WEBVTT

NOTE
This transcript was created on 2026-06-07 at 16:49:43

1
00:00:31.559 --> 00:00:39.539
Hello, dear listeners, and welcome back to Flight Through Entirety, the only Doctor Who podcast whose bile has been weaponized.

2
00:00:39.600 --> 00:00:40.200
I'm Brendan.

3
00:00:40.259 --> 00:00:41.100
I'm Nathan.

4
00:00:41.159 --> 00:00:46.259
I'm a pop out turkey baster with a prick on the end out of a wheelchair for this episode.

5
00:00:46.320 --> 00:00:49.560
Why was that not in destiny of the dialects?

6
00:00:49.619 --> 00:00:51.060
He could have done Tom instantly.

7
00:00:51.179 --> 00:00:52.439
So to speak.

8
00:00:52.500 --> 00:00:54.179
Are we still doing phrasing?

9
00:00:54.240 --> 00:00:54.899
Yes, sir.

10
00:00:54.960 --> 00:00:57.539
Eric Saywood is back in the writing chair?

11
00:00:57.600 --> 00:01:01.859
Arguably for the 1st time in 2 years with resurrection of the Daleks.

12
00:01:01.920 --> 00:01:02.399
Yay.

13
00:01:11.459 --> 00:01:15.120
We have mentioned the history of this before, but I'll just recap.

14
00:01:15.239 --> 00:01:24.599
This story was meant to close out season 20, but due to industrial action and problems with terminus and the king's demons.

15
00:01:24.659 --> 00:01:30.480
The whole story was shelved, led to Peter Grimwade, never directing for the program again because he annoyed John Nathan Turner.

16
00:01:30.540 --> 00:01:39.900
Dogs and cats living together, and instead we get it in season 21 with changes made that Eric Sable was very happy with.

17
00:01:39.959 --> 00:01:42.659
He wasn't actually that happy with his original version of the script.

18
00:01:42.719 --> 00:01:44.280
So what's different?

19
00:01:44.340 --> 00:01:56.400
First of all, director, instead of Peter Grimwade, who, as I mentioned, I know John Nathan Turner, and thus was not rehired, we have Matthew Robinson directing the 1st of his 2 Doctor Who stories.

20
00:01:56.459 --> 00:02:00.299
Also, we have a new Davros spoiler alert.

21
00:02:00.359 --> 00:02:01.319
Davros is back in this.

22
00:02:01.439 --> 00:02:08.460
Yes, Michael Wisher wanted to do it, but he was busy smoking in a paper bag somewhere, so he couldn't. had work.

23
00:02:08.520 --> 00:02:11.159
Yes, yes, he had theatrical work.

24
00:02:11.219 --> 00:02:16.680
He had been contracted for the original amount of the return. thought it was called Warhead.

25
00:02:16.740 --> 00:02:22.379
Warhead was another working title for it, but unfortunately, as Richard says, he wasn't available for these days.

26
00:02:22.439 --> 00:02:28.620
So Matthew Robinson chose Terry Malloy, who was famous for his voice work and still performs in The Archers.

27
00:02:28.680 --> 00:02:35.219
And in cabaret and on most bar tops, give me all the jeans.

28
00:02:35.340 --> 00:02:45.780
I think Robinson also, is he also the writer rest of um, edge of legal destruction and and impermanent oligarchies within the TARDIS.

29
00:02:45.840 --> 00:02:47.159
That's Nigel Robinson.

30
00:02:47.219 --> 00:02:48.060
That's Nigel Robinson.

31
00:02:48.120 --> 00:02:54.120
So that's his live in flatmate and no other, and the fact that the beds get pulled apart when the parents come and visit has nothing to do with anything.

32
00:02:54.180 --> 00:02:54.900
Right.

33
00:02:54.900 --> 00:02:55.379
Right.

34
00:02:55.439 --> 00:02:57.419
Gee, I'm informed.

35
00:02:57.780 --> 00:03:02.759
As an aside, with Nigel Robinson's novelisations, because recently...

36
00:03:02.819 --> 00:03:04.080
Well, they are good.

37
00:03:04.139 --> 00:03:09.120
When I was overseas, I recently reread the 1st season of Heart Novelisations.

38
00:03:09.120 --> 00:03:12.599
I think those 2 of them, and I've also read Underwater Menace, which he does.

39
00:03:12.659 --> 00:03:19.740
I haven't read Planet of Giants, but it seems like in every single one, there's a slight misogynist undercurrent.

40
00:03:19.800 --> 00:03:22.620
I quoted ages ago in the underwater I remember.

41
00:03:22.620 --> 00:03:25.500
There's a bit where Polly is screaming hysterically.

42
00:03:25.560 --> 00:03:27.719
So Jamie slapped her.

43
00:03:27.780 --> 00:03:28.800
That shut her up.

44
00:03:28.860 --> 00:03:31.680
Yes, that one being televised.

45
00:03:31.740 --> 00:03:42.900
There is a lot of rapey inferences we've discussed, the rapey effect on Barbara and the problem with Susan in the 1st and 2nd seasons, but but yes, it's not exactly to the point of bidding.

46
00:03:42.960 --> 00:03:44.580
Billy backslaps any of them, does he?

47
00:03:44.699 --> 00:03:45.479
No, that's right.

48
00:03:45.539 --> 00:03:48.599
Well, he nearly gives Susan a jolly good smacked awesome.

49
00:03:48.659 --> 00:03:51.539
And tries to hit Greg Newark with a rock.

50
00:03:51.599 --> 00:03:53.580
But we're getting... much nicer.

51
00:03:53.639 --> 00:03:55.199
Yes, he'll just lock you out or kill you.

52
00:03:55.379 --> 00:03:58.259
Yes, we're getting behind ourselves.

53
00:03:58.319 --> 00:04:02.400
So, yeah, the Daleks are back for the 1st time since 1979.

54
00:04:02.580 --> 00:04:05.039
So it's been it's been 5 years almost.

55
00:04:05.099 --> 00:04:07.080
About 4.5 five.

56
00:04:07.139 --> 00:04:09.900
They have been making other television appearances in the meantime.

57
00:04:09.960 --> 00:04:18.839
And they have been kept fresh in the public's mind because of, you know, things like the Doctor Who, non-Christmas, Christmas special, the 5 doctors and it.

58
00:04:18.899 --> 00:04:22.139
And also, um, Spike Milligan's Q series.

59
00:04:22.199 --> 00:04:27.300
It was the only time Dykes were ever allowed to be in a comedy sketch or lampooners because it was by Saint.

60
00:04:27.300 --> 00:04:29.339
Spike Milligan.

61
00:04:29.399 --> 00:04:31.379
Has anyone seen Pakistani Daleks?

62
00:04:31.439 --> 00:04:36.720
It's probably not broadcasting now because it's effing racist, and I'm sorry there is no other way to describe it.

63
00:04:36.779 --> 00:04:47.220
I believe, though, that network DVD is bringing out the entire existing queue series because, of course, some of the early ones don't exist anymore because British television.

64
00:04:47.759 --> 00:04:51.300
But yeah, so you will soon be able to buy that.

65
00:04:51.360 --> 00:04:56.699
And there are snippets of the Pakistani Dalek sketch in the documentary more than 30 years in the Tartars.

66
00:04:56.759 --> 00:05:00.540
Yeah, we won't quote any of it here because it is quite horribly racist.

67
00:05:00.600 --> 00:05:01.620
It is quite horribly racist.

68
00:05:01.620 --> 00:05:04.079
And it has a really, really bad animatronic dog.

69
00:05:04.740 --> 00:05:06.959
So I haven't mentioned.

70
00:05:07.079 --> 00:05:09.300
Janet's before.

71
00:05:10.019 --> 00:05:12.779
So Resurrection of the Daleks.

72
00:05:12.839 --> 00:05:14.100
I've been avoiding asking this question.

73
00:05:14.100 --> 00:05:15.839
We've got the legs right yet.

74
00:05:15.899 --> 00:05:16.860
We haven't got the walk right yet.

75
00:05:17.040 --> 00:05:19.319
I have been avoiding this question.

76
00:05:19.379 --> 00:05:20.279
Chaps, what do we think?

77
00:05:20.399 --> 00:05:27.779
I actually think at the moment, and my mind may change that this is the worst Doctor Who story.

78
00:05:28.560 --> 00:05:33.060
And just to play, just you would call advocate.

79
00:05:33.120 --> 00:05:38.399
This is the only one that's took me 2 solid months to get through because I found it almost unwatchable.

80
00:05:38.459 --> 00:05:39.779
I did actually find it unwatchable.

81
00:05:39.839 --> 00:05:41.279
Having finished it however.

82
00:05:41.339 --> 00:05:50.579
The accepted fan opinion against Seward and the ultraviolence and all the rest of it, when we actually look at how the doctor behaves and how the companions behave.

83
00:05:50.639 --> 00:05:53.459
I think we'll find that there is actually a case for the defence.

84
00:05:53.519 --> 00:06:03.240
I think there is a case for the defence and I don't want to get too far ahead. the story does critique itself in towards the end, just in that very last scene.

85
00:06:03.300 --> 00:06:13.199
But essentially it's a tale of people in corridors with guns shooting other people with guns and it goes on quite a lot.

86
00:06:13.259 --> 00:06:15.360
It's horribly unimaginative.

87
00:06:15.420 --> 00:06:20.399
And I think it misuses and misconceives the Daleks in a really serious way as well.

88
00:06:20.459 --> 00:06:27.000
Both of those points can be counted with the thing that I'm always coming back with that it's Doctor Who is always about.

89
00:06:27.240 --> 00:06:31.920
What's contemporary in media and what's contemporary. always about what's going on around it.

