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This transcript was created on 2026-05-04 at 16:21:04

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Hello, dear listeners, and welcome back to Flight through Entirety

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the only Doctor Who podcast, who are lords of such a small

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domain.

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Today it's Meadowbank.

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I'm Brendan.

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I'm Nathan.

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I'm Todd, and we are discussing listener Stephen Busanovsky's

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favourite Peter Davidson story, possibly his favourite Doctor Who

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story of all time, Enlightenment.

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Well, this is terrible, isn't it?

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I had to do that.

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Worst story. shockingly bad.

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This is really pretty good, isn't it?

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It is so lovely.

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I love this in the same way I love the Androids of Tara.

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You know, I love it just because of the atmosphere and the

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performances.

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And it is it's another example that it's very atypical for Doctor

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Who to have a story like this.

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But to say typical in that it's directed by a woman, our favourite

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Fiona coming, and written by a woman.

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Is this the 1st Doctor 2 written by a woman?

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Barbara Clegg?

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Certainly written solo.

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The arc was credited to Paul Erickson and Leslie Scott, although

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both said in later years that Leslie's name was on it, but she

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didn't actually have a hand in writing it.

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But yeah, this is the 1st time a woman has written solo for the

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program.

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Last week we complained about the high concept last week.

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Terminus was set on a spaceship in the centre of the universe that

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had caused the universe to be created and threatened its very

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existence at the end.

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And that was just used to provide some word peril.

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And it was something that we couldn't see.

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I mean, there was a map of the universe with a dot in the centre

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but there was nothing visual about that concept, and that concept

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didn't really seem to have a big impact on the story.

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Here we have a fantastic high concept, which is eternal beings

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sailing ships in order to win a race.

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The prize for which is enlightenment.

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It's and it's in every frame of the story.

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It's so good and it's so interesting.

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And the eternals, which could have been just powerful space aliens

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tremendously well realised.

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And the idea of what they're like, that they're parasitic, they're

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empty, they're bored.

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Do you remember Lady Tarnha from Snake Dance?

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Yes.

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So she and her son were bored because they were kind of

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aristocrat.

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And that's how the Eternals are.

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They're really aristocratic.

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They're completely dependent on normal people.

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They don't have to worry about work.

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Their chief enemy is boredom.

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They don't care when their crews are destroyed.

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I mean, they completely read as aristocrats.

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And they also read like Homeric gods as well.

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So in the Iliad, the gods do appear on the battlefield and take

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part in the battle.

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But the big difference is they don't get killed.

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And a huge theme of the Iliad is about mortality and the misery of

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death in battle that the gods are just playing with, they don't

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suffer from it at all.

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And so there are real resonances to the way that the eternals are

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conceived.

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I just think they're tremendously good.

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And I love their word for us.

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So ephemeral comes from a Greek word that means just lasting one

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day.

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And I think it's a great word for them to describe us with.

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Absolutely.

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I was saying a few weeks ago, I think with Modern Undead. that a

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theme of this season seems to be disillusionment and the loss of

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dreams and what have you.

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And there are so many. stagnated characters in this and characters

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who are bored.

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And that doesn't always necessarily then translate into being very

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interesting for viewers.

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Like last week, the veneer are bored with what they do.

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It's kind of like they only do it because they do it and they've

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always done it.

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And plus the drugs.

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The drugs.

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Yeah.

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Yeah, we got bored.

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And we got exactly.

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And we got bored as viewers.

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Modern undead as much as I like it. episode 3 drags on a bit with

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all the mutants going on about how bored they are.

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Arc of Infinity, the Time Lords are bored and boring.

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But here, these bored people are fascinating.

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You know, it's a study in Border.

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I think because these bored people are trying to find ways to

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overcome their boredom.

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They're absolutely fascinated in Tegan.

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Like a lot of them.

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Mariner is so rapey, isn't he?

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really creepy.

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It's bizarre though, because yes, he is. absolutely.

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But he's also compelling.

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And you do develop sympathy for his character and you do develop

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sympathy for the character, relationship he has with Tegan.

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I think the turning point really is in episode 3 or possibly

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episode 4 when they're at the party on Rack's ship and he starts

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telling her that he missed her, et cetera, et cetera.

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And she is just rebuffing him, rebuffing him, rebuffing him, and

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rightly so, until she suddenly kind of thinks I'm applying human

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standards here.

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And she just says, well, are you in love?

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And he says, I don't want love, I want existence.

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He doesn't even know what love is.

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But that's a sucker punch because it's kind of like, well, actually

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when you're in love with someone, that's what love is like.

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I'm sure all of our listeners out there have been in a

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relationship that has broken up and you do feel like a part of you

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doesn't exist anymore.

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It's bittersweet and the way he acts at the beginning of the story

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is horrible, et cetera, et cetera.

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I'm, you know, I'm not saying this isn't like, um, the sort of

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novels of the Bronte sisters, where it's like, oh, you're so

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horrible.

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I'm going to throw myself at your feet.

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And it's like that's not a good lesson to learn.

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But this is an uncomfortable relationship, but one that a non

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human, non-feeling character manages to raise within us an

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emotional reaction.

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I just love Janet in this story.

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She's, she, her performance is wonderful and navigating that

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relationship with the danger that exists on the ship and seeing in

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a, in a dress, you know, and the big hair and and it changes again

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her performance.

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And it's, I think it's a tour de force for her this entire show.

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That scene where she reacts to the 1st ship exploding, the Cretan

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ship.

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And then she confronts Mariner for not caring about any of the

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crew.

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I think she does really terrifically well.

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And then she goes back to her cabin and there's the picture of

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Auntie Vanessa there and she just looks at it.

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And so the deaths of the crew and just how short and temporary our

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lives are, makes her think about what happened to Auntie Vanessa.

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And poor Auntie Vanessa is never, ever mentioned again.

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And it is kind of blink and you'll miss it, but I thought that

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that was really particularly nice.

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Yeah, yeah.

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I mean, and you know, Auntie Vanessa's not mentioned by name in

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this, but they, they, they got Delore Whiteman back to take that

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photograph.

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They actually called her in and paid her for a half day to do this

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photo shoot.

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So it wasn't a stock photo or anything.

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So they did go to great care to tie that link in.

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And it's the kind of subtlety we don't always see in Doctor Who in

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general.

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Yeah, you know.

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But that's the thing.

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Instead of it being a, as you well know, doctor, my aunt died for

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when we 1st met a, blah, blah, blah, it's just Tegan handing him

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the photo.

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I'm sure she says aunt Vanessa at some point.

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Does she?

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Okay, maybe it slipped my mind, but you know, it's not it's not

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sort of hammered into you, you know.

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But it's this, you know, every story the season has to have an

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element from the past.

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So it's stuff from her room in the Tartars and the picture of Aunt

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Vanessa, as well as the garden.ians.

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I think, and this has just occurred to me, the way we've been

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talking.

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Janet Fielding is the surprise factor of us rewatching this season

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for me at least anyway.

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You know, I've always enjoyed Tegan. enjoyed Janet's performance

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but she brings so much subtlety and nuance to it this year that

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wasn't there last year, except, you know, maybe a little bit

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towards the end.

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It's that thing I was talking about last week.

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She's able to play 2 emotions at once.

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Like, you know, with Mariner.

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She's incredibly irritated and enraged by him.

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But at the same time, she's constantly asking him questions about

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his experience and trying to understand him as well.

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Whereas Tegan last year would have, you know, just screamed at him

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and stormed off.

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It's been a bloody impressive year from Janet.

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Yeah, yeah.

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I like a great deal.

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Yeah, I don't think I can fault a single one of her performance

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decisions this year.

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No she's very good.

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Besides Mr. Mariner, we also have Captain Striker.

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Oh, yes.

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And he wasn't originally cast in that role.

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He got that role after they had to move the studio dates for the

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recording.

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I think he's great.

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And there is a scene in episode 2 where the doctor actually has a

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discussion with him about what's going on.

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And the passionate Peter Davis injects into that scene is

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amazing.

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Now, I am always very measured when it comes to this doctor and

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what he does.

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But I honestly think if you watch episode two, you go to that

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scene.

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That performance by Peter Davidson is so much better than, you

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know, the Earthshop thing.

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They keep churning out, you know, his little speech to the Simon

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inertshock.

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I actually think this is better.

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What's happening in that scene exactly?

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Well, the doctor is discussing with him.

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Why are they using ephemerals, why the Eternals are having this

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race?

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It's sort of analogous to the well-prepared meal speech that

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everyone quotes, but as you discussed about 2 months ago, Nathan

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there are reasons that that speech is not actually as powerful

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because the cyber leader just goes, right, well, I'll kill your

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mate then.

