:13:56.460
It's just a wall coming towards you.

321
00:13:56.519 --> 00:14:00.840
Now, in the original script, David Fisher had them toppling over

322
00:14:00.840 --> 00:14:02.279
onto people and crushing them.

323
00:14:02.340 --> 00:14:03.960
That would have been great.

324
00:14:04.019 --> 00:14:04.500
Yeah.

325
00:14:04.559 --> 00:14:06.480
Yeah, I'm glad they didn't go with that because that would have

326
00:14:06.480 --> 00:14:07.620
looked rather comical.

327
00:14:07.679 --> 00:14:10.860
I thought that they were going to be rock men in David Fisher's

328
00:14:10.860 --> 00:14:11.220
group.

329
00:14:11.340 --> 00:14:12.539
That was the other thing.

330
00:14:12.600 --> 00:14:15.659
And Daryl Blake kind of said, well, look, you know, we can make

331
00:14:15.659 --> 00:14:18.240
the suit and it's not going to look terribly convincing and then

332
00:14:18.240 --> 00:14:21.779
we've got to have a special effect to get them to morph from the

333
00:14:21.779 --> 00:14:24.059
upright thing to the suit.

334
00:14:24.120 --> 00:14:26.220
There's not that many scenes of them attacking people.

335
00:14:26.279 --> 00:14:27.779
Let's just have them as upright rocks.

336
00:14:27.840 --> 00:14:31.379
And I think it's actually a much better solution because if we

337
00:14:31.379 --> 00:14:36.960
think back to the male Eldrad's costume, we weren't we weren't big

338
00:14:36.960 --> 00:14:39.779
fans of that as well, and it just would have been more of the same

339
00:14:39.779 --> 00:14:40.259
of that.

340
00:14:40.320 --> 00:14:43.620
It helps emphasise their alienness.

341
00:14:43.679 --> 00:14:45.059
They're not bipedal.

342
00:14:45.120 --> 00:14:46.139
They're not binocular.

343
00:14:46.200 --> 00:14:48.899
You can't talk to them or reason with them because they don't

344
00:14:48.899 --> 00:14:51.600
communicate on the same level of rocks because they're just big

345
00:14:51.600 --> 00:14:53.940
rocks. they should come back in a new series.

346
00:14:54.000 --> 00:14:59.039
Gareth Roberts, I think, once wrote a comic strip, must have been

347
00:14:59.039 --> 00:15:01.620
Gareth Roberts, but couldn't be anyone else.

348
00:15:01.740 --> 00:15:07.799
Yeah, for DWM, in which the one that the doctor kind of matadors

349
00:15:07.799 --> 00:15:12.299
off the cliff gets crushed into sand and becomes sentient sand

350
00:15:12.299 --> 00:15:13.200
that attacks people.

351
00:15:13.259 --> 00:15:14.159
Do you remember that?

352
00:15:14.220 --> 00:15:15.059
yeah, yeah, yeah, yeah.

353
00:15:15.120 --> 00:15:16.919
I think it was Gareth Robertson.

354
00:15:16.980 --> 00:15:17.639
Yeah, yeah, yeah.

355
00:15:17.700 --> 00:15:19.620
Oh, can I just say, though, that cliff?

356
00:15:19.679 --> 00:15:24.419
There are 2 moments in classic Doctor Who where I did the behind

357
00:15:24.419 --> 00:15:25.500
the sofa thing.

358
00:15:25.559 --> 00:15:26.700
Okay.

359
00:15:26.700 --> 00:15:29.100
Except in my case, our sofa was up against the wall.

360
00:15:29.159 --> 00:15:31.740
So I actually had to run into the other room where you could still

361
00:15:31.740 --> 00:15:34.259
just see the TV from and hide behind a bookcase.

362
00:15:34.320 --> 00:15:36.720
So we had a bookcase against the wall and I put my head into the

363
00:15:36.720 --> 00:15:38.399
Funkin Wagnall's bookcase we had.

364
00:15:38.460 --> 00:15:41.820
My parents had a set of Funkin Wagnals encyclopaedias and just

365
00:15:41.820 --> 00:15:43.740
sort of poked my head around until it was done.

366
00:15:43.799 --> 00:15:46.500
It was the cliffhanger where Romana goes off the cliff.

367
00:15:46.559 --> 00:15:50.399
I found it really confusing as a kid because Tom, of course

368
00:15:50.399 --> 00:15:54.360
refused to actually participate in pushing her off the cliff and

369
00:15:54.360 --> 00:15:55.799
been in those sequences up to it.

370
00:15:55.860 --> 00:15:59.340
And so when she's looking and the voices there, I was kind of

371
00:15:59.340 --> 00:16:00.120
going, what's going on?

372
00:16:00.179 --> 00:16:02.220
Now I actually think it's quite effective that it's just his

373
00:16:02.220 --> 00:16:02.460
voice.

374
00:16:02.519 --> 00:16:04.679
I actually do think it's a problem.

375
00:16:04.740 --> 00:16:08.639
It is hard to tell what's meant to be happening. as a child, yeah

376
00:16:09.000 --> 00:16:09.360
as a child.

377
00:16:09.480 --> 00:16:12.779
Now, I think personally, I know the story, I know what's happening

378
00:16:12.779 --> 00:16:13.740
but yes, it is a problem.

379
00:16:13.799 --> 00:16:17.580
And then unfortunately you get Mary's scream and she's not really

380
00:16:17.580 --> 00:16:18.360
a screamer.

381
00:16:18.360 --> 00:16:23.039
And then in the next episode, she spends, I don't know, she must

382
00:16:23.039 --> 00:16:25.919
have great carbs or something, but she's on that cliff forever.

