This week, we’re mostly hiding behind the curtain and under the bed, watching French aristocrats getting attacked by clockwork robots. Which is fun, but not quite in the way you might expect. Also, we’re joined by friend-of-the-podcast Simon Moore, the culmination of a nearly five-year masterplan to trick him into saying the word trope. It’s The Girl in the Fireplace.
Well, the Doctor has been exiled to Earth again, but instead of hobnobbing with lizard men, he’s spending his time flirting with Matron and delivering incredibly tedious history lessons. There’s some indefensible name-dropping in this episode, including local radio star Simon Moore, but after all, that’s just Human Nature.
Simon, Todd and Nathan are still trapped in 1913, which is better, at least, than being trapped in chains, a collapsing galaxy, every mirror, or a scarecrow. With World War I on the horizon, all three of them await the answer to a single question: Will John Smith have the courage to leave the stage, so that the Doctor can confront The Family of Blood?
It’s Easter 2009, and here we are, huddling in a bus with Michelle Ryan and friend-of-the-podcast Simon Moore on the desert planet San Helios, with the sun in our eyes, hope in our hearts and a hundred billion dead people in our hair. It’s the first special episode of David Tennant’s final year: welcome to the Planet of the Dead.
This week, we spend 45 minutes climbing a staircase in search of 2007’s most celebrated Doctor Who monster. Peter’s dreaming about the Aplan, James is wishing he hadn’t worn these heels, Nathan is wondering if he left the mortars in the nave or the vestry, and friend-of-the-podcast Simon Moore is admiring the low lighting and the sombre vaulted ceilings. It turns out our dreams no longer need us, so this must be The Time of Angels.
This week, Nathan, James, Peter and Simon are all huddling terrified in a dark forest, waiting for the image of an angel to materialise and kill us all, but not before we finish our discussion of Flesh and Stone.