90
00:06:31.980 --> 00:06:35.699
So when you say it's horribly unimaginative.

91
00:06:35.759 --> 00:06:38.639
Do you mean that it's just a borrowing from the other things that are going on at the time?

92
00:06:38.699 --> 00:06:41.339
Well, it's our second remake of Earthshock.

93
00:06:41.399 --> 00:06:42.000
Yes.

94
00:06:42.000 --> 00:06:52.860
And the idea that, say it is fascinated with telling stories about mercenaries shooting people and he sidelines the doctor.

95
00:06:52.920 --> 00:07:18.060
And so rather than sort of imaginative tea time, whimsy or interesting juxtapositions of things or playing with genres or scaring the crap out of little children or having fun and being funny and witty, all of those things that Doctor Who can do, he just has a lot of gray, unlikeable people in corridors blurting out this appallingly matcho dialogue at each other.

96
00:07:18.120 --> 00:07:21.899
People whose names you can't even remember when you've reached the end of it.

97
00:07:21.959 --> 00:07:26.279
And people die constantly and do it in a really repulsive way.

98
00:07:26.339 --> 00:07:30.300
Like, you know, Todd spent all of season 20 complaining that no one was dying.

99
00:07:30.360 --> 00:07:32.879
He actually texted us this morning.

100
00:07:32.939 --> 00:07:37.139
He's a really terrifying person when you get to know him, dear listeners.

101
00:07:37.199 --> 00:07:39.480
But here, lots and lots of people die.

102
00:07:39.540 --> 00:07:47.579
Their faces and hands melt off, you know, or they scream, like they shriek in terror and agony as they die.

103
00:07:47.639 --> 00:07:57.420
The 2 women who are killed, uh, the the woman on the space station, the glamorous one with a cigar on the space station, and, uh, I want to say Chloe Ashcroft on earth.

104
00:07:57.480 --> 00:07:59.579
They scream in terror.

105
00:07:59.639 --> 00:08:14.339
It's just unpleasant and unenjoyable, and really the only way that Saywood knows of creating drama or anything is just to increase the guns and have more people killed.

106
00:08:14.399 --> 00:08:16.560
It's, it's poor.

107
00:08:16.620 --> 00:08:17.399
I hate it.

108
00:08:17.459 --> 00:08:18.779
You know, I really hate it.

109
00:08:18.839 --> 00:08:31.680
I would have killed to have a pteroreptil in this or a mandrel, you know, or a medusoid or, you know, something fun, something whimsical, something that wasn't leaden and horrifying.

110
00:08:31.740 --> 00:08:33.720
Something from the keys of Mariners.

111
00:08:33.779 --> 00:08:34.259
Yeah.

112
00:08:34.259 --> 00:08:35.159
Yeah.

113
00:08:35.220 --> 00:08:55.440
See, I have to disagree on a lot of your points because I agree, in a way, this is a remake of Earthjock, but also it's a very different story because Earthjock, even though it was dressed up, was essentially a 60s based under siege story, the base being the bridge of the freighter, whereas this you've got multiple locations.

114
00:08:55.500 --> 00:09:05.580
We also avoid a problem we mentioned in worries of the deep a few weeks ago, where in Warriors are deep, you've got all these characters being killed, but as we said, we don't really care about any of them.

115
00:09:05.639 --> 00:09:08.820
Like the only one we kind of care about is Maddox and maybe Karina in that.

116
00:09:08.879 --> 00:09:09.960
Whereas.

117
00:09:10.799 --> 00:09:28.440
The opening scenes on the space station, Are quite masterful because you've got Mercer and Dr. Styles played by the wonderful ruler Lenska, spouting dialogue off at each other, that fills in what this world is like, but also tells you what their characters are like.

118
00:09:28.500 --> 00:09:31.679
So he is very upright and duty bounded.

119
00:09:31.740 --> 00:09:33.120
This is the way we do things by the book.

120
00:09:33.179 --> 00:09:36.240
She obviously has been there for years.

121
00:09:36.299 --> 00:09:38.159
She knows how this place actually works.

122
00:09:38.220 --> 00:09:39.720
She knows how the real world works.

123
00:09:39.779 --> 00:09:42.840
She actually calls him our green eyed new boy, I think, at one point.

124
00:09:42.899 --> 00:09:47.820
It sets the scene in a way that Warriors of the Deep just doesn't.

125
00:09:47.879 --> 00:09:53.460
So when these characters do start dying and are killed horribly.

126
00:09:53.519 --> 00:09:59.100
It's, it's affecting the fabulous woman smoking a cigar you mentioned earlier.

127
00:09:59.159 --> 00:10:02.940
Osborne, played by the wonderful Snei Gupta.

128
00:10:03.000 --> 00:10:10.980
She has, again, those wonderful character moments where she's teasing Mercer on the bridge because he's complained to the captain and suddenly he's on night shift.

129
00:10:11.039 --> 00:10:13.200
Oh, she's like, oh, someone should have warned you.

130
00:10:13.259 --> 00:10:15.240
You're fearing attack.

131
00:10:15.299 --> 00:10:16.080
I think she's really great.

132
00:10:16.139 --> 00:10:16.559
And then.

133
00:10:16.860 --> 00:10:23.159
She is killed at the end of the four-part version of episode one because this has weird broadcast issues.

134
00:10:23.279 --> 00:10:29.340
She is killed at the end of that episode and she goes down fighting and her death scream.

135
00:10:29.820 --> 00:10:32.580
It's not a pantomime theatrical scream.

136
00:10:32.700 --> 00:10:35.639
It's this, it's begging for a life in this shriek.

137
00:10:35.700 --> 00:10:37.379
And yes, it is uncomfortable.

138
00:10:37.379 --> 00:10:40.500
But it's not just uncomfortable. it's grotesque Brendan.

139
00:10:40.559 --> 00:10:44.879
So what's happened is she's with that guy, the terrible, terrible actor.

140
00:10:44.940 --> 00:10:46.440
Oh, Bridge.

141
00:10:47.220 --> 00:10:50.700
Who makes one of Doctor Who's few fart jokes before the new series.

142
00:10:50.820 --> 00:10:52.259
The smell.

143
00:10:52.320 --> 00:10:53.340
Yeah, what's that smell?

144
00:10:53.399 --> 00:10:54.419
Obviously, it's not the prisoner.

145
00:10:54.480 --> 00:10:56.940
So the Pakistani dialect.

146
00:10:57.120 --> 00:11:00.480
So his face and hands have melted off.

147
00:11:00.539 --> 00:11:02.399
He's horrified.

148
00:11:02.460 --> 00:11:09.360
She shoots him dead because that's the sort of macho thing that Eric Sey would enjoy putting on television.

149
00:11:09.419 --> 00:11:16.919
And then the sound of her shooting alerts the Dalek troopers who come in, she shoots one of them, and then they shoot her dead.

150
00:11:16.980 --> 00:11:18.600
I mean, that's horrible.

151
00:11:18.659 --> 00:11:22.679
It is horrible, but this is the reality of a Dalek attack.

152
00:11:22.740 --> 00:11:27.179
It's not all like destiny of the Daleks where people just lower themselves gently to the ground without a sound.

153
00:11:27.240 --> 00:11:29.639
When has the Dalek attack been portrayed like that?

154
00:11:29.700 --> 00:11:37.559
We went and saw Power of the Daleks, and Power of the Daleks has a big culmination in which the Daleks go through the base killing a bunch of people.

155
00:11:37.620 --> 00:11:40.019
And we do see dead bodies and all of that sort of thing.

156
00:11:40.080 --> 00:11:46.620
But what we don't get is this just sort of relishing the gratuitous violence and suffering and stuff that we get here.

157
00:11:46.740 --> 00:11:50.519
I think you've hit it on the head and it's all about the timing.

158
00:11:50.580 --> 00:11:52.080
Everything's about timing.

159
00:11:52.139 --> 00:11:56.519
Doctor Who and the exciting adventure in the power room of the Daleks was 66.

160
00:11:56.759 --> 00:11:58.799
We are now in 80 what three?

161
00:11:58.919 --> 00:12:23.759
Um, There's, the audiences have changed and the expectations, pretty much because of newsreel footage, pretty much because of popular press and what we saw with Vietnam, and then what we saw in Cambodia, also the way that we see violence enacted on television, policemen, for example, shooting people in 1971 in terror of the autons or in, and of the other early pertly things, that got questions in parliament.

162
00:12:23.820 --> 00:12:27.299
Now, people are watching it saying, Why are they not policemen?

163
00:12:27.360 --> 00:12:28.259
That what policemen do.

164
00:12:28.320 --> 00:12:32.100
I put it all, I blame Michael Kane for almost all of this stuff you're talking about.

165
00:12:32.159 --> 00:12:48.059
We've cited we've cited Mike Hodges, who made get Carter, EU get Carter, in 1970, which pretty much rebooted the way you shot truth and griminess with the, and that, you know, that everyone's actually a little bit truthy and baddy at the same time.

166
00:12:48.120 --> 00:12:51.299
We then got Mike Hodges doing Flash Gordon in 1979.

167
00:12:51.539 --> 00:12:54.360
With, of course, the fabulous Peter Wingard.

168
00:12:54.600 --> 00:12:57.240
More of him next week, more to him next week.

169
00:12:57.299 --> 00:13:06.179
But the point is that the public won't accept a drama like power of the Daleks now, we expect to see the violence, we expect to see, and it's not actually bought.

170
00:13:06.240 --> 00:13:07.259
We've had alien.

171
00:13:07.320 --> 00:13:13.860
We're about to get aliens, which I actually think if you want to talk about Doctor Who feeding back to the genre.

172
00:13:13.919 --> 00:13:18.240
This actually predicates, the way those films are shot.