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Whereas here, the doctor lands some really good points and some

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really good outrage, much like the previous one, nothing is really

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resolved in the doctor's favour from that, but he does land some

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really good points, but it also hits home. how we as the audience

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can react to these characters if we choose to, because as you say

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it's a big concept.

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But it boils it down to the doctor saying, these are all the

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qualities that these beings do not have.

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And not only do not have, because if it was just a matter of these

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beings don't feel emotion, we should hate them, that's that's

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bigotry.

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But it's a matter of these people don't feel emotion and so they

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treat others as less than themselves.

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That becomes a moral point.

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It's just the passion.

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It's just like Peter has found something at this and he's going to

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deliver it next year in his performances and the scripts.

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And this is the 1st, well, besides Snake Dance, which I've

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commented before, like in the 1st 2 episodes where there is this

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you know, energy that he has and the way it's written, this is, it

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comes back here.

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It's nice that that scene's played opposite Stryker, who is almost

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completely emotionless and doesn't seem to be upset as a result of

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what Pete says.

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Yeah, yeah.

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And of course, as you said earlier, Todd, Keith Barron wasn't the

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original choice for Striker.

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It was actually Peter Salis of Last of the Summer Wine, and

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Wallace and Gromit, and Penley and the Ice Warriors.

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Okay excellent.

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And yeah, recording dates got moved around as a result of the

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00:12:06.299 --> 00:12:09.240
industrial action, which affected Terminus and Will Scupper, the

252
00:12:09.240 --> 00:12:12.000
season finale, which we'll get to next week.

253
00:12:12.059 --> 00:12:14.519
And so they lost Peter Salis.

254
00:12:14.580 --> 00:12:17.460
And what Fiona coming and said, someone said to her, look, you

255
00:12:17.460 --> 00:12:20.279
know, what's the difference between Keith Barron's performance and

256
00:12:20.279 --> 00:12:24.179
Peter Salis's performance and she said, well, when Peter Salis

257
00:12:24.179 --> 00:12:25.200
came in to rehearsal.

258
00:12:25.259 --> 00:12:27.960
First thing he said was, right, where do I sit?

259
00:12:28.019 --> 00:12:30.600
And she said, no, no, no.

260
00:12:30.659 --> 00:12:32.100
You're a captain of the ship.

261
00:12:32.159 --> 00:12:32.700
You're standing.

262
00:12:32.759 --> 00:12:33.240
There no seats.

263
00:12:33.299 --> 00:12:34.799
Oh darling, no, no.

264
00:12:34.919 --> 00:12:37.320
My agent didn't say this was a standing job.

265
00:12:37.379 --> 00:12:38.700
I don't do standing jobs.

266
00:12:38.759 --> 00:12:41.279
And she's like, he sent us up rotten.

267
00:12:41.340 --> 00:12:42.240
He was absolutely lovely.

268
00:12:42.299 --> 00:12:47.820
But she did say, when I cast him, I had a particular way the role

269
00:12:47.820 --> 00:12:49.139
was going to be performed in mind.

270
00:12:49.139 --> 00:12:49.860
And then we lost him.

271
00:12:49.919 --> 00:12:53.039
So when Keith Barron came in, I threw out everything I was going

272
00:12:53.039 --> 00:12:57.120
to do with Peter because I thought that was Peter's performance in

273
00:12:57.120 --> 00:12:58.799
my mind, Peter Salis's performance.

274
00:12:58.860 --> 00:13:02.100
It's not fair for me to say to Keith Barron play it like Peter

275
00:13:02.100 --> 00:13:04.799
Salis because now I've got Keith Barron, Keith Barron plays it

276
00:13:04.799 --> 00:13:05.519
like Keith Barron.

277
00:13:05.580 --> 00:13:07.799
So she didn't actually say what his performance would have been

278
00:13:07.799 --> 00:13:10.500
like, but looking at some of his other stuff.

279
00:13:10.559 --> 00:13:15.120
I imagine his performance wouldn't have been so piercing as Keith

280
00:13:15.120 --> 00:13:18.600
Barron, because Keith Barron has that stillness and that still

281
00:13:18.600 --> 00:13:19.320
stare.

282
00:13:19.379 --> 00:13:24.720
He was regularly playing villains in the 70s and 80s, you know, and

283
00:13:24.720 --> 00:13:27.720
he always has that stillness about him and that quietness.

284
00:13:27.779 --> 00:13:31.139
What these days we might call an Alan Rickman kind of quality.

285
00:13:31.379 --> 00:13:37.980
Whereas Peter Sallis kind of has that more ruminative, muttery

286
00:13:37.980 --> 00:13:39.000
guttural kind of voice.

287
00:13:39.059 --> 00:13:42.179
So yeah, I imagine they would have been very different, but Peter

288
00:13:42.179 --> 00:13:43.679
Sales still would have been a fine choice.

289
00:13:43.740 --> 00:13:46.740
And I think really good opposite Peter, because Peter is that very

290
00:13:46.740 --> 00:13:51.480
upright actor, whereas Peter Salis is this very languid sort of

291
00:13:51.480 --> 00:13:51.840
actor.

292
00:13:51.899 --> 00:13:52.919
So that could have worked.

293
00:13:52.980 --> 00:13:54.720
I think those 2 are my favourite things in this.

294
00:13:54.779 --> 00:13:57.960
I mean, obviously it gotten into Baron as the other baron.

295
00:13:58.019 --> 00:13:59.879
And, you know, she's only into episodes.

296
00:13:59.940 --> 00:14:03.539
I think I was talking a few weeks ago about not even remembering

297
00:14:03.539 --> 00:14:06.299
Colin Baker, you know, of Infinity, but she's one of those

298
00:14:06.299 --> 00:14:08.460
characters, Captain Rack, you just remember.

299
00:14:08.519 --> 00:14:11.399
And she's only in that few episodes of the show.

300
00:14:11.460 --> 00:14:14.940
She has been in Doctor Who before, of course.

301
00:14:15.120 --> 00:14:19.559
Vocally, singing the Ballad of the Last Chance Saloon, and she'll

302
00:14:19.559 --> 00:14:20.879
come back in closing time.

303
00:14:20.940 --> 00:14:24.539
She'll be brought back by Gareth Roberts, but she was, of course

304
00:14:24.539 --> 00:14:28.919
terribly famous for open all hours playing Ronnie Barker's sword

305
00:14:28.919 --> 00:14:31.200
of love interest, nurse Gladys Emmanuel.

306
00:14:31.259 --> 00:14:34.080
And she was hefty, Nurse Gladys, wasn't she?

307
00:14:34.139 --> 00:14:35.580
She was a larger woman.

308
00:14:35.639 --> 00:14:42.600
Whereas Linda Baron here is, she just looks fantastic, particularly

309
00:14:42.600 --> 00:14:45.539
the dress that she wears for the ball in episode three.

310
00:14:45.600 --> 00:14:49.139
She's really sexy and sexual.

311
00:14:49.200 --> 00:14:51.059
She's got sort of great breast.

312
00:14:51.120 --> 00:14:53.519
She's got a really sort of striking look to her.

313
00:14:53.580 --> 00:14:57.179
And in fact, I think the reason that Tegan wears a white dress and

314
00:14:57.179 --> 00:15:02.100
not much makeup to the great big party in episode 3 is to make a

315
00:15:02.100 --> 00:15:05.940
contrast with the overt sexuality of Linda Barron's character.

316
00:15:05.940 --> 00:15:07.019
Absolutely.

317
00:15:07.080 --> 00:15:09.419
And, yeah, in 1980s, Doctor Who.

318
00:15:09.480 --> 00:15:14.820
John Nathan Turner had quite a strict policy of not depicting sex

319
00:15:14.820 --> 00:15:17.820
and sexuality in any way in the shows.

320
00:15:17.879 --> 00:15:20.820
You know, he was constantly famous for saying no hanky-panky and

321
00:15:20.820 --> 00:15:21.899
the TARDIS and that sort of thing.

322
00:15:22.019 --> 00:15:25.139
And so we don't see much romance from guest characters as well or

323
00:15:25.139 --> 00:15:27.539
sexuality during the 1980s.

324
00:15:27.659 --> 00:15:32.159
And yeah, but Linda Barron as Captain Rack is just oozing

325
00:15:32.159 --> 00:15:35.759
sexuality and sensuality, I think it's important to point out.

326
00:15:35.820 --> 00:15:40.620
And she is physically, she is a perfect casting choice for that

327
00:15:40.620 --> 00:15:41.399
period of history.

328
00:15:41.460 --> 00:15:47.039
A lot of people use the description Rubinesque as an insult, but

329
00:15:47.039 --> 00:15:48.840
she is a Rubinesque model.

330
00:15:48.899 --> 00:15:52.440
You can imagine her in a Renaissance painting, except she's really

331
00:15:52.440 --> 00:15:52.980
skinny.