383
00:16:25.980 --> 00:16:29.519
And then you get the CSO of the sea, and then that awful shot

384
00:16:29.519 --> 00:16:30.419
when...

385
00:16:30.419 --> 00:16:32.220
Yeah, he's pulling it back up.

386
00:16:32.220 --> 00:16:32.460
Yeah.

387
00:16:32.460 --> 00:16:34.620
And the sunset, which just doesn't work.

388
00:16:34.679 --> 00:16:36.360
And they just stay on it too long.

389
00:16:36.419 --> 00:16:38.580
It's the one sequence in this whole story that doesn't work

390
00:16:38.580 --> 00:16:41.580
because I actually think the outside broadcast stuff because it's

391
00:16:41.580 --> 00:16:42.360
done a video.

392
00:16:42.720 --> 00:16:43.320
It done on video.

393
00:16:43.379 --> 00:16:43.860
It looks great.

394
00:16:43.919 --> 00:16:46.320
Yeah, yeah, and they have night shoots, you know?

395
00:16:46.379 --> 00:16:49.139
Yeah, they have night shoes. they have some day for night and it's

396
00:16:49.139 --> 00:16:51.120
and it's some of the better day for night that I've seen.

397
00:16:51.179 --> 00:16:53.399
I never think days great. night's any good.

398
00:16:53.460 --> 00:16:56.279
It's not great, but it's better than some of the other stuff we

399
00:16:56.279 --> 00:16:56.580
get.

400
00:16:56.639 --> 00:16:58.740
I mean, the key for Dave tonight is you either want to have a

401
00:16:58.740 --> 00:17:00.840
completely clear sky or a completely cloudy sky.

402
00:17:00.899 --> 00:17:04.019
If you get patches like we saw in Doctor No a couple of months ago

403
00:17:04.019 --> 00:17:07.079
it becomes really obvious that it's that it's day.

404
00:17:07.140 --> 00:17:13.140
That cliffhanger, I rationalise to myself as a child in that we

405
00:17:13.140 --> 00:17:15.720
don't see who pushes Romana off the cliff, but I never thought

406
00:17:15.720 --> 00:17:17.519
it's a projection of the doctor.

407
00:17:17.579 --> 00:17:20.759
I thought, they're using the doctor to call her out there and then

408
00:17:20.759 --> 00:17:22.799
someone else pushes her off the cliff.

409
00:17:22.859 --> 00:17:26.400
But then she climbs back up and has the whole thing of, no, no, it

410
00:17:26.400 --> 00:17:27.119
was you, it was you.

411
00:17:27.180 --> 00:17:29.759
And as a kid, I just went, oh, okay, that's what was happening.

412
00:17:29.819 --> 00:17:30.420
Yeah, yeah.

413
00:17:30.420 --> 00:17:32.400
I think it's most unclear.

414
00:17:32.460 --> 00:17:36.240
And I think it's very surprising for Tom to say that because, of

415
00:17:36.240 --> 00:17:40.440
course, just 3 years earlier, he had no problem playing his robot

416
00:17:40.440 --> 00:17:41.279
replica.

417
00:17:41.339 --> 00:17:44.339
Well, what about what about Todd pointed this out the other day in

418
00:17:44.339 --> 00:17:47.819
conversation that he's quite happy for the cliffhanger of episode

419
00:17:47.819 --> 00:17:51.480
2 of the next story to run up to Romana and Clubber in the head.

420
00:17:51.539 --> 00:17:52.079
Yeah, yeah.

421
00:17:52.140 --> 00:17:53.279
Yes, yes, yes.

422
00:17:53.339 --> 00:17:54.119
We were talking about this, yeah.

423
00:17:54.180 --> 00:17:57.240
Yeah, I think he was probably just being a bit Tom.

424
00:17:57.299 --> 00:17:58.019
Yeah, yeah, yeah.

425
00:17:58.079 --> 00:17:59.579
He was just being crunchety, I think.

426
00:17:59.640 --> 00:18:02.519
But there's so many nice little things out on location.

427
00:18:02.579 --> 00:18:05.460
Like I love it when he just throws the umbrella away, you know, for

428
00:18:05.460 --> 00:18:06.119
no reason at all.

429
00:18:06.180 --> 00:18:09.420
I assume that Romana picks it up on a way back to the Tartist.

430
00:18:09.480 --> 00:18:10.380
It is littering.

431
00:18:10.619 --> 00:18:11.160
It did worry me.

432
00:18:11.220 --> 00:18:13.859
Like, I just love the fact that she wears the most inappropriate

433
00:18:13.859 --> 00:18:16.440
shoes to measure the ground density or whatever it is that she

434
00:18:16.440 --> 00:18:19.140
does and then I don't particularly like that outfit, but I do like

435
00:18:19.140 --> 00:18:21.420
the red dress that she comes back.

436
00:18:21.420 --> 00:18:21.900
Yeah, yeah, yeah.

437
00:18:21.960 --> 00:18:25.140
Before Vivian Fay decides to get dressed up to look like some sort

438
00:18:25.140 --> 00:18:28.319
of owl because that's what you do when you're the villain of the

439
00:18:28.319 --> 00:18:30.779
week and pushes her into the vortex.

440
00:18:30.839 --> 00:18:34.380
I love that Romana doesn't react to the fact that Vivian's dressed

441
00:18:34.380 --> 00:18:36.839
up as an hour because for Romana, that's just, oh, okay, that's

442
00:18:36.839 --> 00:18:37.740
evening wear on this planet.

