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This transcript was created on 2026-06-07 at 16:46:58

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Hello, dear listener, and welcome back after an extended absence to Flight Through Entirety.

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The only Doctor Who podcast who can teach you the value of using karate against pantomime sea monsters.

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I'm Brendan.

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I'm Nathan I've just discovered that my fingers fish fingers contain pantomime whores.

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And we're back with season 21 and it's Warriors of the Deep.

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I'm going to take a surprising role. in this conversation, because for once, I don't really like this story at all.

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You don't?

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Oh, I loved it at the time and I'm still quite fond of it and for many good reasons and some bad ones.

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Actually, I have to say that I am a little bit more ambivalent.

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I think we'll find ourselves in agreement over some of the good points.

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What do you like about it, particularly?

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I like that it goes against the conventions at the time and the conventions of Johnny Byrne the Writer, this being worries of the deepest being 1984.

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This being pretty much the last Cold War story we get contemporaneous with issues and such like.

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So there's 2 reasons I like this story, is the political nousiness of it at the time, that it was really on the edge, and that it goes against received wisdom that all bases under siege should now look like Ridley Scott's back bathroom out back of the potting shed and be dark and dank, because really, if it's, you know, I think the set was amazing, and it was Tony, what's his face, wasn't it, who did it?

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Tony Burrows, I believe?

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Yeah, because he took over from some bloke who was very quickly dismissed, so we won't mention his name.

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And the fact that it was white and shiny and made of glossy milk crates, it looked stunning.

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I think it still does.

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And the jumpsuits are so 1984.

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We said that, or I said at least that terminus was peak 80s, but I actually have to say that I think worries are the deep is peak 80s, particularly Preston's hair, and Tegan has the most terrifying hair.

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Not since what was her name?

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Madeline Sigri, we actually had such post-contemporaneous hair, haven't we?

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It's a kind of, you know, like 30s film star thing. very glamorous.

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Yeah, yeah.

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Well, it's actually very 80s new romantic postmod, isn't it, with the island?

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I like the boys are wearing eyeliner, do you think, by a small nod to the sand miner?

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It certainly that was part of the Sand Mitres vision of the future in that makeup is not just for girls anymore.

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Everyone's a bit Nance.

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Yeah, and I have always loved the sets in this story.

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I think what happened was some reference book called Interview, possibly, shared the fact that originally, this story was scripted to be dark and dank, and it's not exactly a forgotten base, but they've been down there a long time, but someone pointed out, hold on, we've got that further down the line on this prison in Resurrection of the Daleks.

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We don't want to have too similar looking things.

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Doctor Who not wanting to reuse sets.

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What going on?

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But they also have that rule from the BBC about illumination contrast.

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So you weren't allowed to provide dark sex unless you were doing a Dickens.

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I don't know why things were suspended for classics, but not for this because it's still the drama department.

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I think it's shot on videotape in the studio and I think that, you know, the televisions of the time needed to read is on.

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You can't actually have a very dark frame at all in Doctor Who at this time.

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Yeah, I mean, the received wisdom is it should be in a submarine.

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It should be dark and atmospheric, but it looks like a sort of cheap version of mission control from Space 1999.

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But it doesn't look cheap at the time. don't think it looks cheap now.

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It actually has more complexity in the Space 1999 set.

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It just doesn't have the breadth and depth.

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It doesn't have the size of it.

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It doesn't have got the range.

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I mean, it does have different levels.

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Yeah, it's impressive.

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I think there's a moment where Tegan throws someone against a wall or maybe Pete throws someone against a wall.

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I can't quite remember it.

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They get a wobbly.

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It wobbles like nothing else.

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But I remember being hugely impressed by the look of this show.

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And even, I think, to some degree by the redesign of the monsters.

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Do we want to go there yet?

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Before we go there, talk about plotty things?

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Well, I have one more thing to say about the corridors.

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There's actually a bit, sort of, with the sea devils and soil orients advancing later.

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Spoiler alert, there's solarins and sea devils in this, where everyone keeps walking past the same section of corridor.

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Like the sea devils are going on one way and they're on level 4 and then pizza level 3, but it's the same bit of corridor because it's got the same lettering on it.

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It wasn't pointed out to Lenny Henry did his sketch, but that came out after this, didn't it?

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Do you remember Lenny Henry's send up at this Mr. Dawn French?

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Yeah, yeah.

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Run up and down the corridors.

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Yeah, no one apparently no one had actually said it out loud.

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Well, not unless they were within cloistered fan convention circles.

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We've only just had conventions starting.

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So this is only a year in to fandom or doctor, what we take for granted now as being how this show operates.

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We're only 12 months into the new who, the new world, which is the constant interplay between the observing fan or, you know, the dedicated viewer and the production office.

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We've had Levine go and play little notes on his spinet before in little high notes there, but, you know, usually intrusive things, you go, ah, what was that?

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But now it's a full on symphonic orchestration of fan reported wisdom and reportage.

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And whether that's a good thing or not, I think we'll discover as the next few seasons unfold.

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That's actually similar to my experience because this season is the 1st season that I remember reading a kind of spoiler-free summary of what the stories were going to be in some magazine.

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I seem to remember going Starburst.

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Yeah, possibly Starburst.

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I don't think it was DWN, but I did know going in what the stories were going to be in vaguely what the shape of the season was going to be. an extraordinary thing.

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And I remember those, they were the pages that you really had to borrow your mum's hairdryer to get a part again, didn't they?

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Because of the sweaty fingers, Brendan, that made them click together.

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Stop it.

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Yes, it was.

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No, the excitement of knowing.

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But it's kind of like rattling under your parents' bed before Christmas.

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You shouldn't really know that kind of thing is going on before Father Christmas drops, don't you shoot?

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You shouldn't know these things.

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I mean, now it's the sort of thing that it takes a really special conscious effort to avoid.

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Very much so.

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But then it, you know, this was happening for the 1st time.

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And I remember being really, really excited about this upcoming season.

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Imagine going to school playingground and having people being surprised that Tom had regenerated last night.

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That happened.

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Yeah, whereas I think going in, I think we knew that this was Pete's last season and we knew that Colin was coming back for the last story of the season, which should turn out well.

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Absolutely.

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Is this your story?

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I noticed that there's a certain polish to your vim today, so there's obviously the enthusiasm's really infecting us all right now.

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What did you love the most about this wonderful stories?

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Magnificent story.

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Let's do it like just a minute. 60 seconds, no repetition, no deviation.

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No circumspection. talk with any of those.

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I do want to talk about what I think the big problem with the story is, can we do that?

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Yes, please.

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Yeah.

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So I think the big problem with the story, and it's going to happen twice this year, is that Earthshock was such a stunning success last year, even though we didn't really like it. was hugely, wasn't it?

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But viewers and fan thing.

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Yeah, yeah.

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And so essentially they're just remaking it with Silurians.

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That's deliberate, isn't it?

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That was the brief to Johnny Byrne.

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Yeah, wasn't it?

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Although he said he rehashed a Space 1979 group.

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But I haven't been able to find what this story was in Space 1979.

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No, they did bases under siege, did they?

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Well, only that Minbai Salfa was in itself.

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But, you know, like Christmas decoration spun off the tree.

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So here, the Silurians are kind of cyborgy robot things, for some reason, they give them terrible electronic voices and like really terrible.

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What do you mean?

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Start about function.

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That's kind of like a 70s Silurian.

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Excellent, skim us.

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Oh, God, that's true.

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And Brendan did that beautifully with a red bike flashlight sellotape to his head.

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What that frick is that?

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It's all the rage in Fiji.

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Yeah it is.

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Yeah, so they've got flashing lights in their heads to make it clear.

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Well, as we do, right?

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Well, no one can see mine, but that's for another day.

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So the original costume that I was like that hilarious light that could make John Pertwee Gurn on demand. you know what I mean?

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Like, you could just turn it on someone.

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But clearly no one's seen the show since then.

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And so they use it just as a standard Dalek way of letting you know who's speaking.