332
00:15:53.039 --> 00:15:54.720
You actually look at her in that dress.

333
00:15:54.779 --> 00:15:56.460
She's really thin.

334
00:15:56.519 --> 00:15:58.799
She's sort of... she's great.

335
00:15:58.860 --> 00:16:00.299
She looks terrific.

336
00:16:00.360 --> 00:16:04.139
You know, she has what might be described as a classic hourglass

337
00:16:04.139 --> 00:16:04.500
figure.

338
00:16:04.559 --> 00:16:05.399
Yeah, yeah, you know.

339
00:16:05.460 --> 00:16:06.779
Yeah, she is amazing.

340
00:16:06.840 --> 00:16:07.799
She looks amazing.

341
00:16:07.860 --> 00:16:12.360
And I think if you're going to have a character play that sort of

342
00:16:12.360 --> 00:16:14.460
flirtatious role.

343
00:16:14.519 --> 00:16:20.039
You need someone who is a big screen presence and all eyes are

344
00:16:20.039 --> 00:16:20.700
drawn to her.

345
00:16:20.759 --> 00:16:23.399
You know, Keith Barron as striker.

346
00:16:23.460 --> 00:16:25.500
The most captivating thing about him is his voice.

347
00:16:25.559 --> 00:16:28.799
But, you know, if he's standing in the scene, like a few of the

348
00:16:28.799 --> 00:16:30.899
bridge scenes he's standing in the background, you may not notice

349
00:16:30.899 --> 00:16:31.679
him until he speaks.

350
00:16:31.740 --> 00:16:35.460
It's impossible not to notice Linda Baron in any scene she's in.

351
00:16:35.519 --> 00:16:38.220
There's bits of the party where she's in the background, but you

352
00:16:38.220 --> 00:16:43.740
can just hear her occasionally laugh and oh, Fiona coming really

353
00:16:43.740 --> 00:16:45.840
doesn't put a foot wrong with casting, does she?

354
00:16:45.899 --> 00:16:46.799
Well, she does.

355
00:16:46.799 --> 00:16:48.539
Okay, Cardinals or accent?

356
00:16:48.600 --> 00:16:48.899
Sorry.

357
00:16:48.960 --> 00:16:49.799
No, no, no.

358
00:16:50.100 --> 00:16:50.700
Baruso.

359
00:16:50.759 --> 00:16:51.600
No, no, no, in this story.

360
00:16:51.659 --> 00:16:52.440
I don't like...

361
00:16:52.440 --> 00:16:54.659
I don't like the guy who's playing her number two.

362
00:16:54.659 --> 00:16:57.059
Lee John from Imagination.

363
00:16:57.299 --> 00:17:00.720
No, sometimes he's okay, and other times he's too...

364
00:17:00.779 --> 00:17:01.679
I think it's too much.

365
00:17:01.740 --> 00:17:05.640
And I just kind of think it's a bit too, I don't know if it's camp

366
00:17:05.640 --> 00:17:08.160
or whatever, but there's sometimes when I kind of think, oh, no

367
00:17:08.160 --> 00:17:09.359
pull it back, pull it back.

368
00:17:09.480 --> 00:17:13.019
I like that she's got like a little gay side, though.

369
00:17:13.079 --> 00:17:14.460
He is incredibly...

370
00:17:14.579 --> 00:17:15.420
He is terribly happy.

371
00:17:15.480 --> 00:17:19.259
Are there publicity shots of them threatening the doctor on the

372
00:17:19.259 --> 00:17:20.160
Tartar set?

373
00:17:20.220 --> 00:17:24.059
Yeah, because just because that set was set up, that's where

374
00:17:24.059 --> 00:17:26.759
people were filming that day when the radio times photographer

375
00:17:26.759 --> 00:17:27.180
came in.

376
00:17:27.240 --> 00:17:31.259
I think it may have also been a matter of not showing off the

377
00:17:31.259 --> 00:17:34.259
buccaneer set before telecast.

378
00:17:34.319 --> 00:17:36.660
But yeah, there's no deleted scenes of them getting access to

379
00:17:36.660 --> 00:17:37.319
targets.

380
00:17:37.380 --> 00:17:38.220
That would have been awful.

381
00:17:38.279 --> 00:17:41.700
I mean, if the Tartar set had been in their, you know, a big space

382
00:17:41.700 --> 00:17:46.319
set amongst all of those lovely wooden corridors, that would have

383
00:17:46.319 --> 00:17:48.539
been a terrible mistake and they don't make it.

384
00:17:48.599 --> 00:17:51.660
I think the sets look amazing.

385
00:17:51.900 --> 00:17:57.240
With maybe the exception of the whatever room with the eye thing.

386
00:17:57.359 --> 00:17:58.680
Oh, the vacuum shield room.

387
00:17:58.740 --> 00:18:00.000
I love that I hate it.

388
00:18:00.059 --> 00:18:02.819
And I think it's really poorly shot at times when they're on the

389
00:18:02.819 --> 00:18:03.180
floor.

390
00:18:03.240 --> 00:18:06.180
You can't tell, is there a force field there, what's going on?

391
00:18:06.240 --> 00:18:08.880
I just think the whole perspective and angle is wrong.

392
00:18:09.000 --> 00:18:11.460
The whole in the floor, isn't there?

393
00:18:11.519 --> 00:18:14.039
That it looks like people could defizer, yeah.

394
00:18:14.099 --> 00:18:16.799
There's no way Linda Baron is falling through that hole.

395
00:18:16.859 --> 00:18:18.299
She's not fitting through it.

396
00:18:18.359 --> 00:18:19.680
It's just not going to happen.

397
00:18:19.799 --> 00:18:22.380
I don't think Peter Davis could fit through that hole to be honest

398
00:18:22.380 --> 00:18:22.680
with you.

399
00:18:22.740 --> 00:18:25.500
But I just think it's really Paul, that whole set and like, what

400
00:18:25.500 --> 00:18:27.480
are the big sort of vacuum shield?

401
00:18:27.539 --> 00:18:29.880
You know, she's got 10,000 locks.

402
00:18:29.880 --> 00:18:34.559
I'm now sort of beginning to criticise a few aspects here.

403
00:18:34.619 --> 00:18:37.859
I think I did myself in coming into this because I used to really

404
00:18:37.859 --> 00:18:39.720
just adore this completely.

405
00:18:39.779 --> 00:18:41.640
And so I had really high expectations.

406
00:18:41.700 --> 00:18:46.200
And so like all of that sort of stuff just began to annoy me.

407
00:18:46.259 --> 00:18:49.200
The performance that you're talking about, her gay sidekick.

408
00:18:49.259 --> 00:18:50.880
I just thought, just pull it back a little.

409
00:18:50.940 --> 00:18:53.579
I just wanted, you know, and not to say that he's, in some scenes

410
00:18:53.579 --> 00:18:54.180
I think he's really great.

411
00:18:54.299 --> 00:18:55.619
And he's got great look.

412
00:18:55.680 --> 00:18:58.799
Yeah, but in other things, I'm thinking, oh, you know, at the

413
00:18:58.799 --> 00:19:02.039
beginning, the white guardian is fading in and out.

414
00:19:02.099 --> 00:19:02.519
Why?

415
00:19:02.579 --> 00:19:03.359
I don't understand.

416
00:19:03.420 --> 00:19:06.660
If the black and white guardians are equal, then I don't see why

417
00:19:06.660 --> 00:19:07.980
one has control over the other.

418
00:19:08.039 --> 00:19:08.640
I don't get it.

419
00:19:08.700 --> 00:19:14.099
I think that the Guardians are horrifically bad in this story and

420
00:19:14.099 --> 00:19:17.099
I think Cyril Luckam as the White Guardian is terrible.

421
00:19:17.160 --> 00:19:20.759
And I think the whole conception of the Guardians for this story

422
00:19:20.759 --> 00:19:23.579
is completely wrong.

423
00:19:23.640 --> 00:19:26.880
When we 1st see the White Guardian at the beginning of the rebos

424
00:19:26.880 --> 00:19:31.140
operation, He is a colonial plantation guy.

425
00:19:31.319 --> 00:19:33.480
You know, he's in a wicker chair.

426
00:19:33.539 --> 00:19:35.460
He's having a lovely drink.

427
00:19:35.519 --> 00:19:37.920
He's on an unconvincing set.

428
00:19:37.980 --> 00:19:42.960
He is in absolute control, and the doctor defers to him by calling

429
00:19:42.960 --> 00:19:45.960
him sir as if he's like an angry headmaster.

430
00:19:45.960 --> 00:19:51.000
And he is not nice.

431
00:19:51.299 --> 00:19:58.740
The associations he's given make him aristocratic and colonial and

432
00:19:58.740 --> 00:20:02.160
dismissive and kind of nasty.