443
00:18:37.799 --> 00:18:38.099
Fine.

444
00:18:38.160 --> 00:18:40.200
She did say she'd been a brown owl before.

445
00:18:40.259 --> 00:18:41.819
Exactly, maybe that's it.

446
00:18:41.880 --> 00:18:44.279
I just thought the baby instead of goes, oh, what's going on there

447
00:18:44.279 --> 00:18:47.160
in the circle, you know, let's go find out and then pushes her

448
00:18:47.160 --> 00:18:47.279
in.

449
00:18:47.400 --> 00:18:50.519
And so that's when the story takes a big turn because suddenly

450
00:18:50.519 --> 00:18:54.059
we're in hyperspace and we're throwing the kind of horror premise

451
00:18:54.059 --> 00:18:56.579
away a little bit and replacing it with a science fiction

452
00:18:56.579 --> 00:18:57.119
premise.

453
00:18:57.180 --> 00:19:01.019
And I've certainly heard people express the opinion that the 2nd 2

454
00:19:01.019 --> 00:19:04.259
episodes are weaker than the 1st ones, but I have to say that I

455
00:19:04.259 --> 00:19:08.400
really, really, really enjoy the 2nd half.

456
00:19:08.460 --> 00:19:10.319
So I think the set is really good.

457
00:19:10.380 --> 00:19:13.980
Like the spaceship set is, you know, well designed.

458
00:19:14.039 --> 00:19:15.900
We get to see a Wiran.

459
00:19:15.960 --> 00:19:17.039
We get to see a Weiran again.

460
00:19:17.099 --> 00:19:18.359
Well, in a cupboard.

461
00:19:18.420 --> 00:19:23.400
It is funny, like, you know, that Romana is in this cell with an

462
00:19:23.400 --> 00:19:27.480
Android and there's the we're in, like, there's no continuity

463
00:19:27.480 --> 00:19:29.880
between production teams. just like these old things around.

464
00:19:30.000 --> 00:19:31.319
We just put them in there.

465
00:19:31.380 --> 00:19:31.799
So be it.

466
00:19:31.859 --> 00:19:34.980
Have you noticed that the Android has really big comedy red lips?

467
00:19:35.160 --> 00:19:35.880
Yes.

468
00:19:35.940 --> 00:19:36.779
Have a look again.

469
00:19:36.839 --> 00:19:41.279
It's a kraal android, but with big googly eyes and comedy Jessica

470
00:19:41.279 --> 00:19:42.480
Rabbit red lips.

471
00:19:42.539 --> 00:19:44.039
It's very strange.

472
00:19:44.099 --> 00:19:49.440
And then suddenly we get the reveal that Vivian Faye, who we know

473
00:19:49.440 --> 00:19:52.859
is a kind of man hating villain.

474
00:19:52.920 --> 00:19:57.480
She's she killed her husband on his on their wedding night.

475
00:19:57.539 --> 00:19:58.559
Three of them, I think.

476
00:19:58.619 --> 00:20:02.339
Yeah, Señor Kamara didn't make the crossing over from Brazil.

477
00:20:02.400 --> 00:20:04.319
It's a great cliffhanger.

478
00:20:04.380 --> 00:20:07.079
I love conceptual cliffhangers or reveal cliffhangers.

479
00:20:07.140 --> 00:20:11.279
Things like last year with I've locked the creature in with us.

480
00:20:11.339 --> 00:20:15.480
Yeah, and so this one, it's the series of portraits of Vivian Faye

481
00:20:15.480 --> 00:20:16.380
that are all the same person.

482
00:20:16.440 --> 00:20:20.279
And originally that was going to then lead into the titles, but

483
00:20:20.279 --> 00:20:23.099
the episode was underrunning, so they moved the Romana getting

484
00:20:23.099 --> 00:20:25.319
transported scene, which still works as a cliffhanger.

485
00:20:25.380 --> 00:20:27.660
You know, it's it's a double cliffhanger.

486
00:20:27.720 --> 00:20:28.079
That's fine.

487
00:20:28.140 --> 00:20:32.700
So then we actually get to see her in real life and she's silver.

488
00:20:32.759 --> 00:20:37.259
And there's a fabulous moment where in the trial, which we'll get

489
00:20:37.259 --> 00:20:41.339
to in a minute where she says, I'm Vivian Faye of Rose Cottage, you

490
00:20:41.339 --> 00:20:44.579
know, ask anyone in Boscow and they'll recognise me and kind of go

491
00:20:44.579 --> 00:20:47.400
yeah, but they will kind of thing, what the hell are you doing

492
00:20:47.400 --> 00:20:49.140
looking all silver like that?

493
00:20:49.200 --> 00:20:50.819
So is she normal silver?

494
00:20:50.880 --> 00:20:52.559
And she paints her body.

495
00:20:52.559 --> 00:20:53.519
Yeah, foundation.

496
00:20:53.579 --> 00:20:55.920
Yeah, she just puts a lot of foundation on normally.

497
00:20:55.980 --> 00:20:56.819
No, no.

498
00:20:56.880 --> 00:20:58.079
The, the...

499
00:20:58.380 --> 00:21:00.059
Of course it's a segment.

500
00:21:00.119 --> 00:21:01.619
The segment lets a change.

501
00:21:01.680 --> 00:21:05.099
Yeah, because this is the 1st indication we have that the segments

502
00:21:05.099 --> 00:21:08.819
have individual property is in and of themselves because Romana

503
00:21:08.819 --> 00:21:12.240
comments that the 3rd segment has the power to change objects or

504
00:21:12.240 --> 00:21:13.019
at least their appearance.