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I think everyone should have that in the iPod generation.

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All these kids walking around with pods, you know, in their hands.

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I think there should be something stapled to their foreheads as well.

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So they're like a dialect eye piece.

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Moffatt is ahead of the game again.

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Not for identification, just a staple something.

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Yeah, just to do that.

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But it's like they've just looked at a photo of a Silurian and gone, oh, what's that middle I thought?

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Well, it must flash when they talk.

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Otherwise, how are you going to know?

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I don't know, through movement or body language. possibly?

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I think it's to visually separate them from Ingrid Pitt.

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So you can tell a different place.

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The lizard with the flashing light in its head.

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That's the same...

145
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We should name check Ms. Pitt, who plays what, Dr. Solo, who was cast up.

146
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She was actually going to play Preston.

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Did you know that?

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She was going to play the Annie Lambert-esque kind of character.

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He doesn't do anything but wander around and be depressed, which he runs a suburb in Melbourne.

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She does run like a girl, but then so did Roger Moore, as we know.

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And Peter actually, it has got a little bit of the expert.

152
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No, since we've been doing Bondfinger.

153
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Have you been noticing the crossover in Pete and Rogers performances?

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I'd like to think they were informed by each other to some extent because Pete does run. a little bit like Rog.

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Sorry, Pete, I know you're listening properly.

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In terms of...

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In terms of both Preston and Antaraward, this is another example of director Pennant Roberts.

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Yes.

159
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Can we get on?

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Women enrol, which written for men?

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And not changing a single line, like Man in the Sunmakers.

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What are you doing, man?

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That was great.

164
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Can we do that?

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In the script, the only role written as a woman, aside from Tegan, of course, was Karina.

166
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Yeah.

167
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And doesn't she get about the set in a pouty, terrible, discordant, tiresome way?

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Something I actually really like.

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I like the lawyers on the phone.

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Sorry. like most of the human characters in this.

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I actually had them very welcome, aren't they?

172
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Yeah, the rounded, maybe?

173
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And the relationship...

174
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Are you saying no?

175
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No.

176
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Well, okay, the relationship between Maddox and Karina, for instance, they only get a few scenes together before spoiler alert.

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He's forced to murder her.

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Which is awful, can I say, just as a spoiler alert.

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It is awful.

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Well, the show is a massacre and probably that's...

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But because of the way they've played those few scenes leading up to it.

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And because of the way Martin Neal plays Maddox in that scene, you know, it's like he has no control over his body, but facially he is just furious at his own impotence in the situation.

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If you look back to, say, robots of death, which is unquestionably a better story, and you compare Zelda to Karina.

184
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Zelda has a lot more screen time, but I think Karina's death is a lot more effective.

185
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Quite similar in so many ways to past stories.

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I think the Maddox character is the only one that is actually properly rounded out and the most fragile character and also that what the hell is wrong with this story. single biggest creative choice, but we'll get onto that later.

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What are you going to say?

188
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There's a problem with bases under siege, and it's been a long while since we've recorded an episode, so I'm going to name check Sander. take a drink.

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And he says that one of the problems with bases under siege that are poorly written is that the only real characteristics that any of the characters have is how well do they cope with a base under siege or what side are they on?

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Like the only person here who has any personality or personal characteristics is Maddox, but everyone else is just a uniform, you know, to react to the monsters and maybe get killed.

191
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And that's sort of boring, I think.

192
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And it does mean just the endless deaths, like everyone gets killed one by one, you know, they're not really impactful.

193
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There's scene after scene of people in corridors shooting guns at other people in rubber who are shooting guns at them.

194
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It's like an Angela Lansbury murder she wrote.

195
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Same damn thing.

196
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It's like Agatha Christie is still writing in 1984.

197
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You know who I think is the biggest letdown in terms of performance in this story?

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Say Peter, go on.

199
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It's Tom Adams.

200
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Which one's he?

201
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Oh, he's the hot seat.

202
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He's Commander Vorsack.

203
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And yes, he's hot.

204
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And he's also a brilliant actor.

205
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But in this, he's terrible.

206
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What is he in?

207
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Listeners of the podcast may remember him from the Latter-day Avengers episode Takeover, one of the best Tara King episodes, where he's a very good menacing villain.

208
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He's played quite a few villains over the years and authority figures.

209
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And he just seems a bit lost in this, really.

210
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Everyone kind of holds up Beryl Reeders.

211
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Beryl Reed didn't know what she was saying.

212
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No, she didn't know what she was saying, but she knew the emotion of the scene.

213
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I don't think Tom Adams does.

214
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Yeah, well I think the whole thing's so underwritten, though, that there's not really much for him to do.

215
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Can we talk about the villains?

216
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Yes.

217
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So we have, is it Ian?

218
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I want to say Ian McCulloch.

219
00:14:31.919 --> 00:14:33.299
Yeah, Ian McCulloch.

220
00:14:33.360 --> 00:14:34.860
So Ian McCulloch was...

221
00:14:34.860 --> 00:14:36.299
Not the one from Micko and the Barneyman.

222
00:14:36.360 --> 00:14:36.539
No.

223
00:14:37.860 --> 00:14:39.120
He was in Survivors.

224
00:14:39.179 --> 00:14:41.399
He was in the first...

225
00:14:41.460 --> 00:14:41.940
Was that tire?

226
00:14:42.000 --> 00:14:42.720
Did you find that tiresome?

227
00:14:42.840 --> 00:14:43.799
I did.

228
00:14:43.860 --> 00:14:47.399
I've watched all of Survivors, and I have a medal to prove it.

229
00:14:47.460 --> 00:14:54.120
So he's in the 1st 2 seasons before he gets sick of it and goes off to be replaced by Dennis Lil, more of whom next week.

230
00:14:54.179 --> 00:14:59.100
You know, he was originally cast as Commander LoveSheck, whatever it was, really.

231
00:14:59.159 --> 00:15:00.419
Yeah, Commander War show.

232
00:15:00.480 --> 00:15:01.379
Yeah, it was.

233
00:15:01.440 --> 00:15:04.080
Oh, and they decided to make him the villa.

234
00:15:04.139 --> 00:15:05.519
Yeah, go forces.

235
00:15:05.580 --> 00:15:09.659
Because Tom Adams, I've now remembered, was most famous for the Oneedin line.

236
00:15:09.720 --> 00:15:11.159
Peter Gilmore as well.

237
00:15:11.159 --> 00:15:15.179
In front bottom Zos off, whatever we're going to start with.

238
00:15:15.179 --> 00:15:18.539
In 2 weeks time. where we'll be enraging Christopher Bidmead once more, I'm sure.

239
00:15:18.600 --> 00:15:19.259
Yeah, yeah.

240
00:15:19.320 --> 00:15:22.080
Fond listener of the podcast, as he is.

241
00:15:22.139 --> 00:15:36.120
So Ian McCulloch was in Survivors, and he plays just a really, really terrible, obvious villain and his scenes with him and Solo where they're just both villainying at each other in the most kind of like us on this podcast.

242
00:15:36.240 --> 00:15:38.159
Well, yeah, essentially.

243
00:15:38.220 --> 00:15:40.740
And he's got the worst Trump...

244
00:15:40.740 --> 00:15:43.980
Steady on Comova that I have ever seen on Doctor Who.

245
00:15:44.039 --> 00:15:45.120
I mean, it's no wonder.

246
00:15:45.179 --> 00:15:46.320
Doctor Who's always been pressing it.

247
00:15:46.379 --> 00:15:46.980
It really has.

248
00:15:47.039 --> 00:15:52.139
Well, also, I've been wondering who these 2 power blocks are because there's great bits.

249
00:15:52.379 --> 00:15:56.940
I think even at one point Nielsen says we work for the power block opposed to this one.

250
00:15:57.000 --> 00:15:58.740
It's like, yeah, we don't do names now.

251
00:15:58.799 --> 00:16:01.799
It's very it's very Patrick McGuan, isn't it?