433
00:20:02.220 --> 00:20:08.339
And I think that conception of the Guardians is Bob Holmes doing

434
00:20:08.339 --> 00:20:13.500
that to undermine the idea that there are, you know, these 2 equal

435
00:20:13.500 --> 00:20:18.299
manichee and good and evil forces running the universe because

436
00:20:18.299 --> 00:20:21.180
that's a horrible, stupid idea.

437
00:20:21.240 --> 00:20:25.259
But here he's just a sort of pathetic, good guy with a bird poking

438
00:20:25.259 --> 00:20:25.920
out of his hand.

439
00:20:25.920 --> 00:20:30.660
And he's struggling to communicate as if he's just some space

440
00:20:30.660 --> 00:20:33.660
person. makes no sense to me.

441
00:20:33.720 --> 00:20:35.160
It makes no sense.

442
00:20:35.220 --> 00:20:38.700
And then in episode three, when the Black Guardian is threatening

443
00:20:38.700 --> 00:20:42.480
Turlow, I'm going to criticise the direction and the performance

444
00:20:42.480 --> 00:20:45.420
here, he actually walks around and goes, yeah, yeah, yeah, yeah

445
00:20:45.420 --> 00:20:45.720
yeah.

446
00:20:45.779 --> 00:20:48.299
I'm going, what the hell is that?

447
00:20:48.359 --> 00:20:49.920
Like, no.

448
00:20:49.980 --> 00:20:52.619
And also, he grabs Turlo and tries to strangle it.

449
00:20:52.799 --> 00:20:55.680
Isn't the whole point, the Black Guardian.

450
00:20:55.799 --> 00:20:58.079
Not that it's been stated, but isn't the whole point that he can't

451
00:20:58.079 --> 00:21:01.019
interfere with the physical universe, which is why he needs Turlo

452
00:21:01.019 --> 00:21:03.420
to pick up a rock and why he needs Turlo to operate the blue

453
00:21:03.420 --> 00:21:03.839
switches.

454
00:21:03.960 --> 00:21:04.619
Really?

455
00:21:04.619 --> 00:21:06.119
The Black Guardian can't appear and do that?

456
00:21:06.240 --> 00:21:08.279
But more than that, okay?

457
00:21:08.339 --> 00:21:11.460
Why are they in charge of enlightenment or there?

458
00:21:11.519 --> 00:21:15.119
How often do these eternals actually have this race?

459
00:21:15.180 --> 00:21:16.980
What are they going to do when they get enlightenment?

460
00:21:17.039 --> 00:21:21.180
Like, there's just, there's just things that I want answers to

461
00:21:21.180 --> 00:21:21.900
these questions.

462
00:21:21.960 --> 00:21:24.779
Like, does this race happen yearly annually?

463
00:21:24.839 --> 00:21:28.680
The Eternals don't die and all their little people don't die when

464
00:21:28.680 --> 00:21:30.720
they, you know, they just go back to the void.

465
00:21:30.779 --> 00:21:34.140
There's, yes, we get the death of the cruise.

466
00:21:34.200 --> 00:21:37.980
But again, okay, that's awful.

467
00:21:38.039 --> 00:21:40.740
We have one man overboard who goes bop and disappears.

468
00:21:40.799 --> 00:21:43.019
Is he an eternal or is he?

469
00:21:43.079 --> 00:21:43.740
So he's an eternal.

470
00:21:43.799 --> 00:21:46.980
We get Linda Baron and her psychic put out into space.

471
00:21:47.039 --> 00:21:51.059
Now, isn't that a scene with the doctor and Turlow?

472
00:21:51.180 --> 00:21:53.339
We're meant to think it's the doctrine?

473
00:21:53.400 --> 00:21:53.880
Of course we're not.

474
00:21:53.940 --> 00:21:56.759
But it is, Tegan thinks it's the doctrine, Turlo.

475
00:21:56.819 --> 00:21:58.799
No, no, no, but who's in there with them at the time?

476
00:21:58.859 --> 00:22:00.119
Yeah, it's a doctor in Turlo.

477
00:22:00.180 --> 00:22:01.019
Yeah, they push them out.

478
00:22:01.079 --> 00:22:03.539
And it's like, I just find that a real cop out.

479
00:22:03.599 --> 00:22:07.380
It's like, I have been waiting for, you talked about the fact that

480
00:22:07.380 --> 00:22:10.019
the doctor was suspicious of Turlow, right?

481
00:22:10.079 --> 00:22:13.859
Yes, he's suspicious of Turnlope, but it's one of the things...

482
00:22:14.099 --> 00:22:17.460
Yeah, there's a resolution at the end, but I want to see the

483
00:22:17.460 --> 00:22:20.220
conversation between the doctor and Turlow.

484
00:22:20.279 --> 00:22:21.240
Do you know where I'm going with this?

485
00:22:21.359 --> 00:22:24.480
Like, I just think it's a big cop out by not seeing them getting

486
00:22:24.480 --> 00:22:25.079
pushed out.

487
00:22:25.140 --> 00:22:27.599
There's a big cop out by the fact that I don't get.

488
00:22:27.660 --> 00:22:29.700
I don't want a confrontation scene per se, but I just want

489
00:22:29.700 --> 00:22:30.779
something more set.

490
00:22:31.200 --> 00:22:34.859
See, I'm sorry, but I am going to disagree.

491
00:22:34.920 --> 00:22:37.859
And this is something I've discussed with Stephen Busanovski, who

492
00:22:37.859 --> 00:22:38.519
we mentioned earlier.

493
00:22:38.579 --> 00:22:39.660
He loves his story.

494
00:22:39.720 --> 00:22:43.319
Where the doctor says Enlightenment wasn't the Diamond

495
00:22:43.319 --> 00:22:44.400
Enlightenment was the choice.

496
00:22:44.460 --> 00:22:45.240
Yeah.

497
00:22:45.240 --> 00:22:50.099
When he's standing there just watching Turlow, that to me is the

498
00:22:50.099 --> 00:22:53.819
moment Peter Davidson arrives as the doctor, he's the doctor who

499
00:22:53.819 --> 00:22:58.380
gives you everything you need to make the right decision, but

500
00:22:58.380 --> 00:22:59.759
making that decision is up to you.

501
00:22:59.819 --> 00:23:04.799
It's bizarre because the doctor does nothing in that scene, but

502
00:23:04.799 --> 00:23:08.700
it's one of Peter Davidson's most powerful scenes so far, just

503
00:23:08.700 --> 00:23:10.380
because of the expression on his face.

504
00:23:10.440 --> 00:23:12.180
He's not looking at Turlow.

505
00:23:12.240 --> 00:23:14.460
He's not looking at him expectantly.

506
00:23:14.519 --> 00:23:15.839
He's not looking at him pleadingly.

507
00:23:15.900 --> 00:23:17.700
He's not looking at him threateningly.

508
00:23:17.759 --> 00:23:20.519
He is standing back and saying, I trust you.

509
00:23:20.819 --> 00:23:23.819
And I trust my fate in your hands.

510
00:23:23.940 --> 00:23:28.740
But the thing is, he's not doing that blindly, you know, he has

511
00:23:28.740 --> 00:23:33.180
experienced the last 3 stories and he's been suspecting Turlo

512
00:23:33.180 --> 00:23:35.700
since Morden undead, and quite a few times in this story.

513
00:23:35.759 --> 00:23:39.119
He questions Turlo's motivations, not about being in the TARDIS

514
00:23:39.119 --> 00:23:42.180
but about coming out onto the ship with him about whether it'll be

515
00:23:42.180 --> 00:23:45.839
all right with the crew, about, you know, if he's comfortable on

516
00:23:45.839 --> 00:23:46.319
the ship.

517
00:23:46.380 --> 00:23:47.759
Does he need to go back to the TARDIS.

518
00:23:47.819 --> 00:23:50.519
There's that lovely scene where Turlo gives up the key to the rum

519
00:23:50.519 --> 00:23:54.000
locker and the look on the doctor's face.

520
00:23:54.059 --> 00:23:58.680
Both the doctor and Turlo are hugely disappointed with him for

521
00:23:58.680 --> 00:23:59.160
doing that.

522
00:23:59.220 --> 00:24:01.259
Yeah, he betrays Jackson.

523
00:24:01.319 --> 00:24:04.200
Remember, Jackson is the teetotaller.

524
00:24:04.259 --> 00:24:10.259
So he's not drinking the stuff for the blade. the rum that makes

525
00:24:10.259 --> 00:24:13.920
everyone else happy to don spaceships and go above decks.

526
00:24:13.980 --> 00:24:19.500
And Turmo betrays him to the Eternals, and both the doctor and

527
00:24:19.500 --> 00:24:21.359
Turlo are hugely disappointed in him.

528
00:24:21.420 --> 00:24:26.940
And I like that that moral decision, that wrong moral decision.

