It’s a Christmas miracle! Flight Through Entirety starts an exciting Christmas tradition by nogging up, sitting down and talking all the way through a Doctor Who Christmas special — David Tennant’s début episode, The Christmas Invasion.
This week, for the first time in ages, Todd, Nathan, James and Richard arrive on an exotic yet strangely familiar alien planet, where they meet some old friends and a terrifying new enemy. Oh, okay, it’s cats. Welcome to 2006, and welcome to New Earth.
This week, Nathan and James head off to Scotland with special guest star Lizbeth Myles. We basically spend the entire episode larking about while all around us the bodies pile up and Her Majesty gets increasingly exasperated. It’s (nature red in) Tooth and Claw.
This week, Nathan, James and New to Who’s Steven B spend most of the time trying to make Todd cry; the rest of the time, we’re trying to avoid bats in the Deffry Vale High School computer room and listening carefully while Sarah Jane Smith explains the moral of the story. It’s School Reunion.
This week, we’re mostly hiding behind the curtain and under the bed, watching French aristocrats getting attacked by clockwork robots. Which is fun, but not quite in the way you might expect. Also, we’re joined by friend-of-the-podcast Simon Moore, the culmination of a nearly five-year masterplan to trick him into saying the word trope. It’s The Girl in the Fireplace.
This week, Nathan and Richard argue fruitlessly about which one of them Brendan likes the most, before heading off to one of those parties where the champagne is warm, the canapés are disappointing, and the guests are being casually slaughtered by art deco cyborgs. It’s time for the Rise of the Cybermen.
It’s Coronation Day, and so Nathan, James and Richard have invited TV’s Adam Richard over to join us on the sofa, so that we can watch the festivities in comfort while Maureen Lipman slowly pulls our faces off. God save the Queen, everyone — it’s The Idiot’s Lantern.
This week, we’re orbiting around a black hole talking about flat-pack furniture and making lewd comments about security guards, while all around us the kitchen staff are gearing up for a massive attack on God himself. I suppose that’s why they call it The Impossible Planet.
In this week’s earnest Radio National podcast episode, Nathan, Peter and Todd discuss religion, the concept of Satan, the nature of human evil, and a proposed Marxist reading of the plight of the Ood. Plus, an episode of a children’s science fiction series called The Satan Pit.
So we’d all meet up, every week, and we’d talk about the Doctor for a bit. But after a while, Bridget started cooking. Next thing you know, Mister Skinner started his readings, because he was writing his own novel. As time went on, we got to know each other better and better. Then it turned out that Bridget could play the piano, and I confessed my love of ELO. Next thing you know —
This week, children are disappearing from the streets, while the people at number 20 are taking delivery of huge numbers of Derwent Lakeland pencils. It’s no wonder, really, that everyone around here seems to Fear Her.
This week, Nathan’s hiding in a sarcophagus, James is transfixed by a giant ball, Todd keeps trying to lure his workmates into the next office, and Richard just wishes Tracy-Ann Oberman would do a better job with her hair — while all around them, Cybermen are busily pressing themselves into the skin of the universe. Our flight through Series 2 is nearly at an end, so it’s time to face an entire Army of Ghosts.
This week, the whole world will soon end in a fiery cataclysm, which has nothing much to do with the podcast, but is probably worth mentioning at this point. Meanwhile, robots from the 1960s are wrangling about something, while an iconic love story comes to a final end. For now. Welcome to Doomsday.
It’s the end of twenty-first century Doctor Who’s difficult second album, and the end of the entirety of the Piper Era, so we’ve decided to do this whole episode in our best fake London accents. Will we find more to talk about than just the Battle of the Teeth?
It’s Christmas in July and an apocalyptically hot day in London. Still, Nathan, James, Todd and Peter have been cordially invited to attend the wedding of that guy off EastEnders and the incomparable Catherine Tate. Things don’t go quite according to plan. It’s The Runaway Bride.
And we’re back! It’s a new year for Doctor Who, and there’s a new companion, with a new mother who will at some point slap him in the face. But until then, it’s all about a bunch of rhinos menacing a hospital on the moon, which is just the kind of premise literally any TV show would come up with. Welcome aboard, Smith and Jones.
This week, we’re joined by Pete Lambert and Conrad Westmaas for a social history of Elizabethan England, a whirlwind tour of the life and works of Shakespeare, and some serious criticism of Martha’s taste in men. It’s Tuesday, so this must be Hamlet — it’s The Shakespeare Code.
This week, Brendan’s high on Honesty, James is driving naked, and Nathan can’t stop scratching himself for some reason, while special guest star Erik Stadnik brings some philosophy and literary criticism to our discussion of Gridlock.
This week, we learn that the mortal enemy of showtunes is capitalism, that the mortal enemy of some Doctor Who fans is fun, and that the mortal enemy of the Doctor has descended upon Depression-Era New York in an exciting new thematic guise. The show must go on, in spite of the Daleks in Manhattan.