252
00:16:01.860 --> 00:16:02.399
I like that.

253
00:16:02.519 --> 00:16:05.039
You know, but we do all frock up.

254
00:16:05.100 --> 00:16:09.240
I thought they were just a bit Eastern block because they always get the fashion a little bit wrong.

255
00:16:09.299 --> 00:16:12.000
Well, and they're kind of doing the accent.

256
00:16:12.059 --> 00:16:13.019
Certainly, Ingrid.

257
00:16:13.019 --> 00:16:14.159
Ingrid Pitts.

258
00:16:14.279 --> 00:16:16.379
Pitts always don't have very own accent.

259
00:16:16.440 --> 00:16:19.799
She's always Alexandra in Josie and the pussycats.

260
00:16:19.860 --> 00:16:21.600
She's always, you know, got her own take on the action.

261
00:16:21.659 --> 00:16:34.740
So in terms of these 2 blocks, you know, obviously we have English characters and we have European, possibly Eastern European characters, so by that extension, you know, we think maybe Russia might be in this block.

262
00:16:34.860 --> 00:16:38.159
So it's like, okay, so have Britain and Russia join forces in the future.

263
00:16:38.220 --> 00:16:40.559
In that case, who's on the other side?

264
00:16:40.919 --> 00:16:48.659
The kid running the missile command game on the huge Commodore 64 screen that they've got up on the, it is missile command.

265
00:16:48.720 --> 00:16:50.100
Oh, it is Miss Holcombe.

266
00:16:50.159 --> 00:16:53.039
On the BBC micro and hence terrible.

267
00:16:53.100 --> 00:16:55.139
It's no games again, isn't it?

268
00:16:55.200 --> 00:16:56.039
It's that 80s film.

269
00:16:56.340 --> 00:16:59.759
I think the other side is being run by President Trump's head in a jar.

270
00:16:59.820 --> 00:17:04.440
I actually think, no, I think it's New Zealand is one of the blocks.

271
00:17:04.500 --> 00:17:07.559
Everyone else in the world is the other block.

272
00:17:07.619 --> 00:17:12.240
So New Zealand is represented by the underwater reptilian races.

273
00:17:12.359 --> 00:17:14.640
It's Zeus Pod, isn't it?

274
00:17:15.720 --> 00:17:19.799
It's the Zeus pod power block versus the flight through entire.

275
00:17:20.519 --> 00:17:23.640
Hey, we've got 42 to doomsday as well, guys.

276
00:17:24.180 --> 00:17:26.339
I think that's definitely it.

277
00:17:26.400 --> 00:17:29.640
And it's New Zealand that runs the base and everyone else is evil.

278
00:17:29.759 --> 00:17:30.359
Yeah, yeah, yeah.

279
00:17:30.420 --> 00:17:31.680
We're going to wipe them out.

280
00:17:31.740 --> 00:17:32.880
Yeah, yeah, yeah, yeah.

281
00:17:32.940 --> 00:17:37.500
That explains the fashion choices and odd hair, side ponies and scrunchy things.

282
00:17:37.559 --> 00:17:40.440
There are good things to say about this show.

283
00:17:40.500 --> 00:17:42.480
I think Janet gets to give it.

284
00:17:42.539 --> 00:17:43.319
This is the thing.

285
00:17:43.380 --> 00:17:48.180
Janet likes to complain that Pennant Roberts missed her out on Tencoke because her boobs were too big.

286
00:17:48.240 --> 00:17:51.000
Every damn time you stick a microphone in front of a woman.

287
00:17:51.059 --> 00:17:56.339
And I said, well, the microphone got near your mouth, so I don't really see what the problem with, you know, getting a script near your face is going to hurt you.

288
00:17:56.400 --> 00:17:57.779
But anyway, love you, Janet.

289
00:17:57.839 --> 00:18:00.539
But, but he just finished Tenco.

290
00:18:00.599 --> 00:18:02.039
And that was lauded and applauded.

291
00:18:02.099 --> 00:18:03.119
I remember it as a little boy.

292
00:18:03.180 --> 00:18:05.339
It's one of the most powerful things I'd ever seen on TV.

293
00:18:05.339 --> 00:18:10.380
And, you know, it's about a Japanese run in Southeast Asian internment for women.

294
00:18:10.380 --> 00:18:13.500
And Louise Jemison is, of course, in it.

295
00:18:13.559 --> 00:18:26.339
Stephanie, Stephanie Beach, Stephanie Cole from our favourite comedy radio podcast, Cabin Pressure, with Benedict Cummy Snatch, whatever his name is, and Roger Allen and people we love.

296
00:18:26.400 --> 00:18:28.140
But, ba, ba, ba.

297
00:18:28.259 --> 00:18:32.519
This was like he was riding high as one of the BBC's favourite directors.

298
00:18:32.579 --> 00:18:38.279
So this was seen as the story to open a brand new post anniversary, Doctor Who.

299
00:18:38.339 --> 00:18:41.880
Let's get the ratings right back up to the mid 70s.

300
00:18:41.940 --> 00:18:44.039
And this story was seen as the one that would do it.

301
00:18:44.099 --> 00:18:58.140
Johnny Byrne is a lauded international SF screenwriter seen from Space 1979, the biggest budget television program ever made in the UK up until bride's had revisited. which of course had just been on.

302
00:18:58.200 --> 00:19:00.900
So big budget, big sets, big names.

303
00:19:00.960 --> 00:19:03.299
This for Doctor Who is a big name cast.

304
00:19:03.359 --> 00:19:07.200
It has some extraordinary choices, plus and minus.

305
00:19:07.259 --> 00:19:09.420
John Nathan Turner made 2 choices for this one.

306
00:19:09.480 --> 00:19:10.920
One was to include the market.

307
00:19:10.980 --> 00:19:21.839
The other one was to have the drowning scene with the doctor, which for me at this age, and I think up to this point in the show's history is the most dramatic moment for the doctor, apart from a regeneration we've ever seen.

308
00:19:21.900 --> 00:19:23.160
It looks harrowing.

309
00:19:23.220 --> 00:19:30.059
It does look very good, and it is a big surprise to see them come into that set and have there be water at the bottom of it.

310
00:19:30.180 --> 00:19:32.759
Like it's something that we haven't really seen before.

311
00:19:32.819 --> 00:19:36.059
But it is done in a bit of a perfunctory way. you think so?

312
00:19:36.119 --> 00:19:37.500
Well, not a surprising way.

313
00:19:37.559 --> 00:19:40.680
He falls into the water until suddenly says...

314
00:19:41.160 --> 00:19:43.799
And Turley says, he's dead.

315
00:19:43.859 --> 00:19:47.460
No one can survive it in the water for more than sort of 5 seconds.

316
00:19:47.519 --> 00:19:48.299
He must be dead.

317
00:19:48.359 --> 00:19:52.440
The thing is, like, I'd always thought of everything as well, but I have looked into it.

318
00:19:52.500 --> 00:19:55.980
You can hit the water and drown almost instantly from that height.

319
00:19:56.039 --> 00:19:56.700
Right.

320
00:19:56.700 --> 00:20:07.559
And I think it's the fact that he's looking down and it's still a bit melodramatic, especially seeing as he just seems to wake up in the water for no regular apparent reason 5 seconds later.

321
00:20:07.619 --> 00:20:12.359
He was just having a little rest. before diving down and opening up that thing.

322
00:20:12.420 --> 00:20:15.960
We should all mention it's actually Gareth Milne, as Pete owns.

323
00:20:16.019 --> 00:20:16.200
Yeah.

324
00:20:16.259 --> 00:20:21.779
A.A. Milnes, younger and unbeloved son, who was, yes, who was Eor in the books.

325
00:20:21.779 --> 00:20:22.500
Right.

326
00:20:22.500 --> 00:20:24.900
And a very abusive child.

327
00:20:25.440 --> 00:20:27.660
I have to agree with you, Richard.

328
00:20:27.720 --> 00:20:29.339
Janet is great in the story.