529
00:24:27.000 --> 00:24:30.180
Look, I don't think we believe that Turlow really wants to be

530
00:24:30.180 --> 00:24:33.480
friends with Captain Rack and gain enlightenment in the later

531
00:24:33.480 --> 00:24:34.019
episodes.

532
00:24:34.079 --> 00:24:37.680
I think the doctor's assessment of what's going on is the one that

533
00:24:37.680 --> 00:24:38.519
we believe.

534
00:24:38.579 --> 00:24:43.500
But just because we've had his character called into question.

535
00:24:43.559 --> 00:24:46.140
I think that's really interesting.

536
00:24:46.200 --> 00:24:49.680
And I also think there's another thing that bears on his final

537
00:24:49.680 --> 00:24:52.619
choice, and that's when he's trapped in that stupid room.

538
00:24:52.740 --> 00:24:56.759
He calls out to the Black Guardian who's really mean and horrible

539
00:24:56.759 --> 00:24:57.660
to him.

540
00:24:57.720 --> 00:25:00.720
And then he immediately calls out to the doctor who comes in and

541
00:25:00.720 --> 00:25:01.559
rescues him.

542
00:25:01.619 --> 00:25:05.819
Yeah, and it's ambiguous as to whether he's heard Turlo calling

543
00:25:05.819 --> 00:25:07.019
out to the Black Guardian verse.

544
00:25:07.079 --> 00:25:09.000
Oh, that hadn't occurred to me.

545
00:25:09.059 --> 00:25:12.720
Because when the doctor comes through the door, there's a surprise

546
00:25:12.720 --> 00:25:13.559
look on his face.

547
00:25:13.619 --> 00:25:16.920
It can't be surprised that, oh, that's Turlo's voice.

548
00:25:16.980 --> 00:25:18.660
You know, he's gone looking for Turlo.

549
00:25:18.720 --> 00:25:19.740
He knows he's gonna find him.

550
00:25:19.799 --> 00:25:24.359
You know, I think maybe the doctor expects to get clobber and it's

551
00:25:24.359 --> 00:25:27.059
a bit of a trap because he doesn't kind of relax until until he

552
00:25:27.059 --> 00:25:30.059
sees that Turlow is genuinely in distress and I was going to be

553
00:25:30.059 --> 00:25:30.900
sucked out into space.

554
00:25:30.960 --> 00:25:32.519
Why did the stars spin, you know?

555
00:25:32.579 --> 00:25:35.160
I think that's some subjective view point?

556
00:25:35.220 --> 00:25:35.460
Yeah.

557
00:25:35.519 --> 00:25:39.119
It does take a very, very long time for the air to evacuate from

558
00:25:39.119 --> 00:25:40.920
that room thing, does it?

559
00:25:40.980 --> 00:25:41.759
Yeah, it does.

560
00:25:41.819 --> 00:25:46.380
Although, mind you, I think, uh, what's it, in event horizon, you

561
00:25:46.380 --> 00:25:48.299
can survive about 30 seconds.

562
00:25:48.359 --> 00:25:49.740
No, Hitchhiker's Guide to the Galaxy.

563
00:25:49.799 --> 00:25:53.160
You can survive about 30 seconds in the absolute 0 vacuum space.

564
00:25:53.220 --> 00:25:55.559
Yeah, no, but it's about half an episode.

565
00:25:55.920 --> 00:25:58.859
It's also like the man overboard thing in the beginning of episode

566
00:25:58.859 --> 00:25:59.400
three.

567
00:25:59.460 --> 00:26:00.359
Could they be slower?

568
00:26:00.420 --> 00:26:01.200
Like, you know?

569
00:26:01.259 --> 00:26:03.000
Oh, it's not tied down.

570
00:26:03.059 --> 00:26:07.680
I really, really like the music in that scene.

571
00:26:07.799 --> 00:26:11.579
And I don't like Malcolm Clark very much.

572
00:26:11.640 --> 00:26:15.660
I dislike his music mostly for earth shock.

573
00:26:15.720 --> 00:26:16.559
I think it's horrible.

574
00:26:16.619 --> 00:26:20.099
He's got a sort of tendency to go back and do the same thing over

575
00:26:20.099 --> 00:26:20.880
and over again.

576
00:26:20.940 --> 00:26:23.460
He's a big fan of bangs and crashes and stuff.

577
00:26:23.519 --> 00:26:26.099
Does he do the twin dilemma score?

578
00:26:26.160 --> 00:26:27.720
I think he does and it's...

579
00:26:27.720 --> 00:26:29.940
No, I think it's Roger Lim, I thought.

580
00:26:30.000 --> 00:26:31.559
I thought it was Attack of the Sidemen.

581
00:26:31.559 --> 00:26:32.700
Yeah, he does attack.

582
00:26:32.759 --> 00:26:36.480
But he does some great work for the Eternals here.

583
00:26:36.539 --> 00:26:38.220
Their theme is really great.

584
00:26:38.279 --> 00:26:42.779
And the scene where Turlo drifts from one ship to another across

585
00:26:42.779 --> 00:26:46.980
space is really good as well, rather than making it urgent.

586
00:26:47.039 --> 00:26:52.440
It makes it, you know, like a little bit mystical and a little bit

587
00:26:52.440 --> 00:26:53.400
sort of strange.

588
00:26:53.460 --> 00:26:54.720
It's really good.

589
00:26:54.779 --> 00:26:58.140
Well, I'm glad it's really good because that's juxtaposed with the

590
00:26:58.140 --> 00:27:01.380
stupid music as the crew get into their space gear and get their

591
00:27:01.380 --> 00:27:03.599
rum rations, which I just think is appalling.

592
00:27:03.660 --> 00:27:06.900
Oh, it's a horn pipe or something, isn't it?

593
00:27:06.960 --> 00:27:09.480
That's a little sailor theme.

594
00:27:09.539 --> 00:27:13.980
I will say, though, that cliffhanger, there's your re-edited

595
00:27:13.980 --> 00:27:16.980
Doctor Who cop out to that cliffhanger because episode 2 ends with

596
00:27:16.980 --> 00:27:18.299
the doctor shouting, no.

597
00:27:18.359 --> 00:27:22.019
And episode 3 starts with Turlo, I'll never serve you again.

598
00:27:22.019 --> 00:27:24.720
And then you cut back to Davis and say, oh, don't be an idiot.

599
00:27:24.900 --> 00:27:27.960
Which is actually better.

600
00:27:28.019 --> 00:27:30.359
That would have been a great cliffhanger.

601
00:27:30.420 --> 00:27:31.980
If it had been Pete, don't be an idiot.

602
00:27:32.039 --> 00:27:35.160
Then resting cliffhanger face and then closing credits would have

603
00:27:35.160 --> 00:27:35.460
been really good.

604
00:27:35.519 --> 00:27:39.000
Oh, dude, it's a season 22 Australia cliffhanger all over again.

605
00:27:39.299 --> 00:27:43.140
Above decks is beautiful and beautifully lit.

606
00:27:43.140 --> 00:27:44.880
Yeah, we're evenly shot.

607
00:27:44.940 --> 00:27:49.079
It is, you know, 4 1983, 82.

608
00:27:49.319 --> 00:27:51.180
I think they're doing a pretty good job.

609
00:27:51.240 --> 00:27:54.960
One of the shots I don't like is, you know, when they cut to that

610
00:27:54.960 --> 00:27:58.740
the captain on the other ship, the Greek captain, I think it is

611
00:27:58.740 --> 00:28:00.000
and it just looks so cheap.

612
00:28:00.059 --> 00:28:04.500
And then he's got that, the jewel and the doctor looked just very

613
00:28:04.500 --> 00:28:05.640
observant about that jewel.

614
00:28:05.700 --> 00:28:07.859
Something that annoyed me as a kid was the fact that when he

615
00:28:07.859 --> 00:28:09.900
actually crushes the jewel and they're trying to get it outside.

616
00:28:09.960 --> 00:28:12.539
There's still bits on the floor and they're going, ah.

617
00:28:12.779 --> 00:28:16.019
When we were watching that, Rod said, why didn't they just pick up

618
00:28:16.019 --> 00:28:16.500
the rug?

619
00:28:16.559 --> 00:28:18.059
They can get you on the hug.

620
00:28:18.420 --> 00:28:20.519
Why didn't they do that?

621
00:28:20.579 --> 00:28:23.279
But I don't think that happens in these stories, the doctor

622
00:28:23.279 --> 00:28:24.839
manages to switch his celery.

623
00:28:24.900 --> 00:28:25.859
Yes.

624
00:28:25.920 --> 00:28:28.500
Fake celery for fake celery.

625
00:28:28.619 --> 00:28:30.480
That's why it wilts very slowly.