505
00:21:13.079 --> 00:21:15.359
So it's like, well, all the segments seem to have that power

506
00:21:15.359 --> 00:21:17.640
seeing as one of them's been a lump of Jethric, and one of them's

507
00:21:17.640 --> 00:21:18.059
been a planet.

508
00:21:18.119 --> 00:21:21.359
I like the fact that at the beginning of the story, we have enough

509
00:21:21.359 --> 00:21:23.759
time for them to put their segments together.

510
00:21:23.819 --> 00:21:27.299
Ramana can do it and the doctor can't and we get the little recap

511
00:21:27.299 --> 00:21:29.880
with the...

512
00:21:29.880 --> 00:21:32.400
Finding the doctor tells Ramana that it wasn't the president.

513
00:21:32.460 --> 00:21:33.720
Thank goodness we get over that.

514
00:21:33.779 --> 00:21:34.380
Yeah.

515
00:21:34.380 --> 00:21:35.099
Yeah, yeah.

516
00:21:35.160 --> 00:21:39.000
I also quite like in that early on with Romana's outfits.

517
00:21:39.059 --> 00:21:41.940
He sort of tries to walk through and she's like, not yet.

518
00:21:42.000 --> 00:21:43.019
What do you mean, not yet?

519
00:21:43.079 --> 00:21:44.099
I'm not ready yet.

520
00:21:44.579 --> 00:21:45.960
What?

521
00:21:46.019 --> 00:21:51.359
The doctor has no idea that we get this great joke that women like

522
00:21:51.359 --> 00:21:53.579
to change their clothes and what have you.

523
00:21:53.640 --> 00:21:58.319
But of course, with Romana, one can understand that she is

524
00:21:58.319 --> 00:22:01.980
exploring new outfits and new looks because Time Lord Society is

525
00:22:01.980 --> 00:22:03.839
so staid and so stolid, you know.

526
00:22:03.839 --> 00:22:05.160
The frocks are so terrible.

527
00:22:05.220 --> 00:22:06.240
And the frocks are so terrible.

528
00:22:06.299 --> 00:22:09.180
She just would have had a pink velour number like Rodan.

529
00:22:09.720 --> 00:22:13.680
And I'm saying Rodana's Rodan, because of course that's a giant

530
00:22:13.680 --> 00:22:15.720
pterodactyl monster from Godzilla series.

531
00:22:15.779 --> 00:22:20.880
No, of course, Roman is trapped in hyperspace. forever.

532
00:22:20.940 --> 00:22:25.319
But of course, here in hyperspace, we do have a trial with a few

533
00:22:25.319 --> 00:22:26.759
interesting characters.

534
00:22:26.819 --> 00:22:30.839
Yeah, so Cesare is there looking on the trial.

535
00:22:30.900 --> 00:22:33.720
She's covered in silver and all I can think about when I'm

536
00:22:33.720 --> 00:22:39.000
watching her on screen is the makeup lady applying silver to her

537
00:22:39.000 --> 00:22:41.519
breasts and what that would have been like.

538
00:22:41.579 --> 00:22:44.279
It's actually a very low plunging taste.

539
00:22:44.339 --> 00:22:45.539
Yeah, yeah, yeah, yeah, yeah.

540
00:22:45.599 --> 00:22:49.740
This does not...

541
00:22:49.799 --> 00:22:51.119
It's the Magara.

542
00:22:51.180 --> 00:22:54.059
Oh, I love the Magara, the justice machines.

543
00:22:54.119 --> 00:22:56.640
The flashing lights, the little bleep, bleep, bleep, bleeps, and

544
00:22:56.640 --> 00:22:59.160
the little conversations, they have like, you know, when the

545
00:22:59.160 --> 00:23:02.519
doctor makes his escape, like my eloquent defence of your client

546
00:23:02.519 --> 00:23:03.420
and all that sort of stuff.

547
00:23:03.480 --> 00:23:04.440
It's just so funny.

548
00:23:04.500 --> 00:23:09.119
And again, I kind of think that they are like Rubik's cube boxes

549
00:23:09.119 --> 00:23:11.339
like actual machines, but you don't see that they've got their

550
00:23:11.339 --> 00:23:13.859
chameleon circuit flashing and that sort of thing.

551
00:23:13.920 --> 00:23:17.220
So that sort of is hovering in space or whatever.

552
00:23:17.279 --> 00:23:19.559
I think that's a great way of realising them too.

553
00:23:19.619 --> 00:23:22.680
It doesn't work 100% of the time because the actor's sight lines

554
00:23:22.680 --> 00:23:23.279
are off and off.

555
00:23:23.339 --> 00:23:28.380
But it is much better than having some stupid ball thing or, you

556
00:23:28.380 --> 00:23:30.000
know, something floating in the air.

557
00:23:30.059 --> 00:23:31.019
I think they're really good.

558
00:23:31.079 --> 00:23:34.859
And I think it helps the line, you know, where the doctor says, you

559
00:23:34.859 --> 00:23:37.619
know, that he's worried that he might be found guilty because

560
00:23:37.619 --> 00:23:40.019
they've got a bit of fluff in their sprockets or whatever you've

561
00:23:40.019 --> 00:23:40.859
got in there.

562
00:23:40.920 --> 00:23:44.160
The fact that they're just sort of a box of flashing lights, you

563
00:23:44.160 --> 00:23:48.420
know, that I think that really helps that line work better.

564
00:23:48.480 --> 00:23:50.819
We'll get back to the witnesses that he calls.