329
00:20:29.400 --> 00:20:30.180
She is.

330
00:20:30.180 --> 00:20:37.079
That's the point, is that, you know, I'm sorry, and we interrupt ourselves speaking as hello, listener, but Roberts was seen as a really terrific director.

331
00:20:37.140 --> 00:20:38.519
It was a coup to get him back again.

332
00:20:38.579 --> 00:20:41.819
You know, it's not Ron Jones, as we're going to later see in the season.

333
00:20:41.880 --> 00:20:46.440
And the thing is, he really knows how to work with people as far as set pieces and drama.

334
00:20:46.559 --> 00:20:51.299
Maybe not. as we'll get to with the action scenes of this, but he gets actors.

335
00:20:51.359 --> 00:20:55.200
And yet, I don't know that we're actually getting that in this story, are we?

336
00:20:55.259 --> 00:20:56.759
We get it from Janet, I would argue.

337
00:20:56.819 --> 00:21:00.779
I think it's all too underwritten, there's nothing for any of the anchors to latch onto.

338
00:21:00.839 --> 00:21:02.339
Pete is totally convincing.

339
00:21:02.339 --> 00:21:03.480
Oh, yeah.

340
00:21:03.539 --> 00:21:03.900
He does.

341
00:21:03.960 --> 00:21:05.940
And I actually think he's had his best now.

342
00:21:06.000 --> 00:21:07.319
He's really hit his stride.

343
00:21:07.380 --> 00:21:11.819
You know, there's that great bit where he's holding the gun on Borschak and Borschak's like, well, what do we do now?

344
00:21:11.880 --> 00:21:13.380
And the doctor goes, oh, okay, here's the gun.

345
00:21:13.440 --> 00:21:14.220
See, you can trust me.

346
00:21:14.279 --> 00:21:15.299
Gorgeous, isn't it?

347
00:21:15.359 --> 00:21:16.980
It's such an Avengers moment too, yeah.

348
00:21:17.039 --> 00:21:25.920
And I mean, something else I love in this story is Mark Strickson sort of runs around threatening people with a gun and then when they do what he wants, he's just like, oh, okay.

349
00:21:25.980 --> 00:21:32.519
He's got a fantastic panicked way of holding a gun and he'll do it again in frontios.

350
00:21:32.579 --> 00:21:39.960
But he's sort of lanky and the way he runs all sort of hunched over and uncoordinated and panicked.

351
00:21:40.019 --> 00:21:42.960
Like, let's talk about Burlow.

352
00:21:43.019 --> 00:21:48.359
Yes, please. the companions because I honestly think this is the tightest team we've had in the TARDIS for a long time.

353
00:21:48.420 --> 00:21:51.900
Todd thinks it's the best regular cast of the 1980s.

354
00:21:52.799 --> 00:21:53.700
You may be right, actually.

355
00:21:53.759 --> 00:21:59.880
Although I still love the character of Nissa, and I, because I love Sarah Sutton, I don't think she was, we've covered this before.

356
00:21:59.880 --> 00:22:04.079
Nissa was, to the 80s, what Susan was to the early 60s.

357
00:22:04.140 --> 00:22:10.380
And I think later with Silv and Sophie, we're going to have a lot more of a sparky, bouncy...

358
00:22:10.440 --> 00:22:10.980
Yeah, yeah, yeah.

359
00:22:11.039 --> 00:22:12.180
But for where we are now.

360
00:22:12.240 --> 00:22:13.980
I think this is the best that we've had.

361
00:22:14.039 --> 00:22:15.119
Yeah, absolutely.

362
00:22:15.240 --> 00:22:20.339
Particularly since Janet's really on form, she gets to be sort of reasonably intelligent and proactive.

363
00:22:20.400 --> 00:22:21.480
She's great in this.

364
00:22:21.480 --> 00:22:22.680
There's even...

365
00:22:22.680 --> 00:22:29.160
Look, I mean, I think this story is awash and magically...

366
00:22:29.220 --> 00:22:34.079
But, you know, thematically, there's really not much going on here, except I think in episode four.

367
00:22:34.140 --> 00:22:44.339
Pete has the choice to wipe out the Silurians and the sea devils using their hexachromite gas, which is conveniently set up for them in episode one.

368
00:22:44.400 --> 00:22:50.220
We need to come back to that because that's entirely topical at the moment with toxic waste and water supplies.

369
00:22:50.279 --> 00:22:56.160
Hexachromide is used for chromium plating of furniture, and it's one of the most toxic chemicals we have in the world.

370
00:22:56.220 --> 00:22:58.140
It's causing problems in Australia.

371
00:22:58.200 --> 00:23:03.180
It's caused massive problems with potable water supplies in the US or yeah, chromite 6.

372
00:23:03.240 --> 00:23:05.160
So they were really onto a lot of things here.

373
00:23:05.220 --> 00:23:12.599
So they use it to set up a moral dilemma where Pete has to decide essentially to gas everyone in order to save the world.

374
00:23:12.660 --> 00:23:18.359
And Tegan thinks he should do it, but she's not bloodthirsty or vindictive.

375
00:23:18.420 --> 00:23:20.880
She's not doing it because she wants to get the silurian.

376
00:23:20.940 --> 00:23:22.859
She's doing it because she's made this moral calculus.

377
00:23:22.980 --> 00:23:24.599
She's a white Australian from Brisbane.

378
00:23:24.660 --> 00:23:26.519
Yeah, we kill stacks of things.

379
00:23:26.579 --> 00:23:28.920
And Pete's reluctant to do it.

380
00:23:29.039 --> 00:23:37.380
And I think that's all fairly underdeveloped and not that great, but it really is the closest thing that the story has to some kind of thematic content.

381
00:23:37.440 --> 00:23:46.079
It's a bit of a cheat because they spend about 10 minutes with the doctor stumbling about saying, oh, you know, we have to find something else that'll do the same job and then they just don't.

382
00:23:46.140 --> 00:23:48.660
And they go with the original choice anyway.

383
00:23:48.720 --> 00:23:49.440
And they were never going to.

384
00:23:49.500 --> 00:23:53.039
You're not introducing its Chekhovs, you know, hexochromite gas.

385
00:23:53.099 --> 00:24:00.900
You're not going to introduce it in episode one, say that it kills reptiles in marine life, and then not use it to kill all the Silurians in episode four.

386
00:24:00.960 --> 00:24:03.059
It's obviously set up that way.

387
00:24:03.119 --> 00:24:04.680
So it's a foregone conclusion.

388
00:24:04.740 --> 00:24:05.279
Yeah.

389
00:24:05.279 --> 00:24:12.839
And I think there's something terrible about writing a story that puts the doctor in the position of gassing a whole bunch of people to save everyone.

390
00:24:12.900 --> 00:24:25.200
And the fact that everyone is dead at the end of it except for the regular cast, and that, you know, Turlo shoots a silure in in the chest, you know, these blank range, the gun.

391
00:24:25.259 --> 00:24:29.039
Brendan, everything Nathan's pointing out a SayWad rewrites of the burn screen.

392
00:24:29.099 --> 00:24:38.640
Yeah, I'm not at all surprised to hear that because he wants to turn it into Earthshock, and he'll do it later on in the year with Resurrection of the Dale. of his own marriages, but it's okay.

393
00:24:38.700 --> 00:24:40.799
Four words I never use often.

394
00:24:40.920 --> 00:24:42.660
In Eric Saywood's defence.

395
00:24:42.900 --> 00:24:45.660
Have a drink, listener. your 1st for the day.

396
00:24:45.720 --> 00:24:49.980
At this point, Johnny Byrne was living in America and unavailable to perform rewrites.

397
00:24:50.039 --> 00:24:59.880
And apparently the 1st set of scripts came in and episode one was under episode 3 and 4 were badly misstructured, and episode 2 was double length.

398
00:24:59.940 --> 00:25:00.599
Right.

399
00:25:00.599 --> 00:25:02.940
So he sort of had to crowbar it all in.