626
00:28:30.599 --> 00:28:34.019
I was actually a little bit worried that he might put the celery

627
00:28:34.019 --> 00:28:37.200
that he'd had on his lapel back into the container with the other

628
00:28:37.200 --> 00:28:39.720
celery and that someone might eat it because it would be really

629
00:28:39.720 --> 00:28:42.900
kind of rank and horrible by now, but he very thoughtfully puts it

630
00:28:42.900 --> 00:28:44.160
in a little scabbard.

631
00:28:44.220 --> 00:28:47.400
I think there's a sword on the wall and he puts it in the scabbard

632
00:28:47.400 --> 00:28:48.480
so that no one's going to eat it.

633
00:28:48.539 --> 00:28:51.660
Something just occurred to me that should have occurred to me ages

634
00:28:51.660 --> 00:28:52.740
ago, reading the celery.

635
00:28:52.799 --> 00:28:56.279
Because the original celery was created in cast valva, right?

636
00:28:56.339 --> 00:28:58.799
So the original celery was created by Adric.

637
00:28:58.859 --> 00:29:02.700
Wouldn't have been amazing in Earthshock if in the last scene, the

638
00:29:02.700 --> 00:29:06.299
doctor's celery crumbles to dust because it's dead.

639
00:29:06.359 --> 00:29:09.299
Sustained by block transfer computation all this time.

640
00:29:09.359 --> 00:29:13.200
Yeah, and, you know, Adric has been sustaining the doctor's salary

641
00:29:13.200 --> 00:29:15.240
all this, you know, just with a little sum in the back of his head

642
00:29:15.240 --> 00:29:15.779
all this time.

643
00:29:15.839 --> 00:29:19.440
You know, that's the kind of thing modern Doctor Who might do.

644
00:29:19.500 --> 00:29:22.619
I'm not blaming the production team for not thinking of that.

645
00:29:22.680 --> 00:29:24.960
You know, that's very esoteric, but that would have been cute.

646
00:29:25.019 --> 00:29:27.720
I don't know why he wears the celery. so dumb.

647
00:29:27.839 --> 00:29:32.160
No one does until... until Robert Holmes says, oh, fine.

648
00:29:32.220 --> 00:29:33.420
Oh, make something up.

649
00:29:33.539 --> 00:29:38.640
Why does the Black Guardian burn with the Enlightenment thing?

650
00:29:38.700 --> 00:29:42.599
Because the light destroys the dark. tells us.

651
00:29:42.660 --> 00:29:45.660
I think with a story like this where you do have sort of all

652
00:29:45.660 --> 00:29:51.779
powerful gods sailing around the solar system in ships, that maybe

653
00:29:51.779 --> 00:29:56.160
it's not such a terrible thing that we don't get explanations of a

654
00:29:56.160 --> 00:29:57.539
lot of stuff that's going on.

655
00:29:57.599 --> 00:30:02.099
I think there's just something sort of poetic and lyrical.

656
00:30:02.160 --> 00:30:05.279
It's a little bit like warrior's gate where it doesn't really work

657
00:30:05.279 --> 00:30:08.940
on a sort of scientific level or sort of sapphire and steel.

658
00:30:09.000 --> 00:30:11.099
You know, if you ever discovered that sapphire and steel were

659
00:30:11.099 --> 00:30:14.519
really from the planet Bloz, you know, and that they had space

660
00:30:14.519 --> 00:30:16.380
names and stuff.

661
00:30:16.440 --> 00:30:17.759
That would kind of undermine it.

662
00:30:17.819 --> 00:30:22.740
And I like that this is just a random thing that doesn't really

663
00:30:22.740 --> 00:30:24.960
play into the mythology of the show.

664
00:30:25.019 --> 00:30:28.799
I think Russell has the doctor name, check the Eternals at some

665
00:30:28.799 --> 00:30:29.039
point.

666
00:30:29.099 --> 00:30:30.539
Yeah, yeah.

667
00:30:30.599 --> 00:30:31.740
David Tennant does.

668
00:30:31.799 --> 00:30:34.980
But they're not a big part of the program.

669
00:30:35.039 --> 00:30:36.660
And I like that.

670
00:30:36.720 --> 00:30:40.920
I think there's something just sweet about it and the visuals.

671
00:30:40.980 --> 00:30:46.859
You know, there's a special edition on the... on the DVD.

672
00:30:46.859 --> 00:30:50.220
And it's, I don't like special editions very much, and I'm not

673
00:30:50.220 --> 00:30:51.240
sure that I like this one.

674
00:30:51.299 --> 00:30:54.779
It does it in widescreen and that doesn't work with the source. 6

675
00:30:54.779 --> 00:30:56.279
material. minute cut, I think, yeah.

676
00:30:56.339 --> 00:31:01.500
But they are able to a really truly breathtaking shot of all of

677
00:31:01.500 --> 00:31:02.700
those ships in space.

678
00:31:02.759 --> 00:31:03.599
Yeah, yeah.

679
00:31:03.660 --> 00:31:04.680
In a special edition.

680
00:31:04.740 --> 00:31:05.339
Yeah.

681
00:31:05.400 --> 00:31:09.599
So it's it's on a separate disk, a 66 minute car, and it was on

682
00:31:09.599 --> 00:31:12.420
off the cuff remark Peter Davidson made, I think on the Castro

683
00:31:12.420 --> 00:31:15.059
Valver commentary because Fiona Cumming was on that as well.

684
00:31:15.119 --> 00:31:18.599
And he said something lines up, you know, I'd be very interested

685
00:31:18.599 --> 00:31:22.980
to see one of our stories cut like one of the new series with that

686
00:31:22.980 --> 00:31:24.839
kind of pacing and that kind of storytelling.

687
00:31:24.900 --> 00:31:30.180
So for Enlightenment and for Planet of Fire, these separate

688
00:31:30.180 --> 00:31:31.140
editions were prepared.

689
00:31:31.200 --> 00:31:34.380
I think the Enlightenment Special Edition is far more successful

690
00:31:34.380 --> 00:31:35.640
than the Planet of Firewall.

691
00:31:35.700 --> 00:31:36.480
Which is terrible.

692
00:31:36.539 --> 00:31:38.039
We'll talk about that.

693
00:31:38.099 --> 00:31:38.940
Shockingly bad.

694
00:31:39.059 --> 00:31:43.799
But this one does have something that the new series has, which is

695
00:31:43.799 --> 00:31:48.660
a simple, straightforward, understandable plot, despite the crazy

696
00:31:48.660 --> 00:31:50.460
insane high concept.

697
00:31:50.519 --> 00:31:56.220
It's a race and Captain Rack is killing her competitors and that

698
00:31:56.220 --> 00:31:59.460
eventually puts the doctor and Tegan in jeopardy.

699
00:31:59.519 --> 00:32:01.140
And I like that.

700
00:32:01.200 --> 00:32:05.819
And it's maybe just slightly too thin for 4 episodes.

701
00:32:05.880 --> 00:32:09.359
And certainly episode one has a lot of marking time because you

702
00:32:09.359 --> 00:32:13.680
want the episode one Cliffhanger revealed to be nowhere in space.

703
00:32:13.740 --> 00:32:20.339
So not quite enough, I think, happens in episode one, but I really

704
00:32:20.339 --> 00:32:24.779
appreciate after Arc of Infinity, where the threats were

705
00:32:24.779 --> 00:32:29.940
incomprehensible and the whole thing was just kind of stupid or

706
00:32:29.940 --> 00:32:34.680
terminus where there was a high concept that was just talked about

707
00:32:34.680 --> 00:32:39.240
I like the fact that the plot is straightforward and it makes it

708
00:32:39.240 --> 00:32:40.440
so much more enjoyable.

709
00:32:40.500 --> 00:32:43.200
They're really good points that you've made there.

710
00:32:43.259 --> 00:32:45.900
I mean, as I said, not a few minutes ago.

711
00:32:45.960 --> 00:32:50.220
I went into this as really high expectations and so things weren't

712
00:32:50.220 --> 00:32:52.380
as good for me because I was picking apart these things.

713
00:32:52.440 --> 00:32:54.359
You know, the doctor doesn't explain who the black and white

714
00:32:54.359 --> 00:32:57.420
guardians are at the beginning, you know, at the end, this 3rd

715
00:32:57.420 --> 00:32:58.019
encounter.

716
00:32:58.079 --> 00:32:59.700
Those are the little things that I've mentioned.

717
00:32:59.819 --> 00:33:03.480
Yeah, a good point, actually. 3rd encounter is that the...

718
00:33:03.480 --> 00:33:06.000
There will be a 3rd encounter, something like that.

719
00:33:06.059 --> 00:33:09.599
And those other little things that I picked up, sort of, maybe I

720
00:33:09.599 --> 00:33:11.640
need to go back and just watch a few of those things.