173
00:13:18.299 --> 00:13:20.039
We expect this level of violence.

174
00:13:20.100 --> 00:13:27.000
I want to touch on Bob Hoskins and Helen Mirror in a film, The Long Good Friday, but I'll get back to that, which is set in the same area in Wapping.

175
00:13:27.059 --> 00:13:29.460
It was definitely the precursor for this story.

176
00:13:29.519 --> 00:13:33.960
And I, I actually want to be the critic in defence of say what for this story.

177
00:13:34.019 --> 00:13:40.259
Only because I've had to sit through it and I force myself to sit through it and in the end, I can see where he's coming from.

178
00:13:40.320 --> 00:13:44.759
I'm not saying I'm a hero for him, but I think I can see why he did what he did.

179
00:13:44.820 --> 00:14:13.080
He makes an interesting point about his presentation of violence and it's not necessarily a point I agree with. in all of his execution, but his point about people saying your scripts are too violent, is to say, well, when you have the opportunity to present violence, you can either present it in a realistic way where it is horrible and you show that violence is horrible, or you can try and paper over it and show it in shadow, which is responsible, which is irresponsible.

180
00:14:13.139 --> 00:14:15.179
And he doesn't necessarily draw a conclusion to that.

181
00:14:15.240 --> 00:14:24.419
Richard, you were talking about the context, of course, we are in the grip of the slasher film genre at this point, Friday the 13th nightmare on Elm Street.

182
00:14:24.419 --> 00:14:26.519
Terminator came out 6 months after this.

183
00:14:26.580 --> 00:14:34.860
We also have a public that's expecting to be decimated with the AIDS crisis because we didn't have a cure and we didn't even know what it was and it was now named.

184
00:14:34.919 --> 00:14:38.399
So we've got the ontological theatres, we like to say.

185
00:14:38.460 --> 00:14:40.139
Well, I mean, in public as well.

186
00:14:40.200 --> 00:14:46.379
I just think that saying that I think he's responsive. rather than culpably transgressing.

187
00:14:46.440 --> 00:14:49.919
I think he's he's actually just picking he's giving us back what we already have.

188
00:14:49.980 --> 00:14:53.879
Well, I just think he doesn't know what Doctor Who is or what it's for.

189
00:14:54.000 --> 00:14:56.700
But Doctor's always just really been a reflective me.

190
00:14:56.759 --> 00:14:59.039
Yeah, no, of course, of course it has.

191
00:14:59.100 --> 00:15:05.759
But the stories now are just increasingly like this. going to be what Doctor Who is like.

192
00:15:05.820 --> 00:15:10.500
And look on either side, look at either Frontios or Planet of Fire.

193
00:15:10.559 --> 00:15:12.419
They have their flaws or whatever.

194
00:15:12.480 --> 00:15:19.139
But there's more imagination in 5 minutes of either one of those stories than in this.

195
00:15:19.259 --> 00:15:23.399
Yeah, I think the big problem is not the way this story presents itself.

196
00:15:23.460 --> 00:15:29.340
If this story was, okay, like earth shock, earth shock was like nothing else around it.

197
00:15:29.399 --> 00:15:31.919
Everything else, even even time flight.

198
00:15:32.039 --> 00:15:38.100
Almost everything else in that season, not Black Orchard, but Time Flight had these interesting central ideas.

199
00:15:38.340 --> 00:15:42.539
For to doomsday, interesting central idea, Kinder, fascinating.

200
00:15:42.600 --> 00:15:46.320
Even the visitation was a twist on the old historical.

201
00:15:46.379 --> 00:15:48.539
We hadn't really had a historical in ages.

202
00:15:48.600 --> 00:15:54.179
But definitely, I take your point, Nathan, that the program is steadily becoming more violent.

203
00:15:54.419 --> 00:16:02.340
I think with resurrection, I really enjoyed it as a kid not because of the violence, but I would watch it in isolation.

204
00:16:02.399 --> 00:16:06.000
I wouldn't watch it as part of a marathon. watching it as part of a marathon.

205
00:16:06.059 --> 00:16:08.460
The violence is far more affecting, I find.

206
00:16:08.580 --> 00:16:12.360
Sayer does repeat himself far too often. becomes dyspeptic.

207
00:16:12.419 --> 00:16:29.220
I find it hard to say, why I'm, if you're like okay with this violent story, beyond just saying, far better, far more than earth shock and far more than worries of the deep, just the characters being so well drawn makes the death, the deaths more affecting.

208
00:16:29.279 --> 00:16:35.279
But I think there's also structural problems with it that stand in the way of it really working.

209
00:16:35.340 --> 00:16:38.159
So take the Mercer and Styles plot.

210
00:16:38.220 --> 00:16:47.519
I do think the scene you described with that exposition, I think it's very good, you know, and I think he's very likeable and she's ruler Lenska, so she's fabulous.

211
00:16:47.580 --> 00:16:50.159
But it goes nowhere.

212
00:16:50.220 --> 00:16:51.059
Do you know what I mean?

213
00:16:51.120 --> 00:16:57.000
Like they, uh, there's the Daleks invade, everyone except them and 2 other guys gets killed.

214
00:16:57.059 --> 00:17:02.759
Then we're making our way towards this, um, self-destruct thing, and then we all get killed.

215
00:17:02.820 --> 00:17:05.759
Uh, we never actually achieve anything.

216
00:17:05.819 --> 00:17:07.559
We barely interact with the plot at all.

217
00:17:07.619 --> 00:17:10.259
And it's hard to know what that exposition is for.

218
00:17:10.319 --> 00:17:16.380
What's the point of setting up this world when it has no bearing on any other characters or the plot or anything.

219
00:17:16.440 --> 00:17:18.240
I mean, I think it's a giant mess.

220
00:17:18.299 --> 00:17:20.160
I don't know what the Daleks are doing here.

221
00:17:20.220 --> 00:17:30.240
I don't know why Davros insists on staying on the station except to, you know, be annoying or something, you know, like what are the dalek duplicates for?

222
00:17:30.299 --> 00:17:34.319
I do, I do have to agree that the plot is really weird.

223
00:17:34.380 --> 00:17:36.000
When I watched it as a kid.

224
00:17:36.059 --> 00:17:39.240
I thought Daleks had this plan to get Davros back.

225
00:17:39.299 --> 00:17:45.180
But suddenly the doctor turns up and so they decide, oh, we can go after the doctor at the same time.

226
00:17:45.240 --> 00:17:51.240
But there's dialogue in there that implies that they've deliberately captured the doctor in the time corridor.

227
00:17:51.299 --> 00:17:53.279
So it's like, right, you're trying to free your creator.

228
00:17:53.339 --> 00:17:54.660
Cure this virus.

229
00:17:54.720 --> 00:17:58.380
Make all these duplicates and exterminate the high council all on one day.

230
00:17:58.440 --> 00:18:00.779
It's like, take a rest, guys, you know?

231
00:18:00.839 --> 00:18:03.900
Pick one Yeah, pick one thing and do it well.

232
00:18:03.960 --> 00:18:14.220
It's a typical so good thing that, perhaps it's just a question of time and the time that he had, but the rewrites end up, you know, conflating into themselves.

233
00:18:14.279 --> 00:18:17.640
They don't actually add for greater explanation.

234
00:18:17.700 --> 00:18:24.299
They just compound the difficulties, and you see that again and again, over the last season and a half 2 seasons.

235
00:18:24.359 --> 00:18:26.099
Well, I think he's just barely competent.

236
00:18:26.160 --> 00:18:31.079
I mean, he's had this is his 2nd go at it and he can't produce a script that hangs together in any way.

237
00:18:31.140 --> 00:18:39.599
I kind of think that Eric Saywood is very filmmic in his writing thinking because we're coming into the age now of home videos.

238
00:18:39.660 --> 00:18:43.680
So television starts to be written to be watched several times.

239
00:18:43.740 --> 00:18:49.380
Whereas I think a lot of films in this era are still being written as ephemeral.

240
00:18:49.440 --> 00:18:51.059
They're being written to watch once.

241
00:18:51.119 --> 00:19:00.900
And the 1st time you watch Earthshock, or the 1st time you watch Resurrection of the Daleks, you kind of leave it going, you know, wow, that was, that felt big budget and action-packed.

242
00:19:00.960 --> 00:19:09.059
And you start watching it and going, why does the Dalek Supreme blame Lytton when anything goes wrong when Lytton just told him 5 minutes ago that that wouldn't work?

243
00:19:09.119 --> 00:19:10.319
Exactly.

244
00:19:10.380 --> 00:19:14.700
And why hasn't the Dalek supreme told any of the trooper Daleks what the ultimate plan is?

245
00:19:14.759 --> 00:19:22.619
So it's very likely that they will shoot the doctor and to learn whomever else they see rather than, or I'm going to get you into the cupboard with the steam room.

246
00:19:22.859 --> 00:19:26.700
Production info about the supreme Dalek itself.

247
00:19:26.759 --> 00:19:31.619
You only just see it, but it's got what is known as the oddball dalek skirt.

248
00:19:31.680 --> 00:19:34.440
So if you imagine a Dalek skirt.

249
00:19:34.500 --> 00:19:35.099
Oh, yeah.

250
00:19:35.160 --> 00:19:39.000
If you imagine a Dalek skirt and the front half is more pointed than the back half.

251
00:19:39.059 --> 00:19:39.720
Yeah.

252
00:19:39.720 --> 00:19:43.440
The bottom part of the Supreme Dalek is 2 front halves joined together.

253
00:19:43.500 --> 00:19:48.119
So it's pointy at the back end at the front, but there's only one or 2 shots where you could notice it.

254
00:19:48.180 --> 00:19:48.359
Yes.