565
00:23:50.880 --> 00:23:53.519
But the last witness. when he says I have another witness to call

566
00:23:53.519 --> 00:23:54.539
and they go, who?

567
00:23:54.599 --> 00:23:56.460
And he goes, you.

568
00:23:56.519 --> 00:23:59.940
I mean, that always takes me by, took me by surprise as a kid.

569
00:24:00.000 --> 00:24:01.079
I just thought it was really, really clever.

570
00:24:01.140 --> 00:24:04.740
You know, and then they go, they're having their little animated

571
00:24:04.740 --> 00:24:07.500
conversation about, you know, this is more still regulating, sort

572
00:24:07.500 --> 00:24:08.460
of, I just love that.

573
00:24:08.519 --> 00:24:13.799
But of course, he does call other witnesses, one of which is...

574
00:24:13.859 --> 00:24:14.279
Oh, yes.

575
00:24:14.339 --> 00:24:16.500
This is Romana, he calls.

576
00:24:16.559 --> 00:24:19.799
And, you know, in the guidebooks and the companion books and all

577
00:24:19.799 --> 00:24:20.819
of that sort of thing.

578
00:24:20.880 --> 00:24:24.180
Romana's name is always given as Romana Verat Trilunda.

579
00:24:24.240 --> 00:24:27.900
But in fact, Tom and Mary don't pronounce it that way at all this

580
00:24:27.900 --> 00:24:28.319
season.

581
00:24:28.380 --> 00:24:32.819
So she's Romana de Varat Nalunda when she's introduced in the

582
00:24:32.819 --> 00:24:34.019
rebos operation.

583
00:24:34.619 --> 00:24:37.500
And here, of course, in the formality of the courtroom, the doctor

584
00:24:37.500 --> 00:24:40.440
refers to her as Miss Devaratnalunda.

585
00:24:40.559 --> 00:24:42.180
That's hilarious.

586
00:24:42.240 --> 00:24:44.220
Hilarious. just love it.

587
00:24:44.279 --> 00:24:46.920
You know, there's so many good things about it.

588
00:24:47.160 --> 00:24:51.359
In a way, I understand when people say, oh, you know, it all goes

589
00:24:51.359 --> 00:24:55.200
to hell in the last 2 episodes, but really what it is, it's kind

590
00:24:55.200 --> 00:24:57.660
of like the horror premise has played out.

591
00:24:57.720 --> 00:24:59.640
We've had the chase, we've had people die.

592
00:24:59.700 --> 00:25:03.900
So we could leather rinse repeat, but even Hinchcliffe didn't do

593
00:25:03.900 --> 00:25:04.079
that.

594
00:25:04.140 --> 00:25:06.420
If you look at Pyramids of Mars, you know, we go off to Mars for

595
00:25:06.420 --> 00:25:06.900
the last episode.

596
00:25:06.960 --> 00:25:08.640
For a terrible last episode.

597
00:25:08.759 --> 00:25:10.019
Yeah, and this is so much better.

598
00:25:10.079 --> 00:25:13.200
And especially things like when Romana is asked to call her, call

599
00:25:13.200 --> 00:25:14.339
herself a mere humanoid.

600
00:25:14.400 --> 00:25:16.319
She says, I object to the wording.

601
00:25:16.380 --> 00:25:21.059
But in fact, the Megara, ah, great kind of Douglas Adams style

602
00:25:21.059 --> 00:25:22.740
creation, aren't they?

603
00:25:22.799 --> 00:25:24.660
You know, they're justice machines.

604
00:25:24.720 --> 00:25:29.819
Douglas Adams is very much about bureaucracy and the way that

605
00:25:29.819 --> 00:25:33.960
systems are cruel to individual people and also about the way that

606
00:25:33.960 --> 00:25:37.980
technology gets out of control or, you know, impacts negatively on

607
00:25:37.980 --> 00:25:40.019
our lives in a way that we don't expect.

608
00:25:40.079 --> 00:25:42.960
So these are justice machines with absolute contempt for

609
00:25:42.960 --> 00:25:43.799
humanity.

610
00:25:43.859 --> 00:25:47.220
Like, the only reason to care about justice is because you care

611
00:25:47.220 --> 00:25:47.880
about people.

612
00:25:47.940 --> 00:25:49.200
Do you know what I mean?

613
00:25:49.259 --> 00:25:51.900
Because justice is something that you do to people.

614
00:25:51.960 --> 00:25:54.480
So if you don't care about people, if you've got out of contempt

615
00:25:54.480 --> 00:25:55.259
for them.

616
00:25:55.319 --> 00:25:56.759
What the hell is the point of justice?

617
00:25:56.880 --> 00:26:01.019
But these, they have absolute contempt for human beings, and we

618
00:26:01.019 --> 00:26:04.799
learn, of course, that they were called in one time by a big

619
00:26:04.799 --> 00:26:08.099
galactic federation, and they found the galactic federation in

620
00:26:08.099 --> 00:26:11.339
contempt of court, and blew up the entire galaxy, and that's a

621
00:26:11.339 --> 00:26:13.500
complete kind of Douglas Adams sort of thing.

622
00:26:13.559 --> 00:26:16.920
And so the idea that your legal counsel might be involved in

623
00:26:16.920 --> 00:26:20.880
executing you later on, you know, is very much along those lines.

624
00:26:21.000 --> 00:26:24.720
I want to go back to the pronunciation of Romana's now.

625
00:26:24.720 --> 00:26:28.980
Because for me, it'll always be Romana Voltana.

626
00:26:29.160 --> 00:26:34.019
And I'm now going to go into sidetrack, which is a bit of a

627
00:26:34.019 --> 00:26:35.400
convention anecdote.