721
00:33:11.700 --> 00:33:17.039
I still I still would have liked something more in terms of the

722
00:33:17.039 --> 00:33:19.500
doctor and Turo having some conversation.

723
00:33:19.559 --> 00:33:20.519
That's just me.

724
00:33:20.640 --> 00:33:21.900
I just need that for me.

725
00:33:21.960 --> 00:33:23.880
No, no, I think it's a flaw.

726
00:33:24.000 --> 00:33:27.779
I do think it's a flaw in the sense that we've been leading up to

727
00:33:27.779 --> 00:33:30.539
this big decision where Turlo is going to have to make a

728
00:33:30.539 --> 00:33:31.019
decision.

729
00:33:31.079 --> 00:33:34.980
And although it's alluded to, as we said, I agree that I don't

730
00:33:34.980 --> 00:33:37.079
think that that quite comes off.

731
00:33:37.140 --> 00:33:41.940
And I will say one of Eric Sey would strengths as a writer is that

732
00:33:41.940 --> 00:33:46.619
when characters have disagreements in his scripts, you are under

733
00:33:46.619 --> 00:33:49.079
no illusions that they are having a disagreement, you know what

734
00:33:49.079 --> 00:33:51.900
they're having a disagreement about, and there is usually some

735
00:33:51.900 --> 00:33:54.660
kind of resolution to it in the course of the story.

736
00:33:54.720 --> 00:33:56.339
So, yeah, I do agree.

737
00:33:56.400 --> 00:33:58.019
They could have put that in very easily.

738
00:33:58.079 --> 00:34:02.579
Regarding episode one, it is marking time until the cliffhanger

739
00:34:02.579 --> 00:34:05.460
but something I really like about it is, you know, it starts out

740
00:34:05.460 --> 00:34:08.039
with a strange situation, you've got the dimly lit tartist, which

741
00:34:08.039 --> 00:34:08.760
looks fantastic.

742
00:34:08.820 --> 00:34:12.119
I just wish they'd light it orange like that all the time.

743
00:34:12.179 --> 00:34:12.780
Yeah.

744
00:34:12.840 --> 00:34:15.059
So you've got a strange thing happening, but then they land on a

745
00:34:15.059 --> 00:34:15.659
sailing ship.

746
00:34:15.719 --> 00:34:16.559
Okay, that's a bit normal.

747
00:34:16.619 --> 00:34:18.239
Oh, then they meet the crew.

748
00:34:18.360 --> 00:34:18.960
That a bit normal.

749
00:34:19.019 --> 00:34:20.639
Oh, the crew don't know how they got here.

750
00:34:20.699 --> 00:34:22.139
That's a bit weird.

751
00:34:22.199 --> 00:34:24.420
You've kind of got these peaks and troughs.

752
00:34:24.480 --> 00:34:26.579
You've got rising action and falling action all the way through

753
00:34:26.579 --> 00:34:28.920
the episode and then you get that reveal at the end.

754
00:34:28.980 --> 00:34:31.139
So it's it's very 60s.

755
00:34:31.199 --> 00:34:34.679
You know, if you look at, say, the 1st episode of the Sensorites

756
00:34:34.679 --> 00:34:38.760
that is kind of strange, normal, strange, normal, strange, normal

757
00:34:38.760 --> 00:34:40.619
strange, normal, alien outside the window.

758
00:34:40.679 --> 00:34:41.159
Yeah.

759
00:34:41.159 --> 00:34:44.159
You know, it's very slow paced like that.

760
00:34:44.219 --> 00:34:45.480
So I definitely see what you're saying.

761
00:34:45.539 --> 00:34:49.800
I don't think anyone's compared the 1st episode of Enlightenment

762
00:34:49.800 --> 00:34:52.199
to the 1st episode of the Sense rights, but it's absolutely

763
00:34:52.199 --> 00:34:54.420
irresistible as a comparison.

764
00:34:54.480 --> 00:34:56.760
They're really similar You heard it here first.

765
00:34:56.820 --> 00:34:58.440
Analoda Rogers has fantastic hair.

766
00:34:58.500 --> 00:35:02.219
What does that mango R on the screen in episode one?

767
00:35:02.280 --> 00:35:04.440
Like, you know how they look on the screen?

768
00:35:04.500 --> 00:35:05.219
Ah.

769
00:35:05.880 --> 00:35:07.440
Oh, when Mariner falls off.

770
00:35:07.500 --> 00:35:12.659
Well, Fiona Cummings' impression of the TARDIS scanner was that

771
00:35:12.659 --> 00:35:17.039
the camera was mounted in the light on the top, but also that it

772
00:35:17.039 --> 00:35:18.300
was 360 degrees.

773
00:35:18.360 --> 00:35:21.420
So the reason you see his hands is his hands are actually meant to

774
00:35:21.420 --> 00:35:24.599
be round the back of the screen. while his face is in front of

775
00:35:24.599 --> 00:35:24.900
it.

776
00:35:24.960 --> 00:35:28.019
Now it doesn't quite come off because he's put his hands up in the

777
00:35:28.019 --> 00:35:28.440
wrong way.

778
00:35:28.500 --> 00:35:30.480
But that was some Fiona's concept.

779
00:35:30.659 --> 00:35:32.460
So he falls off.

780
00:35:32.519 --> 00:35:33.239
Yeah, pretty much.

781
00:35:33.300 --> 00:35:34.739
He falls off the top of the Tartars.

782
00:35:34.800 --> 00:35:37.739
It's hard to imagine him actually doing that, and I am glad that

783
00:35:37.739 --> 00:35:38.940
we don't get to see it.

784
00:35:39.000 --> 00:35:42.059
The camera being in the light is in Legopolis.

785
00:35:42.119 --> 00:35:43.320
Yes, very clear.

786
00:35:43.380 --> 00:35:44.159
That doesn't worry me.

787
00:35:44.219 --> 00:35:45.960
I'm always confused when I'm watching that once.

788
00:35:46.019 --> 00:35:46.380
Yes, exactly.

789
00:35:46.380 --> 00:35:48.119
Yeah, it does. doesn't quite work.

790
00:35:48.179 --> 00:35:52.320
Something I just thought of in terms of Linda Barron.

791
00:35:52.380 --> 00:35:54.719
First of all, Linda Baron and Mark Strickson works so well

792
00:35:54.719 --> 00:35:55.079
together.

793
00:35:55.139 --> 00:35:58.920
And you can see what Mark Strickson's doing in those scenes is as

794
00:35:58.920 --> 00:36:02.639
Turlo, he's going, I'm going to act the same way Captain Rack does

795
00:36:02.639 --> 00:36:04.320
and hopefully she'll trust me.

796
00:36:04.380 --> 00:36:06.900
And I just think it's so wonderful about 3 or 4 times.

797
00:36:06.960 --> 00:36:09.480
She's like, I can read your mind.

798
00:36:09.539 --> 00:36:11.280
I know you're deceiving me.

799
00:36:11.340 --> 00:36:13.619
And he's like, well, of course I'm deceiving.

800
00:36:13.679 --> 00:36:15.059
They're really fun together.

801
00:36:15.119 --> 00:36:18.719
But I love the bit of when she's talking about her winning

802
00:36:18.719 --> 00:36:19.559
enlightenment.

803
00:36:19.619 --> 00:36:23.940
She says, I'll be able to create and destroy as I wish.

804
00:36:24.000 --> 00:36:25.380
I'll never be bored again.

805
00:36:25.440 --> 00:36:30.420
So that introduces the concept that enlightenment is what you do

806
00:36:30.420 --> 00:36:30.900
with it.

807
00:36:30.960 --> 00:36:37.679
So I think for Mariner, his enlightenment isn't the crystal.

808
00:36:37.739 --> 00:36:39.900
His enlightenment comes over the course of the story when he

809
00:36:39.900 --> 00:36:42.000
starts to understand what emotions are.

810
00:36:42.059 --> 00:36:44.340
And, you know, he doesn't get there at the end.

811
00:36:44.340 --> 00:36:48.719
And, oh, that bit at the end is heartbreaking. when he's saying to

812
00:36:48.719 --> 00:36:49.739
Tegan, I need you.

813
00:36:49.739 --> 00:36:52.619
And Tegan looks to the doctor for reassurance that there's nothing

814
00:36:52.619 --> 00:36:53.280
she could have done.

815
00:36:53.340 --> 00:36:57.780
You know, and again, it's Janet being fabulous and complex and

816
00:36:57.780 --> 00:36:58.619
multi-layered.

817
00:36:58.679 --> 00:37:00.900
It, like, Tegan shouldn't have to apologise.

818
00:37:00.960 --> 00:37:04.079
You know, Tegan has really been treated quite shortly by Mariner

819
00:37:04.079 --> 00:37:07.260
but as a human being, she can't help but feel for him.