255
00:19:48.420 --> 00:19:51.839
They didn't pick that up in the character options.

256
00:19:51.900 --> 00:19:54.299
No, the action picker is not accurate.

257
00:19:54.359 --> 00:19:56.039
Friend of the podcast, Aaron J.

258
00:19:56.039 --> 00:19:57.119
Climis is not happy about that.

259
00:19:57.180 --> 00:19:58.920
I demand your money back.

260
00:19:59.400 --> 00:20:03.779
But yes, I just thought I'd throw that in there as a bit of production information.

261
00:20:03.839 --> 00:20:05.400
I've actually been to Shad Thames.

262
00:20:05.460 --> 00:20:12.180
It's quite nice now and it's all, um, they've blasted the brick back to its some sort of sandstone like cover.

263
00:20:12.240 --> 00:20:14.339
It's been developed. been developed.

264
00:20:14.400 --> 00:20:21.539
It's shops and pie shops and flats and shops and Thai shops and bunting.

265
00:20:21.599 --> 00:20:22.619
Rubbish.

266
00:20:22.680 --> 00:20:30.420
It's exactly all the stuff that they were fearing at the time and, you know, went under Mrs. Thatcher that working class jobs were disappearing.

267
00:20:30.480 --> 00:20:32.099
Manufacturing was moving out of the area.

268
00:20:32.160 --> 00:20:41.400
The film, The Long Good Friday, that came out in 1980 that launched Hoskins's career and had Helen Mirren as, you know, Guardian Supreme of the Galaxy, it was just part of your west place.

269
00:20:41.460 --> 00:20:46.319
But it was, it was, it was about exactly this.

270
00:20:46.380 --> 00:21:04.200
Rupert Murdoch had moved the times and his other presses into the area and the working class were getting moved out and it was actually about a cockney bloke wanting to build a casino on an sofa, unused and um, area of derelict, um, it doesn't reflect modern society at all, does it?

271
00:21:04.259 --> 00:21:13.559
But, um, it ends very violently, but there are scenes in that that look very much like that at the moments, especially on the, along the, um, the corridors with it.

272
00:21:13.619 --> 00:21:20.880
I don't think they actually push a Dalek out of a top story loading bay, but I'm sure that Helen Mirren has done that.

273
00:21:20.940 --> 00:21:26.039
She's certainly got evident bumps, and she certainly doesn't mind showing them off, so there could well be some of that in there as well.

274
00:21:26.099 --> 00:21:27.720
She didn't even know there was a camera running.

275
00:21:27.779 --> 00:21:29.519
That's just...

276
00:21:29.519 --> 00:21:31.200
Don't give me siders.

277
00:21:31.319 --> 00:21:34.200
The violence in this because that's really what this is all about, isn't it?

278
00:21:34.259 --> 00:21:36.180
I don't think the violence in this is misplaced.

279
00:21:36.240 --> 00:21:39.000
And I would like to believe that, say, word is using it.

280
00:21:39.059 --> 00:21:48.359
You have to show the truth of it to get your message across if you pedal backwards, if you soften the message, your message never gets out there.

281
00:21:48.420 --> 00:21:53.519
The point is, the doctor goes to shoot Davros and holds the garnet point blank.

282
00:21:53.579 --> 00:21:56.519
Deveros even jeers at him and he doesn't do it.

283
00:21:56.579 --> 00:21:58.079
Yeah, you see, I hate that.

284
00:21:58.200 --> 00:21:59.519
And I'll tell you why I hate that.

285
00:21:59.579 --> 00:22:01.140
Here's the moral dilemma.

286
00:22:01.200 --> 00:22:07.920
The moral dilemma is, should the doctor go up to the guy in the wheelchair and shoot him in the face or should he not do that?

287
00:22:07.980 --> 00:22:11.940
Now, I think that's a fairly easily soluble moral delay.

288
00:22:12.000 --> 00:22:22.440
Just a guy in a wheelchair, no matter how you feel about DDA applications and the requirements and constraints to under the building code of Australia for having to deal with wheelchair people.

289
00:22:22.500 --> 00:22:23.460
Stavros.

290
00:22:23.519 --> 00:22:25.380
But they have history.

291
00:22:25.559 --> 00:22:31.980
When he doesn't do it, and obviously he doesn't do it, it's made to look like a weakness.

292
00:22:32.039 --> 00:22:34.859
I think Seuid thinks that that's a weakness of the character.

293
00:22:34.920 --> 00:22:41.940
Yeah, I do, that he doesn't have the guts to do what really needs to be done in this brutal gun sort of situation.

294
00:22:42.000 --> 00:22:43.079
Close.

295
00:22:43.140 --> 00:22:44.039
Thatcher reading.

296
00:22:44.099 --> 00:22:44.880
I didn't get it though.

297
00:22:44.940 --> 00:22:51.359
So my doctor. wouldn't be involved in this gun stuff.

298
00:22:51.420 --> 00:22:53.099
Pete has stacks of guns in this.

299
00:22:53.160 --> 00:22:55.140
He shoots a dalek mutant with a gun.

300
00:22:55.200 --> 00:22:58.799
Yeah, well, that's the thing. doesn't have any problem shooting a blob, but as soon as something with a face.

301
00:22:58.799 --> 00:22:59.640
Yeah, that's right.

302
00:22:59.700 --> 00:23:00.660
He's blobbist.

303
00:23:01.440 --> 00:23:04.920
So Sylvester McCoy wouldn't do this.

304
00:23:04.980 --> 00:23:07.319
You know, there's a lot of guns and a lot of shooting.

305
00:23:07.380 --> 00:23:09.240
People get killed in remembrance of the dance.

306
00:23:09.240 --> 00:23:11.039
There's a lot of violence and silver nemesis too.

307
00:23:11.099 --> 00:23:14.759
But Sylvester's not directly involved in it.

308
00:23:14.880 --> 00:23:20.279
Sylvester actually force them to rewrite the script, so he didn't have to use a gun on 2 occasions.

309
00:23:20.339 --> 00:23:21.779
I agree with you.

310
00:23:21.839 --> 00:23:24.240
And as I mentioned, that's my big problem with it.

311
00:23:24.299 --> 00:23:32.579
It's like the doctor is perfectly happy to empty a clip into a dialect mutant. but can't then shoot Davros.

312
00:23:32.640 --> 00:23:34.319
And it was nearly a kitten, wasn't it?

313
00:23:34.380 --> 00:23:36.779
It could have been a kitten that he shot in the face.

314
00:23:36.839 --> 00:23:42.000
You know, and the thing is, the scene where he shoots the Dalek Mutant. didn't have to have a gun there.

315
00:23:42.059 --> 00:23:43.140
He's got a soldier with him.

316
00:23:43.200 --> 00:23:45.240
You know, that's what units for.

317
00:23:45.720 --> 00:23:48.599
But isn't that just abrogation of responsibility?

318
00:23:48.660 --> 00:24:08.400
But that would actually make the point at the end of the episode better, because the doctor's already picked up a gun and been happy to use it in this story, and now he won't shoot Davros in the face, whereas if he had refused to pick up that gun, picking up the gun to shoot Davros and then refusing to do so would have been more character defining, because he's already refused to do it once.

319
00:24:08.460 --> 00:24:10.859
I think what really sells it there.

320
00:24:10.920 --> 00:24:16.079
I mean, Davison, as we've mentioned several times this season, he's really come into his own this season.

321
00:24:16.140 --> 00:24:16.859
He's really great.

322
00:24:16.920 --> 00:24:20.339
But I think the best reaction to that is Tegan.

323
00:24:20.400 --> 00:24:23.579
Because Tegan doesn't know who Davros is.

324
00:24:23.640 --> 00:24:26.279
Tegan just knows Davros as a name.

325
00:24:26.339 --> 00:24:29.819
All she knows is the doctor saying, I am going to go kill a person.

326
00:24:30.779 --> 00:24:33.299
And her reaction.

327
00:24:33.839 --> 00:24:37.200
I think is actually what presages the end of the story.

328
00:24:37.319 --> 00:24:41.460
It's that her doctor... was going to kill someone.

329
00:24:41.759 --> 00:24:44.880
And hey, as far as she knows, he did.

330
00:24:44.940 --> 00:24:46.859
He never he never says that he didn't.

331
00:24:46.920 --> 00:24:48.359
Mm.

332
00:24:48.359 --> 00:24:50.640
The moral dilemma isn't real.

333
00:24:50.700 --> 00:24:52.259
I mean, Saywood's made it up.

334
00:24:52.319 --> 00:24:54.119
He's put the doctor in that position.

335
00:24:54.119 --> 00:25:07.319
And in the same way, the doctor was put in the position of gassing all of the reptiles on the sea base a few weeks ago, you know, and we then gleefully do the same thing to all of the Daleks at the end of this story.

336
00:25:07.380 --> 00:25:14.220
There's no obligation on, say, it's part to create these particular moral dilemmas. and put the doctor in them.

337
00:25:14.279 --> 00:25:20.339
Whereas if we look at the awakening, um, the doctor's solution is to try to break the psychic link with Sir George.

338
00:25:20.400 --> 00:25:24.059
He keeps telling Sir George, you know, think free your mind, et cetera, et cetera.

339
00:25:24.119 --> 00:25:26.640
In frontios, he doesn't kill any of the tractators.

340
00:25:26.700 --> 00:25:29.099
He just separates them, so they're no longer a danger to the humans.

341
00:25:29.220 --> 00:25:31.019
If there'd been terreleptils, however.

342
00:25:32.819 --> 00:25:41.880
Do you remember Paul Cornell speech about the doctor in human nature, you know, that he makes the villains fall into their own traps and things.

343
00:25:41.940 --> 00:25:43.380
Yeah, he doesn't really do that.