628
00:26:35.460 --> 00:26:36.599
I don't know, you should remember this.

629
00:26:36.720 --> 00:26:38.099
Yeah, I remember him very well.

630
00:26:38.160 --> 00:26:39.539
Yeah, yeah, yeah, yeah.

631
00:26:39.599 --> 00:26:43.259
So Mary Tam came out to Australia in 1993 for convention, which

632
00:26:43.259 --> 00:26:45.839
was the 1st convention that I was involved with helping and I was

633
00:26:45.839 --> 00:26:48.720
just one of the little clems and he became much more important

634
00:26:48.720 --> 00:26:49.380
later on.

635
00:26:49.440 --> 00:26:55.859
And I picked Mary and her daughter, Lauren up from the airport.

636
00:26:55.859 --> 00:26:58.920
And Mary was suffering from a throat condition.

637
00:26:58.980 --> 00:27:04.440
She was already very croaky, going from hot to cold, you know, and

638
00:27:04.440 --> 00:27:06.240
so I was very green in those days.

639
00:27:06.240 --> 00:27:09.359
And so I decided, well, we were going to Parramatta for the

640
00:27:09.359 --> 00:27:12.660
convention, which was about a 50 minute drive from the airport, but

641
00:27:12.660 --> 00:27:15.059
I thought, oh, no, what we'll do is we'll drive over the harbour

642
00:27:15.059 --> 00:27:19.740
bridge and we'll show you the opera house and, you know, a good

643
00:27:19.740 --> 00:27:23.579
adding a good 15 to 20 minutes on our trip at that time.

644
00:27:23.640 --> 00:27:27.119
But for whatever reason, that day in Sydney, like this fog just

645
00:27:27.119 --> 00:27:27.960
blanketed everything.

646
00:27:28.019 --> 00:27:28.859
You could see nothing.

647
00:27:28.920 --> 00:27:31.259
It was so muggy and hot.

648
00:27:31.319 --> 00:27:33.960
We were so hot in the car and I turned on the air conditioning.

649
00:27:34.079 --> 00:27:37.680
The air conditioning had this conniption, which I just, you know, I

650
00:27:37.680 --> 00:27:38.099
don't know.

651
00:27:38.160 --> 00:27:42.599
All this white gas just went out of the air conditioner straight

652
00:27:42.599 --> 00:27:44.220
into Marytown in my face.

653
00:27:44.339 --> 00:27:47.819
Like, it never had it before, never had it since, right?

654
00:27:47.880 --> 00:27:51.420
So I almost gassed Mary Tanned in the car.

655
00:27:51.480 --> 00:27:54.420
But I might have got a handset that show had a throat that was, you

656
00:27:54.420 --> 00:27:55.859
know, a croaking voice.

657
00:27:55.920 --> 00:27:56.940
So it wasn't my fault.

658
00:27:57.000 --> 00:27:58.799
I'm just saying to people who went to that convention.

659
00:27:58.859 --> 00:28:02.880
At that time, Doctor Who was getting shown, I think, on repeats in

660
00:28:02.880 --> 00:28:04.799
the morning on the ABC, like really early in the morning.

661
00:28:04.859 --> 00:28:07.500
The cupboard managed to get an announcement to say that there was

662
00:28:07.500 --> 00:28:10.920
a evention coming up with various guests because back then

663
00:28:10.920 --> 00:28:12.720
listeners, we didn't have the internet.

664
00:28:12.779 --> 00:28:15.900
So what we had was we had an answering machine service basically

665
00:28:15.900 --> 00:28:17.519
ring someone's number.

666
00:28:17.579 --> 00:28:21.779
So, a friend of the podcast, Peter Griffiths, had an answering

667
00:28:21.779 --> 00:28:24.299
machine, and they came back to the answering machine in the next

668
00:28:24.299 --> 00:28:27.119
few days, and there was this child's voice on there.

669
00:28:27.180 --> 00:28:29.940
I can only imagine it's like that child that becomes the

670
00:28:29.940 --> 00:28:33.119
tochlophane in season three.

671
00:28:33.180 --> 00:28:36.240
And the child said, oh, hello, I'd like some more information

672
00:28:36.240 --> 00:28:42.059
about the Huvention with Joe Grant, the Turlo, and Romana

673
00:28:42.059 --> 00:28:43.079
Voltran.

674
00:28:43.140 --> 00:28:47.700
So Roman of Voltana got shortened and became Voltran, so Mary

675
00:28:47.700 --> 00:28:48.960
suffered from Voltran.

676
00:28:48.960 --> 00:28:50.400
Yeah, it was a terrible illness.

677
00:28:50.460 --> 00:28:52.619
Terriblely throughout that entire convention.

678
00:28:53.400 --> 00:28:59.819
And yeah, she was, she was...

679
00:28:59.880 --> 00:29:03.480
And if that young child is out there listening to us now.

680
00:29:04.079 --> 00:29:08.339
Our voicemail is, no, they didn't leave their number.

681
00:29:08.400 --> 00:29:09.660
It was just that was it.

682
00:29:09.720 --> 00:29:12.539
Hang up, kick goodbye, you know, so they never found out who it

683
00:29:12.539 --> 00:29:12.779
was.

684
00:29:13.799 --> 00:29:16.559
Please let us know so we can give you information on that

685
00:29:16.559 --> 00:29:17.039
convention.

686
00:29:17.099 --> 00:29:19.200
I like Tom's barrister's wig.

687
00:29:19.259 --> 00:29:22.799
But he's pulled off that he has a barrister's wig in his pocket

688
00:29:22.799 --> 00:29:23.819
and he just pulls it out.