400
00:25:03.000 --> 00:25:05.700
We also had big production problems in this.

401
00:25:05.759 --> 00:25:08.339
Now, people might look at the mercury and say, that looks unfinished.

402
00:25:08.400 --> 00:25:10.799
Do you want to know who is ultimately to blame for that?

403
00:25:10.859 --> 00:25:12.420
I'd like to say Margaret Thatcher.

404
00:25:12.480 --> 00:25:14.400
I'm going for Margaret Thatcher as well.

405
00:25:14.460 --> 00:25:19.259
In the wake of the Falkland War, Margaret Thatcher called the snap election, which...

406
00:25:19.319 --> 00:25:19.680
Yeah.

407
00:25:19.740 --> 00:25:24.539
Which moved up production of worries of the deep by a week.

408
00:25:24.599 --> 00:25:33.119
Matt Irvine had a lot to say, the FX guy on this, and I've had perhaps unfavourable things to say against Matt's work, but considering, how long did he actually have to do this?

409
00:25:33.180 --> 00:25:47.759
he was a designer on this for, I think this is his 1st go at being able to be a designer and being in charge of the models, we get an ex-wing fighter as a Star Wars death satellite, one year into the Reagan plan. and it's made of Star Wars model.

410
00:25:47.819 --> 00:25:49.799
Very squee when you're that age.

411
00:25:49.859 --> 00:25:53.880
I think that the underwater base model is gorgeous.

412
00:25:53.880 --> 00:25:55.920
Which is Ian Scoons, the submarine is beautiful.

413
00:25:55.980 --> 00:25:57.240
It's so spy who loved me.

414
00:25:57.480 --> 00:26:00.839
And on the DVD and I think it looks pretty good.

415
00:26:00.900 --> 00:26:01.859
Sadly, it was dropped.

416
00:26:01.920 --> 00:26:10.079
There's a deleted scene, CSO of Silurians walking along the seabed from their ship to the sea base.

417
00:26:10.140 --> 00:26:16.859
And of course, it looks like 1980s Doctor Who's CSO, but it doesn't look any worse than any other Doctor Who ACSO.

418
00:26:16.859 --> 00:26:19.559
I'll just say, because I'll figure something out.

419
00:26:19.680 --> 00:26:23.220
Sorry, because I'll just forget, we're talking about the contemporaneity of the story and how it fits in.

420
00:26:23.279 --> 00:26:31.980
I had 2 girls this year in class burst into tears in front of me, not of my own doing because they were sure that the bomb was going to drop.

421
00:26:32.099 --> 00:26:38.400
This was still very much Cold War, and this is right on the money of Cold War.

422
00:26:38.460 --> 00:26:43.500
This, in fact, I just like to say that Doctor Who started on the day of the Kennedy assassination.

423
00:26:43.500 --> 00:26:44.279
It ended.

424
00:26:44.339 --> 00:26:50.160
I think 4 weeks after the 1989 Destruction of the Berlin War.

425
00:26:50.220 --> 00:26:52.859
Doctor Who was very much a part of Cold War history.

426
00:26:52.980 --> 00:26:54.359
And this one really gets it.

427
00:26:54.420 --> 00:26:57.059
I think more so than any of the 70s stories.

428
00:26:57.119 --> 00:27:04.680
Yeah, I did write in my notes that the allegory is very thin, but the allegory is so thin because it's so pervasive.

429
00:27:04.740 --> 00:27:11.039
Especially around this time of the Falklands and all the rest and with Reagan and Thatcher. we really did think that it was going to happen.

430
00:27:11.099 --> 00:27:17.220
I think the big giveaway is when any story is set exactly a multiple of a 100 years.

431
00:27:17.220 --> 00:27:18.420
Very Jerry Anderson.

432
00:27:18.480 --> 00:27:23.759
And this is the 1st colour story set in the 21st century verbatim that we know it's the 21st century.

433
00:27:23.819 --> 00:27:27.119
I quite like the fact that at the beginning of the story.

434
00:27:27.180 --> 00:27:31.559
We get a little bit of an info dump from the doctor saying to her, you've decided you want to stay with us.

435
00:27:31.619 --> 00:27:33.539
Oh God, the info dumps.

436
00:27:33.599 --> 00:27:42.000
But it's really sweet that this and the next couple of stories all start with pretty much Tegan wants to go somewhere, so they're going there.

437
00:27:42.059 --> 00:27:43.559
Oh, Tegan wants to see a bit of her future.

438
00:27:43.619 --> 00:27:49.799
And I love how the doctor and Turlo are both just slightly disdainful, but oh, it's earth again.

439
00:27:49.859 --> 00:27:52.380
Getting back to something we were talking about earlier.

440
00:27:52.440 --> 00:27:54.900
I actually really like Tara Warders Preston.

441
00:27:54.960 --> 00:28:01.079
I think, you know, she doesn't have much character written into a dialogue, but she does a lot of great reactions to things facially.

442
00:28:01.140 --> 00:28:04.440
Like when she wanders into the TARDIS, she's just like, check through there.

443
00:28:04.500 --> 00:28:08.940
I think it's another one of those cases where 2 guards go in and you only ever see one come out.

444
00:28:09.000 --> 00:28:12.119
So he's off chatting with the Earthshock Cyberman somewhere that's still in there.

445
00:28:12.240 --> 00:28:13.680
Oh, can be on here.

446
00:28:13.740 --> 00:28:16.140
Oh, he's Chameleon. right. have to figure out.

447
00:28:16.259 --> 00:28:20.160
We have to figure out this season who Chameleon is in every story.

448
00:28:20.220 --> 00:28:24.720
It's some skip it. but I... skip this.

449
00:28:25.380 --> 00:28:26.160
Yeah, come on.

450
00:28:26.220 --> 00:28:32.759
Yeah, the 1st episode of this story is all the solar ins and sea-based personnel telling each other their own names. you noticed?

451
00:28:32.819 --> 00:28:36.779
Yeah, but there is a huge amount of that among the Silurians and the sea devils.

452
00:28:36.839 --> 00:28:38.099
The 2nd one is Dawn French.

453
00:28:38.160 --> 00:28:39.599
It's a little portly as well.

454
00:28:39.660 --> 00:28:47.039
I do love with Preston and Turlow in the cell at the other end where Turlow was refusing to go off and help Tegan.

455
00:28:47.099 --> 00:28:56.099
So he and Preston stick behind for a little while and then they go into, and every time Turlo tries to lift her into the shaft, she keeps, but Turlo and carrying on a conversation while he's trying to.

456
00:28:56.279 --> 00:29:05.400
It's a nice bit of comedy that is rarely for the 80s, actually really well played and really sweet, and Turlow just chucks a complete tantrum. think he's really good.

457
00:29:05.460 --> 00:29:06.660
I think he's really good.

458
00:29:06.720 --> 00:29:07.980
I did write in my notes.

459
00:29:08.039 --> 00:29:14.160
It feels like the 3 regulars have been airdropped in from a far better show. interesting.

460
00:29:14.220 --> 00:29:17.339
So I want to talk Silurians again. we do that?

461
00:29:17.400 --> 00:29:18.660
Wibblewobble.

462
00:29:18.720 --> 00:29:19.200
Can you do the voice?

463
00:29:19.380 --> 00:29:21.720
Excellent Nathan.

464
00:29:21.779 --> 00:29:24.779
So they're terrible.

465
00:29:26.339 --> 00:29:31.740
Partly the production problem that you alluded to, Brendan, is part of the reason.

466
00:29:31.859 --> 00:29:42.720
So the Lurians frequently don't have their head masks tucked into the back of their costume properly and adjust your dress before leaving, do listener.

467
00:29:42.839 --> 00:29:44.579
And the sea devils.

468
00:29:44.640 --> 00:29:50.039
And this was always a problem in the 70s as well, had kind of floppy heads that weren't on quite right.