344
00:25:43.440 --> 00:25:46.680
No, no, he just, and that's Saywood's thing.

345
00:25:46.740 --> 00:25:51.779
It's just the good guys and the bad guys are indistinguishable because they both have guns and they shoot people.

346
00:25:51.839 --> 00:26:02.220
The Daleks instead of being this mythic force, you know, that represents human evil or that threatens the galaxy on a grand scale.

347
00:26:02.279 --> 00:26:04.980
They just become another set of people with guns.

348
00:26:05.039 --> 00:26:06.960
There's nothing interesting about them.

349
00:26:07.019 --> 00:26:11.279
Look at how their 1st appearance is thrown away, like 14 minutes into episode one.

350
00:26:11.339 --> 00:26:11.819
There they are.

351
00:26:11.880 --> 00:26:20.160
We do get the end of episode one. in the 4 part version, reveal of some Daleks, but we've had them already shooting people.

352
00:26:20.220 --> 00:26:25.440
They're trying to do Star Wars actually. actually It's the Stormtroopers bursting onto layers ship.

353
00:26:25.500 --> 00:26:26.279
Yeah, yeah.

354
00:26:26.339 --> 00:26:31.859
But remember Star Wars is a romantic story about a farm boy and a pirate saving a princess from a castle.

355
00:26:31.920 --> 00:26:37.619
Whereas this is about Britain now and troopers and uniforms that are almost recognisable.

356
00:26:37.680 --> 00:26:39.539
They've just been through the Falklands.

357
00:26:39.660 --> 00:26:50.400
I think, say what is saying, I think he's very blanch, and I'm not going to backpedal and say that he's not heavy-handed in the way he sends his message, but I do think this is an anti-violent story.

358
00:26:50.460 --> 00:26:54.539
We're all missing the point that at the end, the doctor says, there's been too much.

359
00:26:54.599 --> 00:26:57.299
I have to mend my ways, whether or not he does is another question.

360
00:26:57.359 --> 00:27:01.740
But I don't think that Tegan's response is anything to do with Davros.

361
00:27:01.799 --> 00:27:06.359
It's actually just looking around at the corpses and realising this is not the brick I want to live in.

362
00:27:06.420 --> 00:27:17.640
Yeah, and Tegan has literally seen 2 characters shot in the back, one of whom she spent most of the story with, and Chloe Ashcroft, who I believe was a children's TV presenter.

363
00:27:17.700 --> 00:27:21.539
Yes, she was in Play School. comes in for a lot of criticism based on that.

364
00:27:21.599 --> 00:27:22.980
But once again, like Beryl Reed.

365
00:27:23.039 --> 00:27:25.559
I find her completely believable in the role.

366
00:27:25.619 --> 00:27:31.680
She is a scientist and sort of the character of Osgood in the new series seems to have been made in the same mulch.

367
00:27:31.740 --> 00:27:34.200
She's this kind of geeky character.

368
00:27:34.259 --> 00:27:35.339
She's a bit awkward.

369
00:27:35.400 --> 00:27:39.059
But she's sensitive and very cautious and mannered.

370
00:27:39.059 --> 00:27:45.839
And the way that you deal with a very naughty child who holds a gun is the same way she speaks to the soldiers.

371
00:27:45.960 --> 00:27:48.480
And no, I think that's actually the most dramatic moments in the story.

372
00:27:48.599 --> 00:27:49.920
I think it's a terrible idea.

373
00:27:49.980 --> 00:27:55.920
It would be like in Australia, you know, having a Doctor Who story where Noni Hazlehurst gets shot in the head.

374
00:27:55.980 --> 00:27:57.240
You know, it's just terrible.

375
00:27:57.299 --> 00:28:00.000
I don't think the 90 would take that long.

376
00:28:00.240 --> 00:28:01.619
Yeah.

377
00:28:02.700 --> 00:28:06.059
It's hard to say good things about this, isn't it?

378
00:28:06.119 --> 00:28:07.920
But it's well directed.

379
00:28:07.980 --> 00:28:11.039
It's the pace of it is frenetically good.

380
00:28:11.099 --> 00:28:12.359
Lighting's great.

381
00:28:12.420 --> 00:28:13.500
I like the score.

382
00:28:13.559 --> 00:28:16.859
I had very fond memories of this as being a good, tight story.

383
00:28:16.920 --> 00:28:19.559
I do think on reflection, it's very messy.

384
00:28:20.220 --> 00:28:34.980
And again, there aren't many stories of this season, I can't say that about, I know time was against the production team, and perhaps if they'd been able to have the luxury they have nowadays of having a year off in between, we would have had possibly a better season.

385
00:28:35.039 --> 00:28:38.579
But we get to see what happens in the classic series when they get that too, don't we?

386
00:28:38.640 --> 00:28:39.359
They're not too distant.

387
00:28:39.480 --> 00:28:41.819
Can we talk about Terry Malloy?

388
00:28:41.880 --> 00:28:43.259
Yeah, I think he's great.

389
00:28:43.319 --> 00:28:45.059
Me too. extraordinary.

390
00:28:45.119 --> 00:28:46.859
He's so different.

391
00:28:46.920 --> 00:28:48.720
And yet the essence of the character is still there.

392
00:28:48.779 --> 00:28:50.940
Do you know, I don't think he is particularly different.

393
00:28:51.000 --> 00:28:53.640
He's got that sort of, you know, pursed lips mouth.

394
00:28:53.700 --> 00:28:55.079
Like the mask is read.

395
00:28:55.079 --> 00:28:57.119
I really dislike the new mask.

396
00:28:57.180 --> 00:28:57.900
Do you?

397
00:28:57.960 --> 00:28:58.920
I think it's better.

398
00:28:58.980 --> 00:28:59.700
Really?

399
00:28:59.759 --> 00:29:01.380
Yeah, well, the issue one was terrifying.

400
00:29:01.440 --> 00:29:04.200
Yeah, in that it looked like Michael Wish.

401
00:29:04.259 --> 00:29:05.460
That's it.

402
00:29:05.519 --> 00:29:12.660
But once you've lost Michael Wisher, but what do you get is what Michael Wisher does, there's a slight camp crispness to the delivery.

403
00:29:12.720 --> 00:29:14.460
Peter Winker.

404
00:29:14.519 --> 00:29:17.400
I require living darlic tissors.

405
00:29:18.359 --> 00:29:21.660
But he has...

406
00:29:21.660 --> 00:29:23.460
He has 2 registers, doesn't he?

407
00:29:23.519 --> 00:29:28.920
Where he can do that sort of quiet, calm, reasonable thing and he's going to get better at doing that.

408
00:29:28.980 --> 00:29:30.299
Yes, I think.

409
00:29:30.359 --> 00:29:32.759
Certainly in his next appearance.

410
00:29:32.819 --> 00:29:43.259
He's really got that down to a T. And then he can do the terrifying rant and he does get an end of episode 3 terrifying rant in the four-part story, which is wonderful.

411
00:29:43.319 --> 00:29:44.220
It's so good.

412
00:29:44.279 --> 00:29:46.200
It's a pity the dialogue isn't better.

413
00:29:46.259 --> 00:29:48.599
I would love to have heard him deliver.

414
00:29:48.599 --> 00:29:50.700
The rivers of blunt speech.

415
00:29:50.759 --> 00:29:51.480
Yes.

416
00:29:51.539 --> 00:29:54.539
Although Enoch Powell, Davros, it's not that different.

417
00:29:55.200 --> 00:30:05.339
I would have liked to hear him get some dialogue the quality of the dialogue that he got from Holmes in Genesis of the Daleks.

418
00:30:05.400 --> 00:30:06.660
It would have been great to hear him.

419
00:30:06.900 --> 00:30:09.299
We get to hear him in Big Finish, do some pretty clever things.

420
00:30:09.359 --> 00:30:09.839
Yeah that's true.

421
00:30:09.900 --> 00:30:20.460
And it's no surprise that he's now really well loved by fans, you know, and highly regarded because it is a great speech and I think he's a, he is the best thing about this story.

422
00:30:20.579 --> 00:30:21.660
Yeah, yeah.

423
00:30:21.720 --> 00:30:25.440
As I said earlier, I think the guest cast are uniformly excellent.

424
00:30:25.559 --> 00:30:29.700
We've talked about Jim Finley and Rulolenska.

425
00:30:29.759 --> 00:30:32.460
And that guy who says, we are defenceless.

426
00:30:32.519 --> 00:30:33.779
Yes, he's great.

427
00:30:33.839 --> 00:30:36.839
You're the one we haven't talked about, Stein.

428
00:30:36.900 --> 00:30:38.640
Yes, Rodney Bews.

429
00:30:38.700 --> 00:30:40.140
Now we know he's terrible too.

430
00:30:40.200 --> 00:30:44.940
Well, you know who he was actually written as in the original draft before Saywood's rewritings.

431
00:30:45.000 --> 00:30:56.339
That was Chameleon, according to the family at the time, which is why he keeps changing sides, which is why he gets confused, and which is why there's that battle of rules between the doctor and Stein.

432
00:30:57.539 --> 00:31:04.980
And then they could have avoided the whole thing of having this thing locked in a cupboard if he's dead in the very next story after he appears.

433
00:31:05.039 --> 00:31:06.359
Yeah.

434
00:31:06.359 --> 00:31:06.660
Yeah.

435
00:31:06.720 --> 00:31:09.119
Actually, they could have just written him out like that.

436
00:31:09.539 --> 00:31:22.920
Stein is the point, I guess, we're coming too of why this story is not pro-Britain and not pro-violence and very much about 1983 and that we shouldn't be gleeful about the Falklands.

437
00:31:22.980 --> 00:31:28.740
I can't push enough, just how much military chic was in.