689
00:29:23.880 --> 00:29:24.900
I think that's spectacular.

690
00:29:24.960 --> 00:29:28.680
I have a barrister's wig in my pocket right now, just in case.

691
00:29:28.799 --> 00:29:31.680
But I just have all the witticisms and I think that's part of

692
00:29:31.680 --> 00:29:34.559
Antony Reid and David Fisher.

693
00:29:34.619 --> 00:29:35.640
I'm not from outer space.

694
00:29:35.700 --> 00:29:36.539
I'm from inner time.

695
00:29:36.599 --> 00:29:38.579
Little things like that, but...

696
00:29:38.640 --> 00:29:43.319
I love how the Magara sentence Vivian Faye to 1500 years

697
00:29:43.319 --> 00:29:47.400
imprisonment, followed by perpetual imprisonment, and they're to

698
00:29:47.400 --> 00:29:48.779
be served consecutively.

699
00:29:49.319 --> 00:29:52.380
Well that's how they do things in America, you know.

700
00:29:52.440 --> 00:30:00.539
I have always quite liked the idea that sometime around 3478, you

701
00:30:00.539 --> 00:30:03.779
know, there might be a moment where Sisera of Diplos could

702
00:30:03.779 --> 00:30:04.859
escape.

703
00:30:04.920 --> 00:30:06.900
And you know, they could bring back Susan Engle.

704
00:30:06.960 --> 00:30:07.680
She's still acting.

705
00:30:07.740 --> 00:30:09.779
I saw her in Midsummer a few weeks ago, you know.

706
00:30:09.839 --> 00:30:11.279
You said she's looking pretty good.

707
00:30:11.339 --> 00:30:12.420
She's looking pretty good.

708
00:30:12.480 --> 00:30:13.619
I just think it's so funny.

709
00:30:13.619 --> 00:30:16.319
I think it's so funny the way that Amelia just has to redo the

710
00:30:16.319 --> 00:30:19.319
whole survey with like Vivian as a stone right there.

711
00:30:19.440 --> 00:30:20.940
Three of the other stones gone.

712
00:30:21.059 --> 00:30:22.140
Yeah, yeah.

713
00:30:22.200 --> 00:30:26.099
And then she gets a very, very quick goodbye to the doctor

714
00:30:26.099 --> 00:30:26.700
Ramana.

715
00:30:26.759 --> 00:30:30.240
It's very rushed there at the end, but her top is very see

716
00:30:29.640 --> 00:30:30.240
through.

717
00:30:30.359 --> 00:30:34.380
Yes, we do get some Beatrix Lehman nipple in that scene, which is

718
00:30:34.380 --> 00:30:35.460
a little bit unfortunate.

719
00:30:35.519 --> 00:30:36.240
It was very cold.

720
00:30:36.299 --> 00:30:38.819
I don't think she, I don't think she believed in wearing a bra.

721
00:30:38.880 --> 00:30:39.480
No.

722
00:30:39.480 --> 00:30:40.799
And I do like it's fine.

723
00:30:40.859 --> 00:30:44.279
I do like the comedy ending with, again, with the doctor, failing

724
00:30:44.279 --> 00:30:49.019
to put the key to time together as a jigsaw and giving a withering

725
00:30:49.019 --> 00:30:50.819
look to...

726
00:30:50.880 --> 00:30:54.480
In fact, I think we call back in the Armageddon factor, and I

727
00:30:54.480 --> 00:30:57.599
think Romana has to do the assembly again.

728
00:30:57.660 --> 00:31:00.119
Yeah, it's something that comes up a number of times.

729
00:31:00.240 --> 00:31:03.900
It's rather, I think it's quite fun. that she can't recognise what

730
00:31:03.900 --> 00:31:06.539
they are, but she can put them together.

731
00:31:06.599 --> 00:31:10.140
And he knows what they are, but can't put them together.

732
00:31:10.200 --> 00:31:12.119
This might be my favourite Graham Williams story.

733
00:31:12.180 --> 00:31:13.500
It's so very good.

734
00:31:13.559 --> 00:31:16.079
And there's very little to fault in it.

735
00:31:16.319 --> 00:31:20.279
And what there is to fold in it, there are so many other stories

736
00:31:20.279 --> 00:31:23.519
guilty of as well, you know, the occasional floppy prop or

737
00:31:23.519 --> 00:31:23.880
whatever.

738
00:31:23.940 --> 00:31:27.480
And it just seems like the entire cast had a great time making

739
00:31:27.480 --> 00:31:27.779
it.

740
00:31:27.839 --> 00:31:33.539
Like the bit where the Magara do go, it's fed up, modulated voices

741
00:31:33.539 --> 00:31:37.319
of David McAllister, and Gerald Cross, and they're saying things

742
00:31:37.319 --> 00:31:38.460
like, ping, ping, ping.

743
00:31:38.519 --> 00:31:39.299
There's my friend David.

744
00:31:39.299 --> 00:31:41.160
Bong, bong, bong, bing, bing, bing.

745
00:31:41.220 --> 00:31:42.480
So they're obviously having fun.

746
00:31:42.480 --> 00:31:46.259
And there's the famous story that John Leeson, who was actually in

747
00:31:46.259 --> 00:31:49.619
the outside broadcast fan doing canine's voice live, which is

748
00:31:49.619 --> 00:31:53.880
lovely, was out one day on a break, taking photos of the stones

749
00:31:53.880 --> 00:31:58.500
and got chatting with Beatrice Lehman about photography and what

750
00:31:58.500 --> 00:32:00.059
have you, and she loved dogs.