469
00:29:50.160 --> 00:29:58.440
So look, I mean, I think that they sign urine costumes are probably better designed than the original Silurian costumes, but they don't put them on properly.

470
00:29:58.500 --> 00:30:05.099
And I think the sea devils look terrible and they miss their little fins and they miss their...

471
00:30:05.160 --> 00:30:06.000
They missed their little fins.

472
00:30:06.059 --> 00:30:07.079
Yeah, their string vests.

473
00:30:07.140 --> 00:30:07.740
Where were they?

474
00:30:07.799 --> 00:30:09.059
feel very sad about that.

475
00:30:09.119 --> 00:30:16.380
But I guess I think the worst thing about them is that this is really the heyday of the Doctor Who Monster book.

476
00:30:16.440 --> 00:30:18.119
No one has seen the Silurians.

477
00:30:18.180 --> 00:30:22.079
No one has seen the sea devils, least of all the people writing the story.

478
00:30:22.140 --> 00:30:24.900
They don't know what's unique or important about them.

479
00:30:24.960 --> 00:30:28.319
They were people who had a claim to the planet.

480
00:30:28.380 --> 00:30:33.839
It didn't quite work out in the cellularians because they basically wanted to poison everyone and stuff, you know, pretty quickly.

481
00:30:33.960 --> 00:30:35.640
That's right.

482
00:30:35.700 --> 00:30:39.720
But every piece of continuity that gets mentioned is wrong.

483
00:30:39.779 --> 00:30:41.579
Yes, you know, completely wrong.

484
00:30:41.640 --> 00:30:44.400
Like twice before we offered the hand to friendship.

485
00:30:44.460 --> 00:30:46.319
What, like that time you nicked submarines?

486
00:30:46.380 --> 00:30:51.299
No, no, it was that time when we tried to infect everyone in our, our bones station.

487
00:30:51.359 --> 00:30:52.980
Like, that's not what happened.

488
00:30:53.039 --> 00:30:56.880
Why do the Silurians suddenly have battle cruises that Pete recognises?

489
00:30:56.940 --> 00:30:58.799
Why does he know what the mercury is?

490
00:30:58.920 --> 00:31:01.019
And is Ikta Ogdell?

491
00:31:01.140 --> 00:31:05.759
Like, who, like, well, the theory in the discount...

492
00:31:05.819 --> 00:31:08.819
Say this to your parents at Christmas, dear listeners, just find out.

493
00:31:09.240 --> 00:31:09.900
Watch your reaction.

494
00:31:11.039 --> 00:31:16.559
One day meant for men will turn to each other and say, easy.

495
00:31:16.559 --> 00:31:19.140
Tell young men out there are dying for it, yeah.

496
00:31:19.200 --> 00:31:24.420
In the discontinuity guy, they raise the fact that when the solar ins say twice we offer the hand of friendship.

497
00:31:24.480 --> 00:31:29.700
It like, well, you can slightly twist the Silurians to be that because one of them was saying, yeah, let's make peace.

498
00:31:29.759 --> 00:31:33.180
And no one in the sea devil says that for longer than about 2 minutes.

499
00:31:33.240 --> 00:31:36.240
Because the masters there to kind of be evil all over them.

500
00:31:36.299 --> 00:31:45.539
There's a theory that there's a 3rd story and I think that's where friend of the podcast, Gary Russell's novel, The Scales of Injustice, which is a very, very good book.

501
00:31:45.599 --> 00:31:51.359
Yeah, so that's kind of how that slots in slightly if you squint.

502
00:31:51.839 --> 00:32:02.160
It is nice that you can drop Trouton into this story and shoot it on monochrome and it is a 60, everyone would have to react differently because it'd be Trouton, but it's a 60 story.

503
00:32:02.220 --> 00:32:04.259
I think Pete is the most trout nest.

504
00:32:04.319 --> 00:32:06.180
Very much so. brings it back, doesn't it?

505
00:32:06.240 --> 00:32:08.819
Yeah, it's the panic and the running.

506
00:32:08.880 --> 00:32:09.480
Yeah, yeah, yeah.

507
00:32:09.539 --> 00:32:10.319
And he does the run.

508
00:32:10.380 --> 00:32:13.079
And when I say run, he name drops when I see run.

509
00:32:13.140 --> 00:32:15.299
And of course, oh, I need a minor distraction.

510
00:32:15.359 --> 00:32:17.160
I'm going to set a reactor to overload.

511
00:32:17.220 --> 00:32:18.720
And punch a bunch of people.

512
00:32:18.779 --> 00:32:20.279
I think Trouton would have done that.

513
00:32:20.339 --> 00:32:22.559
Kicked me in the face.

514
00:32:23.160 --> 00:32:24.960
Really?

515
00:32:24.960 --> 00:32:25.559
Really?

516
00:32:25.619 --> 00:32:30.599
You know, my notes, my audio notes for this story have exactly that.

517
00:32:31.140 --> 00:32:37.380
Actually, it just leads to another wonderful character moment from Mark Strickson when Turlow's court.

518
00:32:37.440 --> 00:32:46.980
And the thing is, the doctor's not around, so he's not trying to butter the doctor up, and he has that wonderful line of, if the doctor had meant the reactor to be disabled, it would be lying in pieces at your feet.

519
00:32:47.039 --> 00:32:52.920
It's more of that sort of clunky macho crap that say what is so famous for writing.

520
00:32:53.039 --> 00:32:59.579
I think it works for Turlo because Turlo is still in the stage where he really admires the doctor, but he'll never tell him so.

521
00:32:59.640 --> 00:33:06.420
With such bad dialogue, though. you'll get no cooperation from me, Si, you're in or whatever.

522
00:33:06.480 --> 00:33:08.099
That is the line of...

523
00:33:08.160 --> 00:33:08.640
So bad.

524
00:33:08.700 --> 00:33:10.619
Yeah, I'd like to think that's not Johnny Burn.

525
00:33:10.680 --> 00:33:13.920
No, no, I'm sure that's a word. the sort of thing that say would rise.

526
00:33:14.039 --> 00:33:16.920
He would never have written that for Tara King, would he?

527
00:33:16.980 --> 00:33:18.480
No, that's right.

528
00:33:18.539 --> 00:33:23.700
I think another big problem with the monsters, and I really don't understand why this is.

529
00:33:23.759 --> 00:33:32.579
If you look at the original costumes for the Silurians and the sea devils, the actors are incredibly mobile for wearing a monster suit.

530
00:33:32.700 --> 00:33:36.059
The sea devils are running around in the original story.

531
00:33:36.119 --> 00:33:37.019
And that.

532
00:33:37.440 --> 00:33:40.200
Not in the shooting person, however.

533
00:33:40.259 --> 00:33:41.339
Well, that's the thing.

534
00:33:41.400 --> 00:33:44.700
In this, it seems like they've made the costumes out of far thicker material.

535
00:33:44.759 --> 00:33:58.859
Johnny Byrne sort of envisaged that the Silurians were the officers and the sea devils were the infantry and he imagined them as a commando unit in samurai inspired armour, which is why Solvix has that silly hat.

536
00:33:58.980 --> 00:34:03.000
But his idea was, you know, they would be able to run.

537
00:34:03.059 --> 00:34:10.920
And suddenly they're practically encased in foam rubber mattresses, or, you know, as it is on this sea base, a door.

538
00:34:12.539 --> 00:34:14.460
No, they're terrible.

539
00:34:14.519 --> 00:34:16.199
I mean, they really are just ridiculous.

540
00:34:16.260 --> 00:34:20.940
Gary Gillett has this expression, squabbling rubber, which is whenever...

541
00:34:21.000 --> 00:34:22.019
He always has one of eyes.

542
00:34:22.079 --> 00:34:22.860
I seen him, you know.

543
00:34:22.860 --> 00:34:25.320
Doctor Who aliens talking to one another.

544
00:34:25.380 --> 00:34:33.059
Have you seen have you seen his title on his on his blog that he had back in 15 years ago that his favourite things were Chitty Chitty Bang Bang and Group 6?