438
00:31:28.799 --> 00:31:32.220
Even in that club, what was it called, Blitz?

439
00:31:32.220 --> 00:31:36.420
In London, in the early 80s, of course, we were too young to be there, but we've read about it.

440
00:31:36.480 --> 00:31:43.980
Where neuromanticism started and where Bowie's look actually, you know, was took off 5 years before. everyone was wearing military this year.

441
00:31:44.039 --> 00:31:48.299
Instead of Britain being ashamed of what was going on on the Falklands.

442
00:31:48.359 --> 00:31:56.940
It was just like, that was the reason Thatcher came to power, those elections, and when she called it right in the middle of Warriors of the Deep, just to ruin the season opening.

443
00:31:57.000 --> 00:31:59.460
That's how much of a monster she really was, Nathan.

444
00:31:59.579 --> 00:32:04.319
But yeah, this is, this was really riding high, this nationalism.

445
00:32:04.380 --> 00:32:07.440
I think he's he's making a very valid point against it.

446
00:32:07.500 --> 00:32:09.539
I don't think he does it with great finesse.

447
00:32:09.599 --> 00:32:10.740
Or skill.

448
00:32:10.799 --> 00:32:15.299
I mean, I think the point's almost completely, you know, indiscernible.

449
00:32:15.359 --> 00:32:18.900
No, I just think it's a lot of people shooting each other on television.

450
00:32:18.960 --> 00:32:21.839
And certainly, as Sandra says, take a drink.

451
00:32:22.079 --> 00:32:27.900
Earthshock sort of valorizes the military on the very eve of the Falklands War.

452
00:32:28.019 --> 00:32:29.400
Yeah.

453
00:32:29.460 --> 00:32:31.259
We've covered that before.

454
00:32:31.319 --> 00:32:32.819
Yeah, I don't know that it does.

455
00:32:32.880 --> 00:32:40.859
I think it actually just shows how the military is made up of people and people have individual choices and decisions that they make at turning points.

456
00:32:40.920 --> 00:32:46.680
And that the colour of humanity is fractal and we get it even, you know, on the microlevel of the military.

457
00:32:46.740 --> 00:32:49.200
A military person is still a person who has an individual thinking.

458
00:32:49.259 --> 00:32:50.579
I'm not getting.

459
00:32:50.640 --> 00:32:52.019
Oh, we get that with Stein here.

460
00:32:52.079 --> 00:32:59.700
I also like that Lytton, um, Uh, listen, isn't even in himself completely unrelenting.

461
00:32:59.759 --> 00:33:04.380
I just don't know what he's for, you know, like it's an appealing performance.

462
00:33:04.440 --> 00:33:20.700
He's there because Eric Seywood doesn't doesn't believe that Daleks can deliver lengthy extracts of dialogue and he's he's gone on record of saying that that and that's that's why, for instance, he brings Dabros back in both of his Dalek stories.

463
00:33:20.759 --> 00:33:22.259
Also, Terry Nation insisted on it.

464
00:33:22.319 --> 00:33:26.339
Yeah, no, and they were going to, and say what wanted to kill off Davros.

465
00:33:26.339 --> 00:33:28.500
Yeah, story, you remember, and Nation vetoed it.

466
00:33:28.559 --> 00:33:29.220
That's right.

467
00:33:29.279 --> 00:33:31.079
The character of lesson.

468
00:33:31.140 --> 00:33:47.160
I find interesting because he is presented as sort of an out and out villain at the beginning, but then we start getting these things where he keeps suggesting all these really quite good ideas that will actually help and the Daleks, because the Daleks believe they are the superior beings, just don't listen.

469
00:33:47.220 --> 00:33:53.880
But, you know, it opens up, as you say, Nathan, the point of if the Daleks are superior things, why are they using these humans?

470
00:33:53.940 --> 00:33:58.380
Okay, the humans are more mobile, but mobility doesn't matter that much to adult.

471
00:33:58.440 --> 00:34:01.259
Like, it doesn't matter if it takes Dalek 2 extra minutes to get to.

472
00:34:01.319 --> 00:34:02.279
It's still gonna shoot you.

473
00:34:02.339 --> 00:34:13.980
I actually think it's probably just because, say, would likes to see lots of scenes of people shooting at each other with guns, you know, and that's cheaper to do with people in funny hats than it is to do with daleks.

474
00:34:14.099 --> 00:34:14.639
Oh, yeah.

475
00:34:14.699 --> 00:34:22.860
Maurice Cobb famously refused to wear the Dalek helmet unless absolutely necessary because as he points out, it looks like it.

476
00:34:23.099 --> 00:34:28.500
It looks like, yes, it looks like a very naughty Darth Vader convention, doesn't it?

477
00:34:28.559 --> 00:34:29.159
that's right.

478
00:34:29.219 --> 00:34:34.860
Yeah, well, you know, Nathan Turner saw them and said, no, get them off. get him off and everyone misunderstood his intention.

479
00:34:35.280 --> 00:34:38.940
Well, they thought he was just looking forward to Planet of Fire.

480
00:34:39.900 --> 00:34:43.019
I really like Maurice Colbin's performance.

481
00:34:43.079 --> 00:34:46.079
I like Rodney Boo's performance. think the cast is very strong in this.

482
00:34:46.139 --> 00:34:55.199
Um, they get they get, I think, 2 lines together, those 2, and it's, there's a rather brilliant moment where Rodney Boos turns to wait and says, well, what, what about when it's your turn?

483
00:34:55.320 --> 00:35:00.239
And that kind of starts his rebellious thinking and he escapes at the end.

484
00:35:00.300 --> 00:35:02.340
And we see him escape at the end.

485
00:35:02.400 --> 00:35:09.599
It's going to create a continuity problem next time because he has not shared a single word with the doctor.

486
00:35:09.659 --> 00:35:10.619
They never speak.

487
00:35:10.679 --> 00:35:20.579
The doctor just gives inside eye at one and then Lytton tries to shoot him, just as he's getting away, just because he sees movement, not for any particular reason, but we're getting ahead of ourselves.

488
00:35:20.639 --> 00:35:27.539
One of the cast member who we haven't mentioned is Les Grantham, who was mentored by Louise Jameson.

489
00:35:27.599 --> 00:35:30.179
Yes, when he started after, while he was in presume.

490
00:35:30.239 --> 00:35:33.300
Well, he was, and while he was knocked up, so to speak.

491
00:35:33.360 --> 00:35:37.559
He was offered Galloway as well, but he wanted the character that was on screen more often.

492
00:35:37.619 --> 00:35:39.119
I think he's suitably menacing.

493
00:35:39.179 --> 00:35:40.079
Yes, absolutely.

494
00:35:40.139 --> 00:35:41.820
He's no nider, though, is he?

495
00:35:41.880 --> 00:35:45.599
No, no, but the thing is, he's not meant to, because Nider had his own intelligence.

496
00:35:45.659 --> 00:35:47.699
I had the whole world.

497
00:35:48.360 --> 00:35:58.679
Kiston Kiston is taken over a few minutes after we meet him, you know, and until then he just seems like, you know, a bit of a job's worth mechanic.

498
00:35:58.739 --> 00:35:59.880
That's all he is.

499
00:35:59.940 --> 00:36:01.199
Bit of rough.

500
00:36:01.260 --> 00:36:04.980
He is, of course, famous for being Dirty Dan on EastEnders.

501
00:36:05.039 --> 00:36:06.539
Brilliant in it too.

502
00:36:06.599 --> 00:36:11.400
I haven't seen that since the 90s, but he's, he really did capture that whole Houston film.

503
00:36:11.400 --> 00:36:12.900
Yeah. style.

504
00:36:12.900 --> 00:36:17.519
That's Verdi Lambert, actually, the, you know, the Sweeney and special branch and minder.

505
00:36:17.579 --> 00:36:20.460
And as Richard mentioned earlier, he was in prison.

506
00:36:20.460 --> 00:36:22.559
And this is something we...

507
00:36:22.559 --> 00:36:23.760
By Louise Jamison, yeah.

508
00:36:23.820 --> 00:36:26.159
Um, he, um...

509
00:36:26.280 --> 00:36:33.059
He was in Germany and whilst he was drunk, he killed a taxi driver and was in prison for murder.

510
00:36:33.119 --> 00:36:36.300
Louise Jameson was teaching acting in the prison.

511
00:36:36.360 --> 00:36:42.059
And and saw his talent and sort of worked with him when he got out.

512
00:36:42.059 --> 00:36:45.539
She actually suggested him to John Nathan Turner.

513
00:36:45.599 --> 00:36:46.980
I know this, I know this young actor.

514
00:36:47.039 --> 00:36:48.719
I think he'd be really good for this role.

515
00:36:48.780 --> 00:36:58.500
And he's talked about some the murder quite openly in interviews and how how stupid he was and how much he regrets it, and of course, as you would.

516
00:36:58.559 --> 00:37:00.659
Well, we've all taken an Uber.

517
00:37:00.719 --> 00:37:01.739
I think we can...

518
00:37:01.800 --> 00:37:02.699
Yeah, that's right.

519
00:37:02.760 --> 00:37:12.420
But yeah, so that is for anyone who didn't know Les Grantham's story that this was his 1st TV role.

520
00:37:12.480 --> 00:37:25.739
He's, he's, I think he's great, super menacing, and also he's got that cringing, shoulder shrugging nation, Decensian character of, you know, of the 2nd lieutenant of the 2nd baddie.

521
00:37:25.800 --> 00:37:27.900
There's always there's always, he knows he's going to cop a smack.

522
00:37:27.960 --> 00:37:29.639
Who was sick?

523
00:37:29.699 --> 00:37:35.820
Yeah, so Ian Roberts inhabited a similar role in Superman Returns, if we remember that film.