751
00:32:00.119 --> 00:32:01.920
So, you know, in her mind.

752
00:32:01.980 --> 00:32:02.640
Oh, you're a dog.

753
00:32:02.700 --> 00:32:03.059
I love you.

754
00:32:03.240 --> 00:32:07.319
At the cast after party, she walked up to him with this brown

755
00:32:07.319 --> 00:32:09.240
paper bag and said, this is for you.

756
00:32:09.299 --> 00:32:14.880
Open it, and it was her, I think, 20-year-old Lika camera.

757
00:32:14.940 --> 00:32:17.759
Incredibly expensive, incredibly valuable.

758
00:32:17.819 --> 00:32:19.319
And John's just like, what?

759
00:32:19.319 --> 00:32:21.720
And she just said, oh, I've not used it in years, darling.

760
00:32:21.779 --> 00:32:22.319
You have it.

761
00:32:22.380 --> 00:32:24.119
You love photography so much.

762
00:32:24.240 --> 00:32:27.299
And he just left going, What?

763
00:32:27.660 --> 00:32:30.839
It just sounds like everyone had such a fun time.

764
00:32:30.839 --> 00:32:34.140
And unlike other stories where people say, oh, yes, we had so much

765
00:32:34.140 --> 00:32:34.380
fun.

766
00:32:34.440 --> 00:32:36.359
The audience have fun with this as well.

767
00:32:36.839 --> 00:32:40.559
And even at the end, even though, you know, Vivian Fey has killed

768
00:32:40.559 --> 00:32:45.119
100s of people either by herself or by proxy through the ogre

769
00:32:45.119 --> 00:32:47.579
you're kind of like, oh, she's imprisoned.

770
00:32:47.640 --> 00:32:50.519
And yeah, the professor's lost a friend and she has to do the

771
00:32:50.519 --> 00:32:54.000
survey again, but she has an academic reputation to consider.

772
00:32:54.119 --> 00:32:58.799
It's such a good script and I'm so glad that we get more of David

773
00:32:58.799 --> 00:33:00.299
Fisher further down the line as well.

774
00:33:00.359 --> 00:33:04.680
I just, you know, as Nathan was saying so far this season, every

775
00:33:04.680 --> 00:33:08.579
story puts a smile to my face and I'm enjoying Doctor Who again.

776
00:33:08.700 --> 00:33:10.799
Yeah, it really is a fun year.

777
00:33:24.299 --> 00:33:28.740
Well, that is all the time we have for the Stones of Blood.

778
00:33:28.859 --> 00:33:33.480
We will be back next week for my personal favourite ever Doctor

779
00:33:33.480 --> 00:33:35.700
Who story, the Androids of Tara.

780
00:33:36.059 --> 00:33:36.299
Wow.

781
00:33:36.359 --> 00:33:37.079
Yeah, I know.

782
00:33:37.140 --> 00:33:38.160
That's a big call.

783
00:33:38.220 --> 00:33:39.119
I know.

784
00:33:39.180 --> 00:33:40.380
I will be explaining myself.

785
00:33:40.500 --> 00:33:41.940
Good.

786
00:33:42.180 --> 00:33:46.440
Until then, you can find us at our website, flightthroughentirety

787
00:33:45.000 --> 00:33:49.200
com, flight through entirety on Facebook and iTunes and FTE

788
00:33:49.200 --> 00:33:50.400
podcast on Twitter.

789
00:33:50.460 --> 00:33:54.839
Over on Bondfinger, we have the 1st 5 Sean Connery films available

790
00:33:54.839 --> 00:33:55.980
as commentary.

791
00:33:56.039 --> 00:33:59.579
So that's Dr. No from Russia with Love, Goldfinger, Thunderball

792
00:33:59.579 --> 00:34:01.140
and you only live twice.

793
00:34:01.200 --> 00:34:05.400
You can find those on Bondfinger.com, Bondfinger on Facebook and

794
00:34:05.400 --> 00:34:07.920
iTunes and Bondfinger cast on Twitter.

795
00:34:07.980 --> 00:34:11.699
Until then, may all your citric acid products be used in the

796
00:34:11.699 --> 00:34:12.719
defence of planet Earth.

797
00:34:12.780 --> 00:34:13.559
Thank you very much and good night.

798
00:34:13.619 --> 00:34:14.460
Good night.

799
00:34:14.519 --> 00:34:15.059
See you soon.

800
00:34:18.119 --> 00:34:21.780
That was flight through entirety with Todd BLB, Nathan Bottonley

801
00:34:21.780 --> 00:34:22.739
and Brendan Jones.

802
00:34:22.800 --> 00:34:27.179
This episode, the full Ed Will Morgan, was recorded on the 4th of

803
00:34:27.179 --> 00:34:28.199
October, 2015.

804
00:34:28.440 --> 00:34:32.519
The next episode will be released on December 27th. much like

805
00:34:32.519 --> 00:34:36.059
hyperspace, we hope that this podcast is a theoretical absurdity

806
00:34:36.059 --> 00:34:37.619
that you've always wanted to get lost in.

807
00:34:44.039 --> 00:34:45.719
I am on.

808
00:34:45.780 --> 00:34:46.320
You are on.

809
00:34:46.380 --> 00:34:46.739
Fantastic.

810
00:34:46.920 --> 00:34:53.159
Uh, well, I just need to remember what my, my thing was...

811
00:34:53.159 --> 00:34:54.599
Things of blood.

812
00:34:54.659 --> 00:34:56.219
Oh, yeah, I remember.