820
00:37:07.320 --> 00:37:10.619
So do you think his enlightenment would be becoming a real

821
00:37:10.619 --> 00:37:11.159
person?

822
00:37:11.219 --> 00:37:12.179
Yeah, yeah.

823
00:37:12.239 --> 00:37:14.460
You know, for a comparison a few years later.

824
00:37:14.519 --> 00:37:15.900
You know, he's data, he's Spock.

825
00:37:15.960 --> 00:37:19.139
Yeah, actually, a bit racist saying that about Spock.

826
00:37:19.199 --> 00:37:21.780
There's nothing wrong with Spock being emotionless, but data

827
00:37:21.780 --> 00:37:23.099
actually wants to become more human.

828
00:37:23.159 --> 00:37:28.440
But Captain Rax alignment is destroying things.

829
00:37:28.500 --> 00:37:31.619
She doesn't actually understand what it is she wants because she

830
00:37:31.619 --> 00:37:33.539
already creates and destroys it will.

831
00:37:33.599 --> 00:37:37.139
But she thinks she needs this thing in order to do that.

832
00:37:37.199 --> 00:37:40.559
And that, that's not what maybe, okay, maybe that is what

833
00:37:40.559 --> 00:37:43.679
enlightenment is for her, the illusion of that free will that she

834
00:37:43.679 --> 00:37:44.460
already has.

835
00:37:44.519 --> 00:37:48.360
But it's the line from Carnival of Monsters.

836
00:37:48.420 --> 00:37:50.760
You know, you give them a hygiene chamber, they'll store fossil

837
00:37:50.760 --> 00:37:51.300
fuel in it.

838
00:37:51.360 --> 00:37:54.000
You give her the power to create and she'll just destroy.

839
00:37:54.059 --> 00:37:56.219
I've really enjoyed this discussion.

840
00:37:56.280 --> 00:37:59.519
I think the points that both of you have made have made me

841
00:37:59.519 --> 00:38:03.179
reevaluate this because I was going to call Snake Dance my

842
00:38:03.179 --> 00:38:04.139
favourite of the season.

843
00:38:04.199 --> 00:38:06.900
Like this had dropped, but I think I need to go back and rewatch

844
00:38:06.900 --> 00:38:09.599
this because the visuals are stunning and the performances are

845
00:38:09.599 --> 00:38:09.900
great.

846
00:38:09.900 --> 00:38:12.659
And just some of the points you've had to say, I want to go back

847
00:38:12.659 --> 00:38:14.280
and watch it again, and I think it's gone up in my opinion.

848
00:38:14.340 --> 00:38:18.360
I like, I think both snake dance and enlightenment are good

849
00:38:18.360 --> 00:38:19.019
stories.

850
00:38:19.019 --> 00:38:23.460
And like you, I'm not a big fan of the Davis and era stories

851
00:38:23.460 --> 00:38:24.360
generally.

852
00:38:24.420 --> 00:38:26.760
But these are really good.

853
00:38:26.820 --> 00:38:29.280
And I think they're probably better than anything that we had last

854
00:38:29.280 --> 00:38:29.579
year.

855
00:38:29.880 --> 00:38:31.800
Oh, definitely.

856
00:38:31.860 --> 00:38:32.519
Yeah, absolutely.

857
00:38:32.579 --> 00:38:35.699
The thing is, Todd, I see completely where you're coming from.

858
00:38:35.760 --> 00:38:39.599
I think because a lot of this season doesn't quite reach its

859
00:38:39.599 --> 00:38:40.079
potential.

860
00:38:40.139 --> 00:38:44.159
Enlightenment is held up as appropriately enough, this Shining

861
00:38:44.159 --> 00:38:44.460
Jewel.

862
00:38:44.519 --> 00:38:49.139
But that does mean we get to the point where we expect it to be

863
00:38:49.139 --> 00:38:51.119
even better than it already is.

864
00:38:51.179 --> 00:38:54.360
And I certainly get that with some other Doctor Who stories. you

865
00:38:54.360 --> 00:38:55.739
know, if I go back to watch them.

866
00:38:55.800 --> 00:38:59.400
It's like, I've said it before and I'll say it in 2 months when we

867
00:38:59.400 --> 00:39:02.880
get there, I don't rate Caves of Andrazani that highly.

868
00:39:02.940 --> 00:39:05.039
But I understand why people do.

869
00:39:05.099 --> 00:39:08.159
Maybe it's because I came to it with all these impressions already

870
00:39:08.159 --> 00:39:08.579
formed.

871
00:39:08.639 --> 00:39:11.820
Don't worry, Brendan. on the same page as you.

872
00:39:33.300 --> 00:39:37.619
Well, dear listeners, we hoist our moon rankers as we speed away

873
00:39:37.619 --> 00:39:42.539
from Enlightenment, and, uh, towards this year's two part story

874
00:39:42.539 --> 00:39:45.840
Terence Dudley is back with the king's demons.

875
00:39:45.900 --> 00:39:46.800
Hurrah.

876
00:39:46.860 --> 00:39:47.699
Hooray.

877
00:39:47.760 --> 00:39:49.139
And a blue engine.

878
00:39:51.179 --> 00:39:55.980
Until next week, you can find us online at flightthroughentirety

879
00:39:54.300 --> 00:39:55.980
sexy.

880
00:39:56.039 --> 00:39:59.460
Flight through entirety on Facebook and iTunes and at FTE podcast

881
00:39:59.460 --> 00:40:01.320
on Twitter over on Bondfinger.

882
00:40:01.380 --> 00:40:04.380
We have our Moonraaker commentary up appropriately enough for this

883
00:40:04.380 --> 00:40:04.679
story.

884
00:40:04.739 --> 00:40:07.860
You can find that at bondfinger.com, bondfinger on Facebook and

885
00:40:07.860 --> 00:40:12.300
iTunes, and bondfinger cast on Twitter, and all things being even

886
00:40:12.300 --> 00:40:17.039
you may just find a new episode of Doctor Who in 10 seconds up on

887
00:40:17.039 --> 00:40:20.639
our YouTube channel, the link for which you can find in the

888
00:40:20.639 --> 00:40:21.659
description below.

889
00:40:21.719 --> 00:40:26.639
Until next week, may none of your rum be spiced with hallucinogens

890
00:40:26.639 --> 00:40:28.739
that make you think you're actually sailing on the ocean when

891
00:40:28.739 --> 00:40:29.639
you're in the middle of space.

892
00:40:29.699 --> 00:40:31.079
I hate when that happens.

893
00:40:31.139 --> 00:40:32.519
Thank you very much for listening, good night.

894
00:40:32.579 --> 00:40:33.360
Good night.

895
00:40:33.420 --> 00:40:34.619
See you soon.

896
00:40:34.679 --> 00:40:37.079
Yeah, yeah, yeah, yeah.

897
00:40:37.199 --> 00:40:40.920
That was Flight through Entirety, starring Todd Bealby, Nathan

898
00:40:40.920 --> 00:40:44.460
Bottomley, and Brendan Jones, theme arrangement by Cameron Lath.

899
00:40:44.519 --> 00:40:49.079
This episode, the other baron, was recorded on 31st of July 2016.

900
00:40:49.079 --> 00:40:53.099
The next episode will be released in 2 weeks time on 2nd of

901
00:40:53.099 --> 00:40:53.820
October.

902
00:40:53.880 --> 00:40:57.360
I knew a busty immortal buccaneer in need of a little gay

903
00:40:57.360 --> 00:40:58.199
sidekick.

904
00:40:58.260 --> 00:41:01.500
At the flight for entirety, we have gay sidekicks available in

905
00:41:01.500 --> 00:41:02.400
various sizes.

906
00:41:02.460 --> 00:41:05.820
Remember to use the offer code foolish ephemeral and check out.

907
00:41:06.659 --> 00:41:10.440
I think it's one of the reasons why Tegan wears that white dress

908
00:41:10.440 --> 00:41:15.059
and not very much makeup to the... why she wears that white dress

909
00:41:15.059 --> 00:41:17.760
and not very much makeup to the...

910
00:41:17.760 --> 00:41:19.019
I can't think what it's called.

911
00:41:19.079 --> 00:41:21.539
Could you use Tegan's name in that because you haven't mentioned

912
00:41:21.539 --> 00:41:21.900
her before?

913
00:41:21.960 --> 00:41:22.500
Oh, sorry.

914
00:41:22.500 --> 00:41:22.739
Yep.

915
00:41:22.800 --> 00:41:29.460
I think that that's the reason that my name is T. This is what

916
00:41:29.460 --> 00:41:31.619
it's like recording Doctor Who in 10 seconds.

917
00:41:33.539 --> 00:41:37.079
I think the reason that Tegan wears a white dress and not much

918
00:41:37.079 --> 00:41:37.380
mate.