524
00:37:35.880 --> 00:37:37.500
Oh, he was the Les Grantham all the time.

525
00:37:37.559 --> 00:37:38.699
Yeah, I have never seen it.

526
00:37:38.699 --> 00:37:39.300
The Man of Returns.

527
00:37:39.360 --> 00:37:42.059
I'm not a shot at Wynyard Station at Martin Place.

528
00:37:42.119 --> 00:37:43.320
This entire film.

529
00:37:43.320 --> 00:37:45.719
It has Parker Posey, whom we now own.

530
00:37:45.780 --> 00:37:46.500
Yes.

531
00:37:46.500 --> 00:37:47.579
Many times over.

532
00:37:47.639 --> 00:37:49.199
Should we spoil alert?

533
00:37:49.260 --> 00:37:49.739
Yeah, go on.

534
00:37:49.739 --> 00:37:50.579
Lost in space.

535
00:37:50.639 --> 00:37:52.079
She's going to be Dr. Smith.

536
00:37:52.139 --> 00:37:56.099
The reboot Netflix lost in space. can't wait.

537
00:37:56.159 --> 00:38:03.300
Oh, and Moffat did it first. you're right Apparently it's been confirmed that Michelle Yeo is going to be the captain of Star Trek Discovery.

538
00:38:03.420 --> 00:38:12.360
Yeah, yeah, so I'm expecting cousin Michelle to invite me, you know, on board the bridge and let me sit in the captain's chair and press some buttons.

539
00:38:12.420 --> 00:38:13.320
It's not a chair anymore.

540
00:38:13.380 --> 00:38:15.480
It's a motorbike and she sits on it backwards.

541
00:38:15.539 --> 00:38:17.400
With Pierce Bros.

542
00:38:17.460 --> 00:38:18.300
Oh, God, no, no.

543
00:38:18.360 --> 00:38:20.639
Pierce Brosnan's just wearing a rubber latix.

544
00:38:20.639 --> 00:38:23.280
He is just... ripped for his pleasure face mask.

545
00:38:23.340 --> 00:38:25.500
We don't actually see that it's, he's, yeah.

546
00:38:26.219 --> 00:38:31.019
I don't know why we're so harsh on Eric Seyward when there's always Pierce Brosnan.

547
00:38:31.320 --> 00:38:35.219
I don't know, maybe Eric Saywood could have sung in Mamma Mia.

548
00:38:35.880 --> 00:38:38.159
One thing we've happened...

549
00:38:38.159 --> 00:38:40.500
Or Wind and the Willows is toad. just those lips.

550
00:38:40.559 --> 00:38:43.019
Can you imagine kissing Eric?

551
00:38:43.079 --> 00:38:44.039
Stiletto.

552
00:38:45.599 --> 00:38:53.940
I've just had a picture of he and John Nathan Turner exercising control conflict in the closed doors of Nathan Turner's office.

553
00:38:54.000 --> 00:38:55.079
I think that would have been very interesting.

554
00:38:55.139 --> 00:38:56.940
Gary Downey.

555
00:38:56.940 --> 00:39:02.579
Creative use of a script of worries of the deep episode for...

556
00:39:02.639 --> 00:39:09.539
One thing we've only sort of briefly touched upon and we should dedicate a bit more time to is, of course, this is Tegan's final story.

557
00:39:09.599 --> 00:39:11.280
Yeah, exactly.

558
00:39:11.340 --> 00:39:20.039
I think we need to Yeah, um, I believe Peter, Janet and Mark were actually contracted for the full year, but it was decided rather than everyone leave it once.

559
00:39:20.099 --> 00:39:23.760
They'd stagger it so everyone actually got a decent leaving scene.

560
00:39:23.820 --> 00:39:25.800
She apparently quit before Pete.

561
00:39:25.860 --> 00:39:28.260
She was the 1st one to hand in the resignation.

562
00:39:28.320 --> 00:39:31.860
I just think they're all standing around on terminus thing because she's right, isn't she?

563
00:39:31.920 --> 00:39:33.300
Really?

564
00:39:33.420 --> 00:39:35.880
I think, and I think actually that was the point, wasn't it?

565
00:39:35.940 --> 00:39:37.380
Yeah, well, then they decided, yeah.

566
00:39:37.440 --> 00:39:38.400
That was the point.

567
00:39:38.460 --> 00:39:42.659
I believe it was the production alternatus where Peter had to decide, are you doing year 4?

568
00:39:42.719 --> 00:39:45.000
And he said, No.

569
00:39:45.059 --> 00:39:49.619
I mean, Janet is a bloody tour de force in this, which is amazing because she's in bed for 2 episodes.

570
00:39:49.739 --> 00:39:53.519
I actually don't think she gets anywhere near enough to do.

571
00:39:53.699 --> 00:39:55.559
And...

572
00:39:55.679 --> 00:40:05.460
Well, even even towards the end, in sort of episode four, she does her sort of usual I'm annoyed with Pete kind of eye rolling thing, which I really love.

573
00:40:05.519 --> 00:40:06.960
It's one of my favourite things about her.

574
00:40:07.019 --> 00:40:13.500
But it doesn't look like she's being affected by what she's seen even after, you know, Chloe Ashcroft gets killed.

575
00:40:13.559 --> 00:40:15.000
She gets to react to that.

576
00:40:15.059 --> 00:40:21.539
But I think that that final scene, which I think is beautifully acted and brilliant and it does do what you say, it does reach it.

577
00:40:21.599 --> 00:40:23.519
It critiques the previous production.

578
00:40:23.579 --> 00:40:26.039
I think it comes out of nowhere a bit.

579
00:40:26.099 --> 00:40:34.800
Well, I mean, you've got that scene with the metal detecting guy on the river as well. and she's she's really, really distraught about that.

580
00:40:34.860 --> 00:40:36.539
I kind of think after she's drove back.

581
00:40:36.599 --> 00:40:38.880
She's being strong for Professor Laird.

582
00:40:38.940 --> 00:40:41.039
And she's like...

583
00:40:41.039 --> 00:40:41.760
Jenny to her mate.

584
00:40:41.820 --> 00:40:44.159
She's...

585
00:40:44.159 --> 00:40:45.360
Do you think she was?

586
00:40:45.420 --> 00:40:46.440
Jenny Laird?

587
00:40:46.500 --> 00:40:47.519
She, yeah.

588
00:40:47.760 --> 00:40:50.940
It's weird when she goes up to the Dalek ship.

589
00:40:51.000 --> 00:40:57.000
Mercer's suddenly pointing a gun in her face and I think she's just like the reason she doesn't scream is she's just exhausted.

590
00:40:57.059 --> 00:40:59.099
It's 5 over years.

591
00:40:59.099 --> 00:41:00.179
Right now.

592
00:41:00.239 --> 00:41:03.659
It's the point of she's just like, this is it.

593
00:41:03.719 --> 00:41:06.480
I am literally out, like, with...

594
00:41:06.480 --> 00:41:07.320
Just bit.

595
00:41:07.380 --> 00:41:14.519
And you get that wonderful bit with the continuing growth of the character of Turlow when he says it's Tegan, you idiot.

596
00:41:14.579 --> 00:41:16.860
She's a friend and just his voice lowers.

597
00:41:16.920 --> 00:41:20.880
And again, he's unlike, say last year, he's not trying to impress anyone.

598
00:41:20.940 --> 00:41:22.199
That is a genuine comment.

599
00:41:22.320 --> 00:41:26.280
There's actually a deleted bit to that scene, which I'm so glad they cut out.

600
00:41:26.340 --> 00:41:32.519
It's on the DVD when when Tegan says, oh, the doctor must be here, look behind you on points at the TARDIS.

601
00:41:32.880 --> 00:41:34.860
The scene cuts there.

602
00:41:34.920 --> 00:41:40.079
The extended version, Turlo, tries to go into the time corridor, and Tegan says, Turlo.

603
00:41:40.199 --> 00:41:46.019
And I'm so glad they cut that because that's Turlo running away after he's just done something really quite nice and heroic.

604
00:41:46.079 --> 00:41:46.800
Yes, yes, yes.

605
00:41:46.800 --> 00:41:49.079
No, end the scene there. and then he continues.

606
00:41:49.139 --> 00:41:51.900
Yeah, it was a really good choice of the director to cut that.

607
00:41:51.960 --> 00:41:57.239
But I always cry when I watch Tegan's departure.

608
00:41:57.360 --> 00:42:01.559
And I know I've said, I think it's a reaction to the doctor trying to kill Davros.

609
00:42:01.619 --> 00:42:11.099
But at the same time, she says she's not blaming the doctor and I believe in Janet's performance that Tegan, you know, doctor, it's not your fault, but this is what happens.

610
00:42:11.159 --> 00:42:12.659
It's the same reason Victoria left.

611
00:42:12.719 --> 00:42:13.440
Yeah.

612
00:42:13.500 --> 00:42:16.139
And it's it's similarly played.

613
00:42:16.199 --> 00:42:29.820
And you also have, in this doctor and in Turlow, you have 2 incredibly emotionally reserved characters who are just, They just shut down when Tegan.

614
00:42:29.940 --> 00:42:30.420
English.

615
00:42:30.480 --> 00:42:31.139
Yeah.

616
00:42:31.199 --> 00:42:36.659
They just shut down when Tegan says she's leaving, like Turlo almost falls over to say goodbye to her.

617
00:42:36.719 --> 00:42:38.760
Like he makes his way forward and runs into something.

618
00:42:38.820 --> 00:42:40.739
I like his awkwardness, actually.

619
00:42:40.800 --> 00:42:42.000
Yeah, he's physical awkwardness.

620
00:42:42.059 --> 00:42:42.659
It's really good.