545
00:34:33.119 --> 00:34:36.000
A lot of things to love about Gary Gillett.

546
00:34:36.059 --> 00:34:37.559
Oh, yes, I see.

547
00:34:37.619 --> 00:34:42.960
Yeah, squabbling rubber is a collection of Gary Gillett's wonderful DVD reviews from Doctor Who magazine.

548
00:34:43.019 --> 00:34:43.679
Oh, okay.

549
00:34:43.679 --> 00:34:47.699
Which were the reason they're pretty much the whole reason I used to buy Doctor Who magazine.

550
00:34:47.760 --> 00:34:47.940
Yeah.

551
00:34:48.000 --> 00:34:49.440
So they just look ridiculous.

552
00:34:49.500 --> 00:34:57.239
Like there are people in ill-fitting, badly applied rubber outfits, walking around very slowly to invade this base.

553
00:34:57.300 --> 00:35:00.539
And the Silurians look like they're smiling at everyone.

554
00:35:00.599 --> 00:35:02.099
That's the thing.

555
00:35:02.159 --> 00:35:05.219
They've got the Venus from Fireball X or 5 puppet.

556
00:35:05.280 --> 00:35:08.400
You know, they're so peeled out and it's not the 60s anymore.

557
00:35:08.699 --> 00:35:10.380
It's just this.

558
00:35:10.500 --> 00:35:13.440
Well, they've got big dilated eyes.

559
00:35:13.440 --> 00:35:16.199
Yeah, something. very, actually, yes.

560
00:35:16.260 --> 00:35:17.820
There's a lot of Jerry Anderson in this isn't there?

561
00:35:17.880 --> 00:35:20.039
Yeah, and the reveal of them is terrible.

562
00:35:20.099 --> 00:35:25.019
The Solurians and the sea devils are just revealed in a standard mid-shot, you know, there's no sort of...

563
00:35:25.019 --> 00:35:27.059
Robert shoots like he's still in the 50s, yeah.

564
00:35:27.119 --> 00:35:27.539
Yeah.

565
00:35:27.539 --> 00:35:32.340
The weird thing is, like, a lot of people give Penn Roberts crap, but Face of Evil looked fine.

566
00:35:32.400 --> 00:35:34.500
Some makers looked good.

567
00:35:34.559 --> 00:35:35.940
Pirate Planet looked good.

568
00:35:36.000 --> 00:35:39.119
Like Pirate Planet did have the reveal of the captain.

569
00:35:39.179 --> 00:35:43.139
You saw him from behind and then he turned full face into the camera and that was really effective.

570
00:35:43.199 --> 00:35:45.659
Roberts rises to a better script.

571
00:35:45.719 --> 00:35:48.239
I think I think it might be partially that.

572
00:35:48.300 --> 00:35:54.360
I think also he was a bit frustrated and disillusioned by being pulled up a week with the pain.

573
00:35:54.420 --> 00:35:55.440
Yeah, he's not a technical guy.

574
00:35:55.500 --> 00:35:57.900
He's an actor's director. old school.

575
00:35:57.960 --> 00:36:00.659
I think he's better on location than he is in the studio as well.

576
00:36:00.719 --> 00:36:01.619
That too.

577
00:36:01.679 --> 00:36:06.300
And we do have a studio bound story with maybe 3 minutes of pre-filmed work.

578
00:36:06.360 --> 00:36:08.400
Oh, and I suppose the water tank stuff.

579
00:36:08.460 --> 00:36:13.739
So maybe 5 minutes of pre-film stuff, whereas most stories get, what, 10, maybe even 15 if you're lucky.

580
00:36:13.920 --> 00:36:16.079
It's not a bad story.

581
00:36:16.139 --> 00:36:19.019
And it has its...

582
00:36:19.079 --> 00:36:21.840
It has its character moments.

583
00:36:21.900 --> 00:36:24.480
I really like Maddox, so I really like Karina.

584
00:36:24.539 --> 00:36:25.679
I like bits of Preston.

585
00:36:25.739 --> 00:36:27.300
Her hair mostly.

586
00:36:27.360 --> 00:36:28.260
Her hair mostly.

587
00:36:28.260 --> 00:36:37.920
But you've got a very talented guest cast. a very experienced guest cast and those 3 people I mentioned. aren't super experienced.

588
00:36:37.980 --> 00:36:39.239
They haven't led shows before.

589
00:36:39.300 --> 00:36:46.079
The people who have led shows and led movies, Tom Adams and Ingrid Pitt, are pretty terrible.

590
00:36:46.139 --> 00:36:47.760
Ian McCulloch.

591
00:36:47.820 --> 00:36:51.780
And yeah, well, he's so bloody terribly forgettable, you know.

592
00:36:52.139 --> 00:37:00.420
I think they all did their best under duress, but in the end, it comes up to what that line that Dame Edman used to use a lot.

593
00:37:00.480 --> 00:37:01.079
Poised.

594
00:37:01.139 --> 00:37:01.920
Are they poised?

595
00:37:01.980 --> 00:37:19.739
But there are real flaws in the plot, and we just get fan wank, winge, is that why have you got someone who's really unsuited for the role to be the only person with a plug-in, and the only person who can also, you've got to plug into him to get the AM radio out and listen to the outside world or indeed communicate.

596
00:37:19.800 --> 00:37:22.679
Why does that have to go through their missile operator?

597
00:37:22.739 --> 00:37:24.599
Why have you only got one missile operator on the base?

598
00:37:24.659 --> 00:37:32.219
Well, I mean, the idea was that the previous missile operator was sneakily killed by Ingrid Pitt probably before the story opened.

599
00:37:32.699 --> 00:37:36.059
There was no inquiry or was there an inquiry?

600
00:37:36.119 --> 00:37:36.420
Yeah.

601
00:37:36.480 --> 00:37:42.960
Look, I think the problem with it is that it's a clunky macho remake of Earthshock, it's...

602
00:37:42.960 --> 00:37:45.840
Camp macho remake, which should mean that we'd love it.

603
00:37:45.900 --> 00:37:48.719
Well, if it had Beryl Reed in it, that would improve it enormously.

604
00:37:48.840 --> 00:37:50.340
Yeah, that's true.

605
00:37:50.400 --> 00:37:53.460
But it's nasty and everyone is killed.

606
00:37:54.000 --> 00:37:55.920
Yeah, it's awful.

607
00:37:55.980 --> 00:38:05.219
And, you know, like more aliens with green pus coming out of their eyes when they die, you know, there's just an unpleasantness to it.

608
00:38:05.280 --> 00:38:08.760
You know, a sea devil shoots someone in the face.

609
00:38:08.820 --> 00:38:13.260
All of those people get electrocuted and lower themselves gently to the ground.

610
00:38:13.320 --> 00:38:21.119
You know, it's unpleasant and it's a place the Doctor Who is now going to mine.

611
00:38:21.179 --> 00:38:23.519
This is what Doctor Who thinks it's about.

612
00:38:23.519 --> 00:38:27.599
And so gone is sort of whimsical tea time entertainment.

613
00:38:27.659 --> 00:38:33.480
And instead, what you get is really poorly staged and fairly cheaply realised remakes of aliens.

614
00:38:34.860 --> 00:38:43.079
Yeah, I mean, even if you look back at the story that immediately springs to mind, like what story is like this in the 70s is horror of Fang Rock.

615
00:38:43.260 --> 00:38:43.739
Yep.

616
00:38:43.739 --> 00:38:54.539
But even if you look back at that, you have that beautiful scene where Adelaide and Leila discuss honouring traditions, but also honouring and listening to science.

617
00:38:54.780 --> 00:39:15.059
The equivalent of that in this is the aforementioned comedy, and I suppose comedy padding scene of Turlo and Preston in the cell, which is enjoyable when it's a moment of lightness, but it doesn't have the same poignancy of Leila saying there are better ways in science and Adelaide being momentarily changed before she's horribly murdered.

618
00:39:15.119 --> 00:39:23.940
Well, I mean, I think that Horror Fang Rock is like a haunted house horror film where people are being picked off one by one and it's being terrifying.

619
00:39:24.000 --> 00:39:29.340
But what it doesn't have is endless scenes of people firing guns at one another.

620
00:39:29.400 --> 00:39:31.320
And that's not terror.

621
00:39:31.380 --> 00:39:35.219
There's just a kind of bleak nastiness to this.

622
00:39:35.219 --> 00:39:44.760
And I think it's entirely Saywood's fault and it's just going to get worse and worse over the rest of the season and next season.

623
00:39:44.820 --> 00:39:45.840
Yeah, it is.

624
00:39:45.900 --> 00:39:49.860
I don't remember Burns scripts on any of the other shows we've mentioned being this bleak.

625
00:39:49.920 --> 00:39:53.219
Yeah, people of Trarkan has hardly any guns in it at all.

626
00:39:53.280 --> 00:39:55.260
Got a hell of a lot of frock, though.

627
00:39:56.039 --> 00:40:04.980
Yeah, I mean, even in stuff for Space 1999, you might have had a couple of deaths, but you still have your main cast of 8 who are alive at the end.

628
00:40:04.980 --> 00:40:11.760
And also Space 1999 with deaths there, the characters mourn and discuss the death. deaths.

629
00:40:11.820 --> 00:40:15.420
Here, so many of the deaths are just uncommented on.

630
00:40:15.480 --> 00:40:22.380
Like Preston is shot and Tegan reacts for a moment, but then they've got a job to do, you know.

631
00:40:22.440 --> 00:40:25.139
It actually plays into Tegan's moral dilemma thing.

632
00:40:25.199 --> 00:40:28.199
Doesn't she say let's not let her death be vain?

633
00:40:28.320 --> 00:40:35.280
But it turns out one person does actually survive this story, which is Buick, because he's the one switching on the gas down in the thing.

634
00:40:35.340 --> 00:40:37.260
Oh, that's all right.

635
00:40:37.320 --> 00:40:43.980
Does the doctor, Tegan and Turlo, just bugger off and leave him to explain why there's all these dead people and lizards hanging about the place?

636
00:40:45.059 --> 00:40:46.139
and turtles?

637
00:40:46.199 --> 00:40:51.659
And can I also just say the sea devils as a combat force have worse name than Stormtroopers?

638
00:40:51.719 --> 00:41:00.960
Like when they're killing Nielsen, he's literally stumbling around on the spot, he's moving no more than 2 feet laterally and they still take about 7 shots to kill him.

639
00:41:01.019 --> 00:41:03.059
And again, that's just nastiness.

640
00:41:03.119 --> 00:41:06.900
We blind Nielsen and then watch him get repeatedly shot until he falls over.

641
00:41:06.960 --> 00:41:08.699
Like, why is this painting?

642
00:41:08.760 --> 00:41:11.460
Eric Saywood, why is this happening?

643
00:41:11.519 --> 00:41:13.860
A biography from milk publishing.

644
00:41:13.920 --> 00:41:16.980
Didn't the audience figures reflect that what it went from?

645
00:41:17.039 --> 00:41:17.820
I do a todd moment.

646
00:41:17.880 --> 00:41:21.900
It went from 7600000 in the UK to 6.5 for the last episode.

647
00:41:21.960 --> 00:41:23.579
It's not really goodness me.

648
00:41:23.639 --> 00:41:26.820
The appreciation index actually didn't fluctuate that much.

649
00:41:26.880 --> 00:41:29.760
It's 65, 64, 62, and 65.

650
00:41:30.000 --> 00:41:32.460
So, um...

651
00:41:32.519 --> 00:41:37.260
Mind you, by the end of the season, it will have dropped 5 points, I'll be hovering around 60.

652
00:41:37.739 --> 00:41:40.679
So, circling the drain.

653
00:41:40.739 --> 00:41:44.940
We've done very well to only circumnavigate the Nerka.

654
00:42:03.900 --> 00:42:14.460
Well, we're leaving Buellik behind to explain the deaths of his superiors and inferiors as we are jet off into space to visit Tegan's grandfather 100 years ago.

655
00:42:14.519 --> 00:42:24.000
Until next week, you can find us online at flightthroughentirety.com, flight through entirety on Facebook and iTunes, where you can also leave a review for us, and at FTE podcast on Twitter.

656
00:42:24.059 --> 00:42:38.579
Over on Bondfinger, we have recently put up the wonderful commentary for a slightly less wonderful film, Never Say Never Again, and we'll be...

657
00:42:38.579 --> 00:42:44.579
We'll be back, we'll be back on Bondfinger in a few weeks as well, with Roger Moore's Swan song, A View to a Kill.

658
00:42:44.639 --> 00:42:49.139
You can find all those on bondfinger.com, bondfinger on Facebook and iTunes.

659
00:42:49.199 --> 00:42:50.219
Again, you can leave a review.

660
00:42:50.219 --> 00:42:53.579
And Bond finger cast on Twitter.

661
00:42:53.639 --> 00:42:59.159
Until next week, may none of your sea monsters leave green paint on your plastic uniform.

662
00:42:59.219 --> 00:43:00.659
Thank you very much for listening a good night.

663
00:43:00.719 --> 00:43:01.320
Good night.

664
00:43:01.380 --> 00:43:02.039
Good everyone.

665
00:43:02.820 --> 00:43:08.219
That was Flight for Entirety, starring Nathan Bottomley, Brendan Jones, and Richard Stone.

666
00:43:08.280 --> 00:43:10.320
Theme arrangement by Cameron Lamb.

667
00:43:10.380 --> 00:43:15.480
This episode is Ikta Ogdell, was recorded on 19th of November 2016.

668
00:43:15.960 --> 00:43:18.840
The next episode will be released on the 27th of November.

669
00:43:21.900 --> 00:43:31.920
If you'd like an exciting new job in ICT with plenty of room for advancement and all the hexachroma you can eat, check out the listings for sync operators at LinkedIn.co.nzand.

670
00:43:33.539 --> 00:43:38.519
Warriors of the Deep. 19th November.

671
00:43:41.639 --> 00:43:43.619
Yes, go ahead, Richard.

672
00:43:43.679 --> 00:43:44.699
Yes.

673
00:43:44.760 --> 00:43:45.900
Yes, it's fine.

674
00:43:45.960 --> 00:43:47.099
Cool.

675
00:43:47.159 --> 00:43:48.599
I audible?

676
00:43:48.659 --> 00:43:49.619
You are audible?

677
00:43:49.679 --> 00:43:50.280
Yes.

678
00:43:50.280 --> 00:43:52.860
Yes.

679
00:43:53.880 --> 00:43:55.559
I'll be home.

680
00:43:55.559 --> 00:43:56.400
We're on.

681
00:43:56.400 --> 00:44:00.239
It's been so long, I think.

682
00:44:00.300 --> 00:44:02.219
No, we've done podcasts.

683
00:44:02.280 --> 00:44:03.840
We put the television on.

684
00:44:09.599 --> 00:44:13.679
Richard, could you just hold your microphone a bit further up?

685
00:44:13.739 --> 00:44:17.460
Actually, on the shaft, microphone, move your hand up.

686
00:44:17.519 --> 00:44:19.019
Can that be the out?

687
00:44:19.679 --> 00:44:23.880
I'm just getting some rubbing on my end.

688
00:44:24.840 --> 00:44:26.340
Oh, yeah.

689
00:44:26.340 --> 00:44:27.239
What did I say?

690
00:44:27.300 --> 00:44:28.320
All staying.

691
00:44:28.380 --> 00:44:31.320
It's like a carry on filming by five-year-olds.

692
00:44:31.380 --> 00:44:33.000
I'm sure I said that before.

693
00:44:33.059 --> 00:44:34.980
That's tautology, really.

694
00:44:35.039 --> 00:44:36.780
Eat more cake.

695
00:44:38.159 --> 00:44:39.539
Right.