621
00:42:42.719 --> 00:42:44.159
The Roger Moore school of life.

622
00:42:45.599 --> 00:42:54.599
You know, you counteract that with Tegan starts running off and it takes the doctor about 5 seconds to suddenly snap out of it and call out to her and she's like, no, no, I can't.

623
00:42:54.719 --> 00:42:56.340
Not in these hales.

624
00:42:56.760 --> 00:42:59.699
Yeah, Brendan knows what she's suffering.

625
00:42:59.760 --> 00:43:01.320
It's like...

626
00:43:01.320 --> 00:43:01.980
He's wearing them now.

627
00:43:02.639 --> 00:43:11.519
It's like a, it's kind of like a really bad breakup where she kind of wants to go back, but she knows it's the wrong thing.

628
00:43:11.579 --> 00:43:12.539
Well, she does.

629
00:43:12.599 --> 00:43:13.980
I mean it does look like she's turning back.

630
00:43:14.039 --> 00:43:15.599
That's you do sort of read it.

631
00:43:15.659 --> 00:43:16.980
She's only just decided to leave.

632
00:43:17.039 --> 00:43:20.940
But when she says it's no fun anymore. just think she's right.

633
00:43:21.000 --> 00:43:29.280
This is a character who doesn't want to risk being in another Eric Saywood story and so she's off and who could blame him?

634
00:43:29.340 --> 00:43:37.500
Again, I'm fully on her side, but I think that it's too easier reading.

635
00:43:37.559 --> 00:43:43.500
It's, it's kind of too solubstic a reason reading to just say that this is a violent show that's about violence.

636
00:43:43.559 --> 00:43:46.260
I don't even say Wod was not that heavy hand.

637
00:43:46.320 --> 00:43:49.559
I think he might become that heavy-handed in future though.

638
00:43:49.619 --> 00:43:54.300
There will be another season that I won't be here to talk about, so I'll leave that to my good friend Todd.

639
00:43:54.360 --> 00:44:02.820
Todd and I have a similar take and it'll be interesting to hear his opinions when we get to the final of this season on what we think of Davison's pulling away.

640
00:44:02.880 --> 00:44:11.280
If you're looking at how he reacts to Chameleon, who, even though we don't see him, he's, I thought it's supposed to be a companion.

641
00:44:11.880 --> 00:44:12.960
He's certainly treated like that.

642
00:44:13.019 --> 00:44:24.420
So I think that he's his dealings with with companions and and the loss of them. has not, I think, been a great scoring point in his favour so far.

643
00:44:37.860 --> 00:44:44.460
Nathan is breathing a sign of relief, dear listeners, as that's all the time we have for Eric Saywood's murder spree this week.

644
00:44:44.519 --> 00:44:47.460
I know, we ate cake, but we didn't talk about it because it just sounded too fun.

645
00:44:47.519 --> 00:44:52.199
Richard did bring us some lovely cakes from the Black Star bakery, so thanks. you, Richard.

646
00:44:52.260 --> 00:44:54.480
Yes, from the David Bowie Memorial Baker.

647
00:44:55.019 --> 00:44:56.880
He's dead too.

648
00:44:57.239 --> 00:44:59.579
Like Florence Henderson.

649
00:44:59.880 --> 00:45:02.760
The entire cast of remembrance.

650
00:45:02.820 --> 00:45:03.840
No, hang on.

651
00:45:03.900 --> 00:45:05.159
What was this one we just did?

652
00:45:05.519 --> 00:45:12.599
We will be back next week to talk about a bunch of knickers in Lanzarote for Planet of Fire, so do come back for that.

653
00:45:12.659 --> 00:45:14.099
Nicholas for Christmas.

654
00:45:14.159 --> 00:45:16.079
Oh, over on Bondfinger.

655
00:45:16.139 --> 00:45:21.900
Sadly, due to Christmas, we haven't been able to release our view to a kill. just don't think we want Roger to leave.

656
00:45:21.960 --> 00:45:23.639
I can't do it.

657
00:45:23.699 --> 00:45:26.280
Because inevitably we'll have to get to beer.

658
00:45:26.519 --> 00:45:30.119
But we do have all of our...

659
00:45:30.239 --> 00:45:45.659
We do have all of our Sean Connery commentaries up there, including Never Say Never Again, the David Neven Classic Casino Royale, and the 1st 6 Rogimore films on Bondfinger.com, Bondfinger on Facebook, and iTunes, and Bondfinger cast on Twitter.

660
00:45:45.719 --> 00:45:49.619
Until next time, may none of your megalomaniac farts melt your face off.

661
00:45:49.679 --> 00:45:50.760
Thank you very much for listening and good night.

662
00:45:50.820 --> 00:45:51.599
Good night.

663
00:45:51.659 --> 00:45:52.619
I just dropped the mic.

664
00:45:52.679 --> 00:45:53.099
Good night.

665
00:45:57.719 --> 00:46:02.639
That was Flight Through Entirety with Nathan Bottomley, Brendan Jones, and Richard Stone.

666
00:46:02.699 --> 00:46:04.860
Theme arrangement by Cameron Lamb.

667
00:46:04.920 --> 00:46:09.239
This episode, Pointy at the Back, was recorded on the 26th of November 2016.

668
00:46:09.480 --> 00:46:11.760
The next episode will be released on December 18th.

669
00:46:12.239 --> 00:46:20.760
Do you like wearing rubber uniforms and phallic helmets, then join the bipedal Dalek Defence Force, and see really tiny cramped parts of the universe.

670
00:46:25.079 --> 00:46:27.480
Have you watched any more of class?

671
00:46:27.599 --> 00:46:29.280
I watched the 1st episode.

672
00:46:29.340 --> 00:46:33.900
And it's kind of the whole torture thing of, oh, I can see this is very competently made.

673
00:46:34.619 --> 00:46:36.420
What of what?

674
00:46:36.420 --> 00:46:38.159
I really like it.

675
00:46:38.219 --> 00:46:39.360
What did you think?

676
00:46:39.539 --> 00:46:41.880
Um, it was a lot better than I was expecting it to be.

677
00:46:42.000 --> 00:46:49.619
And it's certainly, it's certainly not as, say, smug as Buffy, because one thing that always put me off with Buffy was, everyone's so smart.

678
00:46:49.679 --> 00:46:51.539
It's like, no, no teenagers actually act like this.

679
00:46:51.599 --> 00:46:53.099
They're not that cool.

680
00:46:53.159 --> 00:46:56.820
No, they were TV writer versions of teenagers, you know, like they were.

681
00:46:56.940 --> 00:46:57.960
It was very guilful.

682
00:46:58.260 --> 00:47:04.739
One thing I'm on the fence about is Charlie, who is the alien being the gay character.

683
00:47:04.800 --> 00:47:12.659
It's like, okay, I really like that we have a gay character in a primetime TV series and he doesn't make a big deal out of it, but actually that doesn't represent our struggle at all.

684
00:47:12.719 --> 00:47:14.400
Make the seat character game.

685
00:47:14.460 --> 00:47:18.900
Well, I kind of, I like the fact that, well, Matusa's is...

686
00:47:18.960 --> 00:47:20.340
Yeah, true.

687
00:47:20.400 --> 00:47:24.780
And the delicious table wine. much beloved by teenagers, I hear.

688
00:47:26.579 --> 00:47:32.159
Yes, and I, I, actually, I think he was probably my favourite character in the 1st episode.

689
00:47:32.219 --> 00:47:34.199
They gave him a lot of funny lines, like...

690
00:47:34.199 --> 00:47:35.940
You watch Rambino.

691
00:47:36.000 --> 00:47:37.019
Everyone's very attractive.

692
00:47:37.079 --> 00:47:37.679
It is true.

693
00:47:38.639 --> 00:47:53.340
I like the idea that Charlie chooses Mateo's, not because Charlie's gay, but because he doesn't realise that most people choose someone of the opposite gender to take to the prom and he just doesn't kind of, because he's, he's an alien.

694
00:47:53.400 --> 00:47:59.760
But that's what I mean by it's not really too aggressive because he doesn't have to struggle. and it's safe and the parents go, oh, it's...

695
00:47:59.760 --> 00:48:04.019
But it does mean at least you do get, you know, gay kissing and other things on telling.

696
00:48:07.739 --> 00:48:10.199
Actually, no, naming gays?

697
00:48:10.260 --> 00:48:10.920
No, that's now.

698
00:48:10.920 --> 00:48:14.940
And I'm a huge fan of both Tanya and Ram.

699
00:48:15.000 --> 00:48:16.199
I think they're great characters.

700
00:48:16.260 --> 00:48:18.300
And April is getting good as well.

701
00:48:18.360 --> 00:48:19.260
Actually, yeah.

702
00:48:22.320 --> 00:48:24.119
Everyone's really well skipped.

703
00:48:24.179 --> 00:48:24.960
It's a class podcast.

704
00:48:25.019 --> 00:48:28.199
Well, it's going to be ages before we ever talk about...

705
00:48:28.260 --> 00:48:31.920
It's going to be called everyone's very attractive. everyone's very attractive.

706
00:48:31.980 --> 00:48:34.500
Hello and welcome to everyone's very attractive.

707
00:48:34.559 --> 00:48:37.199
That's the other thing. and Rod Ray is this with me.

708
00:48:37.260 --> 00:48:42.059
It's like, oh, look, it's a primetime drama and everyone has a 26 to 28 inch waste.

709
00:48:42.119 --> 00:48:42.599
Yeah.

710
00:48:42.659 --> 00:48:43.980
Wow.

711
00:48:43.980 --> 00:48:47.219
That's exactly why I keep watching.

712
00:48:47.280 --> 00:48:50.460
Everything I'm watching sort of was made before 97 